Acoustica Mixcraft 6 manual

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Buen manual de instrucciones

Las leyes obligan al vendedor a entregarle al comprador, junto con el producto, el manual de instrucciones Acoustica Mixcraft 6. La falta del manual o facilitar información incorrecta al consumidor constituyen una base de reclamación por no estar de acuerdo el producto con el contrato. Según la ley, está permitido adjuntar un manual de otra forma que no sea en papel, lo cual últimamente es bastante común y los fabricantes nos facilitan un manual gráfico, su versión electrónica Acoustica Mixcraft 6 o vídeos de instrucciones para usuarios. La condición es que tenga una forma legible y entendible.

¿Qué es un manual de instrucciones?

El nombre proviene de la palabra latina “instructio”, es decir, ordenar. Por lo tanto, en un manual Acoustica Mixcraft 6 se puede encontrar la descripción de las etapas de actuación. El propósito de un manual es enseñar, facilitar el encendido o el uso de un dispositivo o la realización de acciones concretas. Un manual de instrucciones también es una fuente de información acerca de un objeto o un servicio, es una pista.

Desafortunadamente pocos usuarios destinan su tiempo a leer manuales Acoustica Mixcraft 6, sin embargo, un buen manual nos permite, no solo conocer una cantidad de funcionalidades adicionales del dispositivo comprado, sino también evitar la mayoría de fallos.

Entonces, ¿qué debe contener el manual de instrucciones perfecto?

Sobre todo, un manual de instrucciones Acoustica Mixcraft 6 debe contener:
- información acerca de las especificaciones técnicas del dispositivo Acoustica Mixcraft 6
- nombre de fabricante y año de fabricación del dispositivo Acoustica Mixcraft 6
- condiciones de uso, configuración y mantenimiento del dispositivo Acoustica Mixcraft 6
- marcas de seguridad y certificados que confirmen su concordancia con determinadas normativas

¿Por qué no leemos los manuales de instrucciones?

Normalmente es por la falta de tiempo y seguridad acerca de las funcionalidades determinadas de los dispositivos comprados. Desafortunadamente la conexión y el encendido de Acoustica Mixcraft 6 no es suficiente. El manual de instrucciones siempre contiene una serie de indicaciones acerca de determinadas funcionalidades, normas de seguridad, consejos de mantenimiento (incluso qué productos usar), fallos eventuales de Acoustica Mixcraft 6 y maneras de solucionar los problemas que puedan ocurrir durante su uso. Al final, en un manual se pueden encontrar los detalles de servicio técnico Acoustica en caso de que las soluciones propuestas no hayan funcionado. Actualmente gozan de éxito manuales de instrucciones en forma de animaciones interesantes o vídeo manuales que llegan al usuario mucho mejor que en forma de un folleto. Este tipo de manual ayuda a que el usuario vea el vídeo entero sin saltarse las especificaciones y las descripciones técnicas complicadas de Acoustica Mixcraft 6, como se suele hacer teniendo una versión en papel.

¿Por qué vale la pena leer los manuales de instrucciones?

Sobre todo es en ellos donde encontraremos las respuestas acerca de la construcción, las posibilidades del dispositivo Acoustica Mixcraft 6, el uso de determinados accesorios y una serie de informaciones que permiten aprovechar completamente sus funciones y comodidades.

Tras una compra exitosa de un equipo o un dispositivo, vale la pena dedicar un momento para familiarizarse con cada parte del manual Acoustica Mixcraft 6. Actualmente se preparan y traducen con dedicación, para que no solo sean comprensibles para los usuarios, sino que también cumplan su función básica de información y ayuda.

Índice de manuales de instrucciones

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    C opyrights & Tra de m a rks Redi s tr i b uti ons of s ourc e c ode m us t retai n the ab ove c opy ri ght no ti c e, thi s l i s t of condi ti ons and the fol l ow i ng dis c l ai mer. Redi s tr i b uti ons i n b i nary form mu s t repr oduce the a b ov e c opy r i ght n oti c e, this l i s t of c ondi ti ons and the foll ow i ng d i s c l ai[...]

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    3 C onte nts 3 © 20 12 A c ous ti c a, In c T abl e o f Con te n ts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Impo r tan t So u n d S e tup Infor ma ti o n . . . . . . . . . . . . . . . . . . . . . . . . . .[...]

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    Mi x cra ft 6 Us e r Ma n ua l 4 © 20 12 A c ous ti c a, In c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Merge 56 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [...]

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    5 C onte nts 5 © 20 12 A c ous ti c a, In c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W MV Re nde r S ettings 117 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[...]

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    Mi x cra ft 6 Us e r Ma n ua l 6 © 20 12 A c ous ti c a, In c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 9 C urs ors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [...]

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    I mpor t ant S ou nd Set up I nfor mati on - 7 © 20 12 A c ous ti c a, In c I mpor t ant Sound S etup Inf or mation W he n y ou f i rst s t art Mi x c raf t , y ou s ho uld mak e s ur e t ha t t he aud io l atency r espon s e i s s et up pro pe rly . Al l s oun d dev ic es an d s oun d c ar ds are not c r ea ted equ al and s ome hav e be tt er per[...]

  • Página 8

    Mi x cra ft 6 Us e r Ma n ua l 8 © 20 12 A c ous ti c a, In c T his option i s av ailab le wh en W av e R T i s s elec t ed . Audio f rom ot he r pr ogr ams an d W ind ow s w ill not wo rk at t he s ame t im e t hat y ou are i n t his mode . AS I O X P, V i s t a & W in 7 T he best f or play ba c k and re c or ding s y nchr on iz at ion . Mus [...]

  • Página 9

    I mpor t ant S ou nd Set up I nfor mati on - 9 © 20 12 A c ous ti c a, In c dr i v er s ar e ou t of da t e alre ady. )[...]

  • Página 10

    Mi x cra ft 6 Us e r Ma n ua l 10 © 20 12 A c ous ti c a, In c Quick Star t So y ou wa nt t o get s omet hin g don e in a hu rr y , eh? Le t ' s f ollow ou r f av or it e m us ic ian S oun d W ar rior (SW ) t hr oug h t he pa c es of usi ng M ix c ra f t ™. Lo a d i n sou nds o r l o o ps SW s t ar t s Mix c ra f t and c lic k s t he Lib ra[...]

  • Página 11

    Qu ic k St art - 11 © 20 12 A c ous ti c a, In c Re c o rd s a Lea d Synth Pad SW hoo k s up his MID I k eyboa rd and c re ates a V irtual In s t ru m en t T rack . H e f ind s a gro ov y s y nth lea d and record s hims elf . In a f ew s pots , he played t he wr ong no te an d s o he s im ply go es t o t he Pi an o Ro ll E dit or and mov es t he n[...]

  • Página 12

    Mi x cra ft 6 Us e r Ma n ua l 12 © 20 12 A c ous ti c a, In c C AV E c av e LADY lady" . He c li c k s on t he FX butt on on t r ack 3 and s elect s t he ef f ect " Dela y " f rom t he l is t . I n a s ud de n ins pir ation, he deci de s t ha t t he wh ole t hing nee ds rev er b s o t hat it s ou nd s lik e it ' s in a c av e.[...]

  • Página 13

    Qu ic k St art - 13 © 20 12 A c ous ti c a, In c (O f c our s e, S W ha s pu rchased all A c oust i c a s of t w ar e be c au s e he k no w s it is s mart t o s up p or t goo d s of t wa r e! )[...]

  • Página 14

    Mi x cra ft 6 Us e r Ma n ua l 14 © 20 12 A c ous ti c a, In c Regis t r at ion N or m ally , M ix c raf t ha s a t rial per i od of 14 days . A f t er t he t r ial pe r iod is ov er , y ou will ne ed t o pu r c hase t he s of t w ar e in or der t o bu rn aud io CD s or m ix dow n. T o pu rchase a re gis t ra t i on c od e, c l ic k t he " B [...]

  • Página 15

    R eg is t ra t ion - 15 © 20 12 A c ous ti c a, In c T y pe i n or c opy and pas t e y our " Re gis t ra t i on I D" (u s ually y our email add ress ) in t he S t ep 3 edit box an d t y pe in or c op y an d past e t he 20 c ha ract er " Re gis t ration Co de " (exc lud ing da s he s ) int o t he S t ep 4 edit box. (Mak e s ure [...]

  • Página 16

    Mi x cra ft 6 Us e r Ma n ua l 16 © 20 12 A c ous ti c a, In c M ixcraft R eference T his will help y ou iden ti f y s pe c if ic s ect i on s of t he main M ix c raf t interf ac e. M e nus A m en u t o acc ess all t he awe s ome po w er of M ix c ra f t ! T o o l bar Ac c es s c omm on fu nc t ions s uc h as s av ing, load ing , un do and r ed o.[...]

  • Página 17

    M ix c ra f t R efer en c e - 17 © 20 12 A c ous ti c a, In c T i m e li n e Add m ar k er s , mak e s elec t ions and ad just t empo, k ey and t i me s igna ture . T r ac k H e a ders Add ef f ect s , or gan iz e y our pr oject and arm y ou r t ra c k s . Ti p: T o quic k ly s c ro ll t he t ra c k s up and do w n, mov e t he m ou s e ov er t he [...]

  • Página 18

    Mi x cra ft 6 Us e r Ma n ua l 18 © 20 12 A c ous ti c a, In c T r ans po r t C on trol play ba c k , re c or din g, loop mode , pun c h i n/out. V iew t he play ba c k t im e and adjust t he m ast er v olume. T abs Proje c t Soun d* Mix er Lib ra ry * If t he S oun d t ab is s ele c t ed , y ou will ha v e t he f ollow ing editors av ailable : Au[...]

  • Página 19

    M ix c ra f t R efer en c e - Track s 1 9 © 20 12 A c ous ti c a, In c A d di ng T r ac ks Eac h ne w pro ject s t ar t s w it h 8 blan k t ra c k s . Y ou c an add t rack s by c lic k ing t he + Tra c k butt on ab ov e t he t r ack s t o t he lef t of t he t i me l ine. You c an als o c li c k A dd Tra c k f ollow ed by s elect i ng t he t y pe o[...]

  • Página 20

    Mi x cra ft 6 Us e r Ma n ua l 20 © 20 12 A c ous ti c a, In c R e- s iz e a t ra c k by mov ing t he m ou s e t o t he bott om of a t r ack an d dr ag up or do w n. W hen t he mouse is in t he rig ht s pot t o r e- s iz e, t he c ur s or will become an up/dow n c ur s or . Al t er n ativ ely , y ou c an c l ic k on t he Track m en u > P ro pe [...]

  • Página 21

    M ix c ra f t R efer en c e - Track s 2 1 © 20 12 A c ous ti c a, In c T o mi x do w n t o a ne w au dio t r ack , c hoo s e Track m en u > M i x To Ne w A udi o Track or r igh t c li c k on a t ra c k hea de r an d c hoo s e M i x T o Ne w A ud io T r ack . Dup li ca t e T r a c k You c an dup lic ate or c opy all s ett ings and s oun ds on a [...]

  • Página 22

    Mi x cra ft 6 Us e r Ma n ua l 22 © 20 12 A c ous ti c a, In c Selec t a new i mage and c li c k OK . A dd Y o ur Ow n I m a ge Or Ph oto You c an add an y im ag e or pho t o of y our ban d member s , y our dog or almos t an y t hing t hat i s in t he on e of t he f ollow ing im ag e f orma t s . . J PG . BM P . PNG . GI F C lic k on Add M y Ow n [...]

  • Página 23

    M ix c ra f t R efer en c e - Track s 2 3 © 20 12 A c ous ti c a, In c Vo lume & Pa n Adjus t t he v olume and pan f or ea c h t rack . V o lu m e Eac h t r ack ha s it s own v olume w hic h c an be adju s t ed by t he s lider on t he t ra c k . Clic k dow n on t he s li de r and mov e i t lef t or r ight. T he v olu me c an be s et f r om 0% [...]

  • Página 24

    Mi x cra ft 6 Us e r Ma n ua l 24 © 20 12 A c ous ti c a, In c T he han dle t ur ns re d s i gn if y ing t ha t y ou c an ad just t he recor ding l ev el f ro m t he c ur r en t i np ut. (T his is on ly f or aud io t ra c k s . ) Mu t e & So l o Mute an d/or s olo a t r ack . M ute I f y ou do no t wis h t o he ar a t ra c k , y ou c an m ute [...]

  • Página 25

    M ix c ra f t R efer en c e - Track s 2 5 © 20 12 A c ous ti c a, In c N ew s ou n ds and re c or dings are add ed at t he c ar et po s it i on . A f t er add ing a new s oun d, t he c are t will mov e t o t he en d of t he s ou nd . T he c are t i s als o t he poin t at wh ic h s elect ed s oun ds will be s plit . You c an m ov e t he c ar et ar [...]

  • Página 26

    Mi x cra ft 6 Us e r Ma n ua l 26 © 20 12 A c ous ti c a, In c T o ar m a t ra c k , c lic k t he Arm butt on on a t ra c k . Onc e a t rack i s ar med, it will high light in re d. A rm Toggl e C tr l + B C ho osi ng Re c or di n g Inp ut You c an record fr om mult iple s ou nd c ar d s and dif f er en t inp uts at t he s ame t im e. S ome s pe c [...]

  • Página 27

    M ix c ra f t R efer en c e - Track s 2 7 © 20 12 A c ous ti c a, In c T o c hoo s e an inpu t , c lic k t he ar m ar r ow f or t rack 1. Clic k on " Le x ic on " or wh at ev er y ou r de v ic e is c alled an d c hoo s e " Lef t C ha nn el" . On t he s ec on d t ra c k , we ' d lik e t o record t he " Righ t Cha nne l[...]

  • Página 28

    Mi x cra ft 6 Us e r Ma n ua l 28 © 20 12 A c ous ti c a, In c Some s oun d de v ic es i ncl ud e a f ea t ur e t ha t allow s y ou t o he ar wha t y ou ar e re c or ding. Many de v ic es (suc h as USB mic ro pho ne s ), t ho ug h, do no t allow y ou t o he ar wh at y ou ar e re c or din g. A nd other t i mes , y ou may wish t o m on it or y ou r [...]

  • Página 29

    M ix c ra f t R efer en c e - Track s 2 9 © 20 12 A c ous ti c a, In c Vi rtua l I nst ru ment T ra c k s hav e t he ext ra ins t ru ment bu t t on t o t he lef t of t he mut e butt on . C lic k t he ins t ru m en t bu tt on t o c hoo s e an ins t ru men t . You m ay c on ne c t a M I DI k ey bo ar d t o re c or d an d play MI D I . Pl ay an optio[...]

  • Página 30

    Mi x cra ft 6 Us e r Ma n ua l 30 © 20 12 A c ous ti c a, In c k ey bo ar d t o s ee if t his is pos s ible, t hou gh . Re c o rd in g Multip le T r a c ks Sim ul ta neousl y You c an record m ult iple V irtual In s t ru m en t (MI DI ) t r ack s at t he s ame t im e. Si mply c lic k t he ar m bu t t on f or eac h t ra c k t hat y ou wa nt t o rec[...]

  • Página 31

    M ix c ra f t R efer en c e - Track s 3 1 © 20 12 A c ous ti c a, In c T ogg le t he t ra c k s y ou w an t an d c li c k OK . V i d e o T he V ideo T rack holds v ide o c l ips & image s or pho t os. T her e is only on e v i de o t ra c k . T o t og gle t he v ideo play ba c k wind ow , c l ic k t he " S how / Hide V i de o W indo w"[...]

  • Página 32

    Mi x cra ft 6 Us e r Ma n ua l 32 © 20 12 A c ous ti c a, In c M a s t e r Eac h pr ojec t ha s on e M ast er T r ack . A ll t ra c k s ar e mix ed t o t he Mas t er T ra c k . T o v iew t he Mas t er T ra c k , c lic k Tra c k menu > S how M as te r Trac k . A lt ern ativ ely, c lic k t he + Tra c k bu tt on at t he t op of t he t rack s an d [...]

  • Página 33

    M ix c ra f t R efer en c e - Track s 3 3 © 20 12 A c ous ti c a, In c Add a S en d T r ack t o t he pr oje c t . W e re na med t his on e t o be c alled " Rev e r b (SE ND )". Go t o t he t ra c k t hat y ou wa nt t o rou t e s igna l t o t he S end t rack . Ex pa nd t he t ra c k automati on po r ti on of t he t rack by c lic k ing t h[...]

  • Página 34

    Mi x cra ft 6 Us e r Ma n ua l 34 © 20 12 A c ous ti c a, In c v olume adju s t ments . (PRE-Fad e r S en d) Pos t V olume A djust m en t - T he t rack 's aud io i s s ent t o t he S end T ra c k af t er app ly i ng i t s ow n v olume adju s t ments . (POS T -Fa de r Send ) T o c han ge t he S end V olume T y pe, righ t c lic k on t he Send k[...]

  • Página 35

    M ix c ra f t R efer en c e - Track s 3 5 © 20 12 A c ous ti c a, In c POS T-Fa d e r S e nd * * Dep end ing on t he s en d v olume t y pe , t he aud io f ro m a t rack will be s ent at on e of t he s t ar r ed * po ints i n t he aud i o s i gn al f low . Ti p: W hen add ing an ef f ec t t o a Send T rack , it is recomm en de d t o c ho ose a pr e[...]

  • Página 36

    Mi x cra ft 6 Us e r Ma n ua l 36 © 20 12 A c ous ti c a, In c I f y ou ha v e an aud io dev ic e wit h m ulti ple ou tputs , s im ply c lic k on t he ou t pu t dro p do w n of an ou t pu t t r ack an d c hoo s e t he ou t pu t . T he M ix er v iew als o allow s y ou t o ad just t he ro uting of t rack s t o outpu t s . T her e ar e many ways t ha[...]

  • Página 37

    M ix c ra f t R efer en c e - Track s 3 7 © 20 12 A c ous ti c a, In c mix . T hat s en d t ra c k 's outpu t ha s be en s et t o t he Hea dph on e Out 1 output t ra c k , wh ic h ha s be en ro ut ed t o a s pe c if ic outpu t on t he aud io dev ic e. T he S end k no bs on each t r ack ar e t he n us ed t o c re ate a c us t om monitor mix f [...]

  • Página 38

    Mi x cra ft 6 Us e r Ma n ua l 38 © 20 12 A c ous ti c a, In c R e w i r e R eW ire is a s t and ard c re at ed by P rop ellerh ea d S of t w ar e t ha t allow s M ix c ra f t t o i nter f ac e wit h other po pu l ar s of t w ar e. T his po w er f ul t ool allows M ix c raf t t o ac c es s s oun ds, v irtual ins t ru ments , and ot he r f eatur es[...]

  • Página 39

    M ix c ra f t R efer en c e - Track s 3 9 © 20 12 A c ous ti c a, In c Au toma t i on You c an c ha ng e t he w ay t hings s oun d ov er t i me. Aut omation allow s y ou t o add po ints at s peci f ic loc ations on a t ra c k ' s automation l an e . Aut omation t y pe s : Volume Pan Send t ra c k s Any ef f ect or s y nt he s iz er par amet e[...]

  • Página 40

    Mi x cra ft 6 Us e r Ma n ua l 40 © 20 12 A c ous ti c a, In c C lic k on an y po int i n t he au t omation bod y t o add a po int and t he n dr ag i t t o t he desired v alu e. M o vi ng T rac k A utom a t i on Po i nts T he glob al s na p v alue will ap ply w he n ad din g and edit ing au tomat ion po ints . I f y ou ar e ha v ing pro blems m ov[...]

  • Página 41

    M ix c ra f t R efer en c e - Track s 4 1 © 20 12 A c ous ti c a, In c 1. Ch oo s e a v irtual ins t r umen t f or t he t rack . 2. Clic k t he automation dro p do w n t o s ho w t he automati on . 3. No w s elect t he v i rtua l ins t ru men t . C lic k on t he c on t ro l t it led " T ra c k V olume", f ollowe d by c li c k ing t he v [...]

  • Página 42

    Mi x cra ft 6 Us e r Ma n ua l 42 © 20 12 A c ous ti c a, In c After t hat, we c an dr a w in automat ion po ints t o c han ge t he f ee db ac k ov er t im e. Re c o rd in g A ut o m a t i on You c an record automati on f or ef f ec t s or v i r t ua l ins t ru men t s by s ett i ng up y ou r MI D I dev ic e t o c on t ro l a par ameter. Once a M [...]

  • Página 43

    M ix c ra f t R efer en c e - Track s 4 3 © 20 12 A c ous ti c a, In c A u t o m a t i n g W i t h A M I D I C o n t r o l l e r You c an s et up an y M I DI c ontro ller or k ey boa rd t o c on t r ol any ef fe c t pa r ameter or v irtual ins t ru ment pa r ameter . Eac h MI D I k ey boa rd or c on t ro l ler is dif fe ren t. T he ba s ic ide a i[...]

  • Página 44

    Mi x cra ft 6 Us e r Ma n ua l 44 © 20 12 A c ous ti c a, In c Ho w T o Ma p A K n ob o r Sl i d e r T o A n Effec t I n or der t o c ontro l v ario us par amet er s of an ef fe c t , t he r e ar e s ev era l w ays t o do it . E ac h k nob or s li de r on a MI D I k ey boa r d ge ne r ates a M I DI CC mes s age . 1. C lic k t he M I D I Le ar n bu[...]

  • Página 45

    M ix c ra f t R efer en c e - Track s 4 5 © 20 12 A c ous ti c a, In c Lo a di ng A nd Saving Effe ct Ma ppi ng s C lic k S av e or S av e A s . . . t o s av e y ou r mapp ing . R ecall i t at any t im e f ro m t he P r eset s . I f y ou wis h t o ge t rid of m ap pin g, s elec t it and t hen c li c k De lete . Eff ec ts You c an add ef f ec t s t[...]

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    Mi x cra ft 6 Us e r Ma n ua l 46 © 20 12 A c ous ti c a, In c D e l e ting E mp ty L a ne s R igh t c li c k on an empty par t of a t ra c k an d c l ic k La ne s f ollow ed by De lete E mpty La ne s . D e l e te La ne A l t+K M uting La ne s You c an m ute or unmute all c lips on an y t ra c k by rig ht c l ic k ing on an empt y pa rt of a l an [...]

  • Página 47

    M ix c ra f t R efer en c e - Clips 4 7 © 20 12 A c ous ti c a, In c M o vi ng T o mov e a c li p, s elec t it s t i t le bar and dr ag wh ile ho lding dow n t he mouse bu tt on.. (T he t i t le bar i s t he t op ar ea of t he c l ip whe re t he na me i s dis played.) B E FORE M OVE A FTE R M OVE You c an als o mov e a c l ip by us ing t he k ey b[...]

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    Mi x cra ft 6 Us e r Ma n ua l 48 © 20 12 A c ous ti c a, In c Dele ting Selec t a c lip or gro up of c lips an d t hen s ele c t De lete f ro m t he E dit menu . Al t er n ativ ely , y ou c an push t he Dele t e k ey on y our k eyboa r d t o delete t hem. D e l e ting P a rts Of Cli ps I f y ou s elect par t of a c li p, it will only de lete t he[...]

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    M ix c ra f t R efer en c e - Clips 4 9 © 20 12 A c ous ti c a, In c a lef t righ t r e- s iz e c ur s or . Si mply c lic k on t he l ef t or righ t ed ge of t he c lip, ho ld t he mouse do w n and dra g lef t or rig ht. Eac h loo p is re pre s en t ed by a t rian gle on t he t op and bo tt om of t he s oun d. T he c l ip will l oo p ba s ed on t [...]

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    Mi x cra ft 6 Us e r Ma n ua l 50 © 20 12 A c ous ti c a, In c s hortc ut A l t Dr a g Copy a n d Pre s e rve Ti m e Of f s e t s hortc ut Sh i ft + Alt+d ra g (C opy N' P as t e mak es t he w or l d go ' ro und . Bec ome a f an of " Co py A nd P as t e" on y our f av or it e s oc ial ne twor k i ng s it e. ) Se lec ti n g Cli [...]

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    M ix c ra f t R efer en c e - Clips 5 1 © 20 12 A c ous ti c a, In c You c an t ogg le t he s elec t ion of mult iple c lips by ho lding dow n t he C t rl k ey and c lic k ing t he t it le ba r of t he c lip. You c an s elect add it ion al c lips by ho lding dow n S hift k ey and c lic k ing t he t it l e bar of t he c l ip. Sele c t i ng A Pa rt [...]

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    Mi x cra ft 6 Us e r Ma n ua l 52 © 20 12 A c ous ti c a, In c So u n d s T her e ar e t wo t y pe s of s oun ds: A udi o cli p s Vi rtua l I ns trume nt (MI DI) cl i ps C lip t empo and k ey c an be manip ula t ed in t he f ollow ing wa y s . T em po /T i m e A d j ustment s T i me t r av el m ay not be poss i ble y et , bu t y ou c an c ha ng e [...]

  • Página 53

    M ix c ra f t R efer en c e - Clips 5 3 © 20 12 A c ous ti c a, In c You will k now t hat y ou are i n Fl exA udio ™ mode i f t he c ursor t ur ns int o t he Flex A udio ™ c ur s or . Le ar n mor e abo ut Flex A ud io™ her e. K e y / Pi t c h A dju st m ent s A s ou nd c an be pit c h s hif t ed li k e a c hipmun k or m ad e t o s ou nd l ik[...]

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    Mi x cra ft 6 Us e r Ma n ua l 54 © 20 12 A c ous ti c a, In c T he or igina l de t ect ed t empo will s how up with an * next t o it in c as e y ou nee d t o rest or e it t o t he or i gina l de tec t ed t empo . Det ec tin g T e m po ( a udi o cli ps o nl y ) T he f ollow ing i nf or m ation i s f or aud i o c l ips on ly . I f A uto B ea t M at[...]

  • Página 55

    M ix c ra f t R efer en c e - Clips 5 5 © 20 12 A c ous ti c a, In c H ow ev er , y ou c an ha v e m or e t ha n one k ey c ha ng e in a pr oje c t . A s oun d in Adjus t To P roje c t K ey mode will adjust t o t he c or rect numbe r of ha lf s t ep s in ord er t o pla y in t he c or r ect k ey based on t he mos t re c en t k ey c ha ng e. T o c o[...]

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    Mi x cra ft 6 Us e r Ma n ua l 56 © 20 12 A c ous ti c a, In c You will k now t hat y ou are i n Fl exA udio ™ mode i f t he c ursor t ur ns int o t he Flex A udio ™ c ur s or . T i p s W i th F lexA ud i o™ U s e Fl exA udio™ t o c r ea t e pe rf ect loop s . I f y ou hav e a loop w it hou t a de t ect ed t empo, s et t he s na p t o meas[...]

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    M ix c ra f t R efer en c e - Clips 5 7 © 20 12 A c ous ti c a, In c You hav e mult iple au d io c lips one t rack r ecord ed wit h t he s ame nois y air c ond it ione r in t he ba c k gr ou nd and y ou w an t t o re mov e t he noise in on e c ommand . Mer gin g t he c l ips t og e t he r allow s y ou t o re mov e t he nois e on e t im e. You hav [...]

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    Mi x cra ft 6 Us e r Ma n ua l 58 © 20 12 A c ous ti c a, In c T his s ho w s a c l ip wit h t wo en v elop e po ints , ea c h at 10 0 % . Clic k on t he line t o c re ate a ne w v olume po int and t hen dr ag t o t he des ire d loc ation. I n t he i mage abo v e, t he v olu me of t he s ou nd now goe s f r om 100 % up t o abo ut 17 0% and t hen s[...]

  • Página 59

    M ix c ra f t R efer en c e - Clips 5 9 © 20 12 A c ous ti c a, In c Pan c an be s et t o v alu es fr om 100 % lef t t o 100 % rig ht. Lo w A n d H igh P as s F i lt ers I n ad dition t o c han ging t he v olume and pan of a s oun d ov er t i me, Mix c ra f t allow s y ou t o c ha ng e t he low pa s s and high pass filter ov er t i me. W ha t Is A[...]

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    Mi x cra ft 6 Us e r Ma n ua l 60 © 20 12 A c ous ti c a, In c T o ed it a s ou nd 's high pass filter c ut of f , go t o t he t oolba r an d mak e s ur e t ha t H igh P ass C utoff i s s elect ed. B y def au lt , all po ints on t his env elop e ar e at 0% , mean ing t ha t all s ou nd s ab ov e t he c utof f (i.e. ev eryt hing ) c an be he a[...]

  • Página 61

    M ix c ra f t R efer en c e - Clips 6 1 © 20 12 A c ous ti c a, In c Do ubl e Cl i ck A T r ac k W he n y ou do ub le c lic k on an aud io t rack bo dy, y ou s et t he c ar et and s imult ane ou s ly brin g up a w ind ow l ett ing y ou c ho ose a s oun d. T he s ou nd will be plac ed whe re t he c ar et wa s . A d d A Sound From T h e Loo p Li br [...]

  • Página 62

    Mi x cra ft 6 Us e r Ma n ua l 62 © 20 12 A c ous ti c a, In c R e cording Dire ctly To OGG I f y ou f i nd y ou r ha r d dr iv e f i lli ng up with hu ge W A V f iles , y ou c an re c or d dir ect l y t o OGG f il es. Recor din g t o OGG will t ak e up les s s pa c e on y our har d dr iv e. Go t o t he Re c or ding P re f er en c es , c lic k Co [...]

  • Página 63

    M ix c ra f t R efer en c e - Clips 6 3 © 20 12 A c ous ti c a, In c E d it In Ex te rna l E ditor Mix c ra f t will wo r k in c on junct ion with an ext ern al s oun d editor in ord e r t o app ly per m an en t c ha ng es or ed it s t o t he s ou nd . F or ex ample, if y ou w an t t o re v er s e a s ou nd or edit out c lic k s and pop or s ome o[...]

  • Página 64

    Mi x cra ft 6 Us e r Ma n ua l 64 © 20 12 A c ous ti c a, In c Edi t Name C ha ng e t he na me of a c li p. P re s s t he E nter k ey t o m ake t he c ha ng e. A lt er na ti v ely , c han ge t he na me and c lic k anywh er e els e. M ute /U nm ute C lic k t he s pe aker ic on t o t og gle a s oun d' s m uted s t at e. Lo c k or U n lo ck C li[...]

  • Página 65

    M ix c ra f t R efer en c e - Clips 6 5 © 20 12 A c ous ti c a, In c C lic k t he [ < < ] S ho w /Hide C on trols bu t t on t o s ee more s ou nd data, ins t ea d of t he c on t ro l s . T his will t og gle be twee n s how ing and hiding t he c on t r ols . T o s how t he c ontro ls aga in, c l ic k t he [ > > ] bu tt on. N o i s e R e[...]

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    Mi x cra ft 6 Us e r Ma n ua l 66 © 20 12 A c ous ti c a, In c an d dr ag ging t he N ois e S t ar t or No is e E nd c on trols . I f y ou w an t t he s of t w ar e t o automati c ally loc at e t he nex t be s t no is e pr i nt, c l ic k Nex t N ois e>> . T his ins t ru c t s M ix c raf t t o look fo r t he next bes t no is e s ample ba s ed[...]

  • Página 67

    M ix c ra f t R efer en c e - Clips 6 7 © 20 12 A c ous ti c a, In c T his will s ho w t he bea ts in t he s ou n d. E ac h bea t point ha s t empo . T he s of t w ar e w ill no t s ho w all t he be at po ints de pe nding on y ou r z oo m lev el. Z oo m in t o s ee m or e de t ail an d be at poin ts . Ho v er y ou r mouse ov er a be at po int and [...]

  • Página 68

    Mi x cra ft 6 Us e r Ma n ua l 68 © 20 12 A c ous ti c a, In c D ou ble c lic k a V i r t ua l I ns t ru ment T ra c k or r ight c li c k on a Vi rtua l I nst ru ment T r ack an d c l ic k A dd I nst rume nt Clip t o c re ate a bla nk V i r t ua l I ns t ru ment Clip. Re c o rd a V i rtua l In st r um e nt Cl i p. Arm a V i rtua l I ns t ru ment T[...]

  • Página 69

    M ix c ra f t R efer en c e - Clips 6 9 © 20 12 A c ous ti c a, In c MID I E diti ng T her e ar e many ways t o ed it y our M I DI data. S im ply rig ht c l ic k on a V irtual I nst rume nt c l ip and s elect M I D I E diti ng f ollow ed by of t he f ollow ing op t ion s . Qua n tiz e . . . Adjus t no t es t o be c los er t o t he be at. H um a ni[...]

  • Página 70

    Mi x cra ft 6 Us e r Ma n ua l 70 © 20 12 A c ous ti c a, In c No te T yp e Spec if i es t he s na p s et t ing t o qua nt iz e t o. Pl ea s e note t ha t i f y ou hav e t his s et t o eigh t h note and y ou ar e act ually qua ntiz i ng a wh ole no te, it w ill no t adjust t he leng t h of t he no t e t o an eigh t h note, but ra t he r align i t [...]

  • Página 71

    M ix c ra f t R efer en c e - Clips 7 1 © 20 12 A c ous ti c a, In c A l l o r Se l e c t i on C ho ose w he ther t o qu an ti z e t he s ele c t ed no t es or all t he no tes in t he c ur r en t v irtual i nst rumen t c lip. (T his is only an option i f t he dialog was inv ok ed on t he piano roll ed it or . ) Q u a ntize Exa m pl e Bef ore qua n[...]

  • Página 72

    Mi x cra ft 6 Us e r Ma n ua l 72 © 20 12 A c ous ti c a, In c M a x Di sta nce T he m axi mum no t e dur at ion t o human i z e t owa rds. Sta r t T i m e Spec if i es i f we ar e hu maniz ing t he s t ar t t i me. I f c he c k ed, y ou c an c ho ose fr om E ar ly , Late or R an do m ad jus t ments . Dur at i o n Spec if i es i f we ar e hu maniz[...]

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    M ix c ra f t R efer en c e - Clips 7 3 © 20 12 A c ous ti c a, In c C ho ose Oc t av e( s ) or S emit one (s) f ro m t he Tra n s pose By. T he n enter i n t he amou nt and c lic k OK. I f y ou w an t t his t o app l y t o t he s elec t ed no t es only , c li c k t he S elect ion rad i o butt on. V e l o c i t i e s T he V eloci t ies dialo g all[...]

  • Página 74

    Mi x cra ft 6 Us e r Ma n ua l 74 © 20 12 A c ous ti c a, In c O f f s e t s Of f s et No tes dialog allows y ou t o ad just all t he notes or t he s ele c t ed no t es t i me of f s et s . R igh t c li c k on a M I DI c l ip or MI D I data in t he P iano Roll and s elect M I DI E dit ing f ollow ed by Of f s ets . . . T his brin gs up t he Of f s[...]

  • Página 75

    M ix c ra f t R efer en c e - Clips 7 5 © 20 12 A c ous ti c a, In c T his brin gs up t he No te Du ration win do w . A d j ust B y Adjus t t he no t es dur at ions by a per c en t ag e. F o rce T o For c e t he no t es t o a s pe c if ic note dur at ion. C ho ose f ro m: W ho le notes 1/2 notes 1/4 notes 1/8 notes 1/16 no t es 1/32 no t es 1/64 n[...]

  • Página 76

    Mi x cra ft 6 Us e r Ma n ua l 76 © 20 12 A c ous ti c a, In c s oloiz ing S o un d tab ( P i a no R o ll ) T he S oun d t ab allow s y ou t o ren ame a s oun d, c han ge i t s leng t h, c han ge i t s t im e of f s et, m ute it , loc k it , c ha ng e it s t empo , pit c h s hif t or k ey . Edi t Name C ha ng e t he na me of a c li p. T y pe in a [...]

  • Página 77

    M ix c ra f t R efer en c e - Clips 7 7 © 20 12 A c ous ti c a, In c T i m e Stre t c h / T em po Set t he mode of t he t im e s t re t c hing fo r t his s ou nd . Lea rn m or e ab ou t t i me s t re tc hing and t empo i n t he T empo/T ime S t r etc h s ec t ion . A d j usting P i t ch, K ey or T ransposi tion Set t he mode of t he pit c h s hif [...]

  • Página 78

    Mi x cra ft 6 Us e r Ma n ua l 78 © 20 12 A c ous ti c a, In c I ns t ru men t C lip or righ t c li c k on a V i r t ua l I ns t ru ment Clip and s ele c t E dit t o br ing up t he P iano R oll Edit or . Eac h blu e box rep resents a no t e. T he no te is deter mined by how i t lines up wit h t he v er t ic al pian o, he nce, t he name 'p i a[...]

  • Página 79

    M ix c ra f t R efer en c e - Clips 7 9 © 20 12 A c ous ti c a, In c D ou ble c lic k a note on t he piano roll k ey bo ar d an d all no t es of t hat v alu e will be c ome s elec t ed . C lic k an y wh e re bes ide s a note t o deselec t it or pre s s t he E s c k ey. Selec t ed no t es will app e ar dar k blue . You c an als o s elec t by dur at[...]

  • Página 80

    Mi x cra ft 6 Us e r Ma n ua l 80 © 20 12 A c ous ti c a, In c E di tin g note s i n de ta i l You c an als o ed it a note or gro up of notes by righ t c li c k i ng and s elect i ng " E dit . . . " T he note ed it dia log will po p up an d allow y ou t o edit t he s peci f ic s , wh ic h i ncl ud e: St art t im e (Mea s ur e, be at and [...]

  • Página 81

    M ix c ra f t R efer en c e - Clips 8 1 © 20 12 A c ous ti c a, In c D ra g C opy A l t+dra g C o n t r o l l e r I n f o r m a t i o n You c an edit MI D I c ontro ller da t a on t he bo tt om por t i on of t he P i an o R oll E ditor on t he Soun d t ab. C ho ose T he C o ntrol l er T yp e C lic k t he dr op dow n on t he l ef t ha n d s i de t [...]

  • Página 82

    Mi x cra ft 6 Us e r Ma n ua l 82 © 20 12 A c ous ti c a, In c I f y ou ne ed m or e ro o m or pix els t o edit t he c ontro ller da t a, s i mply c l ic k on t he bar at t he t op of t he c on t ro l ler ar ea and dra g it up or dow n t o re- s i z e t he c on troller are a. T he s elec t ed no t e' s c orr es pon ding v eloc it y l ine ap p[...]

  • Página 83

    M ix c ra f t R efer en c e - Clips 8 3 © 20 12 A c ous ti c a, In c Edit Co ntro ller D ele t e Co ntro ller D ele t e A ll C on troller s For ex ample, if y ou wa nt an ext ern al s y nthesi z er t o s witc h t o pa tc h 67, c hoo s e t he " P ro g ra m C ha ng e" c ontro ller , mov e t o t he s t ar t of t he t rack , righ t c li c k [...]

  • Página 84

    Mi x cra ft 6 Us e r Ma n ua l 84 © 20 12 A c ous ti c a, In c Map Fil e - T he na me of t he f ile y ou jus t c re ated, ie: " Bi g A nd D umb Dr ums . t x t " VS T GUI D - T his i s a s pe c ial v alue un iqu ely ide ntif y ing t he V S T i . Ope n up y ou r Lo g f ile af t er ha v ing us ed t he plug- in t o get it s V ST GUI D. Y our[...]

  • Página 85

    M ix c ra f t R efer en c e - Clips 8 5 © 20 12 A c ous ti c a, In c On c e y ou ar e s ati s f ied w it h t he loop , y ou c an ex t en d t he c li p in t he s es s ion ar ea t o loop i t as m an y t imes as y ou' d l ik e. See Loo pin g Clips S o un d tab ( N ota tion ) Mix c ra f t allow s y ou t o edit, v iew and pr i nt y our m us ic in [...]

  • Página 86

    Mi x cra ft 6 Us e r Ma n ua l 86 © 20 12 A c ous ti c a, In c Le ngth C ha ng e t he leng t h of a s oun d by en t er i ng i n m inu t es, s econd s and m ill is ec ond s or us ing t he s pinne r c on t ro l s . (I f t he s oun d is made l on g en ou gh , t his will als o c ause i t t o loop . ) I f in B eat mode , t his ed it bo x es w ill be i [...]

  • Página 87

    M ix c ra f t R efer en c e - Clips 8 7 © 20 12 A c ous ti c a, In c N o t a t i o n E d it o r Edi ting No te s Mix c ra f t allow s y ou t o edit a pian o ba r on t he s t af f dire c t ly . B y ed it ing t he s iz e an d posi t ion of t he pia no ba r , y ou c an c han ge t he wa y t he no tat ion is dis pla y ed. H er e is a t y pic al example[...]

  • Página 88

    Mi x cra ft 6 Us e r Ma n ua l 88 © 20 12 A c ous ti c a, In c N ote s elect ion t ool. Add new notes with t he pen c il. R emov e no t es wit h t he er a s er . D ura tion But t ons - Ch oo s e a def au lt dur at ion w he n ad ding a ne w no te with t he pen c il t oo l. C ho ose f ro m wh ole no t e, ha lf note, qu ar t er no t e, eigh t h note,[...]

  • Página 89

    M ix c ra f t R efer en c e - Clips 8 9 © 20 12 A c ous ti c a, In c R igh t c li c k on a c lef and c ho ose f rom t he f ollow ing: T reb le & B ass T reb le Bas s T his c ha ng es t he c l ef f or t he en ti re t rack . Pr i nting On c e a c li p is pr ope rly s elect ed, c l ic k t he P rint. . . butt on on t he No t ation V iew t oo lba r[...]

  • Página 90

    Mi x cra ft 6 Us e r Ma n ua l 90 © 20 12 A c ous ti c a, In c nu mbe r f rom 1 t o 127 which de s c ribe s ho w f as t t he k ey wa s de pr es s ed. A v eloc it y of 1 w ou ld har dly be hea rd and a v eloc it y of 127 w ou ld be f ull v olume . Eac h MI D I No te mes s age c on t ain s t he f ollowin g inf orma t ion: No t e V alu e (C 0 - C1 0)[...]

  • Página 91

    M ix c ra f t R efer en c e - Clips 9 1 © 20 12 A c ous ti c a, In c Vi de o c l ips I m ag es Le ar n mor e abo ut v i de o in t he v ide o s ec t ion Te x t C li p s A t ex t c l ip c on t ain s t ex t w it h as s oc iat ed ef f ec t s . Le ar n mor e abo ut t ex t c lips in t he v ideo s ec t ion R ecording R ecord i ng lets y ou re c or d au d[...]

  • Página 92

    Mi x cra ft 6 Us e r Ma n ua l 92 © 20 12 A c ous ti c a, In c C lic k t he St op butt on t o s t op record i ng . T he re c or din g will be s av ed in y ou r P r oject f olde r . I f y ou wa n t t o re c or d mult iple t r ack s at a t im e, y ou ' ll nee d t o arm t hem s im ultane ou s ly and hav e t he re qu i re d inpu t s an d har dw a[...]

  • Página 93

    M ix c ra f t R efer en c e - Re c or din g 93 © 20 12 A c ous ti c a, In c Re c o r ding Mod e T her e ar e t hr ee record i ng mode s . E ach t ra c k ' s re c or din g mode c an be s et by righ t c lic k ing or by us ing t he T ra c k m en u. Tra c k menu > R ecord i ng M o de > Tak es Ov erdub R eplace You c an s et up y our def au [...]

  • Página 94

    Mi x cra ft 6 Us e r Ma n ua l 94 © 20 12 A c ous ti c a, In c I n t his mode , t he ex is t ing au dio is rep l aced. Ne w lan es are not c rea ted. Lo o p Re co rding Lo op record i ng allow s y ou r ecord m ult iple t ak es or ov er dub w it hou t hav ing t o s t op. T o c re ate a loop , c lic k t he Lo op m od e butt on on t he T ra nspor t. [...]

  • Página 95

    M ix c ra f t R efer en c e - Re c or din g 95 © 20 12 A c ous ti c a, In c After s ett ing up a pu nc h ar ea, pr ess re c or d an d t he ne w re c or d ings will be c re ated ins ide t he pu nch s t ar t an d en d. Ti p: T o quic k ly s et t he pun c h in/ ou t ar ea, c r ea te a s ele c t ion and t ogg le P unch I n/Out. Use s nap t o s et v er[...]

  • Página 96

    Mi x cra ft 6 Us e r Ma n ua l 96 © 20 12 A c ous ti c a, In c Se l e ct All S ounds I n Vi e w C tr l + A Li br a ry You c an c ho ose a s peci f i c li br ary or A ll . I f A ll is s elec t ed , s oun ds f r om all l oa de d libra r ies ar e c ho s en, inc ludin g any i mpo rted libra ries . T her e ar e t wo built in libr ar i es: Lo op s Soun [...]

  • Página 97

    M ix c ra f t R efer en c e - Loo p Lib ra ry 9 7 © 20 12 A c ous ti c a, In c After a s ear c h is pe r f or med, Mi x c raf t will dis play ho w many it ems matc he d t he s ear c h qu er y . So rting & C o l um ns You c an s or t s ou nd s by c lic k ing on an y c olumn hea de r. T o s or t t he c olu mn in desc en din g or de r , c li c k [...]

  • Página 98

    Mi x cra ft 6 Us e r Ma n ua l 98 © 20 12 A c ous ti c a, In c I f y ou w an t t o get acc ess t o t he s oun d on t he ha r d dr iv e, s im ply rig ht c l ic k on t he s oun d and c ho ose Op en C on taining Folde r. N ow y ou hav e ac c es s t o t he phys ic al loc ati on of t he aud io f ile an d may do w ha t y ou w an t wit h it . I mpo rt in[...]

  • Página 99

    M ix c ra f t R efer en c e - Loo p Lib ra ry 9 9 © 20 12 A c ous ti c a, In c D ef au lt S on g K it - S elect or t y pe in a name f or t he s ong k it y ou wa nt t he im po r t ed s ou nd s t o be ass oci ated with. ( Y ou c an alw ay s edit i t later.) Gu ess (w hen i mpor t i ng i f not built into f i le t y pe .) St y le - I f a k ey wo r d i[...]

  • Página 100

    Mi x cra ft 6 Us e r Ma n ua l 10 0 © 20 12 A c ous ti c a, In c Key - I f a k ey is f ou nd by it s elf , s uc h as " Ro c k -G", Mi x c raf t will as s ume t ha t " G" is t he k ey of t he s ou nd . I ns t ru men t - I f a k eywo rd i s f ou nd i n t he f i le c alled " l ib- ins t s -f or -impor t . t x t " , Mix c[...]

  • Página 101

    M ix c ra f t R efer en c e - Loo p Lib ra ry 10 1 © 20 12 A c ous ti c a, In c To Ne w A udio Tra c k . No w c ro p t he re s ulti ng au d io c lip t o y our des ire d s iz e and add t his f il e t o t he libra ry . Dele ting S ou nds Si mply s ele c t t he s oun d or s ou nd s . R igh t c li c k and s elect De lete or pre s s t he [ De l ete] bu[...]

  • Página 102

    Mi x cra ft 6 Us e r Ma n ua l 10 2 © 20 12 A c ous ti c a, In c t he " S epa r ated by C omma" option wit h a T ex t de lim it er of a qu ote ( " ). You m ay nee d t o c ha ng e t he f i le ex t en s ion t o . C SV bef or e ed it ing dep end ing on ho w y ou r s y s t em i s s etup. M LDB F i elds Eac h MLD B f ile ha s a numbe r o[...]

  • Página 103

    M ix c ra f t R efer en c e - Loo p Lib ra ry 10 3 © 20 12 A c ous ti c a, In c T empo T he t empo of t he loop i f ap plic ab le. nu ll or v alid t empo s uc h as 120 or 141 . 23 D ate T he date t hat t he loop / s ou nd w as c re at ed / ad de d. A v alid date s uch as 01 /03/12 or mm / dd /y y f o rma t , w he r e dd=t he da y , mm = month and [...]

  • Página 104

    Mi x cra ft 6 Us e r Ma n ua l 10 4 © 20 12 A c ous ti c a, In c Sho w/Hi d e T r ac ks You c an c he c k or un - c he c k t rack s un de r t he S how Tra c k s s ect i on . T his allows y ou t o s im plif y y ou r v iew an d only s ee t he t rack s t ha t y ou ar e c ur re nt ly m ix i ng . C lic k t he C he c k A ll butt on t o s ee all t r ack [...]

  • Página 105

    M ix c ra f t R efer en c e - M i x e r 105 © 20 12 A c ous ti c a, In c Arm t he t ra c k f or re c or din g Solos t he au dio on t his t rack . ( Mut es ot he r no n- s olo ed t rack s . ) Mutes t he aud i o on t his t ra c k . Audio t ra c k s and V irtual I nst ru ment t ra c k s hav e an I n pu t s elect or. On an au dio t ra c k , t his let [...]

  • Página 106

    Mi x cra ft 6 Us e r Ma n ua l 10 6 © 20 12 A c ous ti c a, In c T he def au lt is t he M ain M i x which is t he M ast er t ra c k . V ideo Mix c ra f t s upp or t s loa ding and s av ing of v i de o. I t i s designe d s o t ha t y ou c an do t he fo l low ing : Add a mus ic al s oun dtra c k t o a v i de o. Add s ou nd ef fe c t s t o a v i de o[...]

  • Página 107

    M ix c ra f t R efer en c e - V ideo 107 © 20 12 A c ous ti c a, In c PNG GI F I f y ou w an t t o add m or e t ha n one i mage at a t im e, y ou c an s elect m ulti ple ph otos or i mage s an d add t he m all at once. T he i mage s w ill be add ed t o a v ide o t ra c k with ea c h i mage l ast i ng fiv e s ec ond s an d ov er lapp ed by one s ec[...]

  • Página 108

    Mi x cra ft 6 Us e r Ma n ua l 10 8 © 20 12 A c ous ti c a, In c You c an alt er a v ide o by ad din g ef f e c t s . Y ou c an m ake it f ad e in, f ade t o black or l oo k lik e it s old f i lm. B e fore e ff e cts A ft e r us i ng the K a l e i dos cope a nd Gre e n cha nne l e ff e cts . Le ar n mor e abo ut v i de o ef f ec t s her e. M i xi [...]

  • Página 109

    M ix c ra f t R efer en c e - V ideo 109 © 20 12 A c ous ti c a, In c You c an add an y ph oto or im ag e by c li c k ing t he V ideo m en u > A dd S til l I m age s . . . T his brin gs up a f i le dialog which allow s y ou t o s ele c t an im ag e or m ult iple im ag es. T he im ag es will be placed at t he c ar et loc ati on . T he f ollow in[...]

  • Página 110

    Mi x cra ft 6 Us e r Ma n ua l 11 0 © 20 12 A c ous ti c a, In c C ho ose a dur at ion , s t ar t t i me an d ov er l ap t ime f or ea c h c lip. I f y ou ha v e a s elec t ion y ou c an c hoo s e Selec t ed C lips Only and on ly t he s elect ed c lips will be ad just ed. Vi d e o Cli ps I f y ou ha v e v ideo c lips in y our pr oject , t heir l e[...]

  • Página 111

    M ix c ra f t R efer en c e - V ideo 111 © 20 12 A c ous ti c a, In c T his s ho w s t he au tomat ion lane . C ho ose f ro m v ar ious ef f ec t s and add po ints t o s hap e t he ef f ec t s . Clic k t o ad d poin t s an d edit poin t s jus t lik e au dio t ra c k automation . V i deo Effe ct Li st Lig htness Lig htness ( H igh CPU ) Gr ays c al[...]

  • Página 112

    Mi x cra ft 6 Us e r Ma n ua l 11 2 © 20 12 A c ous ti c a, In c A d di ng T ext T her e ar e a f ew wa y s t o ad d t ex t . T he easi est i s t o c lic k V ide o m en u > A dd Tex t . . . T his w ill c re ate a t ext t rack and place a ne w t ext c lip on it an d laun c h t he t ex t ed it or . T o c re ate a s c rolling t ext object , c lic [...]

  • Página 113

    M ix c ra f t R efer en c e - V ideo 113 © 20 12 A c ous ti c a, In c Edi ting T ext You c an m ov e t he mouse c ur s or t o any of t he re d s qua r es. T his allow s y ou t o re- s i z e t he t ex t ob jec t lik e a s t an da rd win do w . T he c ursor will t ur n int o a re- s iz e ar row wh en y ou are ov er a red s qu ar e an d c an re -s iz[...]

  • Página 114

    Mi x cra ft 6 Us e r Ma n ua l 11 4 © 20 12 A c ous ti c a, In c C ha ng e t he t ext c olor or ba c k gr ou nd c olor , as we l l as t he Op aci t y . T he op aci t y is ho w s olid t he c olor is . B y m ov ing t he Op aci t y s lider , y ou ar e mov ing f r om t ran s pa r en t t o f u ll s olid c olor . N ote t hat i f y ou hav e s ome t ex t [...]

  • Página 115

    M ix c ra f t R efer en c e - V ideo 115 © 20 12 A c ous ti c a, In c C ho ose a t ex t mas k c olor . T his i s t he c olor t hat f ill s t he no n- t ex t ar ea . In t he abo v e ex ample, t he t ext m ask c olor i s wh it e. D rop S ha dow C ho ose be twee n S mall, M ed ium and La r ge dr op s had ow s . F a de On t he Fad e t ab , y ou c an c[...]

  • Página 116

    Mi x cra ft 6 Us e r Ma n ua l 11 6 © 20 12 A c ous ti c a, In c Mos t ev er y t hin g is t he s ame as no rma l t ex t ed it ing as w it h editi ng s c ro lli ng t ex t , ex c ept t ha t it is mis s ing a M o t ion t ab . For m or e he lp on editi ng s c ro lli ng t ex t , plea s e s ee t he E dit ing T ext s ect i on . Mixing Down C ho ose f ro [...]

  • Página 117

    M ix c ra f t R efer en c e - V ideo 117 © 20 12 A c ous ti c a, In c File menu > M ix D ow n To > A V I W M V I f y ou w an t t o c han ge t he output qu alit y or s iz e, c li c k E dit De tails . . . Le ar n mor e abo ut c han g ing t he mix do w n s et t ing s her e: AV I R en de r s ett i ng s W MV Re nde r s ett i ng s A V I R e n d e [...]

  • Página 118

    Mi x cra ft 6 Us e r Ma n ua l 11 8 © 20 12 A c ous ti c a, In c I f y ou do n' t wa nt t o t hink , c hoo s e P re s et Qua lit y and s lide t he s l ide r t o t he best f or m at. M ov e it all t he w ay t o t he lef t if y ou w an t t he s malles t po s s ible f il e s i z e or all t he wa y t o t he righ t t o c hoo s e t he high est qu a[...]

  • Página 119

    M ix c ra f t R efer en c e - V ideo 119 © 20 12 A c ous ti c a, In c en c od ing met ho d w or k s best will gen era lly dif f er de pe nding on y our v ideo c on t en t, and y ou might hav e t o t ry m ult iple met ho ds and c ompa r e t hem. Bi t ra te als o has a big im pa c t on v ideo qua lit y . H igh er bit ra t es will result in hig he r [...]

  • Página 120

    Mi x cra ft 6 Us e r Ma n ua l 12 0 © 20 12 A c ous ti c a, In c t o pr od uce s maller f i le s iz es , y ou' ll ne ed t o ex pe r iment t o fin d t he be s t s et t ing . Vi d e o Bit Ra te : T his s ett ing s pec if i es app ro x imat ely ho w muc h ban dw idt h y our v ideo will req uire , in k ilobits pe r s ec on d. I t 's one of t[...]

  • Página 121

    M ix c ra f t R efer en c e - V ideo 121 © 20 12 A c ous ti c a, In c hig h aud io qua l it y s ett ing will ra re l y hav e muc h re lati v e ef f ec t on t he ov era l l s i z e of y ou r v ideo . 12 8 k bp s will us ua lly pro duc e goo d re s ults f or mus ic au dio qua lit y . Timeline T he t im eline dis plays i n t im e or be ats m od e. I [...]

  • Página 122

    Mi x cra ft 6 Us e r Ma n ua l 12 2 © 20 12 A c ous ti c a, In c You c an c ha ng e t he s na p lev el on t he t ime line or by c lic k ing t he V iew m en u f ollow ed by c lic k ing S na p To Grid f ollow ed by c lic k ing t he de s ire d s nap s ett i ng . H er e ar e t he po s s ible s na p s et t ing s : Of f Measur e 1/2 Notes 1/4 Notes 1/8 [...]

  • Página 123

    M ix c ra f t R efer en c e - Ti meline 123 © 20 12 A c ous ti c a, In c Ma r ke rs Mar k er s c an be used f or m ar k ing a s pec if i c t im e wit h t ex t s uc h as " C ho r us B egins He r e" or t he y c an c on t ain t empo , k ey or t i me s igna t ure c ha ng es . I n add i t ion, marker s c an indic ate ne w CD t rack s or m ix [...]

  • Página 124

    Mi x cra ft 6 Us e r Ma n ua l 12 4 © 20 12 A c ous ti c a, In c mar k er y ou ' d lik e t o edit . Dele ting R igh t c li c k on a m ar k er on t he t im e l ine an d s elec t D ele t e t o r emov e a m ar k er . (N ote t hat y ou c an no t de lete t he fir s t mar k er an d may on ly edit i t . ) D e l e te All Ma rke rs C lic k t he M ix m[...]

  • Página 125

    M ix c ra f t R efer en c e - Ti meline 125 © 20 12 A c ous ti c a, In c W he n mix ing do w n t o an aud io f ile or bur nin g an au dio C D , t he s of t wa re w ill c re ate a ne w CD t rack or aud io f ile if t he option Cr eate T rack For CD s or A udio Files is c heck ed. I SRC I f y ou ar e mak ing an of f ic ial aud i o CD f or m as t er i[...]

  • Página 126

    Mi x cra ft 6 Us e r Ma n ua l 12 6 © 20 12 A c ous ti c a, In c T i me is s elec t ed on t he t i me- line. R igh t c li c k on t he t im e- l ine an d c ho ose Re m ov e Selec t ed Tim e. T i me is re mov ed an d ev er y t hing be y on d t he s elec t ion is m ov ed ov er . Au toma t i c Ma r ke r Wiz a r d T he t ra c k m ar k er wiz ar d is a [...]

  • Página 127

    M ix c ra f t R efer en c e - E f f ec t s 12 7 © 20 12 A c ous ti c a, In c A d di ng Effe ct s T o ad d an ef f ec t , c l ic k t he dro p do w n labe led < S ele c t A n E f f ec t > an d c hoo s e an ef f ect . I f y ou w an t t o add ef fe c t s t o a t ra c k , y ou c an c lic k t he FX bu tt on on t he t ra c k t o brin g up it s ef f[...]

  • Página 128

    Mi x cra ft 6 Us e r Ma n ua l 12 8 © 20 12 A c ous ti c a, In c D ele t e t he ef f ect c hain Re o rd e ri ng a nd Delet i ng Effe c t s Selec t an ef f ec t t o delete or re or der . T he or de r of t he ef fe c t s is impor t ant. Clic k on an ef f ect t o s elect it . After s elect ing an ef f ect , c l ic k on e of t he bu t t on s t o mov e[...]

  • Página 129

    M ix c ra f t R efer en c e - E f f ec t s 12 9 © 20 12 A c ous ti c a, In c T his allows y ou t o au dition how t hing s s oun d withou t t ha t par ti c ular ef fe c t w it hou t l osi ng t he s ett ings . N ote : W hen a t ra c k is f ro z en , it s ef f ect s w ill no t be editable un t il t he t ra c k i s un f rozen. Edi ting Effe ct s Eac h[...]

  • Página 130

    Mi x cra ft 6 Us e r Ma n ua l 13 0 © 20 12 A c ous ti c a, In c Loa d V S T P re s e t Fi l e (VS Ti 's onl y) Some V ST ef f ect and ins t r umen t m an uf act ure rs will dis t rib ute add it iona l ba nks of s ou nd s , in t he f or m of . f x b f iles . T he s e f iles re pla c e y ou r c ur r en t pre s ets wit h a ne w s et of pr eset [...]

  • Página 131

    M ix c ra f t R efer en c e - E f f ec t s 13 1 © 20 12 A c ous ti c a, In c Eff ec ts I n c lud e d I n Mixc r aft T her e ar e s ev er al ef f ect s inc lude d by def au lt with Mix c ra f t and are detailed belo w . A coustica C ho r us C ho r us ef f ect s ar e us ed t o t hic k en up a s oun d, s uc h as a v oc al or guitar re c or ding. T hi[...]

  • Página 132

    Mi x cra ft 6 Us e r Ma n ua l 13 2 © 20 12 A c ous ti c a, In c D ela y ef f ect s are of t en t he s i mplest and mos t mus ic ally us ef ul ef f ect s . Quie t s im ply , t he y t ake inc oming au dio , w ait a c er t ain amou nt of t im e, and play t he au dio ba c k , s omet imes at a low er v olume. T his c re ates an echo ef f ect , s uc h [...]

  • Página 133

    M ix c ra f t R efer en c e - E f f ec t s 13 3 © 20 12 A c ous ti c a, In c bo ost or re duc e t he au dio f req uen c ies t hat mak e up t he s oun d of y our recor ding . If , fo r example, y ou r re c or ding s oun ds t inny , y ou c an bo ost t he bass f re qu en c ies . I f y our re c or din g s oun ds t oo 'b r igh t ' , y ou migh[...]

  • Página 134

    Mi x cra ft 6 Us e r Ma n ua l 13 4 © 20 12 A c ous ti c a, In c B ro adc a st M ultib a nd C o m pr e ssor T his pow erf ul we ap on i n t he " loud ne s s wa r s " he lps y ou bo ost y ou r mus ic 's v olume s o t hat it s ou nd s lou de r t ha n ev er . I t c an als o l ow er loud er au dio pa rts with do w nw ard c ompr es s i o[...]

  • Página 135

    M ix c ra f t R efer en c e - E f f ec t s 13 5 © 20 12 A c ous ti c a, In c T his ef fe c t is s imi lar t o t he A c ou s t ic a Ch oru s ef f ec t , with s ome add it iona l f eatur es and a un ique s ou nd . C l a ss i c C om pr es sor T his ef fe c t is s imi lar t o t he A c ou s t ic a Ch oru s ef f ec t , with s ome add it iona l f eatur e[...]

  • Página 136

    Mi x cra ft 6 Us e r Ma n ua l 13 6 © 20 12 A c ous ti c a, In c Si mi lar t o t he Ac ou s t ic a E Q ef fe c t , t he C las s ic E Q ef f ect giv es y ou indiv idua l c on t ro l ov er t he lef t and rig ht c han ne l of y our re c or din g. T his c an be used, f or ex ample, t o c re a t e int er est ing s t er eo ef f ect s , w he r e one s pe[...]

  • Página 137

    M ix c ra f t R efer en c e - E f f ec t s 13 7 © 20 12 A c ous ti c a, In c T his ef fe c t is s imi lar t o t he A c ou s t ic a Re v er b ef f ec t , with s ome add it iona l f eatur es and a un ique s ou nd . EZQ Equali ze r T her e ' s no ea s ier w ay t o E Q y ou r t r ack s t han wit h E Z Q! Ra ther t han t hinking abo ut y our m usi[...]

  • Página 138

    Mi x cra ft 6 Us e r Ma n ua l 13 8 © 20 12 A c ous ti c a, In c Pl ug t his ef f ec t int o a t rack t ha t's armed fo r r ecord ing wit h a gu it ar wit h M on it or i ng t ur ned on , and GT une will wor k as a r ea l-tim e guitar t un er . M ake s ur e y our guitar is in per fe c t t un e bef ore y ou s t ar t re c or ding an d av oid los[...]

  • Página 139

    M ix c ra f t R efer en c e - E f f ec t s 13 9 © 20 12 A c ous ti c a, In c T he S hr ed A m p S im ulator by A c m eBar Gig, a c omple t e guitar amp an d c abine t s uite c ontainin g 5 c las s i c amp hea ds , 17 c abine t m od els , an d 6 pow erf ul ef f ect s . Shre d f ait hf ully m od els c las s i c B ritis h an d A mer ic an t ube hea d[...]

  • Página 140

    Mi x cra ft 6 Us e r Ma n ua l 14 0 © 20 12 A c ous ti c a, In c T his i s a uniqu e ef f ec t t hat doe s no t act ually pr oces s or c han ge t he aud i o and , i nst ead , allow s y ou t o v iew t he f re qu en c y s pect rum of t he aud io. T his is gre at f or lear ning ab ou t au d io fr equ en c ies an d f o r he lping y ou t o ana l y z e [...]

  • Página 141

    M ix c ra f t R efer en c e - E f f ec t s 14 1 © 20 12 A c ous ti c a, In c 10 0% and t he Dr y M i x t o 0%. Us ing MI D I T o Con tr o l Eff e c ts An ef f ec t c an receiv e an d us e MID I data f rom any t rack . For ex ample, a pit c h c or re c t ion ef f ec t c an us e MI D I data t o s hif t t he aud io t o t he M I DI no t e c urr ently [...]

  • Página 142

    Mi x cra ft 6 Us e r Ma n ua l 14 2 © 20 12 A c ous ti c a, In c Vir tua l Ins tr u me n t s Pr es e ts As s uming t he t ra c k is a V irtual In s t ru m en t T rack , c lic k t he ins t ru men t pian o k ey bo ar d bu t t on t o br ing up t he In s t ru m en t P r eset win do w . T his will brin g up t he ins t r umen t pre s et win do w f il le[...]

  • Página 143

    M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 143 © 20 12 A c ous ti c a, In c C lic k on t he pre s et c olumn t o s elec t a pr eset . Le ar n mor e abo ut c re ating y our own v irtual i nst rume nts . < Re wi re De vi c e s> T his s ect i on will l is t any av ailable R eW ire ap plic ati on s t ha t ar e av ailab le on y our [...]

  • Página 144

    Mi x cra ft 6 Us e r Ma n ua l 14 4 © 20 12 A c ous ti c a, In c Ed it ing Vir tua l Ins tr u me n t Pres e t s You c an m ak e y our own v irtual i nst rume nt pr eset s by lay er i ng mult iple s y nthesi z er s , ed it ing pr eset s , s ett i ng k ey ran ge and mor e! T o c re ate y ou r ow n V irtual I nst rume nt, c l ic k t he I nst rumen t [...]

  • Página 145

    M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 145 © 20 12 A c ous ti c a, In c After s elect ing an ins t ru ment, y ou c an c han ge t he f ollow i ng par ame t er s : Pa ra m e te r D e s cription Preset Selec t a pre s et or pa t c h f ro m t he s y nt he s iz er Edit I f t he s y nthes iz er ha s an interf ac e, c lic k t he E dit b[...]

  • Página 146

    Mi x cra ft 6 Us e r Ma n ua l 14 6 © 20 12 A c ous ti c a, In c Eac h ins t r umen t i nter f ac e will hav e t he s ame c on trols on t he t op of t he ef f ec t wind ow wh i c h allow y ou t o c hoo s e a ne w pr es et, s av e a pre s et or de lete a pr eset . Pre s e t Drop D ow n C ho ose a pr eset . I f t he pre s et is f ac t or y de f ault[...]

  • Página 147

    M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 147 © 20 12 A c ous ti c a, In c w is h. Op t iona l ly , y ou c an ha v e t he c us t om ic on embed de d in t he pre s et f ile by c lic k ing t he E mb ed I c on c heck box . W hen ar e s at is f ied , c li c k S av e. New Pr e se t C lic k t his t o c r ea te a blank pr eset . I f y ou h[...]

  • Página 148

    Mi x cra ft 6 Us e r Ma n ua l 14 8 © 20 12 A c ous ti c a, In c A dee p, bit ing ba s s s y nthesi z er ins pir ed by t he f amo us Ro land T B -3 03 ™ bas s s y nt he s iz er . I de al f or au then t ic ac id ba s s t one s , an d other fo rms of elec t ro nic m us ic . C om bo O rg an M o del F A recrea t i on of t he c las s ic Far fisa™ t[...]

  • Página 149

    M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 149 © 20 12 A c ous ti c a, In c T his poly ph on ic ana l og - s t y l e s y nthesiz er i s mode led af t er s y nthesi z er s f rom t he ear l y 80s, and i s loa de d with c las s i c an alog s y nthesi z er t on es. Lo unge Lizard El e c tric Pi a no T he Rh od es™ and W urlitz er ™ e[...]

  • Página 150

    Mi x cra ft 6 Us e r Ma n ua l 15 0 © 20 12 A c ous ti c a, In c T his i ncred ibly acc ur at e re c re ation of t he f a mous S equ en t i al Circuit s P ro ph e t 5™ s y nthesi z er t ak es t he c on c ep t ev en f ur t her , wit h inc re ased poly ph on y , ad de d ef f ec t s , and mor e. T his c las s i c an alog s y nt he s iz er do minate[...]

  • Página 151

    M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 151 © 20 12 A c ous ti c a, In c T he Ha mmond Or ga n™, inv en t ed by Lau r en s H ammond i n t he 193 0s , has had a major impact on ne ar ly ev er y po pu l ar m us ic gen r e, f r om gos pe l an d blue s t o ro c k and pop . P air ed wit h a Les lie™ s pe aker, t her e may be no m o[...]

  • Página 152

    Mi x cra ft 6 Us e r Ma n ua l 15 2 © 20 12 A c ous ti c a, In c Tr ansport T his i s wh er e y ou ' ll f ind play ba c k , recor ding , l oo p mode an d mas t er v olume. C on t ro l s R e cord C lic k t he re c or ding bu t t on t o s t art re c or ding. A lt er na tely , pre s s Ctrl+ R or R. R e w i nd To Sta rt R eset s t he playback ind[...]

  • Página 153

    M ix c ra f t R efer en c e - Tran s po r t 1 53 © 20 12 A c ous ti c a, In c T he m ast er v olume adjust s t he l ev e l of t he en t ire mix . Mov e t he s l ide r lef t or rig ht t o s et t he de s ired v olume. Al t er n ativ ely , y ou c an righ t c lic k on t he T ran s po r t an d s elec t M ast er V olume or c ho ose t he M ix m en u f ol[...]

  • Página 154

    Mi x cra ft 6 Us e r Ma n ua l 15 4 © 20 12 A c ous ti c a, In c Punch In/O u t U s e P unch I n/ Out t o c r ea te a v er y pr ec is e and s ur gic al re c or din g at s pe c if ic t i me s ect i on . T o mark a s ect i on as a pu nch in/out ar ea , c lic k t he P un c h I n/ Ou t bu t t on . Adjus t t he P un c h I n ha ndle and P unch Out ha nd[...]

  • Página 155

    M ix c ra f t R efer en c e - Tran s po r t 1 55 © 20 12 A c ous ti c a, In c R e cording M e tronom e I f c he c k ed, t he met ro no m e will s oun d dur ing recor ding . T ogg le Re c or din g M etro no m e A l t+O R e cording Count- I n Me a s ure s W he n C ou nt-I n is act i v at ed and t he Recor d butt on is pre s s ed, Mi x c ra f t will [...]

  • Página 156

    Mi x cra ft 6 Us e r Ma n ua l 15 6 © 20 12 A c ous ti c a, In c M IDI Lea r n Mak e s ure y ou ha v e a MI D I dev ic e plugg ed i n t o y ou r c ompu t er . No w y ou c an as s ign a who l e li s t of op ti on s f rom play ba c k , m etro no me, arming , und o and red o. 1. C lic k M I DI Le ar n t o automati c ally as s ign c omman ds 2. C lic [...]

  • Página 157

    M ix c ra f t R efer en c e - Tran s po r t 1 57 © 20 12 A c ous ti c a, In c M IDI C hanne l & D e vice I f y ou w an t t o s et up t he c on trol s ur f ace t o only re c eiv e on a s pe c if ic M I DI c han nel or dev ic e, c ho ose M I D I C ha nn el or D ev ic e and pic k t he de s ire d c han ne l an d de v ic e. For ex ample, if y ou t [...]

  • Página 158

    Mi x cra ft 6 Us e r Ma n ua l 15 8 © 20 12 A c ous ti c a, In c Set S elect ed T ra c k P an Mute/ Un m ute S ele c t ed T r ack Solo/ U nsolo S elec t ed T rack Arm/ Dis ar m S elect ed T ra c k Monitor ing For Selec t ed T rack T ogg le Gu it ar T une r For S elec t ed T rack T ogg le EQ High F or S elec t ed T ra c k EQ M id For S elect ed T r[...]

  • Página 159

    M ix c ra f t R efer en c e - P ro jec t 1 59 © 20 12 A c ous ti c a, In c Or Y our B a nd f or mak ing re c or dings f r om liv e ins t ru men t s or y ou r mi c ro ph one . B ui l d Loop & B e a t Ma tche d Mus i c T his option i s gr ea t f or DJ s or jus t an y on e c on s t ru c t ing mus ic w it h l oo ps. T his is a goo d c hoic e if y [...]

  • Página 160

    Mi x cra ft 6 Us e r Ma n ua l 16 0 © 20 12 A c ous ti c a, In c T emplate (MX 6 T emplate). Al t er n ativ ely , y ou c an s av e t he pro j ect by c l ic k ing t he Sav e bu tt on on t he t oo lbar . Mi x i ng Dow n I f y ou w an t t o s av e y ou r pr ojec t as a s i ng le M P3, W A V, OGG or W M A file, y ou s hou ld m ix dow n y ou r pr ojec [...]

  • Página 161

    M ix c ra f t R efer en c e - P ro jec t 1 61 © 20 12 A c ous ti c a, In c Pr o j ec t T emp o , Ke y A nd T i m e Si gnat u re C ho ose a mas t er or pro ject t empo, k ey and t i me s igna ture . Proj e ct Te m po * Al l s oun ds t hat hav e a t empo an d ar e s et t o A djust T o P ro ject T empo m od e will ad jus t ba s ed on t he pr ojec t &[...]

  • Página 162

    Mi x cra ft 6 Us e r Ma n ua l 16 2 © 20 12 A c ous ti c a, In c Al t er n ativ ely , y ou c an t ogg l e A uto B ea t M atc h mode by c ho osing A ut omatic ally B eat M atc h Ne w Soun ds fr om t he M ix menu . Pr o j e c t F o l der Eac h pr ojec t ha s it s own record i ng f olde r wh i c h def au lt s t o t he Defau lt P ro ject Re c or din g[...]

  • Página 163

    M ix c ra f t R efer en c e - P ro jec t 1 63 © 20 12 A c ous ti c a, In c Burn P roo f t y pe pr ot ect i on , y ou c an bu r n at max imum s pe ed wit ho ut wo rrying abo ut a bur n f ailure . Te s t Mo de I n t his mode , t he CD wr it er will not t ur n it s las er on f or wr it ing and will go t hr ou gh t he pro c ess of t ra ns f er ring t [...]

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    Mi x cra ft 6 Us e r Ma n ua l 16 4 © 20 12 A c ous ti c a, In c Form a t De ta i l s T his s ho w s t he c ur r en t fo rmat details s uc h as bit rate and c ha nn els. Clic k E dit De t ails . . . t o c ha ng e t he fo rmat details f or t he c ur r en t f or m at. A wind ow will po p up an d allow y ou t o c han ge t he bit ra t e, c ha nn els a[...]

  • Página 165

    M ix c ra f t R efer en c e - P ro jec t 1 65 © 20 12 A c ous ti c a, In c C ho ose a f old er , t y pe i n a name and c lic k " S av e". A f t er mi x ing dow n, y ou r de f ault v ide o player will be lau nched an d will s t ar t pla y ing y our v ideo . Co p y Pr o j e ct Fil es To .. . You c an c op y y our pro j ect and all t he s o[...]

  • Página 166

    Mi x cra ft 6 Us e r Ma n ua l 16 6 © 20 12 A c ous ti c a, In c So u n d Dev ice C ho ose s ett i ng s f or y our s ou nd dev ic es . D rive r You c an c ho ose f rom W av e or A S I O or W av eR T mode . T his c hoic e c ha ng es t he re s t of t he c on t ro l s av ailab l e on t his pag e. T he A S I O option will be un av ailab l e if no A SI[...]

  • Página 167

    M ix c ra f t R efer en c e - P re f er enc es 16 7 © 20 12 A c ous ti c a, In c A S I O P r e f e r e n c e s T hese ar e t he pr ef ere nce opti on s if A S I O mode i s s elec t ed on t he S oun d D ev ic e P re fere nces . A S I O is an alt er na t iv e dr i v er s y s t em t hat allow s f o r low er l atency and be tt er s y nchro niz at ion [...]

  • Página 168

    Mi x cra ft 6 Us e r Ma n ua l 16 8 © 20 12 A c ous ti c a, In c B uff e r S i z e T he s i z e of t he buf f er als o deter mines t he l atency of t he s of t w ar e. La r ge r bu f f er s l ea d t o highe r latency . C ho osing dif f er en t buf f er s iz es m ay he lp t he s of t wa re wor k bett er with y ou r s oun d c ar d or s oun d de v ic[...]

  • Página 169

    M ix c ra f t R efer en c e - P re f er enc es 16 9 © 20 12 A c ous ti c a, In c D i s pl a y V ol um e As : C ho ose be twee n De c ibels or P er c en tage . T his will af f ect t he t rack v olume s li de r s an d editing v olu me en v elop e po ints on t he s ou nd . D e fa ul t Tra ck Color C ho ose a def ault t r ack c olor . (T he def ault i[...]

  • Página 170

    Mi x cra ft 6 Us e r Ma n ua l 17 0 © 20 12 A c ous ti c a, In c T he def au lt c opyrigh t notic e will be f i lled int o each ne w pr ojec t ' s au t ho r inf or mati on . Te m po T he def au lt t empo . (D ef au lt is 120 bpm . ) K e y T he def au lt k ey . (D ef ault is C ) Ti m e S i gna ture T he def au lt t ime s igna t ur e. (D ef aul[...]

  • Página 171

    M ix c ra f t R efer en c e - P re f er enc es 17 1 © 20 12 A c ous ti c a, In c R e cording F orm a t C ho ose f ro m uncompr ess ed W A V or c ompr e s s ed OGG. OGG allows y ou t o s av e dis k s pa c e on y our ha r d dr iv es , if au dio qu ality do es not hav e t o be pe rf ect . I f y ou c ho ose OGG , y ou w ill be able t o als o c ho ose [...]

  • Página 172

    Mi x cra ft 6 Us e r Ma n ua l 17 2 © 20 12 A c ous ti c a, In c D e fa ul t M I D I Se tt i ngs T his butt on will re v er t t his pag e back t o t he de f ault s ett ings. CD Burning B urni ng E ngi ne C ho ose be twee n P rimo , Gold en ha w k or IMAP I . Primo is t he def au lt an d re c ommend ed CD bur nin g eng i ne . It will bu r n aud io [...]

  • Página 173

    M ix c ra f t R efer en c e - P re f er enc es 17 3 © 20 12 A c ous ti c a, In c C lic k t his bu t t on t o ad d, edit or de lete f older s t hat t he s of t wa re will s c an f or V S T plug- i ns. R e -Sca n All V S T P l ug-Ins Sc an s y our V S T f older s fo r ne w plug- i ns. A utoma tica l l y a dd a l l i n s tr um e nt ou t put tra cks f[...]

  • Página 174

    Mi x cra ft 6 Us e r Ma n ua l 17 4 © 20 12 A c ous ti c a, In c f or ea s ily re o rg aniz ing y our pro ject files, or f or c ollabo rating with other s . For ex ample, y ou c an quic k ly z ip up y ou r pr ojec t , inc ludin g all inc lude d loop s , v i de os and record ed s ou nd s , an d e- mail it t o an othe r pe r s on . Mi x Dow n To T h[...]

  • Página 175

    M ix c ra f t R efer en c e - M enu s & Too lb ar 17 5 © 20 12 A c ous ti c a, In c s pa nn ed m ult iple t ra c k s . C rop (C t rl+ Q) T his i s t he op po s it e of c ut. Cr opp ing s omething will k eep wha t i s s elec t ed an d dis c ar d ev er y t hing els e on t he s ele c t ed c li ps. D e l e te (D elete) T his will remo v e any s ou[...]

  • Página 176

    Mi x cra ft 6 Us e r Ma n ua l 17 6 © 20 12 A c ous ti c a, In c R e w i nd To Sta rt ( [ H ome]) T his s ets t he P lay b ac k I ndic ator t o t he be ginn i ng or s t ar t of t he pr oject . I f t he pr oje c t is play ing aud i o, it w ill r est art playback f rom t he s t art, as w ell. Fa s t Forw a rd T o E nd ([ End]) T his s ets t he P lay[...]

  • Página 177

    M ix c ra f t R efer en c e - M enu s & Too lb ar 17 7 © 20 12 A c ous ti c a, In c Trac k Men u A dd Tra ck T his app en ds a ne w aud io t rack . (C t r l+ G) or a ne w V irtual I nst rume nt T ra c k (C t rl+ E ) t o t he end of t he pr ojec t . I ns e rt Tra ck T his i nserts a ne w aud io t rack or a ne w V i rtua l I ns t ru ment T ra c [...]

  • Página 178

    Mi x cra ft 6 Us e r Ma n ua l 17 8 © 20 12 A c ous ti c a, In c Mute All Mutes all c l ips on t he c lic k ed lane . U nm ute All U nmutes all c lips on t he c li c k ed lane . Se l e ct All Selec t all c li ps on t he c l ic k ed l an e. A rm For Re cording Arms t he s elec t ed t ra c k . Moni tor Al low s y ou t o hea r y our li v e r ecord in[...]

  • Página 179

    M ix c ra f t R efer en c e - M enu s & Too lb ar 17 9 © 20 12 A c ous ti c a, In c Prop e rt i e s T his i s a s ub m en u with pr op erties . Mute Mutes or un mutes t he s elec t ed s ou nd . C ha nne l s Al low s y ou t o c ho ose t he ac t iv e/aud i ble c han ne l f or an au dio c lip. ** Audio c l ips on ly . Ph a s e C ho ose t he pha s[...]

  • Página 180

    Mi x cra ft 6 Us e r Ma n ua l 18 0 © 20 12 A c ous ti c a, In c Lin k S elect ed Clips U nlink S elec t ed Clips I f a c l ip i s li nked, it will hav e a l ink bu tt on on it s t it le ba r : C lic k it t o ea s ily un link a li nked c l ip. Sp l i t (C t rl+ T) T his will s plit an y s elect ed s oun ds at t he t ime of f s et wh er e t he c ar[...]

  • Página 181

    M ix c ra f t R efer en c e - M enu s & Too lb ar 18 1 © 20 12 A c ous ti c a, In c C ho ose t he c olor of t he ba c k gro und w he n t he re are n' t an y v i de o or i mage c lips . Sh ow / Hide V i de o W i nd ow T his will s ho w or hide t he v ide o play ba c k wind ow. Se t Pre vi e w W i ndow S i z e C ho ose f ro m s t and ar d v[...]

  • Página 182

    Mi x cra ft 6 Us e r Ma n ua l 18 2 © 20 12 A c ous ti c a, In c Z ooms in or out s o t ha t t he en ti re pro ject i s v i s ible on t he s c r ee n. He lp Men u H e l p Cont e n t s . . . Bring s up t he he lp f ile. C he ck For U pda te . . . C he c k s t he I nter ne t t o s ee if t he r e is a new er or upd ated v er s ion of t his s of t wa [...]

  • Página 183

    M ix c ra f t R efer en c e - M enu s & Too lb ar 18 3 © 20 12 A c ous ti c a, In c Z oom in f or a c los er v iew. Z o om Out Z oom ou t t o v i ew m or e t ime. Pre fe re nce s Bring s up t he P r ef er enc e dialo g. B uy or Re gi s te r M i x cra ft Purchase Mi x c ra f t and en ter y our reg is t ra ti on inf or mati on . M or e on pu r c[...]

  • Página 184

    Mi x cra ft 6 Us e r Ma n ua l 18 4 © 20 12 A c ous ti c a, In c C T R L + arr ow ke y s m ov es +/ - 20 m i l l i s ec onds. C tr l + Sh i f t + arr ow k eys m ov e + /- 1 m i l li s ec ond . U p/dow n arr ow ke y s m ov e the s el ected c l i ps to a di f f er ent trac k. Movi ng the Ca re t If s n ap is on , t he ca r e t w ill m o ve at t h e [...]

  • Página 185

    M ix c ra f t R efer en c e - K ey b oar d Co nt ro ls 185 © 20 12 A c ous ti c a, In c Snap A dj ust m ent s (T he s e s hor t c uts will not wo r k pr op er ly if t he M usi c al T y ping Key boa r d is v is ible. T he k ey s t ro k es m ay be us ed by t he M us ic al T y ping K ey bo ar d. ) Of f ~ Me a s ure 1 1/2 Not e s 2 1/4t h N ote s 3 1/[...]

  • Página 186

    Mi x cra ft 6 Us e r Ma n ua l 18 6 © 20 12 A c ous ti c a, In c Move N ote But Ke e p Of f s e t Sh i ft + Dra g Sele c t i ng C l i ps Se l e ct All C tr l + A Se l e ct All On Tra ck C tr l + S hi ft + A Se l e ct All On La ne C tr l + S hi ft + Alt+A Se l e ct Ne x t Cli p Ta b Se l e ct P re vious Cli p Sh i ft + Ta b U ns e l e ct All E s c [...]

  • Página 187

    M ix c ra f t R efer en c e - K ey b oar d Co nt ro ls 187 © 20 12 A c ous ti c a, In c Zo om i ng/Scro l li ng Z o om To P roj e ct 0 Z o om I n - Z o om Out + Z o om Mous e w he e l Scrol l Horiz onta l Sh i ft + M ous e w he e l Scrol l V e rt i ca l C tr l + Mous e w he e l Scrol l Tra ck s U p Pa g e U p Scrol l Tra ck s D ow n Pa g e D ow n [...]

  • Página 188

    Mi x cra ft 6 Us e r Ma n ua l 18 8 © 20 12 A c ous ti c a, In c B oos t Cli p 5% A l t+Ct rl + W R e duce Cli p 5% A l t+Ct rl + S B oos t Cli p 25% A l t+Ct rl + E R e duce Cli p 25% A l t+Ct rl + D B oos t Cli p 50% A l t+Ct rl + R R e duce Cli p 50% A l t+Ct rl + F Mus ical Typing K eyboard (MTK) I f y ou do no t hav e a M I DI k ey boa rd att[...]

  • Página 189

    M ix c ra f t R efer en c e - M us ic al Typ ing K ey b oa rd (M TK ) 189 © 20 12 A c ous ti c a, In c K e yboa rd s ho rt cut : Ctrl + A lt + K Pl aying A nd Rec o r di ng N o te s T he M T K s pa n s 17 no t es or 1.5 oct av es wh ic h c an be play ed v ia t he c ompu ter' s k eyboa r d. Mak e s ur e t o add a V irtual I nst rumen t T ra c [...]

  • Página 190

    Mi x cra ft 6 Us e r Ma n ua l 19 0 © 20 12 A c ous ti c a, In c I -B e a m T his c ur s or s ho w s t ha t a s elec t ion c an be made on a s oun d. Pe n cil T his c ur s or s ho w s t ha t y ou c an dr aw new notes or c on troller data. Pl a y S ound T his c ur s or s ho w s t ha t y ou c an play a s oun d in t he s ou nd l ibr ar y . R e -s i z[...]

  • Página 191

    M ix c ra f t R efer en c e - Cu rsor s 191 © 20 12 A c ous ti c a, In c Troubleshoot ing H er e ar e s ome answer s t o c ommon pro blems and i s s ues. Playing C a n't P lay Sou nd You' v e ad de d s oun ds, but y ou c an' t play an y t hing . . . T her e ar e a f ew t hing s y ou c an c he c k . 1. A re t he s pe aker s on an d p[...]

  • Página 192

    Mi x cra ft 6 Us e r Ma n ua l 19 2 © 20 12 A c ous ti c a, In c T his will rep ort how muc h C PU M ix c ra ft is us ing c ompa red t o t he en ti re c ompu ter' s CPU us ag e. So und I s De laye d O r Laggi ng (Lat enc y) T he opp osit e pr ob l em of s ou nd bre aking up or ga pp i ng is t hat t he s oun d will be de layed and hav e a late[...]

  • Página 193

    Tro u b les ho oting - P lay ing 193 © 20 12 A c ous ti c a, In c mos t lik ely . C lic k on t he s ou nd and t he n c li c k on t he S ou nd t ab an d adju s t t he s oun d t o be in Tim e St retc h B y m od e ins t ead of A djus t To P ro jec t Tempo . W he n a s oun d play s ba c k at a dif f er ent s pe ed , i t c an s oun d od d if it 's[...]

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    Mi x cra ft 6 Us e r Ma n ua l 19 4 © 20 12 A c ous ti c a, In c Adjus t t he s oun d manu ally U pd ate y ou r s ou nd c ar d' s dr iv ers if po s s ible. C he c k t he s oun d c ar d' s we bsi t e. Ge t a new s oun d dev ic e. Get a more pro f es s iona l s oun d c ar d desi gn ed fo r r ecord ing m us ic , if po s s ible. T ry s witc [...]

  • Página 195

    Tro u b les ho oting - Re c or din g 195 © 20 12 A c ous ti c a, In c M y rec or di ng s a r e t o o l o ud and a re distor t i ng! W hat d o I d o ? D is t ortion c an ru in a go od record i ng , an d t he w or s t pa r t is , once y ou' v e r ecord ed dis t orted au dio , t he r e' s no wa y t o f ix it . If y ou r met er s ar e lighti[...]

  • Página 196

    Mi x cra ft 6 Us e r Ma n ua l 19 6 © 20 12 A c ous ti c a, In c I f t he v ideo fa i ls t o load , i t is becaus e y ou ar e mos t li k ely m is s i ng t he c or r ect Dir ect X v ide o c ode c . T he best adv ic e is t o do one of t he fo l low ing : I ns t all t he s of t wa r e t hat c ame wit h y our v ide o c amera . It may als o hav e c ome[...]

  • Página 197

    Tro u b les ho oting - E f f ec t s & P lug- i ns 19 7 © 20 12 A c ous ti c a, In c H ow ev er , if y ou ' d lik e t o hea r t he ef f ec t s dur i ng record i ng , y ou ' ll nee d t o dis able t he s ou nd de v ic e' s monitor ing an d us e M ix c r af t ' s monitorin g s y s t em. For ex ample, if y ou ar e mak ing a w ei[...]

  • Página 198

    Mi x cra ft 6 Us e r Ma n ua l 19 8 © 20 12 A c ous ti c a, In c Shut dow n other pro gra ms and t empor arily s hut do w n y our v iru s c heck er dur i ng a bu rn . ( S hu tt i ng do w n y our v iru s c heck er s hou ld be don e at y our own ris k . M ak e s ure y ou ar e no t c on ne c t ed t o t he I nt er ne t and ha v e don e a fu l l v i ru[...]

  • Página 199

    Tro u b les ho oting - V ideo 199 © 20 12 A c ous ti c a, In c V ideo V i deo Pl ayba c k Pr o bl e m s I f af t er l oa din g y our v ideo , M ix c ra ft do es one of t he fo l low ing : Mix c ra f t c rashes wit h an er r or wind ow Mix c ra f t f r ee z es and s t ops re s pon ding Mix c ra f t 's CPU us ag e go es way up t o abo v e 60% o[...]

  • Página 200

    Mi x cra ft 6 Us e r Ma n ua l 20 0 © 20 12 A c ous ti c a, In c Mak e s ure t hat y ou are c on ne c t ed t o t he I nt er n et. T ry l au nching y our I nter ne t bro w s er and go ing t o a new s ar t i c le or web s it e t hat y ou hav en ' t bee n t o. (T his v er i f ies t hat y ou ar en ' t v iew ing c ac he d c ontent. ) Mak e s [...]

  • Página 201

    Tro u b les ho oting - Co ntro l S ur f ac es 201 © 20 12 A c ous ti c a, In c M i xcra ft rec o gni zes som e knob s or butt o ns on m y control l er, bu t wo n't r es po nd to othe r kn ob s or butt on s. Mix c ra f t 's c ontrols c an be s et t o respon d t o M I DI Co ntinuo us Co ntro ller (C C) m ess ag e, or s pe c if ic no tes on[...]

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    Mi x cra ft 6 Us e r Ma n ua l 20 2 © 20 12 A c ous ti c a, In c M ixcraft Pro St udio M i x cra f t Pro Stud i o 6 gi v e s prof e ss i o nal a udi o e ngi ne e rs the tool s the y ne e d to mi x a nd ma ste r c omme rcial - q ual i ty musi c w i th ease . M i x cr aft Pro S tudi o 6 e x p ands M i x cr aft 6 's al re ady- pow e rf ul tool s[...]

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