Kawai Professional Stage Piano MP8II manual

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Buen manual de instrucciones

Las leyes obligan al vendedor a entregarle al comprador, junto con el producto, el manual de instrucciones Kawai Professional Stage Piano MP8II. La falta del manual o facilitar información incorrecta al consumidor constituyen una base de reclamación por no estar de acuerdo el producto con el contrato. Según la ley, está permitido adjuntar un manual de otra forma que no sea en papel, lo cual últimamente es bastante común y los fabricantes nos facilitan un manual gráfico, su versión electrónica Kawai Professional Stage Piano MP8II o vídeos de instrucciones para usuarios. La condición es que tenga una forma legible y entendible.

¿Qué es un manual de instrucciones?

El nombre proviene de la palabra latina “instructio”, es decir, ordenar. Por lo tanto, en un manual Kawai Professional Stage Piano MP8II se puede encontrar la descripción de las etapas de actuación. El propósito de un manual es enseñar, facilitar el encendido o el uso de un dispositivo o la realización de acciones concretas. Un manual de instrucciones también es una fuente de información acerca de un objeto o un servicio, es una pista.

Desafortunadamente pocos usuarios destinan su tiempo a leer manuales Kawai Professional Stage Piano MP8II, sin embargo, un buen manual nos permite, no solo conocer una cantidad de funcionalidades adicionales del dispositivo comprado, sino también evitar la mayoría de fallos.

Entonces, ¿qué debe contener el manual de instrucciones perfecto?

Sobre todo, un manual de instrucciones Kawai Professional Stage Piano MP8II debe contener:
- información acerca de las especificaciones técnicas del dispositivo Kawai Professional Stage Piano MP8II
- nombre de fabricante y año de fabricación del dispositivo Kawai Professional Stage Piano MP8II
- condiciones de uso, configuración y mantenimiento del dispositivo Kawai Professional Stage Piano MP8II
- marcas de seguridad y certificados que confirmen su concordancia con determinadas normativas

¿Por qué no leemos los manuales de instrucciones?

Normalmente es por la falta de tiempo y seguridad acerca de las funcionalidades determinadas de los dispositivos comprados. Desafortunadamente la conexión y el encendido de Kawai Professional Stage Piano MP8II no es suficiente. El manual de instrucciones siempre contiene una serie de indicaciones acerca de determinadas funcionalidades, normas de seguridad, consejos de mantenimiento (incluso qué productos usar), fallos eventuales de Kawai Professional Stage Piano MP8II y maneras de solucionar los problemas que puedan ocurrir durante su uso. Al final, en un manual se pueden encontrar los detalles de servicio técnico Kawai en caso de que las soluciones propuestas no hayan funcionado. Actualmente gozan de éxito manuales de instrucciones en forma de animaciones interesantes o vídeo manuales que llegan al usuario mucho mejor que en forma de un folleto. Este tipo de manual ayuda a que el usuario vea el vídeo entero sin saltarse las especificaciones y las descripciones técnicas complicadas de Kawai Professional Stage Piano MP8II, como se suele hacer teniendo una versión en papel.

¿Por qué vale la pena leer los manuales de instrucciones?

Sobre todo es en ellos donde encontraremos las respuestas acerca de la construcción, las posibilidades del dispositivo Kawai Professional Stage Piano MP8II, el uso de determinados accesorios y una serie de informaciones que permiten aprovechar completamente sus funciones y comodidades.

Tras una compra exitosa de un equipo o un dispositivo, vale la pena dedicar un momento para familiarizarse con cada parte del manual Kawai Professional Stage Piano MP8II. Actualmente se preparan y traducen con dedicación, para que no solo sean comprensibles para los usuarios, sino que también cumplan su función básica de información y ayuda.

Índice de manuales de instrucciones

  • Página 1

    Owner ’ s Manual[...]

  • Página 2

    2 Import ant Safety Instructions When connecting the AC power cord and other cords, take care not to get them t angled. Pulling the AC power cord itself may damage the cord, causing a fire, electric shock or short-circuit. denotes that care should be taken. The example instructs the user to take care not to allow fingers to be trapped. denotes a pr[...]

  • Página 3

    3 Do not place the product near electrical appliances such as TVs and radios. T ake care not to allow any foreign matter to enter the product. Before connecting cords, make sure that the power to this product and other devices is turned OFF . Do not use the product in the following areas. Areas, such as those near windows, where the product is expo[...]

  • Página 4

    4 The power supply cord or the plug has been damaged. Object s have fallen, or liquid has been spilled into the product. The product has been exposed to rain. The product does not appear to operate normally or exhibit s a marked change in performance. The product has been dropped, or the enclosure damaged. Do not place naked flame sources, such as [...]

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    5[...]

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    6[...]

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    7 WELCOME TO THE MP8II Thank you for purchasing the KA WAI MP8II. The MP8II Stage Piano featur es 256 Internal Sounds of the highest quality . The MP8II can also be used as a MIDI master controller . On stage, at home, or in the studio, the MP8II has been designed to offer quick and easy access to many sophisticated f eatures. BASIC FEATURES of the[...]

  • Página 8

    8 WELCOME T O THE MP8II..... 7 1. NAMES AND FUNCTIONS.....10 1.1 FRONT PANEL.....10 1.2 HEADPHONE JACK.....12 1.3 REAR PANEL.....12 2. Basic Operations.....14 2.1 Getting Ready .....14 2.2 Selecting a Sound.....15 2.3 Layer .....17 2.4 Split.....17 2.5 Piano Only .....18 2.6 Metronome.....18 2.7 T ranspose.....18 2.8 Using the MP8II as a MIDI contr[...]

  • Página 9

    9 8.2.11 Receive Channel.....49 8.2.12 LCD Contrast.....49 8.2.13 LED Brightness.....49 8.2.14 Out Mode.....49 8.2.15 Foot Switch Mode .....49 8.2.16 Wheel Mode .....50 8.2.17 Dump Mode .....50 8.3 System Dump.....50 8.3.1 Dump Current.....50 8.3.2 Dump All Sound.....51 8.3.3 Dump All Setup.....51 8.4 System Reset.....52 8.4.1 Reset One SOUND/SETUP[...]

  • Página 10

    10 1. NAMES AND FUNCTIONS 1.1 FRONT PANEL [F ADER SECTION] 1. VOLUME F ader The VOLUME fader controls the master volume level of the MP8II. 2. ZONE SELECT buttons The ZONE SELECT buttons are used to select one of the f our zones for editing. Only one zone can be selected at a time. The front panel setting represents the current zone status. 3. ON/O[...]

  • Página 11

    11 [EFFECT BUT TONS] 11. SW button This button turns the assigned function ON or OFF . Many different f unctions can be assigned to this switch for your convenience. When in edit mode, pressing the SW button will exit from edit mode. 12. EFX button This button turns the EFX ON or OFF for the selected zone. 13. REVERB button This button turns the RE[...]

  • Página 12

    12 1.2 HEADPHONE JACK The headphone jack is located in front at the left end of the key slip. Use a headphone with a standard stereo 1/4 inch phone jack. 1.3 REAR PANEL 1. OUTPUTS -FIXED- R, L OUTPUTS The R, L outputs are used to connect the MP8II to a musical instrument amplifier using XLR T erminals. The R, L outputs can also be used to connect t[...]

  • Página 13

    13 6. USB JACK This jack is used to connect the MP8II with a personal computer . See page60 for details. 7 . POWER SWIT CH T urns the MP8II ON or OFF . 8. POWER RECEPT ACLE Connect the power cable, which is included in the MP8II package, to this receptacle.[...]

  • Página 14

    14 2. Basic Operations 2.1 Getting Ready Since the MP8II has no built-in speak ers, you will need to connect a mixer , keyboard amplifier or headphones in order to listen. T urn the MP8II on, using the POWER SWITCH on the rear panel. It is recommended to turn the MP8II on before turning on an y amplifiers in order to avoid switching noise. What you[...]

  • Página 15

    15 2.2 Selecting a Sound The MP8II always starts up in SOUND mode when the power is turned ON. The SOUND button will be lit to indicate SOUND mode is active. Operation 1 Select the sound category by pressing a sound select but ton in the top row . There are 3 rows of sound select buttons, the top row is f or selecting a sound category and the secon[...]

  • Página 16

    16 In Sound mode, the “1” in the display indicates that the zone 1 is curr ently selected. When the multitimbre is off , the default settings of the zones are as f ollows. It is recomended for simple MIDI tr ansmit/receive use on stage etc. The default TXchannel is S ystem Ch (see page45). Z one 1 Internal On (Plays internal sound) Z one 2 Inte[...]

  • Página 17

    17 2.3 Layer Let’s try la yering another sound. T urn the zone 2 on by pressing the ZONE ON/ OFF button for zone 2. The Z ONE SELECT button for zone 2 is automatically selected and the display shows the sound name for zone 2. Select the sound for zone 2 with the SOUND SELECT buttons as shown in the previous section. Adjust the volume balance of z[...]

  • Página 18

    18 2.5 Piano Only The Piano Only function lets you quickly r eturn the MP8II sounds to the default settings. Press the PIANO button and the SOUND SELECT but ton 1 simultaneously . Al l the current settings (except f or SYSTEM settings) will go back to original and only Concert Grand sound can be play ed on the whole keyboard. Note: You may use this[...]

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    19 2.8 Using the MP8II as a MIDI controller The MP8II can control external devices via MIDI. MIDI Connection Connect the MIDI OUT on the MP8II to the MIDI IN on an external MIDI device with a MIDI cable. Selecting the MIDI Channel The MIDI T ransmit Channel of the MP8II must be matched with the R eceive Channel of any MIDI devices connected to the [...]

  • Página 20

    20 The transmit ted program number is shown in the displa y . Y ou can also send program change numbers by using V ALUE buttons. Note: Full program change numbers including bank numbers can be transmitted by setting them in MENU and saving it as a SETUP. See page35 for details. 2.9 Selecting a SETUP The MP8II offers 256 preset combinations of the p[...]

  • Página 21

    21 3. SW Button The SW button is a progr ammable realtime switch which can be assigned to one of 8 diff erent functions. Press and hold the SW button. The display shows the currently assigned f unction. Press the SW button again to exit without changing the f unction. Use the VALUE but tons to change the function. The display will automatically ret[...]

  • Página 22

    22 When the SW button is OFF : The display briefly shows as follows and the rotary speed changes to slow . Note: When the Rotary effect is not in use, the display briefly shows as follows. 3.4 EQ Bypass On/Off Y ou can temporarily bypass the EQ by turning the SW button on. When the SW button is lit the EQ Bypass is on. EQ Bypass On: The display bri[...]

  • Página 23

    23 3.6 Foot Switch Lock Y ou can lock the assignable foot switch to avoid unnecessary movement by accident. First, connect a foot switch to the FSW jack on the rear panel of the MP8II. When the SW button is lit the F oot Switch Lock is on. Foot S witch Lock On: The display briefly shows as follows and the assignable foot switch is locked. Foot S wi[...]

  • Página 24

    24 3.8 External Sequencer Start/Stop Y ou can start and stop the external sequencer connected to the MP8II with SW button. First, connect an external sequencer to the MIDI OUT jack on the rear panel of the MP8II. Make sure that the sequencer is capable to receiving external MIDI clock and commands. Check the MIDI implementation chart of the sequenc[...]

  • Página 25

    25 4. EFX/REVERB The internal sounds of the MP8II can be enhanced using the built in REVERB and EFX generators. There are 7 REVERB types and 22 diff erent EFX types to choose from. MP8II contains 4 variations of EFX t ype per INT section, and different EFX can be added to the sound of each ZONE. 4.1 EFX The MP8II contains 22 high quality EFX t ypes[...]

  • Página 26

    26 Auto Wah: Auto W ah creates an automatic filter sweep at the attack of each note. Pedal W ah: P edal W ah creates a filter sweep with the expression pedal connected to the MP8II. Enhancer: Enhancer produces a crisper tone, so the sound is more easily discernible. Overdrive: Overdrive effect adds tube- amp style distortion. Note: You can select d[...]

  • Página 27

    27 5. Control Knobs Select the function with the but tons on the left and use the knobs to change the values. Y ou can also mov e the cursor with the MENU buttons and change the value with the V ALUE buttons while the display is showing Contr ol Knobs function. 5.1 EFFECT Make sure that the EFFECT button in the CONTROL KNOBS section is lit. If the [...]

  • Página 28

    28 17 . ROT ARY 1 r ate slow/fast wet balance 18. ROT ARY 2 rate slow/fast driv e 19. AUT O WAH sense 0 -100 (%) wet balance 20. PEDAL WAH sense 0 -100 (%) wet balance 21. ENHANCER intensity 0 -100 (%) send level 22. OVERDRIVE driv e 0 -100 (%) wet balance REVERB parameter list REVERB Time REVERB Depth 1. HALL 1 rev .time 0.3 - 5.0S send level 2. H[...]

  • Página 29

    29 5.3 TONE MODIFY The MP8II allows certain characteristics of the sounds to be custom tailored to suit a particular musical or playing style, or to create many v ariations and different t ypes of sounds. TONE MODIFY set tings can be done for each zone individually . The following par ameters are provided: CUTOFF , A T T ACK, DECAY and RELEASE. Mak[...]

  • Página 30

    30 CUTOFF : Raising the CUT OFF level makes the sound brighter , lowering the level makes the sound duller . A T T ACK: As the value incr eases, the attack time becomes longer , which means a slower attack is produced. DECA Y : This parameter controls the amount of time from the peak level to the sustain level of the sound. RELEASE: This parameter [...]

  • Página 31

    31 When the selected zone is set to EXT , the display shows the MIDI CC numbers. The default parameters assigned f or each knob are as follows. A: #10 Panpot (P AN) B: #70 Sustain Level (STN) C: #76 Vibrato R ate (VbR) D: #77 Vibrato Depth (VbD) Note: If the selected zone is set to BOTH, changing the MIDI CC# parameters affects both internal and ex[...]

  • Página 32

    32 6. MENU The MENU buttons allow access to the edit par ameters in the MP8II. This collection of settings together with other editable par ameters can be stored as a SETUP . The MP8II provides 256 SETUPs, and all are user progr ammable. A SETUP consists of four zones. Each zone can be set as Internal, External or Both individually . Inside each of[...]

  • Página 33

    33 6.1 Editing Procedure and Parameters First, press the ZONE SELECT button f or the zone to be edited. Next, press the MENU buttons until the par ameter you want to edit appears in the DISPLA Y . When a zone is set as Both, pressing the ZONE SELECT button again will switch the menu list from Internal to External or vice versa. Set the value of the[...]

  • Página 34

    34 6.2.4 String Resonance (Int Piano only) The volume of string resonance can be changed to the lev el you prefer . The value changes fr om 0 (off ) to 10. <String R esonance> In acoustic pianos, there are strings corresponding to each k ey . When a key is pressed, strings of other keys in the related harmonic series to the note played resona[...]

  • Página 35

    35 6.2.8 TX Prg # (Ext only) This parameter determines if a Progr am Change Number will be transmit ted (On) or not (Off ) when a SETUP is recalled. If you want to switch sounds on external MIDI devices every time you call the Setup turn this par ameter ON. 6.2.9 Prg # (Ext only) This parameter determines which Progr am Change Number will be transm[...]

  • Página 36

    36 6.2.14 Velocity Switch V elocity switching is an extremely useful and creative tool f or customizing a performance. Using V elocity Switching, it is possible to hav e either one sound switch to another sound at a set velocity , or even for a second sound to be added in once a certain velocity has been r eached, or to have a sound drop out above [...]

  • Página 37

    37 Note: Each zone can have a separate Velocity Switch Value. By setting the Soft Zone Velocity Switch Value higher than that of the Loud Zone, a dynamic area where both sounds play can be created. It is also possible to switch Internal Zones with External Zones for even more possibilities. Note2: Velocity Switch = Loud /Velocity Switch Value = 1 I[...]

  • Página 38

    38 6.2.19 Transmitting Volume (Ext only) This parameter determines if an initial MIDI V olume message will be transmitted (On) to an external MIDI device or not (Off ) when a SETUP is recalled. Note: In a zone set to External or Both, moving the faders will still transmit volume messages even if TX Volume is set to Off. 6.2.20 Volume This parameter[...]

  • Página 39

    39 6.2.25 Foot Switch This parameter determines if a F oot Switch connected to the FSW jack is activ e (On) or not (Off ) for the selected zone. The type of controller assigned to the footswitch is a common Setup parameter and is used f or all zones of a Setup as a global parameter . 6.2.26 Expression Pedal This parameter determines if an Expressio[...]

  • Página 40

    40 6.3 Common Parameters Common parameters ar e affecting all zones. 6.3.1 Stretch Tuning The hearing ability of a human is unev en and is not accurate with high fr equency and low frequency as it is with the middle r ange. The tuning of an acoustic piano is stretched to compensate f or this so the sound will be heard naturally to the ears. Off: Th[...]

  • Página 41

    41 for the Mersenne pure temperament. It pr oduces chords that are more beautiful than those with the equal temper ament. W erkmeis/Kirnberg: These two temperaments are placed in between Meantone and Pythagorean. F or music with few accidentals, this temperament produces the beautiful chords of the mean tone, but as accidentals increase, the temper[...]

  • Página 42

    42 6.3.7 Modulation Wheel Control Change Number This parameter assigns a Control Change Number to the Modulation Wheel on the right side of the front panel. See page72 for the list of Control Change numbers. Note: When the following Numbers are selected for the FootSW,EXP or Modulation Wheel Control Change Number, the functions affect the internal [...]

  • Página 43

    43 7. STORE Y ou can save the changes of the settings made as either a SOUND or a SETUP . Up to 256 SOUNDs or 256 SETUPs can be stored. Moreover , the Common parameters can also be stored as the initial setting in SOUND mode. The following groups of parameters ar e stored. [SOUND] Selected Z one’ s One Sound settings: EFX/REVERB settings ( see pa[...]

  • Página 44

    44 7.2 Storing the COMMON settings While in SOUND mode, press the ST ORE button. The display will show the following screen: Press the V ALUE DOWN button, the displa y will show the following screen: Press the V ALUE UP button to confirm. The ST ORE procedure can be cancelled at any time by pressing an y other button which is not used during the ST[...]

  • Página 45

    45 8. SYSTEM Use this mode to set the System par ameters of MP8II. T o enter the SYSTEM mode, press the SYSTEM button. 8.1 System Menu Use the MENU buttons to scroll through the System par ameters. [System P arameter] System Channel T ouch System T une V olume Slider Action Reverb Off set EQ Offset Local Control On/Off Multitimbre On/Off System Cha[...]

  • Página 46

    46 8.2.2 Touch This parameter adjusts the touch response curv e of the keyboard. Heavy +: This Curve has a steep rise as velocity increases, and a shallower curve at low velocities. (see 1) This curve requires the most striking f orce to produce a loud volume. Heavy: This curve requires a stronger striking force to produce a loud volume. (see 2) Th[...]

  • Página 47

    47 8.2.3 System Tuning This parameter sets the global master tuning of the MP8II. The v alue changes from 427 .0 to 453.0 (Hz). 8.2.4 Volume Slider Action This selects how the volume sliders react, when you change the volume. Normal: The value changes immediately , when the volume slider is moved. Catch: The va lue won’t change until the volume s[...]

  • Página 48

    48 8.2.9 Multi-Timbral Mode Multi- Timbral Mode allows the MP8II to receive data on more than one MIDI channel simultaneously . In this mode, the MP8II can play different musical parts with different sounds f or each part. On1/2: This is a flexible 16 part multi-timbral setup. (On 1 and On 2) MP8II’ s normal program change numbers are assigned in[...]

  • Página 49

    49 8.2.11 Receive Channel This parameter determines whether or not a particular MIDI channel will receive incoming MIDI data from an external source. This parameter can be used to filter out data on specific MIDI channels that are not intended for the MP8II. On: The MP8II responds to MIDI data received on this channel. Off: The MP8II ignores MIDI d[...]

  • Página 50

    50 8.2.16 Wheel Mode This parameter determines whether or not the modulation wheel can be used to edit parameters lik e a value dial. Normal: The wheel functions as a performance wheel and controls the CC controller that is assigned in the setup menu (Default). Edit: The wheel is used to edit parameters. The value won’t change until the wheel rea[...]

  • Página 51

    51 Note: Loading the data back to the MP8II will change the current settings. SETUP and SYSTEM data will not change. You can use this function to temporarily change the setting from your sequencer. If you want to save the setting, you must use the STORE procedure and save as Setup. 8.3.2 Dump All SOUND This function transmits all the Sounds of the [...]

  • Página 52

    52 8.4 System Reset 8.4.1 Reset One SOUND/SETUP This function resets one SOUND or SETUP back to the original f actory default settings. Press the SYSTEM button. Then press the MENU-DOWN but ton until “Reset X - X - X” (X - X -X stands for the setup number) appears on the display . Now use the SOUND SELECT buttons to select the sound or setup yo[...]

  • Página 53

    53 9. OTHER 9.1 MIDI IN When the Multi- Timbral Mode is Off , the MP8II receives the MIDI information coming in the System Channel only . (see page45) F or changing the internal sounds via MIDI, refer to the SOUND Pr ogram Number List on the next page. Note: If the MP8II receives the Program Number from 1 to 128 and Bank number LSB from 2 to 3 in t[...]

  • Página 54

    54 9.3 SOUND Program Number List Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB Piano 1 A Concert Grand 1 0 0 1 95 16 B S tudio Grand 2 0 0 1 95 17 C Mellow Grand 3 0 0 1 95 18 D Jazz Grand 4 0 0 1 95 19 2 A Concert Grand2 5 0 0 1 121 0 B S tudio Grand 2 6 0 0 1 121 1 C Mellow Grand 2 7 0 0 1 121 2 D Jazz Grand [...]

  • Página 55

    55 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB 5 A Crystal EP 49 0 0 6 95 1 B New Age EP 50 0 0 6 95 2 C New Age EP2 51 0 0 6 95 3 D New Age EP3 5 2 0 0 6 9 5 4 6 A Clavinet 5 3 0 0 8 121 0 B Synth Clavinet 54 0 0 8 121 1 C Clavi & Marim 55 0 0 8 9 5 1 D Clavi Phaser 56 0 0 8 95 2 7 A V ibraphone 57 0 0 1[...]

  • Página 56

    56 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB Organ 1 A Church Organ 97 0 0 20 121 0 B Full Pipes 98 0 0 20 95 9 C Full Ensemble 99 0 0 2 1 95 1 0 D Church Organ 2 100 0 0 20 121 1 2 A PrincipleChoir 101 0 0 20 95 23 B Small Ensemble 102 0 0 20 9 5 8 C Small Ens. 2 103 0 0 2 0 95 2 5 D Baroque 104 0 0 20 95 [...]

  • Página 57

    57 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB 5 A Passionate Vln 17 0 1 41 121 0 B Classic V iolin 18 0 1 41 9 5 3 C Passionate Vc 19 0 1 43 121 0 D Classic Cello 20 0 1 43 9 5 4 6 A Choir 21 0 1 53 121 0 B Breathy Choir 22 0 1 53 9 5 1 C Choir Aahs 23 0 1 53 95 3 D Slow Choir 24 0 1 53 95 2 7 A Jazz Ensembl[...]

  • Página 58

    58 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB Pad & Synth 1 A New Age Pad 65 0 1 89 121 0 B New Age Pad 2 66 0 1 89 9 5 1 C New Age Pad 3 67 0 1 89 9 5 2 D New Age Pad 4 6 8 0 1 89 95 3 2 A Atmosphere 69 0 1 100 121 0 B Brightness 70 0 1 101 121 0 C Brightness 2 71 0 1 101 95 1 D Goblin 72 0 1 102 1 21 0[...]

  • Página 59

    59 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB 5 A Rhythm Guitar 1 13 0 1 28 121 0 B Overdrive 114 0 1 30 1 21 0 C Distortion 1 15 0 1 31 121 0 D Muted Electric 1 16 0 1 29 121 0 6 A Pedal Steel 1 17 0 1 27 121 1 B HawaiianGuitar 1 18 0 1 27 95 1 C Jazz Guitar 1 19 0 1 27 121 0 D Jazz Guitar 2 120 0 1 27 95 2[...]

  • Página 60

    60 9.4 Notes about USB The MP8II can be connected to a personal computer with a USB cable for exchanging MIDI data. Y ou need a USB driver installed in your computer . [For W indows XP/Me users] A standard USB driver is already installed in your computer . Y ou don’t need to install a new driver . [For W indows 2000/98SE users] Y ou need to insta[...]

  • Página 61

    61 Specifications K eyboard 88 W ooden keys with AW A Grand PRO II # of Z one 4 zones # of Internal Sound 256 sounds P olyphony Maximum 192 Effect 7 R everbs 22 Effects 4-band Equalizer Internal Memory 256 SETUPs Display 16 x 2 LCD w/backlight Jack 1/4” Out (L/MONO, R) XLR Out (L, R) with Ground Lift Switch [1pin-GND/2pin-hot/3pin-cold] Headphone[...]

  • Página 62

    62 MP8II MIDI Implementation Contents 1. Recogniz ed data 1.1 Channel V oice Message 1.2 Channel Mode Message 1.3 System Real time Message 2. T ransmitted data 2.1 Channel V oice Message 2.2 Channel Mode Message 2.3 System Real time Message 3. Exclusive data 3.1 Universal Realtime Exclusive Message 3.2 Dump Message 3.3 Sound Data Format 3.4 Setup D[...]

  • Página 63

    63 1. Recognized Data 1.1 Channel V oice message Note off Status 2nd Byte 3rd Byte 8nH kkH vvH 9nH kkH 00H n=MIDI channel number :0H-fH(ch.1 ~ ch.16) kk=Note Number :00H - 7fH(0 ~ 127) vv=V elocity :00H - 7fH(0 ~ 127) Note on Status 2nd Byte 3rd Byte 9nH kkH vvH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) kk=Note Number :00H - 7fH(0 ~ 127) vv=V eloc[...]

  • Página 64

    64 Damper Pedal Status 2nd Byte 3rd Byte BnH 40H vvH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) vv=Control V alue :00H - 7fH(0 ~ 127) Default = 00H 0 - 63=OFF , 64 - 127=ON Sostenuto Pedal Status 2nd Byte 3rd Byte BnH 42H vvH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) vv=Control V alue :00H - 7fH(0 ~ 127) Default = 00H 0 - 63 =OFF , 64 - 127=ON Sof[...]

  • Página 65

    65 01H 64H mmH Decay time mm:00H - 7FH(-64 ~ 0 ~ +63) Default = 40H 01H 66H mmH Release time mm:00H - 7FH(-64 ~ 0 ~ +63) Default = 40H * Ignoring the LSB of data Entry * It is not affected in case of modifying cutoff if tone does not use the DCF . RPN MSB/LSB Status 2nd Byte 3rd Byte BnH 65H mmH BnH 64H llH n=MIDI channel number :0H-fH(ch.1 ~ ch.16[...]

  • Página 66

    66 MONO Status 2nd Byte 3rd Byte BnH 7eH mmH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) mm=mono number :01H(M=1) POL Y Status 2nd Byte 3rd Byte BnH 7fH 00H n=MIDI channel number :0H-fH(ch.1 ~ ch.16) 1.3 System R ealtime Message Status FEH Active sensing 2. T ransmitted Data 2.1 Channel V oice Message Note off Status 2nd Byte 3rd Byte 9nH kkH 00H n=[...]

  • Página 67

    67 V olume Status 2nd Byte 3rd Byte BnH 07H vvH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) v=V olume :00H - 7fH(0 ~ 127) Default = 64H Panpot Status 2nd Byte 3rd Byte BnH 0aH vvH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) vv=Panpot :00H - 7fH(0 ~ 127) Default = 40H(center) Expression Status 2nd Byte 3rd Byte BnH 0bH vvH n=MIDI channel number :0H-fH[...]

  • Página 68

    68 RPN MSB/LSB Status 2nd Byte 3rd Byte BnH 65H mmH BnH 64H llH n=MIDI channel number :0H-fH(ch.1~ch.16) mm=MSB of the RPN parameter number ll=LSB of the RPN parameter number RPN number implemented in MP8II are the followings RPN # Data MSB LSB MS B LSB Function & Range 00H 00H mmH llH Pitch bend sensitivity Default=02H mm:00H-0cH(0~12 [half to[...]

  • Página 69

    69 2.3 System R ealtime Message Status F8H Clock F AH Start FCH Stop *Sending [SW] External Seq. Start/Stop 3. Exclusive Data 3.1 Universal R ealtime Exclusiv e Message Master V olume Format:F0 7F 7F 04 01 ll mm F7 mm=MSB of Master V olume ll=LSB of Master V olume 3.2 Dump Message MP8II can receive this dump data, and also can tr ansmit by the pane[...]

  • Página 70

    70 3.3 Sound Data F ormat The structure of the one Sound patch [48bytes] No. PARAMETER V ALUE 1 Sound Data ID 2 2 Reverb T ype 0~6 (see page26) 3 Reverb Time 0-127 4 -undifiend- 5-47 <Int Parameters> *see table3.4.2 48 -undifined- 3.4 Setup Data F ormat The structure of the one Setup patch [432bytes] (common DA TA) + (Z one 1,2,3,4 Int DA T A[...]

  • Página 71

    71 3.4.2 Z one 1-4 Internal DA T A No. PARAMETER V ALUE 1 T one Number MSB 0-2 2 T one Number LSB 0-127 3 V oicing 0-5 (0:Normal,1~2:Mellow1~2,3:Dynamic,4~5:Bright1~2) 4 -reserved- 5 Damper Resonance 0-10 (0:off , 1-10) 6 String Resonance 0-10 (0:off, 1-10) 7-40 <Both Parameters> *see table3.3.4 41 EFX T ype 0-21 (see page25) 42 EFX Rate 0-12[...]

  • Página 72

    72 4. Control Change Number (CC#) T able Control Number Control Function Decimal Hex 0 0 Bank Select (MSB) 1 1 Modulation Wheel or lever 2 2 Breath Controller 3 3 (undefined) 4 4 Foot Controller 5 5 Portament Time 6 6 Data Entry (MSB) 7 7 Channel V olume 8 8 Balance 9 9 (undefined) 10 A Panpot 11 B Expression Controller 12 C Effect Controller1 13 D[...]

  • Página 73

    73 [ST AGE PIANO] Date: April 2007 Model: KAW AI MP8II V ersion: 1.0 Function T ransmit Receive Remarks Multi Off(*5) Multi On Basic Default 1-16 1-16 1-16 Channel Changed 1-16 1-16 1-16 Default 3 3 3 Mode Messages 3, 4 (M=1) X 3, 4 (M=1) Altered ***** Note 0-127 0-127 0-127 Number: T rue V oice ***** V elocity Note ON O 1-127 O 1-127 O 1-127 Note [...]

  • Página 74

    74[...]

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  • Página 76

    Copyright © 2007 KA WAI Musical Instruments Mfg. Co . ,Ltd. All Rights R eserved. MP8II Owner’s Manual OW1010E-I0704 Printed in Japan KMSZ-0023 816034[...]