FujiFilm FinePix E550 manuel d'utilisation
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Un bon manuel d’utilisation
Les règles imposent au revendeur l'obligation de fournir à l'acheteur, avec des marchandises, le manuel d’utilisation FujiFilm FinePix E550. Le manque du manuel d’utilisation ou les informations incorrectes fournies au consommateur sont à la base d'une plainte pour non-conformité du dispositif avec le contrat. Conformément à la loi, l’inclusion du manuel d’utilisation sous une forme autre que le papier est autorisée, ce qui est souvent utilisé récemment, en incluant la forme graphique ou électronique du manuel FujiFilm FinePix E550 ou les vidéos d'instruction pour les utilisateurs. La condition est son caractère lisible et compréhensible.
Qu'est ce que le manuel d’utilisation?
Le mot vient du latin "Instructio", à savoir organiser. Ainsi, le manuel d’utilisation FujiFilm FinePix E550 décrit les étapes de la procédure. Le but du manuel d’utilisation est d’instruire, de faciliter le démarrage, l'utilisation de l'équipement ou l'exécution des actions spécifiques. Le manuel d’utilisation est une collection d'informations sur l'objet/service, une indice.
Malheureusement, peu d'utilisateurs prennent le temps de lire le manuel d’utilisation, et un bon manuel permet non seulement d’apprendre à connaître un certain nombre de fonctionnalités supplémentaires du dispositif acheté, mais aussi éviter la majorité des défaillances.
Donc, ce qui devrait contenir le manuel parfait?
Tout d'abord, le manuel d’utilisation FujiFilm FinePix E550 devrait contenir:
- informations sur les caractéristiques techniques du dispositif FujiFilm FinePix E550
- nom du fabricant et année de fabrication FujiFilm FinePix E550
- instructions d'utilisation, de réglage et d’entretien de l'équipement FujiFilm FinePix E550
- signes de sécurité et attestations confirmant la conformité avec les normes pertinentes
Pourquoi nous ne lisons pas les manuels d’utilisation?
Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage FujiFilm FinePix E550 ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles FujiFilm FinePix E550 et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service FujiFilm en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées FujiFilm FinePix E550, comme c’est le cas pour la version papier.
Pourquoi lire le manuel d’utilisation?
Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif FujiFilm FinePix E550, l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.
Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation FujiFilm FinePix E550. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.
Table des matières du manuel d’utilisation
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Page 1
swheeler Page 1 of 34 IMT – Cholla Training Center Getting to Kno w Y our Digit al Camera Objectives : Partici pants in this course will learn the ba sic functi ons of a digit al camera. Course instructi on will also inclu de information about i mage size and r esizi ng, and uploadin g images to a compu ter. • Students are encouraged to bri ng [...]
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Page 2
swheeler Page 2 of 34 IMT – Cholla Training Center Focusing Yo ur Camera Center AF ( Auto Focus) Most digi tal cameras use con trast detecti on to auto focus (AF). U suall y, the focus point is a small rectangle i n the mid dle of the viewfind er frame ( Center AF ), though many di gital cameras now also offer additi onal AF points ( M ulti-Point[...]
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Page 3
swheeler Page 3 of 34 IMT – Cholla Training Center that somethi ng else happens to fall un der one of the AF poi nts and is al so more contrasty than your main subject. In th ese instan ces, switch AF mode to Center AF, poi nt the AF Frame on your subj ect and half-p ress the shutter rel ease button to lock focus on y our main subj ect, then refr[...]
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Page 4
swheeler Page 4 of 34 IMT – Cholla Training Center If you don't hav e a tripo d, hold the cam era with b oth hands and keep it steady by leanin g and bracing yourself agai nst a wall, tree or pole, the roof of a car, an ythin g. You can also h old your cam era in both hands and brac e your elbows agai nst your body. Another way t o help mini[...]
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Page 5
swheeler Page 5 of 34 IMT – Cholla Training Center Zoom Optical Zoom v. Di gital Zoom Most digi tal cameras com e with a zoom l ens, whi ch allows you to adjus t the lengt h of the lens to ei ther move cl oser to the object (a long l ens) or to move far ther away from the obje ct (a short l ens). Digital cameras usuall y come with two typ es of z[...]
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Page 6
swheeler Page 6 of 34 IMT – Cholla Training Center Even if you can 't get as cl ose, use photo edi ting software to crop instead of using the di gital zoom. You can't crop a tremendou s amoun t, but you can get cl oser while retai ning quali ty. This i s the same image shown ab ove as the opti cal zoom exampl e. Top of Page[...]
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Page 7
swheeler Page 7 of 34 IMT – Cholla Training Center Flash Lucky for us, an au tomati c flash is inclu ded on just about every camera sold today. And most i nclu de a fill-fl ash setting for thos e less-tha n-perfect lightin g situations that need a littl e boost. That d oesn't mean the camera i s fail-proof. You still need to know how and whe[...]
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Page 8
swheeler Page 8 of 34 IMT – Cholla Training Center Flash off There are occa sions when y our camera thinks the fl ash is needed, but in fact it isn't. You probab ly have a "Fl ash Off" (or similar wordin g) settin g on your camera. Here are a few examples o f when to use it: • When you are t oo far away f rom your subject fo r th[...]
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Page 9
swheeler Page 9 of 34 IMT – Cholla Training Center Digital Camera Scene Modes What are all those symbol s for? Click here for c ontent source web site. You went out and purchased a di gital camera a nd the instructi on book menti ons "Scene Modes" and you see a l ot of funny icons on one of the dials of you r camera. So what are th ey a[...]
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Page 10
swheeler Page 10 of 34 IMT – Cholla Training Center Landscape - take photos of wide scenes. Camera automati cally focuses on a distan t object. Macro - take cl ose-up shots of s mall objects, flower s and insects. L ens can be moved closer to th e subj ect than in oth er modes. Hold th e camera stead y or use a tripod . Night Portrait - take phot[...]
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Page 11
swheeler Page 11 of 34 IMT – Cholla Training Center Program Auto (P) , your n ight pictures al ways come out too dar k. They a re simpl y underexposed. But, why i s that -- i f your camera's shutter speed ranges from, sa y 10 sec. to 1/2,000 sec.? Go back to your camera 's User's Manual and l ook a bit more carefull y. Are all the [...]
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Page 12
swheeler Page 12 of 34 IMT – Cholla Training Center Switchi ng to Manual mode al lows me to access the sl owest shutter sp eed availabl e on this camera , 3 sec. whil e keeping the aperture at F2.8 (t he largest aperture avail able). The effe ct is immediat ely better, but i t does seem a bit too brig ht, giving an almost a dayl ight effect. Now [...]
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Page 13
swheeler Page 13 of 34 IMT – Cholla Training Center Size of Picture Click here for c ontent source web site. Pixel Count One of the mai n ways that manufacturers cate gorize their di gital cameras is in terms of pixel count . Thi s is the num ber of ind ividual pi xels that go into maki ng each image. Today thi s number varies betw een 1 milli on[...]
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Page 14
swheeler Page 14 of 34 IMT – Cholla Training Center “good/normal ” compressi on setting wil l compress an imag e at a ratio of 16: 1. A “better/fin e” setting will comp ress an im age at a ratio of 8:1 . A “best/s uperfine” setting wil l compress an i mage at a ratio o f 4:1. The high er the compressi on ratio i s, the more i mages ma[...]
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Page 15
swheeler Page 15 of 34 IMT – Cholla Training Center 818 Kil obytes 1600 x 1200 (Images shown are scaled for effect.) 1372 Kil obytes 2048 x 1532 (Images shown are scaled for effect.) Top of Page Protecting You r Images There are ti mes when you get th at “Once in a li fetime” shot. For tho se occasions, you wi ll wan t to protect your image. [...]
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Page 16
swheeler Page 16 of 34 IMT – Cholla Training Center Resize in the Cam era Some digi tal cameras wil l allow the photograph er to resize the i mage insid e the camera. Not e: There ar e a number of softw are appli cations that will achi eve the same affect as resizing in the camera . Now, it is tim e to look at your camera… Does it have th is fe[...]
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Page 17
swheeler Page 17 of 34 IMT – Cholla Training Center Ten Tips for G r eat Pictures + One Click here for c ontent source 1. Look your subje ct in th e eye Direct eye cont act can be as engagin g in a picture as i t is in real life. When taki ng a picture of someone, hol d the camera at the person's eye l evel to unl eash the power of thos e ma[...]
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Page 18
swheeler Page 18 of 34 IMT – Cholla Training Center picture di splay panel to revi ew the results. On cloudy day s, use the camera' s fill- flash mode if i t has one. The fl ash will bright en up people's faces and ma ke them stand out. Also take a picture withou t the flash, because th e soft lig ht of overcast da ys sometim es gives q[...]
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Page 19
swheeler Page 19 of 34 IMT – Cholla Training Center your imp ortant subject at one of the intersections of l in es. You'll need to lock the focus if y ou have an auto- focus camera be cause most of them f ocus on what ever is in the center of the viewfi nder. Better Subject not i n focus 6. Lock the focus If your subject i s not in th e cent[...]
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Page 20
swheeler Page 20 of 34 IMT – Cholla Training Center Look it up i n your camera man ual. Can't find it? Then don't take a chance. Posi tion yourself so subjects are no farther than ten feet away. Fi lm users ca n extend the flash range b y using K odak Max versatilit y or versatili ty plus film. With Fl ash Good 8. Watch the li ght Next [...]
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Page 21
swheeler Page 21 of 34 IMT – Cholla Training Center Good 9. Take some v ertical pictures Is your camera vertically challeng ed? It is if you n ever turn it sideways to tak e a vertical picture. All sorts of thi ngs look bett er in a vertical picture. From a li ghthouse near a cli ff to the Eiffel Tow er to your four-year- old niece ju mping in a [...]
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Page 22
swheeler Page 22 of 34 IMT – Cholla Training Center 10 + One Change the angl e you are shooting from • Shoot High • Shoot Low • Shoot Left • Shoot Righ t Use the Rul e of Thirds • See Righ t Avoid Borin g Composition • Look for lin es in the im age compositi on. • Avoid object that wi ll b e distract your eyes from the images subjec[...]
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Page 23
swheeler Page 23 of 34 IMT – Cholla Training Center Capturing and P rinting Digital Images Capturing the Image(s) 1. Once the Came ra is attached to th e computer the followi ng dialog box will open. S elect Copy pictures to a folder on my computer using Microsoft Sca nner and Camera Wizar d. 2. Select Next.[...]
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Page 24
swheeler Page 24 of 34 IMT – Cholla Training Center 3. The computer has now captured all the imag es from the cam era. 4. Select Clear A ll . This wil l enable the us er to select what pi ctures they wish to save to the compu ter. To select indi vidual images, simply cli ck the right corner of the i mage with the mouse. A g reen check mark will i[...]
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Page 25
swheeler Page 25 of 34 IMT – Cholla Training Center 5. To select all images in the camera cli ck on Select All. 6. To rotate the i mage(s) clockwise cli ck here. 7. To rotate the i mage(s) counterclockwi se cli ck here. 8. Click here to r eview the properties of th e image selected.[...]
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Page 26
swheeler Page 26 of 34 IMT – Cholla Training Center 9. Type in the name of the picture fil e (e.g. Family Vacation Su mmer 2004). 10. Locat e the drive to save the image fil es to. 11. Sel ect this opti on only if you wish to d elete all the images off the camera upon completi on of the save.[...]
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Page 27
swheeler Page 27 of 34 IMT – Cholla Training Center 12. Sel ected images ar e copied to the compute r. 13. There a re three opti ons to select from: • Publish these pictures to a W eb Site • Order Prints of these from a ph oto printi ng Web Site • Nothing , I’m finished workin g with t hese pictures. Example of p ublish picture to a web s[...]
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Page 28
swheeler Page 28 of 34 IMT – Cholla Training Center Example of o rder Prin ts of these from a photo printing Web S ite Example of “ Nothing,” I’m fin ished worki ng with these pictures[...]
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Page 29
swheeler Page 29 of 34 IMT – Cholla Training Center 14. In thi s example, sel ect Nothing, I’m finished working with these pictures. 15. Imag es are now saved to the locati on selected earlier. Cli ck Finish.[...]
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Page 30
swheeler Page 30 of 34 IMT – Cholla Training Center Digital Photograp hy Glossary Published: May 1, 2002 Content Pasted from http:// www.microsoft.com/windowsx p/using/digitalphotogr aphy/glossary/default .mspx Strugglin g with a word or ph rase? You'r e not alone. Photograph y has lon g had its own language, and digital photography adds ma [...]
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Page 31
swheeler Page 31 of 34 IMT – Cholla Training Center CMYK Cyan, Magenta , Yell ow, Black. The four col ors in the inksets of many photo-qua lity pri nters. Some prin ters use si x ink colors to achieve smooth er, more ph otographi c prints. The two addi tional colors are oft en light er shades of cyan and mag enta. CompactFlash ™ A common typ e [...]
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Page 32
swheeler Page 32 of 34 IMT – Cholla Training Center synonymous wi th bla ck and white. Highlights The brig htest parts of a p hoto. Histogram A graphi c representation of the rang e of tones from dark to li ght in a ph oto. Some digi tal cameras include a hi stogram feature that enables a pre cise check on the exposure of the photo. Image brows e[...]
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Page 33
swheeler Page 33 of 34 IMT – Cholla Training Center recharged many ti mes. Ni MH batteries pr ovide suffi cient power to run digi tal cameras and flashes. Online photo p rinter A company th at receives di gital ph otos uploaded to its Web site, pri nts them, then send s the pri nts back by mail or courier. Panning A photography te chniq ue in whi[...]
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Page 34
swheeler Page 34 of 34 IMT – Cholla Training Center port, but sl ower than those tha t connect vi a FireWire. White balanc e A functi on on the camera to compensate f or different col ors of light bei ng emitted by d ifferent li ght sources. Top of Page Sources used i n this docu ment: • 101 Uses for a Di gital Camera http:// pegasus.cc.ucf.edu[...]