Madrigal Audio Audio/Video Preamplifier manuel d'utilisation

PR O C E E D P A V A u dio/V ideo P r eam pl ifie r[...]

C A UT ION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRICAL SHOCK, DO NOT REMOVE COVER. NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE. NOTICE This equipment has been tested and found to comp[...]

I mport an t Saf e ty I nst ru c t ions P lease rea d all i nstr uctions and precauti ons carefull y and com plet ely b ef ore operating y o ur P A V a udio/video pream- plifier . 1. AL W A Y S dis conn ect y o ur ent ire s yst em f r om t he A C ma ins bef or e co nne ctin g o r dis co nne ct ing an y cab les , or when cleani n g an y componen t .[...]

4 T able of C on t en ts Maxi mizin g the V alu e of Y our P ur chase ..................................................... 7 Send in t hat w arr an ty car d! ............................................................................... 7 U n packing and Pla c ement ........................................................................ 8 U npac[...]

5 Se ttin g In put D e f ault s ........................................................................................ 4 1 Pr og ra mmin g a Ne w On Scr ee n A lias ............................................................. 4 1 cd 1 me nu .................................................................................................. 42 ali [...]

6 Se t De lay ............................................................................................................ 6 1 vcr 1 I nput De f au lts ............................................................................................ 6 1 vcr 2 I nput De f au lts ............................................................................[...]

7 Ma ximi zing the V alue of Y ou r P ur c hase C on gr a tul a ti ons o n ch oosin g a s up er b pr oduct . Y ou r Pr oceed P A V is des i gned t o g iv e y ou man y y ear s of o utsta n din g perf o rman ce , an d w e ar e co nfi de nt y ou w ill be h a pp y w ith it . W e v al u e ou r re la ti ons hi p wit h our c ust o mers , an d oft en a re [...]

8 U n pac k in g an d P l ac e m en t Un pack ing U n pa ck y ou r Pr oceed ® P A V au dio video preampli fier and k ee p all pac king m a- t e ria ls for fut u r e tr ans po r t . Loca te a n d r em o v e all a cc ess or y it ems f r om t he ca r t ons . A cc ess ori es in cl ud e: 1 A C po w er c or d 1 P A V re mo te cont rol 4 al ka lin e ba t[...]

9 O per ati n g V olt ag e The P A V pr eam pl i f ie r is f a cto r y-set f o r 1 00V , 1 20V , 200V , 2 20V , o r 2 40V A C ma ins o pera t io n at e ithe r 50 o r 60Hz , a cc o rdin g t o th e cou nt r y f o r w hic h the u nit w as ma nuf a ctu red . ( 2 3 0V on ly i n Europe an U ni on c o un tries , in c o mpl ia nce wi th CE regula t ions . [...]

10 A W or d About I nst al lat ion E v er y e ff ort ha s been ma de t o mak e th e P roc eed P A V sim pl e a nd st ra i ghtf orw ar d t o install a n d use . W e a lso kn o w of n o oth er p rod uct w hi ch o ff e rs t his l ev el o f perf orma nc e an d fl exi bil ity . Stil l , w e h a v e n o w a y to e v al ua te ma n y oth er v ari ab l es s[...]

11 H om e Theat er an d th e P r oc eed P A V P er h a ps th e m ost e x c itin g de v el op ment in h om e ent er ta inme nt in rec ent y ea r s is the m u ch- discusse d “marr ia ge of au dio and video . ” Movi e s are a va i l able in hig h qu al ity f orma ts s uc h as l ase rd isc , a nd b i g-scr een t el e vis io ns ha v e imp r o v ed v[...]

12 D olby P ro L ogic™ Sour c es The P A V a c cu ra te l y de cod es th e Do lb y St er eo™ sou n dtra cks a v ail a b le in v ir tua ll y all mo de rn fi l m s ound tr acks , m any televi sion shows , and ev e n some m usi c r e- c o rd ing s . I t does s o by e mp lo y in g ca re ful l y o pt imiz ed Do lb y P ro Lo g ic c irc uitry , f o r [...]

13 PR O C E E D pav vcr 1 vcr 2 laser disc tv/aux cd 1 cd 2 tape 1 tape 2 bal/aux tuner thx cinema pro logic stereo mono off surround mode path main remote both record standby input level delay recall ref. level sub rear center balance master mute 1 2 3 5 6 7 8 9 10 11 12 13 14 15 16 17 LU C A S FIL M ® 4 F r ont P an el 1 VI D EO SO U RCE SE LE C[...]

14 The ma in d isp l a y in di cat es t he ma ste r v ol um e b y de f a u lt , or t he f o ll o win g off s ets w hen chos en: balan ce , cen ter , rear , subw oof er . In addition , it can al so dis p l a y the in pu t le v e l (used in c ali br at in g the D o lb y P ro Lo g ic c irc u itr y t o th e sou rc e ma te rial) a nd t he r ear c ha nn [...]

15 9M U T E Pr e ssin g the mute b utto n w ill redu ce t he ma in o utp ut l e v el o f th e p r eamp l i- fi er b y a u ser -m odifi ab l e am ou nt , ran g in g f rom 2 . 5 to 5 5 dec ibe ls (5 to 1 1 0 in th e ma in dis pl a y). Pr ess in g the mu te butt on a se co nd t ime wit ho ut a d- jus tin g th e v o lu me will r eturn it t o its p r e [...]

16 C on v e r sel y , if y o u rar el y se e t he g reen L ED ill umina t e durin g l ou d pa s sa ges , y ou s h ou l d inc rea se th e In put L ev el t o co mpe nsa te f or t he re l at iv el y l o w l ev el o f the s ou rc e . Pr ess t he in put le v el b utto n , f ol l o w ed b y th e vo l um e + bu tto n to in cr ease t he in pu t le v e l . [...]

17 fl as h yell ow on t he f ro nt pa ne l , ind i ca tin g a co nfli ct on t he main pa th . The P A V w ill a lso d isp l a y th e w o rds t ape loop on screen as a w a rnin g . Tip: T o av oid an y pos sibi lity of run ning int o a “T ape L oop ” pr oblem (wh ere t he P A V pre v ents y ou fr om ch oosing wh at y ou w a n t , in or der to pr[...]

18 cd1 bal/aux PR O C E E D R PUSH 21 3 p a v by MADRIGAL AUDIO LABORA TORIES vcr1 vcr2 tape1 tape2 vcr1 vcr2 tape1 tape2 laser disc tv aux cd2 tuner center sub rear surround remote main o u t p u t s main remote laser disc tv aux vcr1 vcr2 main rem vcr1 vcr2 i n p u t s remote i. r . turn-on PUSH 21 3 PUSH 21 3 PUSH 21 3 1 2 3 4 9 7 6 5 8 10 11 12[...]

19 The se p in as si gnme nts ar e co nsist ent w ith t he s tan dar ds a do pt ed b y the A ud io E n gin eerin g Soc i ety . R ef e r to th e o pera t ing ma nua ls o f y ou r ba l- a nc ed-out put l ine-l ev el s ou r ces t o v erify th at t he p in as si gnm ents o f th eir output con nectors correspond to the P A V . If not, wi re the cables s[...]

20 4 A C PO W ER SW IT C H A N D A C PO W ER IN P UT An A C po w e r swit c h is pr o vi ded w hi ch d isco nn ect s th e P A V f ro m th e w al l ou tl et’ s A C po w er . Th e P A V is des i gned t o be l eft in Sta n db y w hen n ot in us e , r at her t ha n co mp l ete l y “ of f . ” Be ing in S tan db y al lo w s it t o res po nd t o c o[...]

21 Y ou r P roc eed d eal er c a n he lp y ou tak e a dv a nta g e of th ese d esi gn f eatu res t o ma ximiz e y ou r sy st em ’ s v ers at ility . The rem ot e turn-on ou tp ut to t he ri g ht of t he rem ot e i r in put (a s seen f ro m th e rea r) c an be u sed t o to gg l e P roce ed po w er a mp lif ier s bet w ee n stan dby and oper ate in[...]

22 7 RE MO T E BALA NC ED OU TP UTS If t he sy st em be ing u sed in th e re mot e z o ne is equ i pp ed wit h ba l an ced (someti mes called “ di ff eren tial ” ) inputs , it is b est to use these bal anced o ut- puts on your P A V . A bala nce d signal from pr e amplifier to po w e r amplifier wil l of f er th e hi g hes t poss ib l e perf o [...]

23 If y o u use t he s in g le-e nded ma in o ut put s , co nnect t he m to t he c orr es pon d- in g inp uts o f th e amp lif ie r bein g us ed to dri v e t he F r o nt Le ft an d F r ont Ri ght s pea k er s . 1 0 SI NG LE -EN D E D REM O TE OU TP UTS Sin g l e-en ded (“ u nba la nc ed ”) ou tpu ts a re p ro v ided f or c om pa tib ility w ith[...]

24 PR O C E E D R pav use / learn ready to learn learned / sending error / low battery 2 a b c d vcr 1 vcr 2 l.d. menu bal display stop rew play ff tv/aux cd 1 cd 2 mode delay input input prev. pause next tape 1 tape 2 bal/aux on screen sub mute power tuner enter path rear rec adjust ch- ch+ recall cntr master volume e f g h std by 123 456 78 9 + ?[...]

25 2 BA N K SWIT CH The P A V le arnin g re mot e h as tw o co mp l et e “b ank s ” o f sett in gs w hi ch ma y be sto re d fo r your use . As deli v ere d fro m the f actor y , many bu t not a ll of the but tons in the “Procee d ” bank ( the one i n us e wh en the sliding swi tc h is under the Proceed lo go) ha v e b een p res et to con tr[...]

26 5 e , f , g , h , st d b y B UTT O N S The f irs t f ou r of th es e bu tto ns a re s imp l y mo re “ extr as ” p ro v id ed f or y o ur con v e nience , as with a th roug h d a bo v e . Y o u ma y w a nt to p r og ra m th em f o r d irect a cc ess t o y ou r f a v o rit e s urr o un d m odes ( T HX c inem a, pr o logic, st ereo su rroun d, [...]

27 • path : p res sin g th is butt on w ill cy c le t he P A V thro u g h the v a riou s si gna l pa th s . H a v in g sel ect ed a pa r t icu l ar pa t h , su bseq ue nt sou rc e se l e ct io ns af f ect o nl y t h a t pa t h ( e. g. , ma in , re mo te , bo th , or reco rd ). • re ca l l : p re ss in g this b utt on r est or es th e v ari ou s[...]

28 P lan n in g Y ou r I nst al lat ion T h e i nf ormat io n co n ta i ned wit h i n th is se ct io n is in ten ded t o h elp get s om eon e st ar t ed wh o wish es t o de sig n a nd i nsta ll th ei r own s oph ist ic ate d A/V system b ui lt a rou nd t he P roce ed P A V . H owever , it c an n ot be co ns idere d a su bst it ut e fo r th e ex- pe[...]

29 Att ent io n sh ou l d be pa id t o th e a cc ess ib ility o f th e inf ra red c ont ro l si gna l t o the components . Most p eop le ins tinctiv el y aim remote controls at the scree n , without th inking a bou t th e loc at io n of t he eq ui p ment . I t is a good i dea t o l oca te a s mall inf ra red “ re pea ter” in the v ic inity o f [...]

30 t oe-in o f le f t & ri gh t speak ers sub L sur R sur R C L So me t oe-in of th e Le ft an d Rig ht s pea k ers t o w a rd t he ma in lis ten in g are a ( see a bove ) w i ll hel p mi nim ize side w all reflec tions and b alance t he sound for p e ople at t he e xtr eme ed g es of t he v ie w in g ar ea . P l a cin g th e ce nter s pea k er[...]

31 p ha se-ind u ced irr egu l arit ie s at t he c ros so v er f r equ en cy of 80 Hz .) O f th ese tw o guidelines, the fi rst is usu al l y m ore sig n i fi c a n t s onica lly , as i t tends to mi ni mize th e a ud ib ility o f th e roo m ’ s m odes . A v o id c orn er p la c em ent, as th is typ i ca ll y in- cre ase s ba ss qua n t it y at t[...]

32 con ve nt ion al surr oun d placemen t sub L sur R sur R C L The Wiri ng Lo w im pedan ce s pea k er w ire mu st be used t hro ug h out t he s y stem . This ens ure s th e mo st ef fi c i e nt tr a ns mis si on o f p o w er f ro m the a mp lif ie r s to t he s pea k e r s , w hi ch minimiz es se v er al f o rms o f au di bl e dis t orti on . S u[...]

33 Sy st em P l an ni n g Gu ide Exp er ie nce shows that al mos t a ny re as onable amoun t of ti me spe nt i n the plan - nin g sta ge s will p a y f o r itself tw o t o thr ee tim es o v er du rin g the ins tal la ti on— m or e i f t he insta ll at i on c re w inc lu de s t w o o r thre e peo p le . W it h th e ba ckg rou n d pro vided in the [...]

34 th e sa me dis tan ce f ro m th e ma in list enin g a rea a s th e Left a nd Rig ht s pea k er s . ■ ■ I f THX-c er t ified L CR s pea k ers a re u sed a nd mu st be eit her a bo v e o r bel o w ear l e v e l w hen s eat ed , aim t he m do w n (or u p) int o the list enin g a rea . Th ey a re int ent io nal l y quit e dir ecti o nal in t he [...]

35 Sy st em Se tu p & Cal ibr at ion The P A V use s on sc re en m enus t o mak e th e init ial s etu p of th is sop his ti ca ted c ontr o l cent er a s simp l e as pos sib l e . In a dd it io n , t he re a re a f e w on s cre en me nus w hi ch c an be u sed occ asi o nall y , i f y o u ch an g e y ou r pr ef er en ces a s to h o w th e system[...]

36 Setting Up All su rrou n d pr oce sso rs r equ ire a ce r ta in a mo unt o f setu p bef o re t he y ca n per - f o rm c o rrect l y . Th is f a ct is a lso t rue f o r a ud io/v i de o pr eam p lif ier s su ch a s t he P A V w hi ch in co rpor at e su rrou n d pr oce ssin g a s part of t he ir des i gn . Bri efl y , an d a t a minimu m, y o u mu[...]

37 Phan t om Ce nt er Ch anne l If y ou r sy st em d oe s n ot in c l u de a c e nt er c h a nne l s pe a k er , c hoo se “ none .” Do in g so w ill p la c e th e P A V into a “ p ha nt om ” ce nter c h ann el m ode w h ere in th e inf o rmat io n w hic h w ou l d n orma ll y be dir ect ed t o th e cent er s pea k er b y th e P ro Lo g ic c[...]

38 h a v e a poo rl y-d ef ined ima g e s mea red a ll o v er t he ir end o f th e ro om . • L–C Phasi ng: ch ec k Le ft-Ce nt er p h asin g in th e H om e THX m ode b y re pea tin g th e L-R P ha sin g te st aft er h a v ing m o v ed t he int erc o n- ne ct f ro m th e Rig ht s pea k er’ s am pl ifi er in pu t to t he C ent er s pea k e r’[...]

39 in g dif f er enc es in l e v el be t w ee n va ri ous s our c es (s ome o f w hi ch ma y seem “l ouder ” than o thers wi thout such a corre c tion ) . Out put Le v el Cal ibration The P A V a lso in co rpor at es l ev el c ont ro ls f or ea c h output . Th es e a ll o w y o u t o c omp ensa te f or d iff er enc es in a mp lif ier a nd s pe [...]

40 3 RE PEAT THIS PR OC ES S FOR EA CH SPEAKER I N TURN Pres sing m a st er wil l mo v e t h e curs or (a n d th e n ois e) on t o the n e x t s pea k e r . W he n adju st ing t he s ub w oof er l e v e l , be sur e t o get u p a nd w alk a ll ar ou n d the l ist enin g ar ea , w a tc hin g f or t he ma gnitu de o f th e v ari at io ns in- tr odu c[...]

41 3 AD D 1 5 T O TH E N U M BE R O BT AI N ED I N S TE P #2 AN D S ELE C T TH IS S U M I N TH E SET DE LA Y ME N U F o r e x am pl e , if y our r ea r spe ak er s ar e 7 f eet c lo ser t o y ou t ha n th e f ro nt s pea k e rs , a dd 7 t o 1 5 t o get 2 2 m sec , w hi ch is th e o ptimu m de la y f or y our system . Use the v olu me +/– k e ys t[...]

42 1 ENT E R TH E IN PU T DE F A U L TS M EN U , SE LEC T AU D IO IN P UTS , TH E N CD 1 , TH E N ALI A S This ca n be a c co mp lis hed b y m o vin g t he c urs or t o input def aults and then pressing ei ther of the v olum e +/– k ey s f o ur t imes in s uc ce ssi o n . (F o r our e xa mp l e , w e w ill c on ce rn our sel v e s wit h the cd 1 [...]

43 1 UN D ER TH E I N PU T D E F A U L TS M EN U F OR T H E CH O SE N I N P U T , SE LE CT OF FSET A N D PR ESS EI TH E R OF TH E V O L UM E +/– K EY S Y ou w ill see a s cr een w hi ch l ook s lik e th e f o llo win g: input l ev e l offse t men u INPUT DEFAULTS OFFSET 0 2 USING AN APP R OPRIA TE TE ST SIGN AL ON THE SOURCE C OMPONENT , A D JU S[...]

44 T o chang e y o ur def ault surround mode : 1 UN D ER TH E I N PU T D E F A U L TS ME NU F OR TH E SE LE CT E D IN PU T , S E LEC T “ MO D E ” AN D PRE SS EI TH E R O F TH E V O LU ME +/– K EY S Y ou s h ou l d th en see a sc ree n w hic h l ook s so met hin g lik e th is: de f au lt surr oun d mode menu DEFAULT SURROUND MODE NONE 2 USE T [...]

45 2 U SING THE M AS TER BU T TON, MO V E THE CUR SOR D O W N T O VIDEO; TH E N P RE S S E IT H E R OF T H E V O L U ME +/– K EY S T O T OGGLE T O S- VIDEO 3 PRE SS ENTE R T O S A V E Y O UR C H AN GE . R epe at t hes e p ro gr ammin g st eps in tu rn f or a ny in p uts w hi ch w ill be u sed in your syst em ’ s c onfig ur ation. M ode Default [...]

46 1 FRO M TH E SET U P ME N U , SE LEC T “ MO DE D E F A U L TS ” A ND E N AB LE TH E FEATURE Aft er se le ctin g mode def aults from t he se tup me nu , y ou w ill see a sc ree n th a t loo ks lik e this: MODE DEFAULTS ➔ --DISABLED-- THX CINEMA PRO LOGIC STEREO SURROUND MONO SURROUND SURROUND OFF MONO MODE DEFAULTS **DISABLED/ ENABLED** THX[...]

47 5 PRES S “E NT ER” T O SA VE Y OUR C HANGES ; R EPEA T FOR AL L OTHE R SURR OUND M ODES AS NEEDED N ote t ha t if y ou c ha ng e onl y a sin g le s urr ou nd m ode , th e oth ers w ill r e- ma ins at t he ir f a cto r y de f a ul t s e ttin gs o f n o o ff se t a nd su b = none . Th is will ca u se e v en o ff set s ente red a t th e f ro nt[...]

48 the m ain displ ay . (S ee Oper a t i n g t h e On S c re en M en u s fro m t h e F ro n t P a nel , pa ge 3 5 .) Chan ging th e P A V’ s IR A ddr ess In s om e install a ti ons , y ou ma y disc o v er t ha t so me oth er c omp an y is tryin g t o us e th e sa me inf ra red c ontr o l cod es used b y t he P A V , or v ic e v er s a. (This u nf[...]

49 U sing the P A V Sett ing the V olum e Ther e a r e , in eff ect , t w o v ol ume c ont ro ls in th e P A V . Wh en in e ithe r THX c inem a or pr o logic mo des, the input le v el co ntr ol s h ou l d be us ed to c om pensa t e f or dif- f eren c es bet we en rec or di n gs , u sin g its a ss oc ia ted g ree n L ED a s a gu id e . A dju st- me [...]

50 off mod e ( e. g . , tw o-c h a nn e l st er eo). Y ou ma y fin d th at in cr eas ing t he l e v el o f th e rear speak ers is necessa r y i n order to bri ng w hat li ttle ambienc e i s i n a “ d r y” re- c ord in g u p t o a mo re e njo y a b le l e v el . M ono Surr ound The m ono surr ound m ode can pro vide a sen se of spa ciousness and[...]

51 The Displ ay Pr ef Menu Re turnin g t o th e s ub je ct of display pr efe ren ce s , sel ect in g t his me nu it em (b y pressing either v olu me +/– w hil e th e cu rso r is po intin g a t it) pr ese nts y ou w ith a su b-menu , o utl ined a t le ft . Th e de tails o f th a t subm enu ar e as f oll o w s: DISPLAY PREF DISPLAY POSITION DISPLAY[...]

52 Pr og r a mmi ng th e Remot e Co ntr ol Prog ramm ing Ot her Compon ents ’ Func ti ons The r em ote c ont ro l p r ov id ed w ith th e P A V is ca pa b le o f l earn in g th e co mman ds of a lm ost a ny ot he r rem ote c o ntr o l . This is t ru e of an y a nd a ll bu tt ons o n th e re- m ote , in clu din g t hos e th at a re p re-p r o gra [...]

53 t eac hing t he P A V r emo t e con tr ol n e w com mands PR O C E E D R pav use / learn clear / reset ready to learn learned / sending error / low battery 2 a b c d vcr 1 vcr 2 l.d. menu bal display stop rew play ff tv/aux cd 1 cd 2 mode delay input input prev. pause next tape 1 tape 2 bal/aux on screen sub mute power tuner enter path rear rec [...]

54 Progr a mming P A V F u nc tio ns If y ou ina dv ertant l y o v erwrit e on e or m o re P A V c omma nds in y o ur P A V re mot e c ontr o l , ne v er f e a r—y ou do n ’ t h a v e t o obta in a not her P A V rem ot e in or der t o re- t ea ch y o ur o wn its P A V -s pec ifi c co mman ds . The P A V it self c an se nd a ll of t he n ec- es [...]

55 r emo t e on ly menu REMOTE ONLY MENU ENTER DISPLAY ON SCREEN P res s th e a pp ro p ria te b utto n on t he r em ot e co ntr ol (w hil e in lea rnin g mode) , and then use the fro n t p ane l mast er and v olu me +/– b utt o ns to se- l ect a nd “ fire ” t he a p p ro p riat e IR c omma nd f r om th e mai n display of the P A V int o th e[...]

56 Remote T r ig On and Rem ot e T rig Off ma k e it poss ib le t o co ntr ol t he r em ote turn-o n tri gg er o ut pu t on t he re ar pa ne l of t he P A V in de p enden tl y of the P A V itse lf . F or e x am pl e , s hou l d y ou de c ide t o us e this t rig ge r out pu t t o co n- tr o l amp lif ie rs in th e re mot e z o ne r a the r th a n th[...]

57 Pla nning Y o ur R e mot e Co ntr o l F or your con v enience , we ha ve i n cluded the f ollo wi n g form on which you ma y p la n w hi ch a dd iti ona l fu nct io ns y ou w ill as si gn t o w hi ch butt o ns on t he P A V r e- mote con tr ol . W e su gges t photocop ying thi s p a ge and then planni n g y our pro- gr ammin g bef or e gett in g[...]

58 Bank 2: L ef t a _______________________ b _______________________ c _______________________ d _______________________ stop / _______________________ play/ _______________________ rew / _______________________ ff/ _______________________ input _______________________ pa use/ _______________________ pr e v ./ _______________________ ne xt/ ______[...]

59 R oom A c ou sti c s The f ollo wing i nf or matio n on ro om a coustics do es not need to be considered in e v er y ins tall a ti on . R ath er , it is pr o vi ded f o r th ose w h o pl a n a dedi ca ted l iste nin g r oom , or f o r th ose w h o f eel t he y h a v e a p ro bl ema ti c roo m an d th er ef or e n eed ideas a b out how to i mp ro[...]

60 The B ou nda r y E ff ect is p arti cu la r l y impo r ta nt w hen it c om es t ime to p osit io n th e f ro nt s pea k er s . If t he y a re n ot pl a ced c ons ist entl y w ith r e ga rd t o a dja cent r oom bou n dari es , the t o nal b al a nc e or tim bre of s ou nds pa nned a cr oss t he f ro nt ma y c ha n g e , w ea k enin g t he ill us [...]

61 Y ou r Sy st em Se tt in gs The s ettin g s in y ou r P r oceed P A V a re s a v ed in n o n-v ol a til e me mo r y a n d sh ou l d n orma ll y su r vi v e po w er outa ge s . St ill , it is a g ood id ea t o writ e y our p re f err ed sett in gs do w n a g a inst th e ch an ce o f an inqu isit i v e ne ig hbo r o r f amil y m embe r chan ging t[...]

62 c d 1 In put Def aults • Alia s ______ • O ff set ______ • S urr ou nd M ode ______ cd 2 I n put D efault s • Alia s ______ • O ff set ______ • S urr ou nd M ode ______ t ape 1 Input D efault s • Al ia s ______ • O ff set ______ • S urr ou nd M ode ______ t ape 2 In put Def aults • Alia s ______ • O ff set ______ • S urr [...]

63 P A V Me n u Stru c tu r e (par t ial) PAV MENU OPERATE MUTE LEVEL DISPLAY PREF VOLUME DISPLAY VOLUME SPEED SETUP: UNLOCKED SETUP SET SPEAKERS SET LEVELS SET DELAY INPUT DEFAULTS MODE DEFAULTS REMOTE CONTROL REMOTE CONTROL TEACH REMOTE PANEL BUTTONS REMOTE ONLY DIRECT ACCESS SPECIAL REAR IR JACK LOCAL REMOTE IR ADDRESS ADDRESS: 5 REMOTE TRIGGER [...]

64 T r oub les hooting Y ou r Pr oceed P A V ha s been d esi gn ed to d el iv er ma ny y ear s of s a tisf a ct io n . I t has als o been d esi g ned t o all o w a n u nu sua l a m ou nt of “ cus to miza t io n ” so as t o ma k e it su ita bl e in a w id e v ari ety of (p ossi bl y c ha n g ing) c ir cum stan ces . This fl e xib ility ne ces si[...]

65 Car e an d M ain t en an c e T o rem o v e du st f ro m th e ca bin et o f the P A V , us e a f ea the r dust er . T o r em o v e dirt a nd f ing erp rints , w e rec o mmend is o pr op y l a l c ohol and a so ft clo th. Caution! Alw ay s apply the isopr op yl alc ohol to t he soft cloth an d then wi pe the P A V w ith the dampe ned cl oth . N e [...]

66 U .S . an d Can adian W arr an ty 90-Day Lim ited W arran ty This P roc eed ® p rodu ct is w a rra nted t o be f ree f r om d e f ects in ma te ria l and w or k- man s hip under norm al use f or a per iod of ninet y ( 9 0) da ys fr om the dat e o f pur- chas e . T o extend the warranty of this Proceed product , r eturn t he w arr anty r eg istr[...]

67 Ob t a ining S er v ic e W e tak e grea t p rid e in our d eal er s . Ex pe rien ce , ded ic at io n , an d inte grity ma k e th ese p r of es si ona ls id eal l y su ited t o as sist w ith o ur cu st om ers ’ servi ce ne eds . If y o ur P roc eed co mpo n ent must be s er vi ced , p l ea se co nta ct y ou r dea le r . Y our dealer will then d[...]

68 D i m ensi ons PR O C E E D LU C A S FIL M ® pav vcr 1 vcr 2 laser disc tv/aux cd 1 cd 2 tape 1 tape 2 bal/aux tuner thx cinema pro logic stereo mono off surround mode path main remote both record standby input level delay recall ref. level sub rear center balance master mute 17.25" 43.8 cm 4.45" 11.3 cm 1.00" 2.54 cm 14.25"[...]

69 Spec ific ati ons T h e c o r rela t io n bet we en pub l is he d s pe c ific ati on s and perf orman ce is u nr elia ble . A l ist of n um bers reveals vi r t uall y not h i ng . Al l te ch n ica l mea su rem ent s m ust be su b- j ec t to qua li tat ive as well a s q ua nt itat ive i nt er pr et ati on . M eas ur ement s of th e P A V yi eld e[...]

70 I nst al lat ion N o t e s[...]

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630288-1 © 6/1998 Madrigal Audio Laboratories, Inc. All rights reserved. Printed in U.S.A. R PR O C E E D is a registered trademark of Madrigal Audio Laboratories, Inc. a Harman International company Madrigal Audio Laboratories, Inc. 2081 South Main Street, P.O. Box 781 Middletown, Connecticut 06457 USA Telephone: (860) 346-0896 Fax: (860) 346-154[...]