Ir para a página of
Manuais similares
-
Speaker
MartinLogan 12
24 páginas 20.12 mb -
Speaker
MartinLogan Ticket
12 páginas 1.07 mb -
Speaker
MartinLogan C2
16 páginas 1.12 mb -
Speaker
MartinLogan Source Speakers
28 páginas 1.23 mb -
Speaker
MartinLogan In-Wall Loudspeaker
16 páginas 0.89 mb -
Speaker
MartinLogan 210
72 páginas 3.62 mb -
Speaker
MartinLogan i
24 páginas 0.99 mb -
Speaker
MartinLogan STAGECenter Channel Speaker
28 páginas 2.8 mb
Bom manual de uso
As regras impõem ao revendedor a obrigação de fornecer ao comprador o manual com o produto MartinLogan Center Channel speaker. A falta de manual ou informações incorretas fornecidas ao consumidor são a base de uma queixa por não conformidade do produto com o contrato. De acordo com a lei, pode anexar o manual em uma outra forma de que em papel, o que é frequentemente utilizado, anexando uma forma gráfica ou manual electrónicoMartinLogan Center Channel speaker vídeos instrutivos para os usuários. A condição é uma forma legível e compreensível.
O que é a instrução?
A palavra vem do latim "Instructio" ou instruir. Portanto, no manual MartinLogan Center Channel speaker você pode encontrar uma descrição das fases do processo. O objetivo do manual é instruir, facilitar o arranque, a utilização do equipamento ou a execução de determinadas tarefas. O manual é uma coleção de informações sobre o objeto / serviço, um guia.
Infelizmente, pequenos usuários tomam o tempo para ler o manual MartinLogan Center Channel speaker, e um bom manual não só permite conhecer uma série de funcionalidades adicionais do dispositivo, mas evita a formação da maioria das falhas.
Então, o que deve conter o manual perfeito?
Primeiro, o manual MartinLogan Center Channel speaker deve conte:
- dados técnicos do dispositivo MartinLogan Center Channel speaker
- nome do fabricante e ano de fabricação do dispositivo MartinLogan Center Channel speaker
- instruções de utilização, regulação e manutenção do dispositivo MartinLogan Center Channel speaker
- sinais de segurança e certificados que comprovam a conformidade com as normas pertinentes
Por que você não ler manuais?
Normalmente, isso é devido à falta de tempo e à certeza quanto à funcionalidade específica do dispositivo adquirido. Infelizmente, a mesma ligação e o arranque MartinLogan Center Channel speaker não são suficientes. O manual contém uma série de orientações sobre funcionalidades específicas, a segurança, os métodos de manutenção (mesmo sobre produtos que devem ser usados), possíveis defeitos MartinLogan Center Channel speaker e formas de resolver problemas comuns durante o uso. No final, no manual podemos encontrar as coordenadas do serviço MartinLogan na ausência da eficácia das soluções propostas. Atualmente, muito apreciados são manuais na forma de animações interessantes e vídeos de instrução que de uma forma melhor do que o o folheto falam ao usuário. Este tipo de manual é a chance que o usuário percorrer todo o vídeo instrutivo, sem ignorar especificações e descrições técnicas complicadas MartinLogan Center Channel speaker, como para a versão papel.
Por que ler manuais?
Primeiro de tudo, contem a resposta sobre a construção, as possibilidades do dispositivo MartinLogan Center Channel speaker, uso dos acessórios individuais e uma gama de informações para desfrutar plenamente todos os recursos e facilidades.
Após a compra bem sucedida de um equipamento / dispositivo, é bom ter um momento para se familiarizar com cada parte do manual MartinLogan Center Channel speaker. Atualmente, são cuidadosamente preparados e traduzidos para sejam não só compreensíveis para os usuários, mas para cumprir a sua função básica de informação
Índice do manual
-
Página 1
T HEA TER TM user ’s manual c l s e l e c t r o s t a t i c M ART I N L OGA N[...]
-
Página 2
2 Contents C ONTENTS Contents . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 Installation in Brief . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [...]
-
Página 3
Installation in Brief 3 I NST ALLA TION IN B RIEF W e know you are eager to hear your new Theater center channel, so this section is provided to allow fast and easy set up. Once you have it operational, please take the time to read, in depth, the rest of the information in this manual. It will give you perspective on how to attain the greatest poss[...]
-
Página 4
4 Introduction I NTRODUCTION Congratulations! Y ou have invested in a new world of home theater! The MartinLogan Theater represents the culmination of an intensive, dedicated group research program directed toward establishing a world class reference monitor utilizing leading-edge technology , without compromising durability , reliability , craftsm[...]
-
Página 5
Because your MartinLogan Theater uses an internal power supply to energize its electrostatic cells with high-voltage DC, it must be connected to an AC power source. F or this reason it is provided with the proper IEC standard power cord. This cords should be firmly inserted into the AC power receptacles on the rear connection panel of th e speaker [...]
-
Página 6
6 Installation F or optimum performance the Theater must be tilted on its stand towards the main listening position and directed towards the audiences ears (see figure 3). After you have placed your Theater in its final location, loosen the 2 knobs located on the stand arm, pivot the Theater towards the main listening position, and then re-tighten [...]
-
Página 7
Stand Removal and Installation 7 NOTE: The Theater is intended to be used with its stand attached in almost all installation options. Stand Removal and Installation instructions are provided in case you are using a custom installation that does not require the use of the stand. Removing the Stand 1. Support the Theater body by placing the shipping [...]
-
Página 8
8 Mounting the Theater On A Wall M OUNTING THE T HEA TER O N A W ALL WARNING! Installing the Theater on the wall requires 2 people. Do not try this alone. Mounting the Theater on a wall requires a mini- mum use of 1 lag bolt sunk directly into a stud and 2 wall anchors. If you are able to engage more than 1 stud with a lag bolt when mounting the Th[...]
-
Página 9
Mounting the Theater On A Wall 9 Figure 7. Hardware included with the Theater . Figure 8. The Theater mounted in various stud configurations. F ront View . Please note, to simplify this illustration, the stand is shown without the Theater attached. When mounting the Theater , the stand should not be removed . The Lag Bolts, W alls, and Z-Brackets a[...]
-
Página 10
10 Mounting the Theater On A Wall 4. Using a level, vertically measure down from point B 4 1 / 16 inches (10.3 cm) and mark this point (point E, see figure 9). 5. If point E is on, or horizontally within 2 1 / 2 inches (6.3 cm) of a stud: Using a level, mark a point (point F , see figure 9) hori- zontal to P oint E on the stud that is within 2 1 / [...]
-
Página 11
Dispersion Interactions 11 The convex electrostatic panel launches a 30 degree dis- persion pattern when viewed from above. This horizontal dispersion field gives you a choice of good seats for the performance while minimizing interaction with side walls (see figure 10). As you can see below (See figure 11), your Theater speak- er projects a contro[...]
-
Página 12
ó12 Dispersion Interactions Figure 12– 13. As can be seen here, point source concepts invite a great deal of room interaction. While delivering good frequency response to a large listening audience, imaging is consequently confused and blurred. Figure 14– 15. Even though they suffer from “venetian blind” effect, angled multiple panel speak[...]
-
Página 13
H OME T HEA TER Home Theater 13 It had long been the practice of stereo buffs to connect their television to the stereo system. The advantage was the use of the larger speakers and more powerful amplifier of the stereo system. Even though the sound was greatly improved, i t was still mono and limited by the broadcast signal. In the late 1970’s an[...]
-
Página 14
14 Electrostatic Advantages How can sound be reproduced by something that you are able to see through? Electrostatic energy makes this possible. Where the world of traditional loudspeaker technology deals with cones, domes, diaphragms and ribbons that are moved with magnetism, the world of electrostatic loudspeakers deals with charged electrons att[...]
-
Página 15
Since the beginning of audio, achieving smooth dispersion has been a problem for all loudspeaker designers. Large panel transducers present even more of a challenge because the larger the panel, the more directional the dispersion pattern becomes. F ull range electrostats have long been one of the most problematic transducers because they attain th[...]
-
Página 16
16 Electrostatic Loudspeaker History In the late 1800s, any loudspeaker was considered exotic. T oday , most of us take the wonders of sound reproduction for granted. It was 1880 before Thomas Edison had invented the first phonograph. This was a horn-loaded diaphragm that was excited by a playback stylus. In 1898, Sir Oliver Lodge invented a cone l[...]
-
Página 17
Electrostatic Loudspeaker History 17 In 1947, Arthur Janszen, a young Naval engineer , took part in a research project for the Navy . The Navy was interested in developing a better instrument for testing microphone arrays. The test instrument needed an extremely accurate speaker , but Janszen found that the cone speakers of the period were too nonl[...]
-
Página 18
18 Frequently Asked Questions F REQUENTL Y A SKED Q UESTIONS How do I clean my speak ers? Just use a dust free cloth or a soft brush to remove the dust from your speakers. W e recommend a specialty cloth (available through the XStatic shop at www .martinlogan.com) that cleans your speakers better than anything else we have ever tried. Do not spray [...]
-
Página 19
Frequently Asked Questions 19 Will excessive smok e or dust cause any problems with my electrostatic speak ers? Exposure to excessive contaminants such as smoke or dust may potentially affect the performance of the electrostatic membrane, and may cause discoloration of the diaphragm membrane. When not in use for extended periods, you should unplug [...]
-
Página 20
20 Troubleshooting T ROUBLESHOOTING No Output •Check that all your system components are powered on. •Check your speaker wires and connections. •Check all interconnecting cables. W eak Output, Loss of Highs • Check the power cord. Is it properly connected to the speaker? • Is the Theater properly adjusted towards the listening position? R[...]
-
Página 21
The Theater hybrid speaker system consists of a broad-range single element electrostatic transducer integrated with a quick-response woofer . This approach takes advantage of the benefits that both technologies have to offer . Dispersion is a controlled 30 degrees. This was achieved by curving the electrostatic transducer element itself , an elegan[...]
-
Página 22
AC. Abbreviation for alternating current. Active crossover . Uses active devices (transistors, ICs, tubes) and some form of power supply to operate. Amplitude. The extreme range of a signal. Usually measured from the average to the extreme. Arc. The visible sparks generated by an electrical discharge. Bass. The lowest frequencies of sound. Bi-Ampli[...]
-
Página 23
Inductance. The property of an electrical circuit by which a varying current in it produces a varying magnetic field that introduces voltages in the same circuit or in a nearby circuit. It i s measured in henrys. Inductor . A device designed primarily to introduce inductance into an electrical circuit. Sometimes called a choke or coil. Linearity . [...]
-
Página 24
2101 Delaware Street, Lawrence, Kansas 66046, USA tel 785.749.0133 fax 785.749.5320 www.martinlogan.com c l s e l e c t r o s t a t i c M ART I N L OGA N ©2000 MartinLogan, All rights reserved Rev. #071300[...]