Acoustica Mixcraft Pro Studio 6 инструкция обслуживания

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C opyrights & Tra de m a rks Redi s tr i b uti ons of s ourc e c ode m us t retai n the ab ove c opy ri ght no ti c e, thi s l i s t of condi ti ons and the fol l ow ing dis c l ai mer . Redi s tr i b uti ons i n b i nary form mu s t repr oduce the a b ov e c opy ri ght notic e, th i s l i s t of c ond i ti ons and th e fo l l ow i ng di s c l [...]

3 C onte nts 3 © 20 12 A cous ti c a, In c T abl e o f Co n te n ts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Impo r tan t So u n d S e tup Infor ma ti o n . . . . . . . . . . . . . . . . . . . . . . . . . .[...]

Mi x cra ft 6 Us e r Ma nu a l 4 © 20 12 A cous ti c a, In c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Merge 56 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[...]

5 C onte nts 5 © 20 12 A cous ti c a, In c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W MV Re nde r S ettings 117 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [...]

Mi x cra ft 6 Us e r Ma nu a l 6 © 20 12 A cous ti c a, In c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 9 C urs ors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[...]

I mpor tant S ou nd S et up I nf or mati on - 7 © 20 12 A cous ti c a, In c I mpor t ant Sound S etup Inf or mation W he n y ou f ir s t s t art Mi x c ra f t, y ou s ho uld mak e s ure t hat t he aud io lat en c y re s po nse is s et up pr op e rly. Al l s oun d dev i c es and s ou nd c ar ds ar e not c rea ted equ a l an d s ome ha v e bett er p[...]

Mi x cra ft 6 Us e r Ma nu a l 8 © 20 12 A cous ti c a, In c T his option i s av a ilab le wh en W av e R T i s s elec t ed . A udio f r o m other pro gr a ms and W ind ow s will not wo r k at t he s ame t im e t hat y ou are i n t his mode . AS I O X P, V is t a & W in 7 T he best f or play ba c k and re cord ing s y nc hr on iz ati on . Mus [...]

I mpor tant S ou nd S et up I nf or mati on - 9 © 20 12 A cous ti c a, In c dr iv e r s ar e ou t of date alre ad y . )[...]

Mi x cra ft 6 Us e r Ma nu a l 10 © 20 12 A cous ti c a, In c Quick Star t So y ou wa nt t o get s omet hin g don e in a hu rr y, eh? Le t's fo llow our f av o r ite mus ic i an S oun d W ar r ior (SW ) t hr o ug h t he pa c es of u s ing M ix c raf t™. Lo a d i n sou nds o r l o o ps SW s t ar ts Mix c ra f t an d c l ic k s t he Lib rar y[...]

Qu ic k St art - 11 © 20 12 A cous ti c a, In c Re c o rd s a Le a d Synth Pa d SW hoo k s up his MID I k eyboa rd and c re a t es a V irtual I nst rumen t T r a c k . He f inds a gr o ov y s y nth lea d and record s hims elf . I n a f ew s pots , he play ed t he wr on g no t e and s o he s im ply go es t o t he Pi an o Ro ll E dit or and m ov e s[...]

Mi x cra ft 6 Us e r Ma nu a l 12 © 20 12 A cous ti c a, In c C AV E c av e LADY lady" . He c lic k s on t he FX bu t t on on t rack 3 and s elec t s t he ef f ec t " De lay " f r o m t he l is t . I n a s ud de n ins pir ation, he deci de s t ha t t he wh ole t hing nee ds rev e r b s o t ha t it s oun ds li k e it ' s in a c [...]

Qu ic k St art - 13 © 20 12 A cous ti c a, In c (O f c our se, S W ha s pu r c hased all A c oust ic a s of twa re because he k now s it i s s m ar t t o s upp o rt go od s of tw ar e ! )[...]

Mi x cra ft 6 Us e r Ma nu a l 14 © 20 12 A cous ti c a, In c Regis t r at ion N or mally , Mi x c raf t has a t rial per io d of 14 da y s . A f ter t he t ria l per io d is ov e r , y ou will ne ed t o pur chase t he s of tw ar e in ord e r t o bur n au dio CD s or m ix dow n . T o pu r c hase a re gist ration c ode , c li c k t he " B uy N[...]

R eg is t ra t ion - 1 5 © 20 12 A cous ti c a, In c T y pe i n or c opy and pas t e y our " Re gis t r ation I D " (u s ua lly y ou r email add r ess ) in t he S t ep 3 edit bo x an d t y pe in or c op y an d pa s t e t he 20 c har a c t er " R eg is t ra t ion C od e" (e x c luding dashes) into t he St ep 4 edit box. (Mak e s[...]

Mi x cra ft 6 Us e r Ma nu a l 16 © 20 12 A cous ti c a, In c M ixcraft R eference T his will help y ou iden ti f y s pe c if ic s ec t ions of the m ain Mix c ra f t int er f a ce. M e nus A m en u t o acc ess all t he awe s ome po w er of Mi x c raf t ! T o o l bar Ac c es s c omm on fu n c t ions s uch as s av in g , loa ding , und o an d re do[...]

M ix cra ft Re f er e nce - 17 © 20 12 A cous ti c a, In c T i m e li n e Add m ar k er s, m ak e s elec t ions and adjust t empo, k ey an d t im e s ign atur e. T r ac k He a de rs Add ef f e ct s , or g an iz e y ou r pr o jec t an d ar m y our t ra c k s . Ti p: T o quick ly s c ro ll t he t ra c k s up and dow n , mov e t he mous e ov e r t he[...]

Mi x cra ft 6 Us e r Ma nu a l 18 © 20 12 A cous ti c a, In c T r ans po r t C on trol play ba c k , re c or din g, loop mode , pun c h in/ ou t . V iew t he playbac k t im e and adjust t he mas t er v o lume. T abs Proje c t Soun d* Mix er Lib ra r y * If t he S oun d t ab is s ele c t ed , y ou will ha v e t he f ollow in g editor s av a ilab le[...]

M ix cra ft Re f er e nce - Tra c k s 1 9 © 20 12 A cous ti c a, In c A d di ng T r ac ks Eac h ne w pro ject s t ar ts w it h 8 bla nk t rack s . Y ou c an ad d t ra c k s by c l ic k ing t he + Tra c k butt on ab ov e t he t rack s t o t he lef t of t he t im e li ne . You c an als o c li c k A dd Tra c k f o llow e d by s elect i ng t he t y pe[...]

Mi x cra ft 6 Us e r Ma nu a l 20 © 20 12 A cous ti c a, In c R e- si z e a t ra c k by mov in g t he mouse t o t he bott om of a t ra c k and dra g up or dow n . W hen t he mouse is in t he rig ht s pot t o r e- s iz e, t he c ur sor will be c ome an up/do w n c ursor . Al t er n ativ ely , y ou c an c l ic k on t he Track men u > P ro pe r ti[...]

M ix cra ft Re f er e nce - Tra c k s 21 © 20 12 A cous ti c a, In c T o mi x do w n t o a ne w au dio t r ack , c hoo s e Tra c k menu > M i x To New A udi o Trac k or righ t c lic k on a t ra c k hea de r and c ho ose M ix To Ne w A udio Tra c k . Dup li ca t e T r a c k You c an dup lic ate or c opy all s ett ings and s oun d s on a t ra c k[...]

Mi x cra ft 6 Us e r Ma nu a l 22 © 20 12 A cous ti c a, In c Selec t a new im ag e and c lic k OK . A dd Y our Ow n I m a ge Or P hoto You c an add an y im ag e or pho t o of y our ban d membe rs, y our dog or almos t anyt hing t ha t is in t he on e of t he f o llow ing i mage fo r mats . . J PG . BM P . PNG . GI F C lic k on Add M y Ow n I mage[...]

M ix cra ft Re f er e nce - Tra c k s 23 © 20 12 A cous ti c a, In c Vo lume & Pa n Adjus t t he v o lume and pan fo r eac h t ra c k . V o lu m e Eac h t r ack ha s it s own v olu me w hic h c an be ad jus t ed by t he s l ide r on t he t r ack . C lic k do w n on t he s li de r and mov e i t lef t or righ t . T he v olu me c an be s et f r o[...]

Mi x cra ft 6 Us e r Ma nu a l 24 © 20 12 A cous ti c a, In c T he han dle t ur n s re d s ignif ying t hat y ou c an adjust t he re c or din g lev e l f r o m t he c ur re n t inp ut. (T his is on ly f or aud io t ra c k s . ) Mu t e & So l o Mute an d/or s olo a t r ack . M ute I f y ou do not wis h t o he ar a t rack , y ou c an mut e it by[...]

M ix cra ft Re f er e nce - Tra c k s 25 © 20 12 A cous ti c a, In c N ew s oun ds and r ecord ing s ar e ad de d at t he c are t posi t ion . A f ter ad din g a new s oun d, t he c ar et will mov e t o t he end of the s ou nd . T h e c ar et is als o t he po int at w hic h s elec t ed s ou nd s w ill be s plit . You c an m ov e t he c ar et ar ou[...]

Mi x cra ft 6 Us e r Ma nu a l 26 © 20 12 A cous ti c a, In c T o ar m a t ra c k , c lic k t he Arm butt on on a t ra c k . Onc e a t rack i s ar med, it will high light in re d . A rm Toggl e C tr l + B C ho osi ng Re c or di n g Inp ut You c an record f ro m mult iple s ou n d c ard s an d dif f e r e nt inpu ts at t he s ame t i me. Some s pec[...]

M ix cra ft Re f er e nce - Tra c k s 27 © 20 12 A cous ti c a, In c T o c hoo s e an inpu t, c lic k t he ar m ar r o w f o r t ra c k 1. Clic k on " Lexi c on" or wh atev e r y ou r de v ice is c alled an d c hoo s e " Lef t Cha n ne l" . On t he s ec on d t ra c k , we ' d lik e t o recor d t he " Rig ht Ch an n el[...]

Mi x cra ft 6 Us e r Ma nu a l 28 © 20 12 A cous ti c a, In c Some s oun d de v ices inc lude a f ea ture t hat allow s y ou t o hea r w ha t y ou ar e r ecord ing . M an y dev i c es (suc h as USB mic ro p ho ne s ) , t ho ug h , do no t allow y ou t o hea r w ha t y ou ar e r ecord ing . And ot he r t imes , y ou may wish t o m on it or y ou r l[...]

M ix cra ft Re f er e nce - Tra c k s 29 © 20 12 A cous ti c a, In c Vi rtua l I nst ru ment T r a ck s hav e t he ex t ra ins t r umen t butt on t o t he l ef t of t he mut e butt on. C lic k t he ins t ru men t butt on t o c ho ose an ins t r umen t. You m ay c on ne c t a M I D I k eyboa r d t o r ecord and pla y MID I . Pl ay an optiona l MID [...]

Mi x cra ft 6 Us e r Ma nu a l 30 © 20 12 A cous ti c a, In c k ey bo ar d t o s ee if t his is poss ible, t hou g h. Re c o rd in g Multip le T r a c ks Sim ul ta ne ousl y You c an record m ulti ple V irtual I nst rume nt (MI D I ) t ra c k s at t he s ame t im e. Si mply c lic k t he ar m bu tt on f or each t ra c k t ha t y ou w an t t o re c [...]

M ix cra ft Re f er e nce - Tra c k s 31 © 20 12 A cous ti c a, In c T ogg le t he t ra c k s y ou w an t an d c li c k OK . V i d e o T he V ideo T rack holds v ide o c l ips & image s or pho t os. T h e re i s on ly one v ideo t rack . T o t og gle t he v id eo play ba c k wind o w , c li c k t he " S ho w / H ide V ide o W indo w "[...]

Mi x cra ft 6 Us e r Ma nu a l 32 © 20 12 A cous ti c a, In c M a s t e r Eac h pr o jec t ha s on e Mas t er T rack . Al l t ra c k s are m ix ed t o t he M as t er T r a c k . T o v iew t he Mas t er T r a c k , c l ic k T ra ck m en u > S how M as t er Trac k . A lt er na ti v e ly , c li c k t he + Track bu tt on at t he t op of t he t ra c[...]

M ix cra ft Re f er e nce - Tra c k s 33 © 20 12 A cous ti c a, In c Add a S en d T r a ck t o t he pr o jec t . W e re na med t his on e t o be c alled " Re v e r b (SE N D )". Go t o t he t ra c k t hat y ou wa nt t o rou te s igna l t o t he S en d t ra c k . E x pan d t he t ra c k automation por tion of the t rack by c l ic k ing t [...]

Mi x cra ft 6 Us e r Ma nu a l 34 © 20 12 A cous ti c a, In c v o lume ad jus t ments . (PRE-Fad e r S en d) Pos t V olume A djust m en t - T he t rack 's aud io i s s ent t o t he S end T r a c k aft er app ly ing it s ow n v o lume ad jus t ments . (POS T - F ad er S en d) T o c han g e t he S en d V olume T ype , r ight c li c k on t he S [...]

M ix cra ft Re f er e nce - Tra c k s 35 © 20 12 A cous ti c a, In c POS T-Fa d e r S e nd * * Dep e nd ing on t he s en d v o lume t y pe, t he aud io f r om a t ra c k will be s en t at one of t he s t arr e d * po ints i n t he aud io s i gn a l f low . Ti p: W hen add ing an ef f e ct t o a S end T r a c k , it is re c ommen de d t o c ho ose [...]

Mi x cra ft 6 Us e r Ma nu a l 36 © 20 12 A cous ti c a, In c I f y ou ha v e an au dio de v ic e with mult iple outputs , s i mply c l ic k on t he output dr op dow n of a n output t ra c k an d c hoo s e t he ou t pu t . T he M ix er v iew als o allow s y ou t o adjust t he ro uting of t ra c k s t o ou t pu ts . T her e ar e many wa y s t hat y[...]

M ix cra ft Re f er e nce - Tra c k s 37 © 20 12 A cous ti c a, In c mix . T hat s en d t ra c k ' s ou t pu t ha s be en s et t o t he He ad ph o ne Ou t 1 outpu t t ra c k , wh ic h has bee n ro u t ed t o a s pe c if ic ou t pu t on t he aud io dev i c e. T h e Send k nob s on each t ra c k ar e t hen us ed t o c re ate a c us t om monitor[...]

Mi x cra ft 6 Us e r Ma nu a l 38 © 20 12 A cous ti c a, In c R e w i r e R eW ire is a s t and a rd c r ea t ed by P ro pe ller he a d S of tw ar e t ha t allow s M ix c r af t t o int er f a ce w it h ot he r po pu lar s of twa re . T h is po w er f u l t ool allows M ix c raf t t o acc ess s oun d s , v ir t ua l ins t ru men t s , and ot he r [...]

M ix cra ft Re f er e nce - Tra c k s 39 © 20 12 A cous ti c a, In c Au toma t i on You c an c ha ng e t he w ay t hings s oun d ov e r t i me. A ut omation allow s y ou t o add po ints at s pecific loc ations on a t ra c k ' s au t omation lane . Aut omation t y pe s : Volume Pan Send t ra c k s Any ef f e ct or s y nt he s iz er pa ra meter[...]

Mi x cra ft 6 Us e r Ma nu a l 40 © 20 12 A cous ti c a, In c C lic k on an y po int i n t he au t omation bod y t o ad d a po int and t hen dr a g it t o t he des ire d v a lue . M o vi ng T rac k A utom a t i on Po i nts T he glob al s na p v a lue w ill ap ply whe n ad din g and editi ng automat ion po ints . I f y ou ar e ha v in g pr o blems [...]

M ix cra ft Re f er e nce - Tra c k s 41 © 20 12 A cous ti c a, In c 1. Ch oo s e a v irtual i nst rume nt f or t he t ra c k . 2. Clic k t he automation dro p do w n t o s ho w t he automati on . 3. No w s elect t he v ir t ua l ins t ru men t . C lic k on t he c on t r ol t i t led " T r a ck Volume", f ollow e d by c li c k ing t he v[...]

Mi x cra ft 6 Us e r Ma nu a l 42 © 20 12 A cous ti c a, In c After t hat, we c an dr a w in automat ion po ints t o c han ge t he f ee d ba c k ov e r t i me. Re c o rd in g A utom at io n You c an record automati on fo r ef f e ct s or v irtua l ins t ru ments by s et t ing up y ou r MI D I dev i c e t o c on t ro l a par a meter. Once a M I D I[...]

M ix cra ft Re f er e nce - Tra c k s 43 © 20 12 A cous ti c a, In c A u t o m a t i n g W i t h A M I D I C o n t r o l l e r You c an s et up an y M I D I c on troller or k ey bo ar d t o c ontro l an y ef f ec t par a meter or v irtual i nst rume nt pa r ameter . Eac h MI D I k ey bo ar d or c on troller is dif f ere n t . T he basi c idea i s [...]

Mi x cra ft 6 Us e r Ma nu a l 44 © 20 12 A cous ti c a, In c Ho w T o Ma p A Knob o r Sl i der T o A n Effe c t I n ord er t o c on t r ol v ar iou s pa r ameter s of an ef f e ct , t her e ar e s ev e r a l wa y s t o do it . E ac h k no b or s li de r on a MI D I k ey boa r d ge ne r ates a M I D I C C m ess ag e. 1. C lic k t he M ID I Lea rn [...]

M ix cra ft Re f er e nce - Tra c k s 45 © 20 12 A cous ti c a, In c Lo a di ng A nd Saving Effec t M a ppi ngs C lic k S av e or S av e A s . . . t o s av e y our m ap pin g. Re c all it at an y t ime f r om t he P re s ets . If y ou w is h t o ge t rid of m ap pin g, s elec t it an d t hen c lic k De lete . Eff ec ts You c an add ef f ec t s t o[...]

Mi x cra ft 6 Us e r Ma nu a l 46 © 20 12 A cous ti c a, In c D e l e ting E mp ty La ne s R igh t c li c k on an empty par t of a t r ack an d c l ic k Lan es fo llow e d by D elete E m pty Lan es. D e l e te La ne A l t+K M uting La ne s You c an m ute or unmute all c lips on an y t ra c k by rig ht c l ic k i ng on an empty pa r t of a lane and[...]

M ix cra ft Re f er e nce - Clips 4 7 © 20 12 A cous ti c a, In c M o vi ng T o mov e a c li p, s elec t it s t i t le bar and dr a g wh ile holdin g dow n t he mous e butt on . . (T he t i t le bar i s t he t op ar e a of t he c lip wh e re t he name is dis play ed . ) B E FO R E MOV E A FTE R M OVE You c an als o mov e a c li p by us ing t he k [...]

Mi x cra ft 6 Us e r Ma nu a l 48 © 20 12 A cous ti c a, In c Dele ting Selec t a c lip or gr ou p of c li ps and t he n s elec t D ele t e f r om t he E dit menu . Al t er n ativ ely , y ou c an push t he De lete k ey on y our k ey bo ar d t o dele t e t hem. D e l e ting P a rts Of Cli ps I f y ou s elect par t of a c lip, it will on ly delete t[...]

M ix cra ft Re f er e nce - Clips 4 9 © 20 12 A cous ti c a, In c a lef t righ t re- si z e c ur s or . Si mply c lic k on t he l ef t or righ t edg e of t he c lip, ho ld t he m ou s e dow n and dr a g lef t or rig ht. Eac h loo p is re p re s en ted by a t rian gle on t he t op and bott om of t he s ou nd . T he c l ip will l oo p ba s ed on t h[...]

Mi x cra ft 6 Us e r Ma nu a l 50 © 20 12 A cous ti c a, In c s hortc ut A l t Dr a g Copy a n d Pre s e rve Ti m e Of f s e t s hortc ut Sh i ft +Alt+dra g (C o p y N' Pas t e mak es t he wo rld go 'r o un d. B ecome a f an of " Co py A nd P as t e" on y our f av o r ite s oci al ne twor ki ng s it e.) Se lec ti ng Cl ips A s [...]

M ix cra ft Re f er e nce - Clips 5 1 © 20 12 A cous ti c a, In c You c an t ogg le t he s elec t ion of mult iple c lips by ho lding dow n t he Ctrl k ey an d c l ic k i ng t he t i t le bar of t he c lip. You c an s elect add it ion al c lips by ho lding dow n Shif t k ey and c lic k ing t he t it le ba r of t he c lip. Sele c t i ng A Part O f [...]

Mi x cra ft 6 Us e r Ma nu a l 52 © 20 12 A cous ti c a, In c So u n d s T her e ar e t w o t y pes of s ou nd s : A udi o cli p s Vi rtua l I ns trume nt (MI DI) cl i ps C lip t empo and k ey c an be m an ipula t ed i n t he f o llow ing wa y s . T em po /T i m e A d j ustment s T i me t r av e l m ay not be po s s i ble y et, but y ou c an c ha [...]

M ix cra ft Re f er e nce - Clips 5 3 © 20 12 A cous ti c a, In c You will k now t hat y ou are i n Flex A ud io™ m od e if t he c ur s or t urn s into t he Flex A ud io™ c ursor . Le ar n m or e ab ou t F lex Audio™ her e . K e y / Pi t c h A dj ustm e nts A s ou nd c an be pit c h s hif ted li k e a c hipmun k or m ad e t o s ou nd l ik e [...]

Mi x cra ft 6 Us e r Ma nu a l 54 © 20 12 A cous ti c a, In c T he or igina l de t ect ed t empo will s how up w it h an * next t o it in c as e y ou nee d t o re s t or e it t o t he or igin al detec t ed t empo . Det e c t ing T em po ( a udi o c l ip s onl y ) T he f ollow in g inf o rma t ion is f or aud io c lips on ly . I f A uto B ea t M a [...]

M ix cra ft Re f er e nce - Clips 5 5 © 20 12 A cous ti c a, In c H ow e v e r , y ou c an ha v e m or e t han on e k ey c han ge i n a pro ject . A s oun d in A djust To P r oje c t K ey mode will adju s t t o t he c or r e c t nu mber of half s t ep s in or d er t o pla y in t he c or r ect k ey based on t he mos t re c en t k ey c ha ng e. T o [...]

Mi x cra ft 6 Us e r Ma nu a l 56 © 20 12 A cous ti c a, In c You will k now t hat y ou are i n Flex A ud io™ m od e if t he c ur s or t urn s into t he Flex A ud io™ c ursor . T i p s W ith F lexA ud io ™ U s e Fl exA udio™ t o c r ea t e pe rf e ct loop s . I f y ou ha v e a loop wit ho u t a detec t ed t emp o, s et t he s nap t o meas [...]

M ix cra ft Re f er e nce - Clips 5 7 © 20 12 A cous ti c a, In c You hav e mult iple aud io c lips on e t ra c k recor de d with t he s ame noisy air c on diti on er in t he ba c k gr ou nd and y ou w an t t o re mov e t he no is e in one c ommand . M er g ing t he c li ps t oge ther allow s y ou t o re mov e t he no is e on e t im e. You hav e h[...]

Mi x cra ft 6 Us e r Ma nu a l 58 © 20 12 A cous ti c a, In c T his s ho w s a c l ip wit h t wo en v e lop e po ints , eac h at 100 % . Clic k on t he line t o c re a t e a new v olu me po int and t hen dr a g t o t he desi re d loc ation. I n t he i mage abo v e , t he v o lume of t he s oun d no w go es f r om 10 0% up t o abo ut 17 0% and t he[...]

M ix cra ft Re f er e nce - Clips 5 9 © 20 12 A cous ti c a, In c Pan c an be s et t o v alu es fr o m 10 0% l ef t t o 10 0% righ t. Lo w A nd H i gh Pa s s Fil ters I n add it ion t o c ha ng ing t he v olume an d pa n of a s ou nd ov e r t ime, Mix c ra f t allow s y ou t o c han ge t he l ow pa s s and high pa s s f ilt er ov e r t im e. W ha [...]

Mi x cra ft 6 Us e r Ma nu a l 60 © 20 12 A cous ti c a, In c T o ed it a s ou nd ' s high pa s s f ilt er c utof f , go t o t he t oo lba r an d m ake s ur e t ha t H igh P ass C utoff i s s elect ed. B y def a u lt , all po ints on t his env e lo pe are at 0%, m ea nin g t hat all s oun ds abo v e t he c ut of f (i.e. ev e r y t hing ) c an[...]

M ix cra ft Re f er e nce - Clips 6 1 © 20 12 A cous ti c a, In c Do ubl e Cl i ck A T r ac k W he n y ou do ub le c lic k on an aud io t rack bod y , y ou s et t he c ar et an d s i mult an eo usly br ing up a w ind ow let t ing y ou c hoo s e a s oun d . T he s ou n d will be placed wh er e t he c ar e t w as. A d d A So und F ro m T he Loo p Li[...]

Mi x cra ft 6 Us e r Ma nu a l 62 © 20 12 A cous ti c a, In c R e cording Dire ctly To OGG I f y ou f in d y our har d dr iv e f ill ing up w it h hug e W A V files, y ou c an record dire c t ly t o OGG f iles . R ecord ing t o OGG will t ak e up les s s pa c e on y our har d dr iv e . Go t o t he Re c or d ing P r ef e r e nces , c l ic k Comp re[...]

M ix cra ft Re f er e nce - Clips 6 3 © 20 12 A cous ti c a, In c E d it In Ex te rna l E ditor Mix c ra f t will wo r k in c on jun c t ion with an ext ern a l s oun d ed it or in ord e r t o app ly per man e nt c han ge s or ed it s t o t he s ou nd . For ex ample , if y ou wan t t o re v e r se a s oun d or ed it ou t c lic k s and po p or s om[...]

Mi x cra ft 6 Us e r Ma nu a l 64 © 20 12 A cous ti c a, In c Edi t Name C ha ng e t he na me of a c lip. P r ess t he Ent er k ey t o mak e t he c han ge . A l t er n ativ ely , c ha ng e t he na me and c lic k anywh er e els e. M ute / U nm ute C lic k t he s pe aker ic on t o t og gle a s oun d' s m uted s t at e. Lo c k or U n lo ck C lic[...]

M ix cra ft Re f er e nce - Clips 6 5 © 20 12 A cous ti c a, In c C lic k t he [ < < ] S ho w /Hide C on trols bu tt on t o s ee mor e s oun d data, i nst ead of t he c ontro ls . T h is will t og gle be twee n s ho w ing an d hiding t he c ontrols. T o s ho w t he c on trols ag a in, c lic k t he [ > > ] bu t t on . N o i s e R e d u [...]

Mi x cra ft 6 Us e r Ma nu a l 66 © 20 12 A cous ti c a, In c an d dr ag g ing t he N ois e S t ar t or No is e E nd c ontro ls . I f y ou wa nt t he s of twa r e t o automati c ally l ocat e t he nex t be s t no is e pr in t , c li c k Ne x t No is e> > . T h is i nst ruct s Mix c ra f t t o l oo k f o r t he nex t be s t no is e s ample ba[...]

M ix cra ft Re f er e nce - Clips 6 7 © 20 12 A cous ti c a, In c T his will s ho w t he bea ts in t he s ou n d. E ac h bea t point ha s t empo . T he s of tw a re will not s how all t he be at po ints de pe n ding on y our z oo m lev e l. Z oom in t o s ee more detail and bea t po ints . Ho v e r y ou r mouse ov e r a bea t po int and t he t ool[...]

Mi x cra ft 6 Us e r Ma nu a l 68 © 20 12 A cous ti c a, In c D ou ble c lic k a V i r t ua l I n s t ru ment T r a ck or righ t c lic k on a V irtual In s t r umen t T r a c k and c lic k A dd I nst rume nt Clip t o c re ate a bla nk V i r t ua l I n s t ru ment Clip. Re c o rd a V i rtua l In st rum e nt C l ip . Arm a V i rtua l I n s t ru ment[...]

M ix cra ft Re f er e nce - Clips 6 9 © 20 12 A cous ti c a, In c MID I Ed iti ng T her e ar e many wa y s t o ed it y our M I D I d ata. Si mply righ t c lic k on a V irtual I n s t ru men t c lip an d s elec t M ID I E dit ing f ollow e d by of the f ollow in g options. Qua n tiz e . . . Adjus t no t es t o be c los er t o t he be at. H um a ni [...]

Mi x cra ft 6 Us e r Ma nu a l 70 © 20 12 A cous ti c a, In c No te T ype Spec if ies t he s nap s ett i ng t o qu an t iz e t o. Pl ea s e note t ha t i f y ou hav e t his s et t o eigh th no t e and y ou are ac t ually qu an ti z ing a who le note, it w ill no t adjust t he leng t h of t he no te t o an eigh t h no t e, but ra t he r align i t t[...]

M ix cra ft Re f er e nce - Clips 7 1 © 20 12 A cous ti c a, In c A l l o r Se l e c t i on C ho ose w he ther t o qu an ti z e t he s ele c t ed no t es or all t he no tes in t he c ur r en t v ir tual i nst rume nt c l ip. (T his is only an option i f t he dialo g wa s inv o ked on t he pian o ro ll editor . ) Q u a ntize Exa m pl e Bef o re qua[...]

Mi x cra ft 6 Us e r Ma nu a l 72 © 20 12 A cous ti c a, In c M a x Di sta nc e T he m axi mum no t e dur a t ion t o huma niz e t ow ar d s . Sta rt T i m e Spec if ies i f we are human iz ing t he s t art t im e. I f c heck ed , y ou c an c ho ose f r o m E ar ly , La te or R an do m ad jus t ments . Dur at io n Spec if ies i f we are human iz i[...]

M ix cra ft Re f er e nce - Clips 7 3 © 20 12 A cous ti c a, In c C ho ose Oc t av e ( s ) or S emit one ( s ) f r om t he Tran s po s e B y. T h e n en ter in t he amoun t an d c li c k OK . I f y ou w an t t his t o ap ply t o t he s elec t ed notes on ly , c lic k t he Selec t ion ra dio bu tt on. V e l o c i t i e s T he V eloci t ies dialo g [...]

Mi x cra ft 6 Us e r Ma nu a l 74 © 20 12 A cous ti c a, In c O f f s e t s Of f s et No tes dialog allows y ou t o ad just all t he notes or t he s elec t ed no tes t im e of f sets . R igh t c li c k on a M I D I c li p or MI D I da t a in t he Pi an o Ro ll and s elec t M ID I E diti ng fo llow e d by Of f s ets . . . T his brin gs up t he Of f[...]

M ix cra ft Re f er e nce - Clips 7 5 © 20 12 A cous ti c a, In c T his brin gs up t he No te Du r a t ion win do w . A d j ust B y Adjus t t he no t es dur a t ion s by a per centage . F o rce T o For c e t he no t es t o a s pe c if ic no t e dur a t ion . C ho ose f r o m: W ho le notes 1/2 notes 1/4 notes 1/8 notes 1/16 no t es 1/32 no t es 1/[...]

Mi x cra ft 6 Us e r Ma nu a l 76 © 20 12 A cous ti c a, In c s oloiz ing S o un d tab ( P i a no R oll ) T he S oun d t ab allow s y ou t o ren a me a s oun d, c han ge i t s leng th, c han g e it s t ime of f s et, mut e i t , loc k it , c ha ng e it s t empo , pit c h s hif t or k ey . Edi t Name C ha ng e t he na me of a c lip. T y pe in a ne [...]

M ix cra ft Re f er e nce - Clips 7 7 © 20 12 A cous ti c a, In c T i m e Stre t c h / T em po Set t he mode of t he t im e s t retc hing f o r t his s oun d . Le ar n mor e ab ou t t ime s t re t c hing and t empo i n t he T e mpo / T i me St retc h s ec t ion . A d j usting P i t ch, K e y or T r ansposi t io n Set t he mode of t he pit c h s hi[...]

Mi x cra ft 6 Us e r Ma nu a l 78 © 20 12 A cous ti c a, In c I n s t ru men t C lip or righ t c lic k on a V irtual I n s t r umen t Clip and s elect E dit t o brin g up t he Pi an o Ro ll Edit or . Eac h blu e box rep r e s ents a no te. T h e note i s deter mined by how it li ne s up w it h t he v er tic al piano , he nce, t he name 'p ian[...]

M ix cra ft Re f er e nce - Clips 7 9 © 20 12 A cous ti c a, In c D ou ble c lic k a note on t he piano roll k eyboa rd and all notes of t ha t v a lue will become s elect ed. C lic k an y wh e re besi de s a note t o de s elect i t or pre s s t he Es c k ey . Selec t ed no t es will app e ar dar k blu e. You c an als o s elec t by dur a t ion an [...]

Mi x cra ft 6 Us e r Ma nu a l 80 © 20 12 A cous ti c a, In c E diting n ote s i n de ta i l You c an als o ed it a note or gr ou p of no t es by righ t c lic k ing an d s elec t ing " E dit. . . " T h e no t e edit dia log will po p up an d allow y ou t o edit t he s peci f ic s , wh ic h i ncl ud e: St art t im e (Mea s ur e, be at and[...]

M ix cra ft Re f er e nce - Clips 8 1 © 20 12 A cous ti c a, In c D ra g C opy A l t+dra g C o n t r o l l e r I n f o r m a t i o n You c an edit MI D I c ontro ller da ta on t he bott om por tion of t he P iano Ro ll E dit or on t he S ou nd t ab. C ho ose T he C o ntrol l er T yp e C lic k t he dr o p dow n on t he lef t han d s ide t o pic k a[...]

Mi x cra ft 6 Us e r Ma nu a l 82 © 20 12 A cous ti c a, In c I f y ou ne ed m or e r oo m or pix els t o edit t he c ontro ller da t a, s i mply c l ic k on t he bar at t he t op of t he c on t ro ller are a an d dr ag i t up or dow n t o re - s iz e t he c on t ro ller are a . T he s elec t ed no t e' s c orr e s po nd ing v elocit y line a[...]

M ix cra ft Re f er e nce - Clips 8 3 © 20 12 A cous ti c a, In c Edit Co ntro ller D ele t e Co ntro ller D ele t e A ll C on troller s For ex ample, if y ou wa n t an ex t er na l s y nt he s iz er t o s witc h t o patc h 67 , c ho ose t he " Prog r am C ha ng e " c ontro ller , m ov e t o t he s t ar t of t he t ra c k , righ t c l ic[...]

Mi x cra ft 6 Us e r Ma nu a l 84 © 20 12 A cous ti c a, In c Map Fil e - T h e na me of t he f ile y ou j ust c re a t ed , i e: " B ig A nd Dumb D ru ms . t x t " VS T GU I D - T h is is a s pecial v alu e un ique ly iden ti f yi ng t he V S T i. Ope n up y ou r Lo g f ile af te r ha v in g us ed t he plug -in t o get it s V S T GU I D[...]

M ix cra ft Re f er e nce - Clips 8 5 © 20 12 A cous ti c a, In c On c e y ou ar e s ati s f ied wit h t he loop , y ou c an ext end t he c lip in t he s es s i on ar e a t o l oo p it as many t imes as y ou' d li k e. S ee Loo p ing Clips S o un d tab ( N ota tion ) Mix c ra f t allow s y ou t o edit, v iew and pr in t y our mus ic in notat [...]

Mi x cra ft 6 Us e r Ma nu a l 86 © 20 12 A cous ti c a, In c Le ngth C ha ng e t he len gth of a s oun d by enter ing in m inutes , s ec on ds and mil lis ec ond s or us ing t he s pinn er c on t ro ls . (I f t he s oun d is m ad e long en ou g h, t his will als o c au s e it t o loop .) I f in B eat mode , t his ed it bo x es will be in measure [...]

M ix cra ft Re f er e nce - Clips 8 7 © 20 12 A cous ti c a, In c N o t a t i o n E d i t o r Edi ting No te s Mix c ra f t allow s y ou t o edit a pian o ba r on t he s t af f dire ct l y . B y editi ng t he s iz e an d po s it ion of t he pia no ba r , y ou c an c han g e t he wa y t he notat ion is dis play ed . H er e is a t y pic al example o[...]

Mi x cra ft 6 Us e r Ma nu a l 88 © 20 12 A cous ti c a, In c N ote s elect ion t ool. Add new notes w it h t he pen c il. R emov e no tes with t he er a s er . D ura tion But t ons - Ch oo se a def a u lt du r ation wh en add ing a new no t e with t he pen c il t oo l. C ho ose f r o m wh ole no te, ha lf note, qu a rter note, eigh th no te, s ix[...]

M ix cra ft Re f er e nce - Clips 8 9 © 20 12 A cous ti c a, In c R igh t c li c k on a c lef an d c hoo s e f ro m t he f o llow ing : T reb le & B ass T reb le Bas s T his c ha ng e s t he c lef f or t he entire t ra c k . Pr i nting On c e a c li p is pr o pe r ly s ele c t ed, c li c k t he P rint. . . bu t t on on t he No tat ion V iew t [...]

Mi x cra ft 6 Us e r Ma nu a l 90 © 20 12 A cous ti c a, In c nu mbe r f r om 1 t o 127 wh ic h de s c ribe s ho w f a s t t he k ey was dep r ess ed . A v elo c it y of 1 w ou ld har d ly be hea rd and a v e loc it y of 127 wo uld be f u ll v o lume. Eac h MI D I No te mes s age c on tains t he f o llow ing inf o r mation: No t e V alue (C 0 - C1[...]

M ix cra ft Re f er e nce - Clips 9 1 © 20 12 A cous ti c a, In c Vi de o c l ips I mag e s Le ar n m or e ab ou t v ideo i n t he v ide o s ec t ion Te x t Cli ps A t ex t c l ip c on t ain s t ex t w it h as s oc iat ed ef f ec t s . Le ar n m or e ab ou t t ex t c l ips in t he v ide o s ec t ion R ecording R ecord ing l ets y ou r ecord aud io[...]

Mi x cra ft 6 Us e r Ma nu a l 92 © 20 12 A cous ti c a, In c C lic k t he St op butt on t o s t op record ing . T he re c or din g will be s av e d in y ou r Proje c t f olde r . I f y ou w an t t o re c or d mult iple t rack s at a t i me, y ou ' ll nee d t o ar m t hem s imult ane ou sl y and hav e t he re q uir ed i np uts and har d w ar [...]

M ix cra ft Re f er e nce - Re c or d ing 93 © 20 12 A cous ti c a, In c Re c o r ding Mod e T her e ar e t hr e e re c or din g mode s . E ac h t ra c k 's re c or din g m od e c an be s et by righ t c lic k ing or by us ing t he T r a c k m en u. Tra c k menu > Recor din g M o de > Tak es Ov erdub R eplace You c an s et up y our def a[...]

Mi x cra ft 6 Us e r Ma nu a l 94 © 20 12 A cous ti c a, In c I n t his m od e, t he ex is t i ng aud io i s re pla c ed . N ew lane s ar e no t c re ated . Lo o p Re co rding Lo op recor ding allow s y ou re c or d mult iple t ak es or ov e r du b withou t hav in g t o s t op. T o c re ate a loop , c lic k t he Lo op m od e butt on on t he T r a [...]

M ix cra ft Re f er e nce - Re c or d ing 95 © 20 12 A cous ti c a, In c After s ett ing up a pu n c h are a, pr ess record and t he new re c or din gs will be c rea ted ins ide t he pun c h s t art an d en d. Ti p: T o quick ly s et t he pu nch in/ ou t are a , c re ate a s elect i on an d t og gle P un c h I n/ Ou t . U s e s na p t o s et v e r[...]

Mi x cra ft 6 Us e r Ma nu a l 96 © 20 12 A cous ti c a, In c Se l e ct All S ounds I n Vi e w C tr l + A Li br a ry You c an c ho ose a s peci f ic libra r y or A ll . I f Al l is s elect ed, s oun ds fr o m all load e d li br a rie s ar e c ho s en, inc ludin g any i mpo rted libra r ies. T her e ar e t w o built in l ibr ar ie s : Lo op s Soun [...]

M ix cra ft Re f er e nce - Loo p Lib rar y 9 7 © 20 12 A cous ti c a, In c After a s ear ch is per f o r med , Mix c ra f t will dis play how many it ems mat c hed t he s ea r c h que r y . So rting & C o l um ns You c an s or t s ou nd s by c lic k ing on an y c olumn hea d er . T o s ort t he c olumn in de s c end ing or d er , c li c k t h[...]

Mi x cra ft 6 Us e r Ma nu a l 98 © 20 12 A cous ti c a, In c I f y ou w an t t o ge t acc ess t o t he s oun d on t he har d dr iv e , s imply righ t c li c k on t he s oun d an d c hoo s e Op en C on taining Folde r . Now y ou hav e acc es s t o t he ph y s ic al l ocat ion of t he au dio f ile an d m ay do w ha t y ou w an t wit h it . I mpo rt[...]

M ix cra ft Re f er e nce - Loo p Lib rar y 9 9 © 20 12 A cous ti c a, In c D ef a u lt Song K it - S elect or t y pe in a name f o r t he s on g k i t y ou w an t t he i mpor ted s oun d s t o be ass oci ated with. ( Y ou c an alw a y s edit i t later.) Gu ess (w h e n im po rting if no t built int o f ile t y pe . ) St y le - I f a k ey wo r d i[...]

Mi x cra ft 6 Us e r Ma nu a l 10 0 © 20 12 A cous ti c a, In c Key - I f a k ey is f ou nd by it s elf , s uc h as " R ock -G " , Mix c ra f t will ass ume t hat " G" is t he k ey of the s ou nd . I n s t ru men t - I f a k ey wo r d is f o u nd in t he f ile c alled " lib- ins t s -f o r - impor t. t x t " , M ix c [...]

M ix cra ft Re f er e nce - Loo p Lib rar y 10 1 © 20 12 A cous ti c a, In c To Ne w A udio Tra c k . Now c ro p t he re s ult ing au dio c lip t o y ou r de s ire d s iz e and add t his f ile t o t he libra r y . Dele ting S ou nds Si mply s ele c t t he s oun d or s ou n ds. Righ t c lic k and s ele c t De lete or pr ess t he [ Dele t e] butt on[...]

Mi x cra ft 6 Us e r Ma nu a l 10 2 © 20 12 A cous ti c a, In c t he " S epa r ated by C omma" option wit h a T e x t de limi t er of a qu ote ("). You m ay nee d t o c ha ng e t he f ile ex t en s ion t o . CSV bef o r e editi ng de p en din g on ho w y our s y s t em is s etup. M LDB F ields Eac h MLD B f ile ha s a numbe r of c o[...]

M ix cra ft Re f er e nce - Loo p Lib rar y 10 3 © 20 12 A cous ti c a, In c T empo T he t empo of t he loo p if ap plic ab le. nu ll or v a lid t empo s uc h as 120 or 141 .23 D ate T he date t hat t he loop / s ou nd w as c re a t ed /add ed . A v alid date s uch as 01 /03/12 or mm / dd /y y f o rma t , w he r e dd=t he da y , mm = month and y y[...]

Mi x cra ft 6 Us e r Ma nu a l 10 4 © 20 12 A cous ti c a, In c Sho w/Hi d e T r ac ks You c an c he c k or un - c he c k t rack s un de r t he S how Tra c k s s ec t ion. T his allows y ou t o s im plif y y ou r v ie w an d on ly s ee t he t ra c k s t ha t y ou ar e c ur r en tl y mi x ing. Clic k t he C he c k A ll butt on t o s ee all t rack s[...]

M ix cra ft Re f er e nce - M ix e r 105 © 20 12 A cous ti c a, In c Arm t he t ra c k f or re c or din g Solos t he au dio on t his t rack . ( Mut es ot he r no n- soloed t rack s . ) Mutes t he aud io on t his t ra c k . Audio t ra c k s and V irtual I nst ru ment t ra c k s hav e an I n pu t s elect or . On an au dio t ra ck , t his lets y ou s[...]

Mi x cra ft 6 Us e r Ma nu a l 10 6 © 20 12 A cous ti c a, In c T he def a u lt is t he M a in M ix w hic h is t he Mas t er t rack . V ideo Mix c ra f t s upp or ts l oa din g an d s av ing of v ide o. I t i s de s igne d s o t ha t y ou c an do t he f ollow ing : Add a mus ic al s oun dtra c k t o a v ide o. Add s ou nd ef f e ct s t o a v ide o[...]

M ix cra ft Re f er e nce - V ideo 107 © 20 12 A cous ti c a, In c PNG GI F I f y ou w an t t o ad d more t han on e im ag e at a t ime, y ou c an s elec t mult iple pho t os or im ag e s and add t he m all at once. T h e i mag es will be add ed t o a v ide o t ra c k with ea c h i mage las t ing f iv e s ec on ds and ov e r la pp ed by on e s ec [...]

Mi x cra ft 6 Us e r Ma nu a l 10 8 © 20 12 A cous ti c a, In c You c an alt er a v ide o by ad din g ef f ec t s . Y ou c an m ake it f ad e in, f ad e t o blac k or loo k li k e i t s old f ilm. B e fore e ff e ct s A ft e r us i ng the K a l e i dos cope a nd Gre e n cha nne l e ff e cts . Le ar n m or e ab ou t v ideo ef f e ct s he r e. M i x[...]

M ix cra ft Re f er e nce - V ideo 109 © 20 12 A cous ti c a, In c You c an add an y ph oto or im ag e by c li c k ing t he V ideo m en u > A dd S til l I m age s . . . T his brin gs up a f ile dialog wh ic h allow s y ou t o s elec t an i mage or mult iple image s . T h e im ag es will be plac ed at t he c ar et loc ati on . T he f ollow in g [...]

Mi x cra ft 6 Us e r Ma nu a l 11 0 © 20 12 A cous ti c a, In c C ho ose a dur a ti on , s t ar t t i me and ov e r la p t im e f or each c li p. I f y ou ha v e a s elec t ion y ou c an c hoo s e Selec t ed C lips Only and only t he s elect ed c l ips w ill be adjust ed. Vi d e o Cli ps I f y ou ha v e v ide o c l ips in y ou r pro ject , t heir [...]

M ix cra ft Re f er e nce - V ideo 111 © 20 12 A cous ti c a, In c T his s ho w s t he au tomat ion lane . C ho ose f r o m v a rio us ef f e ct s and ad d po ints t o s hap e t he ef f ec t s . Clic k t o ad d poin t s an d edit points jus t lik e au dio t ra c k automation . V i deo Effe c t List Lig htness Lig htness ( H igh CPU ) Gr ays c ale [...]

Mi x cra ft 6 Us e r Ma nu a l 11 2 © 20 12 A cous ti c a, In c A d di ng T ext T her e ar e a f ew wa y s t o add t ext . T h e ea s ies t is t o c li c k V ideo menu > A dd Tex t. . . T h is will c re ate a t ext t rack and place a ne w t ext c lip on it an d laun c h t he t ex t ed it or . T o c re ate a s c rolling t ext object , c lic k t [...]

M ix cra ft Re f er e nce - V ideo 113 © 20 12 A cous ti c a, In c Edi ting T ext You c an m ov e t he mouse c ur s or t o an y of t he re d s qu ar e s . T h is allow s y ou t o re - s iz e t he t ext object lik e a s t an da r d win do w . T h e c ur s or will t urn i nto a re - s iz e ar r ow wh e n y ou are ov e r a re d s qua r e an d c an re[...]

Mi x cra ft 6 Us e r Ma nu a l 11 4 © 20 12 A cous ti c a, In c C ha ng e t he t ext c olo r or back gr o un d c olor , as we ll as t he Opa c it y . T he opa c it y is ho w s olid t he c olor is . B y m ov in g t he Opaci t y s lider , y ou are m ov i ng fr o m t ra nspar e nt t o f ull s olid c olor . N ote t hat i f y ou hav e s ome t ex t s el[...]

M ix cra ft Re f er e nce - V ideo 115 © 20 12 A cous ti c a, In c C ho ose a t ex t mas k c olor . T his i s t he c olor t hat f ill s t he no n- tex t ar e a. I n t he ab ov e example, t he t ext m ask c olor i s wh it e. D rop S ha dow C ho ose be twee n Sm all, Medium and La r ge dro p s had o w s . F a de On t he Fad e t ab , y ou c an c hoo [...]

Mi x cra ft 6 Us e r Ma nu a l 11 6 © 20 12 A cous ti c a, In c Mos t ev e r yt hing is t he s ame as no r mal t ext editi ng as wit h editing s c ro lling t ex t , exc ep t t ha t i t is mis s ing a M o t ion t ab . For m or e he lp on editi ng s c ro lling t ex t , plea s e s ee t he E dit ing T ex t s ec t ion . Mixing Down C ho ose f r o m v a[...]

M ix cra ft Re f er e nce - V ideo 117 © 20 12 A cous ti c a, In c File menu > M i x Dow n To > A V I W M V I f y ou w an t t o c han g e t he outpu t qu ality or s iz e, c lic k E dit D etails . . . Le ar n m or e ab ou t c ha ng ing t he m ix dow n s ett i ng s he r e: AV I R en de r s ett i ng s W MV Re n de r s ett i ng s A V I R e n d e[...]

Mi x cra ft 6 Us e r Ma nu a l 11 8 © 20 12 A cous ti c a, In c I f y ou do n' t w an t t o t hink, c hoo s e P reset Qu alit y and s lide t he s l ider t o t he best f or mat. M ov e it all t he w ay t o t he lef t if y ou w an t t he s m alles t po s s ible file s iz e or all t he way t o t he righ t t o c hoo s e t he high est qu ality v i[...]

M ix cra ft Re f er e nce - V ideo 119 © 20 12 A cous ti c a, In c en c od ing met ho d w or k s be s t will ge ne r ally dif f e r dep e nd ing on y ou r v id eo c on t en t, and y ou mi gh t hav e t o t ry m ult iple met ho ds and c ompa r e t hem. Bi t ra te als o has a big im pa c t on v ideo qua lit y . High er bit ra tes will re s ult i n hi[...]

Mi x cra ft 6 Us e r Ma nu a l 12 0 © 20 12 A cous ti c a, In c t o pr od uce s maller f ile s iz es , y ou' ll nee d t o ex per imen t t o f ind t he best s ett ing. Vi d e o Bit Ra te : T his s ett ing s pec if ies app r oxi mat ely ho w m uc h ba nd w idth y our v ide o w ill re q uir e, in k ilobit s pe r s ec on d. I t's one of the [...]

M ix cra ft Re f er e nce - V ideo 121 © 20 12 A cous ti c a, In c hig h aud io qua lit y s ett ing will ra r ely ha v e m uch re lativ e ef f ec t on t he ov e r a ll s i z e of y our v ide o. 128 k bp s will us ua lly pro d uce go od result s f or m usi c aud io qua lit y . Timeline T he t im eline dis plays i n t im e or be ats m od e. I t als [...]

Mi x cra ft 6 Us e r Ma nu a l 12 2 © 20 12 A cous ti c a, In c You c an c ha ng e t he s na p lev e l on t he t i me line or by c lic k ing t he V iew menu fo llow e d by c li c k i ng S nap To Grid f o llow ed by c l ic k ing t he de s ire d s nap s ett ing. H er e ar e t he pos s ible s na p s ett i ng s : Of f Measur e 1/2 Notes 1/4 Notes 1/8 [...]

M ix cra ft Re f er e nce - Tim eline 12 3 © 20 12 A cous ti c a, In c Ma r ke rs Mar k er s c an be used f or m ar k ing a s peci f ic t ime with t ext s uch as " Cho r us B eg ins H er e " or t hey c an c on t ain t empo , k ey or t im e s ign atur e c han ge s . I n add it ion, m ar kers c an i nd ic ate ne w C D t ra c k s or mix do [...]

Mi x cra ft 6 Us e r Ma nu a l 12 4 © 20 12 A cous ti c a, In c mar k er y ou ' d lik e t o edit . Dele ting R igh t c li c k on a m ar k er on t he t im e li ne an d s elect Dele t e t o remov e a marker . (N o te t ha t y ou c an no t de lete t he fir s t mar k er and may on ly edit i t . ) D e l e te All Ma rke rs C lic k t he M ix men u a[...]

M ix cra ft Re f er e nce - Tim eline 12 5 © 20 12 A cous ti c a, In c W he n mix ing do w n t o an aud io f ile or bur n ing an au dio CD , t he s of tw ar e w ill c re ate a ne w CD t rack or aud io f ile i f t he option Cr e ate T r a c k For C D s or A udio Files is c he c k ed. I SRC I f y ou ar e mak ing an of f ic ial au dio C D f o r mas t[...]

Mi x cra ft 6 Us e r Ma nu a l 12 6 © 20 12 A cous ti c a, In c T i me is s elec t ed on t he t i me- line. R igh t c li c k on t he t im e- line an d c ho ose Re mov e S elec t ed Ti me. T i me is re mov e d an d ev e r yt hing be y on d t he s elec t ion is m ov e d ov e r . Au toma t i c Ma r ke r Wi z ard T he t ra c k m ar k er wiz ar d is a [...]

M ix cra ft Re f er e nce - E f f ec t s 12 7 © 20 12 A cous ti c a, In c A d di ng Effe c t s T o ad d an ef f ec t , c l ic k t he dro p do w n labe led < Selec t A n E f f ec t > an d c hoo s e an ef f ec t . I f y ou w an t t o ad d ef f ec t s t o a t rack , y ou c an c li c k t he FX bu t t on on t he t ra c k t o br ing up i t s ef f [...]

Mi x cra ft 6 Us e r Ma nu a l 12 8 © 20 12 A cous ti c a, In c D ele t e t he ef f ec t c hain Re o rd e ri ng a nd Delet ing Effe c t s Selec t an ef f ec t t o dele t e or re o rd e r. T h e or de r of t he ef f e ct s is im po rtan t . C lic k on an ef f ec t t o s elec t it . After s elect ing an ef f e ct , c l ic k on e of t he butt ons t o[...]

M ix cra ft Re f er e nce - E f f ec t s 12 9 © 20 12 A cous ti c a, In c T his allows y ou t o au dition how t hing s s oun d withou t t hat par tic ular ef f ec t withou t los ing t he s ett i ng s . N ote : W hen a t r ack is f ro z en , i t s ef f ec t s will not be ed it able un ti l t he t ra c k is un f r o z en . Edi ting Effe c t s Eac h [...]

Mi x cra ft 6 Us e r Ma nu a l 13 0 © 20 12 A cous ti c a, In c Loa d V S T P re s e t Fi l e (VS Ti 's onl y) Some V ST ef f ec t and i nst rume nt m an uf ac t ur er s w ill dis t ribu t e add it ion al ba nks of s ou nd s , in t he f or m of . f x b files. T h e s e f iles re pla c e y ou r c ur r en t pre s ets wit h a ne w s et of pr ese[...]

M ix cra ft Re f er e nce - E f f ec t s 13 1 © 20 12 A cous ti c a, In c Eff ec ts I nc lud ed I n Mi x craft T her e ar e s ev e r a l ef f ec t s i ncl ud ed by def ault w it h M ix c r af t an d ar e de t ailed below . A coustica Cho ru s C ho r us ef f e ct s ar e used t o t hic k en up a s oun d , s uc h as a v ocal or guit ar re c or din g.[...]

Mi x cra ft 6 Us e r Ma nu a l 13 2 © 20 12 A cous ti c a, In c D ela y ef f ec t s are of ten t he s im plest and mos t mus ic ally usef u l ef f ec t s . Quiet s i mply , t hey t ak e inc oming au dio , w ait a c er t ain amou n t of t ime, an d play t he aud io back , s ometim es at a l ow e r v o lume. T h is c re a t es an ec ho ef f ec t , s[...]

M ix cra ft Re f er e nce - E f f ec t s 13 3 © 20 12 A cous ti c a, In c bo ost or re d uce t he au dio f r e qu e nci es t hat m ake up t he s ou nd of y ou r record ing . If , fo r ex ample, y our re cord ing s ou nd s t inny, y ou c an boo s t t he ba s s f r eq ue ncies . I f y our re c or din g s oun ds t oo 'b r igh t ' , y ou mig[...]

Mi x cra ft 6 Us e r Ma nu a l 13 4 © 20 12 A cous ti c a, In c B ro adc a st M ultib a nd C o m p ress or T his pow e r f u l we a po n in t he " l ou dn ess war s" help s y ou boo s t y our mus ic ' s v o lume s o t ha t i t s oun d s lou de r t ha n ev e r . I t c an als o lowe r l ou de r aud io par ts w it h dow n w ar d c ompr[...]

M ix cra ft Re f er e nce - E f f ec t s 13 5 © 20 12 A cous ti c a, In c T his ef f e ct i s s im il ar t o t he A c ous t ic a C ho r us ef f e ct , with s ome add it iona l f e atur es and a un ique s ou nd . C l a ss i c C om pr es sor T his ef f e ct i s s im il ar t o t he A c ous t ic a C ho r us ef f e ct , with s ome add it iona l f e atu[...]

Mi x cra ft 6 Us e r Ma nu a l 13 6 © 20 12 A cous ti c a, In c Si mi lar t o t he Ac ou s t ic a E Q ef f e ct , t he Class i c E Q ef f ec t giv e s y ou ind iv idu al c ontro l ov e r t he lef t and rig ht c han ne l of y ou r r ecord ing . T his c an be us ed , f o r example, t o c re ate i nter est i ng s t er eo ef f e ct s , w he r e one s [...]

M ix cra ft Re f er e nce - E f f ec t s 13 7 © 20 12 A cous ti c a, In c T his ef f e ct i s s im il ar t o t he A c ous t ic a R ev e r b ef f e ct , with s ome add it iona l f e atur es and a un ique s ou nd . EZQ Equali ze r T her e ' s no ea s ier w ay t o E Q y ou r t r ack s t han with E Z Q! R ather t han t hink ing ab ou t y ou r mus[...]

Mi x cra ft 6 Us e r Ma nu a l 13 8 © 20 12 A cous ti c a, In c Pl ug t his ef f ec t into a t rack t hat's arme d f or re c or din g with a guitar w it h M on it or ing t ur n ed on, and GT une will wo r k as a re al- t ime gu it ar t une r . Mak e s ur e y ou r gu it ar is in pe rf ec t t une bef o r e y ou s t ar t re cord ing an d av o id[...]

M ix cra ft Re f er e nce - E f f ec t s 13 9 © 20 12 A cous ti c a, In c T he S hr ed A m p S im ulator by A c m eBar Gig, a c omple t e guitar amp an d c abine t s uite c ontainin g 5 c las s i c amp hea d s , 17 c abin et m od e ls , and 6 pow e r f u l ef f e ct s . S hr e d f a it hf u lly m od els c las s ic Brit is h an d A mer ic an t ube [...]

Mi x cra ft 6 Us e r Ma nu a l 14 0 © 20 12 A cous ti c a, In c T his i s a uniqu e ef f ec t t ha t do es not ac t ua lly pro c ess or c ha n ge t he aud io and , ins t ea d , allow s y ou t o v ie w t he fr e qu e ncy s pe c t ru m of t he au dio . T his i s gr ea t f or l ea r nin g abo u t au dio f r e qu en c ies an d f o r he lping y ou t o [...]

M ix cra ft Re f er e nce - E f f ec t s 14 1 © 20 12 A cous ti c a, In c 10 0% and t he Dr y M ix t o 0% . Us ing MI DI To Co n tr ol Ef f ec ts An ef f ec t c an re c eiv e and use MI D I data f ro m an y t ra c k . For example, a pitc h c orr e c t ion ef f ec t c an us e MI D I da t a t o s hif t t he au dio t o t he MID I note c ur r en tl y [...]

Mi x cra ft 6 Us e r Ma nu a l 14 2 © 20 12 A cous ti c a, In c Vir t ua l I ns tr umen ts Pres e t s As s uming t he t ra c k is a V irtual In s t r umen t T r a c k , c l ic k t he i nst rume nt pian o k ey boa r d bu t t on t o br ing up t he In s t r umen t P reset w ind ow . T his will brin g up t he ins t r umen t pre s et win do w f illed w[...]

M ix cra ft Re f er e nce - V irtual I ns t ru ments 143 © 20 12 A cous ti c a, In c C lic k on t he pre s et c olumn t o s elec t a pr eset . Le ar n m or e ab ou t c re a t ing y our ow n v ir t ua l ins t ru men t s . < Re wi re De vi c e s> T his s ect i on will l is t any av a ilable R eW ire ap plic ati on s t ha t ar e av a ilable on [...]

Mi x cra ft 6 Us e r Ma nu a l 14 4 © 20 12 A cous ti c a, In c Ed it i ng Vir t ual I n s t r ume n t Pr es e ts You c an m ak e y our ow n v irtua l ins t ru men t pr e s ets by l ayerin g m ulti ple s y nt he s iz ers, editi ng pre s ets , s ett i ng k ey ran ge and m or e! T o c re a t e y our own V irtual I n s t ru men t , c lic k t he I n s[...]

M ix cra ft Re f er e nce - V irtual I ns t ru ments 145 © 20 12 A cous ti c a, In c After s elect ing an ins t ru ment, y ou c an c han ge t he f ollow ing par a meters: Pa ra m e te r D e s cription Preset Selec t a pre s et or pa tc h f r om t he s y nthesi z er Edit I f the s y nthesi z er ha s an i nter f a c e, c lic k t he Edit butt on t o [...]

Mi x cra ft 6 Us e r Ma nu a l 14 6 © 20 12 A cous ti c a, In c Eac h ins t r umen t i nter f a c e will hav e t he s ame c ontro ls on t he t op of t he ef f e ct wind ow wh ic h allow y ou t o c hoo s e a ne w pr e s et, s av e a pr eset or dele t e a pr e s et. Pre s e t Drop D ow n C ho ose a pr eset . I f the pre s et is f a c t or y de f a u[...]

M ix cra ft Re f er e nce - V irtual I ns t ru ments 147 © 20 12 A cous ti c a, In c w is h. Op t iona lly , y ou c an hav e t he c us t om ic on embe dd ed i n t he pr eset file by c lic k ing t he E mb ed I c on c heck box . W hen ar e s ati s f ied , c lic k S av e . New Pr e se t C lic k t his t o c r ea te a blank pr eset . I f y ou ha v e m [...]

Mi x cra ft 6 Us e r Ma nu a l 14 8 © 20 12 A cous ti c a, In c A dee p, bit ing ba s s s y nthesi z er ins pir ed by t he f a mous Ro lan d T B- 30 3™ ba s s s y nthesi z er . I d ea l f o r au then t ic ac id ba s s t one s , an d other f or ms of elect ro nic mus ic . C om bo O rg an M odel F A recrea ti on of t he c l ass ic Farf i s a™ t [...]

M ix cra ft Re f er e nce - V irtual I ns t ru ments 149 © 20 12 A cous ti c a, In c T his poly ph on ic ana log - s t y le s y nt he s iz er is mode led af ter s y nt he s iz er s fr o m t he ea r ly 80s, and i s loa de d with c las s i c an alog s y nthesi z er t one s . Lo unge Lizard El e c tric Pi a no T he Rh od es™ and W urlitz er ™ ele[...]

Mi x cra ft 6 Us e r Ma nu a l 15 0 © 20 12 A cous ti c a, In c T his i ncred ibly acc ur a t e re c re ation of t he f a mou s S eq ue ntial Cir c uits Prop he t 5™ s y nt he s iz er t ak es t he c on c ep t ev e n f ur ther , with inc re ased po ly pho ny, add ed ef f e ct s , an d mor e. T h is c las s i c an alog s y nt he s iz er do minated[...]

M ix cra ft Re f er e nce - V irtual I ns t ru ments 151 © 20 12 A cous ti c a, In c T he Ha mmond Or ga n™, inv e n t ed by Lau r en s H ammon d in t he 19 30 s , ha s ha d a m ajor im pa c t on ne ar ly ev e r y pop ula r mus ic gen r e, f r om go s pe l an d blue s t o rock and po p. P air ed wit h a Le s lie™ s pe aker, t her e m ay be no [...]

Mi x cra ft 6 Us e r Ma nu a l 15 2 © 20 12 A cous ti c a, In c Tr ansport T his i s wh er e y ou ' ll f ind play ba c k , re c or din g, loop mode and m as t er v olu me. C on t ro l s R e cord C lic k t he re cord ing bu tt on t o s t ar t record ing . A l t er n ately , pr ess Ctrl+ R or R . R e w i nd To Sta rt R eset s t he playback indi[...]

M ix cra ft Re f er e nce - Tra nspor t 1 53 © 20 12 A cous ti c a, In c T he m ast er v o lume adju s t s t he lev e l of t he enti r e m ix . M ov e t he s lider l ef t or righ t t o s et t he desi re d v o lume. Al t er n ativ ely , y ou c an righ t c lic k on t he T r a nspor t and s elect M a s t er V olume or c ho ose t he M i x m en u f o l[...]

Mi x cra ft 6 Us e r Ma nu a l 15 4 © 20 12 A cous ti c a, In c Punch In/O u t U s e P unch I n / Ou t t o c rea te a v er y pre c is e an d s ur gic al recor ding at s pecific t i me s ec t ion . T o mark a s ect i on as a pu nch in/out ar ea , c lic k t he P un c h I n/ Ou t bu t t on . Adjus t t he P un c h I n ha n dle an d P un c h Out ha nd [...]

M ix cra ft Re f er e nce - Tra nspor t 1 55 © 20 12 A cous ti c a, In c R e cording M e tronom e I f c he c k ed, t he met ro n ome will s oun d du r ing re c or d ing . T ogg le Re c or din g M etro no me A l t+O R e cording Count- In M e a s ure s W he n C ou nt-I n is act i v a ted and t he Re c or d bu t t on i s pr ess ed , M ix c ra f t w i[...]

Mi x cra ft 6 Us e r Ma nu a l 15 6 © 20 12 A cous ti c a, In c M IDI Lea rn Mak e s ure y ou ha v e a MI D I de v ice plug ge d in t o y our c omputer . N ow y ou c an as s ign a w ho le l is t of op ti on s f r om play ba c k , m etro no me, ar ming, und o an d re do . 1. C lic k M ID I Le ar n t o au t omatic ally as s ign c omm an d s 2. C lic[...]

M ix cra ft Re f er e nce - Tra nspor t 1 57 © 20 12 A cous ti c a, In c M IDI C hanne l & D e vice I f y ou w an t t o s et up t he c ontrol s urf a ce t o on ly receiv e on a s pecific M I D I c han n el or de v ic e, c hoo s e M ID I Cha n ne l or Dev ice an d pic k t he de s ired c ha n ne l an d dev i c e. For ex ample, if y ou t o s et u[...]

Mi x cra ft 6 Us e r Ma nu a l 15 8 © 20 12 A cous ti c a, In c Set S elect ed T r a ck P an Mute/ Un mute Selec t ed T rack Solo/ U nsolo S elec t ed T rack Arm/ Dis ar m S ele c t ed T rack Monitor ing For Selec t ed T rack T ogg le Gu it ar T une r For S elec t ed T rack T o g gle EQ High For S elect ed T r a c k EQ M id For S elect ed T r a c [...]

M ix cra ft Re f er e nce - P ro ject 159 © 20 12 A cous ti c a, In c Or Y our B a nd f o r mak ing re cord ing s f r om liv e ins t ru men t s or y ou r mi c ro ph o ne . B ui l d Loop & B e a t Ma tche d Mus i c T his option i s gr ea t f o r D J s or jus t an y on e c on s t ru c t ing mus ic w it h l oo ps. T h is is a goo d c hoice if y o[...]

Mi x cra ft 6 Us e r Ma nu a l 16 0 © 20 12 A cous ti c a, In c T emplate (MX 6 T e mplate). Al t er n ativ ely , y ou c an s av e t he pr oject by c li c k i ng t he S av e butt on on t he t oo lba r . Mi x i ng Dow n I f y ou w an t t o s av e y ou r pro ject as a s ingle MP 3, W A V , OGG or W MA f ile, y ou s ho uld mix do w n y our pr o jec t[...]

M ix cra ft Re f er e nce - P ro ject 161 © 20 12 A cous ti c a, In c Pr o j ec t T emp o, Ke y A n d T i m e Sign a t ure C ho ose a mas t er or pro ject t empo, k ey an d t im e s ign atur e . Proj e ct Te m po * Al l s oun ds t hat hav e a t empo an d ar e s et t o A djust To P ro ject Tempo m od e w ill ad just bas ed on t he pr o jec t '[...]

Mi x cra ft 6 Us e r Ma nu a l 16 2 © 20 12 A cous ti c a, In c Al t er n ativ ely , y ou c an t ogg le A uto Beat M atc h mode by c hoo s ing A utomat ic ally B ea t M a tc h N ew Soun ds fr o m t he M ix men u. Pr o j e c t F ol der Eac h pr o jec t ha s it s ow n re c or din g f old er wh ic h de f a u lt s t o t he Defau lt P ro ject Re c or d[...]

M ix cra ft Re f er e nce - P ro ject 163 © 20 12 A cous ti c a, In c Burn P roo f t y pe pro tec t ion, y ou c an bur n at m axi mum s pee d withou t wor r yi ng abo ut a bu r n f a ilure . Te s t Mo de I n t his m od e, t he CD wr iter will no t t ur n it s l aser on f o r w r it ing and will go t hr ou gh t he pr oces s of t ra n s f e rr in g [...]

Mi x cra ft 6 Us e r Ma nu a l 16 4 © 20 12 A cous ti c a, In c Form a t De ta i l s T his s ho w s t he c ur r en t fo r mat details s uch as bit ra t e and c ha nn e ls . Clic k E dit De tails . . . t o c han ge t he fo r mat details fo r t he c urr e nt f or mat. A w indo w will pop up and allow y ou t o c ha ng e t he bit ra t e, c ha nn els a[...]

M ix cra ft Re f er e nce - P ro ject 165 © 20 12 A cous ti c a, In c C ho ose a f old er , t y pe in a name and c l ic k " S av e ". After m ix i ng do w n, y our def ault v id eo play er will be lau nched an d will s t ar t pla y ing y our v ideo . Co p y Pr o j e ct Fil es To .. . You c an c op y y our pr oje c t and all t he s oun ds[...]

Mi x cra ft 6 Us e r Ma nu a l 16 6 © 20 12 A cous ti c a, In c So u n d Dev ice C ho ose s ett i ng s f o r y ou r s oun d de v ic es. D rive r You c an c ho ose f r o m W av e or A S I O or W av e R T m od e. T h is c ho ic e c ha ng es t he re s t of t he c on t r ols av a ila ble on t his pa ge . T h e A SIO op ti on will be una v a ilab le if[...]

M ix cra ft Re f er e nce - P re fere n c es 16 7 © 20 12 A cous ti c a, In c A S I O P r e f e r e n c e s T hese ar e t he pr e f e r en c e options i f A S I O m od e is s elect ed on t he S ou nd Dev ice Prefer en c es . A S I O is an alt er na t iv e dr iv e r s y s t em t hat allow s f o r l ow e r latenc y an d bett er s y nc hr o niz ation[...]

Mi x cra ft 6 Us e r Ma nu a l 16 8 © 20 12 A cous ti c a, In c B uff e r S i z e T he s i z e of t he buf f er als o de t er mines t he lat en c y of t he s of twa r e. La r ge r bu f f e r s l ea d t o high er l aten c y . C ho osing dif f e r e nt buf f er s iz es m ay help t he s of tw ar e w or k be tt er with y ou r s oun d c ar d or s ou nd[...]

M ix cra ft Re f er e nce - P re fere n c es 16 9 © 20 12 A cous ti c a, In c D i s pl a y V ol um e As : C ho ose be twee n D eci be ls or Percentage . T h is will af f ec t t he t ra c k v o lume s l ider s and edit ing v o lume en v e lop e po ints on t he s oun d. D e fa ul t Tra ck Color C ho ose a def ault t r ack c olor . (T he de f a ult i[...]

Mi x cra ft 6 Us e r Ma nu a l 17 0 © 20 12 A cous ti c a, In c T he def a u lt c op y righ t notic e will be f illed int o each new pro ject 's author inf o r mat ion . Te m po T he def a u lt t empo . (D e f a ult i s 12 0 bpm .) K e y T he def a u lt k ey . ( D ef a u lt is C) Ti m e S i gna ture T he def a u lt t ime s igna t ur e . (D ef[...]

M ix cra ft Re f er e nce - P re fere n c es 17 1 © 20 12 A cous ti c a, In c R e cording F orm a t C ho ose f r o m uncompr ess ed W A V or c ompr e s s ed OGG. OGG allow s y ou t o s av e dis k s pac e on y our ha r d dr iv e s , if au dio qu a lit y do es not hav e to be pe r f e c t . I f y ou c hoo s e OGG, y ou will be ab le t o als o c ho o[...]

Mi x cra ft 6 Us e r Ma nu a l 17 2 © 20 12 A cous ti c a, In c D e fa ul t M I D I Se tt i ngs T his butt on will re v e r t t his pag e ba c k t o t he de f a u lt s et t ing s . CD Burning B urni ng E ngi ne C ho ose be twee n Primo , Gold en ha w k or I MA P I . Primo is t he def a u lt an d re c ommen de d CD bur n ing eng ine. I t will bur n[...]

M ix cra ft Re f er e nce - P re fere n c es 17 3 © 20 12 A cous ti c a, In c C lic k t his bu t t on t o ad d, edit or de lete f o lde rs t hat t he s of twa r e will s c an f or V S T plug- ins. R e -Sca n All V S T P l ug-Ins Sc an s y our V S T f o lde r s f o r ne w plu g- ins. A utoma tica l l y a dd a l l i n s tr um e nt ou t put tra cks f[...]

Mi x cra ft 6 Us e r Ma nu a l 17 4 © 20 12 A cous ti c a, In c f o r ea s ily r eo r ga niz ing y ou r pr oje c t f iles , or f or c ollabo ra ting wit h other s . For ex ample, y ou c an quic k ly z ip up y ou r pr o jec t , inc ludin g all inc lude d loop s , v id eo s an d re c or de d s ou nd s , an d e- mail it t o an other pe r s on . Mi x [...]

M ix cra ft Re f er e nce - M e n us & Toolb ar 175 © 20 12 A cous ti c a, In c s pa nn ed m ult iple t ra c k s . C rop (C trl+Q) T his i s t he op po s it e of c ut. Cr o pp ing s omething w ill k ee p wh a t is s ele c t ed an d dis c ard ev e r y t hing els e on t he s ele c t ed c li ps. D e l e te (D e lete) T his will remo v e any s ou [...]

Mi x cra ft 6 Us e r Ma nu a l 17 6 © 20 12 A cous ti c a, In c R e w i nd To Sta rt ( [ H ome]) T his s ets t he P lay b ac k I ndic ator t o t he be gin ning or s t ar t of the pro ject . I f t he pr oje c t is play ing aud io, it w ill r est art playback f r o m t he s t art, as w ell. Fa s t Forw a rd T o E nd ([E nd]) T his s ets t he P lay b[...]

M ix cra ft Re f er e nce - M e n us & Toolb ar 177 © 20 12 A cous ti c a, In c Trac k Men u A dd Tra ck T his app en ds a ne w aud io t rack . (C t r l+ G) or a ne w V irtual I nst rume nt T r a ck (C trl+E ) t o t he en d of t he pr o jec t . I ns e rt Tra ck T his i nserts a ne w aud io t rack or a ne w V irt ua l I n s t ru men t T rack be[...]

Mi x cra ft 6 Us e r Ma nu a l 17 8 © 20 12 A cous ti c a, In c Mute All Mutes all c l ips on t he c lic k ed lane . U nm ute All U nmutes all c lips on t he c li c k ed lane . Se l e ct All Selec t all c li ps on t he c l ic k ed l an e. A rm For Re cording Arms t he s elec t ed t ra c k . Moni tor Al low s y ou t o hea r y our li v e recor din g[...]

M ix cra ft Re f er e nce - M e n us & Toolb ar 179 © 20 12 A cous ti c a, In c Prop e rt i e s T his i s a s ub m en u with pr op e rties . Mute Mutes or un mutes t he s elec t ed s ou nd . C ha nne l s Al low s y ou t o c ho ose t he ac t iv e/aud ible c han n el f or an aud io c l ip. ** A ud io c lips only. Ph a s e C ho ose t he pha s e o[...]

Mi x cra ft 6 Us e r Ma nu a l 18 0 © 20 12 A cous ti c a, In c Lin k S elect ed Clips U nlink S elec t ed Clips I f a c li p is link ed, it will hav e a li nk butt on on it s t i t le bar : C lic k it t o ea s ily un link a li nked c l ip. Sp l i t (C trl+T ) T his will s plit an y s elect ed s oun ds at t he t ime of f s et wh e re t he c are t [...]

M ix cra ft Re f er e nce - M e n us & Toolb ar 181 © 20 12 A cous ti c a, In c C ho ose t he c olor of t he ba c k gr ou nd wh en t her e ar e n' t an y v ide o or i mage c lips . Sh ow / Hide V i de o W i nd ow T his will s ho w or hide t he v ide o play ba c k win do w . Se t Pre vi e w W i ndow S i z e C ho ose f r o m s t and ar d v [...]

Mi x cra ft 6 Us e r Ma nu a l 18 2 © 20 12 A cous ti c a, In c Z ooms in or out s o t ha t t he entire pr oje c t is v isi ble on t he s c re en . He lp Men u H e l p Cont e nts . . . Bring s up t he he lp f ile. C he ck For U pda te . . . C he c k s t he I nter ne t t o s ee if t he r e is a new e r or up da t ed v er si on of this s of tw ar e [...]

M ix cra ft Re f er e nce - M e n us & Toolb ar 183 © 20 12 A cous ti c a, In c Z oom in f or a c los er v ie w . Z o om Out Z oom ou t t o v iew more t i me. Pre fe re nce s Bring s up t he P r ef e r e nce dia log. B uy or Re gi s te r M i x cra ft Purchase Mi x c ra f t and enter y our re gis t r ation i nf o r mation. More on pur chasi ng [...]

Mi x cra ft 6 Us e r Ma nu a l 18 4 © 20 12 A cous ti c a, In c C T R L + arr ow k e y s m ov es +/- 20 m i l l i s ec ond s . C tr l + S hi f t + a r row k eys m ov e + /- 1 m i l l i sec ond. U p/dow n arr ow k e y s m ov e the s el ected c l i ps to a di f f erent trac k. Movi ng the Ca re t If s n ap is on , t he ca r e t w ill m o ve at t h e[...]

M ix cra ft Re f er e nce - K ey b oa rd Co ntro ls 185 © 20 12 A cous ti c a, In c Snap A dj ust m ent s (T he s e s hor tc uts will not wo r k pr op e rly i f t he Mus ic al T yping Key boa r d is v isi ble. T h e k eys t r okes m ay be us ed by t he M usi c al T y ping K ey bo ar d . ) Of f ~ Me a s ure 1 1/2 Not e s 2 1/4t h N ote s 3 1/8t h N[...]

Mi x cra ft 6 Us e r Ma nu a l 18 6 © 20 12 A cous ti c a, In c Move N ote But Ke e p Off s e t Sh i ft + Dra g Sele c t i ng C l i ps Se l e ct All C tr l + A Se l e ct All On Tra ck C tr l + S hi ft +A Se l e ct All On La ne C tr l + S hi ft +Alt+A Se l e ct Ne x t Cli p Ta b Se l e ct P re vious Cli p Sh i ft + Ta b U ns e l e ct All E s c D e [...]

M ix cra ft Re f er e nce - K ey b oa rd Co ntro ls 187 © 20 12 A cous ti c a, In c Zo om i ng/Scro l li ng Z o om To P roj e ct 0 Z o om I n - Z o om Out + Z o om Mous e w he e l Scrol l Horiz onta l Sh i ft + Mo us e w he e l Scrol l V e rt i ca l C tr l + Mous e w he e l Scrol l Tra ck s U p Pa g e U p Scrol l Tra ck s D ow n Pa g e D ow n M i [...]

Mi x cra ft 6 Us e r Ma nu a l 18 8 © 20 12 A cous ti c a, In c B oos t Cli p 5% A l t+Ct rl+ W R e duce Cli p 5% A l t+Ct rl+ S B oos t Cli p 25% A l t+Ct rl+ E R e duce Cli p 25% A l t+Ct rl+ D B oos t Cli p 50% A l t+Ct rl+ R R e duce Cli p 50% A l t+Ct rl+ F Mus ical Typing K eyboard (MTK) I f y ou do not hav e a M I D I k eyboa rd at t ached [...]

M ix cra ft Re f er e nce - M u s ic al Ty ping K ey b oar d ( M T K ) 18 9 © 20 12 A cous ti c a, In c K e yboa rd s ho rt cut : Ctrl + A lt + K Pl aying A nd Rec ord i ng N o te s T he M T K s pa n s 17 no t es or 1.5 oct av e s wh ic h c an be play ed v ia t he c ompu ter' s k ey bo ar d . Mak e s ur e t o add a V irtual I nst rumen t T r [...]

Mi x cra ft 6 Us e r Ma nu a l 19 0 © 20 12 A cous ti c a, In c I -B e a m T his c ur s or s how s t hat a s elect i on c an be m ad e on a s ou nd . Pe n cil T his c ur s or s how s t hat y ou c an dr a w ne w notes or c on t r oller data. Pl a y S ound T his c ur s or s how s t hat y ou c an pla y a s ou nd i n t he s oun d libra r y . R e -s iz[...]

M ix cra ft Re f er e nce - Cu r s or s 19 1 © 20 12 A cous ti c a, In c Troubleshoot ing H er e ar e s ome answe rs t o c ommon pr ob lems an d is s ue s . Playing C a n't Play Soun d You' v e ad de d s oun d s , but y ou c an' t play anyt hing.. . T h e r e ar e a f ew t hing s y ou c an c heck . 1. A re t he s pe aker s on an d p[...]

Mi x cra ft 6 Us e r Ma nu a l 19 2 © 20 12 A cous ti c a, In c T his will rep o rt ho w muc h CPU Mi x c raf t i s us ing c ompar e d t o t he entire c ompu t er ' s CPU us ag e. So und I s De laye d O r Laggi ng (Lat e nc y) T he opp osit e pr ob lem of s oun d br ea k ing up or gap pin g is t ha t t he s ou n d will be de lay ed an d ha v [...]

Tro u b les ho oting - P lay ing 19 3 © 20 12 A cous ti c a, In c mos t lik ely . C lic k on t he s ou nd and t he n c li c k on t he S ou nd t ab an d adju s t t he s oun d t o be in Tim e St retc h B y m od e ins t ead of A djust To P ro ject Tempo. W he n a s oun d play s ba c k at a dif f e r e nt s pee d, it c an s ou nd odd i f it 's be[...]

Mi x cra ft 6 Us e r Ma nu a l 19 4 © 20 12 A cous ti c a, In c Adjus t t he s oun d manu a lly U pd ate y ou r s ou nd c ar d ' s dr iv e r s if pos s ible. Ch eck t he s ou nd c ar d ' s w eb s it e. Ge t a new s oun d de v ic e. Get a mor e pr of e ss i on al s oun d c ard desi gn ed fo r recor ding m usi c , if po s s ible. T ry s wi[...]

Tro u b les ho oting - Re c or din g 195 © 20 12 A cous ti c a, In c M y rec or di ng s a re t oo lo ud a nd are di st o rting ! W ha t do I do ? D is t ortion c an ru in a go od recor ding , and t he wo rst par t is , on c e y ou ' v e re c or d ed dis t orted au dio , t he r e' s no wa y t o f ix it . I f y our m eters ar e li gh ti ng[...]

Mi x cra ft 6 Us e r Ma nu a l 19 6 © 20 12 A cous ti c a, In c I f the v ide o f ails t o l oa d , it is be c au s e y ou are m ost l ik ely m is s ing t he c or r ect Dire ct X v ide o c ode c . T he best adv i c e i s t o do one of t he f ollow in g: I n s t all t he s of tw ar e t ha t c ame with y our v ide o c amer a. I t m ay als o ha v e c[...]

Tro u b les ho oting - E f f ec t s & P lug- in s 19 7 © 20 12 A cous ti c a, In c H ow e v e r , i f y ou' d l ik e t o hea r t he ef f e ct s dur ing record ing , y ou ' ll ne ed t o dis ab le t he s ou nd dev i c e' s monitor ing an d us e M ix c r af t' s monitor ing s y s t em. For ex ample, if y ou ar e mak ing a we i[...]

Mi x cra ft 6 Us e r Ma nu a l 19 8 © 20 12 A cous ti c a, In c Shut dow n othe r pr og r ams an d t empo r ar ily s hut dow n y ou r v ir us c hec k er dur ing a bu rn . ( S hu tt i ng do w n y our v iru s c he c k er s hou ld be do ne at y our ow n ris k . Mak e s ur e y ou ar e no t c on ne c t ed t o t he I n t er n et and hav e do ne a f u ll[...]

Tro u b les ho oting - V ideo 19 9 © 20 12 A cous ti c a, In c V ideo V i deo Pl ayba c k Pr o bl e m s I f af t er load ing y ou r v ide o , Mix c ra f t doe s on e of t he fo llow ing : Mix c ra f t c rashes with an er r or win do w Mix c ra f t f r ee z es and s t op s re s po nd ing Mix c ra f t' s CPU us ag e go es wa y up t o abo v e 60[...]

Mi x cra ft 6 Us e r Ma nu a l 20 0 © 20 12 A cous ti c a, In c Mak e s ure t hat y ou are c on ne c t ed t o t he I n tern et. T r y laun c hin g y our In tern e t br o w s er and go ing t o a new s ar tic le or we b s it e t ha t y ou ha v e n ' t bee n t o. (T his v er if ie s t ha t y ou ar e n' t v iew in g c ac he d c ontent. ) Mak[...]

Tro u b les ho oting - Co ntro l S ur fac es 20 1 © 20 12 A cous ti c a, In c M i xcra ft rec ogni zes som e knob s or butt on s on m y c on trol l er, but wo n't re spon d to othe r kn ob s or butt on s. Mix c ra f t' s c ontro ls c an be s et t o respon d t o M I D I C on ti nu ou s Con troller (C C ) m ess ag e, or s pe c if ic no tes[...]

Mi x cra ft 6 Us e r Ma nu a l 20 2 © 20 12 A cous ti c a, In c M ixcraft Pro St udio M ix cr aft Pro Studi o 6 g i ve s profe ssi onal audi o e ngi ne e rs the tool s t he y ne e d to mi x and maste r c omme rcial - q ual i ty musi c wi th e ase . M i x cr a f t Pro Studi o 6 ex pands M ix cr aft 6 ' s a l re ady- p ow e rfu l tool se t to i[...]

M ix cra ft P ro S t ud io - E f f ec t s 20 3 © 20 12 A cous ti c a, In c Eff ect s I n add it ion t o t he 25 ef f e ct s i ncl ud ed wit h Mi x c raf t , M ix c ra f t P ro S t udio als o inc lude s t he s e pro f e ss iona l au dio an d mas t er ing ef f ec t s : A coustica 31 Ba nd EQ Perh ap s no ef f e ct i s more i mpor tant f o r pr op e [...]

Mi x cra ft 6 Us e r Ma nu a l 20 4 © 20 12 A cous ti c a, In c T his i ntense de lay ef f e ct goe s f a r be y ond t he li mit s of trad it iona l de lays . D ub mas t er c ombines t empo - s y nc ed r hyt hmi c liquid dela y with po w e rf ul LFO- dr iv e n f ilt er ing and pha s e ef f e ct s t o add atmos phe r e and a un iqu e s oun d t o y [...]

M ix cra ft P ro S t ud io - E f f ec t s 20 5 © 20 12 A cous ti c a, In c T his pow e r f u l mas t er ing t oo ls add s s we e t high f re q ue ncies , ana log c olor s, c rys t al and t ran s pa r en t t ra n s ients , and bo ldn ess t o an y mi x . FS Q19 64 add s life and s pa rkle t o ev e n t he mos t ba s ic t rack s , s o t hey pop ou t o[...]

Mi x cra ft 6 Us e r Ma nu a l 20 6 © 20 12 A cous ti c a, In c Perh ap s no c ompa n y is be tt er k now n f o r c re ating pr of es s i on al m ast erin g t ools t han iZ o tope . From t he m ak er s of Oz one , t he pre mier e mas t er ing s uit e, c omes iZ o tope Mas t er ing E s s en t ials . Mas t er ing Es s entials c ombines a gr e at s o[...]

M ix cra ft P ro S t ud io - E f f ec t s 20 7 © 20 12 A cous ti c a, In c Giv e y ou r t r ack s 3D s pa c e, dep t h, wid t h, and at mos ph er e w it h t his pow e r f u l s t er eo enh an c er . H ar mon ic V it alis er+ f ea ture s br a nd new t ec hn olog y f o r v italiz i ng , c olor in g, c ontrolling , ad just i ng and w ide ning s t er [...]

Mi x cra ft 6 Us e r Ma nu a l 20 8 © 20 12 A cous ti c a, In c T her e ' s s omething ab ou t t he s ou nd of t ape -- an d Fer ox c ap ture s t ha t " s omething . " T he uniq ue s ou nd of au then ti c t ape his s , s atura ti on , and c ompr e s s i on giv es per sona lit y and c las s i c t on e t o y ou r t ra ck s . T r y it [...]

M ix cra ft P ro S t ud io - E f f ec t s 20 9 © 20 12 A cous ti c a, In c T he k ey t o a goo d mix is pro p er E Qing, an d t his gr ap hic par ame t ric equ aliz er is one s er iou s ly po w er f u l equ a liz ation t ool. W it h a gor g eo us int er f a c e, 6 c olor - code d ban d s , 6 f ilt er t y pes, s pe c t ru m an alys is , and t he ab[...]

Mi x cra ft 6 Us e r Ma nu a l 21 0 © 20 12 A cous ti c a, In c Adds s ub t le ana log w ar mt h or f ier ce ov e r dr iv e n t ub e gr it t o y ou r t ra c k s . T h is v in t ag e t ub e pr ea mp ad ds 196 0' s c har m an d c har a c t er t o v o c als , gu it ar , dru ms , and m or e . XB a s s 400 0 L B a ss Enha nc e r X Ba s s 400 0L ad[...]

M ix cra ft P ro S t ud io - I ns t ru ments 21 1 © 20 12 A cous ti c a, In c An inc re dib ly re alis t ic emula t ion of t he Y amaha CS80™ an alog s y nthesi z er , amon g t he m os t po w er f u l and c ov e ted an alo g s y nthe s iz er s ev e r made . T h is amaz ing re crea ti on s up po r t s po ly pho nic af ter t ouch ( jus t lik e t h[...]

Mi x cra ft 6 Us e r Ma nu a l 21 2 © 20 12 A cous ti c a, In c T his high qu alit y , aw ar d - w inn ing gr a nd pia no fe a t ur e s 250 MB of S t einw a y Mode l D™ pian o s amples c ombine d w it h pow e rf ul pian o mode ling t ec hn olo gy.[...]

M ix cra ft P ro S t ud io - I ns t ru ments 21 3 © 20 12 A cous ti c a, In c Glos sar y A SI O AS I O pro v id es an int er f a ce be t w ee n y our aud io app lic ati on an d t he s ou nd c ar d, an d s t and s f o r: A ud io St rea m I n pu t / Ou t pu t. It wa s de v e lop e d by S t ein be r g M ed ia T e chno log ies an d he lps manu f a ct [...]

Mi x cra ft 6 Us e r Ma nu a l 21 4 © 20 12 A cous ti c a, In c T he deci be l (d B) i s a l og ar ithmic un it of r elativ e measure men t used t o c ompa r e t he ra ti o of t he int en s it ies of two s igna ls . W hen an amplit ude dou ble s , t he inc re a s e c or r espon d s t o 6 dB. D e code r An algo r it hm or pro c ess f o r t aki ng c[...]

Gloss ar y - 21 5 © 20 12 A cous ti c a, In c Me tronom e A m etron o me is a de v ice or s y s t em t hat pr o du c es a re gu lated pu ls e, usually us ed t o k eep a bea t s t ea d y in m usi c al c ompo s it i on s . MI DI MI D I is an ac ro nym f o r Mus ic al I nst rume nt Dig it al I n t er f a ce an d is t he wa y t hat ph y s i c al an d [...]

Mi x cra ft 6 Us e r Ma nu a l 21 6 © 20 12 A cous ti c a, In c t o be c onf u sed with byt es ). Co mmon ex amples of bit de pth i ncl ud e CD au dio, wh ic h i s re c or d ed at 16 bits , an d DVD -Aud io wh ic h c an s upp o rt up t o 24- b it au dio . Sa m pl e Cha nne l s Sample c ha nn els des c rib es t he numbe r of c ha n ne ls c ontained[...]

Gloss ar y - 21 7 © 20 12 A cous ti c a, In c Vi rtua l S t ud io T e c hn olo gy and it s ac ro nym VS T re f e r t o an interf ac e s t an da r d f or c onn ect i ng aud io s y nt he s iz er an d ef f e ct plug ins t o aud io ed it or s an d har d - dis k re c or d ing s y s t ems . V S T and s im ilar t echno log ies allow t he re pla c emen t [...]

Mi x cra ft 6 Us e r Ma nu a l 21 8 © 20 12 A cous ti c a, In c CH ANGE LI ST Ve rs i on 6 Cha nge s N ew int er f a ce & ar two rk Ov e r 6, 00 0 loop s in v er s ion 6! ! ! Major i mpr ov e me nts t o MI D I editing, pian o ro ll Submix t rack s f o r gr o up ing t ra c k s t oge ther Mult iple lane s f or t ra c k s (inc lud ing mult iple M[...]

C ha ng e Lis t - 21 9 © 20 12 A cous ti c a, In c N ew A LT dr ag t o mak e a qu ic k c op y of a c l ip N ew + 1 loo pe r bu tt on on c l ips I mpr o v e d s up po r t f o r f a ulty V S T s Lo w er CPU us ag e Bet t er har d dr iv e ut ili z ati on R ecord dire c t ly t o OGG mode . Ve rs i on 4.5 Cha nge s Supp or t f or s av i ng pro ject s t[...]

Mi x cra ft 6 Us e r Ma nu a l 22 0 © 20 12 A cous ti c a, In c About A cous t ica Ac ou s t ic a wa s f o un d ed i n 199 8 an d is loc ated in t he fo o t hills of t he Y osemi t e V alley . Ac ou s t ic a' s mis s ion is t o c rea te high qua lit y , i ntuit iv e an d pow e r f u l s of tw ar e . W e v a lue diligen c e, c rea tiv it y and[...]

Fou nd ed i n 19 98 an d loc ated in t he f o othills of t he Y os emit e V alley , Ac ou s t ic a’s m is s ion is t o c rea te hig h qua lit y , i ntuit iv e , an d po w er f u l s of tw ar e at af f o r d a ble pr ic es . A t Ac ou s t ic a, t he c us t omer c omes f ir s t ![...]