Canon IXUS IXUS 60 Bedienungsanleitung

C amer a Us e r Guide Adv anced DIGIT AL C AMERA Adva n ce d Camera U ser Gu id e Befo re Us ing the Ca mera Shoot i ng Pl ay bac k/ Era si ng Pri nt/T ran sfer Se ttin gs Vi ewi ng I mag es o n a TV set Cu s tomi z i ng th e Cam e ra T rou bles hoo ting Lis t o f M e ssages Th i s guid e ex pl ain s cam er a fe at ur es a nd pr oc edu res i n det [...]

M a i n Fe at u r e s Sh ooti ng  Au tom a tic a lly a dj us ts sh oo tin g setti ng s to matc h pa rt icul ar co nd it ion s ( Sc en e mo de )  Avo id th e e ffe c ts of c am era sh ak e o r b lur ry su bj ec ts whe n sh oo tin g by us in g H igh I S O Au to  Auto mati call y detects camera orientation w i th an Intel l i g ent Ori ent at[...]

1 Con v entions Used i n t his Gui d e I con s ap pe ari ng bel o w ti tles i n di cat e t h e mo de s in wh ic h t he p r oc e du r e c a n b e us ed . In th is g ui de , t he Ba si c C a m er a U s e r G ui de i s r efe rr e d t o a s th e Basi c Gu id e , an d th e Advanced Cam era User Guide is r efe rre d to as th e Adva nc ed G u ide . Th is [...]

2 T able of Content s I t ems m arke d wi t h a ar e l is ts o r c hart s th at su mma r ize cam era f un ct i ons or pr o ced ur e s. Pl ea se Re ad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Sa fet y Prec a uti on s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Pre ve nt in g M a lfu nc ti [...]

3 Swit chin g be tw ee n Fo cu si ng M od e s . . . . . . . . . . . . . . . . . . 46 S h ooti ng Ha rd- t o-F oc us Su bj ec ts ( F oc us L oc k, A F Loc k) . . 4 7 Lo ckin g th e E xp os ur e S ett in g (A E L oc k ) . . . . . . . . . . . . . . . 48 Lo ckin g th e F la sh Ex p osure Se tti ng (F E L oc k) . . . . . . . . . . 49 Swit ch in g be tw [...]

4 Ch an gin g M y C amera Se tti ng s . . . . . . . . . . . . . . . . . . . . . . . 91 Re gis te rin g My C a m era Se tti ng s . . . . . . . . . . . . . . . . . . . . . . 92 Ca me ra . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 4 Wh en th e po w er is tu rne d on . . . . . . . . . . . . . . . . . . . . . . . [...]

5 Ha ndling Pr ecautions Te s t S h o t s B e f o re yo u tr y t o phot og r ap h im po rt ant su bj e ct s, w e h ig hl y rec om m e nd th at yo u sh oo t s e ve ral tr i al im a ge s to co nf irm th at th e c ame r a i s op er at i ng and be in g op era te d c or r ec tly . Ple as e no te th at C an on In c ., i ts s u bs id ia rie s an d a ffil [...]

6 V i de o F orm at P l eas e se t th e ca mera 's vi de o si gn al for m at to t he on e us ed in y our reg io n be fo re u s in g i t w i th a TV m o ni tor (p. 90 ) . La ngu ag e S etti ng P l eas e se e the B a si c Guide (p . 4) t o c h an ge th e lan g ua ge s ett in g.  B e f o re us in g t he c ame ra, pl ea se e ns ure t ha t y ou [...]

7 W ar nings Equipment  Do no t lo ok dir e ct ly at t he su n o r at othe r in ten se li ght s ou rc e s th r oug h t he vie w fin der tha t c oul d da m ag e y ou r ey es ig h t .  St or e t hi s e qui pm en t ou t of t h e re a ch of c hi l dr e n a nd i n fant s. • W r is t s tra p: P la cem en t o f t he str ap a rou nd th e ch ild &ap[...]

8 Ba tter y  D o n o t p lac e t he ba t t ery n ea r a he at s o u rce or e x po s e it to d i r e ct f lam e or h ea t.  T he ba tte r y s ho uld not be im me r se d in wat e r or s ea w a ter .  Do n ot at t e mpt t o d i sa ss em b l e, al te r o r ap p l y h e at t o t h e ba t te ry .  A v oid dr o ppi ng or s ubj ec tin g t h e b[...]

9 O ther s  Do no t trig ger the flash in cl os e prox im i ty to h uman or a nim a l e yes. Exp os ur e to the inte ns e lig ht p r odu ce d b y t he f la sh ma y da ma ge ey es igh t . In part ic ul ar , re ma in a t le as t on e me t e r (3 9 i nc he s ) aw ay f ro m i nfa nt s wh en usi ng t h e fla sh .  Kee p o bj e ct s th at ar e sen [...]

10 Fl as h  Do n ot op e rat e t h e fl as h wi t h d i rt, d us t or o t h er i t em s stu c k to t he su rf ac e of t he f lash .  B e c areful no t to cove r the flash with yo ur fi ngers or c lo t hin g w h en sh ooti ng. T he f l as h ma y be d am ag ed a nd em i t s mok e or no is e. T h e r e sult in g he at bu il d -up co ul d dama ge[...]

11 Pr e v en tin g Mal fu ncti on s Av oi d Strong Ma gnetic Fields  Nev er plac e t he c am era i n cl o se pr ox imi ty t o el ec tr i c m ot o r s o r oth er e qu ipm en t ge ne rati ng str o ng ele ct ro magn eti c fi elds. Ex po su re to st ro n g ma gn et ic fi el ds m a y c au s e m a lf u nc ti o n s or co r ru pt im ag e da t a . A v oi[...]

12 B e f o re Using th e C a me ra —T he C o mp onen ts Gu id e F ront View A/V O UT ( Aud io / Vid eo ou tp ut ) T er m in al (p . 9 0) DIGI T A L T e rminal ( Ba sic G ui de p. 19) T ermin al Co ver ( Basi c Gu id e p. 19 ) Wris t Stra p Mo u nt M ic r op ho ne (p . 78) AF -assist Be am (p . 2 7) Red - Ey e Re du ctio n La mp ( Basi c Gu ide p.[...]

13 Before Using the Ca mera—The Compo nent s Guide * W hen c arryin g the c amer a by the s tr ap, be c areful not to s wing t he ca mer a or c atc h it on oth er item s. Ba ck V i ew LCD M o nito r (p . 1 5) V iew f i nd er (p. 2 1) Sp e a k e r Tr i p o d S o c k e t DC Coup ler T erminal Co ver Memory Card Slo t/Batt ery Co v e r ( B a si c Gu[...]

14 Op era tion Pa nel In di ca to rs (p. 2 2 ) Po wer Button ( Basi c Gu ide p. 5) Po wer Lamp Zo om L ev e r ( p. 69 , Basi c Gu id e p. 9) Sh oo t in g: (W ide An gl e) / (T el ep ho to ) Pl ay ba ck : (I nd ex ) / (M a gn ify ) Sh utter But ton ( B asi c Gu i d e p. 5) Mo de S wi tch ( Ba si c G ui de pp . 5 , 6 ) (Print/S ha re) Bu t ton ( B a [...]

15 Before Using the Ca mera—Basic Ope rations B ef or e U sing th e Ca mer a — B asic O per a tio ns  Th e L C D m on ito r o n o r off setti ng is reta in ed ev e n a f t er t he camera p ower i s turn ed o f f .  Th e L CD m o ni tor do es n ot sh ut o f f in th e , , , or m od e.  Th e L C D m o ni tor wil l n ot swi tc h to the d e[...]

16 U s i n g t h e C lo ck Y o u ca n di sp la y t h e cu r re nt da te a nd t im e fo r a 5-s e co nd * in te r v al us in g t he fo llo w in g two m eth od s . * D efaul t se tting M eth od 1 Hold t he FUNC./S E T bu tto n do wn whi l e tur ni ng on th e po wer . M eth od 2 In a sho ot ing m o de, ho ld the F UNC. / SET bu tto n d ow n . If yo u [...]

17 Before Using the Ca mera—Basic Ope rations LCD M o ni t or Br i gh t ne s s S e tt i ng s T he bri gh t nes s o f t he LCD mo ni tor ca n b e ch ange d i n the f ol lo win g t wo w ays.  Ch an gi ng S e tti ng s U si ng th e S et up M en u (p . 2 9)  Ch an gi ng S e tti ng s U si ng th e DISP . B u tto n (Q ui ck -br igh t LC D Fu nc ti [...]

18 Sho otin g In fo r m a t ion (Sh oot ing m ode) * A ppea rs ev en i f the L CD moni tor is s et to S tan dar d di splay . In f o r mati on Di s pla yed on t h e LCD Mon i t or Expo s u re Co m pens ation (p . 51) Lo ng Shu tte r Mo de (p . 5 2) Wh it e B a lan ce (p . 5 4) Co mpr es s i on (St il l I m age s) (p . 3 4) R ecor d i n g P ixel s (p[...]

19 Before Using the Ca mera—Basic Operations I f th e in di ca t o r bl in ks o r an ge a nd t h e ca m er a s ha ke i co n di spla ys, it indi ca tes t he re i s in su f f ic ie nt illu mi nati on an d a sl ow sh ut ter spe ed w i l l be se le ct ed . Ra is e t he I S O spe ed ( p. 64) o r s el ect a se t ti n g othe r th an ( fl as h of f), or [...]

20 Det ailed Th e f oll ow i ng in fo rma ti on ma y al so be di sp la y ed w ith s om e i m ag es . I n f o rma tion f or i mag es shot on ot he r cam era s ma y not di sp la y correctl y . A s ou nd file in a f orm at o t he r th an t he W AV E form at is att ache d or th e file fo rm at is no t r ec og niz ed . JP EG i m ag e not con f orm in g [...]

21 Before Using the Ca mera—Basic Ope rations Th e v ie w f i nd er ca n be us e d t o c o ns er v e po w er by tu rn in g t he LC D moni to r o f f (p. 15) w h il e s h oo tin g. H ist ogr a m Fun cti on Th e his to gr am i s a gra ph t ha t a ll ow s yo u to ju dg e th e b ri gh tne s s of t h e i ma ge . The g rea te r t h e bi as to w ar d t [...]

22 Th e ca me r a in di ca t o r s lig h t o r fl as h un de r t h e fol lo w in g ci rcu mst an ces .  Upp er I ndi ca tor G r ee n: R e ad y to sh oo t Bl in king Gr ee n: Imag e r ec ord in g/r eadi ng /er as in g/t ran sf er r i ng ( whe n co nnect e d t o a co mp ut er ) O r an ge : R e ad y to sh oo t ( f la sh o n) Bl in king Or ange: Rea[...]

23 Before Using the Ca mera—Basic Ope rations Wh en t ra v el ing a br oa d, yo u ca n r e co r d im ag es w it h l oc al d a te s an d t i mes s im pl y by sw itch in g t he ti me z on e sett ing i f you pre- r e gist er t h e de st in ati on t i me z one s. Y ou c an e nj oy th e co nv eni e nce of not ha vi ng to s w it ch th e Date /Time s et[...]

24 Sw itc h ing t o t he Des tina ti on Time Zo ne I f you ch ang e the da te a nd t i me wh en th e W o rld o pt ion i s sele ct ed , th e Hom e da te an d tim e w il l a ls o ch a ng e au tom a tic al ly . 5 U s e t he or button to select a destina- tion t i me z one .  As i n S te p 3, yo u ca n se t t he d ay - li gh t s av i ng op t i on . [...]

25 Before Using the Ca mera—Basic Ope rations Me nu s ar e u s ed to s et the s ho ot in g, pl ay ba ck a nd p rin t s et tin gs a s wel l a s su c h c a me ra se tti ng s as th e da te /ti me a nd el ec tro ni c be ep . T he foll o win g me nus are a vai l ab le.  FUNC. M enu  Rec ., P lay , Prin t, S et up and M y C amer a M en us F UNC .[...]

26 R ec., Play , Pr int , Set up an d My Cam era Menus Co nve nien t s et t ings fo r sh oo tin g, pl ay ba ck or p ri n t i ng can be set wi th th es e me nu s. P res s t h e ME NU b u t t on. U se t he or b ut to n t o s wi t ch be tw ee n me nu s . Y o u c a n a ls o us e t he z oo m le v e r t o s w i tc h b et w ee n me nu s. Us e t h e o r b [...]

27 Before Using the Ca mera—Basic Ope rations F UNC . M enu R ec. M e nu Menu L ist M e nu I tem Pa ge Menu It em P a ge S h oo t i ng Mo de Bas i c p. 5 Me te r i ng Mo de p. 50 Mo vie M od e p. 40 C om pre ssion ( St il l I mage) p. 34 Ex po sure C o mp en sation p. 51 F ram e Ra t e (M ovie) p. 43 Lo ng Shu t te r M od e p. 52 R ecor d ing Pix[...]

28 Pl ay Menu Pr int M e n u Set up M en u D ate Sta mp O f f*/D ate /D ate & Tim e p. 37 Lo ng Shu t te r O n / O ff * p. 52 Sti tc h As si st L ef t to r ig ht*/ R igh t to le ft p. 44 Menu I t em Page Me nu It e m Page Tran sition p. 7 6 Pr ot ect p. 84 Sli de S how p. 8 0 R ota te p. 75 My C ol o r s p. 7 7 Erase All p. 84 Sou nd Memo p. 7 [...]

29 Before Using the Ca mera—Basic Ope rations Sh utt er V o l u me Ad justs t he volum e of th e so un d pla yed w h en t he sh ut te r re l eas es . T he shu tte r soun d d oe s no t pla y w hen a m ovie is re cordin g . Pla yba ck Vo l. Adjust s the volu m e of m o vie so unds an d so un d m em os. LC D Br ig h tne ss - 7 t o 0 * to +7 U se the[...]

30 *1 Y ou can change t he pr in ter con nec tion metho d. Ther e i s u sua lly no need to c han ge the sett ings, but selec t when y ou print an ima ge r ecord ed i n th e (Wi descr een) mo de at t he ful l page se tting for w ide p a per us ing a Ca non SE LPHY CP 710/C P510 Com p a ct Ph oto Printe r . Si n ce thi s s e ttin g i s s aved e ven w[...]

31 Before Using the Ca mera—Basic Ope rations  S e t t ings ca nn ot be r e set w he n the cam era is co nne cted t o a co m puter or to a p r i n ter .  Th e f ol lo w in g c a nn ot be r e se t. - S ho otin g mo de - The [T ime Zone] , [Da t e/ T i me] , [ Lang uage] and [Vid eo System] options in th e (S e t u p) m e nu (p. 2 9 , 30 ) - [...]

32 Y ou shoul d a lwa ys f or m at a new m emo ry ca rd or one f rom w h ich yo u wi sh to e rase al l imag es a nd ot he r d at a. Low L ev el Fo rma t W e reco mme nd y ou se le ct [ Low Le vel Fo r m at] wh en yo u t hi nk tha t t he r e co r di n g /r e ad in g s p ee d o f a m e mo r y c ard ha s d rop pe d. A l ow l eve l for m at may r e qui[...]

33 S h oo t i ng Shooti ng Appr o ximat e V alues f or R ecor ding P ix el s * Paper s izes v a ry ac cording to region. C hanging t he R e cor d i ng Pix els an d C om- pr es s i o n ( S til l I m ages) Sh oo t in g Mo de 1 FUNC . M enu * (R ecor di ng Pix el s) / * (Compression). Se e M e nus an d Se tt i ng s (p. 25) . * D efa ult setting.  U[...]

34 A ppro ximat e V alues for Com pression Set tings  Se e I m ag e D a ta S iz es ( E st i m ate d ) (p . 1 20) .  Se e Me m ory C a rds a nd Es ti ma te d Ca pa ci tie s (p. 1 1 9 ) . Y o u c an s ho ot a s u bj ect 3 – 10 cm (1 .2 – 3. 9 i n.) fr om t he en d of the l ens at th e ma ximu m w i de an gl e set ting . W it h t h e digi t [...]

35 S h oo t i ng Y o u ca n sh oot zo om ed i ma ge s us in g the c omb in ed digi t al an d o p t i cal zo oms .  S t i ll s: zo o m up to ap pr ox im at el y 12 tim e s  M ov ie s (S ta nd ard) : zoom u p t o ap pro xim at ely 1 2 t ime s Im ages b ecome c oar ser t he more t hey ar e di gi t al ly z oomed. Us i n g t h e D i gi t a l Z oo [...]

36 In th is m od e, th e c a me ra sh oo ts co nt in uo us ly w h il e t he s hu tte r bu tto n is h el d d own . I f y ou u se th e rec omm ended mem ory ca rd* , yo u ca n sh oo t co nti nu ou sl y (smo ot h co nti nu ou s sh oot i ng) a t a set sh oo ti ng in te r va l un til th e m e mo r y c ard is f ul l (p . 1 19) . *Recomm e nded Memory Car[...]

37 S h oo t i ng Y o u can sh oo t i mag es wi th t he o pt i mal se tti ng s fo r po stcar ds by co m po si n g th em i ns id e t he p rin t a rea (w i dth -t o- he ig ht rat i o of a ppr oxi ma tel y 3: 2) sh own i n t h e LCD mo ni to r . For pri nti ng i nst r ucti ons, r ef er t o t he Dir ec t Print Us er G uid e . P o stcar d D a te Im pri n[...]

38 Y o u c a n s et a 10 s ec . ( ) or 2 s e c. ( ) d el a y , or a c u st om d el ay t im e an d t he n umb er of shot s ( Cus t o m T ime r ) , f or sh oo t i ng af ter th e s h ut t er bu t to n i s pr e s se d. T o Canc el the Se lf-Timer P r es s t h e b ut t on t o di spl ay . Y o u can ch an ge th e se lf- t im er so und ( p. 30) .  E n s[...]

39 S h oo t i ng C ha ngin g th e D el ay T i me and Num be r of S ho ts ( ). Y o u ca n ch an ge th e de la y tim e (0 –1 0, 15 , 2 0, 30 s ec . ) an d n um b er of s ho t s (1 –1 0) . T h es e s et tin gs , ho w e ve r , c an no t b e s et fo r the C o lor Acce nt, C ol or S wap , S titc h As si st or m o vi e mod e. 1 (R ec.) Menu [ Sel f-ti[...]

40 T he fo ll owi ng mov ie m od es ar e av ai la bl e. Mo vi e Sh ooti ng Sh oo tin g Mo de S tanda rd Y ou ca n se l e ct the re cord in g pi x el s an d f ra me ra t e an d reco rd un til t h e m e m o ry card i s ful l (w he n a s up er h i g h-sp eed m emo ry c a rd is us e d, s uc h as t he r ec o m men de d SDC- 51 2MS H) . T he di gi t al z[...]

41 S h oo t i ng • The recor di ng ti me wi ll vary accor di ng to t he c apaci ty of the m emor y card y ou u se (p. 1 19) . • Re cordi ng wi ll stop after one h our of c onti nuous r eco rding e ven if th e rec or ded da ta volume has not r eac hed 1 GB. 1 FUNC . M enu * (Standard). Se e M e nus an d Se tt i ng s (p. 25) . * Default s et t in[...]

42  Be fo r e r e c or d in g, yo u ca n se t t h e A E lo ck (p . 4 8) an d ex po su re sh ift . 1 . P r es s th e bu t to n. Th e ex po su r e wil l l oc k ( AE lo ck ) a nd th e ex po sur e shif t ba r w i ll ap pe ar in th e LCD mo ni tor . 2. U se t he or butt o n t o ad ju st th e ex po sur e. P res s th e bu t to n a ga in t o r e le as e[...]

43 S h oo t i ng Ch an gin g R eco r d ing Pi x els an d F ram e Ra te s Y o u ca n ch an ge th e rec o r di ng pi x els a nd fr am e r ate w h en th e mo vie mo de i s se t to (S t andar d ) , ( Col or A cce nt) or (C ol or S wap ). 1 FU NC . M e nu * (Rec or di ng P i x e l s) / * ( Fra m e R a te ). See Menus and Sett ings ( p. 25) . * Default s[...]

44 S t it ch As sist ca n be u sed t o sh oo t ove rl a ppin g im ages th at ca n later b e m erge d (stit c hed) t o c reate on e p anor am ic im age on a c om puter . S ho oti n g P ano r am i c I m a g es ( Stitch Assi st) Sh oo tin g Mo de 1 FU N C . M e nu * ( Aut o) (M an ua l) . S ee Me nus and S etti ngs ( p . 25) . * D efault s et t ing. 2[...]

45 S h oo t i ng Use P ho t oS ti t ch, a su pp lie d sof twa re p r o gra m, t o m erg e th e i m ag es o n a c om p ute r . 3 S e l ec t a s h oo t i ng di r e ct io n .  Y o u c a n s e le ct fro m the fo ll ow i ng t w o sh oot in g di rec tio ns. - Lef t t o ri gh t h ori zon t all y - R igh t t o left ho r iz on tal ly 4 Shoot the f ir st [...]

46 Y o u c a n s el ec t be t w ee n th e f ol low ing tw o f oc us in g mo de s acc ord in g to th e Ai AF se tti ng .  Th e foc us i s loc k ed to th e c e nte r AF fra me w h en th e d ig ital zo om i s us ed .  T he A F f ra me app ears as fol l ow s (w hen the L CD m o ni tor is o n) wh en the sh utt e r b utt o n i s pre ssed ha l fw ay[...]

47 S h oo t i ng It m a y be di ffic ul t t o f oc us o n the fo ll owi ng ty pe s of s ub je cts .  S u bjec t s wit h e xt rem el y lo w c ont r a st to t h e sur rou nd in gs  Sce ne s wit h a m ix tu r e of ne ar an d far su bj ec ts.  S ubjec ts w i th e xtrem e ly brig ht ob j e cts a t the ce nt e r o f the com p os i t io n  Sub[...]

48 T o R e le as e th e A F L oc k P r es s t h e / butt o n.  When s hooti ng w it h t he f oc us l oc k or AF l oc k usi ng t he L CD m o nitor , setting [A iAF] to [Off] (p. 46) make s sho o ti ng ea si er si nce the camera f o cuses usi ng t he c ent er AF f r ame onl y .  Th e A F l oc k is c on v en ie nt be ca us e y ou c an le t g o o[...]

49 S h oo t i ng  A E lo ck can a lso be s et an d rel ea sed in mo de (p. 42 ) .  Y o u ca n us e the F E loc k whe n us in g the fl as h. Y o u can lo ck t h e fla sh e xposu r e so th at th e expo su re se t t i ng s ar e c orr ec t ly s et r e ga rdl es s of t h e comp osi tio n o f yo ur su bj ec t . T o R e le as e t h e FE L oc k Pre s[...]

50 Meter ing M ethods S w i tc hi ng bet w een Meteri ng Modes S h ooti ng Mod e 1 FU NC . M enu * (E v a luat ive). S ee Me nus and S etti ngs ( p. 25) . * D efault s et t ing.  Us e the or b utt on to s el ect t he m eter ing mod e a nd p ress th e FUNC./SET b utt on . Evalu ativ e App ro priate for s tan da rd s h o otin g co nd i tions , i n[...]

51 S h oo t i ng A d j ust t h e expo sur e com pensat i on se t t ing t o avoid makin g t he subje ct t oo da rk whe n i t i s backl i t or sho t agains t a br i ght b ackgr ou nd or to avo id mak i ng li ght s appe ar t oo br i ght in ni g ht shot s. T o Ca nc el the Ex pos ure C om pe ns ati on Res to r e the c om p en satio n valu e to [0 ]. I [...]

52 Y o u c a n s et th e sh ut ter sp ee d t o a sl ow s e t ti ng to m ak e da r k s ub j ec ts ap pe ar bri gh t e r . S ho oti n g in Lo ng Sh utter M ode Sh oo t i ng M od e 1 (R ec.) M enu [Long Shut ter ] [ On] . S ee Me nus and S etti ngs ( p. 26) . 2 FUNC. M enu * (E xpo sure Com pe nsa tion) . S ee Me nus and S etti ngs ( p. 25) . * D efau[...]

53 S h oo t i ng  Us e t h e LC D mo ni tor t o conf irm t h at th e i mag e was r e cord ed a t t h e desi r ed b rig ht n ess .  Ple as e no te th at cam era s ha k e b eco mes a facto r a t l ow shut te r s pe ed s. Sh oo t w i th the c am e r a se cur e d t o a tr ipo d.  Us e o f t he f l as h ma y r es u lt i n an ov e r- ex p os ed [...]

54 No rm al ly , th e ( A ut o) whi t e ba l an ce se t ti ng sel e cts a n op t ima l wh it e b al an ce. Wh en t h e sett in g cann ot pr o du ce n at ur a l look in g c olo rs , ch an ge t he wh ite ba lan c e us in g a s et t in g ap pro pri at e fo r th e l i g h t so urce . W hite Balance Set t ings Adj us t in g t he T on e ( W hi te B ala n[...]

55 S h oo t i ng Us ing t he Cus to m W hit e Balan ce Y o u ca n se t a c us to m w hi te ba la nc e to ob t ai n t he op ti ma l s et tin g f or th e s h oo tin g co nd iti on s by h av in g the c am e r a e va lu at e a n ob je ct , s uc h as a p iec e of w h it e pa pe r or c lot h, o r a p ho to -qu al it y g r ay c ar d t h at y o u w i sh t [...]

56  Y o u are r e co mme nd ed to s et th e sh oo tin g mo de t o an d the exp os ure c omp ensa ti on sett i ng t o [ ±0] be f ore s et tin g a c u st om w h ite b al an ce . T h e co rre ct w hi t e bala nc e may not be ob t aine d wh en th e expo su r e se t t i ng i s inco rr ect ( i m ag e ap pe ars c om p le te l y bl ac k or w hi te) . ?[...]

57 S h oo t i ng Y o u can ch an ge th e lo ok and fe el of th e pi ct u res yo u ta ke . M y Co lor s Sett ing s * The skin c ol ors of non- huma n s ubje cts may als o be altered . * Y ou may not ob tain the ex pect ed resu lts d epend ing on the skin c ol or . Sh oo t i ng i n a My C ol o r s M od e Sho o tin g M o de My C olor s Off R e c o r d[...]

58 1 FUN C. Menu * (My Col or s O ff ) . S ee Me nus and S etti ngs ( p. 25) . * D efault s etting. z Us e the or b utt on to s el ec t a My Co lo rs m od e. z In Se e S ett in g t he Ca me r a to a Cus - to m C ol or Mo de (p . 5 8) . z W he n n ot in P r e ss t he F U NC. / SET b utt on to re tu rn to th e sh oo ting s cr ee n. 2 Shoot. Se t ti n[...]

59 S h oo t i ng Y o u can s hoot i mag es w it h t h e ori gi n al col o r s tra ns fo rme d. T h i s ca n b e per for me d on mov ie s as we ll as s ti l l i mag es , a l l owi ng y ou t o e njoy p ho tog ra ph ing w ith im age or mo vie ef fe ct s . Ho we ve r , de pe nd in g on th e sh oo t in g co nd it io ns , t he im ag e s m a y ap pe ar r [...]

60 Shoot ing i n the Col or Accent M o de 1 Stills: FUN C. M enu * (Auto) * ( Kids&P et s) (Col or Accent ). M o vies: F U NC . Menu * (Standar d) (Color Accent ) . Se e M e nus an d S etti ngs ( p. 25) . * D efault s et t ing. 2 .  T he C ol or Ac ce nt m od e wi ll tak e effe ct . 3 .  T he c am era w i ll sw i tc h to co lo r in pu t m[...]

61 S h oo t i ng  Th e d e fau lt co lo r a cc e nt is gr ee n.  Y o u may not ob t a in t he ex pect ed re su lts a f t er co lo r in put m od e i f y ou u se t h e fla s h, or ch an ge th e w hi t e ba la nc e or m ete rin g setti ng s.  Th e s p ec ifi ed c ol or ac ce n t is re tai ne d ev en if th e ca me r a 's po wer is tu r ne[...]

62  Th e de fau lt se t ti ng f o r c ol or s w a p m o de ch an g es gr e e n i nto white.  Y o u m a y no t o bta in th e e x pe cte d res u lt s if yo u us e the fl as h.  Th e co lo rs sp ec i fie d i n t he c ol or sw a p mo d e a r e r eta in ed ev en if th e came ra ' s po wer is tu rn ed off . 3 .  Th e cam era w il l sw it[...]

63 S h oo t i ng Ch angin g th e Sa v e Meth od f or t he Origin al Ima ge Wh en s ho ot i ng s ti ll im ag es i n t he Co lor A c ce nt or C ol or Sw ap mo de , y ou ca n s et w he t he r or n ot to s a ve the ori gi na l im ag e ( pr e - tr a nsf o r m ati on ) a s w el l as th e t ran sfor me d o ne. 1 (R ec.) Menu [ Sav e Or i ginal] [O n ]/ [O[...]

64 Ra i se t he IS O sp ee d t o us e a f as t s hu tt er s p ee d w h e n y o u w i sh to r e duc e t he e f fec t s o f ca mer a sh ake or av oi d bl urr y s ub je cts , or t o tu rn the fl as h off w h e n sh oo tin g in a d a rk are a. A d j u s t i n g t h e I SO S p e ed Sh oo t i ng M od e 1 Pr es s the butt on and s w i tc h set ti ngs. [...]

65 S h oo t i ng Y ou r c am e ra is eq ui pp ed w i th an In te lli ge nt O rie nta tio n se ns o r th at d etec t s t he or i ent ati on o f a n im ag e sh ot w i t h t h e cam er a h eld ve r ti ca ll y an d au tom a tic a lly r o t at es i t to t he c or re c t o r ie nt a tio n w he n vi ew i ng it in th e LC D mo ni to r .  Wh en th e ca m[...]

66 Y ou can cr ea t e a n ew fo l der a t a ny tim e an d t he re co rde d im ag es wil l b e au to ma tic a lly s a ve d t o tha t f ol de r . Creates a f ol der t he next t i me y ou shoot. Se ttin g the Da y or Tim e f o r Autom ati c F o lder Cr ea tion C r eat i n g an I ma ge D e s ti n at i on ( F o l d e r ) S h ooti ng Mod e Cre at e New F[...]

67 S h oo t i ng Up t o 20 00 im ag es c a n be s a ve d in to o ne fo ld er. A n ew fo ld er wi ll au to ma ti ca ll y be cr ea ted w h en y ou r e co rd mo r e th an th at n um b er ev en if y ou ar e n ot c r ea t in g ne w fo ld ers . T he im ag es yo u s ho ot ar e aut oma ti ca lly ass ig ne d f i le nu mber s. Y o u c an s el ec t h ow th e [...]

68 Fil e and F o lder Numbers Rec o r de d im ag es a re as si gn ed c on s ec ut iv e f ile n um b er s s tart i ng wi th 00 01 a nd ra ng ing u p t o 99 99 , wh il e f olde r s ar e a ssi g ned n umber s s t ar t ing wi t h 10 0 an d ran gi ng up to 9 99. Up t o 2 ,00 0 i mag es c an be s ave d i nto a s in gl e fol de r .  Im ag es m a y b e [...]

69 Pl ay ba ck /E r a sin g Playbac k/Er asing P l ea se a lso se e t he Ba sic Camera Us er Guide (p . 1 1). T o Ca nc el the M ag nifi ed Dis pla y Pr e ss th e zo om l ev e r to w ard . (Y o u ca n al so c a n ce l it i mmedi at e ly by pre ssi ng th e MEN U butt on .) Ma gn if yi ng I m a ges 1 Press the z oom le v er t o war d .  wi ll disp[...]

70 T o R e tu rn t o Sin g le I m ag e P lay ba ck P res s t h e zoom l e ver t owa r d . V iew i ng I m ages in Sets of Nin e ( I n dex Pl a y ba ck) 1 Pr es s the z oom le v er t ow ar d .  Up t o ni ne im age s can b e vi ewe d at o nc e.  Us e the , , or butto n t o ch an ge t h e imag e se lect i on. Sw itc h ing be twe en Set s of Nine [...]

71 Pl ay ba ck /E r a sin g Wh en y o u ha v e m a ny i ma ge s r ec o rd e d on t o a m e mo ry c ar d , i t i s h andy to us e the f i ve se arch ke ys b el ow t o j ump ov er i mag es t o fin d t h e ob je ct of you r s ea r ch . T o R e tu rn t o Sin g le I m ag e P lay ba ck Pre ss th e ME N U b utt on . Jum pi n g t o I m a g es Jum p 1 0 I m[...]

72 Operating the M o vi e Contr ol P anel  U s e t he te le vi si on ’s co nt r ol s to ad ju st th e v ol um e wh en p lay in g a mo v i e on a T V se t (p. 90) .  Th e so un d ca nn ot be p la ye d in s low mo ti on p lay b ac k. V iew in g Mo v i es Mo vies c an no t b e pl ay ed i n t he inde x pl ay ba ck mode . 1 Display a mo vie and [...]

73 Pl ay ba ck /E r a sin g Y o u can de le te po r ti o ns of r e c ord ed m ovi es . Edi ti ng Mo vies P rot e ct ed m ov ies an d mo vies 1 s eco nd or le ss i n d urat i on ca nn ot be e di te d. 1 Select (Edit) in t he m o vie contr ol panel and press .  T he m ovi e e dit in g p an el and th e m ovi e e diti n g ba r wi ll di sp la y . 2 U[...]

74 It m ay take a p pro xi ma te ly 3 m i nu tes to sa v e a n e di ted m ov ie . If t he ba tte r y ru ns ou t of c ha r ge par tw a y t h ro ug h, e di ted mo vi e c lip s ca nn ot be s av ed . W he n ed iti ng m ovies , i t i s r e comme nd ed t o use a f ul ly c har ged b att ery or th e se p arat e ly sold AC A dapt er K it ACK-DC 1 0 ( p . 11[...]

75 Pl ay ba ck /E r a sin g I ma ge s ca n be ro t a t e d cloc kwi se 9 0° or 27 0° in th e di sp la y . R o ta ti ng I ma ge s in t he D is play 1 ( P lay) Menu . Se e M e nus an d Se tt i ng s (p . 26) . 2 Use t he or button to select an image t o rota te and press t o rota te it .  Cy c le th rou gh the 90 °/27 0° /or i gi nal o r ie nta[...]

76 Y o u c a n sel ec t the tr an si t io n effe ct di sp la ye d w he n sw i t c hi ng b etw een i mag es . T h e tra ns it ion e f f ec t wi ll no t dis play w hen a n i mag e i s s wit ched whi le th e ca mera is re ad ing an ima ge fr om th e mem ory c ard. P layb ac k w ith T r an si tion E f fe cts S tan da r d di sp la y . Th e d isp l aye d[...]

77 Pl ay ba ck /E r a sin g Y o u can ad d e ff ect s to r eco rde d imag es ( s t i lls o nl y) us in g t he My Col or s fu nc ti on . T he fo ll owi ng s ele c tio n of My C o lo rs effe c ts i s av ai la bl e. F o r de t ai ls , s ee p. 57 . Ad d ing E f fec t s w it h t he My C olo r s F unc tio n V i v id Lig h ter S k in T o ne Neut ra l Dark[...]

78 z Th e My C o lo r s effe cts wi ll no t w o rk if th er e is i ns uffi ci en t s pac e on th e me m or y c ar d . z A lt h ough M y C ol o r s e ff ect s ca n be add ed an y nu mbe r o f t im es t o a n im ag e, th e i mag e qu al i ty wi l l gr a du al ly de ter ior a te wi t h ea ch app lica t io n an d t he in te nded col ors ma y not be ac [...]

79 Pl ay ba ck /E r a sin g Sound Memo Panel 2 Use t he or button to select an image t o a t tac h a sound m emo t o and press .  Th e so un d me m o pan el wil l d is pl ay . 3 Select (R ecord) and press .  Th e el aps ed t i m e a nd th e rem a in ing t im e d is p lay .  Pr e s si ng t h e F UNC./ S ET bu t to n p ause s the re co rdi n[...]

80 Au tom a te d Pl ay b ac k of Me m or y Ca r d Im ag es . Im ag e se tt i ng s f o r s lid e sh ow s a re ba se d on th e Dig ita l P ri nt O r de r Form at (DPOF) s tand ard (p. 8 5) . A u tom ated Pl ay back (Sl i de Shows) All I m a ges Pla ys all i m ag es on a m em ory ca rd in o rde r . Da te Pl ay s i mag es be ar i ng a s p ec i f i e d [...]

81 Pl ay ba ck /E r a sin g T rans iti on Ef f e cts Y ou c an s el ec t t he t ra ns it io n e ffec t us ed w h en on e im ag e is r e plac ed b y an othe r . I n s in g le im ag e pl ay ba ck m o de (w h en di s pla y in g a s t il l ima ge) , y ou c an s t ar t a sl i de s ho w f r om th e cu rre nt im ag e d is pl ay e d b y ho ld in g t he FU [...]

82 S e lect ing an I mage Da te or F ol der for P la y ba ck ( / ) 1 Sel ect or and press . 2 Use t he or but t on t o select t he da t e or folder to be played b ack and press . S el ect i ng Im a ge s for Pl ayba ck ( – ) Se lec t on ly t h e i m a ges t h at y ou wish to play ba ck a nd sav e t h em as a s l i de s ho w ( C us t o m 1, 2 or 3 [...]

83 Pl ay ba ck /E r a sin g Se le ct ing A l l Im ag es 1 Af t er s el e ct i n g – in s t ep 1 ( p. 82) , us e th e bu tto n t o se l ec t [ M a rk al l ] an d pr es s t h e FU NC ./SE T bu t t on. 2 Us e th e bu tto n t o s e le ct [M ark a ll ], p re ss th e F UNC./ S ET b u tto n. 3 U s e th e b ut t on t o s el ec t [O K ] an d p res s th e [...]

84 Y ou can p rotec t i m port ant im ages a nd mo vi es from ac ci de ntal e r a sure. P lease format the m emory card when you wan t to erase not o nly im age d ata but a l so all t he data cont aine d on the car d (p . 32) . Pr ote cti ng I m a ges 1 (Play) M enu . S ee Me nus and S etti ngs ( p. 26) . 2 U s e the or but ton to select an ima ge [...]

85 P rint Sett ings/T ran sfer Se ttin gs P ri nt S ett in g s/T ran sf er S ett ing s Y o u can se le ct ima ge s on a me mory c a r d f or p rin ti ng and sp eci fy the n um b er o f pr i nt co pi es i n a dv a nc e u s in g t he c am er a. The setti ng s us ed o n the c ame ra c o mp ly w i th th e Di gi tal Prin t O rd er F or m at ( DP OF ) st[...]

86 Al l t he Ima ges on a M emor y Car d z I mag es are p rin te d i n ord er ac cord in g t o the fi le numbe r . z A max imum of 99 8 i mag es c an b e sel ect e d. z Wh en [P rin t Type] is s et to [B o t h] , th e nu mb er of co pi es c an b e s et . W he n it i s se t t o [In de x] , th e nu mb er of c op ie s c an no t b e se t ( o nl y on e [...]

87 P rint Sett ings/T ran sfer Se ttin gs Set ti ng t he Pr int Sty le After se tt ing t he pr i nt s tyl e, s ele c t th e im ag e( s) to pri nt. Th e fol lo w in g pr i nt se t ti ng s ca n be s el ec t ed .  T he D a t e an d Fil e No . se t ti ng s ch an ge a cc ordi n g to t h e Pri nt T y pe a s f ol lo ws. - I nde x [Dat e] and [File N o [...]

88  Em be dde d d ates i n ( P ost c ard D ate Im pr i nt m od e ) (p . 37) pri nt ou t e ven w he n [Dat e] is s et to [Off].  Do no t s et t he da t e in the D P O F p r in t s et tin gs w h en pri nt ing i mag es t hat hav e h ad t he da te emb ed de d wit h th e [ Da t e S t amp ] f un cti on . T hi s may ca use t h e da t e t o be prin t[...]

89 P rint Sett ings/T ran sfer Se ttin gs Al l t he Ima ges on a Memo r y Car d  I ma ge s ar e tr ansf err e d i n ord er ac cor d in g t o t he f i le nu m be r .  A m a xi mu m of 99 8 im ag es c a n b e se le ct ed . 3 Use t he or button to select an image t o transfer and press .  Pr e s si ng t h e F UNC./ S ET bu t to n ag ai n d e [...]

90 V i ewing Ima ge s on a TV set Y ou can us e a vide o- c ompa ti b le te le visi on a s a mo ni tor to shoot or pl ay b ac k im a ge s w he n i t i s co nn ec te d to the c ame ra w ith th e su ppl ie d A V Cabl e . T h e vi de o out pu t si gn al ca n be s wit ch ed (NTS C or P AL) to ac co m mo da te diff e r e nt re gi on al s tan da r d s (p[...]

91 C u s t omizing t he C a mera ( My Ca mera S et tings ) Cus tom i zi ng the Ca me r a (My Ca me r a S e tti n gs) M y Came ra al l ows yo u t o cu stom iz e the s t ar t - up ima ge an d sta r t- u p, op era ti on , s el f- t i mer a nd s hutt e r s oun ds . Y o u can ch an ge a nd r e gist er t hes e s ett ings, en ab ling yo u t o cust omi ze [...]

92 I ma ge s r e cord ed o nto the me mory c ard an d new l y rec ord ed so un ds ca n be ad de d as My Cam er a se t t i n g s to t he an d men u it em s. Y o u c a n a ls o us e t h e s u pp lie d so f tw ar e t o u p l oa d yo ur co mput er ’ s i ma ges an d so unds t o t he cam era. A c ompu te r i s r eq ui red to re st ore th e M y Ca m era[...]

93 C u s t omizing t he C a mera ( My Ca mera S et tings ) Se e t he su pp lied S oftw a re S ta rte r Gui de fo r m ore in fo rma ti on on c rea ting an d ad di ng to th e My Ca mera d at a. 3 Select an ima ge or recor d a sound.  St art-u p I ma ge Use t he or bu tto n t o s e le ct th e i m ag e yo u w is h to r e gi st er an d p ress th e FU[...]

94 T r oubl esho oti n g Came r a Camer a will not oper a te. Po wer is no t t urn ed o n.  P res s th e po w er bu tto n ( B a si c Guide p. 5 ). Mem ory c a rd sl ot/ba ttery co v er is op en .  Co nf i rm th at th e memo ry card s lo t/ b at t er y c o ve r i s s e cu r el y cl os e d ( Basi c Gui de p. 2) . In su f f ic ie nt ba tte r y v[...]

95 T r oub les ho otin g L CD mon i to r T he di s pl ay dar k ens. T he im age in th e LCD mo ni to r wi l l d a rke n in st r on g s u nl ig ht or b rig ht lig ht .  T his i s a no r ma l oc cu r re nc e in devices conta ining CCDs and d oes no t co ns ti tut e a m al fu nc tio n. (Th is i mag e wi ll not be reco r de d whe n s ho oti ng s til[...]

96 N oise di splays. /Subject's mov ements are ir r egul ar . Ca mera a uto mati cal l y l ight e ned th e i mag e di sp la y ed on th e LC D m on ito r to m ak e i t e as ie r to s ee w he n sh oo ti ng in a da r k are a (p. 1 7 ) .  Th er e i s no ef fe ct on the reco rde d im ag e. Sho oti ng Camer a will not r ecor d. Mo de s wit ch i s[...]

97 T r oub les ho otin g I m age i s bl ur red or out of f ocus. AF-a ss i st Bea m is s e t to [Off].  In dar k pla ces wher e it is dif f icult f or th e camera t o focus, t he AF-a ssist B eam will emit to assist f o cusing . As th e AF-a ssist Beam w ill not funct ion when tu r ned off, set it [O n] to acti vate i t (p . 2 7) . T ake ca r e [...]

98 Subj ect i n recor ded ima ge is t oo bright, or i m age f lashes w hi te. S ub ject is t o o clos e, ma king th e f la sh to o st r on g .  S ho ot with in c orre c t s ho ot in g di sta nc e of t he s ubje ct when us in g th e bu il t-in fl as h (p. 1 16) . Th e s u bj ec t i s ov e r ex po s ed be c au se t he surr oun di ngs ar e to o da [...]

99 T r oub les ho otin g Ey es a ppear r ed. Li gh t i s r efl ec te d b a ck f r om t h e ey es w h en t h e f l as h is u se d i n da rk are as .  Us e t h e ( A uto Re d- e y e Red uc tio n) or (R ed - e ye Red uc tio n On) mode ( Ba sic Gu id e p. 9 ). Fo r t hi s m o de to b e e ffec ti ve , th e su bj ec t m u st be lo o ki ng r ig ht at t[...]

100 Sho oti ng Mo vies T he r ecor di ng tim e may not displa y proper l y or shooting may st op une xpect edl y . T he foll owi ng t y pe s of m em or y c a r ds a r e us ed . - Sl ow re cord ing c ards. - Car d s for ma tt e d on a di ff e rent ca mera or a co mput er . - Ca r ds w h ic h ha ve h ad i mag es re cord ed an d e r as ed re pe at ed [...]

10 1 T r oub les ho otin g P l ay ba c k Cannot pl ay bac k. Y ou a tte mp te d to play b ac k im ag es sh ot w it h a not her ca me r a or im ag es e di te d wi th a co m pu ter.  Comp ut er i mag es t h at can no t b e p la ye d ba c k w il l pl ay ba ck if th ey are ad de d t o t he c ame r a us in g t h e su ppli ed sof twa re pr o gra m Zo [...]

102 R eading i m ages from m emor y car d is sl o w . Me mor y car d w as f or m at te d i n an ot her d evi ce.  Use a m em or y c a rd form a tte d in you r cam era (p. 3 2 ) . Ba tt er y /Batte r y Char ger Ba t ter y consu m ed qui c kly . Ba tte r y lif e e x ce ed ed i f b a t t ery l ose s i ts ch arg e qu ic k ly at no r m al te mp er at[...]

10 3 T r oub les ho otin g Pri nting on D ir ec t Print C ompati bl e Printe r s Cannot pr int. Ca me r a an d pri nt er n ot p rop erl y co nnect e d.  A ttac h the c ame ra to the p rin te r s ec u r el y w it h t h e su pp li ed c ab le. Printe r p ower is o f f .  Po wer up t h e pri nt e r . Inco rrec t p ri nt co nn ec t i on .  I n [...]

104 Li st of Mes sa ges Th e fol lo w in g m e ss a ge s m a y ap pe ar on th e LC D m o ni t or du r in g s ho ot i ng or pl ay ba c k. P le as e r efe r t o th e Di rec t Pr in t U s er Gu id e fo r t he mes sag es t h at di sp la y du r in g a p r i nte r c on ne ctio n. Bu sy .. .  I mag e i s be in g r ec ord ed t o, or r ea d fr om , me mo[...]

10 5 L i st of M e ss ag es No i mage.  No images re c orded o n m e mory card. Im ag e t oo l ar g e.  Y o u a t te m pte d to pl ay b ac k an i ma ge l arg er tha n 49 92 x 33 28 pi xe ls o r w it h a l ar g e da t a s i z e. In co mpatib le JP EG form a t.  Y ou att empt ed t o p l a y ba ck a n inco mp ati bl e JP EG im ag e. Corrupted[...]

106 Ca nn o t tra nsfer!  Wh en tra ns fe rr in g im ag es to y our co mp ut er us in g t he Di rec t T r a ns fe r m en u, yo u att em p ted to s el ect a n im ag e w ith c or rup ted da ta o r a n i m ag e ta ke n w ith a di f f ere nt ca m era o r da ta t yp e. Y ou m ay h av e als o at tem p te d t o s e lec t a m o vi e w he n [ W al lpa pe[...]

10 7 A ppe nd ix A ppendi x Ba t te r y Ha n d li n g B a tter y Cha r ge Th e f ol low ing i co n and me ssa ge w il l disp l ay . Ba t te r y Handl ing Prec auti ons  Kee p th e ba t t ery te rmi n al s c le an at al l t i me s. Di r ty te rm in als m a y ca us e po or co nta ct be tw e en th e ba tt e r y an d c am e ra. Po lis h th e t erm i[...]

108 Y o u m ay be a bl e to ch eck the c har ge st a t e de pe ndin g u pon h ow t he te rm in al co v er i s at t a c he d ( Fig . C , D ).  Y o u a re r e co mm e nde d t o u se it i n th e ca me ra u nt i l it is c om pl ete ly dis ch arg ed an d to s tor e it i n a n i ndo or l oca tio n wi th l ow re lat ive hu mi dit y a nd be tw ee n th e[...]

10 9 A ppe nd ix H and li ng th e Memo r y Car d SD M emor y Ca r d Wr i te P r o tec t T a b Cauti o ns W h en H andlin g  M e mo ry ca rd s ar e hig h- pr e ci si o n e l ec t ro n ic d ev i ce s. D o no t b en d th em, a pply force to the m , or su bject the m t o shoc ks o r vi br at i on .  Do no t a ttempt to d isasse mble or a lter the[...]

110 Fo r m a t t i n g  P leas e note tha t fo rmattin g (i nitiali z i ng) an memo ry card e ras e s a ll data, inc lud ing pro tec ted im a ges .  Y o u a r e r e co mm en d e d t o us e me mo ry c ar d s t hat ha ve b e en f or ma tte d i n y our ca me r a. • Th e ca rd s up pl ie d wi th th e ca m era m ay b e used w i th ou t fu rth er[...]

11 1 A ppe nd ix It is best to po wer th e c ame ra wit h AC Ada pt er Ki t ACK- DC1 0 (sol d se par at e ly ) w h en y ou a re us in g i t f or l on g pe r io ds o f t i m e o r co nn ecti ng it to a co m pu te r . U s i ng an A C A dapter Ki t (So l d Sepa r a t e l y) T urn th e ca m er a p ow e r o ff be f o r e co nn ec ti ng or di sc on ne c [...]

112 Hi gh-P o we r Flas h HF -D C 1 Th is fl as h is u se d t o su pp le me nt th e ca m er a 's bu il t- i n f la sh w h en t he su bj ec t i s t o o f ar a way fo r pro pe r il l umi na t io n. U se th e f o ll owi ng p roce du res t o a f fix th e ca mer a and Hig h-P owe r Fl ash t o t h e su ppor ti ng br ac ket . Ple a se re ad t he i ns[...]

11 3 A ppe nd ix  Be fore a ttac hi ng th e bra c ke t t o t he fl as h, ch eck th at th e l ith iu m ba t t e ry (CR 1 23 A o r DL 123) is in sta ll ed .  T o ill um in at e t h e su bj ec ts pr op er l y , in st a ll t h e f la s h so t ha t it i s up ag ai nst t he s id e of the c ame ra an d p a ral le l w i t h t h e ca m era ’s fr on [...]

114 Cam er a B ody Ge nt l y w ip e dir t o ff the ca me r a bo dy wi t h a sof t c lo th or ey eg lass le ns w i pe r . Le ns F ir s t u se a l en s blo wer brus h t o r em ove du st a nd dir t, t hen remo ve an y r em a in in g d ir t by w i pi ng th e le ns li gh tly w i th a so ft c lo t h . Viewf inde r and L C D Mon itor U s e a l en s blo we[...]

11 5 A ppe nd ix All da t a is ba s ed on C a no n’s s tan da r d t es ti ng m eth o ds . S u bj ec t to chan ge w i tho u t n oti ce. DI GI T A L I XU S 6 0 Sp ec if ic ati o n s ( W): M a x. w ide a ngle (T ): Max. te lep h ot o C am era E ff ec ti ve P ixel s Approx. 6 . 0 millio n Image Sens or 1/ 2. 5- i nc h C C D (T ota l nu mber o f pix e[...]

116 W h it e B a la n c e A ut o, Da yli g ht , Cl oud y , Tung st en , Fl u ore sc en t o r Fl uo re sc en t H or Cus t om B u il t - i n F l a sh Au t o , a u t o wi t h red -e ye re du ction, f las h on with re d-e ye re du ctio n, fl a sh o n, flas h of f , sl ow s ync hro Flas h R ange No rma l : 5 0 cm – 3 .5 m (1 . 6 – 12 ft.) (W ), 5 0 [...]

11 7 A ppe nd ix Nu m ber of R ecor d ing P i xel s ( M ovi es) S ta nda rd , Col or Accent , Color S wap : 640 x 480 pi xe l s ( 30 fram es/s ec., 15 f r a mes/sec .) 320 x 240 pi xe l s ( 30 fram es/s ec., 15 f r a mes/sec .) Re co rd in g ca n co nt i nue un t il t he m em o ry c ar d i s f ull * (c an re co rd u p to a ma xim u m o f 1 GB* * at[...]

118 *1 This digi t al cam er a supp or t s Exif 2.2 (also ca l led “ Ex if P rint ” ). Ex if P rint is a s t andard f or e nhanc i n g the commun i cation betwee n digi tal c amer as and print ers. By connecti ng to an Exi f Pri nt- c ompli ant pri nter , the camera’ s image dat a at the ti me of sh ooting i s used and optimi z e d, yiel di n[...]

11 9 A ppe nd ix Mem or y Cards and Est ima t ed Ca p acit ies : C ar d inc luded w i t h the camera • C ap able of s mo oth conti nuous s hootin g (p . 36) ( * Onl y av ailable when card has been f or mat ted with a low lev el fo r mat). • This r eflec ts s t andard s hooting c r iteria es t abli s hed by Can on. Actual r esul ts may v ary acc[...]

120 * Maximum m ovi e clip l e ngth a t : 1 min., at : 3 min. The figures i ndic ate the m axi m um continuo us record i ng ti m e. I mage Da ta Siz es ( Est ima t ed) Fast Fr a me Rate 32 0 x 240 pix els 1 0 se c. 1 mi n . 32 s e c . 5 min. 59 s ec. C ompac t 16 0x 1 20 pix els 1 mi n . 39 sec . 14 m i n. 2 9 sec. 55 m i n. 57 s ec. Re c or d i n [...]

12 1 A ppe nd ix SD M e mor y Ca r d Mul tiMediaCar d Ba t t er y Pac k NB-4 L Ba t t er y Char ger CB -2L V/CB-2L V E Interfac e Co m pat i ble wi t h S D m e m ory ca rd s tan dar ds Dimens i o ns 32 .0 x 24. 0 x 2 .1 m m (1 .3 x 0. 9 x 0.1 in. ) We ight A ppr ox . 2 g (0. 07 oz . ) Interfac e Compa tible w it h Mu ltiMediaCard standard s Dimens [...]

122 Compact Po wer Adapter CA- DC10 ( I nc lu ded wit h th e se p ar at ely s ol d A C A d ap t e r K it A CK -D C 10) Rated Inpu t 10 0 – 24 0 V AC (5 0/ 60 Hz ) 16 V A ( 10 0 V) – 26 V A (2 40 V ) R ate d O utp u t 4.3 V DC , 1.5 A Op erat in g T em p e r atur es 0 – 40 ° C ( 32 – 10 4 °F) Dime nsions 42 .6 x 104 .4 x 31 .4 mm (1 .7 x 4[...]

123 IN DEX A AC Ad a pte r Kit A C K-DC 1 0 .. . 11 1 AE L o ck ... .... ... ... ...... ... ... ... ... ... 48 AF F r ame .... ...... ... ... ... ... ... 18 , 46 AF L o c k ... .... ... ... ...... ... ... ... ...... 47 AF-a ss ist Be am . ... ... ... ... ... ... ... 27 AiAF... ... ....... ... ... ... ... ... ...... ... ... 46 Aut o Pl a y ( Slid e [...]

124 L L ang uag e . ....... ... ... ... ... ... Basi c 4 LC D M on ito r In fo rmati o n Dis p l a y e d . ... ... . 18 Nig h t D isp lay... ... ... ... ... ... ... . 17 Pla y b ack I nfor ma tion .. ... ... . 19 Quic k- bri ght LC D .. ... ... ... ... . 17 Sh ootin g In fo rmati o n ... ... ... . 18 U sin g th e LD C M on ito r . ... .. 15 M Ma cr[...]

12 5 T Te leph o to. .... ... ... ...... ... ... . Basi c 9 Ti me Zo n e ... ...... ... ... ... ...... 23 , 29 Tr a n s itio n Effect s Pla y b ack .. ... ... ... ... ... ... ... ...... 76 Sli de Sh ow .... ... ... ... ... ... ...... 81 V V ideo Outp u t S ystem.. ... ... ... ... 90 W W hi te Ba lan ce ... ... ... ... ... ... ...... 54 W id e Angl [...]

126 T r ade m ar k Ackno wledgments • C anon , PIX MA and S EL PHY are t rad em ark s of C anon I nc. • Macinto sh, Ma c O S and Qu ickTim e are tr ad emarks of Apple Co mput er I nc. , regist e red i n t h e Unit ed S tates a nd/or ot her countries. •M i c r o s o f t ® an d Win do ws ® ar e e it h e r r e gis te re d t rad em ar ks o r t [...]

12 7 Fu nc tion s A vai l a bl e i n E ach S ho ot i n g Mo de T he c hart b elow is a refe rence for the se ttings a v a ilable for vari ous shoot ing c ond it io ns . T he se ttin gs selec t e d i n e ac h shoot ing mode are s av ed afte r you f inish s hoo t ing . Func tio n Pa ge Re c o rdi ng Pixel s La rg e z z z z z S – p.33 Me d i u m 1 ?[...]

128  Setting available (  D efa ul t set tin g) U Set ting c an only be s elec t ed for t he first image . ( S D ef ault s etting) ( S ha de d Ar ea ) : Se t t in g i s r et a i ne d ev e n w he n t he c a mer a po w er i s s hu t o f f . With the exception o f t he [T im e Zone], [ Date/Time], [ Langua ge] and [ Video Sy stem ] settings, all[...]

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