Casio PX-5S Bedienungsanleitung

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Richtige Gebrauchsanleitung

Die Vorschriften verpflichten den Verkäufer zur Übertragung der Gebrauchsanleitung Casio PX-5S an den Erwerber, zusammen mit der Ware. Eine fehlende Anleitung oder falsche Informationen, die dem Verbraucher übertragen werden, bilden eine Grundlage für eine Reklamation aufgrund Unstimmigkeit des Geräts mit dem Vertrag. Rechtsmäßig lässt man das Anfügen einer Gebrauchsanleitung in anderer Form als Papierform zu, was letztens sehr oft genutzt wird, indem man eine grafische oder elektronische Anleitung von Casio PX-5S, sowie Anleitungsvideos für Nutzer beifügt. Die Bedingung ist, dass ihre Form leserlich und verständlich ist.

Was ist eine Gebrauchsanleitung?

Das Wort kommt vom lateinischen „instructio”, d.h. ordnen. Demnach kann man in der Anleitung Casio PX-5S die Beschreibung der Etappen der Vorgehensweisen finden. Das Ziel der Anleitung ist die Belehrung, Vereinfachung des Starts, der Nutzung des Geräts oder auch der Ausführung bestimmter Tätigkeiten. Die Anleitung ist eine Sammlung von Informationen über ein Gegenstand/eine Dienstleistung, ein Hinweis.

Leider widmen nicht viele Nutzer ihre Zeit der Gebrauchsanleitung Casio PX-5S. Eine gute Gebrauchsanleitung erlaubt nicht nur eine Reihe zusätzlicher Funktionen des gekauften Geräts kennenzulernen, sondern hilft dabei viele Fehler zu vermeiden.

Was sollte also eine ideale Gebrauchsanleitung beinhalten?

Die Gebrauchsanleitung Casio PX-5S sollte vor allem folgendes enthalten:
- Informationen über technische Daten des Geräts Casio PX-5S
- Den Namen des Produzenten und das Produktionsjahr des Geräts Casio PX-5S
- Grundsätze der Bedienung, Regulierung und Wartung des Geräts Casio PX-5S
- Sicherheitszeichen und Zertifikate, die die Übereinstimmung mit entsprechenden Normen bestätigen

Warum lesen wir keine Gebrauchsanleitungen?

Der Grund dafür ist die fehlende Zeit und die Sicherheit, was die bestimmten Funktionen der gekauften Geräte angeht. Leider ist das Anschließen und Starten von Casio PX-5S zu wenig. Eine Anleitung beinhaltet eine Reihe von Hinweisen bezüglich bestimmter Funktionen, Sicherheitsgrundsätze, Wartungsarten (sogar das, welche Mittel man benutzen sollte), eventueller Fehler von Casio PX-5S und Lösungsarten für Probleme, die während der Nutzung auftreten könnten. Immerhin kann man in der Gebrauchsanleitung die Kontaktnummer zum Service Casio finden, wenn die vorgeschlagenen Lösungen nicht wirksam sind. Aktuell erfreuen sich Anleitungen in Form von interessanten Animationen oder Videoanleitungen an Popularität, die den Nutzer besser ansprechen als eine Broschüre. Diese Art von Anleitung gibt garantiert, dass der Nutzer sich das ganze Video anschaut, ohne die spezifizierten und komplizierten technischen Beschreibungen von Casio PX-5S zu überspringen, wie es bei der Papierform passiert.

Warum sollte man Gebrauchsanleitungen lesen?

In der Gebrauchsanleitung finden wir vor allem die Antwort über den Bau sowie die Möglichkeiten des Geräts Casio PX-5S, über die Nutzung bestimmter Accessoires und eine Reihe von Informationen, die erlauben, jegliche Funktionen und Bequemlichkeiten zu nutzen.

Nach dem gelungenen Kauf des Geräts, sollte man einige Zeit für das Kennenlernen jedes Teils der Anleitung von Casio PX-5S widmen. Aktuell sind sie genau vorbereitet oder übersetzt, damit sie nicht nur verständlich für die Nutzer sind, aber auch ihre grundliegende Hilfs-Informations-Funktion erfüllen.

Inhaltsverzeichnis der Gebrauchsanleitungen

  • Seite 1

    PX5S-E-2A E USER’S GUIDE ( Tutorial ) PX - 5S ● Before using this Digital Piano for the first time, be sure to read the separate USER’S GUIDE (Basics) to familiarize yourself with basic operations.[...]

  • Seite 2

    E-1 Contents General Guide ......... .................. E-2 Read the Separate USER’S GU IDE (Basics) ! ........... E-4 Power On Precaution!......................... .............. .......... E-4 “WriteError” Message .. .............. .............. .............. ..... E-4 Zone, Part, MIDI Receive Channe l, and Tone Relationships ......... ..[...]

  • Seite 3

    E-2 General Guide bl bk cm 5 6 7 8 9 4 cn co cp cq cr cs ct dk bo bp bq br bs bt ck cl bm 1 2 bn dr ds dt ek el em ep eq er dl dm dn do dp dq en es eo et fn fq fl fm fo fk fp 3 Back[...]

  • Seite 4

    General Guide E-3 • This manual uses the number s and names below to refer to buttons and controllers. 1 BENDER wheel 2 MODULATI ON wheel 3 K1 through K4 knobs 4 S1 slider 5 S2 slider 6 S3 slider 7 S4 slider 8 S5 slider 9 S6 slider bk P ( POWER ) butt on bl VOLUME controller bm SYS SETTING butto n bn ARPEGGIO button bo PIANO button bp ELEC PIANO [...]

  • Seite 5

    E-4 General Guide Before using this Di gital Pian o for the first time, be sure to read the separate USER’S GUIDE (Basics) to familiarize yoursel f with basic operations. When turning on power, make sure neither of the pedals (connected to Pedal 1 and/or Pedal 2) is depressed when you press the bk ( P ) button. Turning on power while a pedal is d[...]

  • Seite 6

    General Guide E-5 The tones of this Digital Piano are mad e up of the 16 parts shown below, plus externally inpu t parts. ■ Relationship between Zones, Parts, and Tones Zone, Part, MIDI Receive Channel, and Tone Relationships Part Name Part Number Selectable Tone Categories MIDI Rece ive from External Source (page E-39) Song Sequencer Piano Melod[...]

  • Seite 7

    E-6 General Guide Data Configuration an d Relationships 100 × User Stage Setting Copy Link 1 × Temporary Stage Setting Common Zone1 Tone Hex Layer Drum Set Arpeggio Phrase# Zone2 Tone Hex Layer Arpeggio Phrase# Song Track1 Phrase# Phrase# Phrase# Phrase# Track2 Phrase# Phrase# Phrase# Phrase# Track8 Phrase# Phrase# Phrase# Phrase# Cell1 Cell2 Cel[...]

  • Seite 8

    General Guide E-7 In the case of an internal sound source, various types of editing can be performed to create sounds by sel ecting a DSP, configuring DSP s ettings, editing tones, etc. The signals following tone crea tion are collected together and then output via eq ualizers t hat enable a d justment using common master effects. T one Generator L[...]

  • Seite 9

    E-8 General Guide You can use controllers (pedals, w heels, knobs, and sliders) to instantly chang e the pitch and volume of notes, the envelope, and other parameters as you perform (pa ge E-34). • Two targets can be s pecified for a s ingle controller. For example, configuring the settings below would make it poss ible to change the bal ance bet[...]

  • Seite 10

    E-9 Operations Common to All Modes (Tutorial) When performing editing screen operations and configuring system settings, you can use the knobs to move the cursor around the screen and to input numbers, values, etc. To move the cursor 1. Rotate 3 (K1) knob. To input a number, value, or letter 1. Rotate 3 (K2) knob. • On the arpeggio step e diting [...]

  • Seite 11

    E-10 Using Built-in Tones (Tutorial) You can use the editing pro cedures explai ned in this section to edit tones and apply effects as desired. Afte r editing a tone, you can give it a name and save it as a user tone. • For information about tone editi ng, see “To edit a tone” (page E-10). • For information about applying an effect (DSP and[...]

  • Seite 12

    Using Built-in Tones (Tutorial) E-11 Editable Parameters • Shaded cells indicate a grou p made up of multiple setting items. Pressing the em (ENTER) button displays the setting items of that group. ■ Editable Melody Tone Parameters Display T ext Description Settings Pitch >Ent Pitch envelope. The editable parameters i n this group affect the[...]

  • Seite 13

    E-12 Using Built-in Tone s (Tutorial) Resonance Resonance . Specifie s the degree of cu toff of the tone in the vicinity of the cutoff frequency. –64 - 0 - +63 Velocity Sense Velocity sense. S pecifies the degree of change in the filter i n accordance with change in keyboard playing touch. –64 - 0 - +63 Envelope Depth Envelope depth. Specifie s[...]

  • Seite 14

    Using Built-in Tones (Tutorial) E-13 ■ Editable Drum Tone Parameters Pitch Rise Filter Rise Amp Rise Rise. Specifies the time it takes from the start of application of the LFO until the effect reaches the level specified b y Depth, above. –64 - 0 - +63 Pitch Mod.De pth Filter Mod.Depth Amp Mod.Depth Modulation depth. Specifies how mo dulation i[...]

  • Seite 15

    E-14 Using Built-in Tone s (Tutorial) ■ Editable Hex Layer Tone Parameters Hex Layer tones have two types of editable parameters: parameters for each of the ind ividual layers (Layer 1 throug h Layer 6) an d paramete rs that affect al l six of the lay ers. • The six sliders ( 4 to 9 ) and four knobs ( 3 ) can be used for quick and easy ad justm[...]

  • Seite 16

    Using Built-in Tones (Tutorial) E-15 Editable Parameters Display T ext Description Settings Layer On/Off Layer on/off. Select ing off disables la yer. Off, On Wave Number Wave number. Selects a waveform type. • Refer to the “Wave List” at the back of this manual for information about wave types. See “Wave List” at the back of this manual.[...]

  • Seite 17

    E-16 Using Built-in Tone s (Tutorial) Decay 3 Time Decay 3 time. Time it takes for the sound to reach the Decay 3 level from the Decay 2 level. 0 - 127 Decay 3 Level Decay 3 level. Third targe t level for change from Decay 2 lev el up to the Decay 3 level. 0 - 127 Release 1 Time Release 1 time. Time it takes to reach Release Level 1 after a key is [...]

  • Seite 18

    Using Built-in Tones (Tutorial) E-17 Editable Parameters for All Layers (Layer 1 through Lay er 6) Editable Parameters • Shaded cells indi cate a group made up of multiple pa rameters. Press the em (ENTER) button to display t he setting items that make up a group. Key Range High Key Range High. Specifies the upper limit of the enabled keyb oard r[...]

  • Seite 19

    E-18 Using Built-in Tone s (Tutorial) Pitch Lock 1-2 Pitch Lock 3-4 Pitch Lock 5-6 Pitch lock. When this setting is turn ed on for Layer 2, the Layer 2 pitch is changed to the same pitch as Layer 1 so b oth pitches are the same . The same is true for Layers 3 and 4, and Layers 5 and 6. Off, On Stretch Tune For de tails, see the melo dy tone “Stre[...]

  • Seite 20

    Using Built-in Tones (Tutorial) E-19 To apply an effect to a tone 1. Select the tone to which you want to ap ply the effect. 2. Press the cm (EFFECT, SONG) button as many times as necessary until the indicator lamp on the EFFECT side is lit. 3. Press one of the buttons below, depen ding on the type of effect you want to apply. A) DSP: cn (DSP) butt[...]

  • Seite 21

    E-20 Using Built-in Tone s (Tutorial) 02: Compressor Compresses the input signal, which can have the effect of suppressing level variation and can make it possible to sustain dampened sounds longer. Parameter Value Ranges: 1 : Attack (0 to 127) Adjusts the at tack amount of the input signal. A smaller value causes prom pt compressor op eration, whi[...]

  • Seite 22

    Using Built-in Tones (Tutorial) E-21 10: Auto Pan Shifts the continual left-right panning of the input signal using an LFO. Parameter Value Ranges: 1 : LFO Rate (0 to 127) Adjusts the LFO rate. 2 : Depth (0 to 127) Adjusts the LFO depth. 3 : LFO Waveform (Sin, Tri, Tra) Selects the LFO waveform. 4 : Manual (–64 to 0 to +63) Adjusts the pan (stere[...]

  • Seite 23

    E-22 Using Built-in Tone s (Tutorial) 16: Pitch Shifter This effect transforms the pitch of the input signal. Parameter Value Ranges: 1 : Pitch (–24 to 0 to +24) Adjusts the pitch shift amount in quarter tone steps. 2 : High Damp (0 to 127) Adjusts the high-range damp. A larger number increases damping. 3 : Feedback (0 to 127) Adjusts the feedbac[...]

  • Seite 24

    Using Built-in Tones (Tutorial) E-23 ■ Editable SYSTEM Parameters • Parts 5 through 16 do not support use of resonance effects. System Chorus Parameter Value Ranges: 1 : Type (Light Cho, Chorus, FB Chorus, Flanger) Selects the chorus type. 2 : LFO Rate (0 to 127) Adjusts the LFO rate. 3 : LFO Depth (0 to 127) Adjusts the LFO depth. 4 : Feedback[...]

  • Seite 25

    E-24 Sounding Arpeggios Automatically (Tutorial) You can edit t he Digital Pia no’s built-in arpegg ios to create original arpeggios of your own. You can also record your own original musical phrases for playback in place of arpeggios. After editing an arpeggio, you can give it a name and save it as a user arpeggio. • The term “key play” me[...]

  • Seite 26

    Sounding Arpeggios Au tomatically (Tutorial) E-25 1. Hold down the bn (ARPEGGIO) button until the arpeggio type selection screen appe ars on the display. This will cause the button’s lamp to light. 2. Use the dk (ZONE, –/+) buttons to display the number of the zone you want to select. 3. After making sure that X is next to the arpeggio number, [...]

  • Seite 27

    E-26 Sounding Arpeggios Automatically (Tutorial) 4. Change the TYPE, NOTE , VELO, and CTRL sett ings as desired. • While [ TYPE ] is selected, use the eo minus (–) and plus (+) buttons to cycle the TYPE settin g between off (Off), on (TYPE) and tie * (TIE). Note, howev er, that “STEP 01” doe s not have a TIE option. * Selecting TIE extends [...]

  • Seite 28

    Sounding Arpeggios Au tomatically (Tutorial) E-27 6. Use the dt ( w ) and ek ( q ) buttons to move the selection cursor ( 0 ) to “Parameter” and then press the em (ENTER) button. 7. Change parameters as desired. • The table below show s the contents of the arpeggio parameter editing menu. • For information about parameters that need t o b e[...]

  • Seite 29

    E-28 Sounding Arpeggios Automatically (Tutorial) Use the procedure below to clear preset ste p data or step data that was edited usin g Step Edit (pag e E-25) and create new step data from scratch. • Note that the variation type cannot be cleared. 1. While the arpeggio type selection screen is displayed, press the ep (EDIT) button. 2. Use the dt [...]

  • Seite 30

    E-29 Recording and Playing Back Phrases (Tutorial) • The total memory capacity for recording with the phrase sequencer is approximately 1MB. The maximum allowable size of a single phrase is approximately 8KB. • In addition to what you pl ay on the keyboard, your pedal, wheel, knob, and slider ope rations are also recorded as part of phrase. How[...]

  • Seite 31

    E-30 Recording and Playing Back Phrases (Tutoria l) 2. Edit the song as desired. • To configure mixer setting s, select “Song Mixer”. • The parameters of the mixer setting s are descri bed in the table below. Display T ext Description Setting Bank Select MSB Bank select MSB. Spe cifies the bank sel ect MSB number. • To speci fy a tone on [...]

  • Seite 32

    E-31 Using the Stage Setups (Tutorial) 1. Select the bank and stage setup numb er you want. 2. Edit the stage se tups as desired. • The following describes each of the editable parameters. Editable Parameters To edit a stage setup Display Text Description Settings Zone Edit >Ent Zone parameter edit. This group includ es parameters for Zone 1 t[...]

  • Seite 33

    E-32 Using the Stage Setups (Tutorial) Key Range High Key Range High. Specifies the high ra nge of the keyboard for each zone. This setting is used in combi natio n with the Key Range Low setting to configure key ranges for each zone. • After pressing the en (NUM KEY) button to enter the number input mode, you can use the keyboa rd keys to enter [...]

  • Seite 34

    Using the Stage Setups (Tutorial) E-33 Pedal2 Enable Pedal 2 on/off (pedal 2 enable). Enables/disab les of fk (PEDAL 2) for each zone. Off, On Arpeggio Enable Arpeggio on/off (arpe ggio enable). En ables/disables arpeggio function (page E-24) for each zone. Off, On Arpeggio Select >Ent Arpeggio select. Thi s is a group of editable arpeggio funct[...]

  • Seite 35

    E-34 Using the Stage Setups (Tutorial) Master Effect Edit >Ent Master effect parameter. This is a grou p of editable master effect parameters (page E-23). For details about gro up items, see “Editable MASTER Parameters” (page E-23). Compressor Edit >Ent Compressor edit. This is a group of ed itable com pressor parameters within master eff[...]

  • Seite 36

    Using the Stage Setups (Tutorial) E-35 Slider1-6 Ed it >Ent Slider 1 to 6 edit. This is a group of 4 Slider ( S1 ) through 9 Slider ( S6 ) editable parameters. Editi ng can be performed even when the “Slider 1-6 Enable” setting is “Off”. Details of editable parameters are the same as “Knob1 Edit >Ent”, above. Modulation Edit >E[...]

  • Seite 37

    E-36 Other Useful Functions (Tutorial) In addition to the sy stem se tting screen described in the USER’S GUIDE (Basics), the setti ngs listed below, which also affect Digit al Piano global sett ings, can also be configure d. • Mixer function • Temper ament • Touch sensitivit y adjustment • Stage setup filter • MIDI functions • Digita[...]

  • Seite 38

    Other Useful Functions (Tutoria l) E-37 Setting Items Display Text Description Settings Tuning Tuning. Fine tuning of global pitch in 0.1 Hertz steps. 415.5 - 465.9Hz Master Volume Master volume. Adjusts the volume of all the parts. 0 - 127 Master Pan Master panning (master panning). Adjusts th e left-right position of sound in the stereo field of [...]

  • Seite 39

    E-38 Other Useful Functions (Tutorial) This item is for adjusti ng how much the sound volu me and timbre changes, and how it changes in accordance with keyboard pressure. 1. Press the bm (SYS SETTING) button. 2. Use the ds ( u ) , dt ( w ) , ek ( q ) , and el ( i ) buttons to select “General”. 3. Press the em (ENTER) button. 4. Use the ds ( u )[...]

  • Seite 40

    Other Useful Functions (Tutoria l) E-39 7. After settings are the way you wa nt, press the bm (SYS SETTING) button to exit the setting screen. What is MIDI? MIDI is a standard for digital signals and connectors that allows musical instrume nts, computers, and other devices, regardless of manu facturer, to exchan ge data with each other. For details[...]

  • Seite 41

    E-40 Other Useful Functions (Tutorial) Setting Item Display Text De scription Settings Transpose Transpose. Shifts the pitch of notes by semitone units. –12 - 0 - +12 Octave Shift Octave shift. Shifts the ton e of no tes by octave units. –3 - 0 - +3 Local Control Local control. Turning of f local control disa bles the Digital Piano’s internal[...]

  • Seite 42

    Other Useful Functions (Tutoria l) E-41 4. After settings are the way you wa nt, press the bm (SYS SETTING) button to exit the setting screen. NO TE • You can also use stage setup editing to change the MIDI data send channel and configure other settings. For more information, see the “MIDI Edit >Ent” group (page E-33). You can use the syst[...]

  • Seite 43

    E-42 Reference Tone List Group Name Number Tone Name Screen Name Sending and Receiv ing Receiving Only Program Change Bank Select MSB Program Change Bank Select MSB PIANO 000 GRAND PIANO CONCERT GrPnoConcert 0 64 0 48 PIANO 001 ROCK PIANO Rock Piano 1 64 1 48 PIANO 002 GRAND PIANO STUDIO GrPno Studio 2 64 0 54 PIANO 003 GRAND PIANO MODERN GrPno Mod[...]

  • Seite 44

    Reference E-43 ORGAN 022 GM ORGAN 1 GM Organ 1 22 66 16 0 ORGAN 023 GM ORGAN 2 GM Organ 2 23 66 17 0 ORGAN 024 GM ORGAN 3 GM Organ 3 24 66 18 0 ORGAN 025 GM PIPE ORGAN GM PipeOrgan 25 66 19 0 ORGAN 026 GM REED ORGAN GM ReedOrgan 26 66 20 0 ORGAN 027 GM ACCORDION GM Accordion 27 66 21 0 ORGAN 028 GM HARMONICA GM Harmonica 28 66 22 0 ORGAN 029 GM BAN[...]

  • Seite 45

    E-44 Reference GUITAR/ BASS 020 OVERDRIVE GUITAR 1 Overdrive Gt 20 68 29 48 GUITAR/ BASS 021 MUTE OVERDRIVE GT Mute Ovd Gt 21 68 28 48 GUITAR/ BASS 022 OVERDRIVE GUITAR 2 Overdrive G2 22 68 28 49 GUITAR/ BASS 023 DISTORTION GT Distorti onGt 23 68 30 48 GUITAR/ BASS 024 GM NYLON STR.GUITAR GM Nylon Gt 24 68 24 0 GUITAR/ BASS 025 GM STEEL STR.GUITAR [...]

  • Seite 46

    Reference E-45 NO TE • See the “Drum Assignment List” (page E-46) for the percussion instrume nt assigned to each k eyboard key when a drum set (“DRUM S“) is selected. SYNTH/ VARIOUS 075 GM BIRD GM Bird 75 69 123 0 SYNTH/ VARIOUS 076 GM TELEPHONE GM Telephone 76 69 124 0 SYNTH/ VARIOUS 077 GM HELICOPTER GM Helicoptr 77 69 125 0 SYNTH/ VAR[...]

  • Seite 47

    E-46 Reference • ” ”indicates a key is assigned the same tones as it is for STANDARD SET 1. Drum Assignment List  ST ANDARD SET 1 ST ANDARD SET 2 C-1 D-1 E-1 F-1 G-1 A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7 D7 E7 F7 G7 A7 B7[...]

  • Seite 48

    Reference E-47 TRANCE SET HIP-HOP SET C-1 D-1 E-1 F-1 G-1 A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7 D7 E7 F7 G7 A7 B7 C 8 D 8 E 8 F 8 G 8 A 8 B 8 C9 D9 E9 F9 G9 C # -1 E b -1 F # -1 A b -1 B b -1 C # 0 E b 0 F # 0 A b 0 B b 0 C # 1 E [...]

  • Seite 49

    E-48 Reference SYNTH SET 2 JAZZ SET C-1 D-1 E-1 F-1 G-1 A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7 D7 E7 F7 G7 A7 B7 C 8 D 8 E 8 F 8 G 8 A 8 B 8 C9 D9 E9 F9 G9 C # -1 E b -1 F # -1 A b -1 B b -1 C # 0 E b 0 F # 0 A b 0 B b 0 C # 1 E b [...]

  • Seite 50

    Reference E-49 Arpeggio Type List Number Type Name 000 Screw Up 001 Screw Down 002 Panning Up 003 Filtering 004 Skip Up 005 Skip Down 006 Up Up Down 007 Down Down Up 008 Step Ar p 1 009 Step Arp 2 010 Seq Lines 011 Synth Se q 1 012 Synth Seq 2 013 Seq Line 1 014 Seq Line 2 015 Seq Line 3 016 Seq Line 4 017 Seq Line 5 018 Seq Line 6 019 Seq Line 7 0[...]

  • Seite 51

    E-50 Reference 184 GM Tuba 185 GMMtTrumpet 1 186 GMMtTrumpet2 187 GM Fr.Horn1 188 GM Fr.Hor n2 189 GM Brass 1 190 GM Brass2 191 GMSynBrass11 192 GMSynBrass12 193 GMSynBrass21 194 GMSynBrass22 195 GM Sop.Sax 196 GM Alto Sax 197 GM Tenor S ax 198 GM Bar.Sax 199 GM Oboe 200 GM Eng.Horn 201 GM Bass oon 202 GM Clarinet 203 GM Picco lo 204 GM Flute 205 G[...]

  • Seite 52

    Reference E-51 Instrument List Number Wave Name 0 Blank Inst 1 Std1 Kick1 2 Std1 Kick2 3 Std2 Kick1 4 Std2 Kick2 5 Std3 Kick 1 6 Std3 Kick 2 7 Std4 Kick 1 8 Std4 Kick 2 9 HipHop Kick1 10 HipHop Kick2 11 HipHopKick3 12 Room Kick 1 13 Room Kick 2 14 Powe r Kick 1 15 Power Kick 2 16 Powe r Snare1 17 Power Snare2 18 Rock Kick 1 19 Rock Kick 2 20 Elec.K[...]

  • Seite 53

    Function T ransmitted Recognized Remarks Basic Channel 1 - 16 1 - 16 1 - 16 1 - 16 Def ault Changed Note Number 0 - 127 0 - 127 0 - 127 * 1 T rue voice After To u c h Control Change * 2 X X X O Pitch Bender OO Key ’ s Ch’s V elocity O 9nH v = 1 - 127 O 8nH v = 0 - 127 O 9nH v = 1 - 127 O 9nH v = 0, 8nH v = 0 - 127 Note ON Note OFF Mode Mode 3 X[...]

  • Seite 54

    Program Change OO 0 - 127 :T rue # System Exclusive OO System Common X X X X X X : Song P os : Song Sel : T une A ux Messages Remarks O O X O O X O O O O O X : All sound off : Reset all controller : Local ON/OFF : All notes OFF : Active Sense : Reset System Real Time O O O O : Clock : Commands 73 74 76 77 78 80 81 82 83 84 88 91 93 94 98, 99 100, 1[...]

  • Seite 55

    MA1303-A[...]