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Harman 1210KA Bedienungsanleitung

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Die Vorschriften verpflichten den Verkäufer zur Übertragung der Gebrauchsanleitung Harman 1210KA an den Erwerber, zusammen mit der Ware. Eine fehlende Anleitung oder falsche Informationen, die dem Verbraucher übertragen werden, bilden eine Grundlage für eine Reklamation aufgrund Unstimmigkeit des Geräts mit dem Vertrag. Rechtsmäßig lässt man das Anfügen einer Gebrauchsanleitung in anderer Form als Papierform zu, was letztens sehr oft genutzt wird, indem man eine grafische oder elektronische Anleitung von Harman 1210KA, sowie Anleitungsvideos für Nutzer beifügt. Die Bedingung ist, dass ihre Form leserlich und verständlich ist.

Was ist eine Gebrauchsanleitung?

Das Wort kommt vom lateinischen „instructio”, d.h. ordnen. Demnach kann man in der Anleitung Harman 1210KA die Beschreibung der Etappen der Vorgehensweisen finden. Das Ziel der Anleitung ist die Belehrung, Vereinfachung des Starts, der Nutzung des Geräts oder auch der Ausführung bestimmter Tätigkeiten. Die Anleitung ist eine Sammlung von Informationen über ein Gegenstand/eine Dienstleistung, ein Hinweis.

Leider widmen nicht viele Nutzer ihre Zeit der Gebrauchsanleitung Harman 1210KA. Eine gute Gebrauchsanleitung erlaubt nicht nur eine Reihe zusätzlicher Funktionen des gekauften Geräts kennenzulernen, sondern hilft dabei viele Fehler zu vermeiden.

Was sollte also eine ideale Gebrauchsanleitung beinhalten?

Die Gebrauchsanleitung Harman 1210KA sollte vor allem folgendes enthalten:
- Informationen über technische Daten des Geräts Harman 1210KA
- Den Namen des Produzenten und das Produktionsjahr des Geräts Harman 1210KA
- Grundsätze der Bedienung, Regulierung und Wartung des Geräts Harman 1210KA
- Sicherheitszeichen und Zertifikate, die die Übereinstimmung mit entsprechenden Normen bestätigen

Warum lesen wir keine Gebrauchsanleitungen?

Der Grund dafür ist die fehlende Zeit und die Sicherheit, was die bestimmten Funktionen der gekauften Geräte angeht. Leider ist das Anschließen und Starten von Harman 1210KA zu wenig. Eine Anleitung beinhaltet eine Reihe von Hinweisen bezüglich bestimmter Funktionen, Sicherheitsgrundsätze, Wartungsarten (sogar das, welche Mittel man benutzen sollte), eventueller Fehler von Harman 1210KA und Lösungsarten für Probleme, die während der Nutzung auftreten könnten. Immerhin kann man in der Gebrauchsanleitung die Kontaktnummer zum Service Harman finden, wenn die vorgeschlagenen Lösungen nicht wirksam sind. Aktuell erfreuen sich Anleitungen in Form von interessanten Animationen oder Videoanleitungen an Popularität, die den Nutzer besser ansprechen als eine Broschüre. Diese Art von Anleitung gibt garantiert, dass der Nutzer sich das ganze Video anschaut, ohne die spezifizierten und komplizierten technischen Beschreibungen von Harman 1210KA zu überspringen, wie es bei der Papierform passiert.

Warum sollte man Gebrauchsanleitungen lesen?

In der Gebrauchsanleitung finden wir vor allem die Antwort über den Bau sowie die Möglichkeiten des Geräts Harman 1210KA, über die Nutzung bestimmter Accessoires und eine Reihe von Informationen, die erlauben, jegliche Funktionen und Bequemlichkeiten zu nutzen.

Nach dem gelungenen Kauf des Geräts, sollte man einige Zeit für das Kennenlernen jedes Teils der Anleitung von Harman 1210KA widmen. Aktuell sind sie genau vorbereitet oder übersetzt, damit sie nicht nur verständlich für die Nutzer sind, aber auch ihre grundliegende Hilfs-Informations-Funktion erfüllen.

Inhaltsverzeichnis der Gebrauchsanleitungen

  • Seite 1

    USER GUIDE ®[...]

  • Seite 2

    Soundcraft EFX/EPM User Guide Issue 1210[...]

  • Seite 3

    1 Soundcraft EFX/EPM User Guide Issue 1210 User Guide[...]

  • Seite 4

    2 Soundcraft EFX/EPM User Guide Issue 1210 © Harman Inter national Industries Ltd. 2010 All rights reser ved. P ar ts of the design of this product ma y be protected b y worldwide patents. P ar t No. BD10.530000 Issue 1210KA Soundcraft is a trading division of Harman Inter national Industries Ltd. Information in this manual is subject to chang e w[...]

  • Seite 5

    3 Soundcraft EFX/EPM User Guide Issue 1210 Contents SAFETY SYMBOL GUIDE...................................................................................................4 IMPORT ANT SAFETY INSTRUCTIONS.............................................................................5 INTRODUCTION.........................................................[...]

  • Seite 6

    4 Soundcraft EFX/EPM User Guide Issue 1210 For your own safety and to a void inv alidation of the w ar ranty please read this section carefully . SAFETY SYMB OL GUIDE For y our own safety and to av oid inv alidation of the war ranty all text marked with these symbols should be read carefully . WARNINGS The lightning ash with arrowhead symbol, is[...]

  • Seite 7

    5 Soundcraft EFX/EPM User Guide Issue 1210 IMPORT ANT SAFETY INSTR UCTIONS Read these instructions. Keep these instructions. Heed all warnings. Follow all instructions. Do not use this apparatus near water . Clean only with a dr y cloth. Do not block an y ventilation openings. Install in accordance with the manufacturer’ s instructions. Do not in[...]

  • Seite 8

    6 Soundcraft EFX/EPM User Guide Issue 1210 NOTE: This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference w hen the equipment is operated in a commercial en vironment. This equipment g[...]

  • Seite 9

    7 Soundcraft EFX/EPM User Guide Issue 1210 INTR ODUCTION Thank y ou for purchasing a Soundcraft EFX/EPM mixer . The EFX/EPM rang e is a most cost-effective mixing solution, bringing y ou all the features and performance that y ou expect from a Soundcraft product, at an extraordinarily low price. The packaging , in which y our mixer ar riv ed, for m[...]

  • Seite 10

    8 Soundcraft EFX/EPM User Guide Issue 1210 O VERVIEW BANK A KARAOKE THE 60-SECOND GUIDE - EFX 1 MIC INPUT (XLR) Connect Microphones here. If y ou are using a condenser mic, ensure phantom pow er is supplied by pressing the s witch at the top of the master section. WARNING: Do Not apply Phantom P ow er before connecting a microphone. 2 LINE INPUT ( [...]

  • Seite 11

    9 Soundcraft EFX/EPM User Guide Issue 1210 11 PEAK LED This is used to indicate that the signal is close to distor ting (clipping) on a specic channel. 12 INPUT CHANNEL F ADER This is used to control the lev el fed to the Mix Bus and post-fade sends. 13 MIX OUTPUTS (XLR) & Connect these to y our analogue recording device, or to your ampli[...]

  • Seite 12

    10 Soundcraft EFX/EPM User Guide Issue 1210 THE 60-SECOND GUIDE - EPM 1 MIC INPUT (XLR) Connect Microphones here. If y ou are using a condenser mic, ensure phantom pow er is supplied by pressing the s witch at the top of the master section. WARNING: Do Not apply Phantom P ow er before connecting a microphone. 2 LINE INPUT ( ¼ ” Jack) Connect Lin[...]

  • Seite 13

    11 Soundcraft EFX/EPM User Guide Issue 1210 10 PEAK LED This is used to indicate that the signal is close to distorting (clipping) on a specic channel. 11 INPUT CHANNEL F ADER This is used to control the lev el fed to the Mix Bus and post-fade sends. 12 MIX OUTPUTS (XLR) & Connect these to y our analogue recording device, or to your ampli[...]

  • Seite 14

    12 Soundcraft EFX/EPM User Guide Issue 1210 WIRING UP Mic Input The MIC input accepts XLR-type connectors and is designed to suit a wide rang e of BALANCED or UNB ALANCED low-le vel signals, whether from delicate vocals requiring the best lo w-noise performance, or dr um kits needing maximum headroom. Professional dynamic, condenser or rib- bon mic[...]

  • Seite 15

    13 Soundcraft EFX/EPM User Guide Issue 1210 Stereo Inputs STEREO 1/2 and Stereo These accept 3-pole ‘ A ’ gaug e jacks, or 2-pole mono jacks which will automatically ground the ‘cold’ input. Use these inputs for sources such as ke yboards, dr um machines, synths, tape machines or as retur ns from processing units. The input is BALANCED for [...]

  • Seite 16

    14 Soundcraft EFX/EPM User Guide Issue 1210 Headphones The PHONES output is a 3-pole ‘ A ’ gaug e jack, wired as a stereo output as shown, ideally for headphones of 150 Ω or greater . 8 Ω headphones are not recommended. Polarity (Phase) Y ou will probably be familiar with the concept of polarity in electrical signals and this is of particul[...]

  • Seite 17

    15 Soundcraft EFX/EPM User Guide Issue 1210 PR OBLEM SOL VING Basic problem solving is within the scope of an y user if a few basic rules are fol- low ed. • Get to know the Block Diag ram of y our console (see pag e 16/17). • Get to kno w what all controls and/or connections in the system are supposed to do. • Learn where to look for[...]

  • Seite 18

    16 Soundcraft EFX/EPM User Guide Issue 1210 BLOCK DIA GRAM - Soundcraft EFX[...]

  • Seite 19

    17 Soundcraft EFX/EPM User Guide Issue 1210 BLOCK DIA GRAM - Soundcraft EPM[...]

  • Seite 20

    18 Soundcraft EFX/EPM User Guide Issue 1210 MONO INPUT CHANNEL - EFX shown 1 Mic Input The MIC input accepts XLR-type connectors and is designed to suit a wide rang e of BALANCED or UNB ALANCED signals. Professional dynamic, condenser or ribbon mics are best because these will be LO W IMPED ANCE. Y ou can use low-cost HIGH IMPED ANCE mics, but the [...]

  • Seite 21

    19 Soundcraft EFX/EPM User Guide Issue 1210 Note that some sound equipment, par ticularly that intended for domestic use, operates at a low er lev el (-10dBV) than professional equipment and will therefore need a higher g ain setting to give the same output le vel. See “Initial Setup” on page 31 to learn how to set GAIN correctly . 5 Equaliser [...]

  • Seite 22

    20 Soundcraft EFX/EPM User Guide Issue 1210 7 Aux 2 Send (EPM only) This is used to set up a separate mix for FOLDBA CK or recording , and the combination of each Aux Send is mixed to the Aux 2 Output. For record- ing it is useful for the signal to fade up and do wn with the fader (this is called POST -F ADE), but for Foldback or Monitor feeds it i[...]

  • Seite 23

    21 Soundcraft EFX/EPM User Guide Issue 1210 STEREO INPUT CHANNELS (EFX shown) 1 INPUTS STEREO 1/2 These inputs accept 3-pole ‘ A ’ gaug e (TRS) jacks. Use these inputs for sources such as ke yboards, drum machines, synths, tape machines or processing units. The inputs are BALANCED for lo w noise and top quality from professional equipment, but [...]

  • Seite 24

    22 Soundcraft EFX/EPM User Guide Issue 1210 5 AUX 2 SEND (EPM only) This is used to set up a separate mix for FOLDBA CK or recording , and the combination of each Aux Send is mixed to the Aux 2 Output. For record- ing it is useful for the signal to fade up and do wn with the fader (this is called POST -F ADE), but for Foldback or Monitor feeds it i[...]

  • Seite 25

    23 Soundcraft EFX/EPM User Guide Issue 1210[...]

  • Seite 26

    24 Soundcraft EFX/EPM User Guide Issue 1210 y our microphone manufacturer for guidance). Mics should alwa ys be plugged in, and all output faders set to minimum before switching the Phantom P ow er ON to av oid damag e to exter nal equipment 2 POWER INDICA T OR This LED lights to show w hen pow er is connected to the console. 3 MASTER F ADERS The M[...]

  • Seite 27

    25 Soundcraft EFX/EPM User Guide Issue 1210 6 RECORD OUTPUTS These two RCA outputs carr y a copy of the MIX L and MIX R signals. They allow the use of a recording de vice, e.g . D A T pla y er , Minidisc recorder etc. 7 2 TRACK IN These two RCA phono sock ets are unbalanced Left and Right line-lev el inputs, used for connecting a pla yback device. [...]

  • Seite 28

    26 Soundcraft EFX/EPM User Guide Issue 1210 16 FX BUS OUTPUT (EFX only) (Aux 2 on EPM) This impedance-balanced output carries the signal from the FX bus. It could be used as a second Aux Output if desired, if the FX Processor is not needed at the time. The FX sends on the inputs channels to the FX bus are alwa ys post-fade. 17 FOO TSWITCH (EFX only[...]

  • Seite 29

    27 Soundcraft EFX/EPM User Guide Issue 1210 Lexicon® FX PR OCESSOR O VERVIEW (EFX only) The effects within the console ha ve been designed with both liv e sound reinforcement and home recording in mind. Featuring the deep, rich rev erb algorithms that Lexicon® are reno wned for the effects processor offers increased versatility and high quality e[...]

  • Seite 30

    28 Soundcraft EFX/EPM User Guide Issue 1210 FX PR OCESSOR CONTR OLS (EFX only) 1. T empo Button - T apping this button twice sets the Dela y T ime of the selected program. The LED ashes to indicate current tempo. Can be tapped in time with music source to synchronise the dela y . 2. Store Button - Stores program modications to one of the prog[...]

  • Seite 31

    29 Soundcraft EFX/EPM User Guide Issue 1210 REVERBS Rev erberation (or “rev erb” for shor t) is the complex effect created b y the wa y we perceiv e sound in an en- closed space. When sound wav es encounter an object or boundar y , they don’t just stop. Some of the sound is absorbed by the object, but most of the sound is reected or is dif[...]

  • Seite 32

    30 Soundcraft EFX/EPM User Guide Issue 1210 Reverse Reverb Rev erse rev erb works in the opposite fashion from normal rev erb . Whereas a nor mal re verb has the loudest series of reections heard rst that then become quieter ov er time, the Re verse rev erb has the softest reec - tions (essentially the tail of the rev erb) heard rst, an[...]

  • Seite 33

    31 Soundcraft EFX/EPM User Guide Issue 1210 Diffusion Controls the initial echo density . High settings of Diffusion result in high initial echo density , and low settings cause lo w initial density . In a real-world situation, ir regular walls cause high diffusion, w hile larg e at walls cause low diffusion. For dr ums and percussion, tr y usin[...]

  • Seite 34

    32 Soundcraft EFX/EPM User Guide Issue 1210 DELA Y CONTR OLS T ime Rang e Controls the length of the dela y relative to T ap T empo. At the 12 o’clock position, dela y repeats are synchro- nous with the T empo light (represented by a Quarter Note); low er v alues create faster repeats, higher v alues increase the time betw een repeats. Range 0-72[...]

  • Seite 35

    33 Soundcraft EFX/EPM User Guide Issue 1210 Knob 1: Speed Controls the modulation rate of the Chorus effect. Low er settings are subtle, while higher v alues are much more pronounced. Knob 2: Depth Controls the amount of pitch shifting for each v oice. Low er settings provide subtle thick ening and warmth to a track, while higher settings giv e a m[...]

  • Seite 36

    34 Soundcraft EFX/EPM User Guide Issue 1210 F A CT ORY RESET Use this function if y ou want to erase all program data and restore the effects processor to its factor y state. T o perform a F actor y Reset press and hold the STORE button w hile pow ering up the console. Once the effects processor has initialized (after three seconds), then release t[...]

  • Seite 37

    35 Soundcraft EFX/EPM User Guide Issue 1210 EFFECTS D A T A CHART (EFX only) No NA ME ADJ U ST1 VALU E RA N GE ADJ U ST2 VALU E RA N GE ADJ U ST3 VA LU E RA NGE FIXED1 VALUE FIXED2 VALU E FIXED3 VALUE ROU TING 1 SMALL HA LL PREDELAY 10ms 0-100ms DECAY 1.0s 0-99 LIVELINESS 75 0-99 2 LARGE HALL PREDELAY 20ms 0-200ms DECAY 2.0s 0-99 LIVELINESS 35 0-99[...]

  • Seite 38

    36 Soundcraft EFX/EPM User Guide Issue 1210 USING Y OUR EFX OR EPM CONSOLE The nal output from y our sound system can only ev er be as good as the w eakest link in the chain, and especially impor tant is the quality of the source signal be- cause this is the starting point of the chain. Just as y ou need to become familiar with the control funct[...]

  • Seite 39

    37 Soundcraft EFX/EPM User Guide Issue 1210 • Listen carefully for the characteristic sound of “feedback”. If y ou cannot achiev e satisfactor y input lev el setting without feedback, check microphone and speaker placeme nt and repeat the exercise. If feedback persists, it ma y be necessar y to use a Graphic Equaliser to reduce the system [...]

  • Seite 40

    38 Soundcraft EFX/EPM User Guide Issue 1210 APPLICA TIONS APPLICA TION 1 - LIVE SOUND REINFORCEMENT APPLICA TION 2 - MUL TISPEAKER APPLICATIONS This conguration demonstrates ho w multiple speaker congurations can be driven by the EFX and EPM mixers.[...]

  • Seite 41

    39 Soundcraft EFX/EPM User Guide Issue 1210 APPLICA TION 3 - PLACES OF WORSHIP (using EFX) This conguration uses the FX OUT BUS (or Aux 2 on EPM) output to drive an induction loop for the hearing impaired (it is assumed that the FX processor isn’t being used in this conguration). A ux 1 output is used to g enerate foldback monitoring for th[...]

  • Seite 42

    40 Soundcraft EFX/EPM User Guide Issue 1210 APPLICA TION 4 - RECORDING The insert points on channels 1-8 ma y be used to feed a multitrack recorder as shown (link the send and return signals). The Mix outputs are used for a preliminar y stereo mix on a D AT recorder .[...]

  • Seite 43

    41 Soundcraft EFX/EPM User Guide Issue 1210[...]

  • Seite 44

    42 Soundcraft EFX/EPM User Guide Issue 1210 GLOSSARY Auxiliar y send An output from the console comprising a mix of signals from channels deriv ed independently of the main stereo mix. Balance The relativ e levels of the left and right channels of a stereo signal. Balanced A method of audio connection w hich ‘balances’ the wanted signal betw ee[...]

  • Seite 45

    43 Soundcraft EFX/EPM User Guide Issue 1210 P eaking The point at w hich a signal rises to its maximum instantaneous lev el, before falling back down ag ain. It can also describe an equaliser response cur ve affecting only a band of frequencies, (like on a g raphic equaliser), “peaking” at the centre of that band. P eak LED A visual indication [...]

  • Seite 46

    44 Soundcraft EFX/EPM User Guide Issue 1210 TYPICAL CONNECTING LEADS[...]

  • Seite 47

    45 Soundcraft EFX/EPM User Guide Issue 1210[...]

  • Seite 48

    46 Soundcraft EFX/EPM User Guide Issue 1210 MARK-UP SHEETS - EFX Y ou ma y freely cop y these pages, and use them to record the settings used for particular applications/gigs.[...]

  • Seite 49

    47 Soundcraft EFX/EPM User Guide Issue 1210 KARAOKE 16[...]

  • Seite 50

    48 Soundcraft EFX/EPM User Guide Issue 1210 MARK-UP SHEETS - EPM[...]

  • Seite 51

    49 Soundcraft EFX/EPM User Guide Issue 1210[...]

  • Seite 52

    50 Soundcraft EFX/EPM User Guide Issue 1210 FITTING OPTIONAL RA CKMOUNT EARS The part numbers for the kits are: R W5744 RACK MOUNTING KIT - EPM6 R W5745 RACK MOUNTING KIT - EFX8/EPM8 R W5746 RACK MOUNTING KIT - EFX12/EPM12 (included with consoles for models shipped 2010 onwards) Note: a r ack extender is included in the EFX8/EPM8 r ack mounting kit[...]

  • Seite 53

    51 Soundcraft EFX/EPM User Guide Issue 1210[...]

  • Seite 54

    52 Soundcraft EFX/EPM User Guide Issue 1210 EPM/EFX TYPICAL SPECIFICA TIONS Frequency Response Mic / Line Input to an y Output ...............................................................+/-1.5dB , 20Hz – 20kHz T .H.D . Mic Sensitivity -30dBu, +14dBu @ Mix output ....................................................< 0.02% @ 1kHz Noise Mic I[...]

  • Seite 55

    53 Soundcraft EFX/EPM User Guide Issue 1210[...]

  • Seite 56

    54 Soundcraft EFX/EPM User Guide Issue 1210 WARRANTY 1 Soundcraft is a trading division of Harman Inter national Industries Ltd . End User means the person who rst puts the equipment into regular operation. Dealer means the person other than Soundcraft (if an y) from whom the End User purchased the Equipment, provided such a person is authorised[...]

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    55 Soundcraft EFX/EPM User Guide Issue 1210[...]

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    56 Soundcraft EFX/EPM User Guide Issue 1210[...]

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    ® SOUNDCRAFT SOUNDCRAFT USA A Division of Harman Inter national Industries Ltd 8500 Balboa Boulev ard Cranborne House, Cranbor ne Road, Northridge P otters Bar , Her ts, EN6 3JN, UK CA 91329 USA T el +44 (0) 1707 665000 T el: +1-818-920-3212 F ax: +44 (0) 1707 660742 F ax: +1-818-920-3208 Email: soundcraft@harman.com T oll Free: 888-251-8352 Email[...]