Line 6 Flextone Cab 212S Bedienungsanleitung
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Richtige Gebrauchsanleitung
Die Vorschriften verpflichten den Verkäufer zur Übertragung der Gebrauchsanleitung Line 6 Flextone Cab 212S an den Erwerber, zusammen mit der Ware. Eine fehlende Anleitung oder falsche Informationen, die dem Verbraucher übertragen werden, bilden eine Grundlage für eine Reklamation aufgrund Unstimmigkeit des Geräts mit dem Vertrag. Rechtsmäßig lässt man das Anfügen einer Gebrauchsanleitung in anderer Form als Papierform zu, was letztens sehr oft genutzt wird, indem man eine grafische oder elektronische Anleitung von Line 6 Flextone Cab 212S, sowie Anleitungsvideos für Nutzer beifügt. Die Bedingung ist, dass ihre Form leserlich und verständlich ist.
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Das Wort kommt vom lateinischen „instructio”, d.h. ordnen. Demnach kann man in der Anleitung Line 6 Flextone Cab 212S die Beschreibung der Etappen der Vorgehensweisen finden. Das Ziel der Anleitung ist die Belehrung, Vereinfachung des Starts, der Nutzung des Geräts oder auch der Ausführung bestimmter Tätigkeiten. Die Anleitung ist eine Sammlung von Informationen über ein Gegenstand/eine Dienstleistung, ein Hinweis.
Leider widmen nicht viele Nutzer ihre Zeit der Gebrauchsanleitung Line 6 Flextone Cab 212S. Eine gute Gebrauchsanleitung erlaubt nicht nur eine Reihe zusätzlicher Funktionen des gekauften Geräts kennenzulernen, sondern hilft dabei viele Fehler zu vermeiden.
Was sollte also eine ideale Gebrauchsanleitung beinhalten?
Die Gebrauchsanleitung Line 6 Flextone Cab 212S sollte vor allem folgendes enthalten:
- Informationen über technische Daten des Geräts Line 6 Flextone Cab 212S
- Den Namen des Produzenten und das Produktionsjahr des Geräts Line 6 Flextone Cab 212S
- Grundsätze der Bedienung, Regulierung und Wartung des Geräts Line 6 Flextone Cab 212S
- Sicherheitszeichen und Zertifikate, die die Übereinstimmung mit entsprechenden Normen bestätigen
Warum lesen wir keine Gebrauchsanleitungen?
Der Grund dafür ist die fehlende Zeit und die Sicherheit, was die bestimmten Funktionen der gekauften Geräte angeht. Leider ist das Anschließen und Starten von Line 6 Flextone Cab 212S zu wenig. Eine Anleitung beinhaltet eine Reihe von Hinweisen bezüglich bestimmter Funktionen, Sicherheitsgrundsätze, Wartungsarten (sogar das, welche Mittel man benutzen sollte), eventueller Fehler von Line 6 Flextone Cab 212S und Lösungsarten für Probleme, die während der Nutzung auftreten könnten. Immerhin kann man in der Gebrauchsanleitung die Kontaktnummer zum Service Line 6 finden, wenn die vorgeschlagenen Lösungen nicht wirksam sind. Aktuell erfreuen sich Anleitungen in Form von interessanten Animationen oder Videoanleitungen an Popularität, die den Nutzer besser ansprechen als eine Broschüre. Diese Art von Anleitung gibt garantiert, dass der Nutzer sich das ganze Video anschaut, ohne die spezifizierten und komplizierten technischen Beschreibungen von Line 6 Flextone Cab 212S zu überspringen, wie es bei der Papierform passiert.
Warum sollte man Gebrauchsanleitungen lesen?
In der Gebrauchsanleitung finden wir vor allem die Antwort über den Bau sowie die Möglichkeiten des Geräts Line 6 Flextone Cab 212S, über die Nutzung bestimmter Accessoires und eine Reihe von Informationen, die erlauben, jegliche Funktionen und Bequemlichkeiten zu nutzen.
Nach dem gelungenen Kauf des Geräts, sollte man einige Zeit für das Kennenlernen jedes Teils der Anleitung von Line 6 Flextone Cab 212S widmen. Aktuell sind sie genau vorbereitet oder übersetzt, damit sie nicht nur verständlich für die Nutzer sind, aber auch ihre grundliegende Hilfs-Informations-Funktion erfüllen.
Inhaltsverzeichnis der Gebrauchsanleitungen
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Seite 1
User Manual for the full line of Flextone Series Digital Guitar Amplifier Systems, including: Flextone - 60 W att Mono 1 x 12" Combo Flextone XL - 100 W att Stereo 2 x 12" Combo Flextone Duo - 100 W att Stereo 2 x 10" Combo Flextone Plus - 100 W att Stereo 1 x 12" Combo Flextone Cab - 1 x 12" Satellite Cabinet for Flextone[...]
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Seite 2
Flextone Manual Rev E; bookfile Page 2 Tuesday, September 8, 1998 10:31 AM[...]
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Seite 3
SERIAL NO: Y OU SHOULD READ THESE I MPORTANT S AFETY I NSTRUCTIONS K EEP THESE INSTRUCTIONS IN A SAFE PLACE The serial number can be found on the Flextone back panel. Please note it here for future reference: This equipment is UL listed (file no. E174693) for UL 6500 and CAN/CSA-E65-94 safety standards. C A UTION: T o reduce the risk of fire or e[...]
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Seite 4
Flextone Manual Rev E; bookfile Page 4 Tuesday, September 8, 1998 10:31 AM[...]
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Seite 5
CHAPTER 1: Q UICK S TART G UIDE “Manual? I don’t need no stinking manual!” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1•1 I NTRODUCTION Register And Get Great Free Stuff! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1•1 Get On-lin e . . . . .[...]
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Seite 6
Flextone Manual Rev E; bookfile Page 6 Tuesday, September 8, 1998 10:31 AM[...]
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Seite 7
Q UICK S TART G UIDE : “M ANUAL ? I DON ’ T NEED NO STINKING MANUAL !” 1 • 1 Q UICK S TART G UIDE or: “M ANUAL ? I DON ’ T NEED NO STINKING MANUAL !” 1 . T urn the C HANNEL V OLUME and M ASTER V OLUME cont r ols all the w a y d o wn to z e r o . 2 . If y ou ’ v e got an H D , hook up y our cabinets , foll o wing the di r ections in [...]
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Seite 8
Q UICK S TART G UIDE : G ET O N - LINE 1 • 2 important that you fill that registration card ou t right n o w , and send it to us in the mail. How come? W ell, for one thing, it gets you all set up for warranty service should you ever have a problem with your Line 6 product. It also insures that we will be able to contact you if new software vers[...]
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Seite 9
I NTRODUCTION : F LEXTON E ! M EET THE F LEXTON E .... 1 • 3 I NTRODUCTION F LEXTONE ! M EET THE F LEXTONE .... Thanks for buying a Flextone, the flexible Digital Guitar Amplifier System with the killer tone (and you were wondering how we came up with the name). There ’ s a bunch of stuff we have to talk about and only a few pages to do it in[...]
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Seite 10
I NTRODUCTION : F LEXTON E ! M EET THE F LEXTON E .... 1 • 4 Flextone Series: value-packed amps with a whole new kind of tonal flexibilit y . A MP M ODELS The T ube T one process allowed Line 6 to create softwar e Amp Models modeled after a collection of amplifiers recognized by guitarists the world over as true “tone classics.” W e got the[...]
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Seite 11
G RAND T OUR : F RONT P ANEL C ONTROLS 2 • 1 G RAND T OUR F RONT P ANEL C ONTROLS If you haven ’ t already done so, turn to the inside back cover of this manual and notice that it folds out. Ooh, pretty pictures! The idea is to have this essential pictorial reference always opened out while you’re thumbing through the manual. And then you can[...]
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Seite 12
G RAND T OUR : F RONT P ANEL C ONTROLS 2 • 2 switched on and off when you hold the T ap T empo button. The detail is in th e T a p T e m p o section that begins on the opposite page.... Channel V olum e - This knob controls the relative volume level of the channel you are playing through. Use this to balance levels between the setups you store in[...]
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Seite 13
G RAND T OUR : F RONT P ANEL C ONTROLS 2 • 3 position of every Flextone knob (except the Master V olume) is stored into the channel memory when you save a channel. Y ou can also save and recall your Flextone channels hands-free when you use the optional Floor Board or FB4 foot controllers (se e That ’ s Usin g Y our F eet in Chapter 6 for more [...]
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Seite 14
G RAND T OUR : R EAR P ANEL 2 • 4 is just the same as turning on the Dri v e Boost from the Floor Board (details in Chapter 6 ). As you do this, the Channel B light comes on if you turn the Drive Boost on. Hold down, and k eep holding d o wn , the T ap T empo button as you turn the T r eble knob up past twelve o’clock, and you get a Presence bo[...]
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Seite 15
G RAND T OUR : R EAR P ANEL 2 • 5 Extension Cabinet ( on the Flextone Plus only ) - This connection is for the Flextone Cab or other 8 W speaker cabinet onl y . F oot P edal Connector - This jack that looks like a telephone connector on steroids is where you connect the Floor Board or FB4 foot controlle r . If you have a Flextone HD, be sure to s[...]
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Seite 16
G RAND T OUR : F LEXTONE F LAVORS 2 • 6 F LEXTONE F LAVORS In case you haven ’ t noticed, the Flextone actually comes in several different flavors. Here ’ s what each one ’ s got, starting with the compact combos: The Flextone - Mono, 60 watt setup with a single 12-inch speake r . The Headphone/Di r ect Out and Effect Send and Effect Retur[...]
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Seite 17
M ODELED A MPS : W HICH A MPS A RE M ODELE D ? 3 • 1 M ODELED A MPS W HICH A MPS A RE M ODELED ? Note : For the following description of the T ube T one Amp Models, and other references that you will find throughout this manual, please be aware that Fende r , Marshall, V ox, Boogie, Soldano, Peave y , Roland, Matchless, Arbite r , ADA, Leslie, a[...]
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Seite 18
M ODELED A MPS : W HICH A MPS A RE M ODELE D ? 3 • 2 T w eed Blues - The classic Fender Bassman 4x10 combo was the amp that started it all – instant rock and roll tone. Originally a bass guitar amp, the Bassman became a Blues staple for 6-string guitarists. It has the fat bottom end you’d expect from a bass amp but also has the Fender twang o[...]
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Seite 19
M ODELED A MPS : W HICH A MPS A RE M ODELE D ? 3 • 3 Modern Clas s A - The Matchless Chieftain, which was studied for the Modern Class A selection, is a very expensive handmade amp. Originally designed to sound like a top-boost V ox AC 30, the Matchless doesn ’ t exactly have a V ox sound, but something unique (largely due to the complicated EQ[...]
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Seite 20
M ODELED A MPS : W HICH A MPS A RE M ODELE D ? 3 • 4 sound-a-whole-lot-like-the-original” concept, is set up to do pretty darned near the same thing. Max out the Mid and T reble knobs and turn Bass to about 9 or 10 o’clock on the Flextone when using this Plexi-inspired Amp Model and you can treat those nice neighbors to a tasty slice of fat r[...]
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Seite 21
M ODELED A MPS : F LEXTONE S IGNATURE S OUNDS 3 • 5 F LEXTONE S IGNATURE S OUNDS While T ube T one modeling was first developed to allow Line 6 to capture classic tones for our Digital Guitar Amplifier Systems, it also has opened the door for us to create unique new tones not possible with conventional hardware – that ’ s where this whole s[...]
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Seite 22
M ODELED A MPS : F LEXTONE S IGNATURE S OUNDS 3 • 6 variant of the Flextone Drive. The Drive knob acts as a blender control – fully left you’ve got big bottom 21st Century Clean, and fully right you’ve got paint-peeling Ultra-drive. Set it anywhere in between, and you get to have your cake and smear it all over your audience, too. Fuzz - Al[...]
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Seite 23
F LEXTONE E FFECTS : O NBOARD E FFECTS 4 • 1 F LEXTONE E FFECTS O NBOARD E FFECTS In addition to all the great Amp Models built into the Flextone, there are some great sounding effects. T o pick which effect you want to hea r , turn th e Effect Knob ( ). Then, you can control the character of the effect you’ve chosen by tapping on th e T ap T e[...]
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Seite 24
F LEXTONE E FFECTS : O NBOARD E FFECTS 4 • 2 Chorus - Y ou’ll find two different chorus sounds in the Flextone. Chorus 1 is modulated by a square wave, so it sounds more like a “rack” type chorus. Chorus 2 is modulated by a sine wave with more feedback, so it has a richer harmonic content with more movement. Chorus 2 was massaged to closel[...]
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Seite 25
F LEXTONE E FFECTS : O NBOARD E FFECTS 4 • 3 sounds. Most times that you use Dela y , th e Effect T w eak knob controls the Delay level. In a final moment of brilliance before finalizing the Flextone software ’ s final details, we realized it would be really handy to let you set the maximum delay level high enough that your Delay ’ s echoe[...]
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Seite 26
F LEXTONE E FFECTS : C OMBINED E FFECTS 4 • 4 C OMBINED E FFECTS The rest of the effects are combinations o f D ELAY and one other effect. They should be fairly self-explanator y . Y ou’ll note that th e T ap T empo control generally sets the delay speed - Delay/ T remolo is the one exception to this rule. Del a y/Comp r essor - T w eak control[...]
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Seite 27
C REATING & S TORING S OUNDS : U SING THE M ANUAL C HANNEL F EATURES 5 • 1 C REATING & S TORING S OUNDS U SING THE M ANUAL C HANNEL F EATURES When you are in the Manual Channel of the Flextone, all of the controls are active and the sound of the amp always reflects the knob settings. Sounds just like any ordinary guitar amp, doesn ’ t [...]
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Seite 28
C REATING & S TORING S OUNDS : E DIT M ODE 5 • 2 Sheet on the back of the Flextone manual and write down his settings. (Perhaps we can learn a valuable lesson from this: always back up your work!) Do you have to give up your dreams of rock and roll success and spend the rest of your life flipping burgers? Luckil y , we thought this one throu[...]
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Seite 29
C REATING & S TORING S OUNDS : T HE P RESET R ESET B UTTON 5 • 3 T HE P RESET R ESET B UTTON If, for any reason, or just for the sheer mad joy of it, you decide you need to reset the Flextone to the factory channel memories, hold down all 4 channel buttons (A, B, C, and D) and power up the amp. W arning: This will erase ALL user sounds you mi[...]
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Seite 30
Flextone Manual Rev E; bookfile Page 30 Tuesday, September 8, 1998 10:31 AM[...]
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Seite 31
T HAT ’ S U SING Y OUR F EET : U SING THE F LOOR B OARD WITH THE F LEXTONE 6 • 1 T HAT ’ S U SING Y OUR F EET Y ou really get the most out of your Flextone with a foot controlle r . T wo different foot controllers can be used with your amp: Line 6 ’ s Floor Boa r d and FB4 . FLEXTONE HD OWNERS, LISTEN UP : After reading this chapte r , be s[...]
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Seite 32
T HAT ’ S U SING Y OUR F EET : U SING THE F LOOR B OARD WITH THE F LEXTONE 6 • 2 T WO M ODES The first thing to know is that the Floor Board has two Modes of operation: Channel Select Mode, and Effect On/Off Mode. Th e Mode Select switch ( ) chooses which mode you’re in. Mine Looks Funny: Y our Floor Board may look a little different than th[...]
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Seite 33
T HAT ’ S U SING Y OUR F EET : U SING THE F LOOR B OARD WITH THE F LEXTONE 6 • 3 display ( ) will show you. T o switch between your Preset and User Banks bring your foot around to step on both of the Bank Select switches at the same time and you’ll be transported instantly from one region of time-space to the othe r . T ripp y , huh? Channel [...]
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Seite 34
T HAT ’ S U SING Y OUR F EET : U SING THE F LOOR B OARD WITH THE F LEXTONE 6 • 4 T ap T empo No w , then, how about that handy T ap T empo thing on your Flextone? Sure would be nice to be able to change the speed of your effects without taking your hands off your guita r , wouldn ’ t it? That ’ s what th e T ap T empo ( ) foot switch is fo [...]
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Seite 35
T HAT ’ S U SING Y OUR F EET : U SING THE F LOOR B OARD WITH THE F LEXTONE 6 • 5 that way all the time), hang some gold chains around your neck, and get ready to party! Y ou can do subtle things with the wah pedal too, like turning it on just a tiny bit and leaving it there, just barely caressing your sound. But then, that ’ s not as much fun[...]
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Seite 36
T HAT ’ S U SING Y OUR F EET : U SING THE F LOOR B OARD WITH THE F LEXTONE 6 • 6 Disto r tion The Disto r tion on/off switch works kinda like a distortion pedal. W ith a distortion pedal, you kick the Distortion on, and your sound is more distorted. Y ou kick it off, and your sound is less distorted. Same thing here. What this does in actuality[...]
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Seite 37
T HAT ’ S U SING Y OUR F EET : U SING THE F LOOR B OARD WITH THE F LEXTONE 6 • 7 Del a y The Del a y on/off switch turns your Delay effects on – light on. Or off – light off. R e v erb Bet you can guess this one alread y . Light on – reverb-o-rama. Light off – bone dr y . Effect On/Off Settings Sto r e d With P r o grammed Channels OK, [...]
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Seite 38
T HAT ’ S U SING Y OUR F EET : U SING THE FB4 WITH THE F LEXTONE 6 • 8 U SING THE FB4 WITH THE F LEXTONE The FB4 gives you basic control over channel switching on the Flextone. W e tried to make it as simple as possible. T urn off the Flextone. Connect the FB4 to the Flextone with the thoughtfully-included connection cable. T urn on the Flexton[...]
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Seite 39
Insid e Y our Head: T HE F LEXTONE HD 7•1 I NSIDE Y OUR H EAD T HE F LEXTONE HD If you’re the proud owner of a Flextone HD, this chapter ’ s just for you. While the Flextone HD is much like its combo amplifier brethren, there are important features and functions that set the HD apart. They are detailed herein: F RONT PANEL If you look closel[...]
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Seite 40
Insid e Y our Head: E FFECTS L OOP 7•2 environments (like that MTV Live gig you’re booked for in the Gobi Desert). T HE FLEXTONE HD COOLING FANS WILL NOT TURN ON UNTIL THE AMPLIFIER GETS HOT – THIS IS NORMAL . Excessive heat that turns on the fans can occur because of high output volume settings, intense stage lighting, outdoor weather condit[...]
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Seite 41
Insid e Y our Head: E FFECTS L OOP 7•3 So, your HD creates the basic tone, and then that tone is sent out to the effects loop for further “seasoning,” and finally the seasoned sound is returned back to the amp for final output. In the HD, that seasoning can be applied in two ways : series or parallel ... S ERIES VS . P ARALLEL In a series e[...]
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Seite 42
Insid e Y our Head: U SING THE E FFECTS L OOP 7•4 U SING THE E FFECTS L OOP The back panel of the HD shows an illustration of part of the HD signal flo w , including the Effects Loop. As you can see, the series/parallel switch controls whether (1) some sound flows directly through the amp, bypassing the effect loop (this would be parallel), or [...]
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Seite 43
Insid e Y our Head: D IRECT O UTPUTS 7•5 S ETTING E FFECT L EVELS The amount of effect you hear is controlled by the output volume of your effect. Y ou want to turn it up enough to get a good healthy signal into the HD for amplification, but not so much that it distorts. If y ou ’ r e using the effect loop in parallel , be su r e to set the mi[...]
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Seite 44
Insid e Y our Head: D IRECT O UTPUTS 7•6 if you crank up the HD ’ s Master V olume you don ’ t blow M r . Sound Man away since the direct outs are independent of Master V olume. Do whatever you would do with a microphone output in your recording or live setup – run into your preamp and then to tape. Or plug into the mic snake at the club to[...]
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Seite 45
Inside Y ou r Head: 7•7 F LOOR B OARD , M ORE M EMORIES , & MIDI The Floor Board is the powerful, customized foot controller from Line 6 designed to be the perfect companion for your Flextone HD. Y ou can read all about it, and its little brother the FB4, in the main Flextone User Manual. In comparison to the Flextone combos, here are a coupl[...]
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Seite 46
Insid e Y our Head: F LOOR B OARD , M ORE M EMORIE S , & MIDI 7•8 MIDI P ROGRAM C HANGE & F LEXTONE C HANNELS A MIDI program change command is sent on MIDI Channel 1 when you select a channel from the HD front panel, the FB4 foot controlle r , or the Floor Board foot controlle r . Store effect setups into your effect processor at specifi[...]
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Seite 47
Insid e Y our Head: F LOOR B OARD , M ORE M EMORIE S , & MIDI 7•9 MIDI P r o gram Chan g es & Flextone Channels – Visua l Aid HD Channel MIDI P r o gram HD Channel MIDI P r o gram HD Channel MIDI P r o gram User Bank 1 User Bank 6 P r ese t Ban k 1 Channel A 01 Channel A 21 Channel A 37 Channel B 02 Channel B 22 Channel B 38 Channel C 0[...]
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Seite 48
Insid e Y our Head: C ABINET H OOK - UPS 7•10 C ABINET H OOK - UPS In addition to all of the cool stuff like T ube T one modeling, awesome Direct Outs, and great effects, the Flextone HD offers unmatched versatility and flexibility for powering almost any type of speaker cabinet(s). The type and number of speaker cabs you choose is up to you. Mo[...]
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Seite 49
Insid e Y our Head: C ABINET H OOK - UPS 7•11 F LEXTONE HD P OWER O UTPUT : The Flextone HD power output varies according to the ohm rating of the speaker cabinet combinations you hook up to it. 4 ohm cabine t = 150 watts per side / 300 watts total ste r eo 8 ohm cabine t = 100 watts per side / 200 watts total ste r eo 16 ohm cabine t = 60 watts [...]
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Seite 50
Insid e Y our Head: C ABINET H OOK - UPS 7•12 M ONO /S TEREO D ETAIL Remember that when you use only the Left/Mono speaker output, the effects switch to mono. This also effects the Direct Outputs – they switch to mono, too (ya get the exact same thing on both jacks). If both left and right speaker outputs are in use, or neither are connected, t[...]
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Seite 51
Insid e Y our Head: C ABINET H OOK - UPS 7•13 hold down the Channel A button on the HD, and the emulator is switched off. Once you’ve turned it on, the emulator will stay on until you clear it with another power up while holding the button, so don ’ t forget to switch it off when you get back to the mondo stack stage setup again! When you fi[...]
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Seite 52
HD: CABINET HOOK-UP DRAWINGS 7• 14 Flextone Manual Rev E; bookfile Page 52 Tuesday, September 8, 1998 10:31 AM[...]
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Seite 53
HD: CABINET HOOK-UP DRAWINGS 7•15 Flextone Manual Rev E; bookfile Page 53 Tuesday, September 8, 1998 10:31 AM[...]
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HD: CABINET HOOK-UP DRAWINGS 7• 16 Flextone Manual Rev E; bookfile Page 154 Tuesday, September 8, 1998 10:31 AM[...]
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HD: CABINET HOOK-UP DRAWINGS 7•17 Flextone Manual Rev E; bookfile Page 55 Tuesday, September 8, 1998 10:31 AM[...]
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HD: CABINET HOOK-UP DRAWINGS 7• 18 Flextone Manual Rev E; bookfile Page 56 Tuesday, September 8, 1998 10:31 AM[...]
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Seite 57
HD: CABINET HOOK-UP DRAWINGS 7•19 Flextone Manual Rev E; bookfile Page 57 Tuesday, September 8, 1998 10:31 AM[...]
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Seite 58
HD: CABINET HOOK-UP DRAWINGS 7• 20 Flextone Manual Rev E; bookfile Page 58 Tuesday, September 8, 1998 10:31 AM[...]
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Seite 59
THIS PAGE SHOULD BE LEFT BLANK; DO NOT PRINT THIS TEXT Flextone Manual Rev E; bookfile Page 59 Tuesday, September 8, 1998 10:31 AM[...]
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Seite 60
A 1 A PPENDIX A: A MP M ODELS Please note that Fende r , Marshall, V ox, Boogie, Soldano, Peave y , Roland, Matchless, Arbite r , ADA, Leslie, and other amplifier model designations, and effects, are all trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These marks and names are used solely for the p[...]
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Seite 61
A 2 A PPENDIX B: E FFECT P ARAMETERS Effect T ap T w eak Notes Bypass n/a n/a T urns off the effects. Comp r essor n/a Ratio The r e a r e 5 Comp r essor ratios : 1.4:1 , 2:1 , 3:1 , 6:1 , and :1 . Higher setting s “squeeze” y our v olume mo r e . T r emolo T r emolo Speed Depth The t r emolo was designed with the characteristic F ender t r emo[...]
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Seite 62
A 3 W HO ’ S R ESPONSIBL E ? The Flextone Desig n T eam: While it's true that the whole staff at Line 6 ends up making an important contribution to most every project that we do here, the following folks were most responsible for the main design effort on the Flextone: ENGINEERING Michel Doidic Curtis Senffner Erik V on Ploennies Kevin Duca [...]
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Seite 63
i 1 # 16 Ohm Cabinets with HD . . . . . . 7•13 A Amp Model s . . . . . . . . . . 1•4, 3•1, A•1 B Bank Down Switc h . . . . . . . . . . . . . . 6•2 Bank Up Switc h . . . . . . . . . . . . . . . . 6•2 Bank s . . . . . . . . . . . . . . . . . . . . . . . . . 6•2 with H D . . . . . . . . . . . . . . . . . . . . 7•7 Bas s . . . . . . . .[...]
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Seite 64
i 2 F Fans (Flextone HD ) . . . . . . . . . . . . 7•1 FB 4 . . . . . . . . . . . . . . . . . . . . . . . . . 6•8 Flange r . . . . . . . . . . . . . . . . . 4•2, A•2 Flanger 1 . . . . . . . . . . . . . . . . . . . A•2 Flanger 2 . . . . . . . . . . . . . . . . . . . A•2 Flextone Cab (1-12" ) . . . . . . . . . . . 2•6 Cab (1-12"[...]
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Seite 65
i 3 S Save Button . . . . . . . . . . . . . . 2•3, 5•1 Send for combo s . . . . . . . . . . . . . . . . 2•4 Send for H D . . . . . . . . . . . . . . . . . 7•2 Series/Parallel for H D . . . . . . . . . . . . 7•2 16 Ohm Cabinet s . . . . . . . . . . . . . . 7•13 Small Twee d . . . . . . . . . . . . . . 3•1, A•1 Speaker cabinet hookup [...]
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Seite 66
THIS PAGE SHOULD BE LEFT BLANK; DO NOT PRINT THIS TEXT Flextone Manual Rev E; bookfile Page 66 Tuesday, September 8, 1998 10:31 AM[...]