Olympus DM-2 Bedienungsanleitung

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Zur Seite of

Richtige Gebrauchsanleitung

Die Vorschriften verpflichten den Verkäufer zur Übertragung der Gebrauchsanleitung Olympus DM-2 an den Erwerber, zusammen mit der Ware. Eine fehlende Anleitung oder falsche Informationen, die dem Verbraucher übertragen werden, bilden eine Grundlage für eine Reklamation aufgrund Unstimmigkeit des Geräts mit dem Vertrag. Rechtsmäßig lässt man das Anfügen einer Gebrauchsanleitung in anderer Form als Papierform zu, was letztens sehr oft genutzt wird, indem man eine grafische oder elektronische Anleitung von Olympus DM-2, sowie Anleitungsvideos für Nutzer beifügt. Die Bedingung ist, dass ihre Form leserlich und verständlich ist.

Was ist eine Gebrauchsanleitung?

Das Wort kommt vom lateinischen „instructio”, d.h. ordnen. Demnach kann man in der Anleitung Olympus DM-2 die Beschreibung der Etappen der Vorgehensweisen finden. Das Ziel der Anleitung ist die Belehrung, Vereinfachung des Starts, der Nutzung des Geräts oder auch der Ausführung bestimmter Tätigkeiten. Die Anleitung ist eine Sammlung von Informationen über ein Gegenstand/eine Dienstleistung, ein Hinweis.

Leider widmen nicht viele Nutzer ihre Zeit der Gebrauchsanleitung Olympus DM-2. Eine gute Gebrauchsanleitung erlaubt nicht nur eine Reihe zusätzlicher Funktionen des gekauften Geräts kennenzulernen, sondern hilft dabei viele Fehler zu vermeiden.

Was sollte also eine ideale Gebrauchsanleitung beinhalten?

Die Gebrauchsanleitung Olympus DM-2 sollte vor allem folgendes enthalten:
- Informationen über technische Daten des Geräts Olympus DM-2
- Den Namen des Produzenten und das Produktionsjahr des Geräts Olympus DM-2
- Grundsätze der Bedienung, Regulierung und Wartung des Geräts Olympus DM-2
- Sicherheitszeichen und Zertifikate, die die Übereinstimmung mit entsprechenden Normen bestätigen

Warum lesen wir keine Gebrauchsanleitungen?

Der Grund dafür ist die fehlende Zeit und die Sicherheit, was die bestimmten Funktionen der gekauften Geräte angeht. Leider ist das Anschließen und Starten von Olympus DM-2 zu wenig. Eine Anleitung beinhaltet eine Reihe von Hinweisen bezüglich bestimmter Funktionen, Sicherheitsgrundsätze, Wartungsarten (sogar das, welche Mittel man benutzen sollte), eventueller Fehler von Olympus DM-2 und Lösungsarten für Probleme, die während der Nutzung auftreten könnten. Immerhin kann man in der Gebrauchsanleitung die Kontaktnummer zum Service Olympus finden, wenn die vorgeschlagenen Lösungen nicht wirksam sind. Aktuell erfreuen sich Anleitungen in Form von interessanten Animationen oder Videoanleitungen an Popularität, die den Nutzer besser ansprechen als eine Broschüre. Diese Art von Anleitung gibt garantiert, dass der Nutzer sich das ganze Video anschaut, ohne die spezifizierten und komplizierten technischen Beschreibungen von Olympus DM-2 zu überspringen, wie es bei der Papierform passiert.

Warum sollte man Gebrauchsanleitungen lesen?

In der Gebrauchsanleitung finden wir vor allem die Antwort über den Bau sowie die Möglichkeiten des Geräts Olympus DM-2, über die Nutzung bestimmter Accessoires und eine Reihe von Informationen, die erlauben, jegliche Funktionen und Bequemlichkeiten zu nutzen.

Nach dem gelungenen Kauf des Geräts, sollte man einige Zeit für das Kennenlernen jedes Teils der Anleitung von Olympus DM-2 widmen. Aktuell sind sie genau vorbereitet oder übersetzt, damit sie nicht nur verständlich für die Nutzer sind, aber auch ihre grundliegende Hilfs-Informations-Funktion erfüllen.

Inhaltsverzeichnis der Gebrauchsanleitungen

  • Seite 1

    DET AILED INSTRUCTIONS DIGIT AL VOICE RECORDER Thank you for purchasing an Olympus Digital V oice Recorder . Please read these instructions for information about using the product correctly and safely . Keep the instructions handy for future reference. T o ensure successful recordings, we recommend that you test the record function and volume befor[...]

  • Seite 2

    2 EN Introduc tion • Th e conte nt s of th is do cum en t may be c han ge d in th e fu tur e wit ho ut ad va nce d not ice. Cont ac t ou r Cus tom er Su pp or t Ce nter f or t he la tes t inf or mati on r ela tin g to pr odu c t nam es and m od el n umb er s. • T h e scr ee n and r eco rd er il lus tr ati ons s how n in th is man ua l wer e pro[...]

  • Seite 3

    3 EN Intr od uc ti on Th e sof t war e in th is pr odu c t in clu des t hir d par t y sof t war e. Any th ird p ar t y s of t w are i s sub je c t to the t erm s and co nd iti ons , im pos ed b y the o wne rs o r li cens er s of th at so f t wa re, u nde r whi ch su ch so f t wa re is p rov ide d to yo u. T hos e ter ms an d con di tio ns ar e sho [...]

  • Seite 4

    4 EN T able of cont ents Int ro duc t ion Sa fe t y pr ec au tio ns ................................... 8 Cau ti on f or us ag e envi ro nme nt ..................... 8 Hand lin g the r ec ord er .................................... 9 Bat t er y ha ndl ing p re cau ti ons .......................10 AC adap ter ........................................[...]

  • Seite 5

    5 7 1 2 3 4 5 6 8 EN T abl e of co nten ts Fil e sea rch d isp lay op er ati ons o f th e [Rec or der] fo lde r ..................................... 55 Op eni ng th e f ile s ear ch d isp lay f rom t he [Musi c] fold er .......................................... 57 Fil e sea rch d isp lay op er ati ons o f th e [Musi c] fold er ...................[...]

  • Seite 6

    6 EN T abl e of co nten ts 4 Using t he O ly mpu s Son ori ty Sav in g f il es i n you r PC ............................ 11 9 Op er ati ng e nv ir on me nt ......................... 120 Con ne c ti ng to y ou r PC ............................ 121 Conn ec t ing t o you r PC ................................. 12 1 Dis con ne c tin g f rom y our P C ..[...]

  • Seite 7

    7 7 1 2 3 4 5 6 8 EN T abl e of co nten ts Loa di ng A ud ib le c on ten t ....................... 169 Ins ta lli ng Aud ibl eMa nag er .........................169 Addi ng d evi ce to Aud ib leM anag er ..............170 Purc ha sing A udi ble c ont ent ........................170 Trans fe r ri ng Au di bl e co nte nt .................171 Enj oy A[...]

  • Seite 8

    8 f Dan ge r If t he p ro du ct i s us ed w it ho ut obs er v in g th e in for mat io n gi ven und er t hi s sy mb ol , se ri ous i nju r y or de at h may re su lt . f Warn in g If t he p ro du ct i s us ed w it ho ut obs er v in g th e in for mat io n gi ven und er t hi s sy mb ol , inj ur y o r de at h may re su lt . f Cau t io n If t he p ro du [...]

  • Seite 9

    9 • Do no t us e or gan ic s ol vent s su ch as al co ho l and l acq ue r t hin ne r to cl ean t he u ni t . <Warn in g re ga rd in g da ta l os s> Re co rd ed c ont en t in m em or y m ay be d es tr oye d or e ras e d by op er at in g mi st ake s, u ni t ma lf un c ti on , or d ur in g re pa ir wo rk . It i s re co mm en de d to b ac k up [...]

  • Seite 10

    1 0 • T o p reve nt c aus in g bat te r y l eak s or da ma gin g t hei r te rmi na ls , car ef ul ly f oll ow al l in st ruc t io ns re gar di ng t he u se o f bat te ri es . Neve r at te mp t to di sa ss emb le a bat te r y or m od if y it in a ny way, sol de r, etc . • Do no t co nne c t th e bat t er y dir ec t ly t o a pow er o ut le t or a[...]

  • Seite 11

    1 1 • If yo u no ti ce any t hi ng u nus ua l whe n us in g th is p ro duc t s uc h as abn or mal n oi se , hea t , smo ke, o r a bur ni ng od or : 1 r em ove th e b at te r y i mme di atel y w hil e b e i n g c a r e f u l n o t t o b u r n y o u r s e l f, and; 2 c a l l y o u r d e a l e r o r l o c a l O l y m p u s rep re sen tat ive fo r se[...]

  • Seite 12

    1 2 EN Saf et y pr ec aut ion s • Do no t us e or ke ep t he AC ad ap te r in ve r y hot p la ce s, su ch a s in dir ec t s un lig ht , in a c lo se d ca r on a su nny day, nea r a he ate r, on an e le c t ric c arp et , e tc . Do n ot use t h e AC adap te r if s om et hi ng is cove ri ng it (su ch a s a bl an ket). Thi s may ca us e fi re , ex p[...]

  • Seite 13

    1 3 1 EN Main features s This record er can t ag re corded files or f ile s t rans fer red from a pe rso nal c o m p u t e r w i t h k e y w o r d s t o man ag e a fi le d ata ba se ( ☞ P . 76). It is p oss ibl e to se arc h for f ile s by f il e date or key wor d ( ☞ P . 54). s I t fe atu re s a sc he du li ng fu nc t ion ( ☞ P . 99) You can[...]

  • Seite 14

    1 4 1 EN s H as b uil t in r ec or di ng sc en e se tt in g ( ☞ P . 82) an d pl ayba ck sce ne s et t ing ( ☞ P . 86) fu nc t ion s to re gi st er t he r ec ord in g or pl ayba ck s oun d qu al it y or m od e acc ord in g to d if f er ent u sa ge s. s You can move o r copy f i le s b et we en t he b ui lt- in m em or y and m ic roS D ca rd , an[...]

  • Seite 15

    1 5 1 EN Ma in f eat ur e s s I t is c omp at ib le w it h DAIS Y ( ☞ P .1 42) (For D M - 4). DAISY f il es c an b e tra ns fer re d fr om th e “Ol ym pus S on or it y ” s of t w are a nd p laye d fro m th is re cor der. T h e re co rde r ca n be co nne c te d to ano the r DAISY co mp atib le d evi ce to dir ec tl y imp o r t conte nt ( ☞ P[...]

  • Seite 16

    1 6 1 EN Ide nt if i c ati on o f pa r t s 1 3 5 6 2 2 7 # % 8 @ 0 ! 9 $ 4 REC VOL STOP ^ ( * & ) - Identific ation of par ts 1 MIC (Mic r oph on e) jac k 2 Bu il t- in s ter eo m ic ro ph one 3 LE D in di cat or l igh t 4 VOICE but t on (Fo r DM - 4) HOME but t on (Fo r DM -2) 5 POWER /HO LD swi tc h 6 St rap h ol e 7 D isp lay (LCD Pan el) 8 [...]

  • Seite 17

    1 7 1 EN Ide nt if i c ati on o f pa r t s [Home] menu di sp lay When the power is turned on, the [ Ho me ] menu is displayed. T he [ H o m e ] me n u p ro v i de s l i nk s t o v ar i o us f un c t i o ns . Fo r m o r e d e t a i l s a b o u t t h e s e f u n c t i o n s , r e f e r t o t h e i r res pe c tive p ag e num be rs b el ow. T o move to[...]

  • Seite 18

    1 8 1 EN Iden tif i cat io n of pa r ts [Recor der] mode d is play 1 Fil e na me 2 Fo lde r na me 3 Cur re nt f ile n um be r/ T o ta l nu mbe r of r ec or de d fi le s in th e lis t 4 Re co rd er s ta tu s ind ic ato r 5 Leve l me te r 6 I nde x in di cat or 7 Func t io n gu id e ind ic ato r 8 Cur re nt ti me 9 Re co rd ing m od e in dic at or 0 [...]

  • Seite 19

    1 9 1 EN Ide nt if i c ati on o f pa r t s Iden tif i cat io n of pa r ts [Music] [Podcas t] mode di spl ay Pod ca s t pl ay ba ck d is p lay Mu si c pl ay ba ck d is p lay 1 Fil e na me 2 Se ar ch c ate go r y 3 Cur re nt f ile n um be r/ T o ta l nu mbe r of r ec or de d fi le s in th e lis t 4 Pl ayba ck p os it io n bar i nd ic ato r 5 Re co rd[...]

  • Seite 20

    20 1 EN Iden tif i cat io n of pa r ts [ Aud iob ook s] mode d isp lay Aud i o bo ok p lay b ac k di s pl ay DAIS Y pl ay ba ck d i sp lay ( For D M- 4) 1 T ab le o f con ten ts i nd ica to r 2 Con te nts n am e 3 Pl ayba ck p os it io n bar i nd ic ato r 4 Re co rd er s ta tu s ind ic ato r 5 T ex t d is pl ay are a 6 Func t io n gu id e ind ic at[...]

  • Seite 21

    2 1 1 EN Ide nt if i c ati on o f pa r t s Iden tif i cat io n of pa r ts [ Aud iob ook s] mode d isp lay Ca le nd ar d i sp lay Tex t pl ay ba ck d i sp la y (For D M- 4) [Audio Dia r y] mode di sp lay 1 7 5 6 4 3 2 8 1 Fil e na me 2 Fo lde r na me 3 Playb ac k po si ti on ba r in di cat or 4 Re co rd er s ta tu s ind ic ato r 5 T ex t d is pl ay [...]

  • Seite 22

    22 1 EN P ow er supply 1 W h i l e p u s h i n g d o w n o n t h e gro oves u si ng bo th t hu mbs , sl id e th e b at te r y cove r i n t he di re c ti on ind ic ate d by t he ar row. Inse r tin g the b at ter y Thi s re cord er u ses a l ith ium i on b at ter y spe ci f ie d by O ly mpu s (LI -50 B). Do no t use any oth er t y pe o f ba t ter y. [...]

  • Seite 23

    23 1 EN Power s u pp ly Power sup pl y Char ge th e bat ter y Lit hi um i on b at te r y i s se lf di sc ha rg in g. Af t er u np ac ki ng th is p ro du ct , c ha rg e t he su pp li e d li th iu m io n bat t er y b ef or e us in g th e re co rd er f or t he f i rs t ti me . Ch ar gi ng u si n g AC ad ap ter The include d AC adapter (A5 1 5) can be [...]

  • Seite 24

    24 1 EN Power sup pl y N ot es • Do no t p ut in o r tak e o ut th e bat te r y or AC a dap ter w he n the r eco rd er p owe r is o n or whe n this rec ord er is conn ec te d to anoth er d e v i c e . I t m a y c a u s e p r o b l e m s w i t h t h e val ues a nd f un ct io ns se t in th e re cor der. • T he charg er can be u se d w ith in the [...]

  • Seite 25

    25 1 EN Power s u pp ly Conne c t to the USB co nnec tin g AC ada pter (optio nal) to c ha rge It ca n be c har ge d by con ne c tin g to the US B conn ec t ing AC a dap ter (A 51 4) (opt io nal ). Be for e con ne c tin g the AC ad apt er, swi tch the USB Co nn ec ti on s et ti ng to [ AC ] ( ☞ P .96). 1 Plu g th e AC adap te r int o AC out l et [...]

  • Seite 26

    2 6 1 EN Ca ut io ns c on ce rn in g th e r ec ha rg ea b le b at te ri es Rea d the f ol low ing d es cri pti ons c are f ull y whe n you u se th e li thiu m io n bat te r y (LI - 50B). Di sc ha rg in g: Th e rec har gea bl e bat t eri es s el f- dis cha rge whi le th is is n ot in us e. B e sur e to cha rge the m re gul arl y be fo re us e. O p e[...]

  • Seite 27

    2 7 1 EN Power s u pp ly • Th e L ED lig ht wil l l ig ht up the n pow er wi ll be tu rne d on an d t he dis pl ay will t ur n on sho win g the O L YMPUS lo go . • W he n th e ho me scre en is d isplaye d, you can op er ate th e reco rd er. The h om e scr ee n wil l app ea r a f ter [ P l e as e Wa it ] a pp ea rs on the scr ee n. Turn in g on [...]

  • Seite 28

    28 1 EN A HOL D Se t th e re co rd er t o HO LD mo de Sli de t he POWER /HO LD swi tc h to t he HO LD po si ti on . If you b rin g t he PO WE R /H OL D s wi tch to t he HO LD posit ion , the curr ent condi tio ns will be pre se r ved , an d a ll bu t ton s and s wi tche s w il l be dis ab le d. This fe atur e i s u se fu l w he n t he rec ord er h [...]

  • Seite 29

    29 1 EN Se tt i ng t im e an d dat e [T im e & Dat e] I f y o u s e t t h e t i m e a n d d a t e b e f o r e h a n d , the inf or mati on wh en the fi le is reco rd ed is auto mat ic all y stor ed fo r each f ile . Set ti ng the tim e an d da te b efo re han d e nab le s eas ie r f il e man age me nt. 1 Pre ss t he 9 o r 0 but t on to se le c [...]

  • Seite 30

    3 0 1 EN 1 Se le c t [ Ti me & Da te ] fro m t he me nu on t he [ Syst em M en u ]. • For details on how to enter the me nu set t ing s, pl eas e se e “ Me nu se tt i ng me th od ” ( ☞ P . 6 6). 2 Pre ss t he 9 o r 0 but t on to se le c t t he it em t o se t. • Se le ct t he it em f rom t he “h ou r ” , “minu te”, “year ” [...]

  • Seite 31

    3 1 1 EN Ins e r ti ng a nd e je c ti ng a m ic r oSD c ar d Inserti ng and ejec ting a microSD card 2 Face th e mi cr oSD c ar d th e cor re c t way and i ns er t i t int o th e ca rd sl ot as s how n in t he d ia gra m. Th e “micr oSD” i nd ica ted i n the i ns tru c tio n man ual r efe rs t o bot h mic roSD a nd mic roSD HC . T his re co rde[...]

  • Seite 32

    3 2 1 EN Ejec t ing a mi cr oSD car d 1 Whi le t he r ec ord er i s du ri ng st op mod e, o pe n th e ca rd c over. 2 Pus h th e mic r oSD c ar d inwa rd t o unl oc k it , a nd le t it e je c t par t ia ll y. • Th e mic roSD c ard i s vis ibl y ou t of th e slo t and c an b e re move d sa fe ly. • W he n [ M em or y S el ec t ] is s et to [ m i[...]

  • Seite 33

    3 3 1 EN Note s on t he f ol de r s Not es on the folders Th e bui lt-i n me mo r y or t he mi croS D car d ca n be us ed f or t he re cor din g me di a. R ega rd les s of th e re cord in g me dia , voi ce f il e, mus ic f il es , an d conte nt s f ile s are s ep ar ate d and s aved res pe c tive ly i nto th e fo lde rs o rg ani ze d in a br an chi[...]

  • Seite 34

    34 1 EN Fol de r co nf i gu rat io n im ag e Sc re en d is pl ay ex am pl e Notes o n the f old er s Abo ut the f old er fo r mus ic pl ayba ck Whe n tr ans fe rri ng m usi c f ile s to th e dev ice us ing W in dow s Me dia Pl ayer, a fo lde r is auto mat ic all y cre ated w it hin th e [ Mu si c ] fol de r whi ch ha s a laye re d str uc t ure a s [...]

  • Seite 35

    3 5 1 EN Note s on t he f ol de r s Fol de r co nf i gu rat io n im ag e Sc re en d is pl ay ex am pl e Notes o n the f old er s • It c an b e st or ed a to ta l of 9 99 f i les a nd f ol de rs i n the e ac h fo lde r s of [ Pod c as t ] fo lde r. • Up to 8 0 0 0 f ile s ca n be t ra nsf er re d to th e [ Pod c as t ] fo lde r. Fil e di sp lay [...]

  • Seite 36

    36 1 EN Fol de r co nf i gu rat io n im ag e Sc re en d is pl ay ex am pl e Notes o n the f old er s Abo ut the f old er fo r ele c tr onic b ook c onte nts a nd tex t f i les A fo lde r to s tor e el ec tr on ic b oo k f il es su ch as DAIS Y con tent a nd a udi ob oo k s is p re par ed i n adv an ce. Ele c tro ni c b o ok f il es that hav e b ee [...]

  • Seite 37

    3 7 1 EN Note s on t he f ol de r s Notes o n the f old er s Sc re en d is pl ay ex amp le Fol de r co nf i gu rat io n im age Fol de r co nf i gu rat io n im age Aud io B oo k Text S pe e ch Dat a Cont en ts Sc re en d is pl ay ex amp le Bo ok l is t display Co n te nt s li st display Fil e di sp lay Bo ok l is t display Fi le list displa y File d[...]

  • Seite 38

    38 1 EN Sc re en d is pl ay ex am pl e Fol de r co nf i gu rat io n im ag e Notes o n the f old er s Abo ut the f old er fo r Audi bl e conte nts Audi bl e f ile s ca n be r ed ire c ted f ro m the Au di bl e web site to t he re co rde r usi ng th e Audi bl eMa na ger ( ☞ P . 169) or Wind ows M ed ia Play er. Whe n re di rec t ing Au di ble f ile[...]

  • Seite 39

    3 9 1 EN Note s on t he f ol de r s Sc re en d is pl ay ex am pl e Fol de r co nf i gu rat io n im ag e Notes o n the f old er s Abo ut the f old er fo r pic t ure A fol de r to st ore i mag es i mpo r te d fr om a co nne c te d dig it al ca me ra is p re par ed i n adv an ce. Th e [ IMAG E ] fol de r is ma nag ed b y the d ates i mag es we re t ak[...]

  • Seite 40

    40 2 EN Basic operati ons Recording Se t ti ng s re la ti ng t o Re co rd in g Var i ou s r ec o rd in g s e t ti n gs ca n b e ma d e to ma t ch th e re c o r di n g en v ir o n m e nt ( ☞ P . 6 8 to P .71 ). [Re c Me nu] S et t in g I te ms : [Mi c Se ns e] ( ☞ P . 6 8) Se ts t he se ns iti vi t y of th e bui lt- in s te re o mic ro ph one . [...]

  • Seite 41

    4 1 2 EN Rec or di n g Recor d ing a 3 Pre ss t he STOP but t on to s to p re cor di ng . Spec if yin g a key word b ef ore rec ord ing A ke y wo rd that match es the conte nt s t o b e re cor de d c an be sp ec if i ed be fo re re cor din g star ts. This function is very useful for classif ying rec ord ing s by key w ord s. 1 In t he Fo ld er l is[...]

  • Seite 42

    42 2 EN • Stop re co rdi ng an d the f ile t hat w as jus t rec ord ed w ill b e p laye d bac k . Pau se While the re corder is du ring recordi ng mod e, p re ss t he REC but t on . • Th e rec ord er w ill t ime o ut a f ter 120 min utes w he n le f t in “ Re c Paus e”. Re su me Re co rd in g: Pre ss t he REC but t on ag ai n. • Re cord i[...]

  • Seite 43

    43 2 To EAR ja ck EN Rec or di n g Lis te ni n g wh il e au di o is r ec or d ed I f y o u s t a r t r e c o r d i n g af t e r i n s e r t i n g t h e ear ph one in to t he EA R j ack on th e r eco rd er, you c an he ar th e sou nd b ei ng re cor de d. T he reco rdin g m onito r volum e c an be adjus ted by pre ssi ng th e + or − b ut to n. Conn[...]

  • Seite 44

    44 2 EN Recor d ing Recom men ded s et tin gs by r ecor di ng co ndi tion Th e rec ord er is i ni tial ly s et to th e [ ST XQ ] mo de s o that yo u ca n mak e hig h qua lit y s te reo rec ord ing s imm ed iate ly a f ter p ur chas ing i t. T he v ar iou s fu nc ti ons r ela tin g to re cor din g ca n be co nf i gur ed in d et ai l to sui t the r e[...]

  • Seite 45

    45 2 To MIC ja ck EN Rec or di n g Recor di ng fr om e x tern al mi cr oph one or oth er dev ices Th e ex te rn al mi cro ph on e and o the r dev ice s can b e co nne c ted a nd th e so un d can b e rec ord ed . Con ne c t as fo ll ows by th e de vic e to be u se d. Do no t pl ug an d unp lu g dev ice s into t he rec ord er ’s jac k whi le it i s[...]

  • Seite 46

    46 2 To EAR jac k To audio i np ut ter mi nal o f oth er d evi ces To MIC jac k To audio o ut pu t ter mi nal of ot he r dev ice s EN Not e • Th e det ai le d inp ut l evel s can not b e a djus te d wit h thi s reco rd er ( ☞ P . 68). W he n ex te rn al de vic es ar e conn ec te d, p er for m a tes t re cord in g and t hen a dju st t he ou tp u[...]

  • Seite 47

    4 7 2 EN Play b ac k 2 Pre ss t he + or − but t on to a dju st to a co mf or ta bl e li ste ni ng volu me . 1 T o s ta r t pl ayba ck , s el ec t t he f i le to be p laye d, a nd t he n pr ess t he ` OK but t on ( ☞ P . 5 4 to P . 60). 3 Pre ss t he STOP but t on at a ny po int yo u wan t to st op t he pl ayba ck . • Th e vol ume c an b e adj[...]

  • Seite 48

    48 2 EN Rew in di n g Whi le t he r ec ord er i s du rin g st op mod e, p re ss an d ho ld t he 0 but t on . • If yo u re lea se th e bu t ton , it wi ll st op. Pres s the ` OK but to n to s ta r t play ba ck fro m wh er e it wa s sto pp ed . Whi le t he r ec ord er i s du rin g pl ayba ck m ode , pr es s and h ol d th e 0 but t on . • Whe n yo[...]

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    49 2 To EAR jac k EN Play b ac k Pla yb ac k t hr ou gh e ar p ho ne An ea rph on e ca n be co nne c te d to the E AR jac k of th e re cord er f or li ste nin g. • W he n th e ear ph on e is use d, t he re co rde r spe ake r wil l be s wi tche d - of f. N ot es • T o avoid i rr it atio n to th e ear, ins er t th e e arp ho ne a f ter t urn ing [...]

  • Seite 50

    50 2 EN 1 Se le c ti ng t he co nte nt f il e in t he [ Podc a st ], [ Aud io bo ok s ](DAISY, Aud ibl e, Au di o Bo ok , Tex t Spe e ch) fo lde r. 2 Pre ss t he ` OK but t on to s ta r t pl ayba ck . Playb ack Pos iti on mod e Th e rec ord er h as a pl ayb ack p osi tio n mo de to auto mat ic all y bo ok ma rk th e late st p osi tio n whe re yo u [...]

  • Seite 51

    5 1 2 EN Play b ac k Playb ac k Rew in di n g Whi le t he r ec ord er i s du ri ng st op mod e, p re ss an d ho ld t he 0 b u t ton . ➥ W h e n y o u r e l e a s e th e b u t t o n , t h e rec ord er s top s. Th e Playback positi on is u pd ated . I f the ` OK b ut to n is pre sse d, playb ack star t s fro m th is po sit ion . Whi le t he r ec or[...]

  • Seite 52

    5 2 2 • Th e ind ex m ark i s er ase d. • Ind ex n umb er s af ter th e er ase d in de x num be r wil l auto mat ic all y move u p. N ot es • Up to 16 inde x ma rk s ca n be s et i n a le . If y ou tr y to pla ce mo re th an 16 inde x ma rk s , the [ I nd ex Fu ll ] m ess ag e wi ll ap pe ar fo r ind ex m ark s . • I nd ex m ark s c an n[...]

  • Seite 53

    5 3 2 EN Play b ac k Playb ac k 1 T o sta r t pl ayba ck , se le ct a fi le that ha s a se g me n t yo u wo ul d l ik e to p l a y b a c k r e p e a t e d l y , a n d t h e n pr e ss th e ` OK bu t to n ( ☞ P . 5 4 t o P . 6 0). 2 Pr e s s t h e Fn (A- B) b u t t o n a t t h e po i nt yo u w an t to s t ar t se g me nt re pe at pl ayb ack . • F[...]

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    54 2 EN F ile search T h i s r e c o r d e r m a n a g e s r e co r d e d f i l e s an d music f iles impor ted from a p ersonal computer u s i n g a d a t a b a s e . F i l e s a r e a u t o m a t i c a l l y sor ted usin g items such as d ate and key wor d, whi ch ma kes se arc hin g fo r f ile s eas ier. Ope nin g the f i le se arc h di spl ay f[...]

  • Seite 55

    5 5 2 2 Press the + or – button to select f i le, and then press the ` OK or 9 button. • Pres s the ` OK but to n to s ta r t play ba ck of t he f il e. Whe n s ea rc hi ng u s in g th e [Day] s ea rc h Sea rch for a fi le usin g the reco rdi ng date. Th e mo s t r e ce n t r e co r di n g d at e i s h ig h l ig h te d . Hig hli ght t he de sir[...]

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    56 2 Whe n s ea rc hi ng u s in g th e [Key wo r d] se ar c h Search for f il es re corde d by t his re corder using a ke y wo r d . F il e s re c or d e d by t h is re c o r de r c a n b e t a g g e d u s i n g a ke y w o r d f o r f i l e man age me nt pu rp ose s ( ☞ P .76). 1 Press the + or – button to select ke y wo rd, and then press the [...]

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    5 7 2 EN Fil e se ar c h Ope nin g the f i le se arc h di spl ay fr om the [Musi c] folde r Fil e se ar ch t y pe : [Ar ti st] S ea rc h ( ☞ P . 5 8) Fil es ar e se arc he d fo r fr om a lis t of a r tis t s. [Alb um] Se ar ch ( ☞ P . 5 9) Fil es ar e se arc he d fo r fr om a lis t of a lb um na me s. [All M us ic ] Se ar ch ( ☞ P . 5 8) Fil [...]

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    58 2 Whe n s ea rc hi ng u s in g th e [Ar ti st] s ea rc h Sea rch f or a sp e cif i c ar ti st . 1 Pres s the + or – but t on to sel e ct ar ti st , an d the n pr ess th e ` OK or 9 b ut ton . 2 P r es s t h e + or – bu t t o n to se l e c t al b u m or s on g, an d th en p res s the ` OK or 9 but to n. • If a s ong i s se le c ted , pl ayb[...]

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    5 9 2 Whe n s ea rc hi ng u s in g th e [Alb um] s ea rc h Sea rch by s pe ci f ic al bum . 1 Press the + or – button to select a lbu m, and then press the ` OK or 9 button. 2 Press the + or – button to select s on g, and then press the ` OK or 9 button. • Pres s the ` OK but to n to s ta r t play ba ck of t he f il e. Whe n s ea rc hi ng u s[...]

  • Seite 60

    60 2 Whe n s ea rc hi ng u s in g th e [Br ows e] se ar c h Bro wse d ire c tl y fro m a lis t of a ll f il es a nd fol de rs i n the [ Music ] fo lde r. 1 Pr ess t he + o r – but to n to se le c t a so ng to be p laye d or to s el ec t a n ar ti st , and t hen pre ss th e ` OK or 9 but to n. • If an a r tis t is s el ec te d, s ong s in th e f[...]

  • Seite 61

    6 1 2 EN Era s in g Erasing A se le ct ed f i le ca n be e ra se d fr om a fo ld er. It is als o po ssi bl e to er ase a s el ec te d fo ld er o r all f i les i n a fo lde r. Eras ing f ro m the f i le di sp lay 1 In t he Fi le li st d is pl ay, pres s th e F3 (MENU) but t on . • File s ca nno t be e ras ed d uri ng p lay bac k . 4 Pre ss t he + [...]

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    62 2 EN Eras ing f ro m the f i le li st di sp lay 1 Se le c t th e fi le t o era se d fr om t he fi le l is t dis pl ay. 3 Pre ss t he + or − but t on to s el e ct [ Fil e Era se ], a nd t he n pr ess t he ` OK or 9 bu t ton . 2 Whi le t he r ec ord er i s du ri ng sto p mo de , pre ss t he F2 (ER ASE) but t on . 4 Pre ss t he + but t on to s e [...]

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    63 2 EN Era s in g Eras ing a ll f il es in a f old er 1 Se le c t th e fol de r to b e er ase d fro m t he fo ld er l is t di spl ay, and t he n pr es s th e ` OK o r 9 but t on ( ☞ P . 5 4 to P .6 0). Eras in g 2 Whi le t he r ec ord er i s du ri ng sto p mo de , pre ss t he F2 (ER ASE) but t on . 3 Pre ss t he + o r − but t on to s e le ct [[...]

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    64 2 EN Eras in g Eras ing a f old er 1 Se le c t th e fol de r to b e er ase d fro m t he fo ld er l is t di spl ay ( ☞ P . 54 to P . 60). 2 In t he f ol de r lis t di sp lay, pre ss th e F3 (ERA SE) but t on . 3 Pre ss t he + o r − but t on to s e le ct [ r Erase ] , and t he n pr es s th e ` OK or 9 b ut t on . 4 Pre ss t he + but t on to s [...]

  • Seite 65

    65 2 EN Era s in g 1 Play t he f il e you wa nt to p ar t ia l era se . • For w ard a f i le to t he p osi tio n that sha ll be e ra se d. I f the f i le is l on g, use t he 9 bu t ton to m ove to t he pos iti on yo u wa nt to de le te. 2 I n t h e s t a r t i n g p o s i t i o n o f t h e par t ia l e ras e, pr es s t he Fn ( ER ASE ) but t on .[...]

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    66 3 EN Menu setting method Mak ing sett ing s fro m [Prefe re nces] on the [Home] men u dis pl ay Fr o m m e n u o n t h e [ Ho m e ] m e n u d i s p l a y, fol low in g s et ti ngs ca n b e mad e: [ Rec Me nu ], [ Pla y Men u ], [ LCD/S ou nd Menu ] a nd [ Sys tem Me nu ]. Y ou ca n pe r fo rm va rio us se t tin gs on this r eco rd er b efo re r [...]

  • Seite 67

    6 7 3 EN Men u s et ti ng m et ho d Menu s et ti ng me tho d Per for mi ng me nu se tt ing s dur in g rec ord ing, p lay bac k, an d sto p mode s Me nu se t ti ngs c an be pe r f or me d whi le th is reco rde r is being ope rate d. In addi tion to [ Rec Me nu ] and [ Pl ay Men u ] set tin gs , [ Fil e Men u ] s e t t i n g s f o r f i l e m a n a g[...]

  • Seite 68

    68 3 EN Menu s et ti ng me tho d Rec M od e Th e rec ord er c an re co rd in th e li nea r PCM for mat . Hi gh re so lut io n re cord in g at a hi gh sam pl ing r ate an d hi gh bi t ra te eq uiv al ent or su pe ri or to th at of a m usi c CD is p ossi bl e. Mo reo ver, it als o sup po r t s the M P3 and WMA fo rm at s. 1 Se le c t [ Rec M ode ] fr[...]

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    69 3 EN Men u s et ti ng m et ho d Menu s et ti ng me tho d Adj us t t he re c or di ng l eve l: 1 Pre ss t he 9 o r 0 but t on whi le t he r ec or de r is re co rd ing o r pau se d to a dju st t he r eco rd in g leve l. • The recording level will b e automatically adjusted when th e record ing level is set to [ Au t o ] . S e t t he re c o r di [...]

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    7 0 3 EN Low C ut Fi lt er Th e rec ord er h as a Low Cut F ilte r fu nc ti on to min imi ze lo w- fr eq uen c y so un ds an d rec ord voi ces mo re cl ea rly. Th is fu nc ti on c an re du ce noi se f rom a ir co ndi tio ne rs , pr oje c to rs an d oth er si mil ar no ise s. 1 Se le c t [ Low Cu t Fil ter ] fro m t he me nu on t he [ Rec M en u ]. [...]

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    71 3 EN Men u s et ti ng m et ho d • Th e st ar t /sto p ac tu ati on le vel a lso v ar ies dep en di ng on t he s el ec te d mi cro ph one sen sit ivi t y mo de ( ☞ P .6 8). • I f th e st ar t ing l eve l is no t adj ust ed wi thi n 2 se con ds, t he di spl ay wi ll re tur n to th e pre vi ous . • T o ensu re su cces sf ul re cor di ngs , [...]

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    72 3 EN Menu s et ti ng me tho d G Play Men u Noi s e Ca nc el If re co rd e d au di o is di f f i cu l t to un d er s t an d b e c a us e o f n o i s y s u r r o un d i n g s , a d j u s t t h e Noi se C ance l se t tin g lev el. 1 Se le c t [ Noi se C a nc el ] fro m t he me nu on t he [ Play M en u ]. 2 S el ec t [ Hig h ], [ Low ] or [ Of f ]. [...]

  • Seite 73

    73 3 EN Men u s et ti ng m et ho d Menu s et ti ng me tho d Rep ea t Th e rep eat p lay ba ck se t tin gs c an be s et a s des ire d. 1 Se le c t [ Rep ea t ] fro m t he me nu o n th e [ Play M en u ]. 2 S el ec t [ 1 Fil e ], [ Lis t ] or [ Of f ]. [ 1 File ]: A sin gle f i le i s play ed re p eate dl y. [ Lis t ]: T h e disp laye d f il e lis t i[...]

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    7 4 3 EN Menu s et ti ng me tho d Pla y Sp ee d The play back speed of the f i le can be change d b e t w e e n [ 5 0 % ] a n d [ 6 0 0 % ] t i m e s s p e e d . Chan ge t he s pe ed a ccor din g to n ee d su ch as lis ten ing t o me eti ng co nten t at a f as t sp ee d or rev iew in g s pot s that yo u co ul dn' t c atch in a lan gua ge l ess[...]

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    7 5 3 EN Men u s et ti ng m et ho d Menu s et ti ng me tho d G LCD/Sound Me nu Bac k li g ht Th e disp lay w ill r ema in li t fo r ab out 10 (Ini tia l set t ing) s eco nd s whe n a bu t ton o n the rec ord er is p re sse d. 1 Se le c t [ Bac k li g ht ] fro m t he me nu on t he [ LCD/S ou nd M en u ]. 2 S el ec t [ Lig ht in g Ti me ], [ Di m li [...]

  • Seite 76

    7 6 3 EN Menu s et ti ng me tho d G File Men u Key wo rd Voice f ile s r ec ord ed by this re cord er ca n b e tag ge d w ith a key w ord for f il e ma nag em ent . F i l e l i s t s c a n b e c r e a t e d b y k e y w o r d f i l e sea rch es ( ☞ P . 56). 1 S el ec t t he f i le you w ant t o ta g wit h a key w ord ( ☞ P . 54 to P . 60). 2 Se [...]

  • Seite 77

    77 3 EN Men u s et ti ng m et ho d Pr op er t y File a nd f ol der i nfo rm ati on c an be conf i rm ed f ro m the m en u disp lay. 1 S el ec t t he f i le or f ol de r wi th inf or mat io n you w ant t o vie w in adv anc e ( ☞ P . 54 t o P .6 0). 2 Se le c t [ Pr ope r t y ] fro m t he me nu on t he [ Fil e Men u ]. 3 S et t he p ro pe r t y. Wh[...]

  • Seite 78

    78 3 EN Menu s et ti ng me tho d Aut o Powe r O f f If t he re co rde r re mai ns in sto p mo de f or o ver 10 minu tes (In iti al se t tin g), th e p owe r wil l b e tur ne d of f. 1 Se le c t [ Aut o Powe r Of f ] fro m t he me nu on t he [ Syst em M en u ]. Ti me & Da te Ref er to “ S et t ing t i me a nd da te [ Ti me & D ate] ” ( ?[...]

  • Seite 79

    79 3 EN Men u s et ti ng m et ho d Menu s et ti ng me tho d [ Re c Lev el ] [ Aut o ] [ Zo om M ic ] [ Of f ] [ Low Cu t Fi lt er ] [ Of f ] [ VCVA ] [ O n/O f f ] [ O f f ] [ S ta nd by] [ Of f ] [ R ec S ce ne ] [ Of f ] [ Ti me r Re c ] [ Of f ] [ Fol de r N am e ] [ I ni ti al s et t in g ] Play M en u: [ No is e Ca nc el ] [ Of f ] [ EU PH ON [...]

  • Seite 80

    80 3 EN Mem or y Inf o. The re cordable c apacit y remainin g and overall cap aci t y of th e r eco rd ing m ed ia can b e se en fro m th e me nu dis pl ay. • W he n no m icr oSD ca rd is i nse r te d onl y inf or mati on f or th e bu ilt- in me mo r y wi ll se en . • T h e dom ain a rea w hi ch us es th e adm ini str ati ve l es wh ich t he[...]

  • Seite 81

    81 3 EN Men u s et ti ng m et ho d Menu s et ti ng me tho d Ch ar ac te r s You c a n c h a n g e t h e s e t t i n g o f t h e d i s p l ay char ac te r to ma tch th e cha rac te r cod e of t he tex t f il e stor ed in the [ T E XT ] fo ld er. In ord er to have the reco rde r rea d out the tex t fil e crea ted in dive rs e e nvir onm ent s, change[...]

  • Seite 82

    82 3 EN Menu s et ti ng me tho d Set ti ng th e rec ord ing s cen e [Rec Scen e] Th e rec ord ing s et t ing c an b e se le c ted f ro m the [ Di c ta ti on ], [ Co nf er en ce ] , [ Le c tu re ] temp la tes to su it th e re cor din g sce ne o r sit uati on . You can al so s ave a re cord in g set t ing o f you r cho ice . 1 Se le c t [ Rec S ce ne[...]

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    83 3 EN Men u s et ti ng m et ho d Time r re cor din g [Ti mer Re c] Ti me r r eco rdi ng is th e f un c tio n to e xe cut e a reco rdin g at a s et time . You ca n p rog ram up to thre e des ire d se t tin gs ( Pres et 1-3) ([ On /Of f ], [ Day ], [ S tar t T i me ] , [ Stop Tim e ], [ Rec Mode ] , [ Mi c S en se ], [ Me mo r y S el e ct ] , [ Fol[...]

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    84 3 EN Select [ Every Week ] and press the ` OK button to move to the selection of [ Day ]. Press the + or – button to select a day of the week. 2 P r ess t he ` O K b ut ton t o ex it [ D ay ] se le ct io n. Menu s et ti ng me tho d [Sta r t Ti me] an d [Sto p Ti me] se t ti ng : 1 Pr ess t he 9 o r 0 but to n to se le c t “H ou r” a nd “[...]

  • Seite 85

    85 3 EN Men u s et ti ng m et ho d Menu s et ti ng me tho d [Me mo r y Se le c t] se t ti ng : 1 Pres s the + o r – but to n to s ele c t th e des tin ati on to s ave to (Me mo r y). 2 Pres s the ` O K bu t ton to e x it [ M e mo r y Se le c t ] set t ing s el ec ti on . [Fol de r] set t in g: 1 Pres s the + o r – bu t ton to s el ec t th e des[...]

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    86 3 EN Menu s et ti ng me tho d Set ti ng th e play bac k sce ne [Play Scen e] Voice f il es r eco rde d in t he re cor de r and musi c f il es do wnl oa de d fr om th e PC c an b e save d in th e pl ayb ack s et ti ngs o f you r cho ice to sui t the d if f ere nt s oun d qua li tie s and play ba ck me th ods . 1 Se le c t [ Play S ce ne ] fro m t[...]

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    87 3 EN Men u s et ti ng m et ho d • Af te r pur chas e, al l the s et ti ng s fro m 1 to 5 of [ U se r Se t ti ng ] a re t he s ame (ini tia l set t ing s). Regi ste r th e use r set t ing s in th e [ S c en e Save ] th en se le ct p lay ba ck sce ne . • T o conf i rm th e re sp ec ti ve pl ayb ack sce ne se t tin gs , pre ss th e + or – bu [...]

  • Seite 88

    88 3 EN Menu s et ti ng me tho d [Fil e Gu id e] se tt i ng: Prov ide s voi ce gui da nce fo r f il e ta g inf or mati on . 1 Pres s the + o r – bu t ton to s el ec t b et we en [ On ] and [ O f f ] . [ On ]: [ F i le G u id e ] will b e p rovi de d. [ Of f ]: G u id an ce wil l be c an cel ed . 2 Pres s the ` O K bu t ton to e x it [ Fi le G ui [...]

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    89 3 EN Men u s et ti ng m et ho d Alar m pl aybac k f unc t ion [Alar m] The alar m pl aybac k fu nc tion can be set to p lay a se le ct ed f i le at a p re - set t im e. Y ou c an p ro gra m up to t hre e d esi red set ti ngs ( P r e s e t 1- 3 ) ( [ O n / O f f ] , [ D a y ] , [ S t a r t T i m e ] , [ Vo l u m e ] , [ A l a r m S o u n d ] a n [...]

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    90 3 EN Se le ct [ Eve r y Wee k ] an d pre ss th e ` OK or 9 b ut ton t o move to t he se le c ti on of [ Day ]. Pre ss th e + or – b ut to n to se le c t a day of th e wee k . 2 Pres s the ` O K bu t ton to e x it [ D ay ] se le ct io n. Menu s et ti ng me tho d [Sta r t Ti me] se t ti ng : 1 Pr ess t he 9 o r 0 but to n to se le c t “H ou r?[...]

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    91 3 EN Men u s et ti ng m et ho d Menu s et ti ng me tho d Whe n [Fi le S el ec t] i s se l ec te d : 1 Pr ess t he + or − but to n to s ele c t th e mem or y wit h the f i le to b e pl ayed a s an al arm , and t he n pre ss th e ` OK or 9 but to n. 2 Pr ess t he + or − but to n to s ele c t a fol de r, and the n pr ess t he ` OK or 9 but to n[...]

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    9 2 3 EN Menu s et ti ng me tho d N ot es • If [ E ver yd ay ] is se le c ted , th e ala rm wi ll sou nd at t he s che du le d tim e ever y day unl ess a lar m pl ayb ack is c an cel ed . • T h e ala rm wi ll so un d fo r ve mi nut es and t hen s to p. Even i f a l e is se le c ted f or Ala rm Play ba ck , it wil l not b e auto mat ica ll[...]

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    9 3 3 EN Men u s et ti ng m et ho d Movin g/Copy ing f i les [File Move/Copy] File s save d in t he b uil t-in m em or y o r the mic roSD c ard c an b e move d or co pi ed wit hin t he me mo r y. Files c an a lso b e mov ed or co pie d b et we en m em or y. 1 Se le c t th e fol de r wh er e th e f ile you wa nt to m ove or co py is save d ( ☞ P .[...]

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    94 3 EN Menu s et ti ng me tho d Whe n yo u se le c t [Se le c te d f il es]: 1 Pr ess t he + o r − but to n to se le c t th e f ile y ou wa nt to mo ve or co py. 2 P r ess t he ` O K b ut ton t o che ck th e f ile (s) sel ec te d. 3 R ep eat s tep s 1 an d 2 unti l all t he f ile s you w ant to m ove/copy a re se le ct ed th en p res s the F 2 ([...]

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    95 3 EN Men u s et ti ng m et ho d Div idi ng f il es [File Di vid e] File s wi th lar ge c ap aci tie s and l on g rec ord ing t im es ca n be d iv ide s o tha t the y are e asi er to ma nag e an d ed it. 1 Se le c t th e fi le yo u wan t to di vi de ( ☞ P . 54 to P . 60). 2 S t a r t Pl a y b a c k o r f a s t - f o r w a r d th e f il e, a nd [...]

  • Seite 96

    96 3 EN Menu s et ti ng me tho d Men u s et ti ng m et ho d 1 Se le c t [ USB Se t ti ng s ] fro m t he me nu on t he [ Syst em M en u ]. • For d et ails o n ho w to ente r th e men u set t ing s, p lea se s ee “ Me nu s et t in g me th od ” ( ☞ P . 66). 2 P res s th e + or − but t on to s el e ct [ US B Con ne ct ] or [ US B Cl as s ]. 3[...]

  • Seite 97

    97 3 EN Menu s et ti ng me tho d 5 Pre ss t he ` OK but t on to com pl et e th e se tt in g. 6 P res s th e F3 (HOME) but t on to cl ose t he m en u di sp lay. • Whe n thi s re cor der i s conn ec t ed to the co mp ute r for t he f i rs t tim e und er [ St or ag e ] or [ Com po si te ], t he dri ver w ill b e in st all ed a uto mati ca lly to the[...]

  • Seite 98

    98 3 EN 4 Pre ss t he + b ut to n aga in t o se le c t [ Sta r t ] , and t he n pre ss t he ` OK but t on . • For mat ti ng b eg ins a nd [ Fo rm at t in g ! ] f las hes o n the d isp lay. • [ Fo rma t Do ne ] ap p ear s wh en for mat t ing e nds . N ot es • Wh e n a n m i cr o SD ca r d i s in s e r t e d i n th e r eco rde r, b e sur e to c[...]

  • Seite 99

    99 3 EN Schedule set tings [ Audio Diar y] Sc he d ul e se tt i ng s [Aud io D ia r y] Th e rec ord er h as a sc he dul ing f un c tio n. Bes id es si mpl e sc he dul ing , it is a lso p oss ib le to re gis ter vo ice m em os in t he de sir ed d ate usin g th e voic e rec ord ing f un c tio n. Dis pl aying t he c ale nda r 1 From t he [ Hom e ] me [...]

  • Seite 100

    1 00 3 EN Sc hed ul e set ti ng s [Audio Di ar y] Ope rati ons at t he c ale nda r dis pl ay Op er at io ns a t t he m ont h ly d is p lay : [F1] but to n Th e dis pl ay re tur ns to t he [ Hom e ] me nu di sp lay. [F2] bu t to n Ch a n g e s th e mo n t h t h a t is dis pl aye d. At t he p op up me nu d isp lay, pr es s th e + o r - b u t t o n to[...]

  • Seite 101

    1 01 3 EN Sc he d ul e se tt i ng s [Aud io D ia r y] Sc hed ul e set ti ng s [Audio Di ar y] Add a sc hed ule Adds a s che du le. I t is p ossi bl e to re gis te r a sch ed ule ’s sta r tin g/end in g tim e, it s fre qu en c y, the sch ed ule ’s key wo rds a nd th e voi ce key wo rds r eco rd ed u sin g the vo ice rec ord ing f un c tio n. 1 F[...]

  • Seite 102

    1 02 3 EN [Re pe at] s et t in g: 1 Pr ess t he + o r − but to n to se le c t th e ite m to se t, an d the n pr ess t he ` O K bu tt on . • Y ou c an sp ec if y t he eve nt fr eq ue nc y f rom [ One T im e ] , [ Eve r yd ay ], [ Eve r y Wee k ] , [ Ever y M on th ] , an d [ Eve r y Year] . [Key wo rd] s et t in g: 1 Pr ess t he + o r – but to[...]

  • Seite 103

    1 03 3 EN Sc he d ul e se tt i ng s [Aud io D ia r y] [Alar m] set t in g: 1 Pr ess t he + o r − but to n to se le c t [ Ala rm ] set t ing , an d the n pr ess th e ` OK b ut to n. [ O ff ]: Di s ab les t his f un c tio n. [ 1 ] to [ 3 ]: Se l e ct t he al ar m sou nd f or th e ala rm not if ic ati on . Com pl et in g t he se t ti ng : 5 Pre ss t[...]

  • Seite 104

    1 0 4 3 EN Sc hed ul e set ti ng s [Audio Di ar y] Sc he d ul e se tt i ng s [Aud io D ia r y] Regi ste rin g a voice me mo It is p oss ibl e to re gi ste r a voi ce me mo in the s el ec te d dat e usin g th e voic e rec ord ing fun c ti on. Whe n r eg is te ri n g fro m t he m on t hl y di sp l ay: 1 From the cale ndar display, pre ss the 9 , 0 , [...]

  • Seite 105

    1 05 3 EN Whe n r eg is te ri n g fro m t he d ai ly di sp l ay: 1 F r o m t h e d a i l y d i s p l a y s c r e e n , pre ss t he + o r – b ut ton t o m ove t he cur so r t o a vo ice me mo, and th en pre ss t he REC but t on . • Th e voi ce mem o re cor din g st ar t s . 2 Pre ss t he STOP but t on to s to p re cor di ng . • Th e num be r o[...]

  • Seite 106

    1 06 3 EN Sc hed ul e set ti ng s [Audio Di ar y] Sc he d ul e se tt i ng s [Aud io D ia r y] Playi ng aud io f il es f rom t he sc hed ule lis t di spl ay In ca se o f aud io f il es r eco rde d wi th th e rec ord er, an ico n wi ll be d isp laye d in t he sch ed ule l ist d isp lay a ccor din g to th eir rec ord ing d ate a nd ti me. I t is p oss[...]

  • Seite 107

    1 07 3 EN Editi ng th e sc hed ule Th e det ai ls of s che du le d even ts c an b e edi te d. 1 Fro m t h e ca l e nd a r d i s p lay, pr e s s t he 9 , 0 , + or − bu t t o n to s e l e c t t h e d a y o f t h e e v e n t y o u wa n t t o ed i t , a n d t h e n p r e s s t he ` OK but t on . 2 Pre ss t he + or − but t on to s el e ct th e event[...]

  • Seite 108

    1 08 3 EN Sc hed ul e set ti ng s [Audio Di ar y] Sc he d ul e se tt i ng s [Aud io D ia r y] Dele tin g a sc hed ule De le te the co nte nts o f a sch ed ul ed eve nt . 1 Fro m t he ca le n da r d is p la y , pr e ss t he 9 , 0 , + or − bu t t o n t o s e l e c t t h e d a y o f t h e e v e n t y o u want to de le te , and the n pre ss th e ` OK[...]

  • Seite 109

    1 09 3 EN Sc he d ul e se tt i ng s [Aud io D ia r y] Dele tin g a voice m emo De le te a re gis ter ed vo ice m em o. 1 Fr o m t h e c a l e n d a r d i s p l a y , u s e th e 9 , 0 , + o r − b ut to ns to cho os e a dat e t hat co nta in s voi ce m e m o y o u w a n t t o d e l e t e , a n d th en p re ss t he ` OK but t on . • Th e rec ord e[...]

  • Seite 110

    1 10 3 EN Sc hed ul e set ti ng s [Audio Di ar y] Sc he d ul e se tt i ng s [Aud io D ia r y] 3 Pre ss t he F2(ER ASE) but t on . 4 Pre ss t he + or – b ut t ons to c hoo se the number of events to delete, and pre ss t he ` OK or 9 but t on . 1 fi le D el ete s a se le c ted v oi ce me mo. A day De le tes t he vo ice m em os re gis te re d in th [...]

  • Seite 111

    1 1 1 3 EN Sc hed ul e set ti ng s [Audio Di ar y] Sc he d ul e se tt i ng s [Aud io D ia r y] Forma tt ing t he sc hed ule Re gis ter to r em ove all t he co nten ts o f sch ed ule t o ini tial ize . 1 From t he [ Hom e ] me nu di sp lay se le c t [ F Aud io D i ar y ], a nd t he n pre ss t he ` OK or 9 bu t ton . 2 In t he c ale nd ar d is pl ay,[...]

  • Seite 112

    1 1 2 3 EN Viewing images ( For DM -4 ) Thi s re cord er c an co nne c t to a di gi tal cam er a and i mp or t i mag es . Th e record er can conn ect t o digita l cameras th at sup po r t s to ra ge (USB sto ra ge cl ass). Y o u ca n u se t he pr ovi de d USB co nn ec t io n ca bl e. Impo r tin g imag es 1 From t he [ Hom e ] me nu di sp lay, se le[...]

  • Seite 113

    1 1 3 3 EN Vi ewi n g im age s (For D M- 4) View in g ima ges (For DM- 4) View ing i mage s 1 Fr o m t h e [ Ho m e ] m e n u d i s p l a y, se le c t [ E Pic tu r e ], and th en pre ss th e ` OK or 9 bu t ton . 2 Pre ss t he + or − but t on to s el e ct [ Bro ws e ], a nd t he n pr ess t he ` OK or 9 b ut t on . 3 Pre ss t he + or − but t on t[...]

  • Seite 114

    1 1 4 3 EN 7 Pre ss t he 9 o r 0 but t on to move to t he n ex t i mag e f il e. Eras ing a i mag es 1 From t he [ Hom e ] me nu di sp lay, se le c t [ E Pic t ur e ], a nd t he n pre ss t he ` OK or 9 bu t ton . 2 Pre ss t he + or − but t on to s e le ct [ Bro ws e ], a nd t he n pre ss t he ` OK or 9 b ut t on . 3 Pre ss t he + or − but t on [...]

  • Seite 115

    1 1 5 3 EN Vi ewi n g im age s (For D M- 4) 4 Se le c t [ IMAG E ] fol de r, and th en pre ss t he ` OK or 9 bu t ton . • Date s on wh ich i mag es we re t ake n are d isp laye d as a li st . View in g ima ges (For DM- 4) 5 Pre ss t he + or − but t on to s el e ct a dat e ima ge s wer e ta ke n, an d th en p re ss t he ` OK or 9 but t on . 6 Pr[...]

  • Seite 116

    1 16 3 EN Using v oice recognition ( For DM-4 ) Thi s re cord er i s eq uip pe d wi th a voi ce rec ogn iti on f un c tio n. T his f un c tio n all ows comp li cate d key i np ut s such a s date a nd tim e set t ing s, ke y wor d ent r y, and fo ld er nam e cha nge s to be p e r for me d by vo ice. I n add iti on , it is p oss ibl e to us e voic e [...]

  • Seite 117

    1 1 7 3 EN Usi ng v oi ce r ec og ni ti on (Fo r DM- 4) Usin g voice co mma nds 1 W h i l e t h e r e c o r d e r i s p a u s e d a t t h e [ Ho m e ] m e n u d i s p l a y, p r e s s th e VOIC E but t on a nd s ay a vo i ce com ma nd wor d. • Voice co mma nds c ann ot b e use d whe n [ R ec or de r ] mod e is r unn ing o r dur ing a n op er ati [...]

  • Seite 118

    1 18 3 EN Imp or t i ng DAIS Y c ont en ts Impor ting D AI S Y contents Th e rec ord er c an b e con nec t ed to CD -R OM dri ves w ith b uil t-in US B conn ec to r to di re ct ly imp or t co nte nt. T h e r e c o r d e r c a n b e co n n e c t e d t o C D pl aye rs su pp o r ti n g s to ra ge (U S B s to ra ge cl as s). T o do this , you can use t[...]

  • Seite 119

    1 1 9 4 EN Sav i ng f il es i n yo ur P C Using the Oly mpus Sonorit y Saving files in your PC By b ein g con ne c ted to a P C , the r eco rd er ena bl es yo u to do th e fo llo win g: • P layb ac k voi ce le s on yo ur PC ( ☞ P . 1 34). Vo ice le s r eco rd ed usi ng the re cor de r c an b e p l ay e d u s in g th e “O l y m p u s S o[...]

  • Seite 120

    1 20 4 EN Operating environment Windows Op er at in g Syst em : Mic ros of t ® Wi nd ows® X P Ser vi ce Pack 2, 3 Mic ros of t ® Wi nd ows® X P Prof ess io nal x 64 Edit io n Ser vic e Pack 2 M i cr oso f t ® Win dow s Vi st a® Ser vic e Pack 1, 2 (32bit /64 bi t) Mi c ros of t ® Wi nd ows® 7 (32bi t /64 bi t) CPU : 32 b it s (x 86) of 1GHz[...]

  • Seite 121

    1 2 1 4 EN Con ne c ti ng t o you r PC Connecting to your PC Conne c tin g to you r PC Windows Macintosh 1 T u rn t he r ec ord er ’s power O N. 2 Conn ec t t he US B co nne c ti on ca b le t o th e US B por t o f t he PC . 3 Ma ke sur e th at t he r ec ord er i s sto pp ed , an d th en c onn ec t t he USB c ab le t o th e con ne ct i ng po r t o[...]

  • Seite 122

    1 22 4 EN Conn ec ti ng to yo ur PC Dis con nec t ing f rom yo ur PC Windows 1 Cli ck [ ] on t he t as k bar loc at ed a t th e lowe r- ri ght c orn er of t he sc re e n. Cl ic k [ Sa fe ly re move US B Ma ss St or age D ev ic e ]. • Th e dri ve le t ter w ill d if f er d ep end in g on th e PC b ein g us ed . 2 Conf i rm t hat t he r ec or de r [...]

  • Seite 123

    1 23 4 EN Func t i on s ava il ab l e in t he O ly m pu s So no ri t y F unc tions available in the Olympus Sonorit y Vario us f un ct io ns suc h as f il e man ag eme nt an d ed iti ng ar e ins ta ll ed in t he “O ly mp us Son or it y ”. For info rm ati on o n op er atin g pr oce dur es a nd de ta ile d se t tin gs , pl eas e ref er to t he re[...]

  • Seite 124

    1 24 4 EN Func ti ons av ail ab le in t he O ly mp us S onor it y Sp li t ti ng f i le s* On e des ign ate d voi ce f ile c an b e sp lit i nto th e t wo f il es in “ Ol ym pus S on or it y ”. Im po r t f il es u si ng O ly m pu s So no r it y • Imp or t Po dc as t conte nt f rom t he In ter net t o a comp ute r. ➥ P lea se se e “ A bou t[...]

  • Seite 125

    1 25 4 EN Ins t al li ng s of t w ar e Installing sof t ware Be for e y ou conn ec t the reco rde r to yo ur PC a nd use it, you must f ir st inst al l t he “ Ol y mp us So nor it y ” s of t w are f ro m the i ncl ud ed S of t w are CD. Be s ur e to co nf i rm t he f ol low in g be fo re i ns ta ll at io n: • Ex it a ll ru nni ng ap pl ic ati[...]

  • Seite 126

    1 26 4 EN Macintosh 1 Ins er t “ Ol ym pu s Son ori t y ” in to th e CD - R OM dr ive. • Pro cee d to s tep 3 w he n th e co nte nt o f CD - ROM i s d isp laye d, an d go to st ep 2 and 3 w he n not hin g is dis pl ayed . 2 Op en ing c on ten ts i n th e CD - R OM wit h [Fin der] . 3 Dou bl e - c lic k [ Se tu p ] in t he CD - ROM . 4 Whe n t[...]

  • Seite 127

    1 27 4 EN Uni n st al li ng s of t w ar e Uninstalling sof t ware T o uni ns tal l any of th e s of t wa re co mp on ent of th e “O ly mp us S on ori t y ” s of t w are i ns tal le d on you r PC , fo llow t he s tep s be low. Windows 1 Ex it “O l ym pus S on ori t y ” . 2 Se le c t [ Sta r t ] fro m [ Con tr ol P an el ] me nu. 3 Cli ck [ A[...]

  • Seite 128

    1 28 4 2 3 1 2 EN Using online help Windows Macintosh T o op en O nli ne He lp, y ou have t he fo ll owi ng o pti ons . • Whi le “O ly mp us S ono ri t y ” is ru nni ng , se le ct [ Co nt en ts ] fr om t he [ Ol y mpu s S ono ri t y He lp ] men u. Se ar ch b y Co nte nt s 1 On ce t he O nli ne H el p di sp lay app ea rs , cl ic k t he Con ten[...]

  • Seite 129

    1 29 4 EN Run n in g Ol y mp us S on or it y Running Olympus Sonor ity By co nne c tin g th e rec ord er to y our P C, y ou c an au toma tic all y st ar t t he ap pl ic ati on. Windows Di sa b li ng a uto ma ti c st a r t 1 Ri ght c li ck o n th e [ ] o f t he ta sk ba r on t he l ower r igh t of t he dis pl ay, and se le c t [Se tt in g]. • Th e[...]

  • Seite 130

    1 30 4 1 2 4 5 6 3 EN Window nam es ( Oly mpus Sonorit y ) 1 Me nu B ar Th e OS st an dar d me nu ba r. 2 T oo l Ba r T oo l Bar t o be us ed i n the B row se S cre en wil l be d isp laye d. 3 Pl ayba ck Co nt ro l Bar Use d to pl ay se le c ted f i les i n the F ile Dis play A rea . 4 M ain Tree V iew File s dow nl oa de d fro m th e re cord er, f[...]

  • Seite 131

    1 3 1 4 1 2 3 4 5 7 6 Whe n th e “Ol ym pu s Son or it y ” is s t ar te d up fo r the f i rs t tim e, In fo rma tio n Dis play A rea w ill b e disp laye d in t he Fi le Li st Dis play A rea i n the B row se Scr ee n. EN Win do w na me s (Ol ym pu s S ono ri t y) Win dow na mes (Oly m pus S ono ri ty) Ol ym p us S on or it y i nf or m ati on d i[...]

  • Seite 132

    1 32 4 Download voice files from the recorder EN 2 1 Download v oice files f rom the recorder Windows Macintosh Th ere a re 3 do wnl oa d op tio ns to tr ans fe r voi ce f il es f rom t he re co rde r to th e PC: • Dow nlo ad S el ec te d Fil es • Dow nlo ad F old er s • Dow nlo ad A ll Th e fol low in g is an e xp lan ati on of [ Do wn lo a[...]

  • Seite 133

    1 3 3 4 3 EN Dow nl oa d voi ce f i le s f ro m th e re co rd er 3 Dow nlo ad t he vo ice f i le. • From th e [ Dev ic e ] Men u, s el ec t [ Dow n lo ad S el ec ted Fi l es ] or cl ick [ ] on th e T oo l Ba r. 4 Dow nlo ad c omp le te . • Do no t dis con ne c t the USB c ab le whi le th e LED i ndi cat or li ght o n the rec ord er is f lash in[...]

  • Seite 134

    1 34 4 Play a v oi ce f i le EN Pla y a voi ce f ile Windows Macintosh 1 Se le c t th e fol de r. • Se le ct t he fo ld er t hat co nta ins th e voi ce f ile y ou wo ul d like to p lay. 2 Se le c t th e voic e fi le . • Se le ct t he f i le to p layb ac k fro m th e File L is t Dis play A rea . 3 Play t he voi ce f il e. • Clic k the [ ] (pl [...]

  • Seite 135

    1 3 5 4 EN Usi ng t he w ave fo rm e di ti ng f u nc t io n / Usi ng t he o ne -to uc h e f fe c t f un c ti on Using the wa veform editing func tion Windows Macintosh Y ou c an us e the Wave for m Edi tin g T ab in t he “O ly mp us So no ri t y ” to eas ily p ro cess v oic e dat a. In th e Wavefo rm Ed iti ng M od e, you c an al so d el ete u [...]

  • Seite 136

    1 36 4 1 2 3 4 Upload voice files to the recorder EN Upload v oice files to the recorder Windows Macintosh “Ol ym pus S on or it y ” ha s a fea tur e to en abl e you t o up loa d f il es f rom y our P C to th e rec ord er. 1 Se le c t th e fol de r. • Se le ct t he fo ld er t hat co nta ins th e voi ce f ile t o upl oa d fr om th e Ma in T r[...]

  • Seite 137

    1 3 7 4 Dra g an d dr op t he ico n to t he P od ca st re gi st ra ti on i con . About P odcast Regi ste r a podc as t pr ogr am Windows Y ou c an ei the r dr ag an d dro p th e Pod cas t Pro gr am Ic on to re tr ieve Po dc as t conte nt s or sea rch a nd re tri eve i t by re gis ter in g the co nten t add re ss. Thi s fu nc ti on is n ot su pp or [...]

  • Seite 138

    1 38 4 2 1 3 Update a p ro gra m Windows By d efa ult, pro grams registere d i n “O lym pus Sono rit y ” w ill be a utomati call y up date d. To chang e up date int er v als , go to [ Tool s ] menu th en [ Op ti on s ], and ch ang e the m in the Opt io ns dial og ’s Podc as t ta b. Ple ase s ee t he O nli ne H elp f or d et ail s ( ☞ P .1 2[...]

  • Seite 139

    1 39 4 Abo ut Podc as t 1 Down load t he co ntent Windows By d ef aul t, if n ew co nten t is fo und w he n a pro gr am is u pd ate d, th e late st co nte nt wil l be auto mat ic all y dow nlo ad ed . Th is se t tin g ca n be ch an ge d by se le c tin g [ T oo ls ] th en [ O pt io ns ] and g oi ng to th e Op tio ns di alo g’s Pod ca st t ab. Pl e[...]

  • Seite 140

    1 40 4 1 2 T rans fe r conte nt to th e rec ord er Windows Macintosh In th e de fau lt s et tin g, t he co ntent a uto mati ca lly t ra nsf er re d into th e [ Po dc as t ] fo lde r on the r eco rde r wh en th e re cor de r conn ec t s to a co mpu ter. Thi s se tt in g can b e cha ng ed by se le ct ing [ T oo ls ] un der [ O pt i ons ] , and b y se[...]

  • Seite 141

    1 4 1 4 1 2 3 Abo ut Podc as t Prog ra m gui de f unc t ion s Windows OL YMPUS r ela ted p od ca st p ro gra ms ca n be e asi ly re gis te re d and n ew con tent s ca n be auto mat ic all y dow nlo ad ed o n th e “Ol ym pus S on or it y ”. New conte nt s can a lso b e re di re ct ed to the r eco rd er by j ust co nn ec ti ng to t he PC . Pro gr[...]

  • Seite 142

    1 42 4 About D AISY ( F or DM-4 ) Windows Macintosh Wha t do es DA IS Y st an d fo r? DAISY s tan ds f or D igi ta l Access ib le In fo rmat io n Syste m. O ri gin all y inte nd ed a s a rep la ceme nt for a udi o ta pe s fo r visu al ly im pai re d pe op le , the b oo k s an d inf or mati on a re no w use d by pe op le w ith v ar iou s rea din g d[...]

  • Seite 143

    1 43 4 Ab out DAI SY (Fo r DM- 4) Impo r tin g conte nts DAISY b o ok co nte nt can b e imp or ted i nto “O l ym pu s Son or it y ” . T h e conte nt ca n be pl aye d by s el ec ti ng it f ro m t he [ DAIS Y t ray ]. I mp or t and pl ayb ack are po ssi bl e wi th Versi on 2. 0/2. 02 DAISY co ntent . 1 Plac e a DAIS Y fi le o r fo ld er w it h DA[...]

  • Seite 144

    1 4 4 4 EN Playi ng con tent s 1 Cli ck [ DAIS Y tr ay ]. • A lis t of DAIS Y bo ok s r egi ste re d in “Ol ym pus S on or it y ” is d isp laye d. 2 From t he l ist , c li ck t he t it le y ou wis h to p lay. • A f ile i mp or t w ind ow is d isp laye d. Abo ut DAISY (For DM- 4) 1 2 3 3 From t he p layb ac k con tr ol b ar, cl ic k [ ] (Pla[...]

  • Seite 145

    1 45 4 Ab out DAI SY (Fo r DM- 4) EN T rans fe r conte nt to th e rec ord er 1 Conn ec t t he r ec ord er t o a PC , a nd st ar t O ly mpu s So no rit y. • A dev ice t ree i s dis play ed i n Dev ice Man age r. 2 Se le c t th e con ten t you wa nt to tra ns fe r . • Se le ct t he f i le yo u want t o dow nlo ad fro m th e Fil e Lis t Dis pl ay [...]

  • Seite 146

    1 46 4 EN Upgrade func tion Windows Macintosh Th e “Ol ym pus S on or it y ” c an b e up gra de d to the Pl us Ver sio n (Opt io nal ) to ex pa nd an d imp rove i ts f un c tio ns. I n ad dit io n, in t he “Ol ym pus S on or it y Pl us” , you c an p urc has e a Musi c Edi tin g Plu g- in to e nj oy hig h - qua lit y ef f ec t e dit ing . To[...]

  • Seite 147

    1 47 4 Func t i on s ava il ab l e in t he O ly m pu s So no ri t y Pl us / Func t i on s ava il ab l e wi th t he m us ic e di t in g pl ug -i n EN F unc tions available in the Olympus Sonorit y Plus Bes id es th e usua l fu nc ti ons , th e “O ly mpu s Son or it y Pl us” a lso i ncl ude s va rio us f unc t io ns to edi t mus ic f i les . For [...]

  • Seite 148

    1 48 5 5 7 9 6 8 0 4 3 2 1 1 5 7 9 6 8 0 4 3 2 EN About Wind ows M edia Pla yer Using Windo ws Media P lay er 5 7 9 6 8 0 4 3 2 1 1 5 7 9 6 8 0 4 3 2 1 Fea tu re s ta sk ba r 2 Se e k sl ide r 3 Sh uf f l e but t on 4 Re p eat b ut to n 5 St op bu t ton 6 Pr evi ous b ut to n 7 Pl ay but to n 8 N ex t b ut to n 9 Mu te b ut to n 0 Volu me s lid er [...]

  • Seite 149

    1 49 5 Usi ng W in do ws Me di a Pl aye r 3 2 4 EN Usin g Win dows Me di a Player 1 Ins er t C D int o th e CD - R OM d rive , and s ta r t Win dow s Me di a Playe r . 2 From t he Fe atu re s ta sk ba r, clic k [ Ri p CD ] me nu. • If In ter net c onn ec t ivi t y is ava ila bl e, CD inf or mati on i s sea rch ed . 3 Put a c he ck m ark o n th e [...]

  • Seite 150

    1 50 5 Usin g Win dows Me di a Player 2 4 3 EN Wi nd ows M ed ia P lay er 11 1 Ins er t C D int o th e CD - R OM d rive , and s ta r t Win dow s Me di a Playe r . 2 From t he Fe atu re s ta sk ba r, clic k [ Ri p ] me nu. • Afte r cli ck ing [ Ri p ] men u, cl ick [ Vi ew Al bu m In fo ] for W in dow s Me dia Playe r 10 as neces sa r y. • I f I[...]

  • Seite 151

    1 5 1 5 Usin g Win dows Me di a Player 2 3 EN Usi ng W in do ws Me di a Pl aye r T rans fe rr ing m usi c fi le to th e rec ord er Y ou c an tr ans fe r the m usi c f ile s save d in yo ur P C to thi s rec ord er. For ho w to copy t he mu sic f ile s fr om th e CD to yo ur PC , p lea se s ee “ Co py in g mus ic f ro m CD ” ( ☞ P .1 49). Wi nd[...]

  • Seite 152

    1 52 5 2 , 3 Usin g Win dows Me di a Player 5 4 EN 4 Se le c t th e des ir ed c at eg or y fr om [ Lib r ar y ] on t he le f t , an d se le c t mus ic f il es o r al bu ms to t ra nsf er to t he re co rd er, and D rag & D ro p th em i n [ Syn c li st ] on t he ri ght . 5 Cli ck [ Sta r t sy n c ]. • Th e f ile i s tra ns fer re d to th e rec [...]

  • Seite 153

    1 53 5 Usin g Win dows Me di a Player 3 5 4 EN Usi ng W in do ws Me di a Pl aye r *1 If [ Cre at e fo ld er h ie ra rc hy on dev ic e ] is che cke d by de fa ult , cli ck to unc he ck th e box o nce , and c lic k it aga in to ch ec k. *2 A f ter t he s yn chr ono us tr ans fe r to th e r eco rde r, a fi le na me d “ WMPI nfo .x ml ” is cre ate [...]

  • Seite 154

    1 54 5 Usin g Win dows Me di a Player 5 4 2 3 EN 1 Ins er t t he b la nk C D - R /RW i nto th e CD - R /R W dri ve, a nd st ar t Win dows M e di a Playe r . 2 From t he Fe atu re s ta sk ba r, clic k th e [ Bur n ] ta b. 3 Se le c t th e des ir ed c at eg or y fr om [ Lib r ar y ] on t he le f t , an d se le c t voic e fi le s or a lb ums t o co py[...]

  • Seite 155

    1 5 5 5 Usin g Win dows Me di a Player 5 3 2 , 4 EN Usi ng W in do ws Me di a Pl aye r Wi nd ows M ed ia P lay er 11 1 Ins er t t he b la nk C D - R /RW i nto th e CD - R /R W dri ve, a nd st ar t Win dows M e di a Playe r . 2 From t he Fe atu re s ta sk ba r, clic k th e [ Bur n ] me nu. 3 Se le c t th e des ir ed c at eg or y fr om [ Lib r ar y ][...]

  • Seite 156

    1 56 5 Usin g Win dows Me di a Player EN 1 Conn ec t t he r ec ord er t o a PC , a nd st ar t Wi ndo ws Me di a Playe r. • If th e pl ayer i s in No w Playi ng m od e, cli ck [ Go t o Lib ra r y ] ( )o n the upp er r ig ht cor ne r of th e win dow. Wi nd ows M ed ia P lay er 12 Crea ting a p lay lis t (For DM-4) Y ou c an cr eate p lay lis ts u s[...]

  • Seite 157

    1 5 7 5 4 6 5 7 8 EN Using Win dows Me dia Play er 4 In t he l ist w in dow, arr ang e th e ti tl es i n th e or de r you wa nt to. Usin g Win dows Me di a Player 5 Fro m t h e t o p o f t h e l i s t w i n do w, click the [ List optio ns ] ( ) button. From the menu that dis plays, se lect [ Save l i st a s ]. 6 At th e [ Save A s ] dis pl ay, ente[...]

  • Seite 158

    1 58 5 2 3 4 EN 1 Conn ec t t he r ec ord er t o a PC , a nd st ar t Wi ndo ws Me di a Playe r. 2 Whi le t he l ib rar y w in dow di sp layed , c lic k [ Lib r ar y ] and th en [ Cr eat e pl ay li st ]. Wi nd ows M ed ia P lay er 11 3 From t he mu si c ti t le s dis pl ayed i n th e lib ra r y win dow, c lic k t he t it le you wi sh t o ad d to t h[...]

  • Seite 159

    1 59 5 5 6 7 EN Usi ng W in do ws Me di a Pl aye r 5 At th e [ Save A s ] dis pl ay, ente r a fi le n ame a nd t he n se le c t th e [ MUSIC ] fol de r of t he r ec or de r as [ Des t in at ion ]. Cl ick [ Save ]. Usin g Win dows Me di a Player 6 Clic k th e [ Sync ] ta b. Dr ag t he s aved pl ayli st to th e s yn ch ro niz at io n lis t w i nd o w[...]

  • Seite 160

    1 60 6 4 5 6 7 8 9 2 1 3 0 EN Using iT unes Wind ow nam es 1 Fea tu re s ta sk ba r 2 Re wi nd bu t ton / Pl ayb ac k , Pau se b ut to n/ F as t For wa rd b ut to n 3 Volu me s lid e 4 Pl ayli st a dd it ion b ut t on Musi c f il es th at have b ee n im po r ted t o you r comp ute r fr om mu sic C Ds an d acqu ir ed ove r the Inte rn et ca n be t r[...]

  • Seite 161

    1 6 1 6 2 6 5 3 4 4 EN Usi ng i Tune s Copyi ng mu sic f rom CD Usin g iTunes 1 Ins er t t he C D int o th e CD - R OM dri ve, an d st ar t i T u ne s. 2 Cli ck [ iTune s ] { [ Pre fe r en ce s ]. 3 Cli ck [ Adv an ce d ] ta g. 4 Cli ck [ Imp or t i ng ] to se t t he f il e for mat a nd b it ra te fo r co pyi ng mus ic f il es t o you r PC , an d c[...]

  • Seite 162

    1 62 6 2 Dr ag & D ro p fi le s he r e EN T rans fe rr ing m usi c fi le to th e rec ord er Y ou c an tr ans fe r the m usi c f ile s save d in yo ur P C to thi s rec ord er. For ho w to copy t he mu sic f ile s fr om th e CD to yo ur PC , p lea se s ee “ Co py in g mus ic f ro m CD ” ( ☞ P .1 61 ). 1 Conn ec t t he r ec ord er t o a PC ,[...]

  • Seite 163

    1 63 6 2 4 3 EN Usi ng i Tune s Copyi ng voic e fi le to t he CD Y ou c an tr ans fe r the vo ice f i le s in th e rec ord er to y our P C and co py th em to C D. For how t o copy t he voi ce f il es f ro m the r eco rde r to yo ur PC , p lea se s ee “ Do wn lo ad vo ice f i le s fr om t he re co rd er ” ( ☞ P . 1 32). 1 Ins er t t he C D - R[...]

  • Seite 164

    1 64 7 EN Fir st l ayer Sec ond l aye r Thi rd l aye r Lis ts c reat ed a nd sav ed as a f i le o n a com put er ar e cal le d pl ayli st f i les . B y tra nsf er rin g a play lis t f il e to th e [ Music ] fold er o f this r eco rd er, it is p ossi bl e to pl ay so ngs i n a par t icu lar ord er. • W it h pl ayli st s, i t is p ossi bl e to pl a[...]

  • Seite 165

    1 65 7 EN Play i ng s on gs i n a pa r ti c ul ar o rd er Windows 1 Cli ck t he [St ar t] b ut to n, s el ec t [ Pr og ra ms ] { [ Acc es so ri es ] { [ Note p ad ]. • Note pa d op en s. 2 Ent er t he n ame s of f i le s in t he [ Mu si c ] fol de r in t he o rd er yo u want t h em to b e pl ayed . • Th e f ile n am es in th e pl ayl ist a re e[...]

  • Seite 166

    1 66 7 EN Playi ng s ong s in a p ar ti cu lar o rd er 4 Dra g th e save d pl ayl ist f i le to t he [ Mu si c ] fol de r of t he r ec or de r to tra ns fe r it to t he r ec or de r. • T rans fe r th e play li st f il e to th e top leve l (f ir st l ayer) of t he [ Mu si c ] fol de r. For m ore d et ail s ab out f ile t ran sf er s, pl eas e se e[...]

  • Seite 167

    1 6 7 7 EN Ab out A ud io B oo k s About Audio Books Windows Macintosh Audi o Bo ok s a re bo o k s that c an b e lis ten ed to. D ig it al au dio bo ok s c an b e pl ayed a ny tim e an d any wh er e o n play er s su ch as thi s r eco rd er. Aud io Bo ok s c an be en joye d in var io us ways . For ex amp le, t hey c an b e lis ten ed t o whi le mo [...]

  • Seite 168

    1 68 7 EN About T ex t Speech (F or DM-4 ) Windows Macintosh If a tex t f il e is tra ns fe rr ed t o this re co rd er an d play ed , the te x t fi le ca n be re ad al ou d. T his rec ord er can rea d aloud tex t crea ted in vari ous sit uati on s and can be use d to conf i rm or revi ew aud io co ntent . T rans fe r tex t f il e to the r ecor de r[...]

  • Seite 169

    1 69 2 3 7 EN Loa di n g Aud i bl e co nte nt Loading Audible cont ent Windows Use th e Aud ibl eM ana ge r to lo ad Au dib le co nten t onto t he re cor de r. Playb ac k , mana ge me nt, a nd tr ans fe r of Au dib le co nten t to the r eco rd er c an b e don e usi ng the Au dib le Ma nag er. Inst al lin g Audi ble Man ager Whe n Aud ib leM an age [...]

  • Seite 170

    1 70 1 2 3 4 7 EN Addi ng dev ice to Au dib leM anag er If Au dib le Man ag er ha s alr ead y be en i ns tal le d, a dd a de vi ce in or de r to han dl e the r eco rd er in the Au dib le Ma nag er. Foll ow th e pro ce dur e des cr ibe d b el ow. 1 Se le c t [ Add N ew Dev i ce ] in t he [ Dev ic es ] me nu. 2 Whe n t he di al og b ox di spl ays , v[...]

  • Seite 171

    1 71 4 3 5 7 EN Trans f er ri ng A ud ib l e co nte nt T rans ferring Audible content Windows Audi bl e conte nt c an be t ra nsf er re d into th e [ Aud ib le ] fo ld er o n the r eco rd er by f ol low ing t he pro ce dur e des cr ibe d b el ow. 1 Conn ec t t he r ec ord er t o a com pu te r . 2 Se le c t [ Lib r ar y ] in t he [ Aud i bl e Fol de[...]

  • Seite 172

    1 72 a 7 EN Enjo y Audible conten t with the recorder Audi bl e conte nt th at has b e en tr ans fe rr ed in to the [ Au di bl e ] fo lde r on t he re cor de r fr om a comp ute r ca n be e njoy ed w ith a n excl usi ve mo de o pti mal ly su ite d fo r the o pe rat io n of Audi bl e conte nt . Audi ble m ode Whe n yo u sel ec t t he [ Aud ib le ] f [...]

  • Seite 173

    1 73 7 EN Enj oy Au d ib le c on te nt wi t h th e re co rd er Enjoy Au di bl e cont ent w ith t he r eco rde r Playb ack p osi tion a nd se c tio n In th e Audi bl e mo de, t he s tar t in g pos iti on c an b e move d eas ily b y ref er rin g to th e Play bac k Posit io n whi ch is th e po sit io nal i nfo rm atio n st ore d f rom p rev io us s to[...]

  • Seite 174

    1 7 4 7 EN Ope rati ng re cor de r in Aud ib le mod e Th e o pe rat ing m eth od on th e r eco rd er is dif fe rent i n th e Audi bl e m od e w he n t he [ Audi bl e ] fol de r or Au dib le f i le is s el ec te d, t he n whi le in t he N orm al m od e. Enjoy Au di bl e cont ent w ith t he r eco rde r For w ar d in g Pres s and h ol d the 9 b ut to [...]

  • Seite 175

    1 75 7 EN Enj oy Au d ib le c on te nt wi t h th e re co rd er Fil e Sk ip a nd S e c ti on S ki p Pres s the 9 b ut to n whi le th e re cor de r is sto pp ed . ➥ T h e r e c o r d e r s k i p s t o a p l a y b a c k p osi ti o n or th e st a r ti n g po si ti on o f a se c tio n, wh ich eve r i s clo ser i n the f i le, and s top s. A f t e r a [...]

  • Seite 176

    1 76 7 EN Using as external memor y of the PC In ad di tio n to it s us es as an I C re cor de r and a m usi c play er, this r eco rde r ca n als o be u se d as ex te rn al me mo r y fo r a com put er by s tor ing d at a fro m a com pu ter a nd re adi ng i t bac k out . Wit h the r eco rd er co nne c te d to you r PC , you c an d own loa d dat a f [...]

  • Seite 177

    1 77 8 EN Al ar m me ss ag e li s t Other i nformation Alarm message list Me ss ag e Me ani ng Ex p lan at io n Ac t io n [Ba tt e r y Low] Low b at te r y po wer. Bat te r y p owe r is ge t ti ng low. Cha rge t he b at te r y ( ☞ P . 23 to P .24). If yo u ru n out of batter y soon af te r the char ge , the bat te r y lif e has en de d. Re pl ace[...]

  • Seite 178

    1 78 8 EN T r oubleshooting Symp to m Pro ba bl e ca us e Act io n No th in g ap pe ar s on th e di sp lay Th e bat t er y is n ot l oa de d pr op er ly. Che ck t he d ire c ti on o f the b at te r y ( ☞ P . 22). Bat te r y p owe r is ge t ti ng l ow. Char ge t he b at ter y ( ☞ P . 22 t o P . 26). Th e pow er i s of f. Turn the p ow er on ( ?[...]

  • Seite 179

    1 79 T rou bl es hoot ing 8 EN Troubleshooting Symp to m Pro ba bl e ca us e Act io n Voic e fi le s a re n ot re co rd ed i n st er e o Th e con ne c ted e x te rn al mi cro ph on e is mo na ura l. Wh en re co rdi ng w hi le an e x te rn al mo nau ra l mic ro ph one i s con ne c te d, so und w il l on ly b e re cor de d by th e L -c han ne l. [ R [...]

  • Seite 180

    1 80 8 EN Acc essories ( optional) Access or ie s excl usi ve to th e Ol ym pus I C re cor der c an b e pu rch ase d di rec t ly f rom O nl ine S ho p on ou r com pa ny ’s websi te. Sa le s of acc ess ori es a re di f fe ren t acco rdi ng to th e cou ntr y. s US B co nne c ti ng AC ad apt er : A51 4 DC 5V AC ad apte r fo r USB con ne c tio n s 2 [...]

  • Seite 181

    1 81 8 EN Specifications Specif ic ations Ge ne ra l po in ts 4 Re cor di ng me d ium : Bui lt-i n me mo r y DM - 4 : 8 GB DM -2 : 4 GB mic roSD c ard (51 2 M B to 16 GB) 4 Re cor di ng f orm at : Lin ear P CM (Pu lse Co de M od ula tio n) MP3 (MPEG -1 Audio L aye r3) WMA ( W ind ows M ed ia Aud io) 4 In put l eve l: [Mic S en se]:[Mi dd le] - 60 d[...]

  • Seite 182

    1 82 8 EN Spec i fi c atio ns Gu id e to r ec or di ng t i mes 4 Lin ear P CM f orm at : Re co rd in g mo de Bu il t- in me mo r y (4 GB)(D M -2) Bu il t- in me mo r y (8 GB) (DM - 4) mi cr oS D ca rd 2 GB 4 G B 16 GB 48 k Hz 5h . 5mi n. 10h.4 0 min . 2h. 4 0mi n. 5h . 30m in . 22h. 15min. 4 4.1 kHz 5h. 30 min . 1 1h.40 mi n. 2h . 55min. 6h. 2 4h.1[...]

  • Seite 183

    1 83 8 EN Specifications 4 Lin ear P CM f orm at : 48 k Hz 3h. 4 4.1 kHz 3h. 20m in. 4 MP3 fo rm at: 320k bps 2 9h .4 0m in. 256 kb ps 37h.1 0 mi n. 1 92kbp s 49h .4 0m in . 1 28 k bp s 7 4h. 3 0m in. 4 WMA f orm at : ST XQ 72h. 50 mi n. ST H Q 1 45h. 40 mi n. ST SP 291 h . 30 min . HQ 291 h. 30 mi n. SP 57 4 h. LP 1 1 39h .2 0m in. Spec i fi c ati[...]

  • Seite 184

    1 8 4 De cl ar at io n of Co nf or mit y Mo de l Nu mb er : D M- 4/D M -2 Trade N ame : DI GI TAL VOIC E RECO RD ER Res po nsi bl e Pa r t y : O L YMPU S IMAG IN G AM ERI C A IN C. Add res s : 3500 Co rp or ate P ar kw ay, P .O. B ox 61 0, Ce nte r Vall ey, PA 1 8 03 4 - 0610, U.S . A . Te lep ho ne N umb er : 1-8 88 - 553- 4 4 48 Th is de vi ce Co[...]

  • Seite 185

    EN - BD2650 - 0 4 AP1 104 Shinjuku Monolith, 3-1 Nishi-Shinjuku 2-chome, Shinjuku-ku, T okyo 163-0914, Japan. T el. +81 (0)3-3340-211 1 http://www.olympus.com 3500 Corporate Parkway , P .O. Box 610, Center V alley , PA 18034-0610, U.S.A. T el. 1-888-553-4448 http://www.olympusamerica.com[...]