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Roland 2 Bedienungsanleitung

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Ähnliche Gebrauchsanleitungen

Richtige Gebrauchsanleitung

Die Vorschriften verpflichten den Verkäufer zur Übertragung der Gebrauchsanleitung Roland 2 an den Erwerber, zusammen mit der Ware. Eine fehlende Anleitung oder falsche Informationen, die dem Verbraucher übertragen werden, bilden eine Grundlage für eine Reklamation aufgrund Unstimmigkeit des Geräts mit dem Vertrag. Rechtsmäßig lässt man das Anfügen einer Gebrauchsanleitung in anderer Form als Papierform zu, was letztens sehr oft genutzt wird, indem man eine grafische oder elektronische Anleitung von Roland 2, sowie Anleitungsvideos für Nutzer beifügt. Die Bedingung ist, dass ihre Form leserlich und verständlich ist.

Was ist eine Gebrauchsanleitung?

Das Wort kommt vom lateinischen „instructio”, d.h. ordnen. Demnach kann man in der Anleitung Roland 2 die Beschreibung der Etappen der Vorgehensweisen finden. Das Ziel der Anleitung ist die Belehrung, Vereinfachung des Starts, der Nutzung des Geräts oder auch der Ausführung bestimmter Tätigkeiten. Die Anleitung ist eine Sammlung von Informationen über ein Gegenstand/eine Dienstleistung, ein Hinweis.

Leider widmen nicht viele Nutzer ihre Zeit der Gebrauchsanleitung Roland 2. Eine gute Gebrauchsanleitung erlaubt nicht nur eine Reihe zusätzlicher Funktionen des gekauften Geräts kennenzulernen, sondern hilft dabei viele Fehler zu vermeiden.

Was sollte also eine ideale Gebrauchsanleitung beinhalten?

Die Gebrauchsanleitung Roland 2 sollte vor allem folgendes enthalten:
- Informationen über technische Daten des Geräts Roland 2
- Den Namen des Produzenten und das Produktionsjahr des Geräts Roland 2
- Grundsätze der Bedienung, Regulierung und Wartung des Geräts Roland 2
- Sicherheitszeichen und Zertifikate, die die Übereinstimmung mit entsprechenden Normen bestätigen

Warum lesen wir keine Gebrauchsanleitungen?

Der Grund dafür ist die fehlende Zeit und die Sicherheit, was die bestimmten Funktionen der gekauften Geräte angeht. Leider ist das Anschließen und Starten von Roland 2 zu wenig. Eine Anleitung beinhaltet eine Reihe von Hinweisen bezüglich bestimmter Funktionen, Sicherheitsgrundsätze, Wartungsarten (sogar das, welche Mittel man benutzen sollte), eventueller Fehler von Roland 2 und Lösungsarten für Probleme, die während der Nutzung auftreten könnten. Immerhin kann man in der Gebrauchsanleitung die Kontaktnummer zum Service Roland finden, wenn die vorgeschlagenen Lösungen nicht wirksam sind. Aktuell erfreuen sich Anleitungen in Form von interessanten Animationen oder Videoanleitungen an Popularität, die den Nutzer besser ansprechen als eine Broschüre. Diese Art von Anleitung gibt garantiert, dass der Nutzer sich das ganze Video anschaut, ohne die spezifizierten und komplizierten technischen Beschreibungen von Roland 2 zu überspringen, wie es bei der Papierform passiert.

Warum sollte man Gebrauchsanleitungen lesen?

In der Gebrauchsanleitung finden wir vor allem die Antwort über den Bau sowie die Möglichkeiten des Geräts Roland 2, über die Nutzung bestimmter Accessoires und eine Reihe von Informationen, die erlauben, jegliche Funktionen und Bequemlichkeiten zu nutzen.

Nach dem gelungenen Kauf des Geräts, sollte man einige Zeit für das Kennenlernen jedes Teils der Anleitung von Roland 2 widmen. Aktuell sind sie genau vorbereitet oder übersetzt, damit sie nicht nur verständlich für die Nutzer sind, aber auch ihre grundliegende Hilfs-Informations-Funktion erfüllen.

Inhaltsverzeichnis der Gebrauchsanleitungen

  • Seite 1

    This document explains the functions that have been added in version 2.0. Please read this along with the Prelude Owner’s Manual. Version 2 Supplementary Manual Copyright © 2009 ROLAND EUROPE All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND EUROPE. Prelude_OM_Ver2.book Page 1[...]

  • Seite 2

    2 Contents New functions in Prelude Version 2.0 . 3 Playing back songs with Lyrics data........................ 3 Creating a User Style ............................................. 3 Recording or editing a song ................................... 3 Other added functions............................................ 3 Playing back songs with Lyrics d[...]

  • Seite 3

    3 New functions in Prelude Version 2.0 • You can now play back songs stored in the Prelude’s internal memory and follow their lyrics in the display in true karaoke fashion. • For your convenience, the Prelude allows you to specify whether you want to see 4 or 6 lines of lyrics at once. • You can easily edit a new Style by accessing the STYL[...]

  • Seite 4

    4 Playing back songs with Lyrics data The Prelude allows you to follow the lyrics of the songs you play back in its display (provided the songs you select contain lyrics data). This function is available for songs that reside in the Prelude’s internal memory. You may therefore have to import songs from a USB storage device to take advantage of th[...]

  • Seite 5

    5 Before you compose a Style For each of the three principal chords (Major, minor, and 7th), each Style contains four variations each for intro, main, fill-in, and ending, giving a total of 48 accompaniment patterns. Each accompaniment pattern is called a “division.” In the STYLE COMPOSER screen you can check whether or not a division exists. 1[...]

  • Seite 6

    6 Before you compose a Style Broadly speaking, you can create a user style in either of the following two ways. Editing an existing style You can create a new User Style by changing the Tones used in a previously saved Style, adjusting the volume balance between parts, or adjusting the settings of dedicated Style effects. Creating a new style You c[...]

  • Seite 7

    7 Editing an existing Style You can change the Tone used by each part of a Style, and adjust the volume and effect balance between parts. The STYLE MAKEUP settings are applied to all divisions of a Part for which the same Tone is assigned. 1. Select a Style (p. 25 in the owner’s manual). 2. Press [PART VIEW] a number of times to access the STYLE [...]

  • Seite 8

    8 Editing an existing Style STYLE MFX SETTING screen From the STYLE MFX screen, press [ ] to access this screen. Here’s how a Style you’ve edited can be saved as a User Style. 1. Press [WRITE]. The WRITE MENU screen or the STYLE NAME screen will appear. 2. If the WRITE MENU screen appears, use [ ] [ ] to select “Style” and press [ENTER]. Th[...]

  • Seite 9

    9 Creating a new Style Here’s how to delete the performance data from the Style, and initialize it to the specified values. 1. Press [MENU] so the button is lit. 2. Use [ ] [ ] to select “Style Composer,” and press [ENTER]. The STYLE COMPOSER screen will appear. 3. Press [1] (STYLE INIT). The Style Initialize window will appear. 4. Use [ ] [ [...]

  • Seite 10

    10 Creating a new Style You can assign the following Tones to each style part. Drums (ADrum): rhythm sets Bass (ABass): tones other than rhythm sets Accompaniment (Acc 1–6): any tone 6. Press [ ] to start recording. If the Count In setting is WAIT NOTE, recording will start the moment you play a key. 7. Play the keyboard. 8. Press [ ] to stop rec[...]

  • Seite 11

    11 Creating a new Style You can assign the following Tones to each style part. Drums (ADrum): rhythm sets Bass (ABass): tones other than rhythm sets Accompaniment (Acc 1–6): any tone 7. Press [ ] to start recording. The STYLE STEP REC screen will appear. 8. Use [ ] [ ] [ ] [ ] to select a parameter, and specify the note value that you want to inp[...]

  • Seite 12

    12 Creating a new Style I A Style you’ve recorded can be saved as a User Style. The following content is saved. • Recording data for each Division •S tyle MFX settings (MFX Type, MFX Chorus/Reverb Send, MFX Sw) • STYLE MAKEUP settings • One Touch settings (you can select whether these will be saved) 1. Press [WRITE]. The STYLE NAME screen[...]

  • Seite 13

    13 Creating a new Style The Prelude is able to display both uppercase and lowercase letters, but these are not distinguished internally. For example, suppose that a Style named “ROCK” has been saved. If you then record a different Style, assign it the name “rock” and then attempt to save it, “ROCK” and “rock” will be considered iden[...]

  • Seite 14

    14 Creating a new Style This function corrects the timing of the performance data in the specified region. 1. In the “Style Edit Menu,” select “1. Quantize” and press [ENTER]. The STYLE EDIT QUANTIZE screen will appear. 2. Use [ ] [ ] [ ] [ ] to move the cursor to the parameter you want to change, and use the VALUE dial to make the desired [...]

  • Seite 15

    15 Creating a new Style 3. Select “EXECUTE” and then press [ENTER]. It is not possible to restore the data to its original state after executing this operation. This function deletes the performance data of the specified region. Performance data that follows the deleted region will be moved forward to fill the gap. The performance data will be [...]

  • Seite 16

    16 Creating a new Style 3. In the STYLE EDIT COPY =SOURCE= screen, select “DESTINATION” and press [ENTER]. The STYLE EDIT COPY =DESTINATION= screen will appear. 4. Use [ ] [ ] [ ] [ ] to move the cursor to the parameter you want to change, and use the VALUE dial to make the desired setting. 5. Select “EXECUTE” and then press [ENTER]. If you[...]

  • Seite 17

    17 Creating a new Style This function inserts blank space at the specified location. Performance data that follows this location will be moved back to make room for the inserted blank space. The performance data will be lengthened by the inserted amount. 1. In the “Style Edit Menu,” select “5. Insert” and press [ENTER]. The STYLE EDIT INSER[...]

  • Seite 18

    18 Creating a new Style This function modifies the dynamics of the specified region. 1. In the “Style Edit Menu,” select “7. Change Velocity” and press [ENTER]. The STYLE EDIT CHANGE VELOCITY screen will appear. 2. Use [ ] [ ] [ ] [ ] to move the cursor to the parameter you want to change, and use the VALUE dial to make the desired setting.[...]

  • Seite 19

    19 Creating a new Style 3. Select “EXECUTE” and then press [ENTER]. It is not possible to restore the data to its original state after executing this operation. This function replaces the specified MSB, LSB, and PC values with different MSB, LSB, and PC values. You can also apply a relative adjustment to the control values (Expression, Panpot, [...]

  • Seite 20

    20 Creating a new Style By using this function, events of the specified data type in the specified region and specified range of pitches can be shifted forward or backward. 1. In the “Style Edit Menu,” select “10. Shift Clock” and press [ENTER]. The STYLE EDIT SHIFT CLOCK screen will appear. 2. Use [ ] [ ] [ ] [ ] to move the cursor to the [...]

  • Seite 21

    21 Creating a new Style This function specifies the time signature of the Style. 1. In the “Style Edit Menu,” select “12. Time Signature” and press [ENTER]. The STYLE EDIT TIME SIGNATURE screen will appear. 2. Use [ ] [ ] [ ] [ ] to move the cursor to the parameter you want to change, and use the VALUE dial to make the desired setting. 3. S[...]

  • Seite 22

    22 Creating a new Style 1. Measure: Beat: Tick 2. Bank select MSB/value Bank select LSB/value Program change number/value 3. Controller number/value 4. Pitch bend/value 5. Note: Note number/Velocity/Gate time (Beat: Tick) 6. Use the VALUE dial or [ ] [ ] to select the event that you want to edit. 7. Use [ ] [ ] to select the data that you want to c[...]

  • Seite 23

    23 Creating a new Style Using the Style data of a chord, you can automatically generate Style data for a different chord. This is called the “EZ Convert” function. For example, you could create performance data for each of the Major divisions, and then use the EZ Convert function to automatically generate data for the minor and 7th divisions. 1[...]

  • Seite 24

    24 Creating a song You can use the Prelude’s 16-track recorder to create songs. You can record your keyboard performance while listening to an accompaniment, and then listen to the playback of your recorded performance. If you want to record the Style playback as well, turn [STYLE] on. Recording will start/stop simultaneously when you start/stop [...]

  • Seite 25

    25 Creating a song Upper/Lower MFX (p. 40 in the owner’s manual) will apply only to the realtime performance of the Part (Upper Part or Lower Part) you play by hand. Be aware that Upper/Lower MFX will not apply to the recorded Song data. You can specify whether the metronome will sound during recording. See “Using the Metronome” (Owner’s Ma[...]

  • Seite 26

    26 Editing an existing song You can change the Tone used by each part of the song, and adjust the volume or effect balance of the parts. The settings in SONG MAKEUP are not applied to the data recorded in the song; rather, they are applied when the song is played back. 1. Select a song (p. 29 in the owner’s manual). 2. Press [PART VIEW] a number [...]

  • Seite 27

    27 Editing an existing song SONG MFX screen You can access this screen from the SONG TRACK screen by moving the cursor to “MFX” and pressing [ENTER], or from the SONG MFX SETTING screen by pressing [ ]. SONG MFX SETTING screen You can access this screen from the SONG MFX screen by pressing [ ]. If part 4 and part 11 were recorded as manually pl[...]

  • Seite 28

    28 Creating a new song Here’s how to erase the performance data from a song, and initialize it to the specified values. 1. Press [SONG]. 2. Press [PART VIEW] a number of times until the SONG TRACK screen appears. 3. Use [ ] [ ] [ ] [ ] to move the cursor to “INIT” and press [ENTER]. The Song Initialize window will appear. 4. Use [ ] [ ] to se[...]

  • Seite 29

    29 Creating a new song 4. Use [ ] [ ] [ ] [ ] to select a parameter, and turn the VALUE dial to edit the value. You can use [OCTAVE] to change the octave setting during recording. If “PUNCH IN/OUT” is set for Pedal Assign (p. 45 in the owner’s manual). • Set Punch Sw to “OFF.” If this is “ON,” you won’t be able to use the pedal to[...]

  • Seite 30

    30 Creating a new song 4. Press [SONG REC] to change REC TYPE to “STEP REC.” Pressing [SONG REC] will switch between REALTIME and STEP REC. You can also switch between REALTIME and STEP REC by moving the cursor to REC TYPE and turning the VALUE dial. 5. Use [ ] [ ] [ ] [ ] to select a parameter, and turn the VALUE dial to edit the value. 6. Pre[...]

  • Seite 31

    31 Creating a new song Here’s how to save a song you’ve recorded. The following content will be saved. • The song’s performance data • Song MFX settings (MFX Type, MFX Chorus/Reverb Send, MFX Sw) • Song Makeup settings 1. Press [WRITE]. The SONG NAME screen will appear. Naming the Song 2. Use [ ] [ ] to move the cursor, and use the VALU[...]

  • Seite 32

    32 Creating a new song If you’ve assigned the same name as an existing song, a screen will ask you to confirm that you want to overwrite the existing song. The Prelude is able to display both uppercase and lowercase letters, but these are not distinguished internally. For example, suppose that a song named “SONG1” has been saved. If you now r[...]

  • Seite 33

    33 Creating a new song This function corrects the timing of performance data in the specified region. 1. In the “Song Edit Menu,” select “1. Quantize” and [ENTER]. The SONG EDIT QUANTIZE screen will appear. 2. Use [ ] [ ] [ ] [ ] to move the cursor to the parameter that you want to change, and use the VALUE dial to make the desired settings[...]

  • Seite 34

    34 Creating a new song 3. Select “EXECUTE” and then press [ENTER]. It is not possible to restore the data to its original state after executing this operation. This function deletes the performance data of the specified region. Performance data that follows the deleted region will be moved forward to fill the gap. The performance data will be s[...]

  • Seite 35

    35 Creating a new song 3. In the SONG EDIT COPY =SOURCE= screen, select “DESTINATION” and press [ENTER]. The SONG EDIT COPY =DESTINATION= screen will appear. 4. Use [ ] [ ] [ ] [ ] to move the cursor to the parameter that you want to change, and use the VALUE dial to make the desired settings. 5. Select “EXECUTE” and then press [ENTER]. It [...]

  • Seite 36

    36 Creating a new song This function transposes the pitches of the specified region. 1. In the “Song Edit Menu,” select “6. Transpose” and press [ENTER]. The SONG EDIT TRANSPOSE screen will appear. 2. Use [ ] [ ] [ ] [ ] to move the cursor to the parameter that you want to change, and use the VALUE dial to make the desired settings. 3. Sele[...]

  • Seite 37

    37 Creating a new song It is not possible to restore the data to its original state after executing this operation. This function modifies the durations of the notes in the specified region. 1. In the “Song Edit Menu,” select “8. Change Gate Time” and press [ENTER]. The SONG EDIT CHANGE GATE TIME screen will appear. 2. Use [ ] [ ] [ ] [ ] t[...]

  • Seite 38

    38 Creating a new song 3. Select “EXECUTE” and then press [ENTER]. It is not possible to restore the data to its original state after executing this operation. By using this function, events of the specified data type in the specified region and specified range of pitches can be shifted forward or backward. 1. In the “Song Edit Menu,” selec[...]

  • Seite 39

    39 Creating a new song The performance data of the selected Source part will be lost. Data such as Program Changes will also be merged, so if the Source Part and Destination Part are using different Tones, the data resulting from the merge might not be played by the Tone you intend. 3. Select “EXECUTE” and then press [ENTER]. It is not possible[...]

  • Seite 40

    40 Creating a new song 5. Use [ ] [ ] to select the data that you want to edit, and use the VALUE dial to edit the value. You can use the [0]–[4] buttons to perform the following operations. Viewing only the performance data you want to see Because many events are shown in the SONG MICROSCOPE screen, it can be difficult to find what you’re look[...]

  • Seite 41

    41 Creating a new song You can edit individual MIDI events of the data that applies to the entire song (i.e., System Exclusive, Tempo, and Beat data). 1. Select the Song that you want to edit (p. 29 in the owner’s manual). 2. Press [SONG]. 3. Press [PART VIEW]. The SONG TRACK screen will appear. 4. Use [ ] [ ] [ ] [ ] to move the cursor to “MAS[...]

  • Seite 42

    42 Creating a new song System Exclusive messages, which serve in storing MFX and other settings for the Prelude, will be recorded at the beginning of the song. For this reason, please do not edit any System Exclusive messages other than those listed in the MIDI Implementation. The Prelude’s MIDI Implementation can be downloaded from the Roland we[...]

  • Seite 43

    43 Other added functions The “STYLE FINDER” screen lets you sort the listed Styles in order of number, name, or tempo. This lets you quickly find the desired one of a large number of Styles. 1. Press [STYLE]. Start playback and press [STYLE] so it’s lit if you want to hear the chordal accompaniment, or turn it off (unlit) if you want only the[...]

  • Seite 44

    44 Other added functions You can receive program change messages to switch divisions of the Style, or cause program change messages to be transmitted when you switch divisions of the Style. You can also receive chord input from an external MIDI keyboard. 1. Press [MENU]. 2. Press [ENTER]. 3. Use [ ] [ ] to select the SYSTEM STYLE MIDI screen, and u[...]

  • Seite 45

    45 Other added functions (Owner’s manual p. 37) A new “Chord Zone” parameter has been added to the performance settings, allowing you to specify the key range for chord detection. 1. Press [MENU]. 2. Use [ ] [ ] to select “Perform Edit” then press [ENTER]. 3. Use [ ] [ ] to select the PERFORM GENERAL screen (if it is not already selected)[...]

  • Seite 46

    46 Error messages related to creating Styles and Songs Message Meaning Action Edit Error! Failed to edit the Style/Song data. Make sure that the edit-related settings are correct. EZ Convert Error! EZ Convert failed. Make sure that division data exists for the chord you’ve specified as the source. Make sure that you haven’t specified the same c[...]

  • Seite 47

    47 Index B BEND MODE ............................................................. 43 Bias .............................................................. 18, 36–37 C Change Gate Time ............................................... 18, 37 Change Velocity ................................................... 18, 36 Chord Zone ........................[...]

  • Seite 48

    R® 602.00.0388 RES 735-09 Owner’ s Manual V2 (E) Prelude Prelude_OM_Ver2.book Page 48 Wednesday, September 9, 2009 5:38 PM[...]