Yamaha CBX-D5 Bedienungsanleitung

CBX-D5 DIGITAL RECORDING PROCESSOR Owner's Manual 2 OPERATING MANUAL[...]

* This applies only to products distributed by Y AMAHA CORPORA TION OF AMERICA FCC INFORMA TION (U .S.A.) 1. IMPOR T ANT NOTICE: DO NO T MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approv ed by Y amaha may void your authority , granted[...]

SPECIAL MESSA GE SECTION PR ODUCT SAFETY MARKINGS: Y amaha electronic prod- ucts may hav e either labels similar to the graphics shown below or molded/stamped f acsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety in[...]

IMPOR T ANT SAFETY INSTR UCTIONS INFORMA TION RELA TING TO PERSON AL INJURY , ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST . W ARNING — When using any electrical or electronic prod- uct, basic precautions should always be follo wed. These pre- cautions include, but are not limited to, the follo wing: Read all Saf[...]

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1 Chapter : 1 Chapter : Table of Contents 1 Introduction ..............................................1 Welcome to the CBX-D5 ............................... 1 CBX-D5 features............................................ 1 Operating manual organization ...................... 1 Important Notice ............................................1 Unpacking[...]

Introduction 1 Introduction 1 Introduction 1 1 Introduction W elcome to the CBX-D5 Thank you for purchasing a CBX-D5 Digital Recording Processor . Connecting the CBX-D5 to a controlling computer with supporting software and an e xternal hard disk will provide up to four channels of CD quality audio recording, processing, and playback. CBX-D5 featur[...]

2 Chapter 1 : Introduction 2 Chapter 1 : Introduction 2 Chapter 1 : Introduction Unpacking The CBX-D5 packaging should contain the follo wing items. Store the packaging materials for future use. Installation The cosmetic appearance of the CBX-D5 has been designed to match typical computer hardware. Its “footprint” size matches that of man y com[...]

CBX-D5 Terminology 3 CBX-D5 Terminology 3 CBX-D5 Terminology 3 2 CBX-D5 T erminology SCSI Pronounced scuzzy , the Small Computer System Interf ace is a connection format used for connecting peripheral de vices such as hard disks, printers, scanners, etc., to a computer . Up to eight SCSI de vices can be connected together in a daisy chain including[...]

4 Chapter 2 : CBX-D5 Terminology 4 Chapter 2 : CBX-D5 Terminology 4 Chapter 2 : CBX-D5 Terminology Sampling frequency (REC FREQ) During the analog to digital con version process, the le vel of the analog audio signal is sampled (measured) many times per second. Each of these sample measurements is then stored as a 16-bit binary v alue. F or digital[...]

What is the CBX-D5? 5 What is the CBX-D5? 5 What is the CBX-D5? 5 3 What is the CBX-D5? The CBX-D5 is a Digital Recording Processor that, when connected to a controlling computer with supporting software and an e xternal hard disk, provides up to four channels of CD quality audio recording, processing, and playback. Computer based The CBX-D5 is con[...]

6 Chapter 3 : What is the CBX-D5? 6 Chapter 3 : What is the CBX-D5? 6 Chapter 3 : What is the CBX-D5? Inside the CBX-D5 The follo wing block diagram sho ws ho w the CBX-D5 processes audio data as it tra v els from input to output and to the external SCSI hard disks. DIGITAL MIXER 4 INPUT 4 BUS 2 SEND A/D CONVERTER DIGITAL INTERFACE A/D CONVERTER CB[...]

The CBX-D5 in a MIDI recording system 7 The CBX-D5 in a MIDI recording system 7 The CBX-D5 in a MIDI recording system 7 The CBX-D5 in a MIDI recording system The follo wing diagram sho ws ho w the CBX-D5 can be integrated into a MIDI sequencer based music production system. MIDI OUT MIDI OUT SERIAL PORT TO HOST MIDI IN MIDI SOUND SAMPLER MIDI DRUM [...]

8 Chapter 4 : Controls & Connections 8 Chapter 4 : Controls & Connections 8 Chapter 4 : Controls & Connections 4 Controls & Connections Front panel 1 POWER switch Used to turn the po wer on and of f. Press once to switch on, press again to switch of f. 2 SOURCE indicators Indicates the input selected for recording: AES/EBU, Y2, CD/D[...]

Front panel 9 Front panel 9 Front panel 9 5 INPUT LEVEL meters T wo 12-se gment LED bargraphs indicate the le vel of the incoming digital audio when the input source is set to AES/EBU, CD/D A T , or Y2 (not af fected by the level controls), or the le v el of the analog input signals when the input source is set to AN ALOG (controlled by the “ AN [...]

10 Chapter 4 : Controls & Connections 10 Chapter 4 : Controls & Connections 10 Chapter 4 : Controls & Connections Rear panel The explanations belo w are only brief introductions to the CBX-D5’ s rear panel connections. For full details about the inputs and outputs, see “Inputs & Outputs Explained” on page 26. 1 ANALOG IN 1&[...]

Rear panel 11 Rear panel 11 Rear panel 11 4 AES/EBU OUT 1/2 & 3/4 T wo male XLR 3-32 type connectors for outputting AES/EBU format digital audio. Channels 1 and 2 are output via “OUT 1/2”, and channels 3 and 4 via “OUT 3/4”. These could be used to transfer digital audio data from the CBX-D5 to professional digital audio equipment. 5 CD/[...]

12 Chapter 4 : Controls & Connections 12 Chapter 4 : Controls & Connections 12 Chapter 4 : Controls & Connections 0 MIDI IN The CBX-D5 recei v es MIDI control data from the computer via this connection. T o pre v ent the CBX-D5’ s control data being delayed by other MIDI devices, the CBX-D5 should be the first de vice connected to yo[...]

Connecting Hard Disk Drives 13 Connecting Hard Disk Drives 13 Connecting Hard Disk Drives 13 5 Connecting Hard Disk Drives Before connecting a hard disk dri ve, read through this chapter to familiarize yourself with SCSI and ho w a SCSI daisy chain should be setup. What type of hard disk? If you don’t already ha ve a hard disk or are thinking of [...]

14 Chapter 5 : Connecting Hard Disk Drives 14 Chapter 5 : Connecting Hard Disk Drives 14 Chapter 5 : Connecting Hard Disk Drives Choosing a hard disk If you plan to buy a hard disk that is not listed on the supplied card, the follo wing specifications should be checked first. SCSI For an general introduction to SCSI, see “SCSI” on page 3. Set[...]

SCSI cables 15 SCSI cables 15 SCSI cables 15 SCSI cables Most SCSI de vices are supplied with a SCSI cable, but if you need to b uy one, make sure that it is designed for SCSI usage and that the connecters on either end of the cable are correct for your application. Cable length is an important issue, but it’ s not the length of each individual S[...]

16 Chapter 5 : Connecting Hard Disk Drives 16 Chapter 5 : Connecting Hard Disk Drives 16 Chapter 5 : Connecting Hard Disk Drives SCSI ID setting The SCSI bus is a parallel type connection, and data on the b us is a v ailable to all de vices. Ho we ver , communication will usually be between two de vices only , so each device is allocated an ID numb[...]

SCSI termination 17 SCSI termination 17 SCSI termination 17 SCSI termination Unlike audio signals, digital signals only ha v e two v alues: high and lo w (+5V and 0V). When no data is being transmitted, it is important that SCSI bus lines are k ept in the high state (+5V), so that when data is transmitted there is a clear distinction between high a[...]

18 Chapter 6 : Working with Hard Disks 18 Chapter 6 : Working with Hard Disks 18 Chapter 6 : Working with Hard Disks 6 W orking with Hard Disks After connecting your hard disk, setting the SCSI ID, and installing the SCSI terminator , you will need to format the hard disk before it can be used. If you hav e already powered up your system you will n[...]

Hard disk fragmentation 19 Hard disk fragmentation 19 Hard disk fragmentation 19 Hard disk fragmentation Hard disks record data into pre-formatted concentric tracks on a number of magnetic disks that are mounted around a common spindle. T racks are further divided into sectors, and each sector can store 512bytes of data. On a ne wly formatted disk,[...]

20 Chapter 7 : Recording 20 Chapter 7 : Recording 20 Chapter 7 : Recording 7 Recording Sampling frequency (REC FREQ) The CBX-D5 can record at any one of four sampling frequencies: 48kHz, 44.1kHz, 32kHz (as specified by the AES), or 22.05kHz (analog input only). These sampling frequencies are commonly used for digital audio, and each has its o wn s[...]

Digital input levels 21 Digital input levels 21 Digital input levels 21 Digital input levels Digital input signals entering the CBX-D5 cannot be le v el adjusted. This is the same for most digital audio equipment, the idea being that once the le v el has been set during the original A/D con v ersion it should not need readjustment. It also simpli?[...]

22 Chapter 7 : Recording 22 Chapter 7 : Recording 22 Chapter 7 : Recording Digital audio data containing SCMS SCMS (Serial Copy Management System) is a protection system designed to stop illegal digital copying of audio material. When a SCMS D A T recorder (most consumer DA T recorders) recei v es a digital input signal with the cop y protect flag[...]

Playback 23 Playback 23 Playback 23 8 Playback Playback frequency (PB FREQ) During playback, sound files are read from disk, processed in the CBX-D5, then output. The CBX-D5 can read sound files that were recorded at sampling frequencies between 11.025kHz and 48kHz. Once inside the CBX-D5, the data is processed at the currently set REC FREQ. Then[...]

24 Chapter 8 : Playback 24 Chapter 8 : Playback 24 Chapter 8 : Playback Sound file regions Y our controlling software may allo w you to select a section of a sound file so that it can ef fectiv ely be handled as an independent piece of sound data. Using different channels, the CBX-D5 can playback two o verlapping sections from the same sound file[...]

Converting the Sampling Frequency & Digital Audio Format in Real Time 25 Converting the Sampling Frequency & Digital Audio Format in Real Time 25 Converting the Sampling Frequency & Digital Audio Format in Real Time 25 9 Converting the Sampling Frequency & Digital Audio Format in Real T ime When transferring digital audio data betwe[...]

26 Chapter 10 : Inputs & Outputs Explained 26 Chapter 10 : Inputs & Outputs Explained 26 Chapter 10 : Inputs & Outputs Explained 10 Inputs & Outputs Explained ANALOG IN A pair of female XLR 3-31 type connectors used for inputting analog audio signals. These are balanced inputs with a nominal input le v el of +4dBm and a maximum inpu[...]

AES/EBU IN 1/2 27 AES/EBU IN 1/2 27 AES/EBU IN 1/2 27 AES/EBU IN 1/2 A female XLR 3-31 type connector for inputting AES/EBU format digital audio. This is a balanced type connection and two channels, 1 and 2, are carried in the same connection. This connection could be used when recording digital audio data from another hard disk recorder , a digita[...]

28 Chapter 10 : Inputs & Outputs Explained 28 Chapter 10 : Inputs & Outputs Explained 28 Chapter 10 : Inputs & Outputs Explained Y2 IN An 8-pin DIN socket for inputting Y2 Y amaha format digital audio. T wo channels, 1 and 2 (left/right), are carried in the same connection. This could be connected to one of Y amaha’ s digital audio pr[...]

WORD CLK IN/OUT 29 WORD CLK IN/OUT 29 WORD CLK IN/OUT 29 The follo wing table sho ws ho w the W ORD CLK IN/OUT connections w ork with each word clock source. W ord clock connections use coaxial BNC to BNC type cables. If, for some reason the external w ord clock source should become disconnected or the CBX-D5 cannot synchronize to it, the CBX-D5 wi[...]

30 Chapter 11 : TO HOST connection 30 Chapter 11 : TO HOST connection 30 Chapter 11 : TO HOST connection 11 TO HOST connection As well as the standard MIDI IN, OUT , and THR U connections, the CBX-D5 also has a “TO HOST” connection. This allo ws direct connection to computers that do not hav e a built-in or e xternal MIDI interface. The CBX-D5 [...]

Mac 31 Mac 31 Mac 31 Mac This mode is for use with an Apple Macintosh computer that is not connected to an external MIDI interf ace unit. The CBX-D5 can be connected directly to one of the Apple Mac's serial (RS-422) ports. 1) Connect the CBX-D5’ s “TO HOST” connector to one of the Apple Mac’ s serial ports using the “Mac” connecti[...]

32 Chapter 11 : TO HOST connection 32 Chapter 11 : TO HOST connection 32 Chapter 11 : TO HOST connection PC-1 This mode is for use with an NEC PC-9801 type computer . The PC-9801 is a very popular computer in Japan. The specifications are the same as those for “PC-2” mode except for the baud rate. See “CBX-D5 Specifications” on page 37. P[...]

TO HOST computer connecting cables 33 TO HOST computer connecting cables 33 TO HOST computer connecting cables 33 TO HOST computer connecting cables MIDI Standard MIDI cable. Maximum length 15 meters. Mac Apple Macintosh Peripheral cable “M0197”). Maximum length 2 meters. PC-1 8-pin MINI DIN to D-SUB 25-pin cable. If your PC-1 type computer has[...]

34 Chapter 12 : Glossary 34 Chapter 12 : Glossary 34 Chapter 12 : Glossary 12 Glossary A/D Con verter: (Analog to Digital con verter) A de vice used to con vert analog audio signals into PCM (Pulse Code Modulated) digital audio. The CBX-D5 uses 16-bit linear ∆ Σ modulation A/D con v erters. Access time: Measured in milliseconds, this is an indic[...]

Glossary 35 Glossary 35 Glossary 35 RS-422: A balanced serial communication protocol used on Macintosh computers, usually an 8-pin mini DIN connector . Sampling frequency: The number of times per second that sample measurements of an analog audio signal are taken during A/D con version. T ypical sampling frequencies are 32kHz, 44.1kHz, and 48kHz. S[...]

36 Chapter 13 : Recording setup table 36 Chapter 13 : Recording setup table 36 Chapter 13 : Recording setup table 13 Recording setup table Sound files Recording Project Date Notes Sound File No. Sound File name Sound File Contents Sampling Frequency Input Source Length (Time) File Size (MB) 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 2[...]

CBX-D5 Specifications 37 CBX-D5 Specifications 37 CBX-D5 Specifications 37 14 CBX-D5 Specifications 0dB = 0.775V rms Specifications subject to change without notice. Data format 16-bit PCM Number of channels 4-channel system: 2-channel simultaneous record, 4-channel pla yback (combination of playbac k and record av ailable) Sampling frequency Sou[...]

38 Index 38 Index 38 Index Index A Access time, hard disk 14 AES/EBU format 1/2 inputs 27 1/2, 3/4 outputs 27 what is it? 3 Amphenol, SCSI connection 12 Analog input level 21 Analog inputs 26 Analog outputs 26 Apple Macintosh hard disks 15 To Host 31 Atari ST/STE hard disks 15 Atari TT hard disks 15 Audio IFF sound files 23 B Backing up sound files[...]

1 1 Add-1 Appendix Preset Effects * Aural Exciter  is a registered trademark and manufactured under license from Aphex Systems Ltd. Effect Name Category Effect Name Category 0 Orchestra Hall S:Rev Hall 47 Stadium C:Echo->Rev 1 Concer t Hall 48 Delay L,R->Re v C:Dela y L,R->Re v 2 W ar m Hall 49 Flange->Rev C:Flange->Rev 3 V ocal H[...]

2 Chapter : 2 Chapter : Add-2 DSP/DEQ/DMIX Block Diagram[...]

3 3 Add-3 Preset effects parameter values Effect Name Parameter Number N o . 123456789 1 0 1 1 1 2 1 3 1 4 0 Orchestra Hall 19 8 10 319 199 4 60 8 6 20 0 1 Concer t Hall 23 8 10 639 479 4 75 8 6 20 0 2 W ar m Hall 17 1 10 149 299 4 80 9 3 17 0 3 V ocal Hall 21 1 10 99 239 3 75 8 7 20 6 4 V ocal Large Hall 34 4 8 239 319 2 55 8 6 18 0 5 V ocal Small[...]

4 Chapter : 4 Chapter : Add-4 * Aural Exciter  is a registered trademark and manufactured under license from Aphex Systems Ltd. 52 Phaser->Rev 24 100 32 9 3 239 24 0 18 53 Aur al Exc  ->Rev 1 62 72 9 0 10 219 20 24 15 54 Dist->Rev 66 69791 3 5 9 4 0 0 1 9 55 Dist->Dly L,R 75 3 0 9 9030 3008 129 40 0 21 56 Dist->Echo 80 3 11 8 2[...]

5 5 Add-5 Data-V alue Assign T able Table 1 Rev Time Table 2 LPF Table 3 HPF1 Data V alue (sec) Data V alue (sec) Data V alue (KHz) Data V alue (Hz) 0 0.3 40 4.3 0 1.0 0 Thru 1 0.4 41 4.4 1 1.1 1 32 2 0.5 42 4.5 2 1.2 2 35 3 0.6 43 4.6 3 1.4 3 40 4 0.7 44 4.7 4 1.6 4 45 5 0.8 45 4.8 5 1.8 5 50 6 0.9 46 4.9 6 2.0 6 56 7 1.0 47 5.0 7 2.2 7 63 8 1.1 4[...]

6 Chapter : 6 Chapter : Add-6 Data-V alue Assign T able Table 4 HPF2 Table 5 Low Shelving Table 6 Mid Presence Table 7 High Shelving Data V alue (Hz) Data V alue (Hz) Data V alue (Hz) Data V alue (Hz) 0 500 0 32 0 315 0 500 1 630 1 40 1 400 1 630 2 800 2 50 2 500 2 800 3 1000 3 63 3 630 3 1000 4 1200 4 80 4 800 4 1200 5 1600 5 100 5 900 5 1600 6 20[...]

7 7 Add-7 Data-V alue Assign T able Table 8 Length Table 9 T rans Time Data V alue (m) Data V alue (m) Data V alue (m) Data V alue (ms) Data V alue (ms) 0 0.5 40 11.2 80 22.7 0 2 40 3100 1 0.8 41 11.5 81 23.0 1 3 41 3600 2 1.0 42 11.8 82 23.3 2 4 42 4400 3 1.3 43 12.1 83 23.6 3 5 43 5400 4 1.5 44 12.3 84 23.9 4 6 44 6200 5 1.8 45 12.6 85 24.2 5 7 4[...]

8 Chapter : 8 Chapter : Add-8 Effect parameters Type 0:Orchestra Hall ~ 19:Distant Plate (Rev erb T ype) No . Parameter Name Unit Minimum Maximum Step/T able Max.Int. 1 Rev erb Time sec 0.3 30.0 T able #1 69 2 High - 0.1 1.0 0.1 9 3 Diffusion - 0 10 1 10 4 Initial Delay ms 0.1 200.0 0.1 1999 5 Rev erb Delay ms 0.1 200.0 0.1 1999 6 Density - 0414 7 [...]

9 9 Add-9 Type 30:Early Ref Vocal ~ 35:Early Ref Reverse Vocal (Early Reflection T ype) No . Parameter Name Unit Minimum Maximum Step/T able Max.Int. Local T able 1 1 T ype sec S-Hall Spring LocalT ab 1 5 Data V alue 2 Room Size - 0.1 20.0 0.1 199 3 Liveness - 0 10 1 10 0 S-Hall 4 Diffusion - 0 10 1 10 1 L-Hall 5 Initial Delay ms 0.1 400.0 0.1 399[...]

10 Chapter : 10 Chapter : Add-10 Type 39:Vocal Multi Delay (Delay L,C ,R) No . Parameter Name Unit Minimum Maximum Step/T able Max.Int. 1 Lch Delay Time ms 0.1 1360.0 0.1 13599 2 Rch Delay Time ms 0.1 1360.0 0.1 13599 3 Center Delay Time ms 0.1 1360.0 0.1 13599 4 FB1 Delay Time ms 0.1 1360.0 0.1 13599 5 FB2 Delay Time ms 0.1 1360.0 0.1 13599 6 FB G[...]

11 11 Add-11 Type 42:Wide Guitar (Pitch Change2) No . Parameter Name Unit Minimum Maximum Step/T able Max.Int. 1 L Pitch - -24 24 1 48 2 L Fine cent -100 100 1 200 3 L Delay ms 0.1 650.0 0.1 6499 4 L FB Gain % -99 99 1 198 5 R Pitch - -24 24 1 48 6 R Fine cent -100 100.0 1 200 7 R Delay ms 0.1 650.0 0.1 6499 8 R FB Gain % -99 99 1 198 9 10 Type 43:[...]

12 Chapter : 12 Chapter : Add-12 Type 45:Rotary Speaker No . Parameter Name Unit Minimum Maximum Step/T able Max.Int. Local T able1 1 Middle Speed Hz 0.05 40.00 0.05 799 Data V alue 2 Depth % 0 100 1 100 3 T ransition Time ms 2 22000 T able #9 51 0 Low 4 L/M/H Speed Diff Hz 0.05 5.80 0.05 115 1 Middle 5 Switch L/M/H - Low High LocalT ab1 2 2 High 6[...]

13 13 Add-13 Type 48: Delay L,R -> Rev No . Parameter Name Unit Minimum Maximum Step/T able Max.Int. 1 Dly Lch Delay ms 0.1 640.0 0.1 6399 2 Dly Rch Delay ms 0.1 640.0 0.1 6399 3 Dly Lch FB Gain % -99 99 1 198 4 Dly Rch FB Gain % -99 99 1 198 5 Rev erb Time sec 0.3 30.0 T able #1 69 6 Rev erb High - 0.1 1 0.1 9 7 ER/Rev Balance % 0 100 1 100 8 R[...]

14 Chapter : 14 Chapter : Add-14 * Aur al Exciter ® is a registered trademark and is manuf actured under license from APHEX Systems Ltd. Type 51: Sympho -> Rev No . Parameter Name Unit Minimum Maximum Step/T able Max.Int. 1 Modulation F req Hz 0.05 40.00 0.05 799 2 Modulation Depth % 0 100 1 100 3 4 5 Rev erb Time sec 0.3 30.0 T able #1 69 6 Re[...]

15 15 Add-15 Type 54: Distortion -> Rev No . Parameter Name Unit Minimum Maximum Step/T able Max.Int. 1 Distor tion Lev el % 0 100 1 100 2 Middle F req Hz 315 6300 T able #6 14 3 Middle Gain dB -12 12 2 12 4 T reble Gain dB -12 12 2 12 5 Rev erb Time sec 0.3 30.0 T able #1 69 6 Rev erb High - 0.1 1.0 0.1 9 7 Rev Initial Dela y ms 0.1 200 0.1 199[...]

16 Chapter : 16 Chapter : Add-16 Type 57: HighCut Reverb ~ 59: Sparkling Reverb (EQ->Rev) No . Parameter Name Unit Minimum Maximum Step/T able Max.Int. 1 Low F req Hz 32 2000 T able #5 18 2 Low Gain dB -12 12 2 12 3 Mid F req Hz 315 6300 T able #6 14 4 Mid Gain dB -12 12 2 12 5 High F req Hz 500 16000 T able #7 15 6 High Gain dB -12 12 2 12 7 Re[...]

17 17 Add-17 Type 62: EQ->Flange No . Parameter Name Unit Minimum Maximum Step/T able Max.Int. 1 Low F req Hz 32 2000 T able #5 18 2 Low Gain dB -12 12 2 12 3 Mid F req Hz 315 6300 T able #6 14 4 Mid Gain dB -12 12 2 12 5 High F req Hz 500 16000 T able #7 15 6 High Gain dB -12 12 2 12 7 Modulation F req Hz 0.05 40.0 0.05 799 8 Modulation Depth %[...]

18 Chapter : 18 Chapter : Add-18 Type 65: Warm Phase (EQ->Phaser) No . Parameter Name Unit Minimum Maximum Step/T able Max.Int. 1 Low F req Hz 32 2000 T able #5 18 2 Low Gain dB -12 12 2 12 3 Mid F req Hz 315 6300 T able #6 14 4 Mid Gain dB -12 12 2 12 5 High F req Hz 500 16000 T able #7 15 6 High Gain dB -12 12 2 12 7 Modulation F req Hz 0.05 4[...]

19 19 Add-19 Type 68: Sympho -> Delay L,R No . Parameter Name Unit Minimum Maximum Step/T able Max.Int. 1 Modulation F req Hz 0.05 40.00 0.05 799 2 Modulation Depth % 0 100 1 100 3 4 5 Delay Lch Dela y ms 0.1 800.0 0.1 7999 6 Delay Rch Dela y ms 0.1 800.0 0.1 7999 7 Delay FB1 Dela y ms 0.1 800.0 0.1 7999 8 Delay FB2 Dela y ms 0.1 800.0 0.1 7999 [...]

20 Chapter : 20 Chapter : Add-20 Type 71: Echo & Reverb No . Parameter Name Unit Minimum Maximum Step/T able Max.Int. 1 Echo Lch Delay ms 0.1 320.0 0.1 3199 2 Echo Rch Delay ms 0.1 320.0 0.1 3199 3 Echo FB Gain % -99 99 1 198 4 Rev erb Time sec 0.3 30.0 T able #1 69 5 Rev High - 0.1 1.0 0.1 9 6 Rev Diffusion - 0 10 1 10 7 Rev Initial Dela y ms [...]

21 21 Add-21 Type 74: Flange & Sympho No . Parameter Name Unit Minimum Maximum Step/T able Max.Int. 1 Flange Mod F req Hz 0.05 40.0 0.05 799 2 Flange Mod Depth % 0 100.0 1 100 3 Flange Mod Delay % 0.1 100 0.1 999 4 Flange Mod FB Gain % 0 99.0 1 99 5 6 Sympho Mod F req Hz 0.05 40 0.05 799 7 Sympho Mod Depth % 0 100.0 1 100 8 9 10 Type 75:Sympho [...]

22 Chapter : 22 Chapter : Add-22 Type 77: Chorus & Rev No . Parameter Name Unit Minimum Maximum Step/T able Max.Int. 1 Chorus Mod Freq Hz 0.05 40.0 0.05 799 2 Chorus PM Depth % 0 100.0 1 100 3 Chorus AM Depth % 0 100 1 100 4 5 Rev erb Time sec 0.3 30.0 T able #1 69 6 Rev erb High - 0.1 1 0.1 9 7 Rev Diffusion - 0 10 1 10 8 Rev Initial Dela y ms[...]

23 23 Add-23 Type 80: Chorus & Delay L,R No . Parameter Name Unit Minimum Maximum Step/T able Max.Int. 1 Chorus Mod Freq Hz 0.05 40.00 0.05 799 2 Chorus PM Depth % 0 100 1 100 3 Chorus AM Depth % 0 100.0 1 100 4 5 Delay Lch Dela y ms 0.1 800.0 0.1 7999 6 Delay Rch Dela y ms 0.1 800.0 0.1 7999 7 Delay FB1 Dela y ms 0.1 800.0 0.1 7999 8 Delay FB2[...]

24 Chapter : 24 Chapter : Add-24 MIDI Parameter Common parameter Channel parameter System System (ch 0,1 only) parameter name value parameter name value Rec Source *1 Rec Monitor on/off *4 Rec F requency *2 Play Bac k F requency *3 T r igger Rec Mode on/off *4 Volume, Effect Send T r igger Rec Lev el *5 parameter name value Sync Mode Select *6 Chan[...]

25 25 Add-25 *1 value source *10 value Freq (Hz) *11 value Gain (dB) 0 AES/EBU 0 18 0 –15 1Y 2 1 2 0 :: 2 CD/D A T 2 22 30 15 3 ANALOG 3 25 42 8 *12 value Q *2 value F req (KHz) 5 32 0 0.1 04 8 6 3 6 :: 1 44.4 7 40 49 5.0 23 2 8 4 5 3 22.05 9 50 *13 value bit0 10 56 0 consumer *3 Sync mode Select = inter nal 11 63 1 prof essional value F req (KHz[...]

26 Chapter : 26 Chapter : Add-26 MIDI Parameter Map Common parameter Common P arameter (base address=h’2000) System Rec Source 0 P arameter 6 MSB 50 Rec F requency 1 P arameter 6 LSB 51 Play Bac k F requency 2 P arameter 7 MSB 52 Channel 0 P arameter (base address=h’0) T rigger Rec Mode on/off 3 Par ameter 7 LSB 53 T r igger Rec Lev el 4 P aram[...]

27 27 Add-27 Channel N parameter System Rec Monitor on/off 0 V alid only f or ch 0, 1 Reserved 1 Reserved 2 Reserved 3 Reserved 4 Reserved 5 V ol,Efct Snd Channel V olume 6 Reserve 7 Bus 1 Select 8 Bus 2 Select 9 Bus 3 Select 10 Bus 4 Select 11 Bus 1 V olume 12 Bus 2 V olume 13 Bus 3 V olume 14 Bus 4 V olume 15 Effect Send 1 Le vel 16 Effect Send 2[...]

28 Chapter : 28 Chapter : Add-28 MIDI Data Format 1. Block Diagram of MIDI Reception/T ransmission <MIDI Reception Conditions> * If the Host Selector s witch is set to anything other than “MIDI”, the MIDI data are echoed back to HOST IN → MIDI OUT and MIDI IN → HOST OUT , respectively . <MIDI T ransmission Conditions> * If the H[...]

29 29 Add-29 *1 <ab> (See T able 1 f or DT command formats.) *2 data bytes The f or mat and length vary depending on the DT status byte. The first byte of the DT message is the channel n umber (It is usually from 0 to 3). Se veral DT commands ma y be contained in one DT message. The EO X (F7) command is used at the end of the DT message. F r[...]

30 Chapter : 30 Chapter : Add-30 P arameter Dump F or mat (Appendix 2.1) 2.2 parameter dump P arameter Request F or mat (Appendix 2.2) 11110000 F0 01000011 43 Y AMAHA system exclusiv e ID 01111000 78 Y AMAHA system exclusiv e sub ID 01000000 40 parameter dump status 0 ccccccc n n channel number 0 mmmmmmm mm parameter address Most significant 7bits[...]

31 31 Add-31 Encapsulated MIDI command (T able 2) Control changes (Assignable) No control numbers other than these ma y be used. Also , control values are not stored in the memory . RPN Pitch bend Channel mode message 00000110 06 data entr y f or RPN 00000111 07 channel volume 00001011 0B channel expression 00010000 10 01100000 60 data increment f [...]

32 Chapter : 32 Chapter : Add-32 MIDI Implementation chart[...]