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Yamaha CP50 Bedienungsanleitung

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Ähnliche Gebrauchsanleitungen

Richtige Gebrauchsanleitung

Die Vorschriften verpflichten den Verkäufer zur Übertragung der Gebrauchsanleitung Yamaha CP50 an den Erwerber, zusammen mit der Ware. Eine fehlende Anleitung oder falsche Informationen, die dem Verbraucher übertragen werden, bilden eine Grundlage für eine Reklamation aufgrund Unstimmigkeit des Geräts mit dem Vertrag. Rechtsmäßig lässt man das Anfügen einer Gebrauchsanleitung in anderer Form als Papierform zu, was letztens sehr oft genutzt wird, indem man eine grafische oder elektronische Anleitung von Yamaha CP50, sowie Anleitungsvideos für Nutzer beifügt. Die Bedingung ist, dass ihre Form leserlich und verständlich ist.

Was ist eine Gebrauchsanleitung?

Das Wort kommt vom lateinischen „instructio”, d.h. ordnen. Demnach kann man in der Anleitung Yamaha CP50 die Beschreibung der Etappen der Vorgehensweisen finden. Das Ziel der Anleitung ist die Belehrung, Vereinfachung des Starts, der Nutzung des Geräts oder auch der Ausführung bestimmter Tätigkeiten. Die Anleitung ist eine Sammlung von Informationen über ein Gegenstand/eine Dienstleistung, ein Hinweis.

Leider widmen nicht viele Nutzer ihre Zeit der Gebrauchsanleitung Yamaha CP50. Eine gute Gebrauchsanleitung erlaubt nicht nur eine Reihe zusätzlicher Funktionen des gekauften Geräts kennenzulernen, sondern hilft dabei viele Fehler zu vermeiden.

Was sollte also eine ideale Gebrauchsanleitung beinhalten?

Die Gebrauchsanleitung Yamaha CP50 sollte vor allem folgendes enthalten:
- Informationen über technische Daten des Geräts Yamaha CP50
- Den Namen des Produzenten und das Produktionsjahr des Geräts Yamaha CP50
- Grundsätze der Bedienung, Regulierung und Wartung des Geräts Yamaha CP50
- Sicherheitszeichen und Zertifikate, die die Übereinstimmung mit entsprechenden Normen bestätigen

Warum lesen wir keine Gebrauchsanleitungen?

Der Grund dafür ist die fehlende Zeit und die Sicherheit, was die bestimmten Funktionen der gekauften Geräte angeht. Leider ist das Anschließen und Starten von Yamaha CP50 zu wenig. Eine Anleitung beinhaltet eine Reihe von Hinweisen bezüglich bestimmter Funktionen, Sicherheitsgrundsätze, Wartungsarten (sogar das, welche Mittel man benutzen sollte), eventueller Fehler von Yamaha CP50 und Lösungsarten für Probleme, die während der Nutzung auftreten könnten. Immerhin kann man in der Gebrauchsanleitung die Kontaktnummer zum Service Yamaha finden, wenn die vorgeschlagenen Lösungen nicht wirksam sind. Aktuell erfreuen sich Anleitungen in Form von interessanten Animationen oder Videoanleitungen an Popularität, die den Nutzer besser ansprechen als eine Broschüre. Diese Art von Anleitung gibt garantiert, dass der Nutzer sich das ganze Video anschaut, ohne die spezifizierten und komplizierten technischen Beschreibungen von Yamaha CP50 zu überspringen, wie es bei der Papierform passiert.

Warum sollte man Gebrauchsanleitungen lesen?

In der Gebrauchsanleitung finden wir vor allem die Antwort über den Bau sowie die Möglichkeiten des Geräts Yamaha CP50, über die Nutzung bestimmter Accessoires und eine Reihe von Informationen, die erlauben, jegliche Funktionen und Bequemlichkeiten zu nutzen.

Nach dem gelungenen Kauf des Geräts, sollte man einige Zeit für das Kennenlernen jedes Teils der Anleitung von Yamaha CP50 widmen. Aktuell sind sie genau vorbereitet oder übersetzt, damit sie nicht nur verständlich für die Nutzer sind, aber auch ihre grundliegende Hilfs-Informations-Funktion erfüllen.

Inhaltsverzeichnis der Gebrauchsanleitungen

  • Seite 1

    1 CP5 /CP50 Refe rence Manual Y amaha Corp. r eserves the right to update or modify this manual at any time without prior n otice. The most up-to-date version is freely a vailabl e for download from the following web page. http://www .yamaha.co.jp/manual/ Contents Reference Guides ................ ............ ................. ............. ......[...]

  • Seite 2

    2 CP5/CP50 Reference Manual Reference Guides Re f e re n c e G u i d e s Y our CP5 or CP50 stage piano comes with three differ ent reference guides — the Owner’ s Manual , the Reference Manual (this document), and the Data List . While the Owner’ s Ma nual is packaged together with th e stage piano as a hardcopy booklet, this Refer ence Manua[...]

  • Seite 3

    3 CP5/CP50 Reference Manual Int er nal Design of the CP5 & CP50 P r incipal Components The inter nal design of your CP5 or CP50 is divided into th ree main sections — namely , the T one Generator , the Song Set- ting area, and the Controller . CP5/CP50 MIDI IN Controller MIDI OUT To n e G e n e r a t o r Song Setting Area User Songs Preset Dr[...]

  • Seite 4

    4 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator T one Gener ator Y our stage piano's T one Generator produces sounds based on perf ormance data that you create by playing the key- board, operating the sequencer , and using various controllers. In specific terms, the T one Generator is made up of Per - form[...]

  • Seite 5

    5 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator Lef t & Right P ar ts The left and right par ts that make up eac h Perfor mance respond to your playing of the keyboa rd or to MIDI input and u se the built-in T o ne Generator to produce the appr opriate sounds in r esponse. The CP5 has four such parts — LE[...]

  • Seite 6

    6 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator R oles of Blocks & Common Set tings Area The roles of each of the blocks and the Common Settings area that make up CP5 and CP50 parts are as follows.  Vo i c e B l o c k The V oice block is use d to specify the type of musical-instru ment sound that will be[...]

  • Seite 7

    7 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator TRA CK P art Each CP5 or CP50 Perfor mance can also contain a backing tr ack fo r playing back as an acco mpaniment to your key- board perfor mances. Three differ ent types of backing track can be selec ted — namely , Preset Drum Patterns, User Songs, and W ave [...]

  • Seite 8

    8 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator NOTICE If you o verwr ite a P erfor mance in the User Perf ormance memory , it will be permanently delet ed. In order to a v oid loosing irr eplaceable data, theref ore, yo u should take special care when selecting where t o stor e newly-cr eat ed Perf ormances. N[...]

  • Seite 9

    9 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator HINT Using External P erformance Memories In or der to save Performances in an External Performance memory or to use an External Perfor mance memory from a USB flash-memory device, the USB flash -memory device in question must be pl ugged into your CP5 or CP50. Wh[...]

  • Seite 10

    10 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Song Setting Area Song Set ting Ar ea The Song Setting area is used to re cord and play MIDI sequences and audi o files for use as Perfor mance backing tracks. MIDI sequences can take the for m of built-in Preset Drum Patterns (playback only) or User Songs that you can both rec[...]

  • Seite 11

    11 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Controller Contr oller Y o ur stage piano’ s Controller consists of the keyboard, pitch bend wheel, knobs, foot pedals, and other input devices used whil e playin g. It is impo rtant to bear in mi nd that th e keyboard itself does not generate any sound; instead, it sen ds no[...]

  • Seite 12

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 13

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 14

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 15

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 16

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 17

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 18

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 19

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 20

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 21

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 22

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 23

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 24

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 25

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 26

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 27

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 28

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 29

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 30

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 31

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 32

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 33

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 34

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 35

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 36

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 37

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 38

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 39

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 40

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 41

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 42

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 43

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 44

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 45

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 46

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 47

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 48

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

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    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 50

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 51

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 52

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 53

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Seite 54

    54 CP5/CP50 Reference Manual Appendix > MIDI Appendix MIDI Musical Instrument Digital Inter face (MIDI) is a globa l standard designed to allo w per for mance, voice, and other data to be transferred between musical instruments As such, data communication is a ssured even between musical instruments and equipment from differ ent manufacturers. I[...]

  • Seite 55

    55 CP5/CP50 Reference Manual Appendix > MIDI  Contro l Change MIDI Control Change message s are used to control volume, stereo panning, and many other parameters, and as shown below , each message type has its own unique control number . Bank Select MSB (Contr ol No. 0) Bank Select LSB (Control No. 32) Bank Select MSB and LSB messa ges are us[...]

  • Seite 56

    56 CP5/CP50 Reference Manual Appendix > MIDI Channel Mode Messages All Sound Of f (Control No. 1 20) All Sound Off messages ar e used to silence all sounds being generated by both par ts. Note that the status of channel messages such as Hold 1 and Sostenuto is maintained in such a case. Reset All Contr ollers (Co ntrol No. 1 21) A Reset All Cont[...]

  • Seite 57

    57 CP5/CP50 Reference Manual Yamaha Web Site (English only) http://www.yamahasynth.com/ Yamaha Manual Library http://www.yamaha.co.jp/manual/ U.R.G., Pro Audio & Digital Instrument Division, Yamaha Corporation © 2010 Yamaha Corporation MW-B0[...]