Yamaha CVP-89 Bedienungsanleitung
- Schauen Sie die Anleitung online durch oderladen Sie diese herunter
- 91 Seiten
- 1.59 mb
Zur Seite of
Ähnliche Gebrauchsanleitungen
-
Musical Instrument
Yamaha DGX-202
98 Seiten 4.72 mb -
Musical Instrument
Yamaha PCY155
4 Seiten 0.87 mb -
Musical Instrument
Yamaha Silent Electric Cello SVC210
15 Seiten 0.39 mb -
Musical Instrument
Yamaha CVP-98/CVP-96
39 Seiten 3.43 mb -
Musical Instrument
Yamaha PSR-R200
68 Seiten 7.23 mb -
Musical Instrument
Yamaha PSR-E313
90 Seiten 3.25 mb -
Musical Instrument
Yamaha WX5
44 Seiten 2.21 mb -
Musical Instrument
Yamaha Violin V5SA
1 Seiten 0.13 mb
Richtige Gebrauchsanleitung
Die Vorschriften verpflichten den Verkäufer zur Übertragung der Gebrauchsanleitung Yamaha CVP-89 an den Erwerber, zusammen mit der Ware. Eine fehlende Anleitung oder falsche Informationen, die dem Verbraucher übertragen werden, bilden eine Grundlage für eine Reklamation aufgrund Unstimmigkeit des Geräts mit dem Vertrag. Rechtsmäßig lässt man das Anfügen einer Gebrauchsanleitung in anderer Form als Papierform zu, was letztens sehr oft genutzt wird, indem man eine grafische oder elektronische Anleitung von Yamaha CVP-89, sowie Anleitungsvideos für Nutzer beifügt. Die Bedingung ist, dass ihre Form leserlich und verständlich ist.
Was ist eine Gebrauchsanleitung?
Das Wort kommt vom lateinischen „instructio”, d.h. ordnen. Demnach kann man in der Anleitung Yamaha CVP-89 die Beschreibung der Etappen der Vorgehensweisen finden. Das Ziel der Anleitung ist die Belehrung, Vereinfachung des Starts, der Nutzung des Geräts oder auch der Ausführung bestimmter Tätigkeiten. Die Anleitung ist eine Sammlung von Informationen über ein Gegenstand/eine Dienstleistung, ein Hinweis.
Leider widmen nicht viele Nutzer ihre Zeit der Gebrauchsanleitung Yamaha CVP-89. Eine gute Gebrauchsanleitung erlaubt nicht nur eine Reihe zusätzlicher Funktionen des gekauften Geräts kennenzulernen, sondern hilft dabei viele Fehler zu vermeiden.
Was sollte also eine ideale Gebrauchsanleitung beinhalten?
Die Gebrauchsanleitung Yamaha CVP-89 sollte vor allem folgendes enthalten:
- Informationen über technische Daten des Geräts Yamaha CVP-89
- Den Namen des Produzenten und das Produktionsjahr des Geräts Yamaha CVP-89
- Grundsätze der Bedienung, Regulierung und Wartung des Geräts Yamaha CVP-89
- Sicherheitszeichen und Zertifikate, die die Übereinstimmung mit entsprechenden Normen bestätigen
Warum lesen wir keine Gebrauchsanleitungen?
Der Grund dafür ist die fehlende Zeit und die Sicherheit, was die bestimmten Funktionen der gekauften Geräte angeht. Leider ist das Anschließen und Starten von Yamaha CVP-89 zu wenig. Eine Anleitung beinhaltet eine Reihe von Hinweisen bezüglich bestimmter Funktionen, Sicherheitsgrundsätze, Wartungsarten (sogar das, welche Mittel man benutzen sollte), eventueller Fehler von Yamaha CVP-89 und Lösungsarten für Probleme, die während der Nutzung auftreten könnten. Immerhin kann man in der Gebrauchsanleitung die Kontaktnummer zum Service Yamaha finden, wenn die vorgeschlagenen Lösungen nicht wirksam sind. Aktuell erfreuen sich Anleitungen in Form von interessanten Animationen oder Videoanleitungen an Popularität, die den Nutzer besser ansprechen als eine Broschüre. Diese Art von Anleitung gibt garantiert, dass der Nutzer sich das ganze Video anschaut, ohne die spezifizierten und komplizierten technischen Beschreibungen von Yamaha CVP-89 zu überspringen, wie es bei der Papierform passiert.
Warum sollte man Gebrauchsanleitungen lesen?
In der Gebrauchsanleitung finden wir vor allem die Antwort über den Bau sowie die Möglichkeiten des Geräts Yamaha CVP-89, über die Nutzung bestimmter Accessoires und eine Reihe von Informationen, die erlauben, jegliche Funktionen und Bequemlichkeiten zu nutzen.
Nach dem gelungenen Kauf des Geräts, sollte man einige Zeit für das Kennenlernen jedes Teils der Anleitung von Yamaha CVP-89 widmen. Aktuell sind sie genau vorbereitet oder übersetzt, damit sie nicht nur verständlich für die Nutzer sind, aber auch ihre grundliegende Hilfs-Informations-Funktion erfüllen.
Inhaltsverzeichnis der Gebrauchsanleitungen
-
Seite 1
Owner’s Manual Bedienungsanleitung Mode d’emploi Manual de instrucciones[...]
-
Seite 2
92-469- ➀ ENVIRONMENT AL ISSUES: Y amaha strives to pro- duce products that are both user safe and environmentally friendly . W e sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law , we want you to be aware of the following: Battery Notic[...]
-
Seite 3
English Owner’ s Man ual Deutsch Bedien ungsanleitung Français Mode d’emploi Español Manual de instrucciones[...]
-
Seite 4
Intr oduction Thank you for choosing a Y amaha Clavinova. Y our Clavinova is a fine musical instrument that employs advanced Y amaha music technology . W ith the proper care, your Clavinova will give you many years of musical pleasure. as the presets. ● Full-ke yboard ABC (Auto Bass Chord) pro vides ac- companiment as you pla y across the entire [...]
-
Seite 5
1 1. Avoid Humidity & Heat A void placing the Cla vinova in areas that are subject to e xces- sive humidity or heat. Do not leave the instrument near heaters or in a car exposed to direct sunlight, f or e xample. 2. Avoid Dust & Moisture A void locations in which the instrument is likely to be e xposed to excessiv e dust or moisture. 3. Pow[...]
-
Seite 6
2 The Panel Controls C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B0 A0 G0 F0 E0 D0 C0 B-1 A-1 MAX MIN MASTER VOLUME DEMO LEFT PEDAL UTILITY REVERB PROGRAM CUSTOM RHYTHM TEMPO TAP METRONOME – + – / NO + / YES RHYTHM BASS 1 CHORD 2 AUTO ACCOMPANIMENT MAX MIN STYLE POP 16BEAT DANCE POP BOOGIE SLOW ?[...]
-
Seite 7
3 The Panel Controls 1 PO WER Switch ........................................................ page 4 2 MASTER V OLUME Control ..................................... page 5 3 [UTILITY] Button ............... page 5, 13, 30, 33, 38, 42—64 4 [DEMO] Button ......................................................... page 6 5 [LEFT PED AL] Button ........[...]
-
Seite 8
4 Preparation ■ The Music Stand If you will be using sheet music with your Clavinova, raise the music stand built into it’ s top panel by lifting the rear edge of the music stand. The music stand can be lowered by slightly lifting the stand and then lowering it gently back down to its resting position. ■ The P ower Switch After making sure th[...]
-
Seite 9
5 The Clavino va has se ver al volume controls that giv e you e xtra v ersatility in creating the required sound. The V olume Controls ● Master Volume ............................................................................................................................... ......... The MASTER VOLUME control adjusts the overall volume of sou[...]
-
Seite 10
6 Demonstration Playback The Clavino va f eatures 25 demonstration tunes that eff ectively demonstr ate its sound and accompaniment capabilities. Here’ s ho w you can select and play the demo tunes. V Stop Playback .....................................................................................................................................[...]
-
Seite 11
7 V oice Selection The CVP-89 has a total of 60 diff erent voices that can be selected in a number of wa ys. There’ s also a “K eyboard P ercussion” mode that let’ s you pla y a range of drums and percussion instruments on the keyboard. ● The VOICE 13-60 [ ▲ ] and [ ▼ ] Buttons .........................................................[...]
-
Seite 12
8 V oice Selection No. Name Usable Range 1 PIANO A-1 - C7 2 CLAVINOVA TONE C1 - C7 3 E. PIANO C1 - C6 4 HARPSICHORD C1 - C6 5 VIBES F2 - F5 6 GUITAR E1 - F # 4 7 STRINGS C0 - C6 8 ORGAN C0 - C6 9 CHOIR E1 - E5 10 UPRIGHT BASS C0 - F # 3 11 ELEC BASS E0 - F # 3 12 DRUMS — No. Name Usable Range 19 SAX SOFT A # 0 - F # 5 20 CLARINET D2 - A # 5 21 OB[...]
-
Seite 13
9 Dual Mode The DU AL mode makes it possib le to play two v oices simultaneously across the entire r ange of the ke yboard. This makes it easy to create e xceptionally rich, thick tonal te xtures. ■ Engaging the Dual Mode Dual mode voice combinations can be broadly divided into three categories: panel voice + panel voice, panel voice + voice numb[...]
-
Seite 14
10 The split mode lets you pla y diff erent voices with the left and right hands — bass with the left and pi- ano with the right, for e xample. Y ou can assign any of the Clavino va’ s voices to the left and right-hand sections of the ke yboard. Split Mode ■ Engaging the Split Mode When the [SPLIT] button is pressed and its indicator lights, [...]
-
Seite 15
11 ■ Split Balance Split Mode The volume balance between the left-hand and right-hand voices can be ad- justed by using the TEMPO [ ▲ ] and [ ▼ ] buttons while holding the [SPLIT] but- ton. The selected balance value (1 … 15) will be shown on the display while the [SPLIT] button is held. ■ A setting of “1” sets the volume of the left [...]
-
Seite 16
12 Digital Reverb Effects The [REVERB] button pro vides a number of digital eff ects that you can use f or e xtra depth and e xpressive pow er . ■ Selecting a Reverb Eff ect Each time the [T AP] or [METRONOME] button is pressed while the [REVERB] button is held, the next reverb effect is selected. The currently selected reverb effect and the reve[...]
-
Seite 17
13 The Keyboard & Polyphony The Clavino va has “32-note polyphony” which means y ou can nor mally play up to 32 notes at once . This number v ar ies, howe ver , according to the functions being used, as shown in the chart below: Keyboard only 32 notes. Keyboard + rhythm 24 notes (rhythm uses 8). Keyboard + ABC 12 notes (rhythm 8; ABC 12). T[...]
-
Seite 18
14 The CVP-89 has three pedal which off er a range of adv anced expressiv e capabilities. The Pedals BEAT MAX MIN MASTER VOLUME DEMO LEFT PEDAL UTILITY REVERB PROGRAM CUSTOM RHYTHM TEMPO TAP METRONOME – + – / NO + / YES MEMORY REGIST- RATION RHYTHM BASS 1 CHORD 2 AUTO ACCOMPANIMENT MAX MIN STYLE POP 16BEAT DANCE POP BOOGIE SLOW [...]
-
Seite 19
15 ● Start/Stop ............................................................................................................................... ................. LEFT PEDAL FUNCTION START/STOP The left pedal performs the same function as the panel [ST AR T/STOP] buttons. For details on the ST AR T/ST OP function, refer to the “Accompaniment” [...]
-
Seite 20
16 Pitch control makes it possib le to tune the Clavinov a ov er a ± 50-cent range (appro ximate) in appro ximately 1.2-cent or 1-her tz inter vals . A hundred “cents” equals one semitone, so the tuning range pro vided allows fine tuning of ov erall pitch ov er a range of appro ximately a semitone. Pitch control is useful f or tuning the Clavi[...]
-
Seite 21
17 Accompaniment The CVP-89 has 50 “styles” that can be used as a basis for rh ythm accompaniment, or fully orchestrated rh ythm, bass, and chord accompaniment (see “A uto Bass Chord” on page 21). ■ Style Selection ● Styles 1-12: Direct Panel Selection .....................................................................................[...]
-
Seite 22
18 Accompaniment ■ T empo Contr ol Whenever you select a different style, the preset tempo for that style is also selected, and the tempo is displayed on the display in quarter -note beats per minute (unless the accompaniment is playing, in which case the same tempo is main- tained). Y ou can change the tempo to any value between 32 and 280 beats[...]
-
Seite 23
19 Accompaniment ● Start With an Introduction ..................................................................................................................... Press the [INTRO/ENDING] button. If you press the [NORMAL/FILL TO NORMAL] button (or left FILL IN bar) or the [V ARIA TION/FILL T O V ARIA TION] button (or right FILL IN bar) while hol[...]
-
Seite 24
20 Accompaniment ■ Metr onome The CVP-89 also offers a metronome function that is ideal for practice. T o start the metronome, simply press the [METRONOME] button so that its indicator lights. The metronome will play at the currently selected tempo whether a style is playing or not. The metronome volume can be adjusted via the RHYTHM volume contr[...]
-
Seite 25
21 Auto Bass Chord (ABC) The CVP-89 includes a sophisticated auto- accompaniment system (A uto Bass Chord — ABC) that can provide automated rh ythm, bass and chord backing in a n umber of wa ys. BEAT MAX MIN MASTER VOLUME DEMO LEFT PEDAL UTILITY REVERB PROGRAM CUSTOM RHYTHM TEMPO TAP METRONOME – + – / NO + / YES MEMORY REGIST- RAT[...]
-
Seite 26
22 Auto Bass Chord (ABC) As soon as you play any chord (up to 4 notes) on the lower keyboard (up to the split point — normally the F # 2 key), the Clavinova will automatically begin to play the chord along with the selected rhythm and an appropriate bass line (synchro start is automatically selected in the ABC mode*). The name of the detected cho[...]
-
Seite 27
23 Auto Bass Chord (ABC) The Conventional Full-keyboard ABC mode can be engaged by pressing the [FULL KEYBOARD] and [SINGLE/FINGERED] buttons simultaneously (both indicators will light). In this mode the split point is de-activated and notes played any- where on the keyboard are detected and used to determine the harmonization of the accompaniment.[...]
-
Seite 28
24 F6 CANCEL 16BEAT DANCE POP Custom Rhythm The CVP-89 CUST OM RHYTHM feature allo ws you to create 12 original rhythm patterns that can be later recalled and pla yed at any time , just like the presets. Each custom rh ythm patter n can be “stored” in any of the CVP-89’ s 12 panel style memory locations. ■ Creating an Original Rh ythm P[...]
-
Seite 29
25 Custom Rhythm B Cancel Instruments & Correct Mistakes as Required ......................................................................... Although you can cancel all instruments in a pattern by pressing the [CLEAR ALL] and [CANCEL] keys, it is also possible to cancel a single instrument to erase a mistake or simply eliminate an unwanted in[...]
-
Seite 30
26 Disk Styles A “Style Disk” is supplied with the Clavinov a, pro- viding an e xtra 50 ABC accompaniment styles. Any two of these patterns can be loaded into the Clavino va’ s memor y at a time. The [DISK STYLE 1] and [DISK STYLE 2] buttons select the loaded disk styles in the same wa y as the STYLE selectors se- lect the inter nal styles. B[...]
-
Seite 31
27 B Repeat ............................................................................................................................... ....................... Repeat steps X through V to select and load a second pattern into the other [DISK STYLE] button if you like. Disk Style List Group No. Name 1 AMERICAN ROCK 2 ROCK’N’ROLL ROCK 3 ROCK [...]
-
Seite 32
28 Solo Styleplay BEAT MAX MIN MASTER VOLUME DEMO LEFT PEDAL UTILITY REVERB PROGRAM CUSTOM RHYTHM TEMPO TAP METRONOME – + – / NO + / YES MEMORY REGIST- RATION RHYTHM BASS 1 CHORD 2 AUTO ACCOMPANIMENT MAX MIN STYLE POP 16BEAT DANCE POP BOOGIE SLOW ROCK SWING JAZZ BALLAD BOSSA RHUMBA MARCH STYLE COUNTRY WALTZ STYLE 13-[...]
-
Seite 33
29 Registration Memor y The CVP-89 Registration Memory feature can be used to memorize 12 complete control-panel setups that you can recall whene ver needed. BEAT MAX MIN MASTER VOLUME DEMO LEFT PEDAL UTILITY REVERB PROGRAM CUSTOM RHYTHM TEMPO TAP METRONOME – + – / NO + / YES MEMORY REGIST- RATION RHYTHM BASS 1 CHORD 2 AUTO ACCOMPAN[...]
-
Seite 34
30 Disk Orchestra Using Y amaha Disk Orchestra disks (one is supplied with the CVP-89, others are a vailab le from Y amaha), the Clavino va will let y ou enjoy listening to automated perf ormances, or function as your “private music tutor , ” allowing y ou to practice v ar ious par ts of a piece while the others are play ed automatically . The [...]
-
Seite 35
31 Disk Orchestra NOTES • Please note that playback cannot be started while the Clavinova is searching the disk for a selected song (a flashing dot following the song name on the display indicates that the Clavinova is searching). • With some songs the displayed measure numbers may not match those marked on the score. • Some songs start after[...]
-
Seite 36
32 B -1 GUIDE A -1 GUIDE Disk Orchestra ■ V olume Control During DISK ORCHESTRA playback use the RHYTHM volume control to adjust the volume of the drum and percussion parts, the CHORD 2 volume control adjusts the volume of the main left- and right-hand parts, the CHORD 1 volume control adjusts the volume of all other parts except the bass, and th[...]
-
Seite 37
33 Disk Orchestra ■ Repeat Functions ● Phrase Repeat Use this function if you want to practice a specific phrase within a song, as indicated by the phrase marks on the Disk Orchestra Collection score. Z Select a Song ............................................................................................................................... .[...]
-
Seite 38
34 Disk Orchestra ■ Other Pla yback Contr ols ● Pause ............................................................................................................................... ........................ Press the [P AUSE] button to temporarily stop DISK ORCHESTRA playback. Press the [P AUSE] button again (or the [ST ART/ST OP] button) to re[...]
-
Seite 39
35 The CVP-89 f eatures a b uilt-in “sequencer” which can be used to independently record up to ten separate par ts of a single musical composition, plus a rh ythm track. Each par t is recorded on one of the P erf or mance Memor y “trac ks” accessed via the [RIGHT/1], [LEFT/2], [ORCH/3-10], and [RHYTHM] buttons . The music data that you rec[...]
-
Seite 40
36 Performance Memory B Start Recording ............................................................................................................................... ........ Multi-trac k Recor ding & Playbac k Z Insert a Formatted Disk ...........................................................................................................[...]
-
Seite 41
37 1 RIGHT RIGHT SINGLE/ FINGERED A B C 3-10 ORCH ORCH FULL KEYBOARD A B C Performance Memory B Select the Track(s) to Record ................................................................................................................ Only one track can be recorded at a time. If you press [RIGHT/1] you will record on track number 1. If [...]
-
Seite 42
38 Performance Memor y ■ Adding Ne w T rac ks When you’ve finished recording the first track, you can simply play it back as described in the previous section or add a new track to your song. T o record a new track: Z Select a Voice .................................................................................................................[...]
-
Seite 43
39 Performance Memory ● Recording Without a Disk The Clavinova has enough internal RAM memory to allow recording for a while even if a disk is not loaded (up to approximately 2,200 notes — 28 kilobytes — if no other data is recorded). If you accidentally record without loading a disk, make sure you use the COPY function (described on page 46)[...]
-
Seite 44
40 Performance Memor y Original Performance Memory recordings can be played back and controlled in the same way as described in the Disk Orchestra section, beginning on page 30. Y ou can individually select tracks to play back (page 31), use the guide function and keyboard guide lamps with the data recorded on tracks 1 and 2 (page 32), and use the [...]
-
Seite 45
41 Performance Memory The Chor d Sequence Function Z Engage the Chord Sequence Function ................................................................................................ Press the [CHORD SEQUENCE] button. The [ORCH/3-10] and [RHYTHM] track button indicators will glow red, and the ABC SINGLE/FINGERED mode will be automatically selecte[...]
-
Seite 46
42 The 44 “utility functions” described in this chapter include eff ect, disk, MIDI, and general functions that significantly enhance the versatility and fle xibility of the CVP-89. Utility Functions ■ Selecting & Using the Utility Functions BEAT MAX MIN MASTER VOLUME DEMO LEFT PEDAL UTILITY REVERB PROGRAM CUSTOM RHYTHM TEMPO TAP [...]
-
Seite 47
43 Effect Functions ■ 01: T ranspose The Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals up to a maximum of six semitones. “T ransposing” the pitch of the Clavinova keyboard makes it easier to play in difficult key signatures, and you can simply match the pitch of the keyboard to[...]
-
Seite 48
44 Utility Functions Disk Functions This group of utility functions covers a range of disk-related jobs: formatting new disks, copying songs, deleting songs, saving and loading various types of data, and more. NOTES • Disk-related functions (05 through 20) can only be accessed when a disk is present in the Clavinova disk drive. ■ 05: Save Regis[...]
-
Seite 49
45 Utility Functions ■ 07: Save Individual Ke y T uning This function saves the current individual key tuning data set up via the “Individual Key T uning” function (page 60) to disk. The data can then be reloaded at any time by using the Load Individual Key T uning function, described next. Z Insert a Disk & Select the Save Individual Key[...]
-
Seite 50
46 ■ 10: Load Custom Rh ythm Utility Functions This function reloads the custom rhythm data saved to disk by the Save Custom Rhythm function, described above. Z Insert a Disk & Select the Load Custom Rhythm Function ................................................................ Insert the disk containing the custom rhythm data you want to l[...]
-
Seite 51
47 Utility Functions • The copy operation can be aborted at any time prior to actually starting the copy operation (i.e. prior to pressing the [START/STOP] button or the TEMPO [ s ] button) or during the disk exchange display by pressing the [UTILITY] button. ● Copying Disk Orchestra Disks ([ORCH/3-10] and [RHYTHM] parts only) .................[...]
-
Seite 52
48 ■ 13: Disk Format Utility Functions The Clavinova uses only 3.5" 2DD floppy disks. W e recommend that you use Y amaha 2DD disks. Before you can use a new disk for recording, the disk must be “formatted” so that the Clavinova can recognize it and correctly write the music data onto it. Z Insert the Disk To Be Formatted ................[...]
-
Seite 53
49 Utility Functions NORMAL Standard SMF Mode. Standard Clavinov a voice assignments (unless a “GM ON” message is included in the data). T rac k 10 not necessar ily dr ums. GM GM SMF Mode. General MIDI voice assignments . T rack 10 is alw ays drums. NOTES • The Standard SMF mode is useful when playing back a disk containing Standard MIDI File[...]
-
Seite 54
50 ■ 16: T rack Mix Utility Functions Extra Performance Memory track space can be created by using this function to mix the data from two tracks to a single track. The data from the “source” and “destination” tracks is mixed and the result placed in the destination track. Y ou can also use this function to copy data from one track to anot[...]
-
Seite 55
51 Utility Functions ■ 18: Song Name Use this function to enter original titles (up to 12 characters) for your Performance Memory songs. Z Insert a Disk ............................................................................................................................... ............. Insert the disk containing the song for which you wan[...]
-
Seite 56
52 Utility Functions B Enter a Character ............................................................................................................................... ..... The following keys on the CVP-89 keyboard enter the corresponding characters when pressed: C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 [...]
-
Seite 57
53 ■ 20: Con ver t to SMF This function can be used to convert the performance memory data used by the CVP-89 to Standard MIDI File (SMF) format so songs recorded on the CVP-89 can be played back on SMF-compatible devices. Z Insert a Disk & Select the Convert To SMF Function ....................................................................[...]
-
Seite 58
54 Utility Functions MIDI Functions MIDI, the Musical Instrument Digital Interface, is a world-standard communication interface that allows MIDI-compat- ible musical instruments and equipment to share musical information and control one another . This makes it possible to create “systems” of MIDI instruments and equipment that offer far greater[...]
-
Seite 59
55 Utility Functions ■ 22: Receive Channel Select In addition to the 16 MIDI channels, an “OMNI” receive mode is also available which allows reception on all 16 MIDI channels. In the OMNI mode it is not necessary to match the receive channel of the receiving device to the transmit channel of the transmitting device. Z Select the Receive Chann[...]
-
Seite 60
56 Utility Functions ■ 24: Program Change ON/CANCEL Normally the Clavinova will respond to MIDI control change data received from an external MIDI device or keyboard, causing the selected Clavinova voice to be affected by pedal and other “control” settings received from the controlling de- vice. The Clavinova also transmits MIDI control chang[...]
-
Seite 61
57 Utility Functions ■ 26: The Multi-Timbre Mode The Multi-T imbre mode is a special mode in which the Clavinova voices can be independently controlled on different MIDI channel numbers (1—15 in the CVP mode; 1—10,15, 16 in the DOC mode; 1—16 in the GM mode) by an external MIDI device. The Multi-Timbre mode is of f (SINGLE) when the power i[...]
-
Seite 62
58 Utility Functions ■ 27: The Split Send Mode In the split send mode notes played on the left-hand section of the keyboard (to the left of and including the split point key — see “Changing the Split Point” on page 10) are transmitted on MIDI channel 2, while the upper keyboard section transmits on the MIDI channel set using the Send Channe[...]
-
Seite 63
59 Utility Functions ■ 30: MIDI T ranspose T ransmit This function transposes the pitch of transmitted MIDI note data up or down in semitone intervals up to a maximum of six semitones. The pitch of notes played on the keyboard is not af fected. Z Select the MIDI Transpose Transmit Function .........................................................[...]
-
Seite 64
60 Utility Functions General Utilities The functions in this group apply to a wide range of functions and features. ■ 32: Individual K ey T uning The Individual Key T uning Feature makes it possible to individually tune each key on the CVP-89 keyboard in order to match different tuning standards. The pitch of each key can be raised or lowered by [...]
-
Seite 65
61 Utility Functions ■ 33: T ouch Sensitivity The Clavinova can be set to one of three dif ferent types of keyboard touch sensitivity to match different playing styles and preferences. SOFT Allows maximum loudness to be produced with relativ ely light ke y pressure. MEDIUM Produces a fairly “standard” k eyboard response . HARD Requires the ke[...]
-
Seite 66
62 ■ 36: A uto Synchr o Star t Switc hing Utility Functions This function determines whether the “Synchro Start” mode will automatically be turned ON and OFF when an ABC mode is turned ON and OFF (refer to page 19, 22). OFF Auto synchro start switching OFF — synchro start is not tur ned on and off with ABC . ON Auto synchro start switching [...]
-
Seite 67
63 Utility Functions ■ 40: Edit Drum Instrument The CVP-89 has two drum kits — NORMAL and PROCESSED — and this function allows either kit to be selected for each individual drum instrument. Individual reverb depth and pan settings are also possible. Z Select the Edit Drum Instrument Function ...................................................[...]
-
Seite 68
64 ■ 41: Split Left Octave This function determines whether the left-hand voice in a split keyboard setup will be automatically shifted up one oc- tave (refer to page 10). 0 Octav e shift OFF — no octav e shift will occur . +1 Octav e shift ON — all voices e xcept BASS (voice numbers 10, 11, 49, 50, 51, and 52) and DR UMS (voice n umbers 12) [...]
-
Seite 69
65 Although the Clavino va is a self-contained musical instrument that simply be plugged into the A C mains outlet and play ed, it also features a n umber of connec- tors f or system expansion. The Connectors ● AUX IN L and R Jacks ....................................................................................................................[...]
-
Seite 70
66 T roubleshooting If you encounter what appears to be a malfunction, please chec k the f ollowing points bef ore assuming that your Cla vinov a is f aulty . 1. No Sound When the Power is Turned On Is the AC plug properly connected to an AC wall outlet? Check the AC connection carefully . Is the MASTER V OL- UME control turned up to a reasonable l[...]
-
Seite 71
67 Index A A-B repeat, disk orchestra .......................... 33 ABC auto mute ............................................ 64 Accompaniment .......................................... 17 Accompaniment volume mode .................... 61 Assembly ....................................................... i Auto bass chord (ABC) .....................[...]
-
Seite 72
Assembly/Zusammenbau/Montage/Montaje 1 i NOTES • We do not recommend attempting to as- semble the Clavinova alone. The job can be easily accomplished, however, with only two people. • Use only the screws provided or replace- ments of exactly the specified size. Using screws of the wrong size can result in dam- age to the instrument. Z Open the [...]
-
Seite 73
Assembly/Zusammenbau/Montage/Montaje ii Zusammenbau Montage Montaje HINWEISE • Wir raten davon ab, das Clavinova alleine zusammenzubauen und aufzustellen. Zwei Personen können diese Arbeit jedoch pro- blemlos ausführen. • Verwenden Sie ausschließlich die mit- gelieferten Schrauben oder Ersatz- schrauben identischer Größe. Die Verwen- dung [...]
-
Seite 74
MIDI Data Format / MIDI-Datenformat / Format de s iii If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computer-generated MIDI messages, the data provided in this section can help you to control the Clavinova. Falls Sie bereits mit MIDI vertraut sind oder einen Computer zur Hardware-Steuerung [...]
-
Seite 75
s donées MIDI/Formato de datos MIDI iv 4 . REGISTERED/NON-REGIS- TERED P ARAMETER NUMBER • Data entry [BnH] [06H] [mmH] [BnH] [26H] [llH] n= MIDI channel number mm/ll=RPN • Data inc [BnH] [60H] [xxH] n= MIDI channel number xx= Dummy, RPN • Data dec [BnH] [61H] [xxH] n= MIDI channel number xx= Dummy, RPN • Non-registered parameter number [B[...]
-
Seite 76
MIDI Data Format / MIDI-Datenformat / Format des donées MIDI/Formato de datos MIDI v (14) SPLIT POINT (15) DUAL/SPLIT MODE (16) DUAL/SPLIT VOICE (17) DUAL/SPLIT BALANCE (18) REVERB (19) REVERB DEPTH (20) LEFT PEDAL FUNCTION (21) Reserved (22) INTRO (23) TOUCH SESITIVITY (24) PITCH BEND RANGE (25) CHORUS (26) SOUNDBOARD EFFECT DEPTH (27) DRUMS VOIC[...]
-
Seite 77
vi each instrument. Example [F0H] [43H] [73H] [xxH] [11H] [0eH] [30H] [43H] [knH] [enH] [slH] [F7H] [knH] [enH] [slH] [36H] [5bH] [10H]: F # 0 Brush Roll reverb depth set to -30H. [36H] [5bH] [20H] [5dH] [60H]: F # 0 Brush Roll reverb depth set to -20H [01H] [5bH] [xxH]: Reverb depth for all keys set to default ( ± 0). [02H] [5bH] [20H]: Reverb de[...]
-
Seite 78
V oice List/Stimmenver zeichnis/Liste des voix vii Voice MIDI DOC mode Pitch Bend Chorus No. Program MIDI Name Range (Cent) On/Off No. Program No. 1 00 12 Piano 100 OFF 2 01 68 Clavinova Tone 100 ON 3 02 50 E. Piano 100 OFF 4 03 14 Harpsichord 100 OFF 5 04 16 Vibes 100 OFF 6 05 24 Guitar 200 OFF 7 06 08 Strings 100 OFF 8 07 76 Organ 100 OFF 9 08 42[...]
-
Seite 79
/Lista de voces viii Voice MIDI No. Program Name No. Piano 1 00 Acoustic Grand Piano 2 01 Bright Acoustic Piano 3 02 Electric Grand Piano 4 03 Honky-tonk Piano 5 04 Electric Piano 1 6 05 Electric Piano 2 7 06 Harpsichord 8 07 Clavi Chromatic Percussion 9 08 Celesta 10 09 Glockenspiel 11 10 Music Box 12 11 Vibraphone 13 12 Marimba 14 13 Xylophone 15[...]
-
Seite 80
ix No. Key Normal Kit Processed Kit 45 A1 Cymbal Mute Cymbal Mute 46 A # 1 — Bell Tree 47 B1 — Storm/Thunder 48 C2 — Applause 49 C # 2 — Hand Cymbal 50 D2 — Scratch 51 D # 2 — Space Hit 52 E2 — Down Zap 53 F2 — Up Zap 54 F # 2 Brush Roll Noise Roll 55 G2 — Hi-Q 56 G # 2 Hi-Hat Closed Heavy Analog Hi-Hat 57 A2 — Voice Huh 58 A # [...]
-
Seite 81
x Sets/Liste des kits de percussion/Lista de juegos de percusió n 130: Room Kit 131: Rock Kit 132: Electronic Kit 133: Analog Kit 134: Jazz Kit 135: Brush Kit 136: Classic Kit — — — ——— — — — — ——— — — — — ——— — <—— <—— <—— <—— <—— <—— <—— <—— <—[...]
-
Seite 82
xi Specifications/T echnische Daten/Spécifications /Especificaciones CVP-89 KEYBOARD 88 KEYS (A-1 — C7) TONE GENERATOR AWM (Advanced Wave Memory) VOICE SELECTORS & PIANO, CLAVINOVA TONE, E. PIANO, HARPSICHORD, VIBES, GUITAR, STRINGS, ORGAN, CHOIR, CONTROLS UPRIGHT BASS, ELEC BASS, DRUMS, VOICE 13 - 60, VOICE ▲ / ▼ , SPLIT (GM 128 voices [...]
-
Seite 83
* All fingerings shown are simple root-position types. * Die hier gezeigten Akkorde sind jeweils die Grundakkorde. * Tous les doigtés indiqués sont du type à position fondamentale simple. * Todos los digitados se muestran como tipos de posición de raíz sencilla. Minor Moll Mineur Menor Major Dur Majeur Mayor Seventh Dur-Septakkord Septième S?[...]
-
Seite 84
Fingering Char t / Akkordliste/ T ablatu r e / Gráfica de digitado Minor major seventh Moll-Akkord mit großer Septime Septième majeure sur mineur Menor de séptima mayor Major seventh Dur-Akkord mit großer Septime Majeure septième Mayor de séptima Augmented Übermäßig Augmenté Aumentado Diminished Vermindert Diminué Disminuida xiii CM E M[...]
-
Seite 85
Fingering Char t / Akkordliste/ T ablatu r e / Gráfica de digitado Sixth Dur-Akkord mit hinzugefügter Sexte Sixte Sexta Suspended fourth Vorgehaltene Quarte Quarte sur sensible Cuarta suspendida Major seventh flatted fifth Dur-Akkord mit großer Septime und verminderter Quinte Quinte diminuée sur majeure septième Mayor de séptima y quinta bemo[...]
-
Seite 86
Fingering Char t / Akkordliste/ T ablatu r e / Gráfica de digitado Minor sixth Moll-Akkord mit hinzugefügter Sexte Mineure sixte Menor de sexta Seventh suspended fourth Dur-Septakkord mit vorgehaltener Quarte Quarte sur septième sensible Séptima y cuarta suspendida xv CmM E mM (D mM ) DmM EmM FmM GmM AmM BmM D mM (C mM ) F mM (G mM [...]
-
Seite 87
Fingering Chart / Akkordliste/T ablature / Gráfica de digitado Minor flatted fifth Moll-Akkord mit verminderter Quinte Mineure quinte diminuée Menor de quinta bemol Seventh flatted fifth Dur-Septakkord mit verminderter Quinte Quinte diminuée en septième Séptima y quinta bemol Seventh sharp fifth Dur-Septakkord mit erhöhter Quinte Septième aj[...]
-
Seite 88
MIDI Implementation Chart xvii Not Available[...]
-
Seite 89
FCC INFORMA TION (U .S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accesso[...]
-
Seite 90
W ARNING- When using any electrical or electronic prod- uct, basic precautions should always be followed. These pre- cautions include, but are not limited to, the following: 1. Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions found in this manual BEFORE marking any connections, in[...]
-
Seite 91
M.D.G., EMI Division © Yamaha Corporation 1994 VS18130 410POCP5.2-02B0 Printed in Japan[...]