Epson 7000XB, 5000XB manual

EPSON PowerLi te 7000X B/5 000X B User’s Gu id e ® ™ pro-insd.fm Page i Fr iday, November 7, 1997 5:20 PM[...]

ii A ll r i g h t s r e s e r ved. N o pa r t o f t h i s p u b l i ca t i o n may b e repr o duced, s t ored i n a r et r i eval sys t em, or t r a n s m i t t e d i n a n y form or b y a n y m e a n s, elec t r o n i c, m e c h a n i cal, ph o t ocop y i n g , recor d i n g , or o t her w i se, w i t h ou t t h e pr i or w r i t t e n p e r m i s[...]

i i i I m p o r t a nt I n f o r m a ti o n A b o ut Y o u r P o w e r L ite 7 0 0 0 X B/ 5 0 0 0 X B I m p o r ta n t S af e ty I n f o r m a t i on WA R N I N G : N ev e r loo k i n t o t he p rojec t or le n s w hen th e lamp i s t u rn e d on ; th e b r i gh t l i g h t can d a m a ge yo u r eyes . N ever l et ch i l dren l o o k i nt o the l e[...]

iv F C C Co m p l i a n c e S t a t e m e nt F o r U n i t e d S t a t es U s e r s T h i s e q u i p m e n t h a s b e e n t es t ed a n d f o u n d t o comp l y w i t h t h e l i m i t s f o r a Clas s B d i gi t al dev i ce, pu r sua n t t o P art 1 5 of t he FC C R ules. T h e se l i m i t s a r e de s i g n ed t o pro v i de r e aso n a b le p[...]

v ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ Conten ts I n t r o d u c t ion ix G e tti n g t h e M o st O u t o f Y o ur P r o j ec t o r . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . x i O pt i o n al A c ce ss o r i es . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . x i i A[...]

v i C o nn e ct i n g t o a C o m p ut er . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 C o nn e ct i n g t o a P C D e s k t o p C o m p ut er . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 C o nn e ct i n g t o a P C L a p to p C o m put e r . . . . . . . . . . . . . . . . . . . . . . . . . .[...]

vii 4 U s i n g t h e E LP L i n k I I S o ft w a r e 5 9 I n s tal l i n g t h e So f t w are . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 C o nn e ct i n g N e e de d C a b l e s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 I n s tal l i n g t h e So f t w are fr o [...]

v i i i 7000xbTOC. f m Page vii i Friday, November 7, 199 7 5:21 P M[...]

ix ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ I n tro d uct i o n The E P SON ® P o w e r L ite ™ 70 0 0 X B and P o w e r L i t e 5 00 0 XB a r e co m pac t , l i gh t we i gh t p r ojec t o r s t hat allo w y o u t o pr o jec t ful l - col o r i mag e s a nd v i d e o o n t o a lar g e s cr e e n fo r p r e s e n ta t i o n s [...]

In t r o duc t ion x You r p r o j ec t o r ’ s t wo s p eak e r s e m p l oy a bu i l t - i n S p at i al i z e r 3 D Sou n d Sy s t e m fo r r i ch, p ow e rfu l aud i o o u tpu t . Y o u ca n e v e n c o n n ec t an e x t e r nal s p ea k er w hen f u r t her am p li f i c a t i o n i s r e q u i r e d . A t o tal l y n e w , pa t en t p e n d[...]

Ge t t i ng th e Mos t Ou t o f Your Pr o je c tor xi G e tt ing t h e M o st O u t o f Y o ur P r ojec t o r You r p r ojec t o r come s w i t h a ful l s e t o f f e atu r e s t hat e na b l e you t o co n t r ol th e s e t t i ng s fo r t he i ma g e d is pla y , v i d e o, a n d a ud i o. To g e t t h e m o s t o u t of t h e p r o j e c t o r [...]

In t r o duc t ion xii O p ti o nal A ccess o r ies To e nha n c e yo u r u s e o f t h e p r o j e c to r , E PSON p ro v i de s t he f o ll o w i ng a cc e s s o ri e s: ● C a r r y i n g ca s e s e s pe c ia l l y de si gn e d f o r t h e p r o j e c to r an d i t s ca b le s . Ha r d C ar r y i ng Ca s e E L P K S 0 6 W h e el e d S o f t Ca [...]

Abou t Th i s Manual x i ii A b o u t T h i s M a n u al C ha p t e r 1, “I n s t alla t i o n , ” giv e s s t e p -b y -s t ep i n st r u c t i o n s o n h o w to s e t up y ou r pr o jec t or a n d c on n e c t i t t o y ou r co m pu t er, v i d e o s ou r ce, o r o t h e r o p t i o n a l e q u i p m e n t. R e a d t h e i n st a ll a t i on[...]

In t r o duc t ion x i v S a f e t y In s t r u c t i ons F o llow th e se sa f e t y i n s t r u c t i o n s w hen s e t t ing u p a n d u sing t he pr o jec t or: 1 . Do n ot p lac e th e pr o j ec t or o n a n u n s t a b le c art , s t an d , o r ta b le. 2 . Do n ot u s e th e pr o j ec t o r nea r wa t e r or s o u rc e s o f hea t . 3 . U s [...]

Safe t y In s t r uc t io ns xv 1 0 . U n plu g th e pro j e c t or f ro m th e wal l ou t le t b efo r e c lea n i ng. Us e a damp cl o th f or c lea n i ng. D o n o t u s e l iqu i d o r a e ro s o l clea n e r s . 1 1 . Do n o t b l o ck t he s l o t s a n d op e n i n g s i n t h e p r o j e c to r ca s e. T he y pr o v i d e v e n t i la t i o[...]

In t r o duc t ion xvi W h e r e t o G e t H elp EPSON p r o v i de s cu s t om e r s u p po r t t hrough t h e f oll o w i n g s e r v i ce s : E l ec t r o n i c S u p p o r t S e r v i c es Y o u c an ac c e ss h e l p fu l t i p s, s p e c i f i c a t io n s, DI P s w it c h o r j u m p e r s et ti n g s, d r i v e r s, F r eq u e n t ly A s k [...]

W he r e t o Get He l p xv i i E P S O N F o r um on Compu S e r v e ® M e m be r s o f C o m p u S e r ve c a n t y pe GO EP S O N a t t h e m e n u p r o m p t t o rea c h C o m p uSe r v e ’s E p s o n Americ a Fo rum. As an o w ner of an EPSON p r odu c t, y ou a r e e l i g i bl e fo r a f r e e i n t r odu c to r y Co m puS e r v e m e m b[...]

In t r o duc t ion xv i ii Bef o re y ou c all, p lea s e ha v e th e fo l lo w i n g i n f ormat i o n r e ad y : ● P r oduc t n a me ● P r o d u c t s e r i a l n u m b er ● C o m p ut e r c o nf i gu r at i on ● D e s c r i p ti o n o f the p r o b l em Yo u ca n pu r cha s e i n k c art r i dge s , pap e r, m an u a l s , acc e s s o r [...]

1 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ 1 I n sta llat ion T h i s cha p t e r d e scribes how to u n pa c k , se t up , a n d co n n e ct y ou r pr o j ec t o r to o th e r e q u i p m e n t. The p ro j e ct o r m u s t b e c on n ec t e d t o a compu t e r or a v i d e o s ou r ce s uch a s a VC R, camco r de r , o r la s er[...]

1 • I ns t al l a t ion 2 U n p a c k i n g t h e P r o j e c t o r W h e n y ou u n pa c k t he p r o j e c to r , m ak e s u r e y ou ha v e all t he s e co m po n e n t s : ● P r o j ec t or ● Le n s co v er ● Remot e c o n t rol ● 2 AA b a t t e r i es ● P o w e r c o rd ● V i d e o c a b l e ● Aud i o c a b le ● Aud i o / v i[...]

Unp a ck i ng the Pr o je c tor 3 A d di t io n al C om p o n en t s Dep e n d i n g o n ho w yo u pla n t o u s e t he p r o j e c to r , y o u ma y n ee d add i t i o nal co m po n e n t s : ● T o r e c ei v e an S - V i d eo sig n a l , y o u n e e d a n S -V i d e o c a b l e . ( O ne is u s uall y p r o v i d ed w i t h y o ur v i d e o d e [...]

1 • I ns t al l a t ion 4 S e t ti n g U p t h e Pr o j e c t or 1 . Pla c e th e p r o j e c to r o n a s t urd y , l e v e l s ur f ac e w i th i n f i v e f e e t o f t he co m pu t e r or v i d e o s our c e. ✦ C a u t i o n : D o n ot h o l d t he p ro j ec tor b y t he l en s . Th i s c a n d a m age the l e n s . 2 . Pla c e t he p r o j[...]

Se tt ing Up the Pr o je c t or 5 3 . Mak e su r e t he p ro j e ct o r is a t a r i ght a n gl e t o th e s c re e n. O t he r w is e , t he s c r e en ima g e w i l l be d is t o r t e d . 4 . C o n n ec t o n e e n d of t he p ow e r c o rd t o t h e p r o j e c to r ’ s p ow e r co n n e ct o r. Co n n e c t t he o th e r e n d t o a g r ou n[...]

1 • I ns t al l a t ion 6 5 . To i n s er t th e b a t t er i e s i n th e re m o t e c o n t ro l , s l i de o ff t h e b at t e r y compa r tme n t c o v e r as sho w n he r e 6 . I n se r t t h e t w o AA b a t t e r ies i n c l u d e d w ith t h e p r o je c t o r . M a ke s u r e th e po l ar i t y of t he b a t t e r i e s i s cor r ec t . [...]

Conne c t i ng to a Co m p u ter 7 W h en r ep l a c i n g b a t t e r i e s, t a k e t h e f o l l o w i n g p r e c a u t i o n s: ● Do n o t m i x old a n d n e w ba t t e r i e s . ● Re p lac e b at t er i e s a s s o o n a s t h e y r u n out . If t h e ba t t e r i e s l ea k , w i p e awa y b a t t e r y fluid with a so f t c l ot h . If[...]

1 • I ns t al l a t ion 8 Connecting to a P C D e sktop Computer B e f o r e b e g i n n in g , t u r n o f f t h e p r o j e c t o r a nd c o m p u t er i f t h e y a r e o n . 1 . C o n n ec t th e v i d e o ca b l e. No t e : Co m pu t er con f igurat i ons va ry. S e e your co m pu t er m a n ua l f or t he loc a tion of t h e p orts ne e ded[...]

Conne c t i ng to a Co m p u ter 9 c. T o al s o v i ew t he v i de o o n th e co m pu t e r mo n i to r , co n n e ct t he co m pu t er m o n i t o r ’ s m o n i t o r ca b l e t o th e p r o j ec t o r ’ s M o n i t or por t . Th is i s u s e ful w he n y o u n e e d to v i e w th e v i d e o o u tpu t bu t th e p r o j e c t i o n s c r ee n[...]

1 • I ns t al l a t ion 1 0 a. Co n n e ct t h e s m all e n d of t he m a i n ca b l e t o th e p r o j ec t o r ’ s M ou s e /Co m 1 por t . ( Us e th e M ou s e / C o m 2 p o rt i f y o u a r e c o n n ec t i ng a s e co n d c o m p u te r .) b . Co n n e ct o n e e n d o f th e PS / 2 m ou s e ca b le i n clud e d w i t h th e p r o je c t [...]

Conne c t i ng to a Co m p u ter 11 3 . C o n n ec t th e aud i o cab l e i f n e e de d . a. Co n n e ct o n e e n d of th e a u d i o ca b le t o t he A ud i o I n 1 j ac k o n t h e p r o j e c t o r . ( U s e t h e A u d io I n 2 j a c k i f y ou a re c o n n e c ti n g a s e c o n d c o m p ut e r ). b . Co n n e ct t he o th e r e n d o f th [...]

1 • I ns t al l a t ion 1 2 C o n n ecti n g t o a PC L a p t op C o m p u ter B e f o r e b e g i n n in g , t u r n o f f t h e p r o j e c t o r a nd c o m p u t er i f t h e y a r e o n . 1 . C o n n ec t th e v i d e o ca b l e. No t e : L ap t op con f igura t i o n s vary. See your co m pu t e r m a n ua l f or t he loc a tio n of t he p o[...]

Conne c t i ng to a Co m p u ter 13 2 . C o n n e c t t h e m a i n c a b l e. T h e m a i n c a b l e c o n n e c t s t h e P S /2 m o u se ca b le ( n e e de d t o us e th e r e mo t e c on t r o l a s a m o u s e ) a n d 9 - p i n s e r i a l c a b l e ( n e e d e d to u se t h e E L P L i n k I I s o f t w a r e a nd t h e E f f e c t s b u tt [...]

1 • I ns t al l a t ion 1 4 c. Co n n e ct t he o th e r e n d o f th e PS / 2 m o us e ca b l e to t he m ou s e p ort o n y ou r lap t o p . d . I f y o u r la p t o p u s es a s e r ia l m o u s e, p e r f o rm s t e p s b and c u si n g t h e s e r i a l m o u s e c a b l e i ns t e a d o f t h e P S /2 m o u se c a b l e ( n o t sho w n i n [...]

Conne c t i ng to a Co m p u ter 15 3 . C o n n ec t th e aud i o cab l e. a. Co n n e ct o n e e n d of th e a u d i o ca b le t o t he A ud i o I n 1 j ac k o n t h e p r o j e c t o r . ( U s e t h e A u d io I n 2 j a c k i f y ou a re c o n n e c ti n g a s e c o n d c o m p ut e r ). b . Co n n e ct t he o th e r e n d o f th e aud i o c ab l[...]

1 • I ns t al l a t ion 1 6 C o n n ecti n g t o a Desk t op M aci n tosh B e f o r e b e g i n n in g , t u r n o f f t h e p r o j e c t o r a nd M a c in t o s h i f t h e y a r e o n . 1 . C o n n ec t th e v i d e o ca b l e s . No t e : M acinto s h comput er con f igura t io n s vary . See your compu t e r m a nu a l for t he l o c a tion [...]

Conne c t i ng to a Co m p u ter 17 c. Co n n e ct the s mal l t e r m i nal of the Mac i n to s h v i d e o a d apt e r to t he o t he r e n d o f th e v i d e o ca b l e . d. D i s c o n n ec t th e m o n i to r ca b le f r o m th e v i d e o p o r t o n th e b ac k o f th e Mac i n to s h a n d c o n n ec t th e v i d e o cab l e ( w i t h Mac i[...]

1 • I ns t al l a t ion 1 8 2 . C o n n ec t t h e ma i n c ab l e. Th e ma i n c abl e c on n e c t s t h e m o u s e cab l e ( n e ed e d t o u s e t he r e m o t e co n t r ol a s a m ou s e ) a n d s e r i al ca b l e (n e ed e d t o u s e t he EL P L i n k II s of t wa r e) f r om yo u r Mac i n t o s h t o th e pr o j ec t or . a. Co n n e [...]

Conne c t i ng to a Co m p u ter 19 c . D i s c o n n e c t t h e m o u s e c a b l e f r o m t h e A D B p o r t o f t h e M a c i n- t o sh a n d c o n n e c t t h e m o u se c o n n e c t or o f t h e M AC m o u s e c a b l e t o t h e m o u s e p o r t. d. I f y ou a r e p la n n i n g t o us e th e ELP L i n k I I s o f t wa r e, c on n ec t e[...]

1 • I ns t al l a t ion 2 0 C o n n ecti n g t o a P o w e r B o o k Y o u r P o w e r B oo k m u st ha v e a v i d e o - o u t c a p a b i l i ty in o rd er to c o n n e c t t o t he P o w e r L i te 70 0 0 X B o r 5 00 0 XB p r o je c t o r . B e f o r e b e g i n n in g , t u r n o f f t h e p r o j e c t o r a nd c o m p u t er i f t h e y a [...]

Conne c t i ng to a Co m p u ter 21 b. R e move the s m a l l c over a nd s e t t he DI P s w it c h e s o n t he M aci n t osh v i d e o a d apt e r i n acco r d a n c e wi t h th e r e solu t i o n s y ou w an t t o u s e ( s uch a s 16 i n ch mod e ) . c. Co n n e ct the s mal l t e r m i nal of the Mac i n to s h v i d e o a d apt e r to t he o[...]

1 • I ns t al l a t ion 2 2 2 . C o n n ec t t h e ma i n c ab l e. Th e ma i n c abl e c on n e c t s t h e m o u s e cab l e ( n e ed e d t o u s e t he r e m o t e co n t r ol a s a m ou s e ) a n d s e r i al ca b l e ( n e ed e d t o u s e t he EL P L i n k II s of t wa r e ) t o th e p r o j ec t o r . a. Co n n e ct t h e s m all e n d of [...]

Conne c t i ng to a Co m p u ter 23 d. I f y ou a r e p la n n i n g t o us e th e ELP L i n k I I s o f t wa r e, c on n ec t e i t he r en d of t he s er i al c a b l e t o the s e r i al t e r m i n a l o n th e l a rg e e n d of t h e m a i n c a b l e. C o n n e c t t h e o t h e r e n d o f t h e se r i a l ca b l e to t he P RI N T E R o r M[...]

1 • I ns t al l a t ion 2 4 C o n n ecti n g to a H i g h- E nd Workstati o n A l t h o ug h t h e P o w e r L i t e 7 0 0 0 XB ha s a m a x i m u m r e s o l u t i on o f 1 02 4 × 7 6 8 p i x e l s , i t ’ s ca p ab l e o f re m ap p i n g i n p u t r e s o l ut i o n s up t o 1 28 0 × 1 0 2 4 p i x e l s . S i nc e 1 0 2 8 × 1 02 4 p i x e[...]

Conne c t i ng to a Co m p u ter 25 No t e : T he P o w erL i te 7 00 0 XB a n d Po w er L it e 50 0 0 X B projec t ors a re n ot compa t ibl e w i t h a cab l e T V-s t yl e F co n n e c t or . Yo u can c on n e c t t he p r o j e c t o r t o b o th a n S -V i d eo a n d a c o m po si t e v i d eo s o u rc e at t he s a m e t i m e. Ho w e v e r ,[...]

1 • I ns t al l a t ion 2 6 To c o n ne c t a v i d e o s our c e t o t he p r o j e c to r : 1 . Tu r n o f f t he p r o j e c to r an d v i d eo s ou r c e i f th e y a r e o n . 2 . If y ou r v i d e o s ou r ce u s e s a s mall , rou n d, o n e - p ro n g c o m p o s i t e ( R C A ) vi d eo c o n n e c t o r , y o u ’ l l n e e d t h e a u [...]

Co n nec t in g t o a n Ex t e r na l Spe a ke r o r P A Sys t em 27 5 . For S - V i de o , i n s e r t o n e e n d o f th e S - V i d e o ca b l e i n t o th e p r o j e c t o r ’s S - V i d eo j a c k . I n s e rt t h e o t h e r e n d i n to t h e S - v i d e o - o u t jack o f y our v i d e o s ou r ce. Co nn ec t i ng t o a n E x te r n a l [...]

1 • I ns t al l a t ion 2 8 2 . C o n n ec t th e ca b l e ’ s 3 . 5 m m s te r e o m i n i p lug t o th e p r o j ec t o r ’ s Aud i o O u t jac k . 3 . C o n n e c t t h e R C A p l u gs to t h e e x t e r n a l a m p l i fi e d s p e a k er o r P A s y s t e m . Ins e r t the c a ble ’ s r e d plug in t o the A u d i o In R ja c k , a n [...]

29 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ 2 Using t he Project or T h i s cha p t e r p r ovides t he f o llo w i n g i n forma t i o n abou t usi n g y our pr o jec t or: ● Tu r n i n g th e equ i p m e n t o n an d off ● F o c u si n g a n d p o si t i o n i ng th e i m a g e ● C o n t ro l l i n g th e pr o j ec t o r w i [...]

2 • Us i n g th e P r oj e ct o r 3 0 A b o u t Y o u r Pr o j e ct o r Th e i l l u s t r at i o n b e lo w i de n t i f i e s t he p art s o f y o ur p ro j e c t o r. a d j us t a b l e f o o t fo o t r e l e a s e l e v e r z o om r i ng f o c u s ri n g c o n tr o l p a nel o p e r a t i o n a l i nd i c a t o r s i n fr a r e d r e c e i v [...]

T urn i ng th e Equ i pmen t On and Off 31 T u r ni n g t he E q u ip m e nt On a nd O f f Alwa y s tu r n o n t he p r o j e c t o r an d i t s at t ach e d e q u i p m e n t i n th e fo l low i n g o r de r : 1 . V i d e o s ou r ce ( s uch a s a V CR), i f y our v i d e o s our c e is n o t y our co m pu t er 2 . Aud i o s ou r c e ( i f d i ff [...]

2 • Us i n g th e P r oj e ct o r 3 2 W h e n y ou w an t t o s t o p pr o j ec t i n g i m age s , p r e ss th e Po w e r bu t t o n aga i n. T he f an r em a i n s on , th e pr o j ec t i o n l amp i n d i ca t or f la s h e s ora n g e fo r a b o ut 60 s e co n ds, a n d th e p o we r i n dica t or cha n g e s to o r a n g e a s t h e p r o j [...]

T urn i ng th e Equ i pmen t On and Off 33 F o c u sing and P o siti o ni n g t he Sc r een Im a ge W h e n an i m ag e ap p ears o n sc r e en, ch e ck t ha t i t is i n f o cus a n d co r re c tl y p o s i t i o n e d o n th e s cr e en . ● To f ocu s t he i m a ge, r ota t e t he f ocu s r i n g ( th e i n si de r i ng o n t he le n s). ● To[...]

2 • Us i n g th e P r oj e ct o r 3 4 If you n e ed t o r a i s e o r l o we r t h e i m age o n th e s c r ee n , e x t e nd or r e tr a ct t h e a d j u s t a b l e f o ot a t t h e b o t t o m o f t h e p r o j e c t or a s f o ll o w s : 1 . Sta n d b eh i n d th e p r o j ec t o r a n d s u p po r t t he f ro n t o f i t w hi l e y ou pr e s[...]

T urn i ng th e Equ i pmen t On and Off 35 Auto B utt o n If y ou ’ r e u s i n g i m a g e i n p ut f ro m a c o m p u te r , y o u ca n pr e s s the A uto b u tt on a f t er f it t i n g t he i ma g e t o the s c r e e n . P r e ssi n g the Au to b u t t o n aut o ma t i call y ad j u s t s t he c om p ut e r si gna l i n pu t t o th e cur r e [...]

2 • Us i n g th e P r oj e ct o r 3 6 T h e R e si z e b u t t o n c a n n ot b e u sed w i th X G A f or t h e Po w e r L i t e 7 00 0XB, o r w i t h SV G A fo r th e P o we r L i t e 5 00 0XB. T h e r e ’s a R e si z e b u t t o n on b o th t h e c o n t r o l p a n el a n d r e m o te c o n t r o l . C o n t r o lli n g t he P r oje ct o r Y[...]

U s i n g t h e R e m o te C on t r o l 37 U sing t he R e m o te C o n t r o l T he r e m o te c o n t r o l u s es a li n e- o f -si g h t in f r ar e d si g na l. T o u se the r e mo t e c on t ro l , p o i n t i t t o war d s o n e of t he r e m ot e co n t r ol r ec e i v e r s lo c ate d at t h e f ro n t a n d b ac k of t he p ro j e ct o r.[...]

2 • Us i n g th e P r oj e ct o r 3 8 i n fr a red r eceiv e r ; or o t her e q u ip m ent e m it t ing i n fr a red en e rg y is pr e se n t ( s uch a s a radia nt r o om h e a t er). Correct t he s e condi t ions t o use t he re m ote co n trol or con t ro l t he pro j ector f rom a co m pu t er. T h is t a b l e s u mm a r i z e s t h e f u n [...]

U s i n g t h e R e m o te C on t r o l 39 U sing t he C o n trol Pane l Yo u can u s e th e co n t r ol p an e l t o co n t r ol t he p ro j e ct o r i n s t ead o f th e r e m o t e c on t ro l . How e v e r, y ou c an p rog r am a n d ac c e ss th e cu s t o m fea t ur e s on l y w he n yo u ar e u s i n g th e r e m o t e c on t r o l. R es i z[...]

2 • Us i n g th e P r oj e ct o r 4 0 Th e fol l ow i n g ta b l e s u m m ar i ze s t he f unc t i on s o n t he c o n t ro l pa n el . B u t t on F u n c t i on Power S t a r t s o r s t op s p r o j ec t i on. Vid e o Swi t che s f r om com p u t e r t o video. Com p u t er Swi t che s be t we e n C ompu t er 1 an d C o mpu t e r 2 , and f r o[...]

Pr o je c to r S t a t us I nd i ca t ors 41 Pr o j e ct o r S t at u s I n d i c at o rs T h e p o w e r a n d l a m p i n d i c a t o r s a t t h e t o p o f t h e p r o j e c t o r t e l l y ou t h e pr o jec t or ’ s o p er a t i n g s t a tu s . ✦ C a u t i o n : A red i n dicator w arns you if a s erious pro b l e m occur s . See Chap t e[...]

2 • Us i n g th e P r oj e ct o r 4 2 P r oje c t ion Lamp In d i ca t or L i g h t s t a t us M e a ni ng S t eady g reen P r oje c tio n lam p i s on. Flash i n g g r een The p r ojec t or is w a r mi n g up. O r ang e an d r ed f l ashing al t e r na t ely P r oje c t io n lam p need s r e placin g . Flash i ng o r ange P r oje c t o r la m p [...]

43 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ 3 Using t he Project or Menus T he si x proj e c t or m e n u s e n ab l e y ou t o co n t r ol y ou r pr o jec t or. ● Th e V i d e o m en u co n tr o l s th e co m pu t e r i m ag e , s u ch a s b r i ght n e ss a n d c o n t r a s t, w h en t h e c o m p u t er i s t h e i m a g e [...]

3 • Us i n g th e P r oj e ct o r M en u s 4 4 A c cess i n g t h e M a i n Me n u Th e pr o j ec t o r m e nu s c a n b e a c c e s s e d u s i n g e i t h e r th e p r o j e c to r c o n t rol pa n el o r r e m o t e co n t r ol. To d i s p lay t he Ma i n m e nu, f i r s t p r e ss th e C o m p ut e r o r V i d e o b ut t o n o n th e co n tr [...]

Ch a ngi n g a Men u Set t i n g 45 2 . P r e s s th e up o r do w n a r ro w s ( c on t ro l pa n el ) o r p r e ss th e t o p o r b o t t om o f the p o i n t er b ut t o n ( r e m ot e ) t o s cr o ll th r ough th e m e n u cho i c e s . p o i n t e r b u tt o n u p a n d d o w n b u t t o ns pro - c h3.fm P a ge 4 5 Fr iday, November 7, 199 7 5[...]

3 • Us i n g th e P r oj e ct o r M en u s 4 6 3 . P r e s s e i th e r t h e E n t e r b u t to n ( c o n t r ol pa n el ) o r t he t o p o r b o t t om m u l t i- p u r p o se b u t t o n ( r e m o te ) to d i s p l a y a s u b m e n u . A s u b -m e nu s u c h as t h e f ollo w i n g a pp ea r s. No t e : S u b - m e nus d if f er, depe n di n[...]

Men u Op t ions 47 4 . P r e s s th e up o r do w n a r ro w s ( c on t ro l pa n el ) o r t he t op o r b ot t o m o f th e p o i n t e r b u tt o n ( re m o t e ) t o s c ro l l t hrou g h t he m e n u c ho i ce s . 5 . P r e ss e i t h er t h e l e f t o r r i g h t a r r o w b u t t o n s ( c o n t r o l p a n e l ) o r t h e r i g h t o r l e [...]

3 • Us i n g th e P r oj e ct o r M en u s 4 8 No t e : The c o m pu t er m u s t b e con n ect e d a n d op er a t ing, a nd t he i m a ge s our c e on t h e p ro j e c tor m u s t b e set to C o m p u ter for y ou to a cc e s s th e se m e nu options. Men u i tem D e sc r i p t ion B r igh t ness Ligh t ens or da r ken s t he ove r a l l i mage[...]

Men u Op t ions 49 Posi t ion Sel e ct t h i s i t em a n d t he n p r ess t h e E n t e r b u t t on ( con t r o l pane l ) or ei t he r mul t i - pu r pose b u t t o n ( r emo t e ) t o e n t e r t h e sc r e e n pos i t i on adjus t men t mo d e . Then u se t he p oin t er bu t t o n o r up , dow n , l e f t , and r i ght bu t t o n s (c o n t r[...]

3 • Us i n g th e P r oj e ct o r M en u s 5 0 Vi d eo M e n u ( Im a g e s o u r ce = Vi d e o) Th e V i d e o m en u e n a bl e s y o u t o m a k e ad j u s t m e n t s to t he p ro j e c t e d i m a g e. T he f o l l o w ing o p ti o n s are a va ila ble w h e n t he i m a g e s o u r ce is V i d e o. No t e : The v i deo so u rce (s u ch a s [...]

Men u Op t ions 51 A u dio M e nu Th e Aud i o m e n u e n ab l e s y o u t o m a k e a d j us t m e n t s re l at e d t o au d i o. R es e t R e t u r ns al l V i de o menu i t em s t o t hei r i n i t i al f ac t o r y de f a u l t s. Sel e ct t h i s i t em a n d t he n p r ess ei t he r mu l t i - pu r pose b u t t o n ( r emo t e) or t h e E n[...]

3 • Us i n g th e P r oj e ct o r M en u s 5 2 O p t i o n s M e n u T he O p t i o n s m e n u e na b les y ou t o a d j u st basic s e t t i n g s tha t n o r mal l y d o n o t n e e d c ha n g in g . R es e t R e t u r ns al l A udi o menu i t e ms t o t hei r i ni t ial f ac t o r y de f aul t s. Sel e ct t h i s i t em a n d t he n p r ess t[...]

Men u Op t ions 53 C o l o r Tempe r a t u r e A d j us t s t h e whi t enes s of t h e sc r een . Th e H se t t i n g p r ovid e s a co l d whi t e, M a s t an d a r d whi t e, an d L a wa r m whi t e. To set t h e c o lo r t empe r a t u r e se t t i n g m o r e p r ecisely , p r ess t h e r ig h t a r r ow bu t t o n pas t H , M, and L t o sel e[...]

3 • Us i n g th e P r oj e ct o r M en u s 5 4 C u st o m M e nu T he C u st o m m e nu a l l o w s y o u to s e l e c t s p e c ial f e a t u r es s u ch a s z oo m , pr e v i e w, o r s tr o b e ef f ec t s . Un l i k e t he o t he r m e nu s , wh i ch u s e t he E n te r b u t t on t o se l e c t a me n u op t io n , the C us t om me nu r e qu[...]

Men u Op t ions 55 T o o p en t h e C u s t o m m e n u, p r ess t h e t o p m u l ti - p u r p o se b u t t o n o r s el e c t C U STOM f ro m t he Ma i n m e nu. ZOOM is h i ghl i ght e d a n d the wo r d s PRESE NT SE T are d i s p l ay e d af t e r i t . R e fe r t o th e ta b l e b e low fo r a d e s c r i pt i o n o f th e v ar i ou s z o om [...]

3 • Us i n g th e P r oj e ct o r M en u s 5 6 Zoom Sc r een Shi f t P r ess t he p oin t er bu t t o n t o zoo m in on a po r t io n o f t h e en l a r ge d dis p lay . You can mov e t he i m age u p , down, le ft , r ig h t , and diag o nally t o close l y v i e w any pa r t o f t he disp l ay. P r eview P r ess t he b o t t om m ul t i-pu r po[...]

Men u Op t ions 57 N u mber o f F r a m es, T ime P r ess t h e t o p mul t i-p u r pos e bu t t on wh i le t he s t r o b e e f f ec t i s r u nnin g t o disp l ay a sc r ee n spec i f yi n g t he numbe r o f fr ames f lashe d an d t he t i me i n t e r val be t ween t hem . Y o u ca n speci f y t he n umbe r o f f r ame s as 4 , 9, o r 16 , an d [...]

3 • Us i n g th e P r oj e ct o r M en u s 5 8 pro - c h3.fm P a ge 5 8 Fr iday, November 7, 199 7 5:23 PM[...]

59 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ 4 Using t he ELP Link II Soft war e T he E L P L i n k I I s o f t w a re is a u t i l ity y o u c a n r un f r o m y o ur d e s k t op o r l a p t o p c o m p u t er to c o n t r o l p r o j e c t o r f e a t u r e s a nd c o n f i gu re s p e c i a l ef f ec t s bu t t o n s o n th e [...]

4 • Us i ng th e EL P L i nk I I Sof t ware 6 0 I n stal l ing t h e So f t w a r e E L P L i n k II s o f t w are c an b e u s e d w i t h t he f o l l o w i ng o pe ra t i n g s y s t e m s: ● W i n d o w s 3 . x ● W i n d o w s 9 5 ● Mac i n t o s h OS S y s tem 7 an d OS S y s t em 8 . C o n n ecti n g N eed e d Ca b les Bef o re i n s [...]

I ns t a l l i ng the So f twa r e 61 2 . In t he W i n d ow s P r og r a m Ma n ager , cl i c k o n th e F i l e m en u , th e n o n Run. T he Ru n d i al o g b o x app e ar s : 3 . T y pe A: S E T UP ( o r B: SE T UP a s a p pr o pr i a t e ) , t h e n pr e s s E n t e r or c lick O K . T he EL P Li n k II i n t r o duc t i o n a p p e a rs. [...]

4 • Us i ng th e EL P L i nk I I Sof t ware 6 2 I n stalli n g the S o ftware from Wi n d o ws 9 5 P e rfo r m t he f oll o w i n g s t e p s t o s e t u p th e s o ft w are: 1 . I n se r t t h e L i n k II f or W in d o w s i n s t a l la t ion d is k e t t e in t o a d is k e t te drive (A : or B: as a p pr o p ria t e). 2 . C l i c k St a r t [...]

I ns t a l l i ng the So f twa r e 63 7 . A su m mar y scre e n app e ars sta t i n g ho w m u c h fr e e ha r d disk spa c e is r equir e d t o run th e sof t w ar e a n d ho w much is available. I f s uff i c i e n t d is k s p ace i s a v a i la b l e , p re ss C . Ot h e r w ise, pr e ss X ( e xi t ) t o fr e e u p s o m e d is k s pac e ; t he[...]

4 • Us i ng th e EL P L i nk I I Sof t ware 6 4 La u n c h in g t h e S o ftw a re 1 . Dou b le - c l i c k t he E LP L i n k I I pr o gra m i c on f ro m th e W i n dow s 3 . x ELP L i n k I I pr o gra m gro u p o r Mac OS E L P L i n k II f o ld e r, o r s e le c t ELP L i n k II f r o m th e W i n d ow s 95 Pr o gra m s me n u. T he ELP L i n [...]

Us i ng the So f twa r e 65 Functio n Des crip t i o n and U s a g e Th e fun c t i o n l is t o n t he l e f t s i d e o f the E L P L i n k II m a i n d i a l og b o x s h o w s t he fu n c t i o n s avail abl e f o r assi g n m e nt to an E ff e c t s b u t t o n. T o as s ig n th e fu n cti o n s, se e pag e 6 7. Th e ta b l e b e lo w de s c r[...]

4 • Us i ng th e EL P L i nk I I Sof t ware 6 6 B ar C r ea t es a h o r i z o n t a l o r ve r t i cal b a r . Yo u can u se t hi s f unc t io n t o high l igh t a po r t i o n o f t he sc r ee n wi t h a ho r i zon t a l o r ve rt ica l ba r . P r ess t he E f f ec t s ke y assigned t o t his e f f ec t . M o ve t he b ar usin g t h e r e m o t[...]

Us i ng the So f twa r e 67 A s signi ng Fu n ctions The r e a r e t hre e wa y s t o as si g n fun c t i o n s t o each o f th e f i v e E f f ec t s b u tt o n s o n t he r e m o t e co n tr o l: ● Drag a n d d r op a fun c t i o n fr o m t he f unc t i on l i s t t o th e Eff e ct s b u tt o n y ou w an t t o cu s t o m i z e . ● C l i c k a[...]

4 • Us i ng th e EL P L i nk I I Sof t ware 6 8 Set t ing Ef f ect Opti ons On c e yo u ha v e a ss i g n e d f u nc t i on s t o o n e o r m or e Ef f ec t s b ut t o n s , y ou ca n s p ec i f y d e ta i l e d o p t i o n s fo r each f unc t i on. T o set d e t ai l ed o p t i o ns, c l i c k D e t a i l Set t i ng . A d i a l o g b o x si m il[...]

Us i ng the So f twa r e 69 Fu n ct i on O pt i ons Line Wi d t h S peci f y t he line wid t h, f r o m 1 t o 32 poin t s. G r id S peci f y wh e t he r t o have t he li n e “s n ap ” t o t he co r ne r s o f a g r id b y en t e r i ng t h e size o f t h e sides o f t h e box , i n p i xels ( do t s). C o l or C hoose a co l or f o r t he lin e[...]

4 • Us i ng th e EL P L i nk I I Sof t ware 7 0 C ha n ge Cu r s or C l i ck o n t h e cu r so r shap e t o b e used. C l e ar Sc r ee n N o op t ions availab l e. Mac r o K e y En t e r up t o 16 cha r ac t e r s, incl u ding combina t io n s such a s C t r l + A , i n t h e R eg i s t r a t i on Keys M ac r o f iel d . The B ackspace and D el e[...]

Us i ng the So f twa r e 71 Saving and R ecal l in g E ffect s Ke y B ut t on A s signments T o save E f f e c t s b u t t o n a s si g n m e n t s, cli c k E xecu t e . T o save m u l ti p le s et s of b u t t o n a s si g n m e n t s, cli c k Re g i st r ation and s pec i f y a n am e fo r th e cur r e n t s e tt i n g s . T o r e c a ll a sav e [...]

4 • Us i ng th e EL P L i nk I I Sof t ware 7 2 C o n t r o lli ng P r ojec t or Fe a tu r e s Yo u ca n u s e th e EL P L i n k I I s o ft w ar e t o c o n t rol th e f o llo w i n g f ea t ur e s: ● P r o j ec t o r C o n t rols ● T e s t P a t t e r n ● C o l o r P r o p e r t ie s . Di s playing t he Proj ec t or Se t W indo w 1 . Dou b[...]

Us i ng the So f twa r e 73 U s in g t he Quick Cha n ge Toolbar T o q u i c kl y c ha n g e s o me bas i c p r oj e c t o r s e t t i n g s, c l i c k o ne of t h e t o o lbar b u t t o ns d e s c r i b e d b el o w: C h anging P r ojector S etti ngs 1 . C l i c k P r oje c tor C o n trol o n th e Pr o j ec t or S e t d i al og b o x . T he fo l l[...]

4 • Us i ng th e EL P L i nk I I Sof t ware 7 4 2 . C l i ck on t h e t a b f o r t h e s e t t i n g s y ou w a nt to a d j u s t. 3 . C ha n g e on e o r m o r e o f th e fo l lo w i n g o p t i o n s . Co m pu t e r T a b V i d e o T a b O pt i on D e scr i p t ion B r igh t ness A d j us t s sc r e e n b r igh t ness . C o n t r ast A d j us [...]

Us i ng the So f twa r e 75 S ound Tab Mode Sel e c t s t he signa l f o r ma t . You ca n s e lec t A U TO, PA L , N T S C, or SE C A M . A U TO au t oma t i cally ad j us t s t he i mage t o t h e signa l r ece i ved. Pa t t e r n D i splay D i splays t h e t es t p a t t e r n cu r r e n t l y selec t ed. R es e t R ese t s a l l f ie l ds t o t[...]

4 • Us i ng th e EL P L i nk I I Sof t ware 7 6 O p t i on T a b O pt i on D e scr i p t ion B la n k To Spec i f i e s i f a blank sc r e e n is t o be display e d when no signal is connec t ed. Sou r ce P r ompt Tempo r a r ily d isplay s a p r omp t o n t h e p r ojec t o r sc r ee n iden t i f ying whic h sou r ce (c o mpu t er or video ) i s[...]

Us i ng the So f twa r e 77 C u s tom Tab O pt i on D e scr i p t ion C us t omize Func t ion Zoo m Z ooms i n o n t h e sc r een i mage. P r evie w D isp l ays t he i mages fr om al l t he c o nnec t ed d e vices o n t h e sc r ee n a t on e t i me. S t r obe D isp l ays t he s e lec t ed i mages i n t he sp e ci f i ed n umbe r o f fr ames an d t[...]

4 • Us i ng th e EL P L i nk I I Sof t ware 7 8 C h anging the Test P atte r n 1 . C l i c k T e s t P a t t e r n on t h e P r o je c t or S e t d i a l og b o x . T h e f o ll o wi n g w i n d ow a p pe a r s : 2 . Yo u can d i s p la y a te s t pa t t e rn w he n s et t i ng u p th e p r o j e c to r t o v er i f y tha t th e p r o j e c to r [...]

Us i ng the So f twa r e 79 Set t ing the I m a g e C olo r P ro p e r ty 1 . C l i c k Color P r o perty o n th e Pr o j ec t or S e t d i alog b o x . T he Col o r P r op e rt y w i n do w app e a r s . 2 . Sp e c i f y a col o r t e m pe r atu r e: H H i gh (mor e blue) M Med i um (no r m a l wh i t e ) L Lo w ( mo r e r ed ) U s e r C r ea t e [...]

4 • Us i ng th e EL P L i nk I I Sof t ware 8 0 pro - c h4.fm P a ge 8 0 M onday, November 10, 199 7 1:37 PM[...]

81 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ 5 Maintenance Y o u r p r o j e c t or n e e d s l i t t l e m a i n t e n a n c e. Y ou s h o u l d k e ep t h e l e n s c l e a n b e c a u se a n y d irt or s m e a rs a p p e a r o n t h e s c r e e n . Y o u a l s o n e ed to p e r i od i cal l y c lea n th e a i r f i l t e r at t[...]

5 • Ma i nte n ance 8 2 can i n jure you s everely. Do not t ry to s e rvice th i s product yo u rsel f , except a s s pecif i c a l ly e x p l a i ned in th i s O w n er’s M a nu a l. R e fer a ll o t her s ervici n g to q u a lifi e d s e rvice per s onn e l . Clean ing the Len s C l ea n th e le n s w he n e v e r yo u no t i ce d i r t o r [...]

Cl e ani n g t he Ai r F il t er 83 Clean ing th e A ir F il t er C l ea n th e a i r f i l t e r a t t h e b o t t o m o f th e p r o j e c to r a f t er e v er y 1 0 0 h ou r s of u s e . If i t i s n o t cl e a n e d p e riodica l ly, i t ca n b e come c logg e d wi t h d u s t , p r e v e n ti n g p r o p e r v e n t i l a t i o n. T h is c a n[...]

5 • Ma i nte n ance 8 4 4 . Th e f i l t e r is at t ach e d t o th e i n si de o f th e f i l t er c o v e r . I t is r e com m e n d e d tha t y ou u s e a sma ll v a c uum c lea n e r de si gn e d f o r c o m p u t e r s a nd o t h e r o f f i ce e q u i p m e n t t o c l e a n t h e f i l t e r. I f y o u do n ’ t ha v e o n e , u s e a d r[...]

R e pla c in g t h e Lamp 85 3 . U s e a s c re w dr i v e r , co i n , or si m i l a r o b j e c t t o l o o s e n th e tw o r e ta i n i n g s c re w s o n t he la m p c o v e r. Whe n th e s c r e w s a r e lo o s e, l i f t o f f t h e l a m p c o v e r . ( Y o u c a n no t r e m o v e t h e s e s c r e w s . ) 4 . U s e a s c re w dr i v e r ,[...]

5 • Ma i nte n ance 8 6 5 . L i f t up t he ha n dl e a n d pull ou t the l a m p . 6 . G e n tly in s e r t t h e n ew la mp by l o w e r i n g it i n t o p o sit i o n . M ake s u r e it is i n s e r te d s e c u r e ly. 7 . T i ght e n t he s c r e w s y ou l oo s e n e d i n s t e p 4 . 8 . Re p lac e th e lam p co v e r an d t i gh t e n th [...]

87 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ 6 Troub leshoo ting T hi s cha p t e r d e s cr i b e s th e pr o b l e m s i n d i ca t ed b y the w a r n i n g l i gh t s an d pr o v i d e s i nf o r m at i o n o n ho w t o s o l v e p ro b le m s w i t h th e pr o j ec t or . It is d ivi d e d i n t o t he f o l l o w ing s e c ti[...]

6 • T r oub l esho o t i ng 8 8 P r o b lem s w i th t h e P r ojec t o r I f y ou ha v e p r o b l e ms w i th t h e p r o j e c t o r , f i r s t t u r n it o f f a n d u n p l ug i t. The n p l ug th e p o we r co r d b ack i n a n d tu r n o n t he p r o j e c to r . If t h i s do e s no t s ol v e th e p ro b l e m , c hec k th e wa r n i n [...]

Pro b lems wi t h the Pr o je c tor 89 ◗ T he p r ojectio n la m p li g h t i s fl a shi n g or a n ge a n d yo u c a nn ot tu r n o n t h e pro j ecto r . Th e la m p is co o l i n g dow n . Wa i t u n t i l th e l i gh t tu r n s o ff a n d t he n t urn o n th e pr o j ec t or. ◗ T h e p o w er l i g ht do es n ot c o m e o n . Tu r n o f f t[...]

6 • T r oub l esho o t i ng 9 0 ◗ T h e p r o j e c t ion l amp and p o w e r l i g h t s a r e f l a s h ing a t t h e s am e t im e . An a b n or m al i t y ma y ha v e o ccu r re d i n t h e p r o j e c to r . Tu r n o ff t he pr o jec t o r a nd u n p l ug th e p o we r co r d. Th e n p lug t he p ow e r c o rd b ac k i n a n d t ur n o n t[...]

Prob l em s w i t h t h e Imag e o r Sou n d 91 Yo u al s o m a y n ee d t o mo d i f y e x i s t i n g p r e s e n ta t i o n f i le s i f y ou c r ea t ed th e m f or a d i f fe r e n t r e s olu t i on . Se e yo u r s of t wa r e m anua l fo r s p ec i f i c i n f o r m a t i o n. ◗ The me ss age NO S I G NAL i s di s pl a yed. An i m age s ou[...]

6 • T r oub l esho o t i ng 9 2 ◗ T h e c o l ors of th e i ma g e a r e n ot rig h t. Th e c ol o r b ala n ce m a y b e i n co r r e ct. I f y o u ’ re d i s p l ay i n g a co m pu t e r i m a g e, a d j u st t he r e d , g r e e n , a n d b l u e s e t t in g s in t h e V i d eo m e n u . I f y o u ’ re d is p la y i ng v i d e o , a d j[...]

93 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ 7 Technical S pecificat ions General T y pe o f display Liqu i d cr y stal p a n e l, T h i n Fi lm T ransi s t or (TF T ) S i z e of l iquid c r y s t a l p a n e ls 1 .32 i n c h es ( 3 3.6 m m) R e s o l u t i o n P o w e r L i t e 7 0 0 0 X B: 1 024 (h o r i z o n t a l ) × 7 6 8 ([...]

7 • Te c hn i ca l Sp e ci f i ca t ions 9 4 R e m o t e co n t r o l r a n g e 3 2.8 fe et ( 10 m e t e r s) ± 30° I n t e r n al s p ea k er s y s t em 2 × 2W st e r eo Op t i cal a s p e ct r at i o 4 × 3 (h o r i z o n tal × v e r t i c a l ) Zo o m r at io 1 :1.3 T i l t a ng l e 0 ° — 1 5 ° P rojector Lamp T y pe D i scha r ge L a [...]

95 E l e c tr i c al Rat e d f r eque n cy 5 0 / 6 0 Hz Po w e r s u pply Po w e r L i t e 7 0 0 0 XB: 1 00 t o 1 20 V AC, 2.7 A , 5 0 / 6 0 Hz 2 00 t o 2 40 V AC, 1.6 A , 5 0 / 6 0 Hz P o w e r L i t e 5 0 0 0 X B: 1 00 t o 1 20 V AC, 2.7 A , 5 0 / 6 0 Hz 2 00 t o 2 40 V AC, 1.6 A , 5 0 / 6 0 Hz P o w e r c o n s u m p ti o n 2 60 W E n v i ronmen[...]

7 • Te c hn i ca l Sp e ci f i ca t ions 9 6 S u p p o r t e d Mo n it o r D is p l a ys Po w erLite 500 0 X B T he P o w e r L i te 50 0 0 X B d is p l ays i m a g es a t a r e s o l u ti o n o f 800 × 6 00 p i x el s . T o d is pla y a h i ghe r r e s o lut i o n i ma g e ( 1 0 24 × 7 6 8 m o d e), t he pr o jec t o r co m pr e s s e s i t t [...]

97 Po w erLite 700 0 X B T he P o w e r L i te 70 0 0 X B d is p l ays i m a g es a t a r e s o l u ti o n o f 10 2 4 × 768 p i x el s . T o d is pla y a h i ghe r r e s o lut i o n i ma g e ( 1 2 80 × 1 0 24 m o d e ), the pr o jec t o r co m pr e s s e s i t t o 1 02 4 × 7 6 8. T h e f o l l o w i ng t a b l e l is t s t h e d is pla y fo r ma[...]

7 • Te c hn i ca l Sp e ci f i ca t ions 9 8 Monito r a nd Comput e r I n 1 / 2 c onn e c to r pin a ssignm e nts The Mo n i to r and Co m pu t er I n 1 / 2 c o n n ec t or s ar e fe m al e v i d e o RGB , 1 5- p in m i c r o - D - st y l e c o n n e c t o r s . T h e p in a s s i g n m e n ts a r e : In p u t p i n Mon i t o r con n ect o r si g[...]

99 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ Glossar y B r i g h t n ess. T he b ala n ce o f l i gh t an d dar k s had e s i n a n i m a g e. Com p o s ite video. A t y p e of v i d e o si gnal th a t e n cod e s p i ct u re, l u m i na n c e , and sy n c hr o n i za t i o n i n f o r ma t i o n so it c an b e c ar r i e d in o n[...]

• Gl o ssa r y 1 0 0 P o i n t. A m e as u re m e n t o f d r aw n or p r i n t e d ob j e c t s. On e po i n t e q u a l s 1 / 7 2 i n c h . R e s o l u t i o n . A m e a s u r e o f t h e a m o u nt o f d e t a i l c o n t a i n e d in an i m a g e . Re s ol u t i o n ca n b e m e a s ure d i n d o t s p e r i n c h or i n p i x el s . I m ag e[...]

In d ex 1 0 1 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ I n dex A A ccesso r i es , xii Adj u sting c o l o r b a l a n c e , 50 c o l o r s a t u r a t i o n , 50 ima g e b r i g h tn e s s, 50 ima g e contr ast , 50 sc r een br i g h t ness , 73 , 74 sc r een c ontr a s t, 73 , 74 sc r een w h iteness , 53 spe a ker tone, 51 spe[...]

In d ex 1 0 2 C C a mcor d er, a d j u s t i ng t h e p ro j ected im a g e, 50 to 51 C a s e, c le a n i n g , 82 C eiling, h an g ing the project o r f rom, 53 Ch a ng i ng b a tteries, 6 c ursor sh a pe, 66 im a ge c ol o r p r oper t y, 79 menu l a n g u a g e , 54 menu s ettin g s , 44 to 47 p r o j e ctor settings, 73 t o 77 test patt e rn, 7[...]

103 E E f f ects b u ttons a v ai l a b l e f u n c t i o n s, 65 to 66 c u stomizin g , 64 to 71 f u nction options, 69 sa v in g a nd reca ll ing butt o n a ssi g n- ments , 71 E le c tric a l spe c i f ications, 95 ELP Lin k I I softw a re inst a l l in g , 60 to 63 l a u n c h i n g , 64 u s i n g , 64 to 79 Environment a l sp e ci f ic a t i o[...]

In d ex 1 0 4 M e n us accessin g , 44 to 47 A u d i o , 43 , 51 to 52 c h a nging s e tt i n g s , 4 4 to 47 Cu s t om , 54 t o 57 nav i g a tin g , 38 O ptions , 4 3 , 52 t o 54 Vide o , 43 , 47 to 51 M onitor c o nnector sign a l s , 97 M onito r s , s u p porte d , 9 6 , 97 M u t e , 39 , 40 O O ptions f o r t h e pro j ect o r, x i i O ptions [...]

105 R epl a cing the l a mp, 84 to 86 R es i z e b u tton , 35 R e s o l u t i o n , 9 3 , 100 R esol u t i o ns, s u ppo r ted, 97 S S a f e ty instr u c t i o ns , xiv to xv S at u ration, 50 , 74 S creen ima g e, probl e m s , 90 t o 92 S cre en, a dj u stin g w h ite n e s s, 53 S e r v i c e , xv i t o xviii S leep mod e , xi , 32 , 1 0 0 S o [...]

In d ex 1 0 6 W Wa rning l ig h t s , 41 t o 42 , 88 W o r k s t ations, conn e cting project o r to, 24 Z Zo o m menu o p t i o n, 55 to 5 6 , 77 7000xbIX.fm Page 1 0 6 Friday, November 7, 199 7 5:25 P M[...]