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Yamaha CP5 manual

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Buen manual de instrucciones

Las leyes obligan al vendedor a entregarle al comprador, junto con el producto, el manual de instrucciones Yamaha CP5. La falta del manual o facilitar información incorrecta al consumidor constituyen una base de reclamación por no estar de acuerdo el producto con el contrato. Según la ley, está permitido adjuntar un manual de otra forma que no sea en papel, lo cual últimamente es bastante común y los fabricantes nos facilitan un manual gráfico, su versión electrónica Yamaha CP5 o vídeos de instrucciones para usuarios. La condición es que tenga una forma legible y entendible.

¿Qué es un manual de instrucciones?

El nombre proviene de la palabra latina “instructio”, es decir, ordenar. Por lo tanto, en un manual Yamaha CP5 se puede encontrar la descripción de las etapas de actuación. El propósito de un manual es enseñar, facilitar el encendido o el uso de un dispositivo o la realización de acciones concretas. Un manual de instrucciones también es una fuente de información acerca de un objeto o un servicio, es una pista.

Desafortunadamente pocos usuarios destinan su tiempo a leer manuales Yamaha CP5, sin embargo, un buen manual nos permite, no solo conocer una cantidad de funcionalidades adicionales del dispositivo comprado, sino también evitar la mayoría de fallos.

Entonces, ¿qué debe contener el manual de instrucciones perfecto?

Sobre todo, un manual de instrucciones Yamaha CP5 debe contener:
- información acerca de las especificaciones técnicas del dispositivo Yamaha CP5
- nombre de fabricante y año de fabricación del dispositivo Yamaha CP5
- condiciones de uso, configuración y mantenimiento del dispositivo Yamaha CP5
- marcas de seguridad y certificados que confirmen su concordancia con determinadas normativas

¿Por qué no leemos los manuales de instrucciones?

Normalmente es por la falta de tiempo y seguridad acerca de las funcionalidades determinadas de los dispositivos comprados. Desafortunadamente la conexión y el encendido de Yamaha CP5 no es suficiente. El manual de instrucciones siempre contiene una serie de indicaciones acerca de determinadas funcionalidades, normas de seguridad, consejos de mantenimiento (incluso qué productos usar), fallos eventuales de Yamaha CP5 y maneras de solucionar los problemas que puedan ocurrir durante su uso. Al final, en un manual se pueden encontrar los detalles de servicio técnico Yamaha en caso de que las soluciones propuestas no hayan funcionado. Actualmente gozan de éxito manuales de instrucciones en forma de animaciones interesantes o vídeo manuales que llegan al usuario mucho mejor que en forma de un folleto. Este tipo de manual ayuda a que el usuario vea el vídeo entero sin saltarse las especificaciones y las descripciones técnicas complicadas de Yamaha CP5, como se suele hacer teniendo una versión en papel.

¿Por qué vale la pena leer los manuales de instrucciones?

Sobre todo es en ellos donde encontraremos las respuestas acerca de la construcción, las posibilidades del dispositivo Yamaha CP5, el uso de determinados accesorios y una serie de informaciones que permiten aprovechar completamente sus funciones y comodidades.

Tras una compra exitosa de un equipo o un dispositivo, vale la pena dedicar un momento para familiarizarse con cada parte del manual Yamaha CP5. Actualmente se preparan y traducen con dedicación, para que no solo sean comprensibles para los usuarios, sino que también cumplan su función básica de información y ayuda.

Índice de manuales de instrucciones

  • Página 1

    1 CP5 /CP50 Refe rence Manual Y amaha Corp. r eserves the right to update or modify this manual at any time without prior n otice. The most up-to-date version is freely a vailabl e for download from the following web page. http://www .yamaha.co.jp/manual/ Contents Reference Guides ................ ............ ................. ............. ......[...]

  • Página 2

    2 CP5/CP50 Reference Manual Reference Guides Re f e re n c e G u i d e s Y our CP5 or CP50 stage piano comes with three differ ent reference guides — the Owner’ s Manual , the Reference Manual (this document), and the Data List . While the Owner’ s Ma nual is packaged together with th e stage piano as a hardcopy booklet, this Refer ence Manua[...]

  • Página 3

    3 CP5/CP50 Reference Manual Int er nal Design of the CP5 & CP50 P r incipal Components The inter nal design of your CP5 or CP50 is divided into th ree main sections — namely , the T one Generator , the Song Set- ting area, and the Controller . CP5/CP50 MIDI IN Controller MIDI OUT To n e G e n e r a t o r Song Setting Area User Songs Preset Dr[...]

  • Página 4

    4 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator T one Gener ator Y our stage piano's T one Generator produces sounds based on perf ormance data that you create by playing the key- board, operating the sequencer , and using various controllers. In specific terms, the T one Generator is made up of Per - form[...]

  • Página 5

    5 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator Lef t & Right P ar ts The left and right par ts that make up eac h Perfor mance respond to your playing of the keyboa rd or to MIDI input and u se the built-in T o ne Generator to produce the appr opriate sounds in r esponse. The CP5 has four such parts — LE[...]

  • Página 6

    6 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator R oles of Blocks & Common Set tings Area The roles of each of the blocks and the Common Settings area that make up CP5 and CP50 parts are as follows.  Vo i c e B l o c k The V oice block is use d to specify the type of musical-instru ment sound that will be[...]

  • Página 7

    7 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator TRA CK P art Each CP5 or CP50 Perfor mance can also contain a backing tr ack fo r playing back as an acco mpaniment to your key- board perfor mances. Three differ ent types of backing track can be selec ted — namely , Preset Drum Patterns, User Songs, and W ave [...]

  • Página 8

    8 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator NOTICE If you o verwr ite a P erfor mance in the User Perf ormance memory , it will be permanently delet ed. In order to a v oid loosing irr eplaceable data, theref ore, yo u should take special care when selecting where t o stor e newly-cr eat ed Perf ormances. N[...]

  • Página 9

    9 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Tone Generator HINT Using External P erformance Memories In or der to save Performances in an External Performance memory or to use an External Perfor mance memory from a USB flash-memory device, the USB flash -memory device in question must be pl ugged into your CP5 or CP50. Wh[...]

  • Página 10

    10 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Song Setting Area Song Set ting Ar ea The Song Setting area is used to re cord and play MIDI sequences and audi o files for use as Perfor mance backing tracks. MIDI sequences can take the for m of built-in Preset Drum Patterns (playback only) or User Songs that you can both rec[...]

  • Página 11

    11 CP5/CP50 Reference Manual Internal Design of the CP5 & CP50 > Controller Contr oller Y o ur stage piano’ s Controller consists of the keyboard, pitch bend wheel, knobs, foot pedals, and other input devices used whil e playin g. It is impo rtant to bear in mi nd that th e keyboard itself does not generate any sound; instead, it sen ds no[...]

  • Página 12

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 13

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 14

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 15

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 16

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 17

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 18

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 19

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 20

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 21

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 22

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 23

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 24

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 25

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 26

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 27

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 28

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 29

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 30

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 31

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 32

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 33

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 34

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 35

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 36

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 37

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 38

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 39

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 40

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 41

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 42

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 43

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 44

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 45

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 46

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 47

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 48

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 49

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 50

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 51

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 52

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 53

    Inter nal Design of the CP5 & CP50 Ref ere n ce Lef t & Right Parts R [V OICE] R [PRE-AMP] R [MOD-FX] R [PWR-AMP] (CP5 only) R [LEFT1]/[LEFT2]/[RIGHT1]/ [RIGHT2 ] (CP5) [LEFT]/[RIGHT ] (CP50) R [COMMON] Song Setting Area R [SONG SETTING] R [RECORD] TRA CK P art R [TRA CK] MIC INPUT P art R [MIC INPUT] (CP5 only) Settings for All P arts R [R[...]

  • Página 54

    54 CP5/CP50 Reference Manual Appendix > MIDI Appendix MIDI Musical Instrument Digital Inter face (MIDI) is a globa l standard designed to allo w per for mance, voice, and other data to be transferred between musical instruments As such, data communication is a ssured even between musical instruments and equipment from differ ent manufacturers. I[...]

  • Página 55

    55 CP5/CP50 Reference Manual Appendix > MIDI  Contro l Change MIDI Control Change message s are used to control volume, stereo panning, and many other parameters, and as shown below , each message type has its own unique control number . Bank Select MSB (Contr ol No. 0) Bank Select LSB (Control No. 32) Bank Select MSB and LSB messa ges are us[...]

  • Página 56

    56 CP5/CP50 Reference Manual Appendix > MIDI Channel Mode Messages All Sound Of f (Control No. 1 20) All Sound Off messages ar e used to silence all sounds being generated by both par ts. Note that the status of channel messages such as Hold 1 and Sostenuto is maintained in such a case. Reset All Contr ollers (Co ntrol No. 1 21) A Reset All Cont[...]

  • Página 57

    57 CP5/CP50 Reference Manual Yamaha Web Site (English only) http://www.yamahasynth.com/ Yamaha Manual Library http://www.yamaha.co.jp/manual/ U.R.G., Pro Audio & Digital Instrument Division, Yamaha Corporation © 2010 Yamaha Corporation MW-B0[...]