Casio WK-7500 manuel d'utilisation

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Tout d'abord, le manuel d’utilisation Casio WK-7500 devrait contenir:
- informations sur les caractéristiques techniques du dispositif Casio WK-7500
- nom du fabricant et année de fabrication Casio WK-7500
- instructions d'utilisation, de réglage et d’entretien de l'équipement Casio WK-7500
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Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage Casio WK-7500 ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles Casio WK-7500 et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service Casio en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées Casio WK-7500, comme c’est le cas pour la version papier.

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Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif Casio WK-7500, l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.

Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation Casio WK-7500. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.

Table des matières du manuel d’utilisation

  • Page 1

    E CTK7000/WK7500E1A USER’S GUIDE Please keep all information for future reference. Safety Precautions Bef ore tr ying to use the ke yboard, be sure to read the separate “Saf ety Precautions”. MA1008-A Printed in China CTK7000/WK7500E1A K This recycle mark indicates that the packaging conforms to the environmental protection legislation in Ger[...]

  • Page 2

    Function T ransmitted Recognized Remarks Basic Channel 1 - 16 1 - 16 1 - 16 1 - 16 Def ault Changed Note Number 0 - 127 0 - 127 * 1 T rue voice Program Change O 0 - 127 O 0 - 127 :T rue # After T ouch Control Change X X X O Pitch Bender O O System Exclusive O * 2 O K ey’s Ch’s V elocity O 9nH v = 1 - 127 X 9nH v = 0, 8nH V = ** O 9nH v = 1 - 12[...]

  • Page 3

    Important! Please note the follo wing importan t info rmation bef ore using this product. • Before using the optional AC Adaptor to power the unit, be su re to check the AC Adaptor fo r any damage first. Carefully check the power cord for breakage, cuts, exposed wire and other serious damage. Never let children use an AC adaptor that is seriously[...]

  • Page 4

    E-2 Contents General Guide ............................. E-4 Reading t he Display .................... .......... ............. .... E-6 Modes ............................ .................... .................. ... E-7 Menus ............................ .................... .................. ... E-7 , Precautions while “Please Wait” is displ [...]

  • Page 5

    Contents E-3 Using the Pattern Sequencer .............. ................. E-102 About the Pattern Seq uencer ............. .......... ...... E-102 Creating a User Rh ythm ... ............. ............. ........ E -103 Creating a User Rhythm by Combinin g Exiting Rhythm Parts ( Easy Edit ) .. ............. ........ E -112 Editing Indi vidual Events[...]

  • Page 6

    E-4 General Guide • Illustrations in this User’s Guide show the WK-7500. Back Dial L-1 - L-18 C-1 - C-17 R-1 - R-20 D-1 - D-12 S-1 T-1 - T-9 S-2 CTK7000_e.book 4 ペ ージ 201 0年7月21日  水曜日 午後 5時15分[...]

  • Page 7

    General Guide E-5 • In this manual, the term “Digital Keyboard” refers to the CTK-7000/WK-7500. • This manual uses the numbers and names below to refer to buttons and controlle rs. • The following explains the meanings of the # and $ symbols t hat appear on the product console and with the key n ames below. # : Indicates a function that i[...]

  • Page 8

    General Guide E-6 This section explains the cont ents of the Digital Keyboard’s display screen.  Detailed information area This area displays a variety of information while the Digital Keyboard is being used. Use th is area to confirm proper operation when changing values, when selecting a menu item, and when performing other operations.  L[...]

  • Page 9

    General Guide E-7 Your Digital Keyboard has th ree modes: a rhythm mode, a card mode, and a song sequencer mode. The currently selected mode is shown as an indicator on the display. •R h y t h m m o d e ( : indicator d isplayed) Under its initial factory defaul t settings, the Digital Keyboard enters the rhythm mode whenever it is turned on. The [...]

  • Page 10

    General Guide E-8 Your Digital Keyboard is equi pped with a song sequencer and other features that you can use t o store data you create. This stored data is retained even when the Digital Keyboard is turned off. * However, the tone, rhythm, and other settings you configure on the Digital Keyboard’s console normally are returned to their initial [...]

  • Page 11

    E-9 Getting Read y to Pla y Prepare a household po wer outlet or batteries. • Be sure to comply with the separate “Safety Precautions”. Incorrect use of this product creates the risk of electric shock and fire. • Always make su re that the product is turned off before plugging i n or unpl ugging the AC adap tor, or bef ore loading or removi[...]

  • Page 12

    Getting Ready to Play E-10 You can use six D-size batteries for p ower. • Use alkaline or zinc-carbon batteries. Never use oxyride or any ot her nickel based batteries. 1. Open the battery cover on the bottom of the Digital Keyboard. 2. Load six D-size batteri es into the battery compartment. • Make sure the positive + and negative - ends of th[...]

  • Page 13

    E-11 Connections Using headphones cuts off output from the built-in speakers, which means you can practice playing e ven late at night without disturbing others. • Be sure to tu rn down the volume level before connecting headphones. • Headphones do not come with the D igital Keyboard. • Use commercially available hea dphones. • Do not liste[...]

  • Page 14

    Connections E-12 You can use the Digital Keyboar d’s speakers to output sound from a CD player, another digita l keyboard, or other external device, or from a microphone. • When ever connecting something to the D igital Keyboard, first use the L-2 (MAIN VOLUME) knob to set the volume to a low level. After conn ecting, you can adjust the volume [...]

  • Page 15

    E-13 Selecting and Pla ying a T one 1. Rotate the L-2 (MAIN VOLUME) knob towards MIN to set the volume to a low level. 2. Referring to “Connections” (page E-11), connect headphones, ampl if ier, or other device. 3. Use the L-1 (POWER) button to turn on power. • The Digital Keyboard disp lay screen will appear as shown below, which indicates t[...]

  • Page 16

    Selecting and Playing a Tone E-14 ■ To disable Auto Power Off 1. While the Digital Keyboa rd is turned on, press the L-1 (POWER) button to turn it off. 2. While holding do wn the L-4 ([ A] POPS/ROCK/ DANCE) button, press th e L-1 (POWER) button to turn on the Digital Keyboard. • Auto Pow er Off will be disabled at this time. • Turning off the[...]

  • Page 17

    Selecting and Playing a Tone E-15 5. Now you can play on the keyboard using the tone you selected. • You also can use the R-14 (–, +) buttons to select a tone. Holding down either button will scroll through tone numbers at high speed. Pressing both of the R-14 (–, +) buttons at the same time will select tone 001 in the currently se lected gro[...]

  • Page 18

    Selecting and Playing a Tone E-16 1. Refer to the separate “App endix” to look up the group(s) and numbers of the two tones (UPPER 1 part tone and UPPER 2 part tone) yo u want to use. 2. Check to make sure that the @ and A indicators are not on the display. • If the y are displayed, press the R-19 (SPLIT) button and/or R-20 (LAYER) button to [...]

  • Page 19

    Selecting and Playing a Tone E-17 1. While holding down the R-19 ( SPLIT) button, press the keyboar d key that you want to be the leftmost key in the right side (UPPER 1 part) range. • The name of th e key you press will appear on the display as the new split point key name. • You also can use the R-14 (–, +) buttons to change the displayed s[...]

  • Page 20

    Selecting and Playing a Tone E-18 The transpose feature lets you raise or lower the overall tuning of the keyboard in semi tone steps. You can use this feature to adjust keyboard tuning to a key that better matches a vocalist, another musical instrument, etc. 1. While holding down the R-13 (FUNCTION) button, press one of the R-14 (–, +) buttons. [...]

  • Page 21

    Selecting and Playing a Tone E-19 1. Press the L-10 (METRONOME) button. • This will start the metronome. • The display will show the tempo along with a count of the measures and beats since you started the metronome. 2. Press the L-10 (METRONOME) button again to stop the metronome. 1. Hold down the L- 10 (BEAT) button un til the metronome beat [...]

  • Page 22

    Selecting and Playing a Tone E-20 ■ To adjust the tempo by tappin g a beat 1. While holding down the R-13 (FUNCTION) button, tap the L-12 (TAP) button four times at the speed (tempo) you want to set. • The first tap of the L-12 (TAP) button will cause the display shown below to appear. • The tempo setting will change in accordance with your t[...]

  • Page 23

    Selecting and Playing a Tone E-21 Use the scale function to select one of the 17 preset temperaments (tunings) for the built-in sound so urce. You also can fine tune each note of a scale (from C to B) in one-cent units. After selecting one of the preset temperaments, you can edit it to suit your particular needs. You also can specify whether the cu[...]

  • Page 24

    Selecting and Playing a Tone E-22 5. When you are finished, press the R-15 (EXIT) button twice. • This will ret urn to the scr een that was displayed before you displayed the scale screen. • The root not e setting you spec ify here is retained, even if you later change to a different preset temperament. 1. If required, perform the procedure und[...]

  • Page 25

    Selecting and Playing a Tone E-23 With the arpeggiator, you can play various arpeggios and other phrases automatically by simply pressing keys on the keyboard. You can select from a number of different arpeggiator options, including play ing arpeggios from a chord, playing various phrases automatically, and more. 1. Hold down the R-18 (AUTO HARMONI[...]

  • Page 26

    E-24 Using A uto Accompaniment With Auto Accompaniment, simply select the accompaniment rhythm you want and the matching accompaniment (drums, guitar, etc.) will play automatical ly when you play a chord with your left hand. It’s like having your own personal backup group along with you wherever you go. This Digital Keyboard has 250 built-in Auto[...]

  • Page 27

    Using Auto Accompaniment E-25 6. Press the L-16 (SYNCHRO/ENDING) button. • This enters synchro standby (Auto Acco mpaniment waiting for you to play a chord), with the F indicator flashing on the display. The flashing F indicator means that the normal Auto Accompaniment pattern is standing by. 7. You also can use the bu ttons described below to ch[...]

  • Page 28

    Using Auto Accompaniment E-26 While Auto Accompaniment is playing, you use the chord keyboard to specify the chord root and type. The area of the keyboard to the left of the spli t point (p age E-17) is the chord keyboard. The illustration bel ow shows the chord keyboard range under WK-7500 initial default settings. You can select from among the fo[...]

  • Page 29

    Using Auto Accompaniment E-27 There are six different Auto Accompaniment patterns, shown below. You can switch between patterns during accompaniment play and even modify patterns. Use buttons L-13 through L-16 to select the pattern you want. One-Touch Preset gives you one-touch access to tone and tempo settings that go well with the currently selec[...]

  • Page 30

    Using Auto Accompaniment E-28 Auto harmonize lets you add har mony to melody no tes you play with your right hand. You can select any one of 12 Auto harmonize settings. 1. Hold down the R-18 (AUTO HARMONIZE/ ARPEGGIATOR) bu tton until the type selection screen sho wn below appears on the disp lay. 2. Use the di al or R- 14 (–, +) buttons to selec[...]

  • Page 31

    E-29 Appl ying Eff ects to a Sound You can apply a variety of different acoustic effects to the s ounds produced by the Digital Keyb oard. The built-in effects incl ude a wide variety of variations that give you access to a selection of general digital effects. • The Dig ital Keyboard also lets y ou apply effects to input from the T-5 (INST IN ) [...]

  • Page 32

    Applying Effects to a Sound E-30 ■ DSP Effect Mode Configuration The DSP effect mode is enabled while “DSP” is selected for the “C horus/DSP”effect parameter. D SP and reverb can be used in the DSP effect mode. • Reverb This type of effect simulates acoustic spaces. There are 10 different reverb effects, includin g room and hall. •C h[...]

  • Page 33

    Applying Effects to a Sound E-31 Effects are divided among different types (reverb, chorus, DSP), so first you need to use the procedure below to select an effect type. 1. While holding down the R-13 (FUNCTION) button, press the C-7 (EFFECT) button. • This displays th e effect setting screen shown below. 2. Use the di al or R- 14 (–, +) buttons[...]

  • Page 34

    Applying Effects to a Sound E-32 2. If you want, use the R-17 ( t , y ) buttons to move the thick brackets ( % ) to the “DSP Disable”setting, and then use the R -14 (–, +) buttons to change th e setting to “on”. • For more info rmation about this setting, see th e “Important!” note below. • If you turning on the “DSP Disable” [...]

  • Page 35

    Applying Effects to a Sound E-33 4. Use the R-17 ( t , y ) buttons to move the thick brackets ( % ) to the “DSP” setting. • This cause s the number and name of the currently selected preset DSP to appear within the thick brackets ( % ) on the display. 5. Use the di al or R- 14 (–, +) buttons to select the preset DSP you want to use. • DSP[...]

  • Page 36

    Applying Effects to a Sound E-34 5. Use the R-17 ( t , y ) buttons to move the 0 to the parameter you want to change. • For information abo ut the operation and the setting range of each parameter, see “DSP Parameter Settings” (page E-35). 6. Use the dial or R-14 (–, +) buttons to change the setting value. • Pre ssing the R-14 (–, +) bu[...]

  • Page 37

    Applying Effects to a Sound E-35 The table below shows the parameters that can be configured on the DSP editor screen. The settings marked with an asterisk ( * ) in the “Setting Range” column are initial defaults. DSP Parameter Settings Parameter Name Description Setting Ra nge Parameters 1 through 8 The number of parameter s and settings avail[...]

  • Page 38

    E-36 Using the Mix er The sound source of this Digital Keyboard is capable of sounding up to 32 individual parts simultaneously. Each part can be controlled indivi dually, and each part can be configured to sound a different musical instrument. Different tones can be assign ed to each part when using layer and split to sound multiple tones at the s[...]

  • Page 39

    Using the Mixer E-37 1. Press the C-7 (MIXER) button. • This cause s the mixer screen to appear. 2. Use the R-17 ( u , i ) buttons to select the mixer parameter you want to cha nge. • You can sele ct master (MASTER), effect (DSP), microphone input (MIC/INST), or a part (A01 through A16, B01 through B16). The currently selected setting is shown [...]

  • Page 40

    Using the Mixer E-38 While the mixer screen is displayed, use sliders D-4 (1/9/EXT) to D-12 (MASTER) to change the displayed paramete r settings. The D-1 (PART/COMMON) , D-2 (GROUP A/B) and D-3 (1-8/9-16) bu ttons are used to specify the parts that correspond to sliders D-4 (1/9/EXT) to D-11 (8/16) . The following describes the operation of these b[...]

  • Page 41

    Using the Mixer E-39 ● Sliders D-4 (1/9/EXT) through D-1 1 (8/16): Allow configuration of the fo llowing parameter settings in accordance with the current ly displayed mixer setting. * Operating a slider whose se tting does not correspond to anything on the currently di splayed setting screen will automatically switch to the setting screen that c[...]

  • Page 42

    Using the Mixer E-40 • For details about how initial default set tings are configured when you perform the following procedure, see “Paramete r List” (page E-163). 1. While the mixer screen is di splayed, h old down the R-13 (FUNCTION) button as you press the C-17 (MENU) button. • This d isplays the mixer menu screen with the 0 next to “I[...]

  • Page 43

    Using the Mixer E-41 The tables below show the parameters that can be configured on the mixe r screen. The settings marked with an asterisk ( * ) in the “Setting Range” column are initial defaults. MASTER parameters include items for adjusting the volume level, pan p osition, and other settings that are applied glo bally to a ll parts. DSP para[...]

  • Page 44

    Using the Mixer E-42 MIC/INST parameters include settings related to the T-5 (INST IN) and T-8 (MIC IN) terminals. MIC/INST Parameters Parameter Name Description Setting Range Part (Mic/Inst Enable) Specifies if sound input should be output (on) or not output (oFF). oFF, on * Volume (Mic/Inst Volume) *1 Specifies the volume level of sound inpu t. 0[...]

  • Page 45

    Using the Mixer E-43 Part parameters include setting items that can be adjusted for parts A01 through A16 and B01 throug h B16. Part Parameters Parameter Name Description Setting Range TONE (Part Tone) Specifies a tone for each part. When configuring this p arameter, you can use the buttons R-1 ([A] PIANO) through R-12 ([L] DRAWBAR ORGAN) to select[...]

  • Page 46

    E-44 Using the T one Editor You can create a user tone by editing one of the built-in preset tones. • This section covers editing of preset tone groups A through J. • For information about editing group L (drawbar organ) tones, see “Editing Drawbar Organ Tones” (page E-52). The preset tones built into this Digita l Keyboard consist of a num[...]

  • Page 47

    Using the To ne Editor E-45 •T o n e S e t t i n g Specifies which of the preset tones should be used as the original tone. These parameters control how t he tone changes o ver time, from when the keyboard key is pre ssed until the tone decays. You can specify changes in volume and sound characteristics. • Attack time This is the rate or time i[...]

  • Page 48

    Using the Tone Editor E-46 Tone areas numbered K:001 through K:100 are for storage of user tones. You can have u p to 100 user tones stored in memory at one time. You can recall a stored user tone by pressing the R-11 ([K] USER TONES) button. See “To select a tone” (page E-14). 1. Select the tone you want to edit in order to create yo ur user t[...]

  • Page 49

    Using the To ne Editor E-47 • The me ssage “Please Wait” will remain on the display while a data save operation is in pro gress. Do not perform any other operation while it is disp layed. Turning off the Digital Keyboard o r removing the memory card can cause Digital Keyb oard data to be deleted or become corrup ted. It also can cause the Dig[...]

  • Page 50

    Using the Tone Editor E-48 The table below shows the parameters that can be configured on the tone editor sc reen. For information about each parameter, also refer to “Tone Creat ion Overview” (page E-44). The settings marked with an asterisk ( * ) in the “Setting Range” column are initial defaults. T one P arameter Settings Parameter Name [...]

  • Page 51

    Using the To ne Editor E-49 DSP Parameters 1 through 8 Shows up to eight parameters for “DSP Type”. * 2 * 2 DSP RevSend (DSP Reverb Send) Adjusts how much reverb is applied to the post-DSP note. 0 to 40 * to 127 Mod Setting (Modulation Setting) Assigns either vibrato or DSP to the S-2 (MODULAT ION) button. Vib * , DSP Mod Depth (Modulation Dept[...]

  • Page 52

    E-50 Using Dra wbar Or gan T ones Your Digital Keyboard comes wi th drawbar organ tones built in that you can use for mixing waveform ratios, just like a drawbar organ. The nine sli ders, which correspond to drawbars, can be used to change harmonic overtone level settings and to create sounds by adding percussion and click sounds in real time as yo[...]

  • Page 53

    Using Drawbar Organ Tones E-51 Use the sliders and buttons to adjust drawbar organ tones in real time. 1. Perform st eps 1 thr ough 3 of the proce dure under “To select and play with a drawbar organ tone” (page E-50). • The level meter shows the h armonic overtone levels for the foot “lengths” preset for the currently selected drawbar org[...]

  • Page 54

    Using Drawbar Organ Tones E-52 Tone areas numbered L:051 throu gh L:100 are for storage of user drawbar organ tones. You can have up to 50 user drawbar organ tones stored in memory at one time. You can recall a user drawbar organ tone by pressing the R-12 ([L] DRAWBAR ORGAN) button and then using the dial or the R-14 (–, +) buttons to specify the[...]

  • Page 55

    Using Drawbar Organ Tones E-53 The table below shows the parameters that c an be configured on the drawbar editor screen. The settings marked with an asterisk ( * ) in the “Setting Range” column are initial defaults. • While the d rawbar edit screen is disp layed, you can change the parameters of drawbar 16' th rough 1' using slider[...]

  • Page 56

    E-54 Music Presets Music presets provide one -touch access to Auto Accompaniment, tone, reverb, and othe r settings that are configured in accordance with preset chord progressions. A total of 305 presets let you easily configure the keyboard for a wide variety of different musi cal styles. Chor d progressions include both short loops of a few meas[...]

  • Page 57

    Music Presets E-55 3. Use the buttons from L-4 ([A] POPS/ROCK/ DANCE) to L-9 ([F] USER RHYTHMS) to sele ct a music preset group. • The L- 9 ([F] USER RHYTHMS) button is for the user preset group. For details, s ee “Creating a User Preset” (page E-58). 4. Use the dial o r R-14 (–, +) butto ns to scroll through the musi c preset numbers until[...]

  • Page 58

    Music Presets E-56 The settings listed in the table below are recalled when a music preset is selected. • Except fo r the chord progression, all of th e settings can be modified after a music pres et is selected. Refer to the informati on noted in the “Go here for more information” column of the table for details about mod ifying a particular[...]

  • Page 59

    Music Presets E-57 While the music preset screen is displayed, you can use the L-18 (ACCOMP ON/OFF) button to change Auto Accompaniment settings. • Each press of the L-18 (A CCOMP ON/OFF) button cycles through settings as shown below. • When a prese t chord progressi on or accompaniment off is selected, the keyboard can be used fo r melody play[...]

  • Page 60

    Music Presets E-58 Preset areas numbered F:001 through F:050 are for storage of user presets. You can have up to 50 user presets stored in memory at one time. You can recall a stored user preset after pressing the L-9 ([F] USER RHYTHMS) button. See “T o perform using a music pres et” (page E-54) for more information. 1. Perform steps 1 through [...]

  • Page 61

    Music Presets E-59 6. Use the R-17 ( y ) button to move the 0 to “Store” and then press the R-16 (ENTER) button. • This displays a screen for specifying the destination user preset number and name. 7. Use the di al or R- 14 (–, +) buttons to select the destination user preset number you want. 8. Use the R-17 ( u , i ) buttons to move the cu[...]

  • Page 62

    Music Presets E-60 This section explains how chord progressions are p layed in accordance with the “T iming” (Timing set) settings in step 5 under “ To create and save a user preset” (page E-58). Note that this setti ng affects playback only. It d oes not change the chord progress io n data. •N o r m a l Plays chords at the same timing as[...]

  • Page 63

    Music Presets E-61 •3 / 4 Plays chords measure-by-measure at a timing t hat is 3/4 time s that of the recording. This setting is best for use wit h a 6/8 ti me rhythm. Playing back a chord pro gression like that shown for “Half” above while “3/4” is spec ified results in the progression shown bel ow. 3/4 Playback when a 4/4 time rhythm is[...]

  • Page 64

    Music Presets E-62 You can modify the preset chor d progression and save it as a user preset, or you can create a new chord progression from scratch and save it. 1. Perform steps 1 through 4 under “To pe rform using a music preset” (page E-54) and select the music preset you want to edit in order to create yo ur user music pr eset. 2. Configure[...]

  • Page 65

    Music Presets E-63 1. Perform steps 1 through 4 of the procedure under “Chord Progre ssion Editing Flow ” on page E-62. 2. Use the R-17 ( t , y ) buttons to move the cursor to the chord you want to edit. • You can use the L -15 ( d FF) and L-14 ( s REW) buttons to move the cursor by measure-by-measu re. 3. Use the R-17 ( u , i ) buttons to mo[...]

  • Page 66

    Music Presets E-64 4. Specify the location of th e new chord insert as a number of beats afte r the current cursor position. • Excep t for the R-8 ( 7 ) button, pressing the R-4 ( • ) button after you press any one of the above buttons will increase number of beats by 1.5. • Pre ssing the R-10 ( , ) button after you press any one of the above[...]

  • Page 67

    Music Presets E-65 1. Perform steps 1 through 4 of the procedure under “Chord Progre ssion Editing Flow ” on page E-62. 2. While holding down the R-13 (FUNCTION) button, press the C-17 (MENU) button. 3. This displays a screen like the one shown below. 4. Execute the desired menu operation. 5. In response to the “Sure?” me ssage that appears[...]

  • Page 68

    E-66 Sa ving K e yboard Setups to Registration Memory Registration memory lets you store Digital Keyboard setups (tone, rhythm, etc.) for instant recall whenever you need them. • For information about items that can be part of a registration setup, see “Par ameter List” (page E-163). • When re calling a registration se tup, you can recall o[...]

  • Page 69

    Saving Keyboard Setups to Registration Memory E-67 1. Configure the tone, rhythm, an d other settings you want to include in the setup. 2. Press the C-10 (BANK) button to select the bank you want. • Each pre ss of the C-10 (BANK) button cycles through the bank numbers. • While the “BANK” screen is displayed after pressing the C-10 (BANK) bu[...]

  • Page 70

    E-68 Using the Song Sequencer You can use the song sequencer to record keyboard play (including Auto Accompaniment), or to record individual parts (multi-track recording) and combine them into a final song. After recording data, you can ed it each individual note (event). You can have up to five re corded songs (approximately 30,000 notes total) st[...]

  • Page 71

    Using the Song Sequencer E-69 2. Press the C-6 (RECORD) button. • The button will start flashing and the EASY REC screen shown below will appear on the display. • An asterisk ( * ) next to a song area number indicates that there is already data recorded in that area. Selecting a song area that already contains record ed data and starting a new [...]

  • Page 72

    Using the Song Sequencer E-70 1. Perform steps 1 through 4 under “To pe rform using a music preset” (page E-54). 2. Press the C-6 (RECORD) button. • The button will start flashing and the EASY REC screen will appear on the display. 3. Start to play something using a music preset. For details, see “To perform using a music preset” (page E-[...]

  • Page 73

    Using the Song Sequencer E-71 ■ Recording Start • Beat setting •R h y t h m s e l e c t i o n • Temp o setting • Sca le setting • The mixer settings belo w – All part parameters from A04 through A07 and B01 through B16 (Excluding part on/off) – Part parameters from A09 through A16: part on/off, coarse tune, fine tune, scale enable, [...]

  • Page 74

    Using the Song Sequencer E-72 This section explains how to record to the system track and how to record to Tracks 01 through 1 6. For details about track configuration and what is recor ded to each track, see “Wha t you can do with the song sequencer” (page E-70). 1. Press the C-5 (SONG SEQU ENCER) button to enter the song sequencer mode . • [...]

  • Page 75

    Using the Song Sequencer E-73 • Page 2 of the menu screen has a “RecType” setting, but this setting cannot be used when recording a performance to the system track. 7. Start playing something on the keyboard. • Recording starts automatica lly when you p erform any one of the following operations. • Starting recording will cause the C-6 (R[...]

  • Page 76

    Using the Song Sequencer E-74 4. Use the R-17 ( u , i ) buttons to select a track (Track 01 through Track 16). 5. Configure panel setti ngs as required for your performance. • Con figure the following settings: tone selection, tempo, mixer settings, etc. For details about set tings that can be configured, see “Recor ding Start” under “Syste[...]

  • Page 77

    Using the Song Sequencer E-75 1. While the song sequencer mo de initial screen is on the display after trac k recording is complete, hold down the R-13 (F UNCTION) button as you press the C-17 (MENU) button. • This displays th e song sequencer menu with the 0 located at “ClearTrack”. 2. Press the R-16 (ENTER) button. • This causes the “Cl[...]

  • Page 78

    Using the Song Sequencer E-76 You can access the mixer dur ing playback, playback standby, or record standby ( C-6 (RECORD) button flashing), or while recording is in progress ( C-6 (RECORD) button lit) . Press the C-7 (MIXER) button to display the mixer screen. To retu rn to the song sequencer mode screen, press the C-7 (MIXER) button again or pre[...]

  • Page 79

    Using the Song Sequencer E-77 6. Press the L-17 (START/STOP) button. • This starts punch-in playba ck. • The following operation s ar e supported during punch-in playback. They help you move to the re-recording start point quickly and easily. 7. When playbac k reaches the point fr om which you want to start re-rec ording, star t playing somethi[...]

  • Page 80

    Using the Song Sequencer E-78 6. Use the R-17 ( u , i ) buttons to move the cursor, use the dial or the R-14 (– , +) buttons to change the value at the cursor position, and then press the R-16 (ENTER) button. • If you have alread y specifi ed a range using the locator screen (page E-80), you can copy that range to this screen by holding down th[...]

  • Page 81

    Using the Song Sequencer E-79 5. Use the R-17 ( y ) button to move the 0 to “PanelReco rd”. 6. Press the R-16 (ENTER) button. 7. In response to the “Sure?” me ssage that appears, press the R-14 (YES) button to execute the panel record operati on or the R-14 (NO) button to cancel. This section explains how to perform the following operations[...]

  • Page 82

    Using the Song Sequencer E-80 1. Press the C-5 (SONG SEQUENCER) button to enter the song sequencer mode . 2. Use the dial or R-14 (–, +) buttons to select a song area number. 3. Press the C-7 (MIXER) button to display the mixer screen. 4. Use the R-17 ( u , i ) buttons to select the part you want to pla y (A04 through A 16, B01 through B16). • [...]

  • Page 83

    Using the Song Sequencer E-81 7. To stop playback, press the L-17 (START/STOP) button. • Pressing th e R-15 (EXIT) button without pressing the R-16 (ENTER) button in step 4 above will ca ncel the phrase setting operation and close the locator screen. • The start point and end p oint specified on the locator screen by the above operation will be[...]

  • Page 84

    Using the Song Sequencer E-82 1. Perform the procedure un der “To start a song editor operation” on page E-81 to display the song editor menu, w ith the 0 located at “Clear”. 2. Press the R-16 (ENTER) button. • This displays th e “Clear Song” screen. 3. Use the dial or R-14 (–, +) buttons to specify the song area number you want to [...]

  • Page 85

    Using the Song Sequencer E-83 1. Perform the procedure un der “To start a song editor operation” on page E-81 to display the song editor menu. 2. Use the R-17 ( t , y ) buttons to move the 0 to “DeleteMeas.” and then press the R-16 (ENTER) button. • This cause s “Delete Measure” screen to appear. At this time the thick brackets ( % ) [...]

  • Page 86

    Using the Song Sequencer E-84 As explained in detail under “Songs, tracks, and parts” (p age E-70), the system track is an individ ual track, while the keyboard play and Auto Accompaniment data are recorded individually to mult iple parts (A04 thr ough A07, A09 through A16). The data of these parts is extracted to Tracks 04 through 07 and 09 th[...]

  • Page 87

    Using the Song Sequencer E-85 The following operations are supported during track (system track, Tracks 01 through 16) editing. • Clearing a single track • Copying one track to anot her track (Tracks 01 through 16 only) • Combining t wo tracks into a single track (Tracks 01 through 16 only) 1. Press the C-5 (SONG SEQU ENCER) button to enter t[...]

  • Page 88

    Using the Song Sequencer E-86 1. Perform the procedure under “To start a track editor operation” on page E-85 to display the track editor menu. 2. Use the R-17 ( t , y ) buttons to move the 0 to “Copy” and then press the R-16 (ENTER) button. • This cause s the “Copy Trac k” screen to appear. At this time the thick brackets ( % ) will [...]

  • Page 89

    Using the Song Sequencer E-87 7. After everything is the way you want, press the R-16 (ENTER) button. • If the destination track does not contain recorded data, combination of the trac ks starts immediately. • If the destination track alr eady contains recorded data, the confirmation message shown below appears asking if you want to overwrite t[...]

  • Page 90

    Using the Song Sequencer E-88 The event editor screen displays the individual events that make up a song as values and characters as shown in the sample screen below. The event editor screen shows three events at one time. The event in the middle line is t he selected event. You can change the value where the solid-line curs or is located. A broken[...]

  • Page 91

    Using the Song Sequencer E-89 ■ Event Data List The following table shows the event types that correspond to t he abbreviations that app ear on the display, as well as the parameters of each event type and setting ranges. •“  display” and “  display” in the table headings corresp ond to the  ,  screen positions under “R ea[...]

  • Page 92

    Using the Song Sequencer E-90 System Track Events Event Type  display during insert  display Parameter Name Setting Range  display Event Name TnU1 UPPER 1 Tone [ Tone_U1 ] VALU Tone Number A:001 - L:100 TnU2 UPPER 2 Tone [ Tone_U2 ] VALU Tone Number A:001 - L:100 TnLo LOWER Tone [ Tone_Lo ] VALU Tone Number A:001 - L:100 TnHm Auto Harmoniz[...]

  • Page 93

    Using the Song Sequencer E-91 1. Perform steps 1 to 3 of th e procedur e under “To start an event editor opera tion” on page E-87 to display the event editor screen. 2. While holding down th e R-13 (FUNCTION) button, use the R-17 ( u , i ) buttons to select the track you want to edit. 1. Perform steps 1 to 3 of th e procedur e under “To start[...]

  • Page 94

    Using the Song Sequencer E-92 1. Perform the proce dure under “To start an event editor operation” on page E-87. 2. Use R-17 ( i ) button to display page three of the event editor menu, with the 0 located at “ViewSelect”. 3. Press the R-16 (ENTER) button. • This displays th e “View Select” screen. 4. Use the R-17 ( t , y ) buttons to [...]

  • Page 95

    Using the Song Sequencer E-93 1. Display the event editor sc ree n of the track that includes the events you want to delete. • See “To select a track for editing” (page E-91). 2. While holding down the R-13 (FUNCTION) button, press the C-17 (ME NU) button to display the event editor menu. 3. Use the R-17 ( t , y ) buttons to move the 0 to “[...]

  • Page 96

    Using the Song Sequencer E-94 1. Display the event editor screen of the track where you want to insert the event. • See “To select a track for editing” (page E-91). 2. Use the R-17 ( t , y ) buttons to move the cursor to the position wh ere you want to insert an event. • The new event w ill be inserted at the same timing as the event where [...]

  • Page 97

    Using the Song Sequencer E-95 3. Press the C-12 (COPY) button. • This displays th e “Copy” screen. • If you have alread y specifi ed a range using the locator screen (page E-80), that range will be displayed on the range specification screen. 4. Use the R-17 ( u , i ) buttons to move the cursor, and the n use the dial or R-14 (–, +) butto[...]

  • Page 98

    Using the Song Sequencer E-96 1. Display the event e ditor screen of the track you want to quantize. • See “To select a track for editing” (page E-91). 2. Press the C-13 (QUANTIZE) button. • This displays th e “Quantize” screen. 3. Use the dial or R-14 (–, +) buttons to change the setting in the thick brackets ( % ) to “All”. 4. P[...]

  • Page 99

    Using the Song Sequencer E-97 You can use the procedures in th is section to delete all pitch bender events from a track or from a specific range in a track. • To delete individual pitch bender events, perform the operation under “To delete an individua l event” (page E-92). • After d eleting the pitch bender events in one track from Track [...]

  • Page 100

    Using the Song Sequencer E-98 1. Display the event e ditor screen of the track you want to edit. • See “To select a track for editing” (page E-91). 2. Depending on the type of adj ustment you want make, perform one of the operations below. 3. While holding down the R-13 (FUNCTION) button, press the C-17 (ME NU) button to display the event edi[...]

  • Page 101

    Using the Song Sequencer E-99 1. Perform steps 1 throug h 5 under “To adjust the velocity value of a note event” (page E-98). In step 4, select “Gatet imeMod.” instea d of “VelocityMod.”. 2. Press the R-16 (ENTER) button. • This will display the settin g screen like the one shown below. • The following explains the mean ings and set[...]

  • Page 102

    Using the Song Sequencer E-100 1. Perform step s 1 and 2 under “To dele te a beat event” (page E-99). 2. Move the cursor to the beat event that comes immediately before the lo cation where you want to insert a new beat event. 3. Press the C-11 (INSERT) button. • This will insert a new b eat event into the next measure after the cursor positio[...]

  • Page 103

    Using the Song Sequencer E-101 5. Use buttons R-1 ( 5 ) to R-4 (•) and buttons R-7 ( 6 ) to R-10 ( , ) to specify the length of the note you want to input. • For information abo ut how to specify note lengths , see step 4 und er “To insert an event” (page E-94). • You can perform the following operations during step input to insert ties a[...]

  • Page 104

    E-102 Using the P attern Sequencer You can use the pattern sequencer to create accompaniment patterns that sound while using the Digital Keyboard’s Auto Accompaniment function and st ore them as user rhyth ms. Each of the Digital Keyboard’s rhythms provides six different accompaniment patterns named INTRO, NORMAL, NORMAL FILL-IN, VARIATION, VAR[...]

  • Page 105

    Using the Pattern Sequencer E-103 The following describes each of the differen t instrument part statuses that appear in the lower left corner of the screen. Rhythm areas numbered F :001 through F:100 are for storage of user rhythms. You can have up to 100 user rhythms stored in memory at one time. You can recall a sto red user rhythm by pressing t[...]

  • Page 106

    Using the Pattern Sequencer E-104 ■ Replacing the Accompan iment Patterns of an Existing Rhythm with New Recordings With this procedure, you re-record one or more of the accompaniment patterns of an ex isting preset rhythm or previously stored user rhyt hm to create a new rhythm. In this case, you clear all of the rec areas included in an accompa[...]

  • Page 107

    Using the Pattern Sequencer E-105 3. Use buttons L-13 (INTRO) through L-16 (SYNCHRO/ENDING) to select the accompaniment pattern you want to play. If you want to play the INTRO accompaniment pa ttern, for example, press the L-13 (INTRO) button. • Each pre ss of the L-14 (NORMAL/FILL-IN) button toggles between NORMAL and NORMAL FILL-IN, and each pr[...]

  • Page 108

    Using the Pattern Sequencer E-106 1. While the pattern sequencer screen is displayed, press the C-6 (RECORD) button. • The button w ill start to flash and the Digital Keyboard will enter record standby. 2. While holding down the R-13 (FUNCTION) button, press the C-17 (MENU) button. • This displays a rec menu screen like the one shown below. 3. [...]

  • Page 109

    Using the Pattern Sequencer E-107 1. Perform steps 1 through 6 under “To re hearse before editing an existing rhythm” (page E-104). 2. Perform the procedu re under “To configure pattern rec setti ngs (Rec Menu)” (page E-106). • This step is not n ecessary if you want to perform operations using initial default settings or if you want to u[...]

  • Page 110

    Using the Pattern Sequencer E-108 6. If you want to record notes you play on the keyboard in real time , perform the following steps. • The operation you can perform he re depends on the status (page E-103) of the currently selected part, as described below. 7. If required, perform the procedure un der “To edit events with the pattern sequencer[...]

  • Page 111

    Using the Pattern Sequencer E-109 8. Repeat ste ps 4 thro ugh 7 for all of th e parts y ou want to edit. • It is recommended tha t you save the rhythm as a user rhythm each time you finish editing each accompaniment pattern. For details about how to do this, see “To store an edited or newly created rhythm” (page E-111). 9. Repeat steps 3 thro[...]

  • Page 112

    Using the Pattern Sequencer E-110 6. Configur e mixer settin g s for the selected instrument part. You can sk ip this step if y ou do not want to configure mixer settings. • For details abo ut mixer setting operations, see step 5 under “To edit an existing rhythm” (page E-107). 7. Configure part parame ter settings for the selected instrument[...]

  • Page 113

    Using the Pattern Sequencer E-111 1. Press the C-4 (PATTERN SEQUENCER) button. • This displays the p attern sequencer screen. For details about screen contents, see step 2 under “To rehearse before editing an existing rhythm” (page E-104). 2. Perform the procedu re under “To clear all rec areas included in the currently selected rhythm” ([...]

  • Page 114

    Using the Pattern Sequencer E-112 • Pressing the R-15 (EXIT) button in place of the operation in step 1 displays the confirmation screen shown belo w. Pressing the R-14 (YES) button at this time will display the user rhythm store screen in step 2. To cancel the editor operation without saving the edited results, press the R-14 (NO) button. 1. Pre[...]

  • Page 115

    Using the Pattern Sequencer E-113 6. Use the R-17 ( u , i ) buttons to select the instrument part you want to edit. 7. Edit the selected accompaniment pattern instrument part as desired. • While pe rforming the procedure below, yo u can press the L-17 (START/STOP) button and perform repeat playback of only the accompaniment pattern you are editin[...]

  • Page 116

    Using the Pattern Sequencer E-114 The event editor screen shows the individual events recorded to an instrument part as shown in the sample screen below. • The event editor screen show s three events at one time. The event in the middle line is the selected event. You can change the value where the solid- line cursor is located. A broken line und[...]

  • Page 117

    Using the Pattern Sequencer E-115 1. On the pattern sequencer screen, select the “Recorded Data” or “Empty” status instrument part whose events you want to edit. • You can perform event ed iting on one of the following types of parts. 2. While holding down the R-13 (FUNCTION) button, press the C-4 (E DIT) button to display the edit menu. [...]

  • Page 118

    Using the Pattern Sequencer E-116 The settings in this section c ontrol how instruments parts you are currently editing or creat ing are soun ding when played back as Auto Accompaniment after being saved as a user rhythm. These settings are conf igu red using the “PartPara” (Part Parameter) item on the edit menu. • You can configure part para[...]

  • Page 119

    Using the Pattern Sequencer E-117 ■ Table (Chord conversion table) Recording of each accompaniment pattern is normall y performed using C major (root of C, major type). * When playing an Auto Accompaniment, you can use a root other than C and a chord type ot her than major, if you want. Th is is accomplished by using a “chord conversion table?[...]

  • Page 120

    Using the Pattern Sequencer E-118 ■ BreakPoint (Break Point) This parameter specifies the key, from C to B, that is the point at which Auto Accompaniment bass and chord notes drop one octave. For example when F is specified as the break point, a C major chord recorded as C3E3G3 (CEG) becomes D3F # 3A3 (DF # A raised one note each) when D is finge[...]

  • Page 121

    Using the Pattern Sequencer E-119 • Thi s procedure copies note ev ents only. • You will not be able to pe rform this procedure if an INTRO or ENDING is selected as the accompanim ent pattern. • When a percussion part or drum part is specified as the copy destination instrum ent part, you can specify a percussion part or drum part as the copy[...]

  • Page 122

    Using the Pattern Sequencer E-120 1. While the pattern sequencer screen is display ed, hold down the R-13 (FUNCTION) button and press the C- 4 (EDIT) button to display the edit menu. 2. Use the R-17 ( t , y ) buttons to move the 0 to “ElementEdit” and then press the R-16 (ENTER) button. • This displays th e “ElementEdit” screen. 3. The 0 [...]

  • Page 123

    E-121 Recor ding and Pla ying A udio All of the sound out put by th e Digital Keyboard can be reco rded as audio files on a memory ca rd. The maximum recording t ime for a single audio fil e is approxima tely 13 minutes. Yo u can have up to five audio files record ed on a si ngle memory c ard. • To perform the ope rations descr ibed in this se ct[...]

  • Page 124

    Recording and Playing Audio E-122 You can record keyboard play while in the rhythm mode or song sequencer mode. • Recording is actua lly performed in the audio record mode, but you can switch between the rhythm mode screen and song sequencer mode screen from the audio record mode screen. A : or < indicator on the display indicates whether the [...]

  • Page 125

    Recording an d Playing Audio E-123 1. Referring to “Audio Reco rding” (page E-121), determine what type of perf ormance you want to record. 2. If you plan to use a microphone, CD player or some other external de vice as a sound source during recordin g, turn off both the external device and the Digital Keyboard and then connect them . • For d[...]

  • Page 126

    Recording and Playing Audio E-124 4. If required, perform the steps below to switch from the time counter screen to the tempo, measure, beat screen. If you wa nt to leave the time counter displayed, go straight to step 5. 5. Use the dial or the R-14 (– , +) buttons to select an audio file number. 6. To start recording, press the C-3 (AUDIO RECORD[...]

  • Page 127

    Recording an d Playing Audio E-125 1. Perform the procedure un der “To get ready for audio recording” (page E-123). • This enters the rhythm mode. 2. Perform steps 1 through 4 under “To pe rform using a music preset” (page E-54). • This enters music preset record standb y. 3. Perform steps 3 through 6 under “To re cord play in the rhy[...]

  • Page 128

    Recording and Playing Audio E-126 • You can start audio playback oper ations from the rhyth m mode or the song sequencer mo de. You cannot start from the card mode. • You can perform normal key board play along with audio playback, and you can use la yer and split. The procedures for selecting UPPER 1, UPPER 2, and LOWER parts are the same as t[...]

  • Page 129

    Recording an d Playing Audio E-127 4. Press the L-17 (PLA Y/STOP) button. • This will start playback of the audio file and cause the L-17 (PLAY/ST OP) button to change from flashing to lit. The time counter also will start counting up. • The following ope rations are supported during playback. * Dial operation is supported only while the audio [...]

  • Page 130

    Recording and Playing Audio E-128 1. Perform steps 1 through 4 under “To pl ay back a recorded audi o file” (page E-126) to start playback. 2. When playback reache s the location you want to specify as the repeat start point, press the L-13 (REPEAT) button. • This will display a screen like the one shown below, which shows the start point you[...]

  • Page 131

    Recording an d Playing Audio E-129 1. Press the C-2 (AUDIO PLAY) button to enter the audio play mode. 2. Use the dial or the R-14 (–, +) buttons to display the audio file you w ant to clear or delete. • Select ing an audio file numbered from 001 through 005 will make this an audio file data clear operation. In this case, the file itself will no[...]

  • Page 132

    E-130 Using the Function Men u The function menu contains items for tuning and touch adjustments, local on/off, and other global settings that need to be changed by you relatively infrequently. It a lso includes some memory card operations (format, etc.). This section explains functi on menu operations. For details about specific function menu item[...]

  • Page 133

    Using the Function Menu E-131 4. To exit the function menu, press the R-13 (FUNCTION) button or R-15 (EXIT) button. • No te that all function menu settings you configure are returned to their initial defaults whe never you turn off the Digital Keyboard. You can configure the Digital Keyboard so it remembers its latest settings or to apply predete[...]

  • Page 134

    Using the Function Menu E-132 Specifies how many times notes or chords should sound within one beat for arpeggio phrases played by the arpeggiator (page E-23). 1, 2, 2S, 3, 4 * , 4S, 6, 8 The setting value indicates the number of times within one beat. Selecting an option that is only a value will sound the note that number of times within one beat[...]

  • Page 135

    Using the Function Menu E-133 • For details about “parts” mentio ned here, see “How Parts are Organized” (page E-36). Adjusts the Auto Accompaniment volume level (master volume of parts A09 through A16). This setting does not a ffect the keyboard volume level (parts A01 through A03). 000 - 115 * - 127 Adjusts the master volume of s ong fi[...]

  • Page 136

    Using the Function Menu E-134 Specifies if Auto Power Off (page E-13) is enabled (on * ) or disabled (oFF). Even when “on” is selected for this setting, you can temporarily disable Au to Power Off by holding down the L-4 ([A] POPS/ROCK/DANCE) button as you press the L-1 (POWER) button to turn on power. Specifies whether the Digital Keyboard sho[...]

  • Page 137

    Using the Function Menu E-135 ■ To initializ e all da ta an d settings (o r parameter settings only) 1. Press the R-13 (FUNCTION) button to display the function menu. 2. Use the R-17 ( i , y ) buttons to move the 0 to “General” and then press the R-16 (ENTER) button. 3. Use the R-17 ( i , y ) buttons to move the 0 to “Initialize” and then[...]

  • Page 138

    E-136 Using a Memory Car d You can save Digital Keyboard user area data to a memory card and load data from a memory card to Digital Keyboard memory. You also can play musi c files (MIDI files) stored on a memory card on the Digital Keyboard. • Use a memory card that satisfies the condition s below. Format: SDHC or SD Capacity: 2GB to 32GB Use of[...]

  • Page 139

    Using a Memory Card E-137 • The message “Please Wait” will remain on the display while a data save operation is in progress. Do not perform any other operation while it is displayed. Turning off the Digital Keyboard or removing the memory card can cause Digital Keyboard data to be deleted or become corrupted. It also can cause the Digital Key[...]

  • Page 140

    Using a Memory Card E-138 4. Use the R-17 ( t , y ) buttons to move the 0 to “CardFormat”. 5. Press the R-16 (ENTER) button. • This will cause the confir mation message “Sure?” to appear. 6. Press the R-14 (YES) button to format the memory card or the R-14 (NO) button to cancel. • The message “Please Wait” will remain on the display[...]

  • Page 141

    Using a Memory Card E-139 5. Press the R-17 ( y ) button to ch ange to the “Xxxx Save” * 1 screen. • To save a song sequencer s ong in SMF format, press the R-17 ( y ) button one more time here to display the “Seq SmfSave” screen. You can switch between the “Xxxx Load”, “Seq Save”, and “Seq SmfSave” screens using the R-17 ( t [...]

  • Page 142

    Using a Memory Card E-140 ■ Memory card Data Storage The above procedure stores Digita l Keyboard data in a folder named MUSICDAT on the memory card. • The MUSICDAT folder is cr eated automatically when you format the memory card on the Digital Keyboard (page E-137). • Note th at files not in the MUSICDAT folder cannot be loaded, deleted, or [...]

  • Page 143

    Using a Memory Card E-141 1. Insert the memory card into the card slot. 2. Press the C-9 (CARD) button to enter the card mode. 3. While holding down the R-13 (FUNCTION) button, press the C-17 (MENU) button. • This displays th e function menu “Play/CardUtl” screen. 4. Use the R-17 ( t , y ) buttons to move the 0 to “FileDelete” and then pr[...]

  • Page 144

    Using a Memory Card E-142 You can use the Digital Keyboard to play music files you saved to a memory card with your computer. • Sup ported music files are SMF format 0 or 1 MIDI files (MID). • Playba ck of audio files (WAV, MP3, etc.) is not supported . • At the same time playback sta rts, the transpose setting (page E-18) will change to 00 a[...]

  • Page 145

    Using a Memory Card E-143 When playing a music file of a piano piece that has the left hand and the right hand parts recorded in separate MIDI channels, you can turn off play back of one of the parts a nd play it on the keyboard along with playback of the o ther part. 1. Enter the card mode and se lect the MIDI file you want to play. 2. Press the L[...]

  • Page 146

    Using a Memory Card E-144 You can perform the followi ng operations and play on the keyboard along with playback of a music file on a memory card. • Select U PPER 1 part, UPPER 2 part, and LOWER part tones. • Specify layer , split on/off, and the split point The procedures for performing t hese operations are the same as those performed in the [...]

  • Page 147

    E-145 Connecting to a Computer You can connect the Digital Keyboard to a computer and exchange MIDI data between them. You can send play data from the Digital Keyboard to music software running on your computer, or you can send MIDI data from your computer to the Digital Keyboard for playback. The following shows the minimum computer system require[...]

  • Page 148

    Connecting to a Computer E-146 You can transfer song sequencer songs, user rhythms, and other data in Digital Keyboard memory to a computer for storage. You also can load Auto Accompaniment data you download from the CASIO we bsite to the Digital Keyboard, which greatly expands the Auto Accompaniment patterns available to you. A special Data Manage[...]

  • Page 149

    Connecting to a Computer E-147 You can transfer rhythm data fr om other models by loading it from a memory card, or by usi ng Data Manager to transfer the data from a computer to Di gital Keyboard memory. For information about actual operati ons, see “Importing Data from Various Storage Media” (page E-147). • Use of a memory card with a capac[...]

  • Page 150

    E-148 Reference Err or Messages Display Message Cause Required Act ion Format 1. The current memory card format is not compatible with this Digital Keyboard. 1. Format the memory card on the Digital Keyboard (page E-137). 2. The memory card capacity is gr eater than 32GB. 2. Use a memory card with a capacity of 32GB or less. 3. You are trying to us[...]

  • Page 151

    Reference E-149 Memory Full 1. There is not enough memory capacity required for pattern sequencer operations. 1. To record new data of some part of some accompaniment pattern, clear another part and/or another accompaniment patterns. If you want to use Easy Edit, select a different rhythm from the one that was selected when the error message appear[...]

  • Page 152

    Reference E-150 T r oubleshooting Symptom Action Included Accessories I can’t find something that should be included with the product. Carefully check inside all of the packing materials. Power Requirements Power will not tu rn on. • Check the AC adaptor or make sure that the batteries are facing correctly (page E-9). • Replace the batteries [...]

  • Page 153

    Reference E-151 Some notes are cut off while they are playing. Notes are cut off whenever the number of notes being sounded exce eds the maximum polyphony value of 64 (21 to 32 for some ton es). This does not indicate malfunction. The volume or tone setting I configured has changed. • Adjust the main volu me setting (page E-13). • Turn power of[...]

  • Page 154

    Reference E-152 Specifications Models CTK-7000 / WK-7500 Keyboard CTK-7000: 61 standard-size keys WK-7500: 76 standard-size keys Touch Response 2 types, Off Maximum Polyphony 64 notes (32 for certain to nes, 21 for drawbar organ tones) Tones Built-in Tones 800 User Tones Up to 100 (Tone Editor), up to 50 (Drawbar Edit) Functions Layer, Split Drawba[...]

  • Page 155

    Reference E-153 • Desig n and specifications are s ubject to change without notice. Pitch Bend Wheel Pitch Bend Range 0 to 12 semitones Memory Cards Supported Memory Cards SD or SDHC memory cards, 2 GB to 32GB Functions SMF playback, fi le storage, file recall, file delete, card format Inputs/O utputs USB port TYPE B Sustain/Assignable jack Stand[...]

  • Page 156

    Reference E-154 Be sure to read and observe the following operating precautions. ■ Locatio n Avoid the following loca tions for this product. • Areas exposed to direct sunlight and high humidity • Areas subje cted to temperature extremes • Near a radio, TV, video deck, or tun er The above devices will not cause ma lfunction of the product, [...]

  • Page 157

    Reference E-155 The table below shows the preset DSPs that can be se lected by the procedure under “To use a DSP” (page E-32). • The “Numbe r” column shows DSP numbers, while the “Screen Name” shows the DSP name that app ears on the display. • The DSPs of this Digital Keyboard consist of the 46 “types ” shown in the “DSP Type [...]

  • Page 158

    Reference E-156 All of the Digital Keyboard’s preset DSPs belong to one of the DSP types shown in the table below. When creating a user DSP (page E-33) or when using the tone editor ( page E-44) to e dit the DSP applied to a tone, you need to select one of the DSP type s in the table. • Type numbers 01 through 14 are single type D SPs, while nu[...]

  • Page 159

    Reference E-157 ■ Single Type DSP Parameters 01: Wah This is a “wah” effect that can automatically affect the frequency using an LFO. Parameters and Value Ranges: 1 : Resonance (0 to 127) Adjusts the strength of resonance. 2 : Manual (0 to 127) Adjusts the wah filter reference frequency. 3 : LFO Rate (0 to 127) Adjusts the LFO rate. 4 : LFO D[...]

  • Page 160

    Reference E-158 08: Flanger Applies wildly pulsating and meta llic reve rberation to sounds. LFO waveform is selecta ble. Parameters and Value Ranges: 1 : LFO Rate (0 to 127) Adjusts the LFO rate. 2 : LFO Depth (0 to 127) Adjusts the LFO depth. 3 : LFO Waveform (sin, tri, random) Selects the LFO waveform. 4 : Feedback (0 to 127) Adjusts the strengt[...]

  • Page 161

    Reference E-159 14: Lo-Fi Applies various types of noise to the input signal to reproduce a retro Lo-Fi sound. Includes wow and flutter for rotati onal fluctuation like that in tapes and records, a Noise 1 generator that generates continual FM radio type, and a Noise 2 generator that generates record play types scratch noise. Parameters and Value R[...]

  • Page 162

    Reference E-160 In addition to the chords that can be fingered w ith Fingered 1 and Fingered 2, the following chords also are recognized. • With F ingered 3, the lowest note fingered is inte rpreted as the base note. Inverted forms are not supported. • With F ull Range Chord, when the lowest no te fingered is a certain distance from the nei ghb[...]

  • Page 163

    Reference E-161 Chor d Example List Root Chord Type M m dim aug sus4 sus2 7 m7 M7 m7 b 5 7 b 5 7sus4 add9 madd9 mM7 dim7 69 6 m6 ( A # ) /B b B F # / ( G b ) G ( G # ) /A b A F CC # / ( D b ) D ( D # ) /E b E • Since the chord input range is limited, this model may not sup port some of the chords shown above. CTK7000_e.book 161 ページ 20?[...]

  • Page 164

    Reference E-162 The following shows the relationship between MIDI IN and MIDI OUT channels and each part. * The A01 part MIDI OUT channel depends on th e keybaord channel setting. For details, see “KeyboardCh (Keyb oard Channel)” (page E-133). • For details about parts, see “How Parts are Organized” (page E-36). Assigning a MIDI Channel t[...]

  • Page 165

    Reference E-163 P a rameter List To check this setting item: Refer to this column i n the table below: Setting items that are always saved when power is turned off  Setting items stored in registration memory (page E-66)  When “on” is selected for the “AutoResume (A uto Resume)” setting (page E-134), setting items that are restored to[...]

  • Page 166

    Function T ransmitted Recognized Remarks Basic Channel 1 - 16 1 - 16 1 - 16 1 - 16 Def ault Changed Note Number 0 - 127 0 - 127 * 1 T rue voice After T ouch Control Change X X X O Pitch Bender O O K ey’s Ch’s V elocity O 9nH v = 1 - 127 X 9nH v = 0, 8nH V = ** O 9nH v = 1 - 127 X 9nH v = 0 Note ON Note OFF Mode Mode 3 X 0 - 127 Mode 3 X Def aul[...]

  • Page 167

    Function T ransmitted Recognized Remarks Basic Channel 1 - 16 1 - 16 1 - 16 1 - 16 Def ault Changed Note Number 0 - 127 0 - 127 * 1 T rue voice Program Change O 0 - 127 O 0 - 127 :T rue # After T ouch Control Change X X X O Pitch Bender O O System Exclusive O * 2 O K ey’s Ch’s V elocity O 9nH v = 1 - 127 X 9nH v = 0, 8nH V = ** O 9nH v = 1 - 12[...]

  • Page 168

    E CTK7000/WK7500E1A USER’S GUIDE Please keep all information for future reference. Safety Precautions Bef ore tr ying to use the ke yboard, be sure to read the separate “Saf ety Precautions”. MA1008-A Printed in China CTK7000/WK7500E1A K This recycle mark indicates that the packaging conforms to the environmental protection legislation in Ger[...]