Epson 5000XB manuel d'utilisation

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Un bon manuel d’utilisation

Les règles imposent au revendeur l'obligation de fournir à l'acheteur, avec des marchandises, le manuel d’utilisation Epson 5000XB. Le manque du manuel d’utilisation ou les informations incorrectes fournies au consommateur sont à la base d'une plainte pour non-conformité du dispositif avec le contrat. Conformément à la loi, l’inclusion du manuel d’utilisation sous une forme autre que le papier est autorisée, ce qui est souvent utilisé récemment, en incluant la forme graphique ou électronique du manuel Epson 5000XB ou les vidéos d'instruction pour les utilisateurs. La condition est son caractère lisible et compréhensible.

Qu'est ce que le manuel d’utilisation?

Le mot vient du latin "Instructio", à savoir organiser. Ainsi, le manuel d’utilisation Epson 5000XB décrit les étapes de la procédure. Le but du manuel d’utilisation est d’instruire, de faciliter le démarrage, l'utilisation de l'équipement ou l'exécution des actions spécifiques. Le manuel d’utilisation est une collection d'informations sur l'objet/service, une indice.

Malheureusement, peu d'utilisateurs prennent le temps de lire le manuel d’utilisation, et un bon manuel permet non seulement d’apprendre à connaître un certain nombre de fonctionnalités supplémentaires du dispositif acheté, mais aussi éviter la majorité des défaillances.

Donc, ce qui devrait contenir le manuel parfait?

Tout d'abord, le manuel d’utilisation Epson 5000XB devrait contenir:
- informations sur les caractéristiques techniques du dispositif Epson 5000XB
- nom du fabricant et année de fabrication Epson 5000XB
- instructions d'utilisation, de réglage et d’entretien de l'équipement Epson 5000XB
- signes de sécurité et attestations confirmant la conformité avec les normes pertinentes

Pourquoi nous ne lisons pas les manuels d’utilisation?

Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage Epson 5000XB ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles Epson 5000XB et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service Epson en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées Epson 5000XB, comme c’est le cas pour la version papier.

Pourquoi lire le manuel d’utilisation?

Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif Epson 5000XB, l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.

Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation Epson 5000XB. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.

Table des matières du manuel d’utilisation

  • Page 1

    EPSON PowerLi te 7000X B/5 000X B User’s Gu id e ® ™ pro-insd.fm Page i Fr iday, November 7, 1997 5:20 PM[...]

  • Page 2

    ii A ll r i g h t s r e s e r ved. N o pa r t o f t h i s p u b l i ca t i o n may b e repr o duced, s t ored i n a r et r i eval sys t em, or t r a n s m i t t e d i n a n y form or b y a n y m e a n s, elec t r o n i c, m e c h a n i cal, ph o t ocop y i n g , recor d i n g , or o t her w i se, w i t h ou t t h e pr i or w r i t t e n p e r m i s[...]

  • Page 3

    i i i I m p o r t a nt I n f o r m a ti o n A b o ut Y o u r P o w e r L ite 7 0 0 0 X B/ 5 0 0 0 X B I m p o r ta n t S af e ty I n f o r m a t i on WA R N I N G : N ev e r loo k i n t o t he p rojec t or le n s w hen th e lamp i s t u rn e d on ; th e b r i gh t l i g h t can d a m a ge yo u r eyes . N ever l et ch i l dren l o o k i nt o the l e[...]

  • Page 4

    iv F C C Co m p l i a n c e S t a t e m e nt F o r U n i t e d S t a t es U s e r s T h i s e q u i p m e n t h a s b e e n t es t ed a n d f o u n d t o comp l y w i t h t h e l i m i t s f o r a Clas s B d i gi t al dev i ce, pu r sua n t t o P art 1 5 of t he FC C R ules. T h e se l i m i t s a r e de s i g n ed t o pro v i de r e aso n a b le p[...]

  • Page 5

    v ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ Conten ts I n t r o d u c t ion ix G e tti n g t h e M o st O u t o f Y o ur P r o j ec t o r . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . x i O pt i o n al A c ce ss o r i es . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . x i i A[...]

  • Page 6

    v i C o nn e ct i n g t o a C o m p ut er . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 C o nn e ct i n g t o a P C D e s k t o p C o m p ut er . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 C o nn e ct i n g t o a P C L a p to p C o m put e r . . . . . . . . . . . . . . . . . . . . . . . . . .[...]

  • Page 7

    vii 4 U s i n g t h e E LP L i n k I I S o ft w a r e 5 9 I n s tal l i n g t h e So f t w are . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 C o nn e ct i n g N e e de d C a b l e s . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 I n s tal l i n g t h e So f t w are fr o [...]

  • Page 8

    v i i i 7000xbTOC. f m Page vii i Friday, November 7, 199 7 5:21 P M[...]

  • Page 9

    ix ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ I n tro d uct i o n The E P SON ® P o w e r L ite ™ 70 0 0 X B and P o w e r L i t e 5 00 0 XB a r e co m pac t , l i gh t we i gh t p r ojec t o r s t hat allo w y o u t o pr o jec t ful l - col o r i mag e s a nd v i d e o o n t o a lar g e s cr e e n fo r p r e s e n ta t i o n s [...]

  • Page 10

    In t r o duc t ion x You r p r o j ec t o r ’ s t wo s p eak e r s e m p l oy a bu i l t - i n S p at i al i z e r 3 D Sou n d Sy s t e m fo r r i ch, p ow e rfu l aud i o o u tpu t . Y o u ca n e v e n c o n n ec t an e x t e r nal s p ea k er w hen f u r t her am p li f i c a t i o n i s r e q u i r e d . A t o tal l y n e w , pa t en t p e n d[...]

  • Page 11

    Ge t t i ng th e Mos t Ou t o f Your Pr o je c tor xi G e tt ing t h e M o st O u t o f Y o ur P r ojec t o r You r p r ojec t o r come s w i t h a ful l s e t o f f e atu r e s t hat e na b l e you t o co n t r ol th e s e t t i ng s fo r t he i ma g e d is pla y , v i d e o, a n d a ud i o. To g e t t h e m o s t o u t of t h e p r o j e c t o r [...]

  • Page 12

    In t r o duc t ion xii O p ti o nal A ccess o r ies To e nha n c e yo u r u s e o f t h e p r o j e c to r , E PSON p ro v i de s t he f o ll o w i ng a cc e s s o ri e s: ● C a r r y i n g ca s e s e s pe c ia l l y de si gn e d f o r t h e p r o j e c to r an d i t s ca b le s . Ha r d C ar r y i ng Ca s e E L P K S 0 6 W h e el e d S o f t Ca [...]

  • Page 13

    Abou t Th i s Manual x i ii A b o u t T h i s M a n u al C ha p t e r 1, “I n s t alla t i o n , ” giv e s s t e p -b y -s t ep i n st r u c t i o n s o n h o w to s e t up y ou r pr o jec t or a n d c on n e c t i t t o y ou r co m pu t er, v i d e o s ou r ce, o r o t h e r o p t i o n a l e q u i p m e n t. R e a d t h e i n st a ll a t i on[...]

  • Page 14

    In t r o duc t ion x i v S a f e t y In s t r u c t i ons F o llow th e se sa f e t y i n s t r u c t i o n s w hen s e t t ing u p a n d u sing t he pr o jec t or: 1 . Do n ot p lac e th e pr o j ec t or o n a n u n s t a b le c art , s t an d , o r ta b le. 2 . Do n ot u s e th e pr o j ec t o r nea r wa t e r or s o u rc e s o f hea t . 3 . U s [...]

  • Page 15

    Safe t y In s t r uc t io ns xv 1 0 . U n plu g th e pro j e c t or f ro m th e wal l ou t le t b efo r e c lea n i ng. Us e a damp cl o th f or c lea n i ng. D o n o t u s e l iqu i d o r a e ro s o l clea n e r s . 1 1 . Do n o t b l o ck t he s l o t s a n d op e n i n g s i n t h e p r o j e c to r ca s e. T he y pr o v i d e v e n t i la t i o[...]

  • Page 16

    In t r o duc t ion xvi W h e r e t o G e t H elp EPSON p r o v i de s cu s t om e r s u p po r t t hrough t h e f oll o w i n g s e r v i ce s : E l ec t r o n i c S u p p o r t S e r v i c es Y o u c an ac c e ss h e l p fu l t i p s, s p e c i f i c a t io n s, DI P s w it c h o r j u m p e r s et ti n g s, d r i v e r s, F r eq u e n t ly A s k [...]

  • Page 17

    W he r e t o Get He l p xv i i E P S O N F o r um on Compu S e r v e ® M e m be r s o f C o m p u S e r ve c a n t y pe GO EP S O N a t t h e m e n u p r o m p t t o rea c h C o m p uSe r v e ’s E p s o n Americ a Fo rum. As an o w ner of an EPSON p r odu c t, y ou a r e e l i g i bl e fo r a f r e e i n t r odu c to r y Co m puS e r v e m e m b[...]

  • Page 18

    In t r o duc t ion xv i ii Bef o re y ou c all, p lea s e ha v e th e fo l lo w i n g i n f ormat i o n r e ad y : ● P r oduc t n a me ● P r o d u c t s e r i a l n u m b er ● C o m p ut e r c o nf i gu r at i on ● D e s c r i p ti o n o f the p r o b l em Yo u ca n pu r cha s e i n k c art r i dge s , pap e r, m an u a l s , acc e s s o r [...]

  • Page 19

    1 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ 1 I n sta llat ion T h i s cha p t e r d e scribes how to u n pa c k , se t up , a n d co n n e ct y ou r pr o j ec t o r to o th e r e q u i p m e n t. The p ro j e ct o r m u s t b e c on n ec t e d t o a compu t e r or a v i d e o s ou r ce s uch a s a VC R, camco r de r , o r la s er[...]

  • Page 20

    1 • I ns t al l a t ion 2 U n p a c k i n g t h e P r o j e c t o r W h e n y ou u n pa c k t he p r o j e c to r , m ak e s u r e y ou ha v e all t he s e co m po n e n t s : ● P r o j ec t or ● Le n s co v er ● Remot e c o n t rol ● 2 AA b a t t e r i es ● P o w e r c o rd ● V i d e o c a b l e ● Aud i o c a b le ● Aud i o / v i[...]

  • Page 21

    Unp a ck i ng the Pr o je c tor 3 A d di t io n al C om p o n en t s Dep e n d i n g o n ho w yo u pla n t o u s e t he p r o j e c to r , y o u ma y n ee d add i t i o nal co m po n e n t s : ● T o r e c ei v e an S - V i d eo sig n a l , y o u n e e d a n S -V i d e o c a b l e . ( O ne is u s uall y p r o v i d ed w i t h y o ur v i d e o d e [...]

  • Page 22

    1 • I ns t al l a t ion 4 S e t ti n g U p t h e Pr o j e c t or 1 . Pla c e th e p r o j e c to r o n a s t urd y , l e v e l s ur f ac e w i th i n f i v e f e e t o f t he co m pu t e r or v i d e o s our c e. ✦ C a u t i o n : D o n ot h o l d t he p ro j ec tor b y t he l en s . Th i s c a n d a m age the l e n s . 2 . Pla c e t he p r o j[...]

  • Page 23

    Se tt ing Up the Pr o je c t or 5 3 . Mak e su r e t he p ro j e ct o r is a t a r i ght a n gl e t o th e s c re e n. O t he r w is e , t he s c r e en ima g e w i l l be d is t o r t e d . 4 . C o n n ec t o n e e n d of t he p ow e r c o rd t o t h e p r o j e c to r ’ s p ow e r co n n e ct o r. Co n n e c t t he o th e r e n d t o a g r ou n[...]

  • Page 24

    1 • I ns t al l a t ion 6 5 . To i n s er t th e b a t t er i e s i n th e re m o t e c o n t ro l , s l i de o ff t h e b at t e r y compa r tme n t c o v e r as sho w n he r e 6 . I n se r t t h e t w o AA b a t t e r ies i n c l u d e d w ith t h e p r o je c t o r . M a ke s u r e th e po l ar i t y of t he b a t t e r i e s i s cor r ec t . [...]

  • Page 25

    Conne c t i ng to a Co m p u ter 7 W h en r ep l a c i n g b a t t e r i e s, t a k e t h e f o l l o w i n g p r e c a u t i o n s: ● Do n o t m i x old a n d n e w ba t t e r i e s . ● Re p lac e b at t er i e s a s s o o n a s t h e y r u n out . If t h e ba t t e r i e s l ea k , w i p e awa y b a t t e r y fluid with a so f t c l ot h . If[...]

  • Page 26

    1 • I ns t al l a t ion 8 Connecting to a P C D e sktop Computer B e f o r e b e g i n n in g , t u r n o f f t h e p r o j e c t o r a nd c o m p u t er i f t h e y a r e o n . 1 . C o n n ec t th e v i d e o ca b l e. No t e : Co m pu t er con f igurat i ons va ry. S e e your co m pu t er m a n ua l f or t he loc a tion of t h e p orts ne e ded[...]

  • Page 27

    Conne c t i ng to a Co m p u ter 9 c. T o al s o v i ew t he v i de o o n th e co m pu t e r mo n i to r , co n n e ct t he co m pu t er m o n i t o r ’ s m o n i t o r ca b l e t o th e p r o j ec t o r ’ s M o n i t or por t . Th is i s u s e ful w he n y o u n e e d to v i e w th e v i d e o o u tpu t bu t th e p r o j e c t i o n s c r ee n[...]

  • Page 28

    1 • I ns t al l a t ion 1 0 a. Co n n e ct t h e s m all e n d of t he m a i n ca b l e t o th e p r o j ec t o r ’ s M ou s e /Co m 1 por t . ( Us e th e M ou s e / C o m 2 p o rt i f y o u a r e c o n n ec t i ng a s e co n d c o m p u te r .) b . Co n n e ct o n e e n d o f th e PS / 2 m ou s e ca b le i n clud e d w i t h th e p r o je c t [...]

  • Page 29

    Conne c t i ng to a Co m p u ter 11 3 . C o n n ec t th e aud i o cab l e i f n e e de d . a. Co n n e ct o n e e n d of th e a u d i o ca b le t o t he A ud i o I n 1 j ac k o n t h e p r o j e c t o r . ( U s e t h e A u d io I n 2 j a c k i f y ou a re c o n n e c ti n g a s e c o n d c o m p ut e r ). b . Co n n e ct t he o th e r e n d o f th [...]

  • Page 30

    1 • I ns t al l a t ion 1 2 C o n n ecti n g t o a PC L a p t op C o m p u ter B e f o r e b e g i n n in g , t u r n o f f t h e p r o j e c t o r a nd c o m p u t er i f t h e y a r e o n . 1 . C o n n ec t th e v i d e o ca b l e. No t e : L ap t op con f igura t i o n s vary. See your co m pu t e r m a n ua l f or t he loc a tio n of t he p o[...]

  • Page 31

    Conne c t i ng to a Co m p u ter 13 2 . C o n n e c t t h e m a i n c a b l e. T h e m a i n c a b l e c o n n e c t s t h e P S /2 m o u se ca b le ( n e e de d t o us e th e r e mo t e c on t r o l a s a m o u s e ) a n d 9 - p i n s e r i a l c a b l e ( n e e d e d to u se t h e E L P L i n k I I s o f t w a r e a nd t h e E f f e c t s b u tt [...]

  • Page 32

    1 • I ns t al l a t ion 1 4 c. Co n n e ct t he o th e r e n d o f th e PS / 2 m o us e ca b l e to t he m ou s e p ort o n y ou r lap t o p . d . I f y o u r la p t o p u s es a s e r ia l m o u s e, p e r f o rm s t e p s b and c u si n g t h e s e r i a l m o u s e c a b l e i ns t e a d o f t h e P S /2 m o u se c a b l e ( n o t sho w n i n [...]

  • Page 33

    Conne c t i ng to a Co m p u ter 15 3 . C o n n ec t th e aud i o cab l e. a. Co n n e ct o n e e n d of th e a u d i o ca b le t o t he A ud i o I n 1 j ac k o n t h e p r o j e c t o r . ( U s e t h e A u d io I n 2 j a c k i f y ou a re c o n n e c ti n g a s e c o n d c o m p ut e r ). b . Co n n e ct t he o th e r e n d o f th e aud i o c ab l[...]

  • Page 34

    1 • I ns t al l a t ion 1 6 C o n n ecti n g t o a Desk t op M aci n tosh B e f o r e b e g i n n in g , t u r n o f f t h e p r o j e c t o r a nd M a c in t o s h i f t h e y a r e o n . 1 . C o n n ec t th e v i d e o ca b l e s . No t e : M acinto s h comput er con f igura t io n s vary . See your compu t e r m a nu a l for t he l o c a tion [...]

  • Page 35

    Conne c t i ng to a Co m p u ter 17 c. Co n n e ct the s mal l t e r m i nal of the Mac i n to s h v i d e o a d apt e r to t he o t he r e n d o f th e v i d e o ca b l e . d. D i s c o n n ec t th e m o n i to r ca b le f r o m th e v i d e o p o r t o n th e b ac k o f th e Mac i n to s h a n d c o n n ec t th e v i d e o cab l e ( w i t h Mac i[...]

  • Page 36

    1 • I ns t al l a t ion 1 8 2 . C o n n ec t t h e ma i n c ab l e. Th e ma i n c abl e c on n e c t s t h e m o u s e cab l e ( n e ed e d t o u s e t he r e m o t e co n t r ol a s a m ou s e ) a n d s e r i al ca b l e (n e ed e d t o u s e t he EL P L i n k II s of t wa r e) f r om yo u r Mac i n t o s h t o th e pr o j ec t or . a. Co n n e [...]

  • Page 37

    Conne c t i ng to a Co m p u ter 19 c . D i s c o n n e c t t h e m o u s e c a b l e f r o m t h e A D B p o r t o f t h e M a c i n- t o sh a n d c o n n e c t t h e m o u se c o n n e c t or o f t h e M AC m o u s e c a b l e t o t h e m o u s e p o r t. d. I f y ou a r e p la n n i n g t o us e th e ELP L i n k I I s o f t wa r e, c on n ec t e[...]

  • Page 38

    1 • I ns t al l a t ion 2 0 C o n n ecti n g t o a P o w e r B o o k Y o u r P o w e r B oo k m u st ha v e a v i d e o - o u t c a p a b i l i ty in o rd er to c o n n e c t t o t he P o w e r L i te 70 0 0 X B o r 5 00 0 XB p r o je c t o r . B e f o r e b e g i n n in g , t u r n o f f t h e p r o j e c t o r a nd c o m p u t er i f t h e y a [...]

  • Page 39

    Conne c t i ng to a Co m p u ter 21 b. R e move the s m a l l c over a nd s e t t he DI P s w it c h e s o n t he M aci n t osh v i d e o a d apt e r i n acco r d a n c e wi t h th e r e solu t i o n s y ou w an t t o u s e ( s uch a s 16 i n ch mod e ) . c. Co n n e ct the s mal l t e r m i nal of the Mac i n to s h v i d e o a d apt e r to t he o[...]

  • Page 40

    1 • I ns t al l a t ion 2 2 2 . C o n n ec t t h e ma i n c ab l e. Th e ma i n c abl e c on n e c t s t h e m o u s e cab l e ( n e ed e d t o u s e t he r e m o t e co n t r ol a s a m ou s e ) a n d s e r i al ca b l e ( n e ed e d t o u s e t he EL P L i n k II s of t wa r e ) t o th e p r o j ec t o r . a. Co n n e ct t h e s m all e n d of [...]

  • Page 41

    Conne c t i ng to a Co m p u ter 23 d. I f y ou a r e p la n n i n g t o us e th e ELP L i n k I I s o f t wa r e, c on n ec t e i t he r en d of t he s er i al c a b l e t o the s e r i al t e r m i n a l o n th e l a rg e e n d of t h e m a i n c a b l e. C o n n e c t t h e o t h e r e n d o f t h e se r i a l ca b l e to t he P RI N T E R o r M[...]

  • Page 42

    1 • I ns t al l a t ion 2 4 C o n n ecti n g to a H i g h- E nd Workstati o n A l t h o ug h t h e P o w e r L i t e 7 0 0 0 XB ha s a m a x i m u m r e s o l u t i on o f 1 02 4 × 7 6 8 p i x e l s , i t ’ s ca p ab l e o f re m ap p i n g i n p u t r e s o l ut i o n s up t o 1 28 0 × 1 0 2 4 p i x e l s . S i nc e 1 0 2 8 × 1 02 4 p i x e[...]

  • Page 43

    Conne c t i ng to a Co m p u ter 25 No t e : T he P o w erL i te 7 00 0 XB a n d Po w er L it e 50 0 0 X B projec t ors a re n ot compa t ibl e w i t h a cab l e T V-s t yl e F co n n e c t or . Yo u can c on n e c t t he p r o j e c t o r t o b o th a n S -V i d eo a n d a c o m po si t e v i d eo s o u rc e at t he s a m e t i m e. Ho w e v e r ,[...]

  • Page 44

    1 • I ns t al l a t ion 2 6 To c o n ne c t a v i d e o s our c e t o t he p r o j e c to r : 1 . Tu r n o f f t he p r o j e c to r an d v i d eo s ou r c e i f th e y a r e o n . 2 . If y ou r v i d e o s ou r ce u s e s a s mall , rou n d, o n e - p ro n g c o m p o s i t e ( R C A ) vi d eo c o n n e c t o r , y o u ’ l l n e e d t h e a u [...]

  • Page 45

    Co n nec t in g t o a n Ex t e r na l Spe a ke r o r P A Sys t em 27 5 . For S - V i de o , i n s e r t o n e e n d o f th e S - V i d e o ca b l e i n t o th e p r o j e c t o r ’s S - V i d eo j a c k . I n s e rt t h e o t h e r e n d i n to t h e S - v i d e o - o u t jack o f y our v i d e o s ou r ce. Co nn ec t i ng t o a n E x te r n a l [...]

  • Page 46

    1 • I ns t al l a t ion 2 8 2 . C o n n ec t th e ca b l e ’ s 3 . 5 m m s te r e o m i n i p lug t o th e p r o j ec t o r ’ s Aud i o O u t jac k . 3 . C o n n e c t t h e R C A p l u gs to t h e e x t e r n a l a m p l i fi e d s p e a k er o r P A s y s t e m . Ins e r t the c a ble ’ s r e d plug in t o the A u d i o In R ja c k , a n [...]

  • Page 47

    29 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ 2 Using t he Project or T h i s cha p t e r p r ovides t he f o llo w i n g i n forma t i o n abou t usi n g y our pr o jec t or: ● Tu r n i n g th e equ i p m e n t o n an d off ● F o c u si n g a n d p o si t i o n i ng th e i m a g e ● C o n t ro l l i n g th e pr o j ec t o r w i [...]

  • Page 48

    2 • Us i n g th e P r oj e ct o r 3 0 A b o u t Y o u r Pr o j e ct o r Th e i l l u s t r at i o n b e lo w i de n t i f i e s t he p art s o f y o ur p ro j e c t o r. a d j us t a b l e f o o t fo o t r e l e a s e l e v e r z o om r i ng f o c u s ri n g c o n tr o l p a nel o p e r a t i o n a l i nd i c a t o r s i n fr a r e d r e c e i v [...]

  • Page 49

    T urn i ng th e Equ i pmen t On and Off 31 T u r ni n g t he E q u ip m e nt On a nd O f f Alwa y s tu r n o n t he p r o j e c t o r an d i t s at t ach e d e q u i p m e n t i n th e fo l low i n g o r de r : 1 . V i d e o s ou r ce ( s uch a s a V CR), i f y our v i d e o s our c e is n o t y our co m pu t er 2 . Aud i o s ou r c e ( i f d i ff [...]

  • Page 50

    2 • Us i n g th e P r oj e ct o r 3 2 W h e n y ou w an t t o s t o p pr o j ec t i n g i m age s , p r e ss th e Po w e r bu t t o n aga i n. T he f an r em a i n s on , th e pr o j ec t i o n l amp i n d i ca t or f la s h e s ora n g e fo r a b o ut 60 s e co n ds, a n d th e p o we r i n dica t or cha n g e s to o r a n g e a s t h e p r o j [...]

  • Page 51

    T urn i ng th e Equ i pmen t On and Off 33 F o c u sing and P o siti o ni n g t he Sc r een Im a ge W h e n an i m ag e ap p ears o n sc r e en, ch e ck t ha t i t is i n f o cus a n d co r re c tl y p o s i t i o n e d o n th e s cr e en . ● To f ocu s t he i m a ge, r ota t e t he f ocu s r i n g ( th e i n si de r i ng o n t he le n s). ● To[...]

  • Page 52

    2 • Us i n g th e P r oj e ct o r 3 4 If you n e ed t o r a i s e o r l o we r t h e i m age o n th e s c r ee n , e x t e nd or r e tr a ct t h e a d j u s t a b l e f o ot a t t h e b o t t o m o f t h e p r o j e c t or a s f o ll o w s : 1 . Sta n d b eh i n d th e p r o j ec t o r a n d s u p po r t t he f ro n t o f i t w hi l e y ou pr e s[...]

  • Page 53

    T urn i ng th e Equ i pmen t On and Off 35 Auto B utt o n If y ou ’ r e u s i n g i m a g e i n p ut f ro m a c o m p u te r , y o u ca n pr e s s the A uto b u tt on a f t er f it t i n g t he i ma g e t o the s c r e e n . P r e ssi n g the Au to b u t t o n aut o ma t i call y ad j u s t s t he c om p ut e r si gna l i n pu t t o th e cur r e [...]

  • Page 54

    2 • Us i n g th e P r oj e ct o r 3 6 T h e R e si z e b u t t o n c a n n ot b e u sed w i th X G A f or t h e Po w e r L i t e 7 00 0XB, o r w i t h SV G A fo r th e P o we r L i t e 5 00 0XB. T h e r e ’s a R e si z e b u t t o n on b o th t h e c o n t r o l p a n el a n d r e m o te c o n t r o l . C o n t r o lli n g t he P r oje ct o r Y[...]

  • Page 55

    U s i n g t h e R e m o te C on t r o l 37 U sing t he R e m o te C o n t r o l T he r e m o te c o n t r o l u s es a li n e- o f -si g h t in f r ar e d si g na l. T o u se the r e mo t e c on t ro l , p o i n t i t t o war d s o n e of t he r e m ot e co n t r ol r ec e i v e r s lo c ate d at t h e f ro n t a n d b ac k of t he p ro j e ct o r.[...]

  • Page 56

    2 • Us i n g th e P r oj e ct o r 3 8 i n fr a red r eceiv e r ; or o t her e q u ip m ent e m it t ing i n fr a red en e rg y is pr e se n t ( s uch a s a radia nt r o om h e a t er). Correct t he s e condi t ions t o use t he re m ote co n trol or con t ro l t he pro j ector f rom a co m pu t er. T h is t a b l e s u mm a r i z e s t h e f u n [...]

  • Page 57

    U s i n g t h e R e m o te C on t r o l 39 U sing t he C o n trol Pane l Yo u can u s e th e co n t r ol p an e l t o co n t r ol t he p ro j e ct o r i n s t ead o f th e r e m o t e c on t ro l . How e v e r, y ou c an p rog r am a n d ac c e ss th e cu s t o m fea t ur e s on l y w he n yo u ar e u s i n g th e r e m o t e c on t r o l. R es i z[...]

  • Page 58

    2 • Us i n g th e P r oj e ct o r 4 0 Th e fol l ow i n g ta b l e s u m m ar i ze s t he f unc t i on s o n t he c o n t ro l pa n el . B u t t on F u n c t i on Power S t a r t s o r s t op s p r o j ec t i on. Vid e o Swi t che s f r om com p u t e r t o video. Com p u t er Swi t che s be t we e n C ompu t er 1 an d C o mpu t e r 2 , and f r o[...]

  • Page 59

    Pr o je c to r S t a t us I nd i ca t ors 41 Pr o j e ct o r S t at u s I n d i c at o rs T h e p o w e r a n d l a m p i n d i c a t o r s a t t h e t o p o f t h e p r o j e c t o r t e l l y ou t h e pr o jec t or ’ s o p er a t i n g s t a tu s . ✦ C a u t i o n : A red i n dicator w arns you if a s erious pro b l e m occur s . See Chap t e[...]

  • Page 60

    2 • Us i n g th e P r oj e ct o r 4 2 P r oje c t ion Lamp In d i ca t or L i g h t s t a t us M e a ni ng S t eady g reen P r oje c tio n lam p i s on. Flash i n g g r een The p r ojec t or is w a r mi n g up. O r ang e an d r ed f l ashing al t e r na t ely P r oje c t io n lam p need s r e placin g . Flash i ng o r ange P r oje c t o r la m p [...]

  • Page 61

    43 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ 3 Using t he Project or Menus T he si x proj e c t or m e n u s e n ab l e y ou t o co n t r ol y ou r pr o jec t or. ● Th e V i d e o m en u co n tr o l s th e co m pu t e r i m ag e , s u ch a s b r i ght n e ss a n d c o n t r a s t, w h en t h e c o m p u t er i s t h e i m a g e [...]

  • Page 62

    3 • Us i n g th e P r oj e ct o r M en u s 4 4 A c cess i n g t h e M a i n Me n u Th e pr o j ec t o r m e nu s c a n b e a c c e s s e d u s i n g e i t h e r th e p r o j e c to r c o n t rol pa n el o r r e m o t e co n t r ol. To d i s p lay t he Ma i n m e nu, f i r s t p r e ss th e C o m p ut e r o r V i d e o b ut t o n o n th e co n tr [...]

  • Page 63

    Ch a ngi n g a Men u Set t i n g 45 2 . P r e s s th e up o r do w n a r ro w s ( c on t ro l pa n el ) o r p r e ss th e t o p o r b o t t om o f the p o i n t er b ut t o n ( r e m ot e ) t o s cr o ll th r ough th e m e n u cho i c e s . p o i n t e r b u tt o n u p a n d d o w n b u t t o ns pro - c h3.fm P a ge 4 5 Fr iday, November 7, 199 7 5[...]

  • Page 64

    3 • Us i n g th e P r oj e ct o r M en u s 4 6 3 . P r e s s e i th e r t h e E n t e r b u t to n ( c o n t r ol pa n el ) o r t he t o p o r b o t t om m u l t i- p u r p o se b u t t o n ( r e m o te ) to d i s p l a y a s u b m e n u . A s u b -m e nu s u c h as t h e f ollo w i n g a pp ea r s. No t e : S u b - m e nus d if f er, depe n di n[...]

  • Page 65

    Men u Op t ions 47 4 . P r e s s th e up o r do w n a r ro w s ( c on t ro l pa n el ) o r t he t op o r b ot t o m o f th e p o i n t e r b u tt o n ( re m o t e ) t o s c ro l l t hrou g h t he m e n u c ho i ce s . 5 . P r e ss e i t h er t h e l e f t o r r i g h t a r r o w b u t t o n s ( c o n t r o l p a n e l ) o r t h e r i g h t o r l e [...]

  • Page 66

    3 • Us i n g th e P r oj e ct o r M en u s 4 8 No t e : The c o m pu t er m u s t b e con n ect e d a n d op er a t ing, a nd t he i m a ge s our c e on t h e p ro j e c tor m u s t b e set to C o m p u ter for y ou to a cc e s s th e se m e nu options. Men u i tem D e sc r i p t ion B r igh t ness Ligh t ens or da r ken s t he ove r a l l i mage[...]

  • Page 67

    Men u Op t ions 49 Posi t ion Sel e ct t h i s i t em a n d t he n p r ess t h e E n t e r b u t t on ( con t r o l pane l ) or ei t he r mul t i - pu r pose b u t t o n ( r emo t e ) t o e n t e r t h e sc r e e n pos i t i on adjus t men t mo d e . Then u se t he p oin t er bu t t o n o r up , dow n , l e f t , and r i ght bu t t o n s (c o n t r[...]

  • Page 68

    3 • Us i n g th e P r oj e ct o r M en u s 5 0 Vi d eo M e n u ( Im a g e s o u r ce = Vi d e o) Th e V i d e o m en u e n a bl e s y o u t o m a k e ad j u s t m e n t s to t he p ro j e c t e d i m a g e. T he f o l l o w ing o p ti o n s are a va ila ble w h e n t he i m a g e s o u r ce is V i d e o. No t e : The v i deo so u rce (s u ch a s [...]

  • Page 69

    Men u Op t ions 51 A u dio M e nu Th e Aud i o m e n u e n ab l e s y o u t o m a k e a d j us t m e n t s re l at e d t o au d i o. R es e t R e t u r ns al l V i de o menu i t em s t o t hei r i n i t i al f ac t o r y de f a u l t s. Sel e ct t h i s i t em a n d t he n p r ess ei t he r mu l t i - pu r pose b u t t o n ( r emo t e) or t h e E n[...]

  • Page 70

    3 • Us i n g th e P r oj e ct o r M en u s 5 2 O p t i o n s M e n u T he O p t i o n s m e n u e na b les y ou t o a d j u st basic s e t t i n g s tha t n o r mal l y d o n o t n e e d c ha n g in g . R es e t R e t u r ns al l A udi o menu i t e ms t o t hei r i ni t ial f ac t o r y de f aul t s. Sel e ct t h i s i t em a n d t he n p r ess t[...]

  • Page 71

    Men u Op t ions 53 C o l o r Tempe r a t u r e A d j us t s t h e whi t enes s of t h e sc r een . Th e H se t t i n g p r ovid e s a co l d whi t e, M a s t an d a r d whi t e, an d L a wa r m whi t e. To set t h e c o lo r t empe r a t u r e se t t i n g m o r e p r ecisely , p r ess t h e r ig h t a r r ow bu t t o n pas t H , M, and L t o sel e[...]

  • Page 72

    3 • Us i n g th e P r oj e ct o r M en u s 5 4 C u st o m M e nu T he C u st o m m e nu a l l o w s y o u to s e l e c t s p e c ial f e a t u r es s u ch a s z oo m , pr e v i e w, o r s tr o b e ef f ec t s . Un l i k e t he o t he r m e nu s , wh i ch u s e t he E n te r b u t t on t o se l e c t a me n u op t io n , the C us t om me nu r e qu[...]

  • Page 73

    Men u Op t ions 55 T o o p en t h e C u s t o m m e n u, p r ess t h e t o p m u l ti - p u r p o se b u t t o n o r s el e c t C U STOM f ro m t he Ma i n m e nu. ZOOM is h i ghl i ght e d a n d the wo r d s PRESE NT SE T are d i s p l ay e d af t e r i t . R e fe r t o th e ta b l e b e low fo r a d e s c r i pt i o n o f th e v ar i ou s z o om [...]

  • Page 74

    3 • Us i n g th e P r oj e ct o r M en u s 5 6 Zoom Sc r een Shi f t P r ess t he p oin t er bu t t o n t o zoo m in on a po r t io n o f t h e en l a r ge d dis p lay . You can mov e t he i m age u p , down, le ft , r ig h t , and diag o nally t o close l y v i e w any pa r t o f t he disp l ay. P r eview P r ess t he b o t t om m ul t i-pu r po[...]

  • Page 75

    Men u Op t ions 57 N u mber o f F r a m es, T ime P r ess t h e t o p mul t i-p u r pos e bu t t on wh i le t he s t r o b e e f f ec t i s r u nnin g t o disp l ay a sc r ee n spec i f yi n g t he numbe r o f fr ames f lashe d an d t he t i me i n t e r val be t ween t hem . Y o u ca n speci f y t he n umbe r o f f r ame s as 4 , 9, o r 16 , an d [...]

  • Page 76

    3 • Us i n g th e P r oj e ct o r M en u s 5 8 pro - c h3.fm P a ge 5 8 Fr iday, November 7, 199 7 5:23 PM[...]

  • Page 77

    59 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ 4 Using t he ELP Link II Soft war e T he E L P L i n k I I s o f t w a re is a u t i l ity y o u c a n r un f r o m y o ur d e s k t op o r l a p t o p c o m p u t er to c o n t r o l p r o j e c t o r f e a t u r e s a nd c o n f i gu re s p e c i a l ef f ec t s bu t t o n s o n th e [...]

  • Page 78

    4 • Us i ng th e EL P L i nk I I Sof t ware 6 0 I n stal l ing t h e So f t w a r e E L P L i n k II s o f t w are c an b e u s e d w i t h t he f o l l o w i ng o pe ra t i n g s y s t e m s: ● W i n d o w s 3 . x ● W i n d o w s 9 5 ● Mac i n t o s h OS S y s tem 7 an d OS S y s t em 8 . C o n n ecti n g N eed e d Ca b les Bef o re i n s [...]

  • Page 79

    I ns t a l l i ng the So f twa r e 61 2 . In t he W i n d ow s P r og r a m Ma n ager , cl i c k o n th e F i l e m en u , th e n o n Run. T he Ru n d i al o g b o x app e ar s : 3 . T y pe A: S E T UP ( o r B: SE T UP a s a p pr o pr i a t e ) , t h e n pr e s s E n t e r or c lick O K . T he EL P Li n k II i n t r o duc t i o n a p p e a rs. [...]

  • Page 80

    4 • Us i ng th e EL P L i nk I I Sof t ware 6 2 I n stalli n g the S o ftware from Wi n d o ws 9 5 P e rfo r m t he f oll o w i n g s t e p s t o s e t u p th e s o ft w are: 1 . I n se r t t h e L i n k II f or W in d o w s i n s t a l la t ion d is k e t t e in t o a d is k e t te drive (A : or B: as a p pr o p ria t e). 2 . C l i c k St a r t [...]

  • Page 81

    I ns t a l l i ng the So f twa r e 63 7 . A su m mar y scre e n app e ars sta t i n g ho w m u c h fr e e ha r d disk spa c e is r equir e d t o run th e sof t w ar e a n d ho w much is available. I f s uff i c i e n t d is k s p ace i s a v a i la b l e , p re ss C . Ot h e r w ise, pr e ss X ( e xi t ) t o fr e e u p s o m e d is k s pac e ; t he[...]

  • Page 82

    4 • Us i ng th e EL P L i nk I I Sof t ware 6 4 La u n c h in g t h e S o ftw a re 1 . Dou b le - c l i c k t he E LP L i n k I I pr o gra m i c on f ro m th e W i n dow s 3 . x ELP L i n k I I pr o gra m gro u p o r Mac OS E L P L i n k II f o ld e r, o r s e le c t ELP L i n k II f r o m th e W i n d ow s 95 Pr o gra m s me n u. T he ELP L i n [...]

  • Page 83

    Us i ng the So f twa r e 65 Functio n Des crip t i o n and U s a g e Th e fun c t i o n l is t o n t he l e f t s i d e o f the E L P L i n k II m a i n d i a l og b o x s h o w s t he fu n c t i o n s avail abl e f o r assi g n m e nt to an E ff e c t s b u t t o n. T o as s ig n th e fu n cti o n s, se e pag e 6 7. Th e ta b l e b e lo w de s c r[...]

  • Page 84

    4 • Us i ng th e EL P L i nk I I Sof t ware 6 6 B ar C r ea t es a h o r i z o n t a l o r ve r t i cal b a r . Yo u can u se t hi s f unc t io n t o high l igh t a po r t i o n o f t he sc r ee n wi t h a ho r i zon t a l o r ve rt ica l ba r . P r ess t he E f f ec t s ke y assigned t o t his e f f ec t . M o ve t he b ar usin g t h e r e m o t[...]

  • Page 85

    Us i ng the So f twa r e 67 A s signi ng Fu n ctions The r e a r e t hre e wa y s t o as si g n fun c t i o n s t o each o f th e f i v e E f f ec t s b u tt o n s o n t he r e m o t e co n tr o l: ● Drag a n d d r op a fun c t i o n fr o m t he f unc t i on l i s t t o th e Eff e ct s b u tt o n y ou w an t t o cu s t o m i z e . ● C l i c k a[...]

  • Page 86

    4 • Us i ng th e EL P L i nk I I Sof t ware 6 8 Set t ing Ef f ect Opti ons On c e yo u ha v e a ss i g n e d f u nc t i on s t o o n e o r m or e Ef f ec t s b ut t o n s , y ou ca n s p ec i f y d e ta i l e d o p t i o n s fo r each f unc t i on. T o set d e t ai l ed o p t i o ns, c l i c k D e t a i l Set t i ng . A d i a l o g b o x si m il[...]

  • Page 87

    Us i ng the So f twa r e 69 Fu n ct i on O pt i ons Line Wi d t h S peci f y t he line wid t h, f r o m 1 t o 32 poin t s. G r id S peci f y wh e t he r t o have t he li n e “s n ap ” t o t he co r ne r s o f a g r id b y en t e r i ng t h e size o f t h e sides o f t h e box , i n p i xels ( do t s). C o l or C hoose a co l or f o r t he lin e[...]

  • Page 88

    4 • Us i ng th e EL P L i nk I I Sof t ware 7 0 C ha n ge Cu r s or C l i ck o n t h e cu r so r shap e t o b e used. C l e ar Sc r ee n N o op t ions availab l e. Mac r o K e y En t e r up t o 16 cha r ac t e r s, incl u ding combina t io n s such a s C t r l + A , i n t h e R eg i s t r a t i on Keys M ac r o f iel d . The B ackspace and D el e[...]

  • Page 89

    Us i ng the So f twa r e 71 Saving and R ecal l in g E ffect s Ke y B ut t on A s signments T o save E f f e c t s b u t t o n a s si g n m e n t s, cli c k E xecu t e . T o save m u l ti p le s et s of b u t t o n a s si g n m e n t s, cli c k Re g i st r ation and s pec i f y a n am e fo r th e cur r e n t s e tt i n g s . T o r e c a ll a sav e [...]

  • Page 90

    4 • Us i ng th e EL P L i nk I I Sof t ware 7 2 C o n t r o lli ng P r ojec t or Fe a tu r e s Yo u ca n u s e th e EL P L i n k I I s o ft w ar e t o c o n t rol th e f o llo w i n g f ea t ur e s: ● P r o j ec t o r C o n t rols ● T e s t P a t t e r n ● C o l o r P r o p e r t ie s . Di s playing t he Proj ec t or Se t W indo w 1 . Dou b[...]

  • Page 91

    Us i ng the So f twa r e 73 U s in g t he Quick Cha n ge Toolbar T o q u i c kl y c ha n g e s o me bas i c p r oj e c t o r s e t t i n g s, c l i c k o ne of t h e t o o lbar b u t t o ns d e s c r i b e d b el o w: C h anging P r ojector S etti ngs 1 . C l i c k P r oje c tor C o n trol o n th e Pr o j ec t or S e t d i al og b o x . T he fo l l[...]

  • Page 92

    4 • Us i ng th e EL P L i nk I I Sof t ware 7 4 2 . C l i ck on t h e t a b f o r t h e s e t t i n g s y ou w a nt to a d j u s t. 3 . C ha n g e on e o r m o r e o f th e fo l lo w i n g o p t i o n s . Co m pu t e r T a b V i d e o T a b O pt i on D e scr i p t ion B r igh t ness A d j us t s sc r e e n b r igh t ness . C o n t r ast A d j us [...]

  • Page 93

    Us i ng the So f twa r e 75 S ound Tab Mode Sel e c t s t he signa l f o r ma t . You ca n s e lec t A U TO, PA L , N T S C, or SE C A M . A U TO au t oma t i cally ad j us t s t he i mage t o t h e signa l r ece i ved. Pa t t e r n D i splay D i splays t h e t es t p a t t e r n cu r r e n t l y selec t ed. R es e t R ese t s a l l f ie l ds t o t[...]

  • Page 94

    4 • Us i ng th e EL P L i nk I I Sof t ware 7 6 O p t i on T a b O pt i on D e scr i p t ion B la n k To Spec i f i e s i f a blank sc r e e n is t o be display e d when no signal is connec t ed. Sou r ce P r ompt Tempo r a r ily d isplay s a p r omp t o n t h e p r ojec t o r sc r ee n iden t i f ying whic h sou r ce (c o mpu t er or video ) i s[...]

  • Page 95

    Us i ng the So f twa r e 77 C u s tom Tab O pt i on D e scr i p t ion C us t omize Func t ion Zoo m Z ooms i n o n t h e sc r een i mage. P r evie w D isp l ays t he i mages fr om al l t he c o nnec t ed d e vices o n t h e sc r ee n a t on e t i me. S t r obe D isp l ays t he s e lec t ed i mages i n t he sp e ci f i ed n umbe r o f fr ames an d t[...]

  • Page 96

    4 • Us i ng th e EL P L i nk I I Sof t ware 7 8 C h anging the Test P atte r n 1 . C l i c k T e s t P a t t e r n on t h e P r o je c t or S e t d i a l og b o x . T h e f o ll o wi n g w i n d ow a p pe a r s : 2 . Yo u can d i s p la y a te s t pa t t e rn w he n s et t i ng u p th e p r o j e c to r t o v er i f y tha t th e p r o j e c to r [...]

  • Page 97

    Us i ng the So f twa r e 79 Set t ing the I m a g e C olo r P ro p e r ty 1 . C l i c k Color P r o perty o n th e Pr o j ec t or S e t d i alog b o x . T he Col o r P r op e rt y w i n do w app e a r s . 2 . Sp e c i f y a col o r t e m pe r atu r e: H H i gh (mor e blue) M Med i um (no r m a l wh i t e ) L Lo w ( mo r e r ed ) U s e r C r ea t e [...]

  • Page 98

    4 • Us i ng th e EL P L i nk I I Sof t ware 8 0 pro - c h4.fm P a ge 8 0 M onday, November 10, 199 7 1:37 PM[...]

  • Page 99

    81 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ 5 Maintenance Y o u r p r o j e c t or n e e d s l i t t l e m a i n t e n a n c e. Y ou s h o u l d k e ep t h e l e n s c l e a n b e c a u se a n y d irt or s m e a rs a p p e a r o n t h e s c r e e n . Y o u a l s o n e ed to p e r i od i cal l y c lea n th e a i r f i l t e r at t[...]

  • Page 100

    5 • Ma i nte n ance 8 2 can i n jure you s everely. Do not t ry to s e rvice th i s product yo u rsel f , except a s s pecif i c a l ly e x p l a i ned in th i s O w n er’s M a nu a l. R e fer a ll o t her s ervici n g to q u a lifi e d s e rvice per s onn e l . Clean ing the Len s C l ea n th e le n s w he n e v e r yo u no t i ce d i r t o r [...]

  • Page 101

    Cl e ani n g t he Ai r F il t er 83 Clean ing th e A ir F il t er C l ea n th e a i r f i l t e r a t t h e b o t t o m o f th e p r o j e c to r a f t er e v er y 1 0 0 h ou r s of u s e . If i t i s n o t cl e a n e d p e riodica l ly, i t ca n b e come c logg e d wi t h d u s t , p r e v e n ti n g p r o p e r v e n t i l a t i o n. T h is c a n[...]

  • Page 102

    5 • Ma i nte n ance 8 4 4 . Th e f i l t e r is at t ach e d t o th e i n si de o f th e f i l t er c o v e r . I t is r e com m e n d e d tha t y ou u s e a sma ll v a c uum c lea n e r de si gn e d f o r c o m p u t e r s a nd o t h e r o f f i ce e q u i p m e n t t o c l e a n t h e f i l t e r. I f y o u do n ’ t ha v e o n e , u s e a d r[...]

  • Page 103

    R e pla c in g t h e Lamp 85 3 . U s e a s c re w dr i v e r , co i n , or si m i l a r o b j e c t t o l o o s e n th e tw o r e ta i n i n g s c re w s o n t he la m p c o v e r. Whe n th e s c r e w s a r e lo o s e, l i f t o f f t h e l a m p c o v e r . ( Y o u c a n no t r e m o v e t h e s e s c r e w s . ) 4 . U s e a s c re w dr i v e r ,[...]

  • Page 104

    5 • Ma i nte n ance 8 6 5 . L i f t up t he ha n dl e a n d pull ou t the l a m p . 6 . G e n tly in s e r t t h e n ew la mp by l o w e r i n g it i n t o p o sit i o n . M ake s u r e it is i n s e r te d s e c u r e ly. 7 . T i ght e n t he s c r e w s y ou l oo s e n e d i n s t e p 4 . 8 . Re p lac e th e lam p co v e r an d t i gh t e n th [...]

  • Page 105

    87 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ 6 Troub leshoo ting T hi s cha p t e r d e s cr i b e s th e pr o b l e m s i n d i ca t ed b y the w a r n i n g l i gh t s an d pr o v i d e s i nf o r m at i o n o n ho w t o s o l v e p ro b le m s w i t h th e pr o j ec t or . It is d ivi d e d i n t o t he f o l l o w ing s e c ti[...]

  • Page 106

    6 • T r oub l esho o t i ng 8 8 P r o b lem s w i th t h e P r ojec t o r I f y ou ha v e p r o b l e ms w i th t h e p r o j e c t o r , f i r s t t u r n it o f f a n d u n p l ug i t. The n p l ug th e p o we r co r d b ack i n a n d tu r n o n t he p r o j e c to r . If t h i s do e s no t s ol v e th e p ro b l e m , c hec k th e wa r n i n [...]

  • Page 107

    Pro b lems wi t h the Pr o je c tor 89 ◗ T he p r ojectio n la m p li g h t i s fl a shi n g or a n ge a n d yo u c a nn ot tu r n o n t h e pro j ecto r . Th e la m p is co o l i n g dow n . Wa i t u n t i l th e l i gh t tu r n s o ff a n d t he n t urn o n th e pr o j ec t or. ◗ T h e p o w er l i g ht do es n ot c o m e o n . Tu r n o f f t[...]

  • Page 108

    6 • T r oub l esho o t i ng 9 0 ◗ T h e p r o j e c t ion l amp and p o w e r l i g h t s a r e f l a s h ing a t t h e s am e t im e . An a b n or m al i t y ma y ha v e o ccu r re d i n t h e p r o j e c to r . Tu r n o ff t he pr o jec t o r a nd u n p l ug th e p o we r co r d. Th e n p lug t he p ow e r c o rd b ac k i n a n d t ur n o n t[...]

  • Page 109

    Prob l em s w i t h t h e Imag e o r Sou n d 91 Yo u al s o m a y n ee d t o mo d i f y e x i s t i n g p r e s e n ta t i o n f i le s i f y ou c r ea t ed th e m f or a d i f fe r e n t r e s olu t i on . Se e yo u r s of t wa r e m anua l fo r s p ec i f i c i n f o r m a t i o n. ◗ The me ss age NO S I G NAL i s di s pl a yed. An i m age s ou[...]

  • Page 110

    6 • T r oub l esho o t i ng 9 2 ◗ T h e c o l ors of th e i ma g e a r e n ot rig h t. Th e c ol o r b ala n ce m a y b e i n co r r e ct. I f y o u ’ re d i s p l ay i n g a co m pu t e r i m a g e, a d j u st t he r e d , g r e e n , a n d b l u e s e t t in g s in t h e V i d eo m e n u . I f y o u ’ re d is p la y i ng v i d e o , a d j[...]

  • Page 111

    93 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ 7 Technical S pecificat ions General T y pe o f display Liqu i d cr y stal p a n e l, T h i n Fi lm T ransi s t or (TF T ) S i z e of l iquid c r y s t a l p a n e ls 1 .32 i n c h es ( 3 3.6 m m) R e s o l u t i o n P o w e r L i t e 7 0 0 0 X B: 1 024 (h o r i z o n t a l ) × 7 6 8 ([...]

  • Page 112

    7 • Te c hn i ca l Sp e ci f i ca t ions 9 4 R e m o t e co n t r o l r a n g e 3 2.8 fe et ( 10 m e t e r s) ± 30° I n t e r n al s p ea k er s y s t em 2 × 2W st e r eo Op t i cal a s p e ct r at i o 4 × 3 (h o r i z o n tal × v e r t i c a l ) Zo o m r at io 1 :1.3 T i l t a ng l e 0 ° — 1 5 ° P rojector Lamp T y pe D i scha r ge L a [...]

  • Page 113

    95 E l e c tr i c al Rat e d f r eque n cy 5 0 / 6 0 Hz Po w e r s u pply Po w e r L i t e 7 0 0 0 XB: 1 00 t o 1 20 V AC, 2.7 A , 5 0 / 6 0 Hz 2 00 t o 2 40 V AC, 1.6 A , 5 0 / 6 0 Hz P o w e r L i t e 5 0 0 0 X B: 1 00 t o 1 20 V AC, 2.7 A , 5 0 / 6 0 Hz 2 00 t o 2 40 V AC, 1.6 A , 5 0 / 6 0 Hz P o w e r c o n s u m p ti o n 2 60 W E n v i ronmen[...]

  • Page 114

    7 • Te c hn i ca l Sp e ci f i ca t ions 9 6 S u p p o r t e d Mo n it o r D is p l a ys Po w erLite 500 0 X B T he P o w e r L i te 50 0 0 X B d is p l ays i m a g es a t a r e s o l u ti o n o f 800 × 6 00 p i x el s . T o d is pla y a h i ghe r r e s o lut i o n i ma g e ( 1 0 24 × 7 6 8 m o d e), t he pr o jec t o r co m pr e s s e s i t t [...]

  • Page 115

    97 Po w erLite 700 0 X B T he P o w e r L i te 70 0 0 X B d is p l ays i m a g es a t a r e s o l u ti o n o f 10 2 4 × 768 p i x el s . T o d is pla y a h i ghe r r e s o lut i o n i ma g e ( 1 2 80 × 1 0 24 m o d e ), the pr o jec t o r co m pr e s s e s i t t o 1 02 4 × 7 6 8. T h e f o l l o w i ng t a b l e l is t s t h e d is pla y fo r ma[...]

  • Page 116

    7 • Te c hn i ca l Sp e ci f i ca t ions 9 8 Monito r a nd Comput e r I n 1 / 2 c onn e c to r pin a ssignm e nts The Mo n i to r and Co m pu t er I n 1 / 2 c o n n ec t or s ar e fe m al e v i d e o RGB , 1 5- p in m i c r o - D - st y l e c o n n e c t o r s . T h e p in a s s i g n m e n ts a r e : In p u t p i n Mon i t o r con n ect o r si g[...]

  • Page 117

    99 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ Glossar y B r i g h t n ess. T he b ala n ce o f l i gh t an d dar k s had e s i n a n i m a g e. Com p o s ite video. A t y p e of v i d e o si gnal th a t e n cod e s p i ct u re, l u m i na n c e , and sy n c hr o n i za t i o n i n f o r ma t i o n so it c an b e c ar r i e d in o n[...]

  • Page 118

    • Gl o ssa r y 1 0 0 P o i n t. A m e as u re m e n t o f d r aw n or p r i n t e d ob j e c t s. On e po i n t e q u a l s 1 / 7 2 i n c h . R e s o l u t i o n . A m e a s u r e o f t h e a m o u nt o f d e t a i l c o n t a i n e d in an i m a g e . Re s ol u t i o n ca n b e m e a s ure d i n d o t s p e r i n c h or i n p i x el s . I m ag e[...]

  • Page 119

    In d ex 1 0 1 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ I n dex A A ccesso r i es , xii Adj u sting c o l o r b a l a n c e , 50 c o l o r s a t u r a t i o n , 50 ima g e b r i g h tn e s s, 50 ima g e contr ast , 50 sc r een br i g h t ness , 73 , 74 sc r een c ontr a s t, 73 , 74 sc r een w h iteness , 53 spe a ker tone, 51 spe[...]

  • Page 120

    In d ex 1 0 2 C C a mcor d er, a d j u s t i ng t h e p ro j ected im a g e, 50 to 51 C a s e, c le a n i n g , 82 C eiling, h an g ing the project o r f rom, 53 Ch a ng i ng b a tteries, 6 c ursor sh a pe, 66 im a ge c ol o r p r oper t y, 79 menu l a n g u a g e , 54 menu s ettin g s , 44 to 47 p r o j e ctor settings, 73 t o 77 test patt e rn, 7[...]

  • Page 121

    103 E E f f ects b u ttons a v ai l a b l e f u n c t i o n s, 65 to 66 c u stomizin g , 64 to 71 f u nction options, 69 sa v in g a nd reca ll ing butt o n a ssi g n- ments , 71 E le c tric a l spe c i f ications, 95 ELP Lin k I I softw a re inst a l l in g , 60 to 63 l a u n c h i n g , 64 u s i n g , 64 to 79 Environment a l sp e ci f ic a t i o[...]

  • Page 122

    In d ex 1 0 4 M e n us accessin g , 44 to 47 A u d i o , 43 , 51 to 52 c h a nging s e tt i n g s , 4 4 to 47 Cu s t om , 54 t o 57 nav i g a tin g , 38 O ptions , 4 3 , 52 t o 54 Vide o , 43 , 47 to 51 M onitor c o nnector sign a l s , 97 M onito r s , s u p porte d , 9 6 , 97 M u t e , 39 , 40 O O ptions f o r t h e pro j ect o r, x i i O ptions [...]

  • Page 123

    105 R epl a cing the l a mp, 84 to 86 R es i z e b u tton , 35 R e s o l u t i o n , 9 3 , 100 R esol u t i o ns, s u ppo r ted, 97 S S a f e ty instr u c t i o ns , xiv to xv S at u ration, 50 , 74 S creen ima g e, probl e m s , 90 t o 92 S cre en, a dj u stin g w h ite n e s s, 53 S e r v i c e , xv i t o xviii S leep mod e , xi , 32 , 1 0 0 S o [...]

  • Page 124

    In d ex 1 0 6 W Wa rning l ig h t s , 41 t o 42 , 88 W o r k s t ations, conn e cting project o r to, 24 Z Zo o m menu o p t i o n, 55 to 5 6 , 77 7000xbIX.fm Page 1 0 6 Friday, November 7, 199 7 5:25 P M[...]