Kawai Professional Stage Piano MP8II manuel d'utilisation
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Un bon manuel d’utilisation
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Qu'est ce que le manuel d’utilisation?
Le mot vient du latin "Instructio", à savoir organiser. Ainsi, le manuel d’utilisation Kawai Professional Stage Piano MP8II décrit les étapes de la procédure. Le but du manuel d’utilisation est d’instruire, de faciliter le démarrage, l'utilisation de l'équipement ou l'exécution des actions spécifiques. Le manuel d’utilisation est une collection d'informations sur l'objet/service, une indice.
Malheureusement, peu d'utilisateurs prennent le temps de lire le manuel d’utilisation, et un bon manuel permet non seulement d’apprendre à connaître un certain nombre de fonctionnalités supplémentaires du dispositif acheté, mais aussi éviter la majorité des défaillances.
Donc, ce qui devrait contenir le manuel parfait?
Tout d'abord, le manuel d’utilisation Kawai Professional Stage Piano MP8II devrait contenir:
- informations sur les caractéristiques techniques du dispositif Kawai Professional Stage Piano MP8II
- nom du fabricant et année de fabrication Kawai Professional Stage Piano MP8II
- instructions d'utilisation, de réglage et d’entretien de l'équipement Kawai Professional Stage Piano MP8II
- signes de sécurité et attestations confirmant la conformité avec les normes pertinentes
Pourquoi nous ne lisons pas les manuels d’utilisation?
Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage Kawai Professional Stage Piano MP8II ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles Kawai Professional Stage Piano MP8II et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service Kawai en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées Kawai Professional Stage Piano MP8II, comme c’est le cas pour la version papier.
Pourquoi lire le manuel d’utilisation?
Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif Kawai Professional Stage Piano MP8II, l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.
Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation Kawai Professional Stage Piano MP8II. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.
Table des matières du manuel d’utilisation
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Page 1
Owner ’ s Manual[...]
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Page 2
2 Import ant Safety Instructions When connecting the AC power cord and other cords, take care not to get them t angled. Pulling the AC power cord itself may damage the cord, causing a fire, electric shock or short-circuit. denotes that care should be taken. The example instructs the user to take care not to allow fingers to be trapped. denotes a pr[...]
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3 Do not place the product near electrical appliances such as TVs and radios. T ake care not to allow any foreign matter to enter the product. Before connecting cords, make sure that the power to this product and other devices is turned OFF . Do not use the product in the following areas. Areas, such as those near windows, where the product is expo[...]
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4 The power supply cord or the plug has been damaged. Object s have fallen, or liquid has been spilled into the product. The product has been exposed to rain. The product does not appear to operate normally or exhibit s a marked change in performance. The product has been dropped, or the enclosure damaged. Do not place naked flame sources, such as [...]
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5[...]
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6[...]
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7 WELCOME TO THE MP8II Thank you for purchasing the KA WAI MP8II. The MP8II Stage Piano featur es 256 Internal Sounds of the highest quality . The MP8II can also be used as a MIDI master controller . On stage, at home, or in the studio, the MP8II has been designed to offer quick and easy access to many sophisticated f eatures. BASIC FEATURES of the[...]
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8 WELCOME T O THE MP8II..... 7 1. NAMES AND FUNCTIONS.....10 1.1 FRONT PANEL.....10 1.2 HEADPHONE JACK.....12 1.3 REAR PANEL.....12 2. Basic Operations.....14 2.1 Getting Ready .....14 2.2 Selecting a Sound.....15 2.3 Layer .....17 2.4 Split.....17 2.5 Piano Only .....18 2.6 Metronome.....18 2.7 T ranspose.....18 2.8 Using the MP8II as a MIDI contr[...]
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9 8.2.11 Receive Channel.....49 8.2.12 LCD Contrast.....49 8.2.13 LED Brightness.....49 8.2.14 Out Mode.....49 8.2.15 Foot Switch Mode .....49 8.2.16 Wheel Mode .....50 8.2.17 Dump Mode .....50 8.3 System Dump.....50 8.3.1 Dump Current.....50 8.3.2 Dump All Sound.....51 8.3.3 Dump All Setup.....51 8.4 System Reset.....52 8.4.1 Reset One SOUND/SETUP[...]
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10 1. NAMES AND FUNCTIONS 1.1 FRONT PANEL [F ADER SECTION] 1. VOLUME F ader The VOLUME fader controls the master volume level of the MP8II. 2. ZONE SELECT buttons The ZONE SELECT buttons are used to select one of the f our zones for editing. Only one zone can be selected at a time. The front panel setting represents the current zone status. 3. ON/O[...]
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11 [EFFECT BUT TONS] 11. SW button This button turns the assigned function ON or OFF . Many different f unctions can be assigned to this switch for your convenience. When in edit mode, pressing the SW button will exit from edit mode. 12. EFX button This button turns the EFX ON or OFF for the selected zone. 13. REVERB button This button turns the RE[...]
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12 1.2 HEADPHONE JACK The headphone jack is located in front at the left end of the key slip. Use a headphone with a standard stereo 1/4 inch phone jack. 1.3 REAR PANEL 1. OUTPUTS -FIXED- R, L OUTPUTS The R, L outputs are used to connect the MP8II to a musical instrument amplifier using XLR T erminals. The R, L outputs can also be used to connect t[...]
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13 6. USB JACK This jack is used to connect the MP8II with a personal computer . See page60 for details. 7 . POWER SWIT CH T urns the MP8II ON or OFF . 8. POWER RECEPT ACLE Connect the power cable, which is included in the MP8II package, to this receptacle.[...]
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14 2. Basic Operations 2.1 Getting Ready Since the MP8II has no built-in speak ers, you will need to connect a mixer , keyboard amplifier or headphones in order to listen. T urn the MP8II on, using the POWER SWITCH on the rear panel. It is recommended to turn the MP8II on before turning on an y amplifiers in order to avoid switching noise. What you[...]
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15 2.2 Selecting a Sound The MP8II always starts up in SOUND mode when the power is turned ON. The SOUND button will be lit to indicate SOUND mode is active. Operation 1 Select the sound category by pressing a sound select but ton in the top row . There are 3 rows of sound select buttons, the top row is f or selecting a sound category and the secon[...]
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16 In Sound mode, the “1” in the display indicates that the zone 1 is curr ently selected. When the multitimbre is off , the default settings of the zones are as f ollows. It is recomended for simple MIDI tr ansmit/receive use on stage etc. The default TXchannel is S ystem Ch (see page45). Z one 1 Internal On (Plays internal sound) Z one 2 Inte[...]
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17 2.3 Layer Let’s try la yering another sound. T urn the zone 2 on by pressing the ZONE ON/ OFF button for zone 2. The Z ONE SELECT button for zone 2 is automatically selected and the display shows the sound name for zone 2. Select the sound for zone 2 with the SOUND SELECT buttons as shown in the previous section. Adjust the volume balance of z[...]
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18 2.5 Piano Only The Piano Only function lets you quickly r eturn the MP8II sounds to the default settings. Press the PIANO button and the SOUND SELECT but ton 1 simultaneously . Al l the current settings (except f or SYSTEM settings) will go back to original and only Concert Grand sound can be play ed on the whole keyboard. Note: You may use this[...]
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19 2.8 Using the MP8II as a MIDI controller The MP8II can control external devices via MIDI. MIDI Connection Connect the MIDI OUT on the MP8II to the MIDI IN on an external MIDI device with a MIDI cable. Selecting the MIDI Channel The MIDI T ransmit Channel of the MP8II must be matched with the R eceive Channel of any MIDI devices connected to the [...]
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20 The transmit ted program number is shown in the displa y . Y ou can also send program change numbers by using V ALUE buttons. Note: Full program change numbers including bank numbers can be transmitted by setting them in MENU and saving it as a SETUP. See page35 for details. 2.9 Selecting a SETUP The MP8II offers 256 preset combinations of the p[...]
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21 3. SW Button The SW button is a progr ammable realtime switch which can be assigned to one of 8 diff erent functions. Press and hold the SW button. The display shows the currently assigned f unction. Press the SW button again to exit without changing the f unction. Use the VALUE but tons to change the function. The display will automatically ret[...]
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22 When the SW button is OFF : The display briefly shows as follows and the rotary speed changes to slow . Note: When the Rotary effect is not in use, the display briefly shows as follows. 3.4 EQ Bypass On/Off Y ou can temporarily bypass the EQ by turning the SW button on. When the SW button is lit the EQ Bypass is on. EQ Bypass On: The display bri[...]
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Page 23
23 3.6 Foot Switch Lock Y ou can lock the assignable foot switch to avoid unnecessary movement by accident. First, connect a foot switch to the FSW jack on the rear panel of the MP8II. When the SW button is lit the F oot Switch Lock is on. Foot S witch Lock On: The display briefly shows as follows and the assignable foot switch is locked. Foot S wi[...]
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Page 24
24 3.8 External Sequencer Start/Stop Y ou can start and stop the external sequencer connected to the MP8II with SW button. First, connect an external sequencer to the MIDI OUT jack on the rear panel of the MP8II. Make sure that the sequencer is capable to receiving external MIDI clock and commands. Check the MIDI implementation chart of the sequenc[...]
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25 4. EFX/REVERB The internal sounds of the MP8II can be enhanced using the built in REVERB and EFX generators. There are 7 REVERB types and 22 diff erent EFX types to choose from. MP8II contains 4 variations of EFX t ype per INT section, and different EFX can be added to the sound of each ZONE. 4.1 EFX The MP8II contains 22 high quality EFX t ypes[...]
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26 Auto Wah: Auto W ah creates an automatic filter sweep at the attack of each note. Pedal W ah: P edal W ah creates a filter sweep with the expression pedal connected to the MP8II. Enhancer: Enhancer produces a crisper tone, so the sound is more easily discernible. Overdrive: Overdrive effect adds tube- amp style distortion. Note: You can select d[...]
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27 5. Control Knobs Select the function with the but tons on the left and use the knobs to change the values. Y ou can also mov e the cursor with the MENU buttons and change the value with the V ALUE buttons while the display is showing Contr ol Knobs function. 5.1 EFFECT Make sure that the EFFECT button in the CONTROL KNOBS section is lit. If the [...]
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28 17 . ROT ARY 1 r ate slow/fast wet balance 18. ROT ARY 2 rate slow/fast driv e 19. AUT O WAH sense 0 -100 (%) wet balance 20. PEDAL WAH sense 0 -100 (%) wet balance 21. ENHANCER intensity 0 -100 (%) send level 22. OVERDRIVE driv e 0 -100 (%) wet balance REVERB parameter list REVERB Time REVERB Depth 1. HALL 1 rev .time 0.3 - 5.0S send level 2. H[...]
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29 5.3 TONE MODIFY The MP8II allows certain characteristics of the sounds to be custom tailored to suit a particular musical or playing style, or to create many v ariations and different t ypes of sounds. TONE MODIFY set tings can be done for each zone individually . The following par ameters are provided: CUTOFF , A T T ACK, DECAY and RELEASE. Mak[...]
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30 CUTOFF : Raising the CUT OFF level makes the sound brighter , lowering the level makes the sound duller . A T T ACK: As the value incr eases, the attack time becomes longer , which means a slower attack is produced. DECA Y : This parameter controls the amount of time from the peak level to the sustain level of the sound. RELEASE: This parameter [...]
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Page 31
31 When the selected zone is set to EXT , the display shows the MIDI CC numbers. The default parameters assigned f or each knob are as follows. A: #10 Panpot (P AN) B: #70 Sustain Level (STN) C: #76 Vibrato R ate (VbR) D: #77 Vibrato Depth (VbD) Note: If the selected zone is set to BOTH, changing the MIDI CC# parameters affects both internal and ex[...]
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32 6. MENU The MENU buttons allow access to the edit par ameters in the MP8II. This collection of settings together with other editable par ameters can be stored as a SETUP . The MP8II provides 256 SETUPs, and all are user progr ammable. A SETUP consists of four zones. Each zone can be set as Internal, External or Both individually . Inside each of[...]
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33 6.1 Editing Procedure and Parameters First, press the ZONE SELECT button f or the zone to be edited. Next, press the MENU buttons until the par ameter you want to edit appears in the DISPLA Y . When a zone is set as Both, pressing the ZONE SELECT button again will switch the menu list from Internal to External or vice versa. Set the value of the[...]
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Page 34
34 6.2.4 String Resonance (Int Piano only) The volume of string resonance can be changed to the lev el you prefer . The value changes fr om 0 (off ) to 10. <String R esonance> In acoustic pianos, there are strings corresponding to each k ey . When a key is pressed, strings of other keys in the related harmonic series to the note played resona[...]
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Page 35
35 6.2.8 TX Prg # (Ext only) This parameter determines if a Progr am Change Number will be transmit ted (On) or not (Off ) when a SETUP is recalled. If you want to switch sounds on external MIDI devices every time you call the Setup turn this par ameter ON. 6.2.9 Prg # (Ext only) This parameter determines which Progr am Change Number will be transm[...]
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Page 36
36 6.2.14 Velocity Switch V elocity switching is an extremely useful and creative tool f or customizing a performance. Using V elocity Switching, it is possible to hav e either one sound switch to another sound at a set velocity , or even for a second sound to be added in once a certain velocity has been r eached, or to have a sound drop out above [...]
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37 Note: Each zone can have a separate Velocity Switch Value. By setting the Soft Zone Velocity Switch Value higher than that of the Loud Zone, a dynamic area where both sounds play can be created. It is also possible to switch Internal Zones with External Zones for even more possibilities. Note2: Velocity Switch = Loud /Velocity Switch Value = 1 I[...]
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38 6.2.19 Transmitting Volume (Ext only) This parameter determines if an initial MIDI V olume message will be transmitted (On) to an external MIDI device or not (Off ) when a SETUP is recalled. Note: In a zone set to External or Both, moving the faders will still transmit volume messages even if TX Volume is set to Off. 6.2.20 Volume This parameter[...]
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39 6.2.25 Foot Switch This parameter determines if a F oot Switch connected to the FSW jack is activ e (On) or not (Off ) for the selected zone. The type of controller assigned to the footswitch is a common Setup parameter and is used f or all zones of a Setup as a global parameter . 6.2.26 Expression Pedal This parameter determines if an Expressio[...]
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40 6.3 Common Parameters Common parameters ar e affecting all zones. 6.3.1 Stretch Tuning The hearing ability of a human is unev en and is not accurate with high fr equency and low frequency as it is with the middle r ange. The tuning of an acoustic piano is stretched to compensate f or this so the sound will be heard naturally to the ears. Off: Th[...]
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41 for the Mersenne pure temperament. It pr oduces chords that are more beautiful than those with the equal temper ament. W erkmeis/Kirnberg: These two temperaments are placed in between Meantone and Pythagorean. F or music with few accidentals, this temperament produces the beautiful chords of the mean tone, but as accidentals increase, the temper[...]
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42 6.3.7 Modulation Wheel Control Change Number This parameter assigns a Control Change Number to the Modulation Wheel on the right side of the front panel. See page72 for the list of Control Change numbers. Note: When the following Numbers are selected for the FootSW,EXP or Modulation Wheel Control Change Number, the functions affect the internal [...]
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43 7. STORE Y ou can save the changes of the settings made as either a SOUND or a SETUP . Up to 256 SOUNDs or 256 SETUPs can be stored. Moreover , the Common parameters can also be stored as the initial setting in SOUND mode. The following groups of parameters ar e stored. [SOUND] Selected Z one’ s One Sound settings: EFX/REVERB settings ( see pa[...]
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44 7.2 Storing the COMMON settings While in SOUND mode, press the ST ORE button. The display will show the following screen: Press the V ALUE DOWN button, the displa y will show the following screen: Press the V ALUE UP button to confirm. The ST ORE procedure can be cancelled at any time by pressing an y other button which is not used during the ST[...]
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45 8. SYSTEM Use this mode to set the System par ameters of MP8II. T o enter the SYSTEM mode, press the SYSTEM button. 8.1 System Menu Use the MENU buttons to scroll through the System par ameters. [System P arameter] System Channel T ouch System T une V olume Slider Action Reverb Off set EQ Offset Local Control On/Off Multitimbre On/Off System Cha[...]
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Page 46
46 8.2.2 Touch This parameter adjusts the touch response curv e of the keyboard. Heavy +: This Curve has a steep rise as velocity increases, and a shallower curve at low velocities. (see 1) This curve requires the most striking f orce to produce a loud volume. Heavy: This curve requires a stronger striking force to produce a loud volume. (see 2) Th[...]
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47 8.2.3 System Tuning This parameter sets the global master tuning of the MP8II. The v alue changes from 427 .0 to 453.0 (Hz). 8.2.4 Volume Slider Action This selects how the volume sliders react, when you change the volume. Normal: The value changes immediately , when the volume slider is moved. Catch: The va lue won’t change until the volume s[...]
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48 8.2.9 Multi-Timbral Mode Multi- Timbral Mode allows the MP8II to receive data on more than one MIDI channel simultaneously . In this mode, the MP8II can play different musical parts with different sounds f or each part. On1/2: This is a flexible 16 part multi-timbral setup. (On 1 and On 2) MP8II’ s normal program change numbers are assigned in[...]
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Page 49
49 8.2.11 Receive Channel This parameter determines whether or not a particular MIDI channel will receive incoming MIDI data from an external source. This parameter can be used to filter out data on specific MIDI channels that are not intended for the MP8II. On: The MP8II responds to MIDI data received on this channel. Off: The MP8II ignores MIDI d[...]
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50 8.2.16 Wheel Mode This parameter determines whether or not the modulation wheel can be used to edit parameters lik e a value dial. Normal: The wheel functions as a performance wheel and controls the CC controller that is assigned in the setup menu (Default). Edit: The wheel is used to edit parameters. The value won’t change until the wheel rea[...]
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Page 51
51 Note: Loading the data back to the MP8II will change the current settings. SETUP and SYSTEM data will not change. You can use this function to temporarily change the setting from your sequencer. If you want to save the setting, you must use the STORE procedure and save as Setup. 8.3.2 Dump All SOUND This function transmits all the Sounds of the [...]
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52 8.4 System Reset 8.4.1 Reset One SOUND/SETUP This function resets one SOUND or SETUP back to the original f actory default settings. Press the SYSTEM button. Then press the MENU-DOWN but ton until “Reset X - X - X” (X - X -X stands for the setup number) appears on the display . Now use the SOUND SELECT buttons to select the sound or setup yo[...]
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53 9. OTHER 9.1 MIDI IN When the Multi- Timbral Mode is Off , the MP8II receives the MIDI information coming in the System Channel only . (see page45) F or changing the internal sounds via MIDI, refer to the SOUND Pr ogram Number List on the next page. Note: If the MP8II receives the Program Number from 1 to 128 and Bank number LSB from 2 to 3 in t[...]
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54 9.3 SOUND Program Number List Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB Piano 1 A Concert Grand 1 0 0 1 95 16 B S tudio Grand 2 0 0 1 95 17 C Mellow Grand 3 0 0 1 95 18 D Jazz Grand 4 0 0 1 95 19 2 A Concert Grand2 5 0 0 1 121 0 B S tudio Grand 2 6 0 0 1 121 1 C Mellow Grand 2 7 0 0 1 121 2 D Jazz Grand [...]
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55 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB 5 A Crystal EP 49 0 0 6 95 1 B New Age EP 50 0 0 6 95 2 C New Age EP2 51 0 0 6 95 3 D New Age EP3 5 2 0 0 6 9 5 4 6 A Clavinet 5 3 0 0 8 121 0 B Synth Clavinet 54 0 0 8 121 1 C Clavi & Marim 55 0 0 8 9 5 1 D Clavi Phaser 56 0 0 8 95 2 7 A V ibraphone 57 0 0 1[...]
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56 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB Organ 1 A Church Organ 97 0 0 20 121 0 B Full Pipes 98 0 0 20 95 9 C Full Ensemble 99 0 0 2 1 95 1 0 D Church Organ 2 100 0 0 20 121 1 2 A PrincipleChoir 101 0 0 20 95 23 B Small Ensemble 102 0 0 20 9 5 8 C Small Ens. 2 103 0 0 2 0 95 2 5 D Baroque 104 0 0 20 95 [...]
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57 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB 5 A Passionate Vln 17 0 1 41 121 0 B Classic V iolin 18 0 1 41 9 5 3 C Passionate Vc 19 0 1 43 121 0 D Classic Cello 20 0 1 43 9 5 4 6 A Choir 21 0 1 53 121 0 B Breathy Choir 22 0 1 53 9 5 1 C Choir Aahs 23 0 1 53 95 3 D Slow Choir 24 0 1 53 95 2 7 A Jazz Ensembl[...]
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58 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB Pad & Synth 1 A New Age Pad 65 0 1 89 121 0 B New Age Pad 2 66 0 1 89 9 5 1 C New Age Pad 3 67 0 1 89 9 5 2 D New Age Pad 4 6 8 0 1 89 95 3 2 A Atmosphere 69 0 1 100 121 0 B Brightness 70 0 1 101 121 0 C Brightness 2 71 0 1 101 95 1 D Goblin 72 0 1 102 1 21 0[...]
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59 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB 5 A Rhythm Guitar 1 13 0 1 28 121 0 B Overdrive 114 0 1 30 1 21 0 C Distortion 1 15 0 1 31 121 0 D Muted Electric 1 16 0 1 29 121 0 6 A Pedal Steel 1 17 0 1 27 121 1 B HawaiianGuitar 1 18 0 1 27 95 1 C Jazz Guitar 1 19 0 1 27 121 0 D Jazz Guitar 2 120 0 1 27 95 2[...]
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Page 60
60 9.4 Notes about USB The MP8II can be connected to a personal computer with a USB cable for exchanging MIDI data. Y ou need a USB driver installed in your computer . [For W indows XP/Me users] A standard USB driver is already installed in your computer . Y ou don’t need to install a new driver . [For W indows 2000/98SE users] Y ou need to insta[...]
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61 Specifications K eyboard 88 W ooden keys with AW A Grand PRO II # of Z one 4 zones # of Internal Sound 256 sounds P olyphony Maximum 192 Effect 7 R everbs 22 Effects 4-band Equalizer Internal Memory 256 SETUPs Display 16 x 2 LCD w/backlight Jack 1/4” Out (L/MONO, R) XLR Out (L, R) with Ground Lift Switch [1pin-GND/2pin-hot/3pin-cold] Headphone[...]
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Page 62
62 MP8II MIDI Implementation Contents 1. Recogniz ed data 1.1 Channel V oice Message 1.2 Channel Mode Message 1.3 System Real time Message 2. T ransmitted data 2.1 Channel V oice Message 2.2 Channel Mode Message 2.3 System Real time Message 3. Exclusive data 3.1 Universal Realtime Exclusive Message 3.2 Dump Message 3.3 Sound Data Format 3.4 Setup D[...]
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63 1. Recognized Data 1.1 Channel V oice message Note off Status 2nd Byte 3rd Byte 8nH kkH vvH 9nH kkH 00H n=MIDI channel number :0H-fH(ch.1 ~ ch.16) kk=Note Number :00H - 7fH(0 ~ 127) vv=V elocity :00H - 7fH(0 ~ 127) Note on Status 2nd Byte 3rd Byte 9nH kkH vvH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) kk=Note Number :00H - 7fH(0 ~ 127) vv=V eloc[...]
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64 Damper Pedal Status 2nd Byte 3rd Byte BnH 40H vvH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) vv=Control V alue :00H - 7fH(0 ~ 127) Default = 00H 0 - 63=OFF , 64 - 127=ON Sostenuto Pedal Status 2nd Byte 3rd Byte BnH 42H vvH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) vv=Control V alue :00H - 7fH(0 ~ 127) Default = 00H 0 - 63 =OFF , 64 - 127=ON Sof[...]
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Page 65
65 01H 64H mmH Decay time mm:00H - 7FH(-64 ~ 0 ~ +63) Default = 40H 01H 66H mmH Release time mm:00H - 7FH(-64 ~ 0 ~ +63) Default = 40H * Ignoring the LSB of data Entry * It is not affected in case of modifying cutoff if tone does not use the DCF . RPN MSB/LSB Status 2nd Byte 3rd Byte BnH 65H mmH BnH 64H llH n=MIDI channel number :0H-fH(ch.1 ~ ch.16[...]
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66 MONO Status 2nd Byte 3rd Byte BnH 7eH mmH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) mm=mono number :01H(M=1) POL Y Status 2nd Byte 3rd Byte BnH 7fH 00H n=MIDI channel number :0H-fH(ch.1 ~ ch.16) 1.3 System R ealtime Message Status FEH Active sensing 2. T ransmitted Data 2.1 Channel V oice Message Note off Status 2nd Byte 3rd Byte 9nH kkH 00H n=[...]
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67 V olume Status 2nd Byte 3rd Byte BnH 07H vvH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) v=V olume :00H - 7fH(0 ~ 127) Default = 64H Panpot Status 2nd Byte 3rd Byte BnH 0aH vvH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) vv=Panpot :00H - 7fH(0 ~ 127) Default = 40H(center) Expression Status 2nd Byte 3rd Byte BnH 0bH vvH n=MIDI channel number :0H-fH[...]
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68 RPN MSB/LSB Status 2nd Byte 3rd Byte BnH 65H mmH BnH 64H llH n=MIDI channel number :0H-fH(ch.1~ch.16) mm=MSB of the RPN parameter number ll=LSB of the RPN parameter number RPN number implemented in MP8II are the followings RPN # Data MSB LSB MS B LSB Function & Range 00H 00H mmH llH Pitch bend sensitivity Default=02H mm:00H-0cH(0~12 [half to[...]
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69 2.3 System R ealtime Message Status F8H Clock F AH Start FCH Stop *Sending [SW] External Seq. Start/Stop 3. Exclusive Data 3.1 Universal R ealtime Exclusiv e Message Master V olume Format:F0 7F 7F 04 01 ll mm F7 mm=MSB of Master V olume ll=LSB of Master V olume 3.2 Dump Message MP8II can receive this dump data, and also can tr ansmit by the pane[...]
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70 3.3 Sound Data F ormat The structure of the one Sound patch [48bytes] No. PARAMETER V ALUE 1 Sound Data ID 2 2 Reverb T ype 0~6 (see page26) 3 Reverb Time 0-127 4 -undifiend- 5-47 <Int Parameters> *see table3.4.2 48 -undifined- 3.4 Setup Data F ormat The structure of the one Setup patch [432bytes] (common DA TA) + (Z one 1,2,3,4 Int DA T A[...]
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71 3.4.2 Z one 1-4 Internal DA T A No. PARAMETER V ALUE 1 T one Number MSB 0-2 2 T one Number LSB 0-127 3 V oicing 0-5 (0:Normal,1~2:Mellow1~2,3:Dynamic,4~5:Bright1~2) 4 -reserved- 5 Damper Resonance 0-10 (0:off , 1-10) 6 String Resonance 0-10 (0:off, 1-10) 7-40 <Both Parameters> *see table3.3.4 41 EFX T ype 0-21 (see page25) 42 EFX Rate 0-12[...]
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72 4. Control Change Number (CC#) T able Control Number Control Function Decimal Hex 0 0 Bank Select (MSB) 1 1 Modulation Wheel or lever 2 2 Breath Controller 3 3 (undefined) 4 4 Foot Controller 5 5 Portament Time 6 6 Data Entry (MSB) 7 7 Channel V olume 8 8 Balance 9 9 (undefined) 10 A Panpot 11 B Expression Controller 12 C Effect Controller1 13 D[...]
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73 [ST AGE PIANO] Date: April 2007 Model: KAW AI MP8II V ersion: 1.0 Function T ransmit Receive Remarks Multi Off(*5) Multi On Basic Default 1-16 1-16 1-16 Channel Changed 1-16 1-16 1-16 Default 3 3 3 Mode Messages 3, 4 (M=1) X 3, 4 (M=1) Altered ***** Note 0-127 0-127 0-127 Number: T rue V oice ***** V elocity Note ON O 1-127 O 1-127 O 1-127 Note [...]
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74[...]
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75[...]
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Copyright © 2007 KA WAI Musical Instruments Mfg. Co . ,Ltd. All Rights R eserved. MP8II Owner’s Manual OW1010E-I0704 Printed in Japan KMSZ-0023 816034[...]