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Kodak EASYSHARE LS443 manuel d'utilisation

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Un bon manuel d’utilisation

Les règles imposent au revendeur l'obligation de fournir à l'acheteur, avec des marchandises, le manuel d’utilisation Kodak EASYSHARE LS443. Le manque du manuel d’utilisation ou les informations incorrectes fournies au consommateur sont à la base d'une plainte pour non-conformité du dispositif avec le contrat. Conformément à la loi, l’inclusion du manuel d’utilisation sous une forme autre que le papier est autorisée, ce qui est souvent utilisé récemment, en incluant la forme graphique ou électronique du manuel Kodak EASYSHARE LS443 ou les vidéos d'instruction pour les utilisateurs. La condition est son caractère lisible et compréhensible.

Qu'est ce que le manuel d’utilisation?

Le mot vient du latin "Instructio", à savoir organiser. Ainsi, le manuel d’utilisation Kodak EASYSHARE LS443 décrit les étapes de la procédure. Le but du manuel d’utilisation est d’instruire, de faciliter le démarrage, l'utilisation de l'équipement ou l'exécution des actions spécifiques. Le manuel d’utilisation est une collection d'informations sur l'objet/service, une indice.

Malheureusement, peu d'utilisateurs prennent le temps de lire le manuel d’utilisation, et un bon manuel permet non seulement d’apprendre à connaître un certain nombre de fonctionnalités supplémentaires du dispositif acheté, mais aussi éviter la majorité des défaillances.

Donc, ce qui devrait contenir le manuel parfait?

Tout d'abord, le manuel d’utilisation Kodak EASYSHARE LS443 devrait contenir:
- informations sur les caractéristiques techniques du dispositif Kodak EASYSHARE LS443
- nom du fabricant et année de fabrication Kodak EASYSHARE LS443
- instructions d'utilisation, de réglage et d’entretien de l'équipement Kodak EASYSHARE LS443
- signes de sécurité et attestations confirmant la conformité avec les normes pertinentes

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Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage Kodak EASYSHARE LS443 ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles Kodak EASYSHARE LS443 et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service Kodak en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées Kodak EASYSHARE LS443, comme c’est le cas pour la version papier.

Pourquoi lire le manuel d’utilisation?

Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif Kodak EASYSHARE LS443, l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.

Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation Kodak EASYSHARE LS443. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.

Table des matières du manuel d’utilisation

  • Page 1

    KO D AK EA SY SH AR E LS 443 Zo om D i git al C ame ra Us e r ’ s G u id e V i si t K oda k on the W o rl d Wi de W eb a t w w w .kod ak .c o m[...]

  • Page 2

    Ea st man K oda k Co mpan y 343 St at e St r eet R o ch es te r , N ew Yor k 14 6 50 © E as tm an Ko da k Comp an y , 2002 Kod ak a nd E as yS har e ar e tra dem ark s of Ea st m an K oda k Co mp a ny . P/ N 6B8 176[...]

  • Page 3

    i Pr o d u c t O v e r v i e w Fr o n t V i e w 1 S hut t er b ut to n 7 Mic ro pho ne 2 Fl as h bu tt on 8 V i e w fin d er 3 Se lf T im er /B u rs t b u tto n 9 L e ns 4 S pea ke r 1 0 Le ns t hr ea d ri ng 5 Li gh t se ns or 11 F la sh u ni t 6 Lo w L ig ht A uto F o cu s/ Se lf tim e r LE D 12 W r ist st ra p po st 8 1 2 3 5 12 7 6 9 11 4 10[...]

  • Page 4

    ii Pr o d u c t O v e r v i e w Ba c k V i e w 1 Zoo m ( Wi de An gl e an d Te le ph ot o) 7 Po wer li gh t 2 Wri st st ra p po st 8 Me nu bu tton 3 S h ar e bu tto n 9 Jo ys ti ck /O K b utt on /p re ss 4 Rev i ew bu tt on 10 Mo de d ia l 5 LCD ( pi ct ur e, vi de o disp la y) 11 R ea dy l ight 6 D e le te b utt on 1 2 Vie w fi nd er 12 6 1 2 10 3[...]

  • Page 5

    ii i Pr o d u c t O v e r v i e w Side V ie ws 1 Sl ot fo r op t io n al M M C /S D ca rd 2 A/ V O ut 3 D C In 4 US B p or t 4 2 1 3[...]

  • Page 6

    iv Pr o d u c t O v e r v i e w B ottom Vie w 1 Bat t er y do or 2 Tr ip od s ock et 3 Doc k co nne ctor 3 2 1 2[...]

  • Page 7

    v Tabl e o f Cont ents 1 Getti ng Sta rt ed . .. ... .. .. .. .. .. .. .. .. .. .. ... .. .. .. .. .. .. .. .... ... .. .. .. .. .. .. .. .. .1 In stal l Soft w ar e F i rs t ... ... ... ... ... ... ...... ... ... ... ... ... ... ... ... ... ... ... ... ... . 1 N e e d This G uide in L arg e r Pri nt?. ... ... ... ... ... ... ... ... ... ... ... ..[...]

  • Page 8

    vi Livev iew—Using t he L CD to Fra me Your Subj e ct .. ... ... .. 18 Quic kv i ew—Revi ewing the P icture Jus t T ak e n .. ... ... ... ... .. 19 Usin g t he A uto Focus Framing Mark s . ... ... ... ...... ... ... ... ... . 20 Usin g t he Optica l Zoom .. ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... .. 21 Usin g t h[...]

  • Page 9

    vi i 4 R evi ew in g Pic ture s and V i deos .. .. .. .. .. .. .. .. .... ... .. .. .. .... .. . 41 P icture and Vid eo Icons ... ... ... ... ... ... ... ... ... ... ... ... ... ...... ... ... ... ... .4 1 V iewing Si ngle P i ct ure s and V i deos ... ... ...... ... ... ... ... ... ... ... .. 42 V iewing M ulti ple P icture s a nd Vi deos .. ... .[...]

  • Page 10

    vi ii Turni ng Of f t he Low Li ght Aut o Focus L ED.. ... ... ... ... ... ... . 58 Setting V ideo Out ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ...... . 58 Selecti ng a Language .. ... ... ... ... ... ... ... ...... ... ... ... ... ...... ... ... ... ... . 59 Forma tti ng I nte r na l M e m o ry or M MC/ SD Ca[...]

  • Page 11

    ix 1 1 Ap pe ndix . .. .. .. .. .. .. .. ..... .. .. .. .. .. .. .. .. .. ..... .. .. .. .. .. .. .. .. .. ... .. .. .. .. .... 9 3 C a me ra Specif icat i ons .. ...... ... ... ... ... ... ... ... ... ... ...... ... ... ... ... ..... 93 Ori gi nal Fact ory Set tings — C a me r a ... ... ... ... ... ...... ... ... ... .. 95 Upgr adin g Your Soft [...]

  • Page 12

    [...]

  • Page 13

    1 1 G etti ng Sta r ted In s tall S oft ware F irst In st all th e so ft wa re f ro m th e K OD A K EA S YS H AR E So ft w ar e C D bef or e co n ne ct in g t he c ame ra ( o r c am e ra d o ck ) to th e co m p ute r . F a ilu re to d o so ma y ca us e th e s of twa re to l oa d in co rr ec tly . Se e th e Qu ic k St ar t G u id e or WI NDOWS S ys [...]

  • Page 14

    2 Ch a pt er 1 What C an I D o Wi th My Cam e ra? C a pt ur e S til l Pi ct ur e s — En jo y po in t- an d- sh oot ope ra t io n wi th f l as h, se lf t ime r , and z oo m fe at ur es . Us e A ut o, Spo rt, N ig ht , L an ds cap e, and Cl os e- up mod es to ex pa nd y our c ap ab il i ti es . Cap tu re V i deos wit h Sou nd — Ca pt ur e vi de o[...]

  • Page 15

    3 Cha p ter 1 Pa ck ag e Co n te n ts No t s hown: U se r’ s G u id e, Q uic k S tar t G u id e, K OD A K EA SY S H AR E So ft wa re C D . (I n so m e co un tr ie s, th e Us er ’ s G ui de is p ro vi de d on a C D in st ea d o f in p ri nt ed fo rm .) 1 Ca m er a 5 W ri st st r ap 2 Ca m er a Do c k 6 AC a d ap t e r 3 Au di o/ Vi de o ca b le [...]

  • Page 16

    4 Ch a pt er 1 Attach ing the Wris t Strap 1 T hr ea d th e sh or t loo p o f t he w ri st st ra p th r ou gh t he w ri st st ra p po st . 2 T hr ea d th e lo ng lo o p th ro ug h th e sh or t l oop . Pu l l un ti l sec ure. Sh or t Lo ng lo op l oop[...]

  • Page 17

    5 Cha p ter 1 L oa di ng th e Ba tt er y CAUTIO N: W e re comme nd us ing onl y a KODAK EA SYS HARE Li- Ion Re cha r g eab le B at ter y . F or i mpor ta nt ba tt er y and w arr anty in fo r m at io n , s ee Using t he Ba tt er y , pa ge 10 0 . 1 T u r n off th e ca m e ra . 2 Op e n th e b a tte ry d oo r . 3 Or ie nt th e ba tt er y as sh o wn . [...]

  • Page 18

    6 Ch a pt er 1 Mod e D ia l Sett ing s T o us e in di vid u al mod e s, se e pa ge 1 3 . * T o tu rn o n th e f la sh , s ee pa ge 22 . I con Mod e Pur pos e Of f Tu rn s off th e c am e ra . Au to Fo r ge ne ra l pi ct ur e- t ak in g. A ut oma tica l ly s et s ex po sur e a nd f ocu s. Fl as h f ir es i f nee ded . S port F or su b jec ts th at a[...]

  • Page 19

    7 Cha p ter 1 Turnin g On th e Camera T urn t h e Mode dial f r om Of f t o an y othe r p os it i on. Th e Po w er l i g ht gl ow s g re en . Th e re ad y l i gh t bl in ks w h ile t he c am e ra p er fo rms a sel f-c hec k, th en gl ow s gr ee n w hen t he ca m e ra is re ady to ta k e pi ct ur es ( or video s, if th e mod e di al i s se t t o ). [...]

  • Page 20

    8 Ch a pt er 1 S et ti n g th e D a te a n d T i me T h e D at e & T i m e s cr ee n is d is pl ay ed th e fir st t im e yo u t ur n o n th e c am e ra o r if t he b at ter y is re m ov e d f or m o re th a n 10 m in u te s. If th is is th e fir st tim e t he ca mer a ha s be en t ur ned o n, go t o St ep 3 . T o set t he d at e an d time a fte[...]

  • Page 21

    9 Cha p ter 1 Ch ec k ing Came ra St atu s B ar T o ch ec k th e cu rr ent ca m er a se tt i ng s, tu rn th e M o d e dia l fro m t he O ff p os iti on . Fo r fla sh i co ns , s ee pag e 22 . Fo r Sh ar e ic on s, se e p age 5 1 . S t at us Ba r Ic on s ( To p of L CD) Scre e n Ico ns (Botto m of LCD) S tatus Ba r Scree n Ic on D a te st am p Bu rs[...]

  • Page 22

    10 Ch a pt er 1 Inse rting an MM C/SD Card Opt i ona l MMC /S D car ds pro vi de r emo va bl e, re us abl e s to ra ge f or pi ct ur es a nd vi de os . CAUTIO N: T h e ca rd ca n o nl y be i ns e rt ed o n e w ay ; fo rc in g it m a y dama ge the ca mer a or ca rd. Do not in ser t or r emo ve a c ard wh en t he gr ee n rea dy l ig ht is b linki ng [...]

  • Page 23

    11 Cha p ter 1 Choos ing In ternal M e mory or M MC/SD Card T he c am er a of f er s t wo op ti on s f or s to ri ng pi ct ur es a nd v id eo s: I nternal Memory — st or e pi ct ur es and v i deo s i n in t er nal m emo ry . MMC/SD Ca rd — s t or e as ma ny p ic tu re s an d vi de os as y ou l ik e, de p en di ng o n th e siz e of th e ca rd . [...]

  • Page 24

    12 Ch a pt er 1 C heck ing Yo ur S torag e S e ttin g In St i l l a n d Vid e o m od e s , th e st or ag e lo ca ti on i co n th at a pp ea rs i n th e sta tu s ba r in dica te s t he c ame ra ’ s s to ra g e l oc at io n. T o c h ec k th e lo ca tio n , e ith e r: m T urn th e M od e di al fr om th e O f f p os it ion , or m In any cap tu re m o[...]

  • Page 25

    13 2 Ta k i n g P i c t u r e s Th e ca m e ra is re a dy to t ak e pi ct ur es w he n yo u tu rn i t o n — ev en i f you are in R evi e w , Sh ar e, o r S et up. (I n V i deo mo de , t he c am er a c apt ur es vi de o. ) Be f o re yo u ta ke a p ic tu re , m a ke s ur e yo ur p ic tu re st or ag e lo ca ti on is s et th e w ay yo u wa nt it (s e[...]

  • Page 26

    14 Ch a pt er 2 U sing t h e Low Lig h t Au t o Focus LE D W h en t he S hu tte r bu tt on i s p re s se d ha lf -w a y d ow n in lo w li gh t, th e L o w Lig h t A ut o Fo cu s LE D m a y e m it a br ie f b e am o f lig h t. T h is lig h t il lu m in ate s th e su bj ec t s o th at : m Th e ca mer a ca n fo cu s mor e ef f ect i ve l y . m Y o u g[...]

  • Page 27

    15 Cha p ter 2 Tak i ng Pictur e s in Nigh t M ode Us e th is m od e fo r ni gh t s c en es o r l ow lig ht c on di tio n s. Th e fl as h i llu m in a tes c lo se s ub je ct s. A l ong er e xp osure cap tu re s mor e de t ai l of ba ckg ro und su bj ec ts . T h e L o w Li gh t Au to F oc us L ED (s ee pa ge 1 4 ) tu rn s on a s ne ed ed t o as si s[...]

  • Page 28

    16 Ch a pt er 2 Tak ing P ict ures i n La nd sc a pe Mod e Us e th is mode to c apt u re d is ta nt su bj ect s , s uch a s l an ds cap e sc en es . 1 T urn th e M od e d ial to . Th e LCD d is pl ay s a m od e de sc ript io n. T o in te rr upt th e de sc ri pt io n, p re ss . 2 P re ss th e Sh u tte r bu tt on h a lf- w a y to se t t he e xpo su r[...]

  • Page 29

    17 Cha p ter 2 T ak in g P i ct u res i n C los e-u p Mo d e Us e th is m od e to c ap tu re s ub je ct s 6 to 27 .5 i n. (1 3 to 7 0 cm ) f ro m th e le ns . 1 T urn t h e Mode dial t o . Th e LC D d is pl ay s a m od e de sc ri pt io n . To in te rr up t th e de sc ri pt io n , p re ss . 2 P re ss th e Shu t te r bu tton ha l f-w a y to s et t he[...]

  • Page 30

    18 Ch a pt er 2 Live vie w — Us in g t he L C D to Fr a m e Your Su bj ec t W h en yo u tu rn on Li ve vi ew , t he L CD d isp la ys a l ive im a ge of w ha t th e len s s ee s . Us e th e LC D to fra me y our sub j ect . 1 T urn th e M od e d ial to a n y S ti ll p o sit io n. 2 P re ss th e O K bu tto n to t ur n on L iv ev ie w . 3 Fr ame y ou[...]

  • Page 31

    19 Cha p ter 2 Quic kview — R ev i ewi n g t he P ict u re Ju st Take n Af te r y ou t ak e a pi ctu r e, th e LC D d isp la ys a Q ui ck vi ew o f th at pi ct ur e fo r a ppr ox i ma tel y 5 s eco nds . Wh ile the p i ct ur e is di spla ye d, y ou c an : m Re v i e w i t : If yo u t ak e n o ac t i on , t h e pi ct ur e is sa ve d. m S har e it [...]

  • Page 32

    20 Ch a pt er 2 Us in g t he Au to Foc u s F ra mi ng Ma rk s F or t he b es t p o ss i bl e pi ct ur es , t he c am e ra a tte m pt s to fo cu s on f or eg ro u nd su bj ec ts ( ev en if th e sub ject s a re n ot cen te re d in th e sc en e). N O TE : Au to F oc u s f ra m in g ma r ks a pp ea r on ly w he n th e LC D is t ur ne d on . F rami n g [...]

  • Page 33

    21 Cha p ter 2 U s i ng t h e Optical Zoom Us e O pti ca l Z o om t o ge t u p to 3X c lo se r t o yo ur su b je ct . W h en yo u tu rn o n th e c am e ra , t he l en s ex te nd s to t h e Wid e An gl e po si ti o n. 1 Us e th e vie w fin d er o r L C D to fr am e y ou r su bj ec t. 2 P re ss t h e T e le ph o to ( T) b ut t on t o zo om in . Pr es[...]

  • Page 34

    22 Ch a pt er 2 Us in g t h e F la s h Us e th e f la sh wh en y ou t ak e pi ct ur es at n ig ht , i nd oor s , or out do ors in heavy s ha d ow s. T he f l as h se tt ing c an b e ch a ng ed i n an y Sti ll m od e ; th e d ef au lt fla sh s et tin g is re st or ed w h en y ou e xi t t he m o de o r tu rn o ff th e c a m er a. Fl ash Ra nge m Wid [...]

  • Page 35

    23 Cha p ter 2 Flash Settin gs In Each Mo d e Other F la s h S cre en Infor m atio n Wh en t he C us to m i c on ap pe ar s i n th e s t at us b ar , pr es s t he Fl a sh b ut to n. Th e LC D d is pl ay s th e fea t ur es th a t a r e cu rr en t ly se t. Ic on Mode Defaul t Fl ash S e tti n g Av a ila b le Fl as h S et tin g s Ca mer a Retu rn s to[...]

  • Page 36

    24 Ch a pt er 2 Put ting Yours elf in th e Pic ture The Sel f T im er cr eat e s a 10 -sec ond d el ay bet we en t he t i me yo u pr ess t he S hu tt er b ut to n an d th e t im e th e pi ct ur e is ta ke n. 1 Pl ac e t he c amer a on a fl at su rf ac e or u se a tr ip od . 2 I n a n y S ti ll m od e, p re ss th e Se lf T i m e r bu tt on . Th e Se[...]

  • Page 37

    25 Cha p ter 2 Taki ng a Bu r st S er ie s of P ict ur es Bu r st le ts yo u to ta ke u p to 3 p ic tu re s i n qu ic k su cc e ssi on . Bu rs t is id ea l f or ta ki ng p ic tu re s o f sp or tin g e ve nts o r m ov in g ob je ct s. W he n yo u us e th e Bu rs t fe at ur e, th e Fl as h an d th e S e lf T im e r a re d is ab le d. T u rn O n B u r[...]

  • Page 38

    26 Ch a pt er 2 Still Me nus I mag e Stor ag e( pa ge 11 ) Foc us Z on e ( p age 3 2 ) Ex po s ur e Co m pe n sa tio n ( pa ge 2 7 ) IS O Spe ed ( pag e 33 ) Wh ite B alance ( pa ge 2 8 ) Lon g Ti m e E xpo su re ( pa ge 3 4 ) Pi ctu r e Q u al ity ( pa ge 2 9 ) Dat e St a m p ( pa ge 3 5 ) Co lo r M od e ( pa ge 30 ) O r ie nta ti on S en so r ( p[...]

  • Page 39

    27 Cha p ter 2 Se tt i ng E x po su re C o mp en sa tio n Us e Ex po s ur e C o m pe ns at i o n t o c o nt ro l h ow m u ch li gh t e n t er s t he c am e ra . T hi s s et t in g is us ef ul f or ta ki ng p ic t ure s i n ve ry l a rg e ro oms , un der lo w li gh t, w ith ou t a fla sh . A dj us t t he e xpo su re b y pl us or mi nu s 2 step s i n[...]

  • Page 40

    28 Ch a pt er 2 Sett ing Whi te Balanc e W h ite s ca n lo ok w h ite i n d a yli gh t , bu t di ffe re nt u nd e r o th er li gh ti ng c on d itio n s. U se W hi te B a la nc e t o c or re ct t he co lo r s hi fts tha t r es ul t fr om sh o ot in g p ic tur es und er di ff er en t l ig ht so urc es. 1 In a ny S t il l mo de, pr es s t he M e nu bu[...]

  • Page 41

    29 Cha p ter 2 S e t t in g Picture Qualit y Us e th e Qu a lit y s et tin g to s ele c t a p ic tu re re so lu ti on . 1 In a ny S til l m o de , pr es s th e M e n u bu tto n . 2 M ov e th e j oy st ick to hi gh li gh t Qu a lit y , t he n pr e ss th e OK b u tto n . 3 Hi gh li gh t a n o pti on : B est (4 .0 MP ) — f o r pr in ti ng up to 20 x[...]

  • Page 42

    30 Ch a pt er 2 Sett ing C olor M ode Us e Col or Mode t o c ont r ol c ol or to nes and m ood s. 1 In a ny S t il l mo de, pr es s t he M e nu bu tt on . 2 Mov e th e j oy st i ck t o hi gh li gh t Co lo r Mo de , th en pr es s th e O K b u tto n. 3 M o ve th e jo ys tic k to h ig hl ig ht an op ti on , t he n pr es s th e OK b utto n. Col or ( de[...]

  • Page 43

    31 Cha p ter 2 Setting E xposure M etering U se E xpo su re Me te rin g to e ns ur e th at th e pr ope r amo un t of li gh t e nt er s th e ca m er a le ns . 1 In a ny S til l m o de , pr es s th e M e n u bu tto n . 2 M ov e th e joy st ic k to h igh li gh t Ex po su r e M e te ri ng , then p re ss th e OK b u tto n. 3 M ov e th e j oy st ick to h[...]

  • Page 44

    32 Ch a pt er 2 Se tt i ng F ocu s Zone Us e th e Fo cus Zon e t o se le ct a la rg e or a con ce nt ra te d ar ea o f f oc us. 1 In a ny S t il l mo de, pr es s t he M e nu bu tt on . 2 M o ve t he jo ys ti ck t o h ig h lig ht F oc us Z on e , th en p re ss th e O K b u tto n. 3 M o ve th e jo ys tic k to h ig hl ig ht an op ti on , t he n pr es [...]

  • Page 45

    33 Cha p ter 2 Se tt i ng IS O Spe ed Th e IS O se tt in g c o ntr o ls th e c a me r a ’ s s en si tiv ity to li gh t. U se a lo w er IS O se tt ing in b rig h tly li t s ce n es ; u se a h ig he r IS O se tti ng fo r lo w -li gh t s c en es . N OTE: Hi ghe r I SO s pee ds ma y cr eat e a pict ur e that i s “ n o is ie r ” t han a pi ct ur e[...]

  • Page 46

    34 Ch a pt er 2 Se tt ing L o ng T i me E xp osu r e U se L o ng T i m e E x po su re t o co nt ro l h o w lo ng t he s hu tte r st ay s o p en . Se tti ng s ar e: Off , 0 .7 , 1 , 1. 5, 2, 3, a nd 4 s ec ond s. NOT E: L ong T i me E xpo su re c an not be u sed wit h E xpo su re C ompe ns at i on. If IS O s pe ed h as b ee n ch a ng ed , it is re s[...]

  • Page 47

    35 Cha p ter 2 Pl ac i ng th e Da t e o n P i ct ur es Us e th e Da te S ta m p se tti ng to i m pr in t t he d at e on y ou r pi ctu r es . 1 M ak e su re t he c ame ra c lo ck is s et to th e c or re ct d ate ( p age 8 ). 2 In a ny S til l m o de , pr es s th e M e n u bu tto n . 3 M ov e th e joy st ic k to h igh li gh t Da te S ta mp , th en p [...]

  • Page 48

    36 Ch a pt er 2 Setting t he O rie nt at ion S e n s or I f y ou r ot at e the c am e ra t o tak e a p ict ur e (f or e xa m pl e, a po rt ra it sh ot ), th e O r ien ta ti on S en so r re or ie nt s the p ic tu re s o tha t it is di sp la ye d co rr ec t sid e u p . T h e O r ie nt ati on S en s or is tu rn e d on a s t he d ef au lt . You c an tu[...]

  • Page 49

    37 3 Ta k i n g V i d e o s Us e th e Vid eo s ett in g to t ak e vid e os o r t o cu st om i ze vi de o -ta k ing s et tin g s. Be fo re yo u tak e a vi de o , m ak e s u re yo ur pic t u re st or ag e l oc at i o n i s se t th e wa y y ou wa nt it (s ee p age 1 1 ). N OTE: Fl as h i s no t av ai l ab le i n V i de o mode . Y ou c an c ha nge Opt [...]

  • Page 50

    38 Ch a pt er 3 Q u ickview — Re vie wi ng th e V ide o Ju st Taken A ft er yo u ta ke a v id eo , t he L CD di sp lay s th e fir st fr am e o f t he v ide o fo r a pp r ox im a tel y 5 se co nd s. W h ile t he fr am e i s d is pl ay ed , yo u ca n: m Rev ie w it : If yo u ta ke n o a cti on , th e v id eo is s av ed . m Pl ay i t: P re ss t he O[...]

  • Page 51

    39 Cha p ter 3 U s i ng t h e Optical Zoom Us e O pti ca l Z o om t o ge t u p to 3X c lo se r t o yo ur su b je ct . W h en yo u tu rn o n th e ca m er a, th e le ns i s s et to t he W id e An g le p os iti on . N OTE: Y ou ca n ch an ge Op ti ca l Z oom be fore (bu t n ot d ur in g) v id eo r ec or di ng. 1 Us e th e vie w fin d er o r L C D to f[...]

  • Page 52

    40 Ch a pt er 3 Put ting Yours elf in t h e Video The Sel f T im er cr eat e s a 10 -sec ond d el ay bet we en t he t i me yo u pr ess t he Sh ut te r bu t t on a nd t he ti me v id eo r ec ord in g be gi ns . 1 Pl ac e t he c amer a on a fl at su rf ac e or u se a tr ip od . 2 T u rn t h e M od e d i al t o Vi de o , t he n p re ss th e Se lf T i [...]

  • Page 53

    41 4 Revi ewi ng P i ct ur es a n d Vi d eo s Pr es s th e R e vi ew b u tto n to vi ew a n d wo r k w i th yo u r p ic t u re s an d vi de os . Re mem be r , pr es s th e Shu t t er bu tt on t o ta ke a pi ct ure any ti me, e ve n in R e vi ew . 1 Pr es s the R e vie w b ut to n. Th e LC D d is pl ay s th e las t pi ct ur e or v id eo ta ke n . 2 [...]

  • Page 54

    42 Chap ter 4 Vie w in g S in gle P ic t ures an d V ide os 1 Pr es s t he Re view b ut to n. 2 M o ve t he jo ys ti ck to s cr ol l b ac k wa rd o r fo rw a rd th ro u gh p ic tu re s an d vi de os. Fo r fas t sc ro l l i ng , pr es s a nd ho ld a bu tton . Vie w in g M ult iple P ic t ure s an d Vi deos 1 Pr es s t he Re vie w b ut to n. 2 E ith [...]

  • Page 55

    43 Ch a pt er 4 P lay i ng a Vid e o m T o play a vide o, p re ss th e OK bu t t on . T o pa us e, pr es s t h e O K bu tt o n du ri ng pl ay ba ck . m T o a dj us t t he v ol um e , m o ve t he jo y sti ck du ri ng p la yb ac k . m T o r ew in d a vi de o, m o ve th e jo ys tic k du ri ng p l a yb ac k . T o pl ay th e vi de o, p r e ss t he OK bu[...]

  • Page 56

    44 Chap ter 4 Re vie w Menus Ma gn if y ing Pi ctu r es Us e th e M ag ni fy fe at ure t o zo om in t o d if f er ent ar ea s of a pi ct ur e. 1 Pr es s t he Re view b ut to n, t h en l oca te a pi ct ur e. 2 T o mag ni fy at 2X, pr e ss th e OK bu tto n. T o m a gn ify a t 4 X , p re ss t he O K bu tt on a ga in . Th e pict ur e is ma gn if ie d. [...]

  • Page 57

    45 Ch a pt er 4 Pr ot ec t in g P i ct ur es a n d V i de o s Fr o m De l et ion 1 Pr es s th e Re vi ew b u tto n, th e n l oc a te th e pi ctu r e o r vi de o to p ro te ct. 2 P re ss t he M enu b ut t on. 3 M ov e th e j oy st ick to hi gh li gh t Pr ot ec t , th e n p r es s t he O K b ut ton . Th e pi ct ur e or v id eo i s pr ot ec te d an d [...]

  • Page 58

    46 Chap ter 4 Run ni n g a Sl i de Sh ow Us e th e Sl i de S how t o di s pl ay y our pi ct ur es a nd v i deo s on t he LCD . T o r un a sl i de s how o n a t el ev i s io n or on an y ex t ern al dev ice , se e pa ge 4 7 . S ta rting th e Sl id e Show 1 P re ss th e R ev ie w bu tt on , the n p re ss th e M en u bu tt on . 2 M o ve t he jo ys ti [...]

  • Page 59

    47 Ch a pt er 4 Turn ing On S lide Sh ow Loo p Wh en you t urn on L oop , t he s lid e sh ow is co nt in uou sl y r ep eated . 1 On t he S lid e Sh o w m en u , m o ve t he jo ys ti ck to h ig hl ig ht Lo o p, th e n pr es s the O K b ut t on. 2 M ov e th e j oy st ick to hi gh li gh t O n , th en p re ss th e O K bu tto n . Wh en y ou st ar t a s [...]

  • Page 60

    48 Chap ter 4 Copy in g Pic ture s and Vide os Y ou ca n co py p ic tu re s an d vi de os f r om a ca rd to i nt erna l memo ry or fro m in te rn al mem or y t o a c ard . Bef or e you c opy , make sur e t ha t: m A c ar d is in se rt ed in t he c am e ra . m The ca m er a ’ s pi c t u re s t or age l o ca ti on i s se t t o t he l oc at i on fro[...]

  • Page 61

    49 Ch a pt er 4 Disp l a yin g Vi de o Da te T o disp la y t he c apt u re d at e an d ti me ( only d uri n g vi de o play ba ck on th e ca m er a) : 1 Pr es s th e Re vi ew b u tto n, th e n p r es s t he M e nu b u tto n. 2 M ov e th e joy st ic k to h igh li gh t V i de o D at e Di sp la y , th en p r es s t he OK b ut t on. 3 M ov e th e j oy s[...]

  • Page 62

    [...]

  • Page 63

    51 5 T a gg ing Pictur es and Vi deos T he S har e bu tt on le ts you “ tag ” yo ur pi c tu re s an d vide os . Whe n t hey ar e t ra ns fe rr ed t o your co mput er , y ou ca n sh ar e: T agg ed Pi ct ur es m By p r i nt m By e m ai l m As F av or it es , fo r ea sy o rg a niz at io n on y ou r co m p ut er T agg ed V i deos m By e m ai l m A [...]

  • Page 64

    52 Chap t er 5 Tagging P ictures for Printing 1 P re ss th e R ev iew bu tt on , t he n lo ca te a pi ct ur e. 2 P re ss th e Sh ar e bu tto n . H ig hl ig ht Pr in t , t hen p re ss th e O K bu tt on .* 3 Pr es s to se l ect t he nu mber of c opie s (0 -9 9). Ze ro r emo ve s th e t ag f or t h at pi ct ur e. 4 P re ss th e OK b u tto n. P re ss t[...]

  • Page 65

    53 Ch a pt er 5 Tag gi ng Pictur es and Vid eos for Em ai ling F ir st , use KODA K EAS YS HARE Sof t war e to cr ea t e a n ema il ad dre ss boo k on y ou r co mput er . Th en , co py u p t o 32 ema i l ad dr es se s to th e ca mer a ’ s in te rn a l m emo ry . Se e th e Qu ic k St ar t G u id e or K OD A K EA S YS H AR E So ft w ar e H e lp fo [...]

  • Page 66

    54 Chap t er 5 Tagg ing P ict ures a n d V ide os a s Fav o ri te s 1 P re ss th e R ev iew bu tt on , t he n lo ca te a pi ct ur e or vi de o. 2 Pr es s t he S har e bu tt o n. 3 M o ve th e jo ys tic k to h i g hl ig ht F av or ite , th en p re ss t he O K bu tt on . Th e Fa vor it e i co n a ppe ars on t he st at us b ar . 4 T o r em o ve t he t[...]

  • Page 67

    55 6 Customi zi n g Y our C a m er a Setti ngs U se S etup t o cu stom i z e ca m era se tt i ngs ac cor di ng t o y our pr ef er enc es. To Ac cess S et up Mode /Me nus 1 In a ny m o de , pr es s t he M e nu b u tto n . 2 M ov e th e joy st ic k to h igh li gh t Se tu p , t he n pr es s th e OK b u tto n. Se tu p Me nu s R et ur n to p re vio u s [...]

  • Page 68

    56 Ch a pt er 6 C hang ing the P rin t Quantit y Defa ult T h e D e fa ul t P ri nt Q ua n tity s et tin g de te rm i ne s th e v al ue t ha t i s d is p lay ed o n th e Sh ar e Prin t sc re en ( pa ge 5 2 ) . T h e d e fau lt v alu e is 1 . 1 Pr es s t he M en u bu tt on . 2 M o ve th e jo ys tic k to h ig hl ig ht Se tu p , the n p re ss th e OK [...]

  • Page 69

    57 Chap t er 6 Tu rning O n Livevie w in S ti ll M odes T he L i v ev ie w fe atur e let s you us e the L CD as a vi ewfi nd er ( se e pag e 18 ). The de fa ul t s et tin g is O ff; p re ss th e O K bu tto n to t ur n th e L C D on w h en y ou n e ed it . N OTE: Li ve vi e w q ui ck l y dep le tes b atte r y powe r; us e i t sp ar in gl y . The L i[...]

  • Page 70

    58 Ch a pt er 6 T u r n in g Off th e L o w L ig h t A u to Fo cu s LED Y ou ca n prev en t t he L ow Li gh t Au to Foc us L ED ( pa ge 1 4 ) from f ir i ng. N O TE : W he n th e L ow L ig h t A ut o F o cu s L E D is o ff , th e ca m e ra m ay no t pe rf or m as w e ll in lo w li gh t. 1 Pr es s t he M en u bu tt on . 2 M o ve th e jo ys tic k to [...]

  • Page 71

    59 Chap t er 6 Sele c t ing a L anguage Y o u ca n di sp la y m e n us a nd s cr ee n m es sa ge s in d iffe re n t l an gu a ge s. 1 P re ss t he M enu b ut t on. 2 M ov e th e j oy st ic k to hi gh li gh t S et up , th e n p r es s t he O K bu tt on . 3 Mo ve t he j o ys ti ck t o h ig hl ig ht Lan gu ag e , t hen p re ss th e OK bu tt on . 4 Hi [...]

  • Page 72

    60 Ch a pt er 6 F o r matting Internal Memory or MMC/S D Ca r d CAUTIO N: For mat ting a ca rd er ase s all pic tu res a nd vi deo s, i ncl ud ing pro te ct ed fil es . For m at ti ng i nt er nal me mory era ses all pi ct ure s, v id eos , an d emai l a ddr ess es . (T o res to re add res se s, s ee KOD AK EAS YSHA RE Softw a re H elp.) Remo ving a[...]

  • Page 73

    61 Chap t er 6 Vi e wing Camera Informat ion 1 P re ss t he M enu b ut t on. 2 M ov e th e j oy st ic k to hi gh li gh t S et up , th e n p r es s t he O K bu tt on . 3 M ov e th e j oy st i ck t o hi gh lig h t A b ou t , th en p re ss th e O K bu tto n . Th e ca m e ra mo de l an d th e cu rr en t f i rmwa re v ersi on ap pe ar . 4 Pr es s the M [...]

  • Page 74

    [...]

  • Page 75

    63 7 Instal l ing the S of twar e WI N DO WS Sy s te m Re qui rem en ts m P er son al com p ut er fo r WIN DOW S 9 8, 98S E, ME , 20 00 , or X P m 23 3 M H z pr oc es so r or g re at er m 6 4 MB of a va il a bl e RAM ( 128 MB f or WIN DOWS XP ) m 2 00 MB of av ai l abl e h ard disk s pa ce m CD- RO M d r ive m A v ai la bl e US B por t m C ol or mo[...]

  • Page 76

    64 Chap t er 7 M A C OS X S y st em R eq u i rem en ts m M A CI N TOS H co m p ut er w ith a G 3 or G 4 p ro ce ss or m M A C OS 10 .1 .2 , mi ni mu m m 128 MB of a va il ab l e RAM m 200 MB of a va il ab l e har d dis k sp ace m CD- ROM dr i ve m Bui l t- in USB p or t m C o lor m o ni to r wi th a m in im u m re so lu ti on o f 8 0 0 x 60 0 pi xe[...]

  • Page 77

    65 Cha pte r 7 In s tall t h e Soft ware Fo r in fo rm a tio n on t he s of tw ar e ap p lic at io ns in cl ud e d on th e K ODA K E ASY SHA RE Sof t wa re CD, s ee th e Qui ck St ar t Gu id e or the KODA K EAS YS HARE So ft wa re H e lp . CAUTIO N: In st al l th e so ft w ar e fr o m th e K ODAK EAS YSHA RE Soft war e C D b ef ore c onn ect i ng t[...]

  • Page 78

    66 Chap t er 7 4 F ol lo w th e on -s cr ee n in st ru ct io ns to i ns t a ll t he s of tw ar e. If p ro m pt ed , r es t a rt th e co m pu te r wh e n th e i ns ta lla ti on is c om p le te . m S el ec t T y pic a l t o a u to m ati ca ll y i ns ta ll th e m o st c omm o nl y us ed ap pl ic at i ons . m Se le ct Cus to m to c hoo se th e app l ic[...]

  • Page 79

    67 8 Connecting to the C om p uter CAUTIO N: In s ta ll th e so ft w ar e fr om th e K O DA K E A SY S H AR E S o ftw a re C D b ef ore c onne ct in g th e cam e ra or Came ra Doc k t o t he c omput er . Fa il ur e to do s o may ca use the s of twa re t o lo ad in co r re c tly . Y ou c an t r ans f er p ic tu re s an d vi de os f r om th e ca mer [...]

  • Page 80

    68 Ch a pt er 8 Con nec ting the C a mera Dock Af te r t he K ODAK E AS YSH ARE S of t war e is lo ad ed (s ee pag e 63 ), c on nec t t he Ca m er a Doc k to y ou r co mpu te r an d to a n ex te rn al pow er s our ce . Y ou n ee d: m T h e U S B ca bl e in cl ud ed w it h yo ur c am e ra m The AC po wer adapt er , 5V i n cl ude d wi th th e Came ra[...]

  • Page 81

    69 Cha p ter 8 Do ckin g th e Ca mer a T o tr a ns fer p ic tu re s a n d v id eo s fro m t he c am e ra to th e co mp ute r , o r to ch ar g e th e ba tte ry : 1 Tu r n o ff th e ca mer a. 2 Pl ac e th e c a m er a i n th e C a m er a Do c k an d pu sh d o wn t o se at th e co nn e ct or . Th e Po w er /Tr an s fe r l ig ht g low s g re en wh e n [...]

  • Page 82

    70 Ch a pt er 8 Tra ns ferr i ng Pictu res and Vi deo s T o t ra ns fe r pi c tu re s an d vide os f r om yo ur c amer a t o yo ur c omp ut er : 1 P la ce th e ca m e ra in th e C am e ra D o ck . T h e ca mer a ca n be o n or off . If th e ba tt er y is bei ng c ha rg ed, ch arg in g p au s es , t he n re su me s a f te r p ic tu r es an d v id eo[...]

  • Page 83

    71 Cha p ter 8 Chargin g the Batt ery Th e b att er y is no t ch ar ge d whe n yo u re ce iv e it. 1 Tu r n o ff t h e ca mer a. 2 Ma ke su r e th e ba tte ry is i ns ta l le d in t h e ca mer a (s ee p age 5 ). 3 Pl ac e th e ca m er a in th e Ca m er a D oc k (s ee pa ge 6 9 ). m Cha rg in g be gins i mme diat ely . m T h e re d l ig ht in d i ca[...]

  • Page 84

    72 Ch a pt er 8 Con ne cti ng With t he US B Cabl e N O TE : Y o u ca n us e th e KO D AK A C a da pt er to p o w er th e ca m er a ; i t s av es b at t er y po wer whe n t r an sf er ri ng pict ures ( se e pa ge 5 ). 1 T urn o ff th e c a m er a. 2 Pl ug t h e la be le d e nd o f t he US B ca bl e i nt o t he la bel e d US B po rt on yo ur com p u[...]

  • Page 85

    73 Cha p ter 8 Pr in t in g P i ct ur es f ro m Y o ur Co m p ut er Fo r d e ta ils on p rin ti ng p ict ur es fr om y ou r co m pu te r , se e th e Q u ick S ta rt G u id e o r t he KO DAK E ASY SHA RE So f twa re H el p. Pr i nti ng F ro m an M MC/ SD Car d m Au to m a tic al ly p ri nt tag g ed pi ct ur es wh e n y ou in se rt y o ur ca rd in to[...]

  • Page 86

    [...]

  • Page 87

    75 9 T r ou ble sh o oti ng T her e ma y be t i mes wh en y ou h av e que sti on s ab out us in g yo ur c ame ra o r C am e ra Do ck . Ad di ti on al te ch ni cal i nf orma t io n is av ai la ble i n th e Re adMe fi l e l oc at ed o n t h e KO DAK EA SY SHA RE So ft wa re C D. For u pda t es t o T ro ubl es ho ot in g i nf or m at io n, se e http :[...]

  • Page 88

    76 Cha pte r 9 Sh u tte r bu tt on do es n ot work. Ca mer a i s not t urn ed on . Tu rn o n th e ca m er a ( pa ge 7 ). Th e ca mer a is pr oc es sing a p ic t ure ; t he r ead y lig ht (near t he v ie wf in der ) is bl i nki ng . Wait u nt il t he l ig ht st op s bl ink in g be fo re at te m pti ng to ta k e a no th e r p i ct ur e. Th e ca rd o [...]

  • Page 89

    77 Chap t er 9 Pi ct ur e is to o dar k. Fla s h i s no t o n . T ur n on t he fl as h ( page 22 ). Th e su bj ec t is to o far aw a y f or th e fl as h t o h av e an e ff e ct . M o ve so t he re i s n o m o re th an 1 0. 8 ft ( 3 .3 m ) be tw e en th e ca mer a an d t he s ubj ec t ; 6. 2 f t (1 .9 m) in T el ep hot o . Th e su bj ec t is in fr o[...]

  • Page 90

    78 Cha pte r 9 P ict ur e is no t cl ea r. Th e le ns i s d ir t y. C lean t h e le ns ( pa ge 9 6 ). Su bj ec t to o cl os e w hen t aki ng pi ct ur e. Mov e so th er e is at l ea st 2 .0 ft ( 0. 6 m) b e tw ee n th e ca m er a an d th e su bj ec t, or a t l ea st 0. 5 f t (1 5. 2 c m) i n Clos e- up mo de. Su bj ec t or th e ca m er a m o ve d w [...]

  • Page 91

    79 Chap t er 9 C a me r a/ Com pu t er Co mm uni cat i o ns Ca mera C ommuni ca t i on s Pr obl em Cau se S o lu ti on Th e co m put e r ca nn ot commun icat e w ith t he ca mer a. Th er e i s a p rob le m wi th th e c onfig u ra tio n of th e US B por t o n th e co mput er. S e e t hi s f ile o n th e EA S YS H AR E Sof t w ar e CD : US B. ht ml O[...]

  • Page 92

    80 Cha pte r 9 MMC/S D C ards a nd I n tern al Mem or y MM C/ SD Ca rd s and I ntern al Me m ory Pr o bl e m Ca use S ol u tio n Th e ca m e ra d oes not r ec ogn ize MMC /SD car d. Th e ca rd ma y no t be M M C /S D ce rt ifi ed . P ur ch a se a ce rt ifi ed M M C /S D ca r d ( pa ge 1 0 ). Th e ca rd ma y be co rr up t. R ef or m at th e ca rd ( [...]

  • Page 93

    81 Chap t er 9 Ca m er a L C D M e s sa ge s LCD Mes sa ges Mes s age Cau se S o lu tio n N o im a ge s to d isp la y T h er e ar e no p ic tu re s in t he cur r e nt stor ag e lo ca ti on . Ch ang e pi ct ur e sto r a ge lo c at io n s et tin g ( pa ge 1 1 ). Memory card r eq u i r es f or m at tin g The c ar d i s co rr upt e d o r fo rm a tte d [...]

  • Page 94

    82 Cha pte r 9 Ca rd i s p r ot ec te d ( Res et swi t ch o n ca rd) Sw i t c h o n c ar d is in wr it e -p rote ct p os it i on. Re se t th e s w itc h as s ho w n on L CD . C ar d is lo cke d (I ns er t a ne w c ar d) Th e ca rd i s w ri te- pr o tec te d . T o ta ke a p i ct ur e, i ns er t a n ew c ar d or ch an ge s t ora ge lo ca tio n to i n[...]

  • Page 95

    83 Chap t er 9 Hi gh ca mer a t em p er at ur e. ( Ca m er a w il l b e tu rn ed o ff .) The i n t e rn al t em p er a tur e of th e came ra is to o hi gh f or t he c am e ra t o op er at e. The v i ewf i nde r lig ht g lo w s re d an d th e c a m er a t ur ns o f f . Le av e th e ca mer a of f f or se ve ra l mi nu te s, th en t ur n it b ac k on [...]

  • Page 96

    84 Cha pte r 9 Cam era R ead y Li g ht Sta tus C a m er a R ea d y Li gh t Pro ble m Ca use So lu t io n R e ad y lig ht doe s no t tu rn o n and th e cam era doe s no t wor k. Ca mer a is not tu rn ed on . Tu rn o n th e ca m er a ( pa ge 7 ). Ba tt e ry i s e xha uste d. R ech ar ge t he batt e r y ( pa ge 71 ). Mod e di al was on w he n b att er[...]

  • Page 97

    85 Chap t er 9 R ea dy li gh t glo w s st ea dy r ed . Came ra ’ s in te rn al memo r y or card is fu ll . T ra ns fe r pi ctu r es to th e co mput er ( p age 67 ), d ele te pi ct ur es fr om t he ca mer a ( pa ge 4 3 ), sw it ch s t o ra ge lo c at ions ( pag e 11 ), o r in s er t a c ar d wi th a va ila bl e memory ( pa ge 1 0 ). C a m er a pr [...]

  • Page 98

    86 Cha pte r 9 Troubl eshoot ing — Ca m era D o ck Cam era Do ck Pr ob le ms Ca m era Do ck Pr obl em Cau se S olu ti on Pi ct ur es ar e not tr an s fer re d to th e co m p ut er AC ad ap t e r or USB c a ble i s n o t s ec u re ly c o nn ec te d. C hec k the c onn ec ti on s ( pa ge 6 8 ). Sof t war e is no t i ns ta lle d . In st al l t he so [...]

  • Page 99

    87 Chap t er 9 Ca m er a D oc k L i gh t St a tu s Ca me ra Do ck Li gh ts St ea dy G r e en The ca mer a i s s ea te d i n t he Ca m er a Do ck , c onn ec t e d t o A C powe r, an d bat t er y i s no t ch ar gi ng . B lin k in g Gr ee n P ic tu re s a n d v ide o s a re be in g tr a ns fe rre d to t he co m p ut er . St ea dy R ed The b at t er y [...]

  • Page 100

    [...]

  • Page 101

    89 10 G etti ng H elp He lpful We b Links He lp i n this M anual Se e T ro ubl es ho ot in g, pag e 75 fo r h e lp w ith p ro b lem s y ou m a y ha ve w it h y o ur c ame ra , ca mer a/co mput er con ne ctio ns , Ca mer a Do ck, or MMC /S D cards . Sof t wa re Hel p Re fe r to th e Q ui ck S ta rt Gu id e or K O DA K E AS YS H A RE S of tw ar e H e[...]

  • Page 102

    90 Cha pt er 10 Te le ph one C us t omer Support If yo u ha ve que st i ons co nce rn i n g t he o pe ra ti on of t h e so f t wa re or c ame ra , y ou may s pe ak wi t h a cu st ome r supp or t re pr es en ta ti v e. Befo re You Call Pl ea se h av e th e ca mer a or Came ra D ock c on nec t ed t o yo ur c ompu t er , be a t y ou r co m p ut er , a[...]

  • Page 103

    91 Chap ter 10 Te l ep ho ne Numb e rs Au st ra lia 1 800 1 47 7 01 Au st ri a /Os t err eic h 0 179 567 3 57 B el gi um / Be lg i q ue 02 7 1 3 14 4 5 Br az il 0 800 1 500 00 Ca na da 1 8 00 46 5 63 25 Ch in a 8 00 82 0 60 27 De nmar k/Dan mar k 3 8 48 71 3 0 I rel a nd/ Ei r e 0 1 407 3 05 4 Fi nl a nd/ Su om i 0 800 1 1 70 56 Fr an ce 0 1 55 17 [...]

  • Page 104

    92 Cha pt er 10 F or t he m o st up -t o- da te li st in gs , v isi t: h tt p:/ /w w w .k o da k. co m /U S /e n/ di git al /c on ta ct s/D A II nt er na ti on al Co n tac ts .s ht ml S pa in /E sp a na 91 74 9 76 5 3 S wed en /S ve ri ge 08 58 7 70 4 21 S wi tz er l and /Sch wei z/ Su i ss e 01 83 8 53 5 1 T ai wa n 00 0 8 61 00 8 T ha il an d 001[...]

  • Page 105

    93 Chap t er 11 11 Ap pend i x Ca m e r a S p e c if i c a t io n s KODAK EA SYS HARE LS 443 Z oom Dig ital Came ra C o lo r 2 4 -b it, m ill io ns o f c o lor s Commu ni ca tion w i th co m p ut er U SB Vi a Ca mer a Doc k or U SB c abl e Dime ns io ns Wi d th De p t h He i g ht 4. 3 i n. ( 109 mm) 1. 5 i n. ( 37. 5 mm) 2. 4 i n. ( 61. 5 mm) We ig[...]

  • Page 106

    94 Ch apt er 11 L ens Ty pe Op ti c al q ua li t y gl as s, 6 gr ou ps/ 7 e l e men t s (4 a sp h er ica l le ns es ) Maxi mum Ap er tu re f / 2. 8 - f /9 .6 Fo ca l Le ng th 3 5 - 10 5 mm F oc us D i s ta nc e Cl os e- up : 6 to 27 .5 i n. ( 13 to 7 0 cm ) St an da r d: 2 ft (0 .6 m ) to i nfi ni ty L and sc ap e: F i xed fo cus Op er at in g Te m[...]

  • Page 107

    95 Chap t er 11 Or iginal F actory Set tings — Cam era F eat ur e F ac to r y Se tt in g Da t e/ Ti me 20 02/1/ 1; 12: 00 Da t e/ Ti me St amp Off D efa u lt Pr in t Qu an ti ty 1 D igi ta l Z o om i ni tia ti on P au se Ex p os ur e M ete r ing Mo d e M u lti -p at te rn ed Fl as h Aut o: Aut o or Red -e ye Spo rt , Ni ght : Au to La nds cap e ,[...]

  • Page 108

    96 Ch apt er 11 U pgradin g Your Soft ware a nd F irmwa re D o w nlo a d th e l at es t v er si on s of th e so ftw a re in c lu de d on t he K O DA K E A SY SH A RE S o ftw a re C D an d th e ca m er a fir m w ar e (th e so ft wa r e t ha t ru ns o n th e ca mer a) . Se e ht t p: // www . ko da k. com/ go /l s 443 dow nloa ds. T i ps, Sa fet y, Ma[...]

  • Page 109

    97 Chap t er 11 St o r age C ap a c i ti es Fi le si ze s ca n va ry . Y o u m ay b e ab le to s to re m o re o r fe we r p ict ur es a nd vid eo s . Pu rc h as e ac ce ss or ie s at yo ur K O D AK r eta il d ea le r o r h tt p: / /ww w .k oda k. co m/g o/ ac ces so ries . Pictu re St o rag e C apacity Vid e o S tor ag e C ap ac it y N um be r of p[...]

  • Page 110

    98 Ch apt er 11 Lo c a t in g P i ct ur es an d V i de o s o n a C a r d Pi ct ur es st or ed on MMC /SD Ca rd s u se a st a nda rd ag ree d u pon by many cam er a man uf act u re rs . Th is le ts yo u use th e ca rd s in di ff er en t c amer as . I f y ou u se a c ar d re ad e r t o re tri ev e yo ur f ile s, th e fo llo w in g d e sc rip ti on o [...]

  • Page 111

    99 Chap t er 11 m I f y ou u se t he car d in a ca mer a ot he r th an the K ODA K EAS YSHARE L S4 43 Zo o m D ig ita l C a m er a, an d th a t c ame ra m a nu fa ct ur er a dh e re s t o th is fil e s tr uc t u re s t an dar d, th e D CI M fol de r co nt ai ns a fo ld er n ame d by t ha t ca m er a. F or m o re in fo rm a ti on , r ef er to t he [...]

  • Page 112

    100 Ch apt er 11 U s i n g th e B att ery m W e r ec o m m en d us in g on ly a K OD A K EA S YS H AR E Li -I on R ec h ar ge ab l e B a tte ry o r e q ui va len t 3. 7V L i- Io n. N ot al l ma nu fa c tur e r ’ s 3. 7V L i -I on r ec ha r ge ab le ba tte ri es ar e c om p at ib le w i th t he ca m er a. Da m a ge ca us ed by una ut ho rize d ac [...]

  • Page 113

    10 1 Chap t er 11 E x pected Battery L if e * Ac tu al b att er y lif e m a y va ry b as ed o n us ag e . Po w er- Sa v i ng F eat u r es R e gulat ory In form ation FC C Co mpli a nce a n d Advi so ry T hi s de vi ce c om p li es wi th P ar t 15 o f t he F CC R ul es . Ope ra t io n is sub ject to th e fo llo w i n g tw o co nd it io ns : 1 ) th i[...]

  • Page 114

    102 Ch apt er 11 T h is e qu ip m en t h a s b ee n te s ted a nd fo un d t o c om p ly w ith th e li m its fo r a C la ss B di gi t al dev i ce, pu rs ua nt t o P ar t 15 of th e FC C Rul e s. The se l i mi ts ar e de sign ed t o pr ov id e re as on ab le p ro te ct io n ag ai ns t h a rm fu l in ter fe re nc e in a re s ide n tia l i ns ta lla ti[...]

  • Page 115

    103 Ind ex A ab ou t cam era inf or m atio n, 61 pi c tu re , v id e o, 49 AC ad ap ter , 5 acc es s o r ies, bu ying, 89 ad justi ng exp osu r e co mp en sa tio n, 27 pi c tu re qu a li ty, 2 9 ad va nce d d igit al z o om , 61 ar r ow bu tto ns , ii au to fla sh , 2 2 fo cus f ram ing m arks , 2 0 fo cus L ED, 14 , 5 8 po w er -do w n, 10 1 B ba [...]

  • Page 116

    104 Inde x tr ans f e r ri ng pi ct ur e s, 70 US B c o nn ec ti o n, 68 usi n g , 67 Ca n ad i an co m p li a n ce , 10 2 card, me mo ry , 9 8 ca r ing for y o ur cam er a, 96 ch an gin g p ictu r e, vid eo l oc a tio n, 11 ch argin g Ba t tery P ack, 71 ch ar gin g l igh ts, C a m era Do c k, 7 1 ch eck in g lo cati on s etti ng, 12 ch eck in g p[...]

  • Page 117

    10 5 Ind ex E EASYS HARE So ftware, in s talli ng, 63 em a ili ng pic tur es , vi de os, 5 3 erro r messag e s , 8 1 exp os ur e comp ensat ion , 2 7 lon g t im e , 3 4 exp os ur e m ete rin g, 31 e x t er na l v i d e o de v i c e se tti ng v i de o o ut , 58 viewin g p ict ures, video s , 4 7 F favo r i tes , t aggi ng for, 54 FCC co m pli anc e,[...]

  • Page 118

    106 Inde x f or m atti ng, 60 set tin g pi ctu re, v id eo lo c a ti o n, 11 sto r age capa city , 97 ISO s p eed , 3 3 K KO DAK EA S YSH AR E So f twa r e ge ttin g h elp, 8 9 i ns tal lin g , 6 5 tr ans f e r ri ng pi ct ur e s, 72 u pgra din g, 9 6 Ko da k w e b s i t e s, 8 9 L la ngu age, s ett ing, 59 LC D disp l ayi ng langu a ges, 59 err o [...]

  • Page 119

    107 Ind ex file na me co nv en tio ns , 9 8 form at tin g, 6 0 inse rt ing , 1 0 prin tin g f rom , 7 3 pr o ble ms , 80 se tti ng p i ct ure , vide o loc atio n , 11 storag e cap aci ties , 97 mo de d ia l , 6 m on itor , r equ irem en ts , 6 3 N N TSC , vid eo ou t se t tin g, 5 8 O OK bu tto n, 7 o nl i ne pr i n ts , o r de r i ng , 73 op tica [...]

  • Page 120

    108 Inde x p r od uct ov er v ie w , ii pro t ect i ng pi c t ur e s, vi de os , 4 5 Q q ual ity p r int , d igit al z o om , 2 1 se t tin g , 2 9 q uic kv iew , 3 8 tu r n in g o f f , 5 6 usi n g , 19 , 3 8 R R ead M e fi le, 75 ready l i gh t ca me r a , 1 3 Ca me ra Doc k , 84 re c yc lin g, d ispo sal, 96 r e d- ey e, f la s h , 2 2 re g ulat [...]

  • Page 121

    10 9 Ind ex reso luti on , 29 se lf- tim er , 24 , 4 0 v ide o o ut , 5 8 se tu p m o de , us in g, 55 sha r e bu tto n, 51 shu tof f, a uto , 1 01 shu tter pr o ble ms , 76 se lf- tim er d ela y , 24 , 4 0 so un ds, 5 7 tak ing pi c tu re s , 13 sleep m od e, 1 01 slid e sho w con tin uo us loo p , 47 pr o ble ms , 78 ru n ni ng , 46 sof tware get[...]

  • Page 122

    110 Inde x t r ou bl e sho ot i ng ca me r a , 7 5 ca me ra co mm u nic atio ns , 79 Ca me ra Doc k , 86 ca me ra r ead y lig ht, 84 LC D m essage s , 8 1 MMC /S D car d , 8 0 tu rni ng cam er a o n a nd of f, 7 U u pgra din g so ftwar e, f irmware , 9 6 UR L s, Ko dak w e b si tes , 8 9 V vi deo mo de, us i n g, 37 vid eo ou t, se ttin g, 5 8 vi d[...]