Line 6 Flextone Cab 212S manuel d'utilisation

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Le mot vient du latin "Instructio", à savoir organiser. Ainsi, le manuel d’utilisation Line 6 Flextone Cab 212S décrit les étapes de la procédure. Le but du manuel d’utilisation est d’instruire, de faciliter le démarrage, l'utilisation de l'équipement ou l'exécution des actions spécifiques. Le manuel d’utilisation est une collection d'informations sur l'objet/service, une indice.

Malheureusement, peu d'utilisateurs prennent le temps de lire le manuel d’utilisation, et un bon manuel permet non seulement d’apprendre à connaître un certain nombre de fonctionnalités supplémentaires du dispositif acheté, mais aussi éviter la majorité des défaillances.

Donc, ce qui devrait contenir le manuel parfait?

Tout d'abord, le manuel d’utilisation Line 6 Flextone Cab 212S devrait contenir:
- informations sur les caractéristiques techniques du dispositif Line 6 Flextone Cab 212S
- nom du fabricant et année de fabrication Line 6 Flextone Cab 212S
- instructions d'utilisation, de réglage et d’entretien de l'équipement Line 6 Flextone Cab 212S
- signes de sécurité et attestations confirmant la conformité avec les normes pertinentes

Pourquoi nous ne lisons pas les manuels d’utilisation?

Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage Line 6 Flextone Cab 212S ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles Line 6 Flextone Cab 212S et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service Line 6 en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées Line 6 Flextone Cab 212S, comme c’est le cas pour la version papier.

Pourquoi lire le manuel d’utilisation?

Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif Line 6 Flextone Cab 212S, l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.

Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation Line 6 Flextone Cab 212S. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.

Table des matières du manuel d’utilisation

  • Page 1

    User Manual for the full line of Flextone Series Digital Guitar Amplifier Systems, including: Flextone - 60 W att Mono 1 x 12" Combo Flextone XL - 100 W att Stereo 2 x 12" Combo Flextone Duo - 100 W att Stereo 2 x 10" Combo Flextone Plus - 100 W att Stereo 1 x 12" Combo Flextone Cab - 1 x 12" Satellite Cabinet for Flextone[...]

  • Page 2

    Flextone Manual Rev E; bookfile Page 2 Tuesday, September 8, 1998 10:31 AM[...]

  • Page 3

    SERIAL NO: Y OU SHOULD READ THESE I MPORTANT S AFETY I NSTRUCTIONS K EEP THESE INSTRUCTIONS IN A SAFE PLACE The serial number can be found on the Flextone back panel. Please note it here for future reference: This equipment is UL listed (file no. E174693) for UL 6500 and CAN/CSA-E65-94 safety standards. C A UTION: T o reduce the risk of fire or e[...]

  • Page 4

    Flextone Manual Rev E; bookfile Page 4 Tuesday, September 8, 1998 10:31 AM[...]

  • Page 5

    CHAPTER 1: Q UICK S TART G UIDE “Manual? I don’t need no stinking manual!” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1•1 I NTRODUCTION Register And Get Great Free Stuff! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1•1 Get On-lin e . . . . .[...]

  • Page 6

    Flextone Manual Rev E; bookfile Page 6 Tuesday, September 8, 1998 10:31 AM[...]

  • Page 7

    Q UICK S TART G UIDE : “M ANUAL ? I DON ’ T NEED NO STINKING MANUAL !” 1 • 1 Q UICK S TART G UIDE or: “M ANUAL ? I DON ’ T NEED NO STINKING MANUAL !” 1 . T urn the C HANNEL V OLUME and M ASTER V OLUME cont r ols all the w a y d o wn to z e r o . 2 . If y ou ’ v e got an H D , hook up y our cabinets , foll o wing the di r ections in [...]

  • Page 8

    Q UICK S TART G UIDE : G ET O N - LINE 1 • 2 important that you fill that registration card ou t right n o w , and send it to us in the mail. How come? W ell, for one thing, it gets you all set up for warranty service should you ever have a problem with your Line 6 product. It also insures that we will be able to contact you if new software vers[...]

  • Page 9

    I NTRODUCTION : F LEXTON E ! M EET THE F LEXTON E .... 1 • 3 I NTRODUCTION F LEXTONE ! M EET THE F LEXTONE .... Thanks for buying a Flextone, the flexible Digital Guitar Amplifier System with the killer tone (and you were wondering how we came up with the name). There ’ s a bunch of stuff we have to talk about and only a few pages to do it in[...]

  • Page 10

    I NTRODUCTION : F LEXTON E ! M EET THE F LEXTON E .... 1 • 4 Flextone Series: value-packed amps with a whole new kind of tonal flexibilit y . A MP M ODELS The T ube T one process allowed Line 6 to create softwar e Amp Models modeled after a collection of amplifiers recognized by guitarists the world over as true “tone classics.” W e got the[...]

  • Page 11

    G RAND T OUR : F RONT P ANEL C ONTROLS 2 • 1 G RAND T OUR F RONT P ANEL C ONTROLS If you haven ’ t already done so, turn to the inside back cover of this manual and notice that it folds out. Ooh, pretty pictures! The idea is to have this essential pictorial reference always opened out while you’re thumbing through the manual. And then you can[...]

  • Page 12

    G RAND T OUR : F RONT P ANEL C ONTROLS 2 • 2 switched on and off when you hold the T ap T empo button. The detail is in th e T a p T e m p o section that begins on the opposite page.... Channel V olum e - This knob controls the relative volume level of the channel you are playing through. Use this to balance levels between the setups you store in[...]

  • Page 13

    G RAND T OUR : F RONT P ANEL C ONTROLS 2 • 3 position of every Flextone knob (except the Master V olume) is stored into the channel memory when you save a channel. Y ou can also save and recall your Flextone channels hands-free when you use the optional Floor Board or FB4 foot controllers (se e That ’ s Usin g Y our F eet in Chapter 6 for more [...]

  • Page 14

    G RAND T OUR : R EAR P ANEL 2 • 4 is just the same as turning on the Dri v e Boost from the Floor Board (details in Chapter 6 ). As you do this, the Channel B light comes on if you turn the Drive Boost on. Hold down, and k eep holding d o wn , the T ap T empo button as you turn the T r eble knob up past twelve o’clock, and you get a Presence bo[...]

  • Page 15

    G RAND T OUR : R EAR P ANEL 2 • 5 Extension Cabinet ( on the Flextone Plus only ) - This connection is for the Flextone Cab or other 8 W speaker cabinet onl y . F oot P edal Connector - This jack that looks like a telephone connector on steroids is where you connect the Floor Board or FB4 foot controlle r . If you have a Flextone HD, be sure to s[...]

  • Page 16

    G RAND T OUR : F LEXTONE F LAVORS 2 • 6 F LEXTONE F LAVORS In case you haven ’ t noticed, the Flextone actually comes in several different flavors. Here ’ s what each one ’ s got, starting with the compact combos: The Flextone - Mono, 60 watt setup with a single 12-inch speake r . The Headphone/Di r ect Out and Effect Send and Effect Retur[...]

  • Page 17

    M ODELED A MPS : W HICH A MPS A RE M ODELE D ? 3 • 1 M ODELED A MPS W HICH A MPS A RE M ODELED ? Note : For the following description of the T ube T one Amp Models, and other references that you will find throughout this manual, please be aware that Fende r , Marshall, V ox, Boogie, Soldano, Peave y , Roland, Matchless, Arbite r , ADA, Leslie, a[...]

  • Page 18

    M ODELED A MPS : W HICH A MPS A RE M ODELE D ? 3 • 2 T w eed Blues - The classic Fender Bassman 4x10 combo was the amp that started it all – instant rock and roll tone. Originally a bass guitar amp, the Bassman became a Blues staple for 6-string guitarists. It has the fat bottom end you’d expect from a bass amp but also has the Fender twang o[...]

  • Page 19

    M ODELED A MPS : W HICH A MPS A RE M ODELE D ? 3 • 3 Modern Clas s A - The Matchless Chieftain, which was studied for the Modern Class A selection, is a very expensive handmade amp. Originally designed to sound like a top-boost V ox AC 30, the Matchless doesn ’ t exactly have a V ox sound, but something unique (largely due to the complicated EQ[...]

  • Page 20

    M ODELED A MPS : W HICH A MPS A RE M ODELE D ? 3 • 4 sound-a-whole-lot-like-the-original” concept, is set up to do pretty darned near the same thing. Max out the Mid and T reble knobs and turn Bass to about 9 or 10 o’clock on the Flextone when using this Plexi-inspired Amp Model and you can treat those nice neighbors to a tasty slice of fat r[...]

  • Page 21

    M ODELED A MPS : F LEXTONE S IGNATURE S OUNDS 3 • 5 F LEXTONE S IGNATURE S OUNDS While T ube T one modeling was first developed to allow Line 6 to capture classic tones for our Digital Guitar Amplifier Systems, it also has opened the door for us to create unique new tones not possible with conventional hardware – that ’ s where this whole s[...]

  • Page 22

    M ODELED A MPS : F LEXTONE S IGNATURE S OUNDS 3 • 6 variant of the Flextone Drive. The Drive knob acts as a blender control – fully left you’ve got big bottom 21st Century Clean, and fully right you’ve got paint-peeling Ultra-drive. Set it anywhere in between, and you get to have your cake and smear it all over your audience, too. Fuzz - Al[...]

  • Page 23

    F LEXTONE E FFECTS : O NBOARD E FFECTS 4 • 1 F LEXTONE E FFECTS O NBOARD E FFECTS In addition to all the great Amp Models built into the Flextone, there are some great sounding effects. T o pick which effect you want to hea r , turn th e Effect Knob ( ). Then, you can control the character of the effect you’ve chosen by tapping on th e T ap T e[...]

  • Page 24

    F LEXTONE E FFECTS : O NBOARD E FFECTS 4 • 2 Chorus - Y ou’ll find two different chorus sounds in the Flextone. Chorus 1 is modulated by a square wave, so it sounds more like a “rack” type chorus. Chorus 2 is modulated by a sine wave with more feedback, so it has a richer harmonic content with more movement. Chorus 2 was massaged to closel[...]

  • Page 25

    F LEXTONE E FFECTS : O NBOARD E FFECTS 4 • 3 sounds. Most times that you use Dela y , th e Effect T w eak knob controls the Delay level. In a final moment of brilliance before finalizing the Flextone software ’ s final details, we realized it would be really handy to let you set the maximum delay level high enough that your Delay ’ s echoe[...]

  • Page 26

    F LEXTONE E FFECTS : C OMBINED E FFECTS 4 • 4 C OMBINED E FFECTS The rest of the effects are combinations o f D ELAY and one other effect. They should be fairly self-explanator y . Y ou’ll note that th e T ap T empo control generally sets the delay speed - Delay/ T remolo is the one exception to this rule. Del a y/Comp r essor - T w eak control[...]

  • Page 27

    C REATING & S TORING S OUNDS : U SING THE M ANUAL C HANNEL F EATURES 5 • 1 C REATING & S TORING S OUNDS U SING THE M ANUAL C HANNEL F EATURES When you are in the Manual Channel of the Flextone, all of the controls are active and the sound of the amp always reflects the knob settings. Sounds just like any ordinary guitar amp, doesn ’ t [...]

  • Page 28

    C REATING & S TORING S OUNDS : E DIT M ODE 5 • 2 Sheet on the back of the Flextone manual and write down his settings. (Perhaps we can learn a valuable lesson from this: always back up your work!) Do you have to give up your dreams of rock and roll success and spend the rest of your life flipping burgers? Luckil y , we thought this one throu[...]

  • Page 29

    C REATING & S TORING S OUNDS : T HE P RESET R ESET B UTTON 5 • 3 T HE P RESET R ESET B UTTON If, for any reason, or just for the sheer mad joy of it, you decide you need to reset the Flextone to the factory channel memories, hold down all 4 channel buttons (A, B, C, and D) and power up the amp. W arning: This will erase ALL user sounds you mi[...]

  • Page 30

    Flextone Manual Rev E; bookfile Page 30 Tuesday, September 8, 1998 10:31 AM[...]

  • Page 31

    T HAT ’ S U SING Y OUR F EET : U SING THE F LOOR B OARD WITH THE F LEXTONE 6 • 1 T HAT ’ S U SING Y OUR F EET Y ou really get the most out of your Flextone with a foot controlle r . T wo different foot controllers can be used with your amp: Line 6 ’ s Floor Boa r d and FB4 . FLEXTONE HD OWNERS, LISTEN UP : After reading this chapte r , be s[...]

  • Page 32

    T HAT ’ S U SING Y OUR F EET : U SING THE F LOOR B OARD WITH THE F LEXTONE 6 • 2 T WO M ODES The first thing to know is that the Floor Board has two Modes of operation: Channel Select Mode, and Effect On/Off Mode. Th e Mode Select switch ( ) chooses which mode you’re in. Mine Looks Funny: Y our Floor Board may look a little different than th[...]

  • Page 33

    T HAT ’ S U SING Y OUR F EET : U SING THE F LOOR B OARD WITH THE F LEXTONE 6 • 3 display ( ) will show you. T o switch between your Preset and User Banks bring your foot around to step on both of the Bank Select switches at the same time and you’ll be transported instantly from one region of time-space to the othe r . T ripp y , huh? Channel [...]

  • Page 34

    T HAT ’ S U SING Y OUR F EET : U SING THE F LOOR B OARD WITH THE F LEXTONE 6 • 4 T ap T empo No w , then, how about that handy T ap T empo thing on your Flextone? Sure would be nice to be able to change the speed of your effects without taking your hands off your guita r , wouldn ’ t it? That ’ s what th e T ap T empo ( ) foot switch is fo [...]

  • Page 35

    T HAT ’ S U SING Y OUR F EET : U SING THE F LOOR B OARD WITH THE F LEXTONE 6 • 5 that way all the time), hang some gold chains around your neck, and get ready to party! Y ou can do subtle things with the wah pedal too, like turning it on just a tiny bit and leaving it there, just barely caressing your sound. But then, that ’ s not as much fun[...]

  • Page 36

    T HAT ’ S U SING Y OUR F EET : U SING THE F LOOR B OARD WITH THE F LEXTONE 6 • 6 Disto r tion The Disto r tion on/off switch works kinda like a distortion pedal. W ith a distortion pedal, you kick the Distortion on, and your sound is more distorted. Y ou kick it off, and your sound is less distorted. Same thing here. What this does in actuality[...]

  • Page 37

    T HAT ’ S U SING Y OUR F EET : U SING THE F LOOR B OARD WITH THE F LEXTONE 6 • 7 Del a y The Del a y on/off switch turns your Delay effects on – light on. Or off – light off. R e v erb Bet you can guess this one alread y . Light on – reverb-o-rama. Light off – bone dr y . Effect On/Off Settings Sto r e d With P r o grammed Channels OK, [...]

  • Page 38

    T HAT ’ S U SING Y OUR F EET : U SING THE FB4 WITH THE F LEXTONE 6 • 8 U SING THE FB4 WITH THE F LEXTONE The FB4 gives you basic control over channel switching on the Flextone. W e tried to make it as simple as possible. T urn off the Flextone. Connect the FB4 to the Flextone with the thoughtfully-included connection cable. T urn on the Flexton[...]

  • Page 39

    Insid e Y our Head: T HE F LEXTONE HD 7•1 I NSIDE Y OUR H EAD T HE F LEXTONE HD If you’re the proud owner of a Flextone HD, this chapter ’ s just for you. While the Flextone HD is much like its combo amplifier brethren, there are important features and functions that set the HD apart. They are detailed herein: F RONT PANEL If you look closel[...]

  • Page 40

    Insid e Y our Head: E FFECTS L OOP 7•2 environments (like that MTV Live gig you’re booked for in the Gobi Desert). T HE FLEXTONE HD COOLING FANS WILL NOT TURN ON UNTIL THE AMPLIFIER GETS HOT – THIS IS NORMAL . Excessive heat that turns on the fans can occur because of high output volume settings, intense stage lighting, outdoor weather condit[...]

  • Page 41

    Insid e Y our Head: E FFECTS L OOP 7•3 So, your HD creates the basic tone, and then that tone is sent out to the effects loop for further “seasoning,” and finally the seasoned sound is returned back to the amp for final output. In the HD, that seasoning can be applied in two ways : series or parallel ... S ERIES VS . P ARALLEL In a series e[...]

  • Page 42

    Insid e Y our Head: U SING THE E FFECTS L OOP 7•4 U SING THE E FFECTS L OOP The back panel of the HD shows an illustration of part of the HD signal flo w , including the Effects Loop. As you can see, the series/parallel switch controls whether (1) some sound flows directly through the amp, bypassing the effect loop (this would be parallel), or [...]

  • Page 43

    Insid e Y our Head: D IRECT O UTPUTS 7•5 S ETTING E FFECT L EVELS The amount of effect you hear is controlled by the output volume of your effect. Y ou want to turn it up enough to get a good healthy signal into the HD for amplification, but not so much that it distorts. If y ou ’ r e using the effect loop in parallel , be su r e to set the mi[...]

  • Page 44

    Insid e Y our Head: D IRECT O UTPUTS 7•6 if you crank up the HD ’ s Master V olume you don ’ t blow M r . Sound Man away since the direct outs are independent of Master V olume. Do whatever you would do with a microphone output in your recording or live setup – run into your preamp and then to tape. Or plug into the mic snake at the club to[...]

  • Page 45

    Inside Y ou r Head: 7•7 F LOOR B OARD , M ORE M EMORIES , & MIDI The Floor Board is the powerful, customized foot controller from Line 6 designed to be the perfect companion for your Flextone HD. Y ou can read all about it, and its little brother the FB4, in the main Flextone User Manual. In comparison to the Flextone combos, here are a coupl[...]

  • Page 46

    Insid e Y our Head: F LOOR B OARD , M ORE M EMORIE S , & MIDI 7•8 MIDI P ROGRAM C HANGE & F LEXTONE C HANNELS A MIDI program change command is sent on MIDI Channel 1 when you select a channel from the HD front panel, the FB4 foot controlle r , or the Floor Board foot controlle r . Store effect setups into your effect processor at specifi[...]

  • Page 47

    Insid e Y our Head: F LOOR B OARD , M ORE M EMORIE S , & MIDI 7•9 MIDI P r o gram Chan g es & Flextone Channels – Visua l Aid HD Channel MIDI P r o gram HD Channel MIDI P r o gram HD Channel MIDI P r o gram User Bank 1 User Bank 6 P r ese t Ban k 1 Channel A 01 Channel A 21 Channel A 37 Channel B 02 Channel B 22 Channel B 38 Channel C 0[...]

  • Page 48

    Insid e Y our Head: C ABINET H OOK - UPS 7•10 C ABINET H OOK - UPS In addition to all of the cool stuff like T ube T one modeling, awesome Direct Outs, and great effects, the Flextone HD offers unmatched versatility and flexibility for powering almost any type of speaker cabinet(s). The type and number of speaker cabs you choose is up to you. Mo[...]

  • Page 49

    Insid e Y our Head: C ABINET H OOK - UPS 7•11 F LEXTONE HD P OWER O UTPUT : The Flextone HD power output varies according to the ohm rating of the speaker cabinet combinations you hook up to it. 4 ohm cabine t = 150 watts per side / 300 watts total ste r eo 8 ohm cabine t = 100 watts per side / 200 watts total ste r eo 16 ohm cabine t = 60 watts [...]

  • Page 50

    Insid e Y our Head: C ABINET H OOK - UPS 7•12 M ONO /S TEREO D ETAIL Remember that when you use only the Left/Mono speaker output, the effects switch to mono. This also effects the Direct Outputs – they switch to mono, too (ya get the exact same thing on both jacks). If both left and right speaker outputs are in use, or neither are connected, t[...]

  • Page 51

    Insid e Y our Head: C ABINET H OOK - UPS 7•13 hold down the Channel A button on the HD, and the emulator is switched off. Once you’ve turned it on, the emulator will stay on until you clear it with another power up while holding the button, so don ’ t forget to switch it off when you get back to the mondo stack stage setup again! When you fi[...]

  • Page 52

    HD: CABINET HOOK-UP DRAWINGS 7• 14 Flextone Manual Rev E; bookfile Page 52 Tuesday, September 8, 1998 10:31 AM[...]

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    HD: CABINET HOOK-UP DRAWINGS 7•15 Flextone Manual Rev E; bookfile Page 53 Tuesday, September 8, 1998 10:31 AM[...]

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    HD: CABINET HOOK-UP DRAWINGS 7• 16 Flextone Manual Rev E; bookfile Page 154 Tuesday, September 8, 1998 10:31 AM[...]

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    HD: CABINET HOOK-UP DRAWINGS 7•17 Flextone Manual Rev E; bookfile Page 55 Tuesday, September 8, 1998 10:31 AM[...]

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    HD: CABINET HOOK-UP DRAWINGS 7• 18 Flextone Manual Rev E; bookfile Page 56 Tuesday, September 8, 1998 10:31 AM[...]

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    HD: CABINET HOOK-UP DRAWINGS 7•19 Flextone Manual Rev E; bookfile Page 57 Tuesday, September 8, 1998 10:31 AM[...]

  • Page 58

    HD: CABINET HOOK-UP DRAWINGS 7• 20 Flextone Manual Rev E; bookfile Page 58 Tuesday, September 8, 1998 10:31 AM[...]

  • Page 59

    THIS PAGE SHOULD BE LEFT BLANK; DO NOT PRINT THIS TEXT Flextone Manual Rev E; bookfile Page 59 Tuesday, September 8, 1998 10:31 AM[...]

  • Page 60

    A 1 A PPENDIX A: A MP M ODELS Please note that Fende r , Marshall, V ox, Boogie, Soldano, Peave y , Roland, Matchless, Arbite r , ADA, Leslie, and other amplifier model designations, and effects, are all trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These marks and names are used solely for the p[...]

  • Page 61

    A 2 A PPENDIX B: E FFECT P ARAMETERS Effect T ap T w eak Notes Bypass n/a n/a T urns off the effects. Comp r essor n/a Ratio The r e a r e 5 Comp r essor ratios : 1.4:1 , 2:1 , 3:1 , 6:1 , and :1 . Higher setting s “squeeze” y our v olume mo r e . T r emolo T r emolo Speed Depth The t r emolo was designed with the characteristic F ender t r emo[...]

  • Page 62

    A 3 W HO ’ S R ESPONSIBL E ? The Flextone Desig n T eam: While it's true that the whole staff at Line 6 ends up making an important contribution to most every project that we do here, the following folks were most responsible for the main design effort on the Flextone: ENGINEERING Michel Doidic Curtis Senffner Erik V on Ploennies Kevin Duca [...]

  • Page 63

    i 1 # 16 Ohm Cabinets with HD . . . . . . 7•13 A Amp Model s . . . . . . . . . . 1•4, 3•1, A•1 B Bank Down Switc h . . . . . . . . . . . . . . 6•2 Bank Up Switc h . . . . . . . . . . . . . . . . 6•2 Bank s . . . . . . . . . . . . . . . . . . . . . . . . . 6•2 with H D . . . . . . . . . . . . . . . . . . . . 7•7 Bas s . . . . . . . .[...]

  • Page 64

    i 2 F Fans (Flextone HD ) . . . . . . . . . . . . 7•1 FB 4 . . . . . . . . . . . . . . . . . . . . . . . . . 6•8 Flange r . . . . . . . . . . . . . . . . . 4•2, A•2 Flanger 1 . . . . . . . . . . . . . . . . . . . A•2 Flanger 2 . . . . . . . . . . . . . . . . . . . A•2 Flextone Cab (1-12" ) . . . . . . . . . . . 2•6 Cab (1-12"[...]

  • Page 65

    i 3 S Save Button . . . . . . . . . . . . . . 2•3, 5•1 Send for combo s . . . . . . . . . . . . . . . . 2•4 Send for H D . . . . . . . . . . . . . . . . . 7•2 Series/Parallel for H D . . . . . . . . . . . . 7•2 16 Ohm Cabinet s . . . . . . . . . . . . . . 7•13 Small Twee d . . . . . . . . . . . . . . 3•1, A•1 Speaker cabinet hookup [...]

  • Page 66

    THIS PAGE SHOULD BE LEFT BLANK; DO NOT PRINT THIS TEXT Flextone Manual Rev E; bookfile Page 66 Tuesday, September 8, 1998 10:31 AM[...]