Pfaff creative 1467 manuel d'utilisation
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Un bon manuel d’utilisation
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Qu'est ce que le manuel d’utilisation?
Le mot vient du latin "Instructio", à savoir organiser. Ainsi, le manuel d’utilisation Pfaff creative 1467 décrit les étapes de la procédure. Le but du manuel d’utilisation est d’instruire, de faciliter le démarrage, l'utilisation de l'équipement ou l'exécution des actions spécifiques. Le manuel d’utilisation est une collection d'informations sur l'objet/service, une indice.
Malheureusement, peu d'utilisateurs prennent le temps de lire le manuel d’utilisation, et un bon manuel permet non seulement d’apprendre à connaître un certain nombre de fonctionnalités supplémentaires du dispositif acheté, mais aussi éviter la majorité des défaillances.
Donc, ce qui devrait contenir le manuel parfait?
Tout d'abord, le manuel d’utilisation Pfaff creative 1467 devrait contenir:
- informations sur les caractéristiques techniques du dispositif Pfaff creative 1467
- nom du fabricant et année de fabrication Pfaff creative 1467
- instructions d'utilisation, de réglage et d’entretien de l'équipement Pfaff creative 1467
- signes de sécurité et attestations confirmant la conformité avec les normes pertinentes
Pourquoi nous ne lisons pas les manuels d’utilisation?
Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage Pfaff creative 1467 ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles Pfaff creative 1467 et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service Pfaff en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées Pfaff creative 1467, comme c’est le cas pour la version papier.
Pourquoi lire le manuel d’utilisation?
Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif Pfaff creative 1467, l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.
Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation Pfaff creative 1467. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.
Table des matières du manuel d’utilisation
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Page 1
I >19 UO!TDflJ}SUI U LcE ©A©D© ®JJVJd[...]
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Index Operating instructions (Index sewing instructions see page 36/37) Fold out this page B Balancing out and pattern length setting 21. 22 Bobbin winding preparations 4, 5 C Changing the light bulb Changing the needle Changing the sewing foot Checking the bobbin thread tension Checking the needle thread tension Cleaning and oiling Creative comput[...]
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Page 3
MPORTANT SAFETY INSTRUCTIONS rhis sewing machine is designed and manufactured for HOUSEHOLD use only. Nhen using an electric appliance, basic safety precautions should always be followed, ncluding the following: ead all instructions before using this sewing machine. D AIIGER To reduce the risk of electric schock: I. The sewing machine should never[...]
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Page 4
4[...]
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Page 5
Parts of your sewing machine 100 Carrying handle 101 Hinged top cover 102 Hand wheel 103 Stop motion knob 104 Display 105 “Correct/erase” key 106 “Store program” key 107 Master switch 108 Detachable work support with accessory box and compartment 109 Needle plate 110 Sewing foot holder with sewing foot 111 Needle holder with retaining screw[...]
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Page 6
t Electrical connection Lift off the cover. Fold down the carrying handle. Compartment A con tains foot control, power cord, and Instruction Book. Open cover 101. Plug in the machine. 2[...]
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Page 7
D CD 0 C, 0 —4 -1 CD 0 CD C)30 C) CC, — o :z CD DO 0 0 :- C) _ C) a CD_. — D N / cc D = 0 CD C) 0 a 0 C 0 CD 0 0[...]
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Page 8
Bobbin winding preparations: Reach under the work support and swing it out toward the left. Open free arm cover 1 27. seIatchAandkeouUhe / I 4[...]
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Page 9
4 N Place the bobbin on winder 121 and turn it until pin A engages in slot B. I Disengaging the sewing mechanism: Hold the hand wheel steady and turn knob 103 towards you. Swing the second thread spool holder towards the back. Push a spool of thread and the small unreeling disc C onto the holder.[...]
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Page 10
thread. Important: It is not possible to wind the bobbin when the MEM memory is selected and when it is empty. Before winding is begun, a program between 00 and 50 must be selected. When winding from a thread spool with thread slot, the slot must point to the right of the spool holder. I Engaging the sewing mechanism: Hold the wheel firmly, turn di[...]
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Page 11
Winding through the needle )nIy with metal sewing tootl witch on master switch. Swing bobbin winder thread guide 136 forward. Raise the sewing foot with the needle ti “up” position. Push the bobbin onto winder 121. Disengage the sewing mechanism. Draw the needle thread under the sewing foot, to the right, and through thread guide 136 (into slot[...]
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Page 12
4 inserting the bobbin: insert bobbin sc that thread unwinds towards the back (A). Draw the thread into slot B and into eye C. Checking the bobbin thread tension: With a brief, sharp upward movement of your hand the bobbin must gra dually slip downwards. (Turn screw 0 to the right for stronger tension and b the left for weaker tension). 4-[...]
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Page 13
N Inserting the bobbin case: Switch off master switch 107. Raise latch A and push the bobbin case onto stud B as far as it will go, making sure cutout C points upwards. Placing spool of thread on pin: Pace the small or medium-size unreeling disc D in front of small spools, and the large disc E in front of large spools. 4 4[...]
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Page 14
Upper threading: Switch of f master switch 107. With the needle in its top position, raise the sewmg foot. Draw the thread into slot A, to the left past guide C, from below into slot B and takeup lever 134 (see arrows), then back into slot B and into the right thread guide on the needle holder. Place the needle thread behind hook D and hold it ther[...]
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Page 15
Swing threader in to needle. Swing threader back, release thread at same time and let threader move back up Then pull the thread fully through Place thread into hook E.[...]
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Page 16
ta-p CD CD— CDCD5 CD. oTa- P CD CDCD- CD.m CD CD CD CD ta) I ar CD” OC 4 4 C) 0 CD CD CD CD 3 0 0 CD N[...]
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II I II I LH 4 Swing back work support 108. Switch off master switch 107. Place fabric under sewing foot, N To insert extrathick fabric plies raise lever 118 higher. /17 - , , Switch on master switch. Lower presser bar lifter 118. (Position A” is the darning position.) J 4[...]
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Page 18
Important! The following is essential for obtaining good sewing results: 1. The needle must be in order. 2. The needle- and bobbin thread tensions must be right. The bobbin thread tension has been correctly set at the works. If after checking of the bobbin thread tension (see p. 8) a correction is necessary, the adjusting screw must only be turned [...]
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Page 19
4 Raise presser bar litter 118. Remove the fabric at the rear. 4 Thread cutter 141: Pull the threads through in the direcfion of the arrow. N 15[...]
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Page 20
Dual feed It prevents shifting of the material plies during sewing. Before engaging or disengaging the dual feed always raise the sewing foot. To engage: lower top feed 135 until it snaps in place. To disengage: push top feed lightly downwards, pull it towards the rear and let it move upwards. 4[...]
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Page 21
Operating keys of the &ectronic system These are described on the foIowing pages. 17[...]
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Page 22
Electronic top speed selection: When you press “sew slow” key 114, the indicator light goes on and the machine sews at half its speed. When you press key 114 again, the light goes out and the machine again sews at top speed. Tie-off/buttonhole/single pattern: When you press key 116, the indicator light goes on and the programmed seam is tied of[...]
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Page 23
Operation of the Creative computer _ prog 1 ____ ___ fhe Creative computer 04 Display 19 Program display 39 Program keys 40 Stitch width keys 05 “Correct/erase” key 106 “Store program’ key 122 “Pattern mirroring” key 123 “Pattern start” key 124 Balancing-out & pattern length keys 125 Stitch length & pattern length keys and p[...]
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Page 24
i ri iml prog o o o Program seIection When the Creative is switched on, pro gram -00-appears in display 119. Enter the required number in program dis play 119 using program keys 139, The alphabet and number symbols are selected with the left key, while letters and numbers are selected with the right key. Stitch width setting The stitch width ranges[...]
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Page 25
t 7/li L/Wi prog () 0 ELELj ()O10 9442 &&& 21 Stitch length and pattern length setting: Key 125 has three functions: 1. Stitch length selection. The stitch length ranges from 0 to 6 mm. A part of the programs has a limited stitch length. 2. Pattern length selection in pro grams 22 to 39. The pattern length range selectable depends on th[...]
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Page 26
Balancing out or reverse stitch correction _____________________ Balancing out serves to correct pat- [ 1 tern- or program combinations which [ f I I I4Lj I I I lj i are sewn with a slight shift owing to influences by the type of material or prog o working method used. The stitch length of the reverse stit- t9 4 P ‘ & & & & minus [...]
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Page 27
/ Storing program combinations: Working with combinations of pro grams 00 to 50 and with letters and figures. 36 letters and figures can be stored in the MEM memory consecuti vely. It is also possible to store 12 pro grams from the series 00 to 50 indica ted on the inside top cover in the MEM memory. Letters and figures can be combined with the pro[...]
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Page 28
t Sewing single patterns: Before and after sewing start key 116 must be pressed. The machine then sews a pat tern and ties it off at the beginning and end. Twin-needle sewing: If symbol A is lit the stitch width must be reduced. When symbol A has gone out, the pro gram can be sewn with the twin needle, There are programs which can not be sewn with [...]
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Page 29
[ii.wzJ 42 prog <>o T o o o ____ i//i/i/i/i//i I Pattern-start setting Press “pattern start” key 123. A pat tern or a combination in progress is reset to the start. - —-—-- — - -=-----———- --- Straight-stitch sewing ______ _______ Program 00 is straight stitch with 13 needle positions. L±i LLLLI I Program 02 is the triple str[...]
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Page 30
4 Zigzag sewing: Program 10 is a zigzag stitch with the needle in center position. ______________________ Program 11 is a zigzag stitch with the needle starting out from the right needle position. Select stitch width of 0,5 to 6.0 mm with key 140, Set the required stitch length with key 125. —_ Some safety rules valid for United Kingdom only The [...]
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( 0Dm a -m —0 0 D 00D D(0 0 -.4[...]
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N 1481 81B PJUMO1 4fl0 T! 6U!MS pu ljoddns NJM 8 JapUfl qO81[...]
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Page 33
t Detachable work support and acces sories: The work support can be lifted out (A). Open its lid and take out accessory box C. Underneath the box is an accessory compartment B. Illustration D shows how to arrange sewing feet, needles and bobbins in the accessory box. Sewing feet (standard accessories) O Ordinary sewing foot 1 Fancy-stitch foot, for[...]
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Page 34
4 Removing sewing foot: switch off ma ster switch 107. Needle must be raised. Push the sewing foot downwards at the front. The foot snaps out. To change the buttonhole foot, first pull the runner of the foot fully to the front and than swing the work support to the left. Fitting the sewing foot: Lower lifting lever and locate foot so that pins A en[...]
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Page 35
N Cleaning and oiling Pull out the mains plug. Tilt the needle plate up at the back (A) and remove it (B). Clean the feed dog and the parts in the vicinity of the sewing hook with a soft brush. Clean the bobbin thread monitor as instruc ted on page 113. After 15—20 opera tion hours, only apply a drop of oil in the hook raceway (see illustration).[...]
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Page 36
4 Important Replacing the fuse Pull out the mains plug. Turn fuse hol der A left a quarter turn with a screw driver, release it and take it out. Pull out fuse 8. Insert a new fuse in the hol der, replace the holder, push it in with the screwdriver, then turn it right a quarter turn. (The fuse type is F2A.) 1 10-volt machines have no fuse. / 32 When[...]
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Page 37
Special accessories The special accessories listed below are intended for special sewing work. They can be obtained fror -our dealer at an extra charge. 4_ Special accessories Part No. Sewing Operation Appliqué foot 93-042 941-91 For appliqué work Binder 98 053 484-91 For binding edges (remove sewing foot holder) with tape Cording foot, 5 grooves[...]
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Page 39
Congratu’ations! Your new PFAFF Creative makes you the owner of one of the world’s finest sewing machines. It is a high-quality machine possessing a large number of outstanding features which other sewing machines do not have. From the vast range of sewing possibilities offered by this machine we have compiled ideas and suggestions for you. The[...]
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Page 40
ndex Sewing instructions F Appliqué work 59 Fagotting stitch for corsetry Assembly and serging seams 91,92 Fault finding 112, 11: Fringe seams 5 Balancing out letters and numbers 72 H Basting 76 Hemstitching 51 Binding edges 96 Honeycomb stitch 93, 94 Binding edges with non-woven tape 96 Blind stitch 97 I Buttonholes 102—106 Inserting lace 50 In[...]
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Page 41
rnamental seams on leather F vercasting stitch (verlock stitch with edge thread effect attern mirroring F ogram possibilities F rogramming letters and numbers F rogramming names together with itches ogramming the computer uilting ecommended machine settings oIled hem, roll hemmer ecuring hems with the twin needle electing the MEM-memory erging with[...]
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Page 42
00 01 02 03 04 05 06 07 08 09 20 21 22 23 24 I I 111 /41 / ‘ç< 1)’ i /i c I 1 III / , ! J —s / - I I iii I _;Pck,’: (—> I <.> <—> V Th /V % i7’j . ./ ‘ 25 26 27 28 29 40 41 42 43 44 ç c* k2 .ti I -i / (_ ,-“ I — / I- ,4 j L] ) 10 11 12 13 14 15 16 17 18 19 30 31 32 33 34 —.— L- “‘ ‘ I 35 36 37 38[...]
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Page 43
Machine settings recommended The box above every description of the sewing jobs illustrated on the following pages contains the machine setting recommended and the sewing foot best suited for the respective sewing job. The individual symbols stand for: prog e. g. straight stitch 00 Dual feed engaged or Dual feed disengaged Recommended needle 3— 5[...]
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Page 44
Multi-colour embroidery These multi-colour embroidery possibilities se limits to your imagination. Carried out with gr: devotion to detail, colour and decorative effect multicolour embroidery gives your clothes 1 stamp of your personality. The following pages are intended as an inspr tion for ornamentation of dresses, blouses ar other garments with[...]
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Page 45
Ornamental borders You can give free rein to your creativity by combi ning various patterns. The ornamental borders illustrated on this page and described below are intended as a stimulus to your imagination. For sewing ornamental borders we recom mend using the fancy-stitch sewing foot No. 2. • Place tissue paper under the fabric. This will help[...]
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Page 46
Border 1 { prog I (J - 24 22 43 -3+ 2 First workstep, centre motif • Select program 24 • Needle in down position Sew the programmed stitch pattern, as illusi ted. Shortly before you reach the end of h seam, press the “tieoff/buttonhole” key. At h end of the pattern the needle remains dowr the material. Turn the fabric through 1800. • Sew [...]
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Page 47
prog c1 1j 04 31 43 —3+ 2 Begin by tracing the pattern on a piece of paper, then transfer it onto the fabric. First workstep, stems • Select program 04 and sew along the traced lines. Second workstep, leaves • Select program 43 • Stitch width 4.5 mm • Pattern lengths 12 — 10— 9.0— 8.0 (key 124) • Sew the leaves, starting at the st[...]
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Page 48
Border 1 prog -- ((3 JJ 41 33 36 - 3—5 2 When tracing the scallops make sure their size corresponds to the pattern length of the program selected. Try the pattern out on a fabric scrap first. First workstep, outside edge • Select program 41 • Stitch width 6.0 mm • Pattern length 10 (key 124) • Press “needle down” key Sew the selected [...]
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Page 49
- -.7 ,,7 .-- ‘ -. j -4 -4 7 . .- .T’ .‘ 7* *-4,-4. -4.--’ . r 4 .--•: L ...j - ---: 74 - . . 7. - . . .- 7 -- — . 1,)4 -. 3 Sewing monograms with the embroidery foot A r I I I prog Thread: embroidering/darning thread Clear-lined block letters or monograms made by combining different ornamental patterns can be sewn without any difficult[...]
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Page 50
4 40 (;rOSs-stitCh pattern available, aid sew your own pattern. • ii 4w Itie cross-stitch pattern on graph pa Fig 1). • iter the number of cross stitches for ev r pattern sequence in the MEM-memory. If the stored program is no longer requin d cancel it in the MEM-memory by pressing t ii. mem — key (see page 62). • Fancy-stitch foot No. 2 ha[...]
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Page 51
...‘. a. • fl t:” 1 b: • ri I: ptit i•. • .•.•.• • I II I I 4 S . S I S lb I Sb S SI lb :bb • iS I li I II S S I I S S I IS II S S ‘ g:bi : I ..:: :‘455,15:1;5 V j1!1 1 ’Yi • lIf I Ii .. •i.ii •.IIIi S )IISIIIIIISISIIII IbStISeS IC C IS’. % •...• .. . • . ..;: .5111 :...:r.... •.; ...L... .,..:.. lSflIS5I[...]
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Page 52
0) co 1t fl 42% 7 9i 4 2[...]
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Page 53
With the cross-stitch program you can sew many beautiful borders, monograms and other embroi dery motifs. -z:LJLTz1 37371 —3+ 2 --S Enter the following programs in the computer by pressing the mem + key: • 4x37 • 1 X 37i pattern mirroring Sew the pattern along the traced line. At the end of the pattern, turn the material and sew back to the s[...]
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Page 54
Border 1 prog ‘1 - - ‘, 1l — Enter the following programs in the compute pressing the mem + key: • 1x37 • 3 x 37i pattern mirroring • Sew the pattern along the traced line. At (I end of the pattern, turn the material and back to the starting point, matching the terns (Fig. 1). Border 3 -- cJ 11 L7 -3+ 2 Rrst workstep, centre motif Enter[...]
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Page 55
Linen embroidery Plain embroidery on linen is a widely known and popular ornamentation. The patterns illustrated can be made on your Pfaff Creative in a very short time by combining various kinds of stitches. Transfer the pattern illustrated onto the face side of the fabric either by ironing it on (iron-on pat tern) or with the aid of tracing paper[...]
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Page 56
e S S S S S S S S S S S 5 • e s S S Eyelet embroidery with the eyeletting plate (special accessory) r ——‘ prog 11 — 2—3 remov Key: pattern mirroring Feed dog: lowered Presser bar lifter: in darning position (page 9l Sewing thread: embroidering and darning thread Fitting the eyeletting plate: insert the plate w ti the double catch engagi[...]
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Page 57
For this type of embroidery it is very important to guide the embroidery hoop evenly and steadily. Here are the instructions for sewing the different motifs: Motif 1: 2 worksteps • lstworkstep: program lii mirror pattern stitch width 2.0 mm 2nd workstep: program 44 stitch width 6.0 mm Motif 2: 2 worksteps 1St workstep: program 11, mirror pattern [...]
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Page 58
Fringe seams Butterfly Three worksteps are required for this: First workstep (wings) c_L_L_ 1 2—3 Fnngefrn Stitch width: 1.5 mm Stitch length: 0.5 mm Fringe foot: (special accessory) First workstep (wings) First sew a fringe seam as a trial, using a pk of scrap material. During sewing, try differ ‘r stitch lengths until you find the one most s [...]
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Page 59
- -- 3 -ringe seam (cut open, Fig. 3) Machine setting same as for first workstep butterfly” (wings). ew fringe seam. ngage normal sewing foot. Then fold the fringes to the left or to the right and ew them on where the fringe loops come out of he fabric, selecting a narrowzigzag stitch of 1mm vidth and 1 mm length. Th prevent the fringes from shif[...]
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Page 60
q. . a. .i. ‘I.. ‘6 43 D I. F 4.. . tL_: t. ..i a • 4% 4 4 4t •1 e a s,.[...]
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Page 61
2 Optional -- —3+ 0 - Thread: embroidering/darning thread Needle: 130/705 H-LR, size 80 Since leather is a pliable material, an underlay of double-folded paper or light non-woven material (e. g. vylene) should always be used. Do not set the stitches too close, because leather splits easily and splits in leather show on the finished work. Flat lea[...]
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Page 62
Hemstitchng As the illustrations show, hem-stitching car used in different ways, both as an edge reinfc ment and as a fancy effect on table liner clothing articles, Hemstitching turned-In hem edges ro ‘-- V 2 pg — 38 — —3+ i 2 - —-i-V __ V_ Stitch width: 2 mm Thread: embroidering/darning thread To hemstitch a turned-rn hem edge (Fig. 4), [...]
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Page 63
Inserting lace For this work, two worksteps are required First workstep prog I -- ( 00 --3+L0 J The lace insert is first secured to the face side of the material and is sewn on at a narrow margin with straight stitch. The material underneath the lace is cut open at the middle and ironed to the sides. Second workstep prog 10 3+ 0 Stitch width: as re[...]
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Page 64
Cording Cording foot + cording tongue (special a sory) - I prog 00 1 5+ cordinç., Needle: Twin needle Cording seams are especially popular as a d ration on underwear. dresses, blouses, etc. Cording sewn with the cording tongue Cording is always sewn with two needle thre Place a spool of thread on each spool pin secure it in position with the corre[...]
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Page 65
I’” 1° *.,, “...‘.. Cording sewn with gimp thread - w prog (J —-- 00 — 5 + corthnq toot Needle: Twin needle Lift the needle plate off and pass the gimp thread through round hole “A”. After that re-insert the needle plate. Notch “B” is the entry groove (Fig. 1). Place the roll of gimp thread in front of the machine (see Fig. 2).[...]
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Page 66
Shell edging 05 -5 + prog ____________________ “ Stitch length: 1.5 mm Key: Pattern mirroring h Shell edging provides nice trimming, espe on sheer, soft materials. Fold over the fabric once along the line which is to be decon During sewmg, the blindstitches draw in the ft edge at regular intervals, thus producing a edge effect. The stronger the n[...]
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Page 67
Appliqué work prog -- l1 10 2—3 2 Stitch width: 0.5 mm Stitch length: 1.0 mm Trace the design on the reverse side of the fabric, lay the appliqué on the face side and baste it on, making sure it matches the fabric grain. Sew along the outline of the design on the reverse side (Fig. 1>. Trim the excess material close to the contour seam (Fig.[...]
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Page 68
• Edge guide Seams stitched on articles tilled with cotton or some other soft padding have a very promi effect, For this purpose, batting, foam plast flannel is placed between the top ply and a weight bottom ply (Fig. 3). To keep the fabric plies and the padding in p baste them together with rows of long bastinç ches spread over the whole area. [...]
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Page 69
4 4 1 II 9 >1009 UOITDflJ1SUI LVE ©zjj©tfi© 4JVJd[...]
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Page 70
7)[...]
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Page 71
Programming the computer with embroidery stitches and monograms LwiEE prOg Capacity of the MEM-rnemory for programs 00 to 50 • The Creative computer has one MEMmerr • 12 programs (from 00 to 50) can be input ft MEM-memory one after the other to form a tern sequence. • When the machine is switched off the grams stored are cancelled. • When t[...]
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Page 72
LL1I LLLJJJJ prog o ., 0 ZEZE ij2 prog / //i//////Z If you want to check the program stored, • press “pattern start” key 123. • By repeatedly pressing key 125 the programs nput can be checked one after the other as they appear in the display (Fig. 1). Symbol E to the left of the program number stands for program start (Fig. 1). Symbol to th[...]
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Page 73
Lengthening patterns at the same stitch density The pattern length in the decorative-stitci grams 40 to 48 and 50 can be varied, whi stitch density remains the same. The patter be varied in length from 2.0 to 90mm. When tern is sewn with short stitches, its max length is limited (Fig. 1). Indicated below are the maximum and mm pattern lengths for v[...]
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Page 74
Changing the stitch length All programs and program combinations can be in the computer memory. ,, varied in length and width, as desired, and entered rn ] Before entering the last decorativetitch pattern program, determine the stitch length, using key prog :)o 125 (Fig. 1). This altered stitch length determines the length of stitch of the programs[...]
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Page 75
1’ prog o o 4?42 Programming ‘etters and numbers With your PFAFF Creative you can stitch the bers from 0 to 9 and the letters of the aiph: They can be used to decorate or mark linen g or outerwear. You can even compose texts write them on the fabric. Capacity of MEM-memory for ‘etters and numbers. You can input a sequence of 36 letters and be[...]
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Page 76
miELwj42 prog 0 0 0 fL 4 Sewing dots Dots can be used in many different ways For instance after abbreviations or between two num bers, etc. EZiZZtTZTL .0 - -3 + 2 - li - Example: 1.5 • Select .0 with the bottom-left (minus) program key 139 (Fig. 1) • Select .1 with the top-right (plus) program key 139 (Fig. 2) • Press the mem+ key 106: the di[...]
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Page 77
Spacing between two words (i’l prog —_ —3+ 2 Example:PFAFF... KARLSRUH Between two words it is always necessary to gram a space. Depending on how much spa required, three or four space symbols are t input (Fig. 1). • Press the bottom-right (minus) program 139 until the symbol — appears in the dis 1 (Fig. 3) • Press me m + key 106: the s[...]
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Page 78
69[...]
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Page 79
/ LHi iiiijjj prog ()o 10 42 Writing texts Start out by marking the beginning of the text on the fabric. After sewing, cut the threads between letters and numbers and in the spacings (Fig. 1). If you want to check the correctness of your text, press key 125+. The individual letters will then appear in the display (see page 63). Letters and numbers [...]
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Page 80
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Page 81
Balancing out letters and numbers Letters or words shift occasionally, dependin the fabric used. This can be corrected with “balancing” key (Fig. 1). The letter or number last input is correc towards plus or minus with key 124, and the rection entered by pressing the me m + key I The correction takes effect for the entire progr stored. prog ((3[...]
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Page 82
Sewing with straight, utility and stretch stitches Tips for embroidering and sewing with the PFAFF creative 1467 • Before you begin, first sew a test seam on a scrap piece of the same material. • Check stitch pattern and tension. • Secure the beginning and end of the seam by pressing the “tie-off/button-hole” key. • When sewing light, s[...]
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Page 83
II lb rim Dua’ feed Pfaff offer the only household sewing machine the world with built in dual feed. Bythis means, material is not only fed from below, but also fr above simultaneously. During processing of 10 fabric panels, such as curtains and side curtah etc., there is no shifting of the material plies. Also during assembly of checked or strip[...]
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Page 84
- I Sewing tips for different materia’s Woollen fabrics: well balanced stitch length and tension. Batiste: light needle thread tension and medium stitch length. Velvet or silk velour: baste the seam line twice and sew in grain direction with a stitch length of 2.5 to 3 mm. Be careful when pressing velvet! Try out on a piece of waste fabric and do[...]
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Page 85
Making taor’s tacks Fringe foot, special accessory Z 10 —a....— — + .L. Fnge I:, Stitch-width: 2 mm Needle: 80 Sewing thread: Machine embroidery thread Bashng is a useful method of transferring sr lines onto cuttings. First mark all contours with tailoring chalk on top material ply. Sew along the marked lines with the fringe fi When all lin[...]
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Page 86
V .4[...]
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Page 87
1. ____ LLL Wiii prog prOg 1 o o _ ///////////II Change of needle position with straight stitch Through adjustment of the needle (needle tion), certain sewing work can be carried easier. For example, if you wish to stitch at a row margin such as on collars or when inser zippers, you select the required needle posit • For changing the needle posit[...]
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Page 88
__Z Change of needle position with zigzag stitch ______ ________ “ “ S The needle must always be in the highest posi ri 1 ii ton. Right needle position (Fig. 3) Program: 11 prog o a a e. g. Stitch-width: as required ? i stitch-length: as required Left needle position Program: 11 Stitch-width: as required I///t//i///Jt Stitch-length: as required[...]
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Page 89
V Straight stitch Sew normal materials with straight stitch. Se stitch length longer or shorter according sewing work. Raise the sewing foot higher fort cult materials or several material plies, It is h easier to place the work under the sewing foot not forget to lower the presser bar lifter, in ot to ensure perfect sewing results. Certain work can[...]
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Page 90
Ca., a a 4 A j ‘a’ S - -4 • — .4 I,’-. i’, , y. 4 . , p APt 4, • •, 4 (4 ,_ a 6. a’ •‘, t . I p K IS ‘t a a— 0. 0’ S —S 4. ‘p 4 . 4’ 6 a F F S I so p a — 0 a S a a 5, 4’ S 4 SI’ IS.’ 0 C K S IS •5 •6 4’ ( 4. 5’ .4 1 4. 4 S 44fp .5 A, • ‘‘d t 4, a I . :: . 57. •1 .;,, • 5 S S • et •, ?[...]
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Page 91
ro ‘- pg L Needle: 100/120 Needle thread: buttonhole thread Bobbin thread: sewing thread Stitch length: longest stitch Top-stitch seams produce nice ornament effects. For this, selection of a suitable thread important. To obtain particularly promine seams, we recommend using buttonhole threa Buttonhole thread as bobbin thread ftiL’H Buttonhole [...]
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Page 92
Top-stitch seams sewn with two needle threads I - prog ° L oo -- 3-5 0 Stitch length: 6.0 mm Needle: 80 Thread: sewing thread If you cannot find a suitable buttonhole thread, try to use two needle threads together. Place one thread to the right, and the other to the left of disc C’, but thread both together through the needle eye. See page 56 (F[...]
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Page 93
Lap-seam feWng Imitation lap seam sewn with the ordinary sewing f prog T-- ___ 00 - 35 0 Place the two pieces of fabric one on top of the ot with their face sides, and sew them together about centimetre from the edge. Neaten the raw edge. Fold. seam allowance over to one side and press. Then i, stitch on the face side of the fabric, using the edge [...]
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Page 94
1 2 Shirring with straight stitch prog Stitch length: 4 mm In order to obtain consistent gather with straight stitch it is imperative to insert 2 to 4 shirring threads. First mark the starting line for the shirring on the face side of the fabric. Sew the first seam straight and carefully. During sewing, pull the fabric taut a little with your hands[...]
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Page 95
2 ,: a.. aa 35 20r * Cording foot (special accessory) First mark the starting line for the shirred se on the underside of the fabric. Insert the need the seam beginning point and place an ela thread around the needle. Insert the elu thread in the groove of the sewing foot in Lower the sewing foot and sew a numbei seams at about foot width. Ensure t[...]
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Page 96
4 Shirring with shirring foot (special accessory) I 00 — 3 Shirong font Stitch length: 3—4 mm How to engage the shrring foot Insert the shirring foot with its rear pin in groove A” and push the shoe upwards so that front pin ‘6” snaps in (Fig. 2). How to gather Both outer fabric and the material to be shirred are sewn together with the sh[...]
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Page 97
Smocking with elastic thread F oo ___________ Stitch length: 3 to 4 mm Bobbin thread: elastic thread, (wind tension- free on bobbin) Needle thread: sewing thread For sewing with elastic threads we recomm buying an additional bobbin case. Because elastic threads are much thicker thar ordinary bobbin thread, the tension on the bo case has to be set I[...]
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Page 98
Overcasting with zigzag stitch ro -‘--. -____ —---— ——-- — 0 Stitch-width: as required j Sewing thread: Embroidery/darning thread or sewing thread The stored zigzag-stitch is suitable for serging of light materials. The heavier the material, the wider the stitch width must be selected for the zigzag stitch. Ensure that the needle passes[...]
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Page 99
Stretch triple zigzag stitch Lycra stitch ro g 1620 -- 3-5 I Needle: 130/705 H 80 or 130/705 H SKF 80 Stitch width: as required With the above-mentioned programs it is poss. to repair elastic tapes, or join them, on underw swim wear and high-stretch materials such Lycra and difficult synthetic fabrics. Select the appropriate stitch width for the ap[...]
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Page 100
Sewing and overcasting /1 // I in one operation Seams which are not ironed open can be sewn together and serged in one workstep. The Pfaff Creative 1467 offers a selection of diffe rent elastic assembly and serging seams from which you can easily select the corresponding seam for all stretchable materials. Closed overlock stitch or overcasting stit[...]
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Page 101
Closed overlock stitch prog -- ( 17 / * Knit-edge foot (special accessory) J Needle: 70 or 80 Fashion-knitted parts can easily be joined with closed overlock stitch. In order to obtain a perfect seam on fashion - I knitted parts, we recommend to insert a w thread and hold it with a slight tension while I over-stitched (Fig. 1). Overlock stitch with[...]
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Page 102
Honeycomb stitch prog -- 19 Overlap the fabric edges by 1.5 cm, then neaten each raw edge with: Program 19 • Stitch-width 6.0 mm • Stitch length 2.0 mm (Fig. 1) E’astic stitch ,•K L__ -- 16 3—5 0 Overlap the material edges by 1.5 cm and over- stitch each edge with: • Program 16 and • stitch length 0.5 mm (Fig. 2). Elastic stitch (for [...]
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Page 103
Honeycomb stitch prog — 19 ‘ 3 I Honeycomb stitch is especially suitable a / means of securing hems on stretchable un materials. Fold the hem double up to the h edge and overcast with honeycomb stitch (Fig Securing hems with the twin neede (Tshirt seam) - prog F Needle: twin needle, 4 mm distance For a 2cm hem, turn over and baste about 2.5 of [...]
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Page 104
Narrow hem with the hemmer foot cE prog -- ____ 3-5 _________ * Hemmer foot (special accessory) Hemming secures the fabric edge against fraying and produces a neat and durable edge. The hem width is about 4 mm. Begin by folding the fabric edge over twice and placing the folded edge under the hemmer foot. Lower the foot and secure the hem in positio[...]
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Page 105
Binding edges with non-woven tape prog -- (J 00 -- 3—5 0 Fold ready-made bias binding lengthwise shape-press. Push the folded binding over fabric edge and baste it in place, if required. TI sew it on with straight stitches (Fig. 1). Edge-binding with the binder Program: 10 Stitch-width: 2.5 mm Stitch length: 1,5 mm, (Fig. b) Remove sewing toot an[...]
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Page 106
H Fold the previously overcast raw edge over to form a hem of the desired width and baste about 0.5 cm from the fabric edge. Place the fabric under the blindstitch foot and sew, making sure the folded fabric edge runs along edge guide B” of the blindstitch foot (Fig, 1 + 2a). Before you start blindstitching, adjust the needle penetration point on[...]
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Page 107
Darning with straight stitch —n prog -- (J _____ 00 — 2—3 6 L__ — L Feed dog: lowered Presser bar lifter: in darning position Sewing thread: embroidery and darning thread Darning position (Fig. 1): Lower presser bar lifter “A”. at the same t pushing it back slightly until it enters notch “B the bottom of its slot. Attaching the darnin[...]
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Page 108
Darning with wool ro — 10 16 — 2—3 6 Feed dog: lowered Presser bar litter: in darning position (see page 98) Sewing thread: embroidery and darning thread, wool Draw the wool thread through the needle hole of the darning foot and into the thread guide (Fig. 1). Place the wool thread under the darning foot. Start at the top left and place the w[...]
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Page 109
100 2 Darning with elastic stitch prog -- cc] I 16 -- 3—5 () Sew as many elastic-stitch seams over the dw ged spot as may be required to cover it corny tely. Overlap the seams slightly (Fig. 1). Inserting patches _ Stitch length: 0,5 mm Needle position: down The new piece of fabric is pinned on the face sr and the fabric edge over-sewn with the s[...]
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Page 110
., .a% r ‘.. %‘ .4. a.. as A a. a *‘ S V n . 1j -be tb Sa a ‘tk t . a ‘V ‘4, •Iis I .1 a 4. sm 0’ A 1 ;ts... ,[...]
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Page 111
4 N a b c lingerie buttonholes prog_____ -- : Sewing thread: Embroidery and darning thread Generally buttonholes are sewn onto double material. In spite of this, a piece of paper should be placed underneath during sewing. First mark the spacings and the distance from the edge. The points thus obtained always mark the beginning of sewing. Pull the r[...]
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Page 112
With key 124 the left buttonhole seam can be adapted to the right one. First make a sample but tonhole • Sew the first buttonhole seam in the length required and • the first bartack. • Set balance key 124 toward + or — and adjust the second buttonhole seam to the first one (Fig. 3). • Sew last bartack. • This change will be maintained f[...]
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Page 113
z Changing the buttonhole stitch length With the stitch length key (125), the buttonholf seams can be set more densely or loosely. Buttonholes with gimp thread In the case of elastic materials, it is possible thai the button holes extend. Therefore, the button hole strip should be strengthened with interlininç. material. In order to retain the sha[...]
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Page 114
Eyelet buttonholes - 14 Sewing thread: Embroidery and darning thread Key: press “sew slow” Eyelet buttonholes are often sewn in outerwear, such as jackets, coats or leisure wear. They should always be sewn with backing material underneath. However, a piece of paper should also be placed underneath during sewing. The buttonhole must be 3mm longe[...]
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Page 115
When you cut open a buttonhole it is important not to damage the bartacks. To avoid this, insert the seam ripper about 1 mm away from the bar- tack. Now carefully cut the buttonhole open to the middle, then repeat this from the bartack at the other end (Fig. 1). If you have no punch pliers to cut the eyelet, simply cut around the curve with a pair [...]
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Page 116
prog -- fl( (H Key: Need/e down There are different kinds of zippers: joined or split zippers and special ones for trousers or slacks. They can be inserted concealed or open, as requi red. The zipper foot can be engaged on the left or on the right, depending on the work (Figs. 1 and 2). Fufly concea’ed zippers Baste the zipper in first. Engage th[...]
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Page 117
Zippers for ladies’ slacks rjzi___ 00, 01 3—5 4 Stitch length: 2.5 to 3.0 mm Key: Needle down • Snap the zipper foot in at the right. Iron the fly edges. Baste the closed zipper under neath the pressed righthand fly edge so that lb teeth are still visible. Pin facing strip A” to the underside and stitch it down at the same time a you sew on[...]
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Page 118
:‘ 4 I 0 CD N[...]
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Page 119
Needle chart Using the adequate needle guarantees better processing of the material. light medium heavy Needle size: Needle size: Needle size: 60, 70, 75 80,90 100, 110,120 Needle points System & No. Profile Point & eye Suitable for 130/705 H Light ball point Universal needle for fine-meshed 70, 80 synthetics, fine linen, chiffon, batiste, [...]
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Page 120
ede chart System &No.’ Stitch len hStitch wiJ Needle Suitable for spacing 130/705 H-ZWI 25 mm I — 1.6 mm Medium-wide 80 2.5mm — 2.0mm cording • 130/705H-ZWI 80 2.5mm — 2.5mm Widecording 90 2.5mm — 3.0mm Extrawidecording 100 3.0 mm — 4.0 mm Extra-wide cording Decorative designs sewn with twin needles Before you start sewing, turn t[...]
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Page 121
Fault finding Cause: 1. Machine skips stitches Needle not inserted correctly. Wrong needle used. Needle bent or blunt. Machine threaded improperly. Needle too thin for thread used. 2. Needle thread breaks For any of the above reasons. Thread tension too strong. Poor-quality or knotty thread used, or thread that has become too dry by excessive stora[...]
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Page 122
Cause: Remedy: 5. Machine feeds irregularly or not at all Lint has accumulated between tooth Remove needle plate and remove lint with rows of feed dog. a soft brush. Feed dog lowered. (Slide control is at Push slide control to the left. right). 6. Machine runs with difficulty Thread ends in hook raceway. Remove thread ends and put one drop of oil i[...]
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Page 123
UtHity sUtch programs 00 01 02 03 04 05 06 07 08 09 10 I I III /// / cç cz 1” 1%, I I 11/ : — i J III Ill 7 — ,/ <—> I &—> —> ‘‘ N N r! ‘% lJ7 -. No. DescripUon AppHcation Straight stitch For all sewing work requiring ‘-“-‘ with 13 needle positions special needle positions. 01 Basting stitch For basting cutt[...]
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Page 124
12 14 15 16 17 18 19 20 21 cçjj(,Q c)k ,J i ‘s - 1 2 Purl stitch For sewing purl seams. - 13 Light buttonhole For buttonhole sewing. - -— I—- A Eyelet buttonhole For buttonholes in outerwear, costumes, 1 coats, etc. -— ____ For sewing on buttons. For sewing on elastic tape, darning tears and patching. Suitable for almost every fabric Hocn[...]
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Page 125
Embroidery stitch programs 22 23 24 25 26 27 28 29 30 31 32 33 34 35 ,: .‘-, I_I ‘,. 4 •Jc’’/ ‘ 77Lr_.’..,; 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 .0 9 .% IN IN ‘ , 22—36 Embroidery stitch For fancy seams, ornaments, borders and 40—50 programs embroideries. Cross stitch for crossstitch embroidery in children’s wear, prog[...]
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Page 126
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Page 127
FAFF ritznerstra(3e 11 to oIterntons in design. Printed in Wnst Germany 300 Karlsruhe 41 Nt 2992499401 engl HR 1192[...]
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Page 128
IaIITE( h® t ALiL S 1147 Instruction Book C[...]
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Page 129
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Page 130
) A 4[...]
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Page 131
htnai-h 3 ±j Thread: embroidering/darning thread Needle: 130/705 H-LR, size 80 Since leather is a pliable material, an underlay of double-folded paper or light non-woven material (e. g. vylene) should always be used. Do not set the stitches too close, because leather splits easily and splits in leather show on the finished work. Flat leather seams[...]
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Page 132
Hemstitchng •*t 2 As the illustrations show, hem-stitching can be used in different ways, both as an edge reinforce ment and as a fancy effect on table linen or clothing articles. Hemstltching turned-in hem edges ,J prog cci L38 -3+ 2 Stitch width: 2 mm Thread: embroidering/darning thread To hemstitch a turned-in hem edge (Fig. 4), first draw the[...]
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Page 133
Inserting lace L prog The lace insert is first secured to the face side of the material and is sewn on at a narrow margin with straight stitch. The material underneath the lace is cut open at the middle and ironed to the sides. Second workstep prog 1i L 10 -3 + 0 1 prog 10 -3+ 0 -a-- prog -- [] 00 -- j -3+ 0 a Stitch length: 3.0 mm Baste and sew th[...]
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Page 134
Cording Cording foot + cording tongue (special acces sory) w prog rd foot Needle: Twin needle Cording seams are especially popular as a deco ration on underwear, dresses, blouses, etc. Cording sewn with the cording tongue Cording is always sewn with two needle threads Place a spool of thread on each spool pin and secure it in position with the corr[...]
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Page 135
Cording sewn with gimp thread 00 ____I—I Needle: 130/705-H, size 80 prog -- (J J 00 —5 + corthng Needle: Twin needle Lift the needle plate off and pass the gimp thread through round hole A. After that re-insert the needle plate. Notch B’ is the entry groove (Fig. 1). Place the roll of gimp thread in front of the machine (see Fig. 2). Place th[...]
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Page 136
Shell edging . ..• .• prog [ 05 -5+ 2 Stitch length: 1.5 mm Key: Pattern mirroring Shell edging provides nice trimming, especially on sheer, soft materials. Fold over the fabric edge once along the line which is to be decorated. During sewing, the blindstitches draw in the fabric edge at regular intervals, thus producing a shell- edge effect. T[...]
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Page 137
Appliqué work E prog cci ii 10 -.- 2—3 2 Stitch width: 0.5 mm Stitch length: 1.0 mm Trace the design on the reverse side of the fabric, lay the appliqué on the face side and baste it on, making sure it matches the fabric grain. Sew along the outline of the design on the reverse side (Fig, 1). Trim the excess material close to the contour seam ([...]
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Page 138
Quilting prog (C] [i [ 00 -- • Edge guide Seams stitched on articles filled with cotton wool or some other soft padding have a very prominent effect. For this purpose, batting, foam plastic or flannel is placed between the top ply and a light weight bottom ply (Fig. 3). To keep the fabric plies and the padding in place, baste them together with r[...]
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Page 139
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Page 140
Programming the computer with embroidery stitches and monograms prog 1. o && y/ ///////////// 104 th prog <> 0 0 105 — =139 ///////////// - -V Capacity of the MEM-memory for programs 00 to 50 3 • The Creative computer has one MEM-memory. • 12 programs (from 00 to 50) can be input to the MEM-niemory one after the other to form [...]
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Page 141
r prog (>o j. o 125 123= Fifli. (>o i • 105 /;)/-) &&& yw ///////////// Correcting the programs stored — Wrong programs can be deleted by repeatedly pressing the mem— key 105 (Fig. 2). ‘ Single patterns Various stitch patterns, such as monograms, numbers, program combinations, and embroi dery motifs, are very attractive wh[...]
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Page 142
Lengthening patterns at the same stitch density The pattern length in the decorative-stitch pro grams 40 to 48 and 50 can be varied, while the stitch density remains the same. The pattern can be varied in length from 2.0 to 90mm. When a pat tern is sewn with short stitches, its maximum length is limited (Fig. 1). Indicated below are the maximum and[...]
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Page 143
Changing the stitch length I hLJL!/’I /1] 106 prog () ? “a 1z//1I //Z All programs and program combinations can be varied in length and width, as desired, and entered in the computer memory. Before entering the last decorative-stitch pattern program, determine the stitch length, using key 125 (Fig. 1). This altered stitch length determines the [...]
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Page 144
With your PFAFF Creative you can stitch the num bers from 0 to 9 and the etters of the alphabet. They can be used to decorate or mark linen goods or outerwear. You can even compose texts and write them on the fabric. Capacity of MEM-memory for fetters and numbers. You can input a sequence of 36 letters and num bers to the MEM-niemory. L prog -- (1 [...]
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Page 145
Sewing dots I 2 Dots can be used in many different ways. For instance after abbreviations or between two num bers, etc. prog -3+ Example: 1.5 • Select .0 with the bottom-left (minus) program key 139 (Fig. 1) • Select .1 with the top-right (plus) program key 139 (Fig. 2) • Press the me m + key 106: the display shows 1 (Fig. 2) • Select point[...]
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Page 146
Spacing between two words Example:PFAFF _KARLSRUHE Between two words it is always necessary to pro gram a space. Depending on how much space is required, three or four space symbols are to be input (Fig. 1). • Press the bottom-right (minus) program key 139 until the symbol — appears in the display (Fig. 3) • Press mem + key 106:thespace symbo[...]
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Page 147
69 - :Z $[...]
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Page 148
H,4PPY BIRTHDAY Writing texts Start out by marking the beginning of the text on the fabric. After sewing, cut the threads between letters and numbers and in the spacings (Fig. 1). If you want to check the correctness of your text, press key !1 25+. The individual letters will then appear in the display (see page 63). Letters and numbers in differen[...]
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Page 149
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Page 150
Ba’ancing out setters and numbers Letters or words shift occasionally, depending on the fabric used. This can be corrected with the “balancing” key (Fig. 1). The letter or number last input is corrected towards plus or minus with key 124, and the cor rection entered by pressing the mem + key 106. The correction takes effect for the entire pro[...]
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Page 151
Sewing with straight, utility and stretch stitches Tips for embroidering and sewing with the PFAFF creative 1467 • Before you begin, first sew a test seam on a scrap piece of the same material. • Check stitch pattern and tension. • Secure the beginning and end of the seam by pressing the “tie-off/button-hole” key. • When sewing light, s[...]
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Page 152
Dual feed Pfaff offer the only household sewing machine in the world with built in dual feed. By this means, the material is not only fed from below, but also from above simultaneously. During processing of long fabric panels, such as curtains and side curtains, etc., there is no shifting of the material plies. Also during assembly of checked or st[...]
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Page 153
Woollen fabrics: well balanced stitch length and tension. Batiste: light needle thread tension and medium stitch length. Velvet or silk velour: baste the seam line twice and sew in grain direction with a stitch length of 2.5 to 3 mm. Be careful when pressing velvet! Try out on a piece of waste fabric and do not press on the iron. Twill/jeans: use s[...]
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Page 154
Making tailor’s tacks Fringe foot, special accessory w prog cc] J 10 -3 + Fonge toot Stitchwidth: 2 mm Needle: 80 Sewing thread: Machine embroidery thread Sasting is a useful method of transferring seam lines onto cuttings. First mark all contours with tailoring chalk on the top material ply. Sew along the marked lines with the fringe foot When a[...]
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Page 155
• N4 1)4 S • -.3 -.3[...]
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Page 156
14riSfLJT111 Lmi.ii71 prog pog o o o ___ _____ 140 140 - J7/1111711111 /1 /1 II LIZ//i! Change of needle position with straight stitch Through adjustment of the needle (needle post tion), certain sewing work can be carried out easier. For example, if you wish to stitch at a nar row margin such as on collars or when inserting zippers, you select the[...]
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Page 157
Change of needle position with zigzag stitch ______ __________ • The needle must always be in the highest posi tion. Right needle position (Fig. 3) e. g. Program: 11 Stitch-width: as required Stitch-length: as required Left needle position Program: 11 Stitch-width: as required Stitch-length: as required Key: pattern mirroring With the above setti[...]
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Page 158
Straight stitch prog (ci E} 00 --i— 0 Sew normal materials with straight stitch. Select stitch length longer or shorter according to sewing work. Raise the sewing foot higher for diffi cult materials or several material plies. It is then easier to place the work under the sewing foot. Do not forget to lower the presser bar lifter, in order to ens[...]
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Page 159
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Page 160
prog ((1 00 0 Needle: 100/120 Needle thread: buttonhole thread Bobbin thread: sewing thread Stitch length: longest stitch Top-stitch seams produce nice ornamental effects. For this, selection of a suitable thread is important. To obtain particularly prominent seams, we recommend using buttonhole thread Buttonhole thread as bobbin thread prog -- I c[...]
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Page 161
op-stitch seams sewn with wo needle threads - T prog -- I [J 00 3—5 0 titch length: 6.0 mm Jeedle: 80 hread: sewing thread you cannot find a suitable buttonhole thread, try use two needle threads together, Place one read to the right, and the other to the left of disc but thread both together through the needle ye. See page 56 (Fig. 3). riple-fan[...]
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Page 162
Lap-seam felling imitation lap seam sewn with the ordinary sewing foot I prog 00 --H- 0 Place the two pieces of fabric one on top of the other with their face sides, and sew them together about one centimetre from the edge. Neaten the raw edge. Fold the seam allowance over to one side and press. Then top- stitch on the face side of the fabric, usin[...]
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Page 163
prog -- - Stitch length: 4 mm In order to obtain consistent gather with straight stitch it is imperative to insert 2 to 4 shirring threads. First mark the starting line for the shirring on the face side of the fabric. Sew the first seam straight and carefully. During sewing, pull the fabric taut a little with your hands, because with long stitches [...]
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Page 164
Shirring with elastic thread prog 16 18 --3-5_ * Cording foot (special accessory) First mark the starting line for the shirred seams on the underside of the fabric. Insert the needle at the seam beginning point and place an elastic thread around the needle. Insert the elastic thread in the groove of the sewing foot in use. Lower the sewing foot and[...]
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Page 165
I7 1 IT h® tti 4 ULAI Instruction Book 0 1147[...]
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Page 166
Shirring with shirring foot :- H (special accessory) i;i Shurrnq toot Stitch length: 3—4 mm How to engage the shirring foot Insert the shirring foot with its rear pin in groove “A” and push the shoe upwards so that front pin “B” snaps in (Fig. 2). How to gather Both outer fabric and the material to be shirred are sewn together with the sh[...]
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Page 167
Smocking with elastic thread L prog I -- (() 00 3—5 0 Stitch length: 3 to 4 mm Bobbin thread: elastic thread, (wind tension- free on bobbin) Needle thread: sewing thread For sewing with elastic threads we recommend buying an additional bobbin case. Because elastic threads are much thicker than an ordinary bobbin thread, the tension on the bobbin [...]
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Page 168
prog -.- cci r;i 10 ‘‘‘ 3—5 0 -“- Stitch-width: as required Sewing thread: Embroidery/darning thread or sewing thread The stored zigzag-stitch is suitable for serging of light materials. The heavier the material, the wider the stitch width must be selected for the zigzag stitch. Ensure that the needle passes over the fabric edge during se[...]
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Page 169
(p - th Q- C Dc CD - 3 D CD ) CD • , 3 CD th o Q’ —3 - -‘CD D DC,) CD 3.DCD CD DD C-) a- CD ‘CD a- 0 D -CD CD 3 CD -. o cE cc-..) o o — — o o 0101 co 0 CD g’- 5 CD 3 CD :3DC-)D) -D_D CD “Dy D3D -‘D CD s:;: - CD DC — -, -D CD CD C- 2.),) CD CD 2 “ 9< 2C1) a- - CD 2. th cn D 0 0 0 2 3D 3 - 3 CD CD a- 2.0) 3 CC) 3 C0 D.C’)[...]
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Page 170
Sewing and overcasting in one operation Seams which are not ironed open can be sewn together and serged in one workstep. The Pfaff Creative 1467 offers a selection of diffe rent elastic assembly and serging seams from which you can easily select the corresponding seam for all stretchable materials. Closed overlock stitch or overcasting stitch Lt±t[...]
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Page 171
Closed overlock stitch prog -- 17 - 3-5 * * Knit-edge foot (special accessory) Needle: 70 or 80 Fashion-knitted parts can easily be joined with the closed overlock stitch. In order to obtain a perfect seam on fashion-cut knitted parts, we recommend to insert a wool thread and hold it with a slight tension while it is over-stitched (Fig. 1). Overloc[...]
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Page 172
Honeycomb stitch prog -- 19 -- 3—5 0 Overlap the fabric edges by 1.5 cm, then neaten each raw edge with: • Program 19 • Stitch-width 6.0 mm • Stitch length 2.0 mm (Fig. 1) Elastic stitch prog -- ij 16 -- Overlap the material edges by 1.5 cm and over- stitch each edge with: • Program 16 and • stitch length 0.5 mm (Fig. 2). Elastic stitch[...]
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Page 173
Honeycomb stitch r prog I i 19 3—5 0 prog ((1 [1 00 2—3 0 Needle: twin needle, 4 mm distance For a 2cm hem, turn over and baste about 2.5 cm of material, Stitch on the face side at about 2cm width. Cut off the protruding material edge on the inside along the seam (Fig. 2). For threading instructions see page 56. / Honeycomb stitch is especially[...]
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Page 174
Narrow hem with the hemmer foot L prog -- CC] li 00 - 3—5 * * Hemmer foot (special accessory) Hemming secures the fabric edge against fraying and produces a neat and durable edge. The hem width is about 4 mm. Begin by folding the fabric edge over twice and placing the folded edge under the hemmer foot. Lower the foot and secure the hem in positio[...]
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Page 175
Binding edges with non-woven tape Fold ready-made bias binding lengthwise and shape-press. Push the folded binding over the fabric edge and baste it in place, if required. Then sew it on with straight stitches (Fig. 1). Edge-binding with the binder Sewing foot: Binder (special accessory) Program: 00 Stitch length: 2.5 mm, (Fig. a) or Program: 10 St[...]
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Page 176
Blind stitch Fold the previously overcast raw edge over to form a hem of the desired width and baste about 0.5 cm from the fabric edge. Place the fabric under the blindstitch foot and sew, making sure the folded fabric edge runs along edge guide “B” of the blindstitch toot (Fig. 1 + 2a). Before you start blindstitching, adjust the needle penetr[...]
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Page 177
Darning with straight stitch Feed dog: lowered Presser bar lifter: in darning position Sewing thread: embroidery and darning thread Darning position (Fig. 1): Lower presser bar lifter ‘A”, at the same time pushing it back slightly until it enters notch “B” at the bottom of its slot. Attaching the darning foot (Fig. 2): Raise the needle. Pus[...]
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Page 178
Darning with wool prog -- cci 2-3 6 Feed dog: lowered Presser bar lifter: in darning position (see page 98) Sewing thread: embroidery and darning thread, wool Draw the wool thread through the needle hole of the darning foot and into the thread guide (Fig. 1). Place the wool thread under the darning foot. Start at the top left and place the wool thr[...]
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Page 179
Darning with elastic stitch HTh35O Sew as many elastic-stitch seams over the dama ged spot as may be required to cover it comple tely. Overlap the seams slightly (Fig. 1). Inserting patches 1 — Stitch length: 0.5 mm Needle position: down The new piece of fabric is pinned on the face side and the fabric edge over-sewn with the selected stitch. To [...]
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Page 180
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Page 181
7- Lingerie buttonholes prog tJ Sewing thread: Embroidery and darning thread Generally buttonholes are sewn onto double material. In spite of this, a piece of paper should be placed underneath during sewing. First mark the spacings and the distance from the edge. The points thus obtained always mark the beginning of sewing. Pull the runner of the b[...]
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Page 182
Balancing the density of buttonhole seams vVith key 124 the left buttonhole seam can be adapted to the right one. First make a sample but onhole. • Sew the first buttonhole seam in the length required and • the first bartack. I Set balance key 124 toward + or — and adjust the second buttonhole seam to the first one (Fig. 3). I Sew last bartac[...]
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Page 183
With the stitch length key (125), the buttonhole seams can be set more densely or loosely. Buttonholes with gimp thread In the case of elastic materials, it is possible that the button holes extend. Therefore, the button hole strip should be strengthened with interlining material. In order to retain the shape of the button hole, use gimp thread if [...]
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Page 184
prog -- 14 -- -3+ Sewing thread: Embroidery and darning thread Key: press “sew slow” Eyelet buttonholes are often sewn in outerwear, such as jackets, coats or leisure wear. They should always be sewn with backing material underneath. However, a piece of paper should also be placed underneath during sewing. The buttonhole must be 3mm longer than[...]
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Page 185
When cutting open the buttonhole it is important not to damage the bartacks. In order to avoid this, insert a dresspin crosswise in front of each tack. Insert the point of the ripper in the middle of the buttonhole seam and cut open one half carefully, then cut open the other half in the opposite direc tion. If you have no punch pliers to cut the e[...]
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Page 186
prog -- ( [] 00 -- 3-5 4 Key: Needle down There are different kinds of zippers: joined or split zippers and special ones for trousers or slacks. They can be inserted concealed or open, as requi red. The zipper foot can be engaged on the left or on the right, depending on the work (Figs. 1 and 2). Fully concealed zippers Baste the zipper in first. E[...]
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Page 187
Zippers for ladies’ slacks prog -- cci 00 --1- 4 Stitch length: 2.5 to 3,0 mm Key: Needle down • Snap the zipper foot in at the right. Iron the fly edges. Baste the closed zipper under neath the pressed right-hand fly edge so that its teeth are still visible. Pin facing strip “A” to the underside and stitch it down at the same time as you s[...]
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Page 188
6W[...]
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Page 189
Needle chart Using the adequate needle guarantees better processing of the material. Fabric weight: Fabric weight: Fabric weight: light medium heavy Needle size: Needle size: Needle size: 60, 70, 75 80,90 100,110,120 Needle points System & No. Profile Point & eye Suitable for 130/705 H Light ball point Universal needle for fine-meshed 70, 8[...]
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Page 190
Needle chart System & No. Stitch length Stitch width Needle Suitable for spacing 130/705 H-ZW1 2.5mm — 1.6mm Medium-wide 80 2.5 mm — 2.0 mm cording 130/705 H-ZWI 80 2.5mm — 2.5 mm Wide cording 90 2.5 mm - 3.0 mm Extra wide cording 100 3.0 mm - 4.0 mm Extrawide cording Decorative designs sewn with twin needles Before you start sewing, turn[...]
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Page 191
Fault finding Cause: 1. Machine skips stitches Needle not inserted correctly. Wrong needle used. Needle bent or blunt. Machine threaded improperly. Needle too thin for thread used. 2. Needle thread breaks For any of the above reasons. Thread tension too strong. Poor-quality or knotty thread used, or thread that has become too dry by excessive stora[...]
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Page 192
Cause: Remedy: 5. Machine feeds irregularly or not at all Lint has accumulated between tooth Remove needle plate and remove lint with rows of feed dog. a soft brush. Feed dog lowered. (Slide control is at Push slide control to the left. right). 6. Machine runs with difficulty Thread ends in hook raceway. Remove thread ends and put one drop of oil i[...]