Smart Technologies 11 manuel d'utilisation
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Un bon manuel d’utilisation
Les règles imposent au revendeur l'obligation de fournir à l'acheteur, avec des marchandises, le manuel d’utilisation Smart Technologies 11. Le manque du manuel d’utilisation ou les informations incorrectes fournies au consommateur sont à la base d'une plainte pour non-conformité du dispositif avec le contrat. Conformément à la loi, l’inclusion du manuel d’utilisation sous une forme autre que le papier est autorisée, ce qui est souvent utilisé récemment, en incluant la forme graphique ou électronique du manuel Smart Technologies 11 ou les vidéos d'instruction pour les utilisateurs. La condition est son caractère lisible et compréhensible.
Qu'est ce que le manuel d’utilisation?
Le mot vient du latin "Instructio", à savoir organiser. Ainsi, le manuel d’utilisation Smart Technologies 11 décrit les étapes de la procédure. Le but du manuel d’utilisation est d’instruire, de faciliter le démarrage, l'utilisation de l'équipement ou l'exécution des actions spécifiques. Le manuel d’utilisation est une collection d'informations sur l'objet/service, une indice.
Malheureusement, peu d'utilisateurs prennent le temps de lire le manuel d’utilisation, et un bon manuel permet non seulement d’apprendre à connaître un certain nombre de fonctionnalités supplémentaires du dispositif acheté, mais aussi éviter la majorité des défaillances.
Donc, ce qui devrait contenir le manuel parfait?
Tout d'abord, le manuel d’utilisation Smart Technologies 11 devrait contenir: 
							 - informations sur les caractéristiques techniques du dispositif Smart Technologies 11 
							 - nom du fabricant et année de fabrication Smart Technologies 11 
							 - instructions d'utilisation, de réglage et d’entretien de l'équipement Smart Technologies 11 
							 - signes de sécurité et attestations confirmant la conformité avec les normes pertinentes  
Pourquoi nous ne lisons pas les manuels d’utilisation?
Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage Smart Technologies 11 ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles Smart Technologies 11 et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service Smart Technologies en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées Smart Technologies 11, comme c’est le cas pour la version papier.
Pourquoi lire le manuel d’utilisation?
Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif Smart Technologies 11,  l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.
Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation Smart Technologies 11. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.
Table des matières du manuel d’utilisation
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                            Page 1S MART  No t e bo o k ™ 11 M ac  OS X o perati n g s y stem so ftware U ser ’ s gu i d e Sc a n t h e f o llo win g QR co d e t o vie w t h e S MART No t e b o o k so f t w are Help o n you r s mart p h o n e o r o t h e r mo b ile devic e .[...] 
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                            Page 2Tra de ma rk not ic e SMARTNo te b o o k, S MARTResp o n se, S M ARTBo a r d , SMARTDo cu m e n t Came r a , SMARTE xcha ng e , SMARTI n k, DViT, sm artte ch , th e S M ART lo go a nd a ll S M ART ta g li ne s a r e tr a d e m a r ks o r reg i ste r ed t r ad ema r ks of SMARTTe chn olo gie sUL C i n th e U .S . a nd /o r[...] 
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                            Page 3Con ten ts C ha pte r 1: G et ting st ar t ed 1 Abo u t t he SMAR T s oft w ar e inst alle d on you r c o mp uter 2 St ar ti n g SMAR T N ote bo o k s oft w ar e 2 N a v iga t in g t h e use r in t e r f a c e 3 C r e a t in g a nd wo r k ing wit h c o n t e n t 8 U s in g ge s t u r e s 9 C ha pte r 2: Cre at ing a nd wor king w i th files 1 1 [...] 
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                            Page 4C ha pte r 5: Work ing w i t h ob jec ts 7 1 Sele c t ing o b jects 72 C h a n g ing o b ject s ’ p ro pe rtie s 7 4 Posit ion in g ob je c t s 77 L o c k in g o bje c t s 8 0 C u t ti n g , c op y ing a nd p ast in g o b ject s 8 2 C lo nin g o bje c t s 8 2 R e s iz ing o b ject s 8 3 R o t a t in g o b ject s 8 5 Flip pin g ob ject s 87 G r o [...] 
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                            Page 5A ppe ndix A : C ust omi z i ng th e t oolba r 1 4 3 A ppe ndix B : S e t t ing t he lan gua ge 14 7 A ppe ndix C : U pda t ing, ac tiva t i ng an d s end ing f ee dba c k 1 4 9 U p d a t ing a n d a c t iv a t ing SMART Noteb oo k s oft w ar e 1 4 9 Sen d ing fe e d b a c k t o S MAR T 1 5 2 Inde x 1 5 5 C O N T E N T S i ii[...] 
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                            Page 6[...] 
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                            Page 7Cha pte r 1: Get ting sta rt ed Abo u t t he SMAR T s oft w ar e inst alle d on you r c o mp uter 2 St ar ti n g SMAR T N ote bo o k s oft w ar e 2 N a v iga t in g t h e use r in t e r f a c e 3 Me nu 3 To olb ar 3 Ac t ion s p an e l 3 Plug -in s p a ne l 4 To ols p an el 4 C o n t e x t u a l p a n e l 4 C u s t o mizi n g t h e too lba r 4 P[...] 
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                            Page 8Ab ou t the SMART sof t ware in st a lle d on y ou r c ompu ter You r c o mp uter mig ht i n c lu de SMART N oteb o o k Too ls , S MAR T Pro du c t  D river s, SMAR T I nk™ an d SMAR T To ols in a d d it ion to SMAR T N ote b o ok soft w ar e . SMA R TN ote book so f t w a re : U s e S MAR T N ote b o o k s oft w ar e t o c r[...] 
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                            Page 9N O T E W he n y o u s t a r t t he softw a r e s u b s e q u e n t t imes, a ne w , b la n k f il e o p e n s au t om atic a lly . To op en th e tutor ial file, sele c t H elp > Tut orial . Fo r infor ma t ion o n w or k ing wit h f iles, see Cre ating a nd wo r k ing wit h f iles o n p a g e 1 1 . Nav iga ting t he u ser interfac e Th e S MAR [...] 
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                            Page 10Pl ug- i ns pa nel If y o u inst a ll SMAR T N ote b o o k Too ls , such as SMAR T R esp o nse s o f t w a r e , or thir d- p a r ty plu g- in s , a n a d d it ion a l p an el ap pe ar s t o t he r igh t of t h e Ac t ion s pa ne l: Too ls pan e l Th e Too ls p a ne l in cl u d e s bu t t on s t ha t e n a b le y o u t o c r e a t e a n d w o[...] 
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                            Page 11P a g e S or ter Th e P a g e Sor t e r d is pla y s all of t h e p a g e s in t he o pe n f ile as thu mbn ails a nd a utom a t ic ally u pd ates the s e t hu mb n ails a s y ou ch a n g e t h e c o n t e n t s of the p ag es. U s in g t h e Pag e Sor t er , y ou can d o t he fo l lo w ing : l D is p lay p a ge s l C r e a t e p a g e s l C lo ne [...] 
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                            Page 12O pe ni ng the G allery t a b To o pe n t he G alle ry tab , p re s s G a l lery . C us tomiz i ng the G allery t a b You ca n mo v e t he G alle ry t a b f r o m on e s ide o f the SMAR T N o t e b o o k s oft w ar e w ind ow to t he o t he r by p r e s s in g Mov e Si deb a r . You ca n r e s iz e t h e Ga ller y t ab b y d ra gg ing its b or [...] 
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                            Page 13l Th e f on t t y pe , si z e a n d s t y le o f t ext l Th e an imatio n o f ob ject s Th e P r o p e r ti e s t ab d is pla y s o nly t he o p t ion s t ha t a re a v aila ble for th e o b ject y ou sele c t . For m or e in f o r ma t ion o n displa y ing a nd setting o bje c t p r o p e r ti e s in t he Pr op er t ies tab , see Cha ng ing o bje [...] 
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                            Page 14S M AR T  R es p on se t ab Th e S MAR T R e s p o n s e t ab is p a r t of SMAR T R esp o n s e s oftw ar e an d is a v a ilab le on ly if y o u ha v e SMAR T R esp on s e s o f tw a r e in s t a lled . P a g e ar ea Th e pa ge a re a d is p lays t he con t e n t s of a s e lected p ag e in a f ile. Th is is the a re a o f t he p ag e [...] 
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                            Page 15In ad dition to t he s e b a s ic t y pe s o f ob ject s , y ou can in s er t pict ur es, Ado be  Flash Player com p a t ib le fi le s , Ado be  Fla s h Playe r comp atib le v ide o fil e s , s o u n d fil e s , I n ter ne t c on t en t a n d w id ge ts in y o ur .no t eb oo k f il e s . This c on t e nt c an c ome f ro m y ou r o w n r eso u[...] 
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                            Page 16Flick R otate G r o u p C H A P T E R 1 Getti n g starte d 10[...] 
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                            Page 17Cha pte r 2: Cre ating a nd wo rkin g with fil es C r e a t in g f iles 1 1 O p e nin g f iles 1 1 O p e nin g f iles in C o mp atibility mo de 1 2 Saving file s 1 2 Ex po r t in g f iles 1 4 Prin t ing file s 1 6 R e d u c ing file s iz es 1 7 U n d o ing a n d r e d o ing a c t ion s 1 8 In S MAR T N ote b o o k s oft w ar e, you can cr e a t [...] 
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                            Page 18g To ope n a f i le 1 . Pre s s Op en Fil e . Th e Op en d ialo g bo x ap pe ar s . 2 . Br ows e t o an d s ele c t t he file. 3 . Pr ess Op e n . T I P You ca n o p en a r e c e n t ly op en ed file by sele c t ing File > O pe n R ec en t , a n d t h e n s ele c t in g t h e fi le n a me . Op en in g files in Compa t ib ility m od e If y o u op[...] 
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                            Page 193 . T y p e a n a me for the file in t he Sa v e As bo x . 4 . If y ou wan t to make s ur e t h a t y ou r f ile re t ain s i ts f o r ma t t ing , sele c t SMA R T N ot ebo okFil e in the File Fo r ma t d r o p- d o w n lis t . O R If y o u w an t t o c re ate a fi le t h a t y ou can o pe n w it h SMAR T N oteb o ok 8 , 9 .0 an d 9.1, so[...] 
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                            Page 20Expor t ing files You ca n exp o r t y ou r . no t e b o o k f il e s t o t he follo w ing for ma t s : l W eb p a g e s l Pic t ur e f o r ma t s o BMP o JP EG o PN G o TIFF l PD F l Inter act iv e W hiteb o a r d C om mon File F o r ma t ( C FF) N O T E S l SMAR T N ote b o ok soft w ar e d o e s n’t in c lud e li n k s w he n y ou e x po r [...] 
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                            Page 212 . Se lect a fold er whe re yo u w an t t o expo rt t he files. 3 . Se lect a pict u r e for ma t in t h e Imag e Fo rma t d ro p- do w n lis t . 4 . Se lect a p i c tur e s iz e in t he Imag e Siz e dr op - d o w n lis t . 5 . T y p e a n a me for the files in the Sa v e A s b ox. 6 . Pr ess Sav e . g To ex por t a f il e as a PD F f i l e 1 . Se[...] 
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                            Page 224 . Pr ess Sav e . N O T E You ca n a ls o imp o r t C FF f i le s (see Imp or t ing files f r om othe r inte r a c ti v e w hite b o a r d pr o g r a ms o n p a g e 1 0 2 ) . Pr inting files You c an p r int a ll p ag e s o r sele c t pa ge s in a .no t eb oo k f ile. Yo u c an pr int th e p a g e s a s t h u mb na ils , h a n d o u t s or full pa[...] 
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                            Page 23Reducing file s izes If y o u r . n o t e b o o k f il e s c on t ain la rg e pict ur e s (p ic t ur e s over 1 MB in f i le s iz e) , y ou r f iles cou ld op en a nd r un slowly . You can r e d u c e t h e p ic t u r e s ’ fil e s iz e w it ho u t no t ic ea bly r ed ucing the ir q ua lit y . A s a re s ult, you r . no t eb o ok files’ ove r a[...] 
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                            Page 242 . Se lect A sk ev er y t i me I inse rt a lar ge im ag e t o ha v e t he o ption o f re du c ing o r no t re du c ing la r g e p ic t u r e s ’ fi le s iz es whe n y ou in s er t t he m. O R Sele c t N ev er c han ge t he re solut i on of i nse rt ed i mag e s t o n eve r r e d u c e lar g e p ic t u r e s ’ fi le si z e s w he n y ou in s er[...] 
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                            Page 25Cha pte r 3: Cre ating a nd wo rkin g with pag es D is p laying p a g e s 2 0 C h a n g ing th e p a g e d is pla y 2 1 Zo omin g in an d ou t 2 2 D is p laying p a g e s in Full S c r e e n v iew 2 3 D is p laying p a g e s in Tra nsp a r e n t B a c k g r o u n d v iew 2 5 D is p laying p a g e s in D u a l Pag e v ie w 26 C r e a t in g p ag e s[...] 
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                            Page 26Dis p la ying pag es You ca n d is pla y an y p a g e in t h e f ile using th e Pag e Sor t e r . Y o u c a n d is pla y t he n ext or p re v iou s pa ge in t h e f ile using b utton s o r g e s t u r e s . g To display a p age 1 . If t h e Pag e Sor t er isn’t vis i b le , pr ess P ag e S ort er . 2 . Pr ess the thu mb na il of the p ag e y ou w[...] 
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                            Page 27g To display t he pr ev i ous pa ge i n a fil e Pre s s Pre vious Pa ge . O R Sw ipe you r f ing e r a c r o s s t he p ag e f ro m l e ft t o r igh t . A me s s ag e ap pe a r s , displa y ing the cu r r e n t pa ge ’s n umb er . C hanging t he page dis play You ca n z o o m i n a n d o u t using the Vie w Sc re e n s bu t t on o r mu l t it o u[...] 
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                            Page 28Z o omin g in a nd o ut You ca n z o o m i n a n d o u t using the Vie w Sc re e n s bu t t on o r mu l t it o u c h g e s t u r e s (if y o u r in t e r a c t iv e p r o d u c t s up po r t s multit ou c h g e s t u r e s ) . g To z oom in or out us i ng t he Vi ew Sc ree ns but t on 1 . Pre s s Vi ew Sc re e ns . 2 . Se lect a ma gn if ic ation l[...] 
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                            Page 29g To z oom in or out us i ng multit ouc h ge st ure s D r a g y o u r f ing e r s in op po s it e dir ect ion s t o z oo m in . O R D r a g y o u r f in g e r s t owar d ea c h o t h e r t o z o o m ou t . A me s s ag e ap pe a r s , displa y ing the cu r r e n t z oo m le vel. D isp lay in g p ag es i n F ul l Sc re en v ie w In Full S c r e e n v[...] 
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                            Page 30g To display a p age in Fu l l S c re en vie w Pre s s Vi ew Sc re e ns , a n d the n s ele c t Full Scr e e n . Th e pa ge e x pa n d s t o f ill t he sc re e n , hid ing the o t h e r u s e r inte r f ace ele men t s , an d t he F u ll Sc re e n t o o lba r a p p e a r s . B ut to n C ommand A c t i on Pre v io us Pa g e D is p lay the p re v iou[...] 
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                            Page 31D isp lay in g p ag es i n T ra ns pa ren t Ba ck g ro un d vie w U s in g Tr an s pa re nt B ack g r o u n d v iew, y ou can see th e d e s k top a nd wind ows b eh ind the SMAR T N ote b o ok so f t w a r e w in d o w an d c o n t in u e to inter a c t w it h t h e o pe n, tra n s p a r e n t pa g e . You can d ra w in d igita l in k on a tr a[...] 
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                            Page 32g To displa y more t oolbar but t ons Pre s s Too l ba r Opt i ons . Th e t oo lba r exp a nd s t o includ e t he follo w ing b utt o n s : B ut to n C ommand A c t i on Blan k P ag e Inser t a ne w , b lan k pa ge in the cu r r e n t f ile. U n d o R e v e r s e t h e e f fect o f t he la s t act ion . D e lete D e lete a ll sele c t ed o bje c t [...] 
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                            Page 33g To unpin a pa ge C le ar th e s e le c t ion o f V i e w > Zoom > P i n Pa ge . g To re t urn t o s t a nda rd v i ew Pre s s Vi ew Sc re e ns , a n d the n s ele c t Si ngle Page Di s play . C reat ing pages You ca n a d d a b lan k pa ge to t he o p e n f ile usin g t h e Add Pa ge bu t t on o r t he Pa ge So rter . g To i ns e rt a pa ge[...] 
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                            Page 34C loning pages As an a lt er na t iv e t o c re a t in g a bla n k pa ge , you can cre a t e a d u p lic ate ( o r “ c l o n e ” ) o f an e x is t ing p ag e. N O T E You c an clon e a p ag e on ly if it c on t ain s c on t e n t . g To clone a p a ge 1 . If t h e Pag e Sor t er isn’t vis i b le , pr ess P ag e S ort er . 2 . Se lect the thu [...] 
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                            Page 35Grouping pages You ca n g r o u p p ag e s in a f ile. Th i s en ab les you to f ind a p ar t ic u lar g r o u p q u ic k ly in the Pa ge So r ter , a n d the n displa y it s pa ge s . This is usefu l w h e n t h e r e a r e a lo t of p a g e s in a f il e . g To cr e a t e or ed i t a gro up 1 . If t h e Pag e Sor t er isn’t vis i b le , pr ess [...] 
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                            Page 365 . Do t he fo llowing : o To mo v e a pa g e into a g r o u p , pr ess t he p ag e’s thu mbn a il, an d t he n dr ag it b elo w t h e g r o u p ’s blu e ba r an d t o t h e r igh t of the thu mb n a il y o u w a nt i t t o f ollo w . o To r ea rr a n g e t h e o r d e r o f pa ge s i n a g r o u p , pr ess a pa ge ’s thu mbn a il, a nd the n[...] 
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                            Page 37R enam ing pages W he n y o u c r e a t e a p a g e , S MAR T N ote b o o k s oft w ar e au toma t ic ally n a me s t his p ag e w it h t he d ate a n d ti me o f it s c re ation . Y o u c a n c h a n g e t h is na me. g To re name a pa ge 1 . If t h e Pag e Sor t er isn’t vis i b le , pr ess P ag e S ort er . 2 . Dou b le- c lic k the p ag e?[...] 
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                            Page 384 . Pe rfor m t he a c t ion s tha t you wan t to re c or d on th e c u r r en t p a g e . 5 . W he n y o u f in is h pe r f o r min g t he s e act ion s , pr ess . A p la y b a c k t oo lba r ap pe a r s on the p ag e. g To play a pa ge re co rding 1 . Dis pla y the p ag e. If t h e p a g e includ e s a pa ge r eco r d in g, a pla y ba c k too lba[...] 
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                            Page 39g To de let e a pag e us i ng t he D ele t e Pag e but t on 1 . If y ou h aven ’t do ne so alr ea d y , displa y the p ag e y ou wan t t o de lete . 2 . Sele c t D ele t e Pag e . Sele c t D ele t e Pag e g To de let e a pag e us i ng t he Pag e Sort er 1 . If t h e Pag e Sor t er isn’t vis i b le , pr ess P ag e S ort er . 2 . Se lect the thu [...] 
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                            Page 40C learing pages You ca n e r a s e d igita l in k an d de lete ind iv idu a l o bje c t s f r o m a pa ge . Y ou ca n a ls o c lea r a ll o b je c t s or a ll d ig it a l in k ob ject s fro m a p ag e s imulta n eo u s ly . N O T E You ’r e un a b le t o c lea r o b je c t s lock ed in p lace (se e L o c k ing o b ject s on p ag e 80 ) or in f in[...] 
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                            Page 41g To cle a r all digita l ink objec ts f rom the p a ge 1 . If y ou h aven ’t do ne so alr ea d y , displa y the p ag e y ou wan t t o c lea r. 2 . Se lect Edi t > C l e a r I nk fr om P a ge . N O T E S o Th is op t ion is d is ab led if t he re is no d igital ink o n the p ag e o r if the d igital ink is lo c k ed o r in f in it ely clon ed [...] 
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                            Page 42g To re s e t a pa ge 1 . If y ou h aven ’t do ne so alr ea d y , displa y the p ag e y ou wan t t o re s et. 2 . Se lect Edi t > R e s e t Pag e . A d ia log b o x ap pe ar s , pr om p t in g y ou to con f irm t he r e s e t . N O T E S o Th is o p t io n is d is ab led if y ou h a v e n ’t mad e c ha n ge s t o t he p ag e s ince la s t s [...] 
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                            Page 43g To ap ply a ba ck gro und 1 . Se lect Forma t > Bac kgr ound C ol or . Th e P r o p e r ti e s t ab d is pla y s Fill Ef fect s o p t io n s . 2 . Se lect a fil l st y le: Fil l st y l e Proc ed ure N o n e ( t r a n s p a r e n t ) Sele c t N o fil l . Solid colo r a . Sele c t Sol i d f i ll . b . D o o n e o f t he follo w ing : o Sele c t [...] 
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                            Page 44g To re m ov e a ba ck grou nd 1 . Se lect Forma t > Bac kgr ound . Th e P r o p e r ti e s t ab d is pla y s Fill Ef fect s o p t io n s . 2 . Se lect N o fil l . A pply i ng bac k gro und s a nd th e mes us i ng th e G a l l e ry You ca n s e t a pa ge , all t he p ag es in a g r o u p o r a ll the p ag es in a fi le u s ing a b a c k g r o u [...] 
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                            Page 45C rea tin g th e m es You ca n u s e t h e me s t o c u s t o mize pa ge s . You ca n c r e a t e a the me an d ad d it t o t he G alle ry so t ha t it’ s a v a ilab le in a c on v e nie n t location . Y o u c an th e n a p p ly t his t h e me to a pa ge , a ll pa ge s i n a g r o u p o r a ll p a g e s in a f il e . Th e Ga ller y a ls o inclu d[...] 
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                            Page 46[...] 
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                            Page 47Cha pte r 4: Cre ating ba si c ob j ects W r it ing , dr awing a nd e r a s ing d ig it al ink 4 2 W r it ing o r dr a w ing d igita l in k 4 2 W r it ing o r dr a w ing fa d ing d igita l in k 4 4 C r e a t in g c u s t o m C r ea t iv e pe n s t y les 4 5 Era s in g dig it a l in k 4 8 C r e a t in g s h ap e s an d line s 4 8 C r e a t in g s h [...] 
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                            Page 48O b ject s ar e t he b u ildin g blo c k s of c on ten t in y o u r . n o t e b o o k f il e s . An ob ject is s imply a n it e m on a p a g e t h a t y ou cre a t e o r imp or t a nd the n w or k w it h . B a s ic t y pe s o f o bje c t s includ e t he fo llowing : l D ig it al ink ( f re eh an d w ritin g an d d r a w ing ) l Sha p e s l St r a i[...] 
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                            Page 49Pen t ype Purpo se a nd e xa m ple N ot e s C r a y o n W rite o r dr a w c ra y on -like dig it al ink. Th e C ra y on p en ty pe is in ten de d for a rtis t ic wor k s u c h a s pa inting , colo rin g pict ur es a nd so on r ath e r tha n w riting . H ig hlig hte r H igh ligh t t ext an d othe r ob jects . C r e a t iv e Add colo r f u l e l e me[...] 
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                            Page 504 . O ption a lly , c ust omize t h e line ty p e u s ing th e p r o p e r ty s ele c t o r s . N O T E You ca n a ls o c ustomize t he lin e t y pe u s ing th e Pro pe r ti e s t ab ( s ee Cha n g ing o b jects ’ p r o p e r ti e s o n p a g e 74 ) . 5 . Write or d r a w dig it al ink on th e p a g e. T I P S o D o n ’t re s t you r elb ow o r[...] 
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                            Page 51g To wr ite or dr aw f a ding digita l ink 1 . Pre s s Pen s . Th e P e n s t oo l b u t t o n s ap pe ar . 2 . Pr ess Pen Ty pe s , a n d t h e n s e lect P e n . 3 . Se lect a lin e t y p e . 4 . If t h e Pro pe r ti e s t ab isn’t vi s ib le, p re s s Prop e rt i es . 5 . Pr ess Fil l E f f e c t s . 6 . Se lect the Ena bl e i nk t o f a de a [...] 
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                            Page 52g To cr ea te a c us t om C re at i ve p e n using a pi c t ure 1 . Pre s s Pen s . Th e P e n s t oo l b u t t o n s ap pe ar . 2 . Pr ess Pen Ty pe s , a n d t h e n s e lect C re a t i v e Pen . 3 . Se lect a lin e t y p e . 4 . If t h e Pro pe r ti e s t ab isn’t vi s ib le, p re s s Prop e rt i es . 5 . Pr ess Line Sty l e . 6 . Se lect U se[...] 
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                            Page 53g To cr ea te a c us t om C re at i ve p e n using an objec t 1 . Pre s s Pen s . Th e P e n s t oo l b u t t o n s ap pe ar . 2 . Pr ess Pen Ty pe s , a n d t h e n s e lect C re a t i v e Pen . 3 . If t h e Pro pe r ti e s t ab isn’t vi s ib le, p re s s Prop e rt i es . 4 . Pr ess Line Sty l e . 5 . Se lect U se a c us t om s t a mp im ag e . [...] 
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                            Page 54E ra sin g di git al in k You ca n e r a s e d igita l in k f ro m you r inte r a c t iv e pr o d u c t ’s s c re en u s ing th e e r a s e r o r t h e e r a s ing g e s tur e. If y o u’r e e r a s ing d ig it al ink fro m a .no t eb oo k f ile pa ge , you can a ls o er ase o b jects usin g t h e Era s e r t o o l. N O T E Alt ho u gh yo u c a [...] 
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                            Page 55g To cr ea te a s ha pe 1 . Pre s s Sha pe s . Th e S h a p e s t oo l bu t ton s a p p e a r . 2 . Se lect a sha pe o n t he to o lba r . O R Pre s s a n d the n s ele c t a s h a p e . 3 . O ption a lly , c ust omize t h e s h a pe u s in g t h e p r o p er ty s ele c t o r s . N O T E You ca n a ls o c ustomize t he sha p e u s ing th e Pro p e [...] 
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                            Page 56g To cr ea te a s ha pe w i th th e R e gula r P olygo ns t ool 1 . Pre s s R eg ul ar Poly gon s . Th e R eg ula r Polygo ns too l bu t t o ns a pp ea r. 2 . Se lect a sha pe o n t he to o lba r . O R Pre s s a n d the n s ele c t a s h a p e . N O T E Th e nu mb er in th e s h ap e ind ic a t e s it s n u mb e r o f s ide s . 3 . O ption a lly , [...] 
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                            Page 57g To dra w a sha pe 1 . Pre s s Pen s . Th e P e n s t oo l b u t t o n s ap pe ar . 2 . Pr ess Pen Ty pe s , a n d t h e n s e lect S ha pe R ec ognit i on Pen . 3 . Dra w a s ha pe o n t he in t er a c t iv e s c r e e n . If SMAR T N oteb o o k s oft w ar e re c o g nize s y ou r dr awing a s a c i r c le , oval, squ ar e, r ect an gle , tria[...] 
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                            Page 58g To cr ea te a s tr a i ght li ne or a rc 1 . Pre s s Lines . Th e Lin es too l bu t t o n s ap pe ar . 2 . Se lect a lin e or a r c t y pe . 3 . O ption a lly , c ust omize t h e line o r a r c t y pe u s ing the p r o p e r t y s ele c t or s . N O T E You ca n a ls o c ustomize t he lin e or a r c t y pe u s ing the Pr op er t ie s t ab ( s ee [...] 
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                            Page 592 . Pre s s Te xt , a n d t h e n s e lect an a v aila ble fon t s t y le. 3 . O ption a lly , c ust omize t h e f o n t s t y le (see F o r ma t t ing text on the n ext pa ge ). 4 . Pr ess whe re you wan t t he te x t t o s t ar t . 5 . T y p e y ou r t e x t. 6 . Whe n y ou ’re d o n e , pr ess ou t s ide the te x t ob ject . g To ed i t e x i [...] 
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                            Page 604 . Se lect the text ob ject . Th e S MAR T N o t e b o ok soft w ar e ha n d w r it ing r e c og n it ion fe a t u r e c o mp ar es y o u r w r it t e n w or d w it h it s dict ion ar y an d ide ntif ies w o r d s t ha t most re s emb le w ha t y ou ’v e w ritt en . 5 . Pr ess the text ob ject ’s men u ar r o w . A me nu a pp ea r s an d di[...] 
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                            Page 61C ha nge Too lbar Pro pe rt i e s t ab For m at men u C h a n g e t h e f o n t s iz e T I P To sele c t a fon t s iz e t ha t do e s n’t a p pe a r in the dr op - d o w n lis t (in c lud ing fon t s i z e s w it h de c imal v alu es such as 2 0 . 5 ) , t y pe the fo nt s iz e in t he F o n t Siz e b o x on the to o lb ar . C h a n g e t h e c o [...] 
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                            Page 62R es iz ing t e xt o b je cts W he n y o u r e s iz e a t e x t ob ject follo w ing the p ro c ed u r e in R esiz ing o b ject s on p ag e 83 , t he text in t he o b je c t c h an g e s s iz e. If y o u w an t t o re s iz e t he te x t ob ject w it h o u t c ha ng ing th e s iz e of t he text i n the o bje c t , comp lete t h e follo w in g pr o c [...] 
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                            Page 63g To disa bl e au toma tic sp e ll ch ec king 1 . Pre s s Te xt . 2 . Pre s s Mor e Te xt O ptions , an d t he n s ele c t Chec k Spelli ng . g To manu a l l y c he ck s pelli ng of a t ex t objec t 1 . Se lect the text ob ject . 2 . Pr ess the o bje c t ’s me nu a rr o w , an d t he n s ele c t C hec k Spelli ng . If SMAR T N oteb o o k s oft[...] 
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                            Page 64g To cu t a nd pa s t e t e x t t o an ot he r l oca t i on on t he s ame pa ge 1 . Dou b le- c lic k the text ob ject . 2 . Se lect the text y ou wan t t o c ut. 3 . Dra g t h e s e lected text t o an othe r lo c atio n o n t h e s a me p ag e. g To co py a nd pa st e te x t t o a not her pa ge 1 . If t h e Pag e Sor t er ta b is n ’t v is i b l[...] 
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                            Page 652 . M o v e t h e p oin t e r o v e r the g rid to s ele c t the n um b e r o f c olu mns a nd r ows tha t you wan t in the tab le. N O T E Th e c ells of t he g rid cor r e s p on d t o the cells of y ou r t ab le. T I P Th e gr id displa y s eig ht r o w s an d eig ht c o lu mn s by d efau lt . Y o u c a n ad d r o w s by mo v i n g t h e p o in [...] 
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                            Page 663 . Se lect a lin e t y p e . 4 . Dra w a t ab le on the sc r e e n . T I P Ma k e t he lin es o f t he tab le a s s t ra igh t a s p o s s ible a nd co n n e c t t he cor n e r s . 5 . Pre s s Sele c t . 6 . Se lect you r dr awing . 7 . Pr ess the me n u a r r o w , an d t he n s ele c t R e c ogn i z e Ta bl e . If SMAR T N oteb o o k s oft w [...] 
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                            Page 67g To ad d a n obje ct t o a ta bl e 1 . Se lect the o bje c t . 2 . Dra g t h e o b ject t o t he ta b le c ell. N O T E You ’r e un a b le t o mo v e an o bje c t if it ’s lo c k e d in pla c e ( s e e Lo c k in g o bje c t s on p ag e 80 ). Th e ob ject ap pe ar s i n the tab le c ell. N O T E If y o u a d d a t e x t ob ject t o a t ab le, t[...] 
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                            Page 68g To se l ec t a c olumn 1 . Pre s s Sele c t . 2 . Pr ess in s i d e the colu mn’s top cell, a n d t h e n d r a g t o t h e b o t tom c ell. g To se l ec t a row 1 . Pre s s Sele c t . 2 . Pr ess in s i d e the r ow’s le f t mo s t c e ll, an d t he n dr a g t o t h e r ig h t mo s t c e ll. g To se l ec t a c e l l 1 . Pre s s Sele c t . 2 .[...] 
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                            Page 69C ha ng ing a t ab le ’s pr o pe rti e s You ca n u s e t h e Pro pe r ti e s t ab to c ha n g e t h e t a b le’s p ro pe rtie s , includ ing its tra nspa r e n c y , c ell c olo r a n d line co lo r . g To ch a nge a t ab l e’s fil l 1 . Se lect a tab le, c o lum n, r ow, c ell or sele c t ion o f cells. 2 . Pr ess the tab le’s, c olu mn?[...] 
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                            Page 704 . Se lect a fil l st y le: Fil l st y l e Proc ed ure N o n e ( t r a n s p a r e n t ) Sele c t N o fil l . Solid colo r a . Sele c t Sol i d f i ll . b . D o o n e o f t he follo w ing : o Sele c t on e of the 4 0 c olo rs in the p ale t t e. o Pre s s Mor e , an d t he n s ele c t a c olo r i n the d i a lo g bo x . o Pre s s t he e y ed ro p [...] 
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                            Page 71g To ch a nge a t ab l e’s l i ne s t y l e 1 . Se lect a tab le. N O T E You ca n on ly c ha ng e t he lin e s t y le of a n en t ir e t a b le, n ot in d iv idu al c ells, colu mns o r ro w s . 2 . Pr ess the tab le’s, c olu mn’s, ro w ’s o r c e ll’s me nu a rr ow, an d t he n s ele c t P rop e rt i es . 3 . Pr ess Line Sty l e . 4 . C[...] 
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                            Page 72g To re siz e a row 1 . Pre s s Sele c t . 2 . Pr ess the h or iz on t a l b or de r be low the r ow. A r esiz e po inter a pp e a r s . 3 . Dra g t h e h o r iz o nta l b or de r t o r e s iz e t he r o w . g To re siz e all c ell s i n a t able 1 . Se lect the tab le. 2 . Pr ess the tab le’s me nu a rr o w , an d t he n s ele c t A dj us t s iz[...] 
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                            Page 73g To re m ov e a row 1 . Se lect the r ow. 2 . Pr ess the r ow’s me nu a r r o w , an d t he n s ele c t D e l e t e R ow . g To re m ov e a c e l l 1 . Se lect the cell. 2 . Pr ess the cell’s me nu a rr ow, an d t he n s ele c t D elet e C ell s . N O T E o R e mo v i n g a c e ll d e le t e s t he con t e n t s of t h e c e ll. o You ’r e u[...] 
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                            Page 74A d d in g or re m ov in g ce ll sh ad es You ca n a d d a c e ll s h a d e t o a t a b le c e ll. Th is e na ble s y o u t o r evea l t h e info r ma t ion in the cells d u r in g a p r e s e n t a ti o n . N O T E S l You m u s t re mo v e t h e c e ll sha de if y o u w an t t o c ha ng e t h e c ell’s p r o p e r ti e s ; inser t c olu mns o r[...] 
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                            Page 75g To de let e a ta bl e 1 . Se lect the tab le. 2 . Pr ess the tab le’s me nu a rr o w , an d t he n s ele c t D elet e . C H A P T E R 4 Cr eating b asi c objects 69[...] 
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                            Page 76[...] 
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                            Page 77Cha pte r 5: Wor king with ob jects Sele c t ing o b jects 72 C h a n g ing o b ject s ’ p ro pe rtie s 7 4 C h a n g ing th e f ill 7 4 Fillin g d igita l in k dr awing s 7 6 C h a n g ing o t h er p r o p e r ti e s 7 6 Saving to ol s ett ing s 7 7 Posit ion in g ob je c t s 77 Mo v ing o bje c t s 77 Mo v ing o bje c t s to an othe r pa g e 78[...] 
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                            Page 78Af t e r c r e a t in g an o b je c t , y ou can sele c t it a n d w or k w it h it a s de s c rib ed in this cha pter . N O T E Th e t ask s d esc rib ed in this cha pter a r e f or a ll o bje c t s , n o t just b asic o b ject s . Se le c ting obj ect s Befo r e y o u c a n w o r k w i th an o bje c t , you mu s t s ele c t it . Y o u c a n s e l[...] 
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                            Page 79g To se l ec t a n ob jec t 1 . Pre s s Sele c t . 2 . Pr ess the o bje c t y ou wan t to s ele c t . A sele c t ion r ect an g le ap p ea r s ar ou n d t h e o bje c t . N O T E If y o u p r e s s an o bje c t a nd a lo c k s y mb ol ap pe ar s inst ea d of the me n u ar r ow, t h e o b ject is lo c k e d . D ep en din g on th e t y p e o f lock ,[...] 
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                            Page 80Chang in g ob je ct s’ prop er t ies You ca n c h a n ge a n o b ject’ s pr op er ti e s . The p r o p e r ti e s y ou can cha n g e d ep e n d o n t h e o b ject y ou sele c t . You can a ls o s e lect s ever a l o b je c t s an d c ha ng e t h e ir p r o pe r ti e s at the same time . C ha ng ing t h e fil l You ca n c h a n ge a n o b ject?[...] 
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                            Page 814 . Se lect a fil l st y le: Fil l st y l e Proc ed ure N o n e ( t r a n s p a r e n t ) Sele c t N o fil l . Solid colo r a . Sele c t Sol i d f i ll . b . D o o n e o f t he follo w ing : o Sele c t on e of the 4 0 c olo rs in the p ale t t e. o Pre s s Mor e , an d t he n s ele c t a c olo r i n the d i a lo g bo x . o Pre s s t he e y ed ro p [...] 
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                            Page 82g To ch a nge a n obje c t ’ s f i ll by f i rst p res s i ng th e Fil l but t on 1 . Pre s s Fil l , a nd the n s ele c t a c olo r. 2 . Se lect the o bje c t . 3 . Rep e at s t ep 2 for e ach ob ject y ou wan t t o ap ply t h e f ill t o . Fil l i ng di gita l ink dra wings In ad dition to f illing sha pe s , re gu lar p o ly go n s an d irr eg[...] 
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                            Page 83g To ch a nge a n obje c t ’ s l i ne st y l e 1 . Se lect the o bje c t . 2 . If t h e Pro pe r ti e s t ab isn’t vi s ib le, p re s s Prop e rt i es . 3 . Pr ess Line Sty l e . 4 . Cha n ge th e o b je c t ’s li n e s t y le . g To ch a nge a n obje c t ’ s t e x t s t y l e 1 . Se lect the o bje c t . 2 . If t h e Pro pe r ti e s t ab is[...] 
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                            Page 84T I P You ca n ma nip ula t e multiple o bje c t s by s e lecti n g t h e m, an d t h e n c r e a t ing a g r o u p ( s e e Gr o u p in g o b je c t s o n p a g e 87 ) . g To move a n obje c t or objec ts 1 . Se lect the o bje c t o r ob ject s . 2 . Dra g t h e o b ject or o bje c t s t o a ne w p o s it io n on th e p a g e . T I P You ca n mo v [...] 
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                            Page 854 . Dra g t h e o b ject or o bje c t s into t he Pa ge So rter a bo v e t h e thu mbn ail of the p ag e y ou wan t t o mo v e t he o bje c t s t o. g To move a n Adobe  Fl a s h Pl a y e r compa t i ble fil e t o a not her pa ge 1 . If t h e Pag e Sor t er isn’t vis i b le , pr ess P ag e S ort er . 2 . If y ou d on ’t see the p ag e t h a [...] 
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                            Page 86R ea rra ng ing s ta ck ed o bj ec ts If o b ject s over lap o n a p a g e , y ou can r ea r r a n g e t h e o r d e r o f t he st a c k (tha t is , y o u c a n c on t r ol w h ic h o b je c t s ap pe ar in fr o nt of o t h e r s ) . N O T E You ’r e un a b le t o mo v e an o bje c t in t h e s t a c k if it ’s lock ed in p lace (se e Lo c k in[...] 
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                            Page 87g To l oc k a n objec t 1 . Se lect the o bje c t . 2 . Pr ess the o bje c t ’s me nu a rr o w , an d t he n s ele c t Loc k ing > Loc k i n Pl ac e . You ’r e un a b le t o mo v e , ro t ate o r mo dify t h e o b ject un t il y ou u n lock it . N O T E If y o u p r e s s a lock ed o bje c t , a l o c k ic on a p p e a r s inst ea d of a me [...] 
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                            Page 88Cut ting , copying an d p ast in g o bj ect s You ca n c u t , c op y a nd p ast e ob ject s , includ ing te x t , pict ur e s , s t ra igh t l in es, ar c s an d s ha pe s in a .no t eb oo k f ile. T I P S l You ca n p a s t e t e x t f ro m othe r pr o g r a ms into SMAR T N oteb oo k s oft w ar e an d c u t t ext f ro m SMAR T N ote b o ok[...] 
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                            Page 89g To clone a n obje ct 1 . Se lect the o bje c t . 2 . Pr ess the o bje c t ’s me nu a rr o w , an d t he n s ele c t C l one . A d u p lic ate o b je c t ap pe ar s on the p ag e . g To clone a n obje c t us i ng t he I nf i ni te Cl one r 1 . Se lect the o bje c t . 2 . Pr ess the o bje c t ’s me nu a rr o w , an d t he n s ele c t I nfinite [...] 
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                            Page 90g To re siz e m ultiple objec ts 1 . G ro u p t h e o bje c t s (see G ro u p ing o b ject s on p ag e 87 ), an d t he n s ele c t the g ro u p. A sele c t ion r ect an g le ap p ea r s ar ou n d t h e g r o up . 2 . Pr ess the r esiz e ha n d le in t he lo w er - r ig h t c or ne r of t he sele c t ion r ect a n g le. 3 . Dra g t h e r e s iz e h [...] 
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                            Page 91g To re s iz e a n obje c t f rom i ts c orne r or s i de 1 . Se lect the o bje c t . 2 . Us ing o ne fin g e r o n e ach h a n d , pr ess t he sc re e n at t he cor ne r o r s id e y o u w an t t o re s iz e t he o b je c t f r o m. 3 . Dra g y o u r f in g e r s in op po s it e dir ect ion s t o incre a s e t h e o b ject ’s s iz e. O R D r a g[...] 
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                            Page 92g To rot at e mul t i ple objec ts 1 . Se lect the o bje c t s . A sele c t ion r ect an g le ap p e ar s ar ou n d ea c h o b ject. 2 . Pr ess the r ota t io n h a nd le ( t h e g r e e n c ir c le) o n a n y on e of the sele c t ed o bje c t s , an d t he n dr a g it in t h e d ir e c t io n y ou wa n t t o ro t ate the o bje c t . W h e n y ou r[...] 
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                            Page 93Flippin g o bje ct s You ca n f lip an o b ject on a p ag e. N O T E You ’r e un a b le t o f lip an o b ject if it’ s lock ed in p lace (se e L o c k ing o b jects on p a g e 80 ) . g To f l i p an o bjec t 1 . Se lect the o bje c t . 2 . Pr ess the o bje c t ’s me nu a rr o w , an d t he n s ele c t Fl i p > U p/D own o r Fl ip > Le f[...] 
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                            Page 94U s i ng t he gr oup ge st ure N O T E S l You ’r e un a b le t o u s e t h e g r o up g e s t u r e w it h a mo use. l Th e gr ou p ge s t u r e w or k s on ly w h e n y ou in it ially c o n t a c t y ou r inter a c ti v e p r o d u c t ’s s ur f ace. g To gr oup objec t s Q u ic k ly sha k e y ou r f ing er o v er th e ob ject s t hr ee time [...] 
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                            Page 95Ad di ng l inks t o ob je ct s You ca n link a ny o bje c t on a p ag e t o a w eb p ag e , an oth e r p a ge in th e f ile, a f i le o n y o u r c o mp uter o r an a tt achme n t . A n a tt achme n t is a c o py o f a fil e , a s ho rtc u t t o a f ile or a lin k t o a w e b p a g e t h a t y ou a dd to t he Att achme n t s t ab . N O T E You ca n[...] 
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                            Page 96g To ad d a l i nk to a f i l e on y our compu t er 1 . Se lect the o bje c t . 2 . Pr ess the o bje c t ’s me nu a rr o w , an d t he n s ele c t Li nk . Th e I nser t L in k d ialo g bo x a p p e a r s . 3 . Pr ess Fil e on t hi s C omput er , an d t he n t y p e t h e f ile’s lo c a ti o n a n d n am e in t h e File b ox. 4 . If y ou wan t t[...] 
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                            Page 97g To re m ov e a li nk 1 . Se lect the o bje c t . 2 . Pr ess the o bje c t ’s me nu a rr o w , an d t he n s ele c t Li nk . Th e I nser t L in k d ialo g bo x a p p e a r s . 3 . Pr ess R emov e Link . Ad di ng soun ds to ob ject s You ca n a d d a s o un d to an y o b ject (e x c ep t A d o b e  Fla s h Player co mp atible files a nd widg e[...] 
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                            Page 983 . Pr ess the o bje c t ’s me nu a rr o w , an d t he n s ele c t S oun d . A d ia log b o x ap pe ar s . 4 . Clic k Sta rt R ec ord ing . 5 . Reco r d t h e s o u n d u s ing th e micro ph on e. I M P O R T A N T SMAR T N ote b o ok soft w ar e s t o p s re c or din g after o ne min ute . The r e f o r e , en s ur e t he so u n d is n o mo r[...] 
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                            Page 99An imating ob ject s You ca n a n ima te an o bje c t to f ly on t o a p a g e f r o m t he side , spin , fad e in, s h r ink a nd mo r e . Y o u c a n set t h e an ima t ion to s t ar t w he n y ou o pe n a pa ge o r w h e n y o u pr e s s t he o bje c t . g To an im at e a n obj e c t 1 . Se lect the o bje c t . 2 . If t h e Pro pe r ti e s t ab [...] 
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                            Page 100[...] 
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                            Page 101Cha pte r 6: Using you r own con tent Inser t ing p ic t ur e s 96 Inser t ing p ic t ur e s f ro m files 9 6 Inser t ing p ic t ur e s f ro m a SMAR T D o c u me nt C a me ra 9 6 C r e a t in g t r a n s p a r e n t ar ea s in a p i c tur e 9 7 W or k in g w it h pict u r e s 9 7 Inser t ing m u lt ime d ia f iles 9 7 Inser t ing Ad ob e [...] 
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                            Page 102In ad dition , you can a dd yo u r c o n t e n t t o t he G alle ry, w he re you ca n a c c ess an d use it acro s s mu lt iple .no t eb oo k f il e s or sha re yo u r c o n t e n t on the SMART E x c h a n g e w eb s it e. I nserting pict ure s You ca n inse r t pict ur e s into pa ge s f ro m files, a s c a n n e r o r a SMAR T D ocum e n t[...] 
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                            Page 103C rea tin g tra ns pa re nt a rea s in a p ic tur e You ca n c r e a t e t r a n s p a r e n t ar ea s in a pict ur e t ha t y ou in s er t in t o a pa ge . Th is is usefu l for r em o v ing the p ic t ur e’s b a c k g r o u n d . Y o u c a n ma k e an y c o lor in t he p ic t ur e t r a n s p a r e n t . N O T E You ca n r e d u c e t h e s iz e[...] 
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                            Page 104In se rtin g Ad ob e Fl a sh P la ye r co m p at ibl e fil e s You ca n inse r t Ado be  Flash Player com pa t ible files into a p a g e . Af t e r y o u inse r t an Ad ob e Flash Player com p a ti b le f ile into a pa g e , or d is pla y a p ag e t ha t a lre ad y con t ain s a n Ado be  Fla s h Player co mp a ti b le f ile, the file p[...] 
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                            Page 105g To co nt rol an A dob e  Flas h Pl ay e r compa t i ble fil e 1 . Se lect the Ad o b e  Fla s h Player co mp atible file. 2 . Con t r o l the file by d o ing a n y of the follo w ing : o To p lay t h e f ile, pr ess the file’s me nu a rr ow, an d t he n s ele c t Fl as h > P lay . o To p lay t h e f ile f r o m t he b eg inn ing , pr e[...] 
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                            Page 106W or kin g wi th m ult im ed ia file s W he n y o u inse r t a multime dia file in a . no t eb oo k f ile, t h e mu l t ime dia file be c ome s an o bje c t in t h e fi le . Th er efo r e , y ou can m o v e , re s iz e, r otate an d ma k e othe r c ha n g e s t o t he mu lt ime d ia f ile lik e an y o t he r o b je c t . Fo r info r ma t ion o n ho[...] 
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                            Page 107I nserting Int e rn et b ro ws e rs You ca n inse r t an In t e r n e t br ows er in t o a . n o t e b o o k pa ge . In t he Inte r ne t b r o w s e r , y ou can b ro w s e t o a n d d is p lay web p ag es. Y o u c a n mo d if y t he Inte r ne t b r o w s e r lik e an y othe r ob je c t in SMAR T N ote b o ok soft w ar e ( s e e W or k ing wit h[...] 
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                            Page 108N O T E Alt ho u gh p r o x y s er v er s pr ote c t inter na l n etw or k s fro m in tru de rs, t he y u na v oid ab ly in t r o d u c e n e tw o r k la t e n c y . Us in g content from o ther pr og ra ms If y o u h a v e c on t e n t in othe r p r o g r a ms t ha t y ou wan t to use in y ou r . n ote bo ok f iles, y ou can m o v e t h is con t en[...] 
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                            Page 109g To i mport CFF f i l es 1 . Se lect Fi l e > I mport > A l l C omm on Fi l e For mat F i l e s ( .I W B ) . A d ia log b o x ap pe ar s . 2 . Br ows e t o an d s ele c t t he file y ou wan t t o impo rt. 3 . Pr ess Op e n . Th e f ile op en s . Att a ching files a nd web pag e s You ca n a t t a c h c o p ies o f fil e s , alia s es f o r f[...] 
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                            Page 110g To at t a c h a n a l i a s f or a file 1 . If t h e At t ach me nts tab isn’t v is ible , pr ess Att ac hmen t s . 2 . Pre s s I ns er t Fil e at t h e b o t t o m of t h e At t ach me nts t ab . Th e Op en d ialo g bo x ap pe ar s . 3 . Br ows e t o an d s ele c t t he file y ou wan t t o att ach . 4 . Se lect A l i as . 5 . Pr ess Op e n . T[...] 
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                            Page 1112 . T o o pe n a f ile, d ou ble -clic k the file na me or a lias. O R To o pe n a w eb p ag e, do ub le- c lic k t h e link. Ad di ng your c on tent t o the G all ery Th e Ga ller y is a t ab in the SMART N oteb o o k s oft w ar e use r in t e r f a c e w he r e y o u c a n b r o w s e or s ea rch for con t en t an d t he n ad d t h a t c on t [...] 
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                            Page 1125 . Pr ess Sav e . 6 . If t h e Ga ller y is n’t v is ible , p re s s G a l lery . 7 . Se lect My C ont ent ( o r o ne o f it s s ub c a t e g o r ies) in the Ga ll e r y ’s c a t e g o r y lis t , pr e s s it s me nu a r r ow, a n d t h e n s e lect A dd t o My C ont e nt . Th e Op en d ialo g bo x ap pe ar s . 8 . Br ows e t o an d s ele c t [...] 
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                            Page 113g To re name a s ubc a t e gor y 1 . If t h e Ga ller y is n’t v is ible , p re s s G a l lery . 2 . Se lect My C ont en t in t he G alle ry’s c ateg or y lis t , a n d t h e n b r o w s e t o t h e s u b c a t e g o r y t ha t you w a n t t o re na me . 3 . Se lect the sub c ate g o r y , pr ess it s me nu a rr ow, an d t he n s ele c t R ena [...] 
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                            Page 114g To ex por t a co l l ec tion fil e to s har e wit h ot her t e a c he rs 1 . Se lect the cate g or y t ha t c on t ain s the items you wan t to s ave in a c olle c t ion . N O T E SMAR T N ote b o ok soft w ar e e x p o r t s t he sele c t ed ca t e g o r y bu t d oe s n’t e x p o r t an y o f it s sub c ateg or ie s . 2 . Pr ess the cate g [...] 
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                            Page 115g To co nt ri but e to a Te am Cont ent c at e gor y Add co n t e n t t o a Tea m C on t en t c ateg or y as y ou d o to t he My C o n t e n t c ateg o r y (see Ad din g you r c on t en t t o t he G alle ry on p ag e 1 0 5) . F in din g an d us ing y ou r co n te nt in th e G a lle ry Af t e r a d d ing yo u r c o n t e n t t o t he G alle ry, y ou[...] 
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                            Page 1164 . En t er the a p p r o p r iate info rma t ion : C ont rol Ins tru ct i ons Ent er re sou rc e de t a i l s Ty pe a tit le f or th e .no t eb oo k file. D e s c ript i on Type a d e s c r ip t ion o f t he .no t e b o o k f ile. Subjec t( s ) Sele c t t he sub ject s t ha t the .no t e b o ok file is ap p lic ab le t o. G ra de( s ) Sele c t t h[...] 
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                            Page 117Cha pte r 7: Using con ten t fro m S MART r eso urce s Fin din g an d using co nte nt f r o m t he G alle ry 1 1 2 Fin din g an d using co nte nt f r o m t he SMAR T Ex c ha n g e w eb s it e 1 1 3 SMAR T N ote b o ok so ft w a r e in c l u d e s L e s s on Ac t i v it y Ex am p les, w h ic h in c lud e s Ac t iv it y Build e r e x a mp le[...] 
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                            Page 118Findin g a nd u sing content from the G al ler y Th e Ga ller y is divide d into t w o s ect io n s . The to p s e c t io n of t he G alle ry is t he categ o r y lis t . W he n y ou sele c t a c a t e g o r y or sub c ate g o r y in t he list , its c on t e n t s ap pe ar in th e b o t tom s ect ion o f t he G alle ry. T I P You ca n c h a n ge th [...] 
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                            Page 119g To se ar ch th e Ga l l er y 1 . If t h e Ga ller y is n’t v is ible , p re s s G a l lery . 2 . Type a keyw or d in t o t h e Type sea r c h t e r ms he r e bo x , an d t he n pr e s s S e a rc h . Th e Ga ller y d is p lays all c on t en t con t ain ing the ke y w o r d . g To ad d a Ga l l er y i t e m to y our .not e boo k f il e 1 . If t h[...] 
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                            Page 1202 . If y ou ’re n ew to t he SMAR T Ex c h an g e w eb s it e , c lic k Jo in fo r fre e , an d t he n f o llow the o n- sc re en in s t ru c t ion s t o c re ate an a c c o u n t . O R If y o u h a v e an a c c o u n t , c lic k Si gn I n , a n d t h e n f o llow the o n- s c re e n inst r u c ti o n s t o log o n t o the SMAR T Ex c ha ng[...] 
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                            Page 121Cha pte r 8: Using S MART Note bo ok soft war e in you r classr oom Pre s e n t in g f iles to s t ud en t s 1 1 6 C r e a t in g a nd p r e s e n t in g less o n a c t iv it ies 1 1 6 C r e a t in g ma t c hin g less on a c t iv it ies 1 16 C r e a t in g h ide - a n d - s h ow le s s on a c t iv it ies 11 8 C r e a t in g r e v e a l le s s o [...] 
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                            Page 122Pr esenting files to st u de nts Af t e r cre ating a . no t e bo o k f ile u s ing ba s ic ob ject s , y ou r o w n c on t en t an d con t en t f ro m S MAR T r esou rces, y ou can p r e s e n t t he file t o s t ud en ts in y ou r c lass r o o m. Th e f ollo w ing a re tips to k ee p in mind whe n pr e s e n t in g f iles to s t ud en t s : l Sav[...] 
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                            Page 123Th e Ac t iv it y B uild er en ab les yo u to c re ate ma t c hin g acti v it ie s , s or ti n g a c t iv i ti e s , lab e ling act iv it ies, g a me s a n d mo r e using you r own c on t e n t. U s in g t h e Ac t iv it y Build er , y ou d efine o n e ob je c t on the p ag e a s an a c t iv it y o b je c t . Y o u t h e n d e f in e w h ic h ob je[...] 
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                            Page 1245 . O ption a lly , s ele c t t h e A l s o pla y t he obje c t ’ s s oun d c h eck bo x to pla y s o u n d s att ach e d t o a c c e p t e d o bje c t s w he n t he y ’re dr ag g e d o v e r the a c t iv it y ob ject ( s ee Ad din g s ou nd s to ob ject s o n p a g e 9 1 ) . 6 . Se lect the d esire d a nim a t io n f o r r e je c t e d o bje c[...] 
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                            Page 125l C o v e r t h e o b ject w it h an oth er ob ject an d t he n c ha n g e t h e o r d e r o f t he o bje c t s i n t h e s tack ( s e e R e a r r a n g ing st a c k e d o b jects on p a g e 80 ) . l U s e t h e o b ject an ima t ion fe a tur e (see An imatin g o bje c t s on p ag e 93 ). Alt er n a t iv ely, y ou can h ide a n o bje c t be hin d a[...] 
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                            Page 1263 . M o v e t h e o bje c t y ou wan t to lock so t ha t it c over s t he o bje c t y ou wan t to hid e. 4 . Se lect the o bje c t you wan t to lock , p re s s it s men u a r r o w , an d t he n s ele c t Loc k i ng > Loc k i n Pl ac e . 5 . Us e t he sc a ling g e s t u r e t o e n lar g e a n d s h o w t he h idd en o bje c t w h ile k ee p in[...] 
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                            Page 127C rea tin g re ve a l les so n ac tiv itie s N O T E You ’ll c o mp l e t e the follo w ing task s whe n c re ating r e v e a l le s s o n a c t iv it ies: l C r e a t in g t a b les ( s ee Cre atin g t a b les in SMAR T N ote b o o k s oft w ar e on p a g e 5 8) l R e s iz ing ce lls ( s ee Resiz ing tab les, c olu mns o r ro w s o n p a g e [...] 
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                            Page 1283 . Se lect the tab le, p re s s the tab le’s me nu a rr o w , an d t he n s ele c t P rop e rt i es . Th e P r o p e r ti e s t a b a p p e a r s . 4 . Pr ess Fil l E f f e c t s . 5 . Se lect I mage f i l l , p r e s s B row se , br ows e t o an d s ele c t t he p ic t ur e y ou wa nt t o use in t he r eve a l le s s o n a c t iv it y , an d t [...] 
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                            Page 129Us in g pr esentat io n t oo ls W hile p re s e n t in g . n o t e b o ok files t o s t u d e n t s , y ou can u s e t h e f o llowing to o ls : l Sc re e n Sha de l Ma gic Pe n l Me asur em en t t oo ls o R u ler o Pro t r a c tor o G e o dr e ie c k p r o t r a c t o r o C o mp ass U sin g th e S cr ee n Sh ad e If y o u w an t t o c over in f o [...] 
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                            Page 130U sin g th e M ag ic Pe n Th e Mag ic P en e n a b les you to do th e f o llowing : l C r e a t e a n o b ject t ha t s lowly f ad e s l O p e n a ma g n if ic a t ion wind o w l O p e n a s po t ligh t w ind ow Sele c t ing t he Ma gic P en Befo r e y o u c a n u s e t h e Ma gic Pen , you mu s t s ele c t it . 1 . Pre s s Pen s . Th e P e n s t o[...] 
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                            Page 1314 . Se lect the n umb e r o f s econ d s be f or e t he o b ject f ad es in the Fa d e t ime d r o p - d o w n lis t . T I P You ca n s a v e y o u r c h a n ge s t o t he M ag ic P e n t o o l’s d efau lt sett ing s by c lic k ing Sa ve To ol Prope rt i es ( s e e Saving to o l sett ing s o n pa ge 7 7) . U s i ng th e Ma gi c Pen to ope n a m a[...] 
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                            Page 1323 . Do t he fo llowing : o To r ed uce t h e ma gn if ic ation wind ow’s si z e , pr ess in t he mid dle o f t he wind ow, a nd the n d r a g to t he le f t . o To in c re ase t h e ma g n if ic a t ion wind o w ’s siz e, p r e s s in t he mid dle o f t he wind ow, a nd the n d r a g to t he r igh t . o To mo v e t he m a g n if ic atio n w ind[...] 
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                            Page 133g To ope n a sp otli ght w i ndow 1 . Se lect the Ma gic Pe n ( s e e Sele c t ing th e Ma gic Pen on p ag e 12 4) . 2 . Us ing you r f ing e r o r a p en , dr aw a ci r c le o r ellip s e on the in t er a c ti v e s c r e e n . A spo t ligh t w ind o w ap pe ar s . T I P You ca n d r a w a c i r c le b u t ha v e it fad e ra t he r t h a n o p e n[...] 
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                            Page 134U sin g th e m ea su remen t too ls U s in g t h e SMAR T N oteb o o k s oft w ar e me a s u r e me nt t o o ls , y ou can in s er t a ru ler , p ro t ra c t o r , G e o dr e ie c k pr otr a c t o r o r c om p a s s into a pa ge . U s i ng th e rule r You ca n inse r t a ru ler in t o a p a ge , an d t he n ma nip ula t e it s s iz e, l e n g t [...] 
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                            Page 135g To re ve rs e t he mea s ure ment s Pre s s t he r ule r’s flip s y mbo l . If t h e me t ric me asur em e n t s ap pe ar e d on th e top e dg e of the r ule r, the y n ow ap p e a r o n t h e b o tt om ed ge a nd vic e v e r s a . g To dr aw u sing a p e n an d the ruler 1 . Pre s s Pen s . Th e P e n s t oo l b u t t o n s ap pe ar . 2 . Pr e[...] 
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                            Page 136g To i ns e rt a pr otr ac tor Pre s s Me as ure m e nt Too l s , a nd the n s ele c t I nse rt Prot ra ct or . A p r otra c t or a p p e ar s. g To move t he pr ot ra c t or Pre s s t he in ne r pa r t of the p ro t ra c t o r ( displa y ed a s a d a r ker sha de o f blu e) , a nd the n dr a g t h e p r o tra c t or to a diff e r e n t po s it ion[...] 
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                            Page 137g To display t he pr otr ac tor a s a comple t e c i rc l e 1 . Pre s s t he b lue circle n e x t t o t he 1 80 la be l o n t he in ne r c ircle of n u mb er s . 2 . Pr ess the b lue circle ag a in t o r e t u r n t o the semi- c ircle . g To dr aw u sing a p e n an d the prot ra ct or 1 . Pre s s Pen s . Th e P e n s t oo l b u t t o n s ap pe ar [...] 
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                            Page 1384 . Dra w alo ng the e dg e o f t he p ro t r a c t o r . D ig it al ink a p p e a r s in an a rc a l o n g t h e e d g e o f t he p ro t r a c t o r . g To displa y an gl es u s i ng th e pro t rac t or 1 . Se lect the p ro t r a c t o r . 2 . Dra g t h e g r e e n c ir c le un t il it s ho w s the cor r ect an gle fo r t h e f ir s t of tw o i n [...] 
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                            Page 139g To re siz e th e pro t ra ct or Pre s s t he sem i- c ircle , an d t he n dr a g a w a y f ro m the cen t er of the p ro t r a c t o r t o ma k e it b igg e r o r towar d t he ce nte r o f t h e p r o t r a c t o r to make it smalle r. g To rot at e t he pr ot ra c t or Pre s s t he o ute r p a r t of the p ro t ra c t o r ( ou t s ide o f the se[...] 
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                            Page 140U s i ng th e c ompa ss You ca n inse r t a c om pa s s into a pa ge , man ipu late it s w idth, r otation a n d loca t io n , an d t he n use it t o d r a w c ircles a n d a r c s . g To i ns e rt a c ompas s Pre s s Me as ure m e nt Too l s , a nd the n s ele c t Inse rt Compas s . A comp ass ap pe ar s . g To move t he c ompas s Pre s s t he a r[...] 
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                            Page 141g To dra w using th e c ompa ss 1 . Pr ess the com p a s s ’s pe n t ip. Th e c ur s or ch an g e s t o a pe n s y mbo l. 2 . Dra g t h e c o mp ass in t h e d ir e c t io n y ou wa n t t o ro t ate it . g To ch a nge t he c ol or of t he c ompas s’s pe n 1 . Pre s s Pen s . Th e P e n s t oo l b u t t o n s ap pe ar . 2 . Pr ess Pen Ty pe s , [...] 
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                            Page 142N O T E C le ar th e s e le c t ion o f V i e w > S how A ll Links W hen Pag e Op e ns to s t op d is pla y ing lin k s w h e n y o u op e n a p a g e . g To dis play l i nks on t he c urre nt p age Sele c t Vi ew > Show Al l Link s . An an ima ted in d ic a t o r a p p e ar s ar ou n d ea c h o b ject t ha t ha s a link. D ep en din g on h o[...] 
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                            Page 143E n a bl ing t w o p eo pl e to u se a S M AR T Bo ar d D6 00 s er ie s in ter ac tiv e w hi teb oa rd If y o u ’re u s in g a SMAR T Boa rd D60 0 s er ies in t er act iv e w hiteb o a r d , t w o user s c an u s e t he in t er acti v e w h it e b oa r d s imu lt a n e o u s ly w h e n SMAR T N oteb o o k s oft w ar e is in D ua l- U [...] 
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                            Page 144Sele c t ing to ols To cha ng e t o o ls or to s et p ro pe rtie s f or tou c h , t he tou c h use r mu s t p r ess t h e a p p r o p r ia t e b utton o n t he too lba r or con t r o l in t h e Pro pe r ti e s t ab wit h his or fin g e r . The fo llowing is a n exam p le: To cha ng e t o o ls or to s et p ro pe rtie s f or the p e n, t he p en u s [...] 
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                            Page 145Cha pte r 9: T ro uble sho otin g S MART Note boo k softwar e Tr ou ble s ho o t ing file s 1 3 9 Tr ou ble s ho o t ing th e SMAR T N ote b o ok soft w ar e w ind ow a nd too lba r 1 4 0 Tr ou ble s ho o t ing d ig it al ink 1 4 1 Tr ou ble s ho o t ing o b je c t s 1 41 Tr ou ble s ho o t ing g e s t u r e s 1 42 Th is c h a p t e r e x p l[...] 
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                            Page 146Troub leshoo ting the SMART Not e bo ok soft ware w indow and t oolbar Iss ue R ec ommend a t ion W he n u s ing SMART N ote b oo k s oft w ar e on a n in t e r a c t iv e w hite b o ar d o r d is pla y , y ou o r y ou r st ud en t s can ’t r e a c h the too lba r. Pre s s Mov e to olba r t o t op/ bot t om of w i ndow to move t he to o lb [...] 
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                            Page 147Troub leshoo ting di gital ink Iss ue R ec ommend a t ion You wan t y ou r ha nd w r it ing to ap p e a r mo re smoo t h an d na t u r a l in SMAR T N ote b o o k soft w ar e. U s e t h e C a lligr ap h ic pe n t y pe r ath e r t h a n t h e St an d a r d p e n t y p e ( s e e W riting o r d r a w ing d igital in k o n p a ge 4 2 ) . N O T E Th [...] 
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                            Page 148Iss ue R ec ommend a t ion O n e o bje c t on a p ag e c ove r s an othe r : You wan t t o c ha ng e t h is s o t ha t the secon d o b je c t c over s t he first : As y ou cre ate ob jects , n ewe r o b ject s c over o lde r o b je c t s au t om a t ic ally if t he o bje c t s ar e in t he same p osit ion o n t h e p ag e . You ca n c ha n g e t h [...] 
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                            Page 149A pp end ix A : Custo mizing the t oo l ba r Th e S MAR T N o t e b o o k s oft w ar e t oo lb ar en ab les you to s ele c t an d use a v ar iety of comma n d s an d too ls . You can cu s tomize t he to o lba r s o t h a t it in c lud e s t he too ls y ou u s e most f re qu e n t ly . Af t e r a dd in g or r e mo v ing too lba r bu t t o n s , y[...] 
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                            Page 1503 . Do t he fo llowing : o To a dd a b utt o n t o the too lba r, p re s s its ic on in th e d ialo g bo x , an d t he n d r a g it t o t he too lba r. o To r emo v e a b u t ton fro m the too lba r , pr ess it s ic o n in t he to o lb a r , an d t he n dr a g it away fro m the too lba r. o To r ea rr a n g e t h e b u t t o n s , pr ess an icon in[...] 
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                            Page 151g To re s t ore t he t ools’ de f ault se t t ings 1 . C lic k C us t omi z e t he t oolbar . O R R ig ht- c l ic k t he too lba r . A d ia log b o x ap pe ar s . 2 . Pr ess R es t ore Def au l t Tool Prope rt i es . A P P E N D I X A Cu stomi zi ng the to olbar 145[...] 
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                            Page 152[...] 
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                            Page 153A pp end ix B : S ett ing th e lang uag e You ca n s e t t he la ng ua g e f o r t h e SMAR T a pp lic ation s in s t a lled o n y o u r c o mp uter u s ing th e in t e r n a t io n a l s y s t em p re f e r e n c e s . N O T E Th is pr oced u r e ma y v ar y de p e nd in g o n you r v er s io n o f Ma c  OS X o pe ra t ing s y s t em s o f t[...] 
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                            Page 154[...] 
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                            Page 155A pp end ix C: Upd atin g, act ivating a nd sen ding fee dba ck U p d a t ing a n d a c t iv a t ing SMART Noteb oo k s oft w ar e 1 4 9 U p d a t ing SMART Noteb oo k s oft w ar e 1 4 9 Ac t iv atin g SMAR T N o t e b o o k s oft w ar e 1 5 1 O b t a inin g a pr o d u c t k ey 1 51 Ac t iv atin g SMAR T N o t e b o o k s oft w ar e w it h a pr od [...] 
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                            Page 1562 . Se lect the Chec k f or upda te s a ut omat i ca l l y c h eck bo x , an d t he n t y pe th e n u mb er o f d a y s (u p to 60 ) be t w ee n SP U che c k s . 3 . Close t h e SMAR T P r o d u c t U pd ate w ind ow. If a n u p da t e is availa ble the n e x t t ime SP U c he c k s , the SMAR T Pro du c t U pd ate w ind ow a p p e a r s au t om a [...] 
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                            Page 1572 . Clea r t he Che ck f or up da te s au t oma t i c a l l y c h e c k b o x . I M P O R T A N T SMAR T r ecom me nd s t h a t y ou d o no t c l e a r t h is c he c k b o x . A c tiv at in g SM A R T No te bo ok s of tw ar e Typically, y ou act iv ate SMAR T Note b o o k s oftw ar e aft e r in st allin g it. H owever , in s o me sit ua t ion s , y[...] 
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                            Page 158N O T E S o Alt er n a t iv ely, y ou can o pe n t h e SMAR T So f t w a r e Ac t iv ation w ind ow fr o m SMAR T Pro du c t  U pd ate ( SPU ) by pr e s s ing  A ct i v a t e in t h e SMAR T N oteb oo k r ow. o Th e v alu e in t he Status co lum n ind ic a t e s t he st atu s f or e ach pr o d u c t : Inst alle d The so ft w a r e is inst [...] 
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                            Page 159g To en a ble th e C us tome r Exp e rien c e Progr am t rac k i ng fe at ure Sele c t H elp > Cus tome r Ex per i enc e Progr a m > Fe ed ba ck t ra ck ing O N . g To disa bl e th e C us to mer Exp e rien c e Progr am t ra ck i ng fe at ure Sele c t H elp > Cus tome r Ex per i enc e Progr a m > Fe ed ba ck t ra ck ing O FF . g To se nd[...] 
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                            Page 160[...] 
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                            Page 161A a c ti v a t io n 1 5 1 Ac t iv it y Build er 1 1 6 Ado b e Fla s h Player co mp atible files 98 Ado b e Fla sh v i d e o f iles 9 9 AI FF fil e s 10 0 a liase s 1 0 4 a n ima t ion 9 3 a r cs 50 -5 1 a r r ows 48 ASF f iles 10 0 a tt achme n t s 1 0 3 a u d io e nco d e r s 10 0 a u d io f iles See  s ou nd file s a u toma t ic t ask s g r o [...] 
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                            Page 162fi le s a tt achin g t o . no t e b oo k f iles 10 3 cre ating 1 1 cutt ing , cop y ing , a nd p ast ing con t e n t fro m 10 2 d is p layin g in D ua l-Us er m o d e 13 7 d is p layin g in D ua l Pag e v iew 2 6 d is p layin g in Fu ll Sc r e e n v iew 2 3 d is p layin g in Tr an s pa re nt Ba c k g r o u n d mo de 2 5 e x p o r ti n g 1 4 imp or [...] 
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                            Page 163links a d d in g t o o b ject s 89 sho w i n g 1 3 5 L in u x op er atin g s y s t e ms 12 lo c k e d o b ject s 80 M Ma c OS X op er a t in g s y s t e m s oft w ar e 12 Ma gic Pen too l 1 2 4 , 12 6 ma gn if ic ation 22 , 12 5 ma t he ma t ic a l s y mb o ls 5 6 me asur me nt too ls a b o u t 1 2 8 comp ass 13 4 G e o dr e ie c k p r o t r a c t [...] 
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                            Page 164r ecor din g 31 r en amin g 31 sett ing b ack gr o u n d s f or 3 6 zoo ming in a nd o ut 2 2 p a r a llelo g r a ms 4 8 PD F f iles e x p o r ti n g 1 5 p e n s C a lligr ap h y t y p e 42 C r a y o n t y p e 43 C r e a t iv e t y p e 43 , 4 5 H ig hlig hte r ty pe 43 Ma gic 12 4, 1 2 6 Sha p e R eco g n it ion 50 St an d a r d t y p e 42 p e n t [...] 
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                            Page 165text che c k ing spe lling o f 56 con v er t ing h an dwr it ing to 53 cutt ing o r c op y ing 57 e d it in g 54 in c lud in g ma t he matic a l s y mb ols in 56 is s u e s w i th displa y ing 1 2 r esiz ing 5 6 ty pin g 52 the mes a p p ly ing 3 8 cre ating 3 9 thu mbn ails in p r in t o u t s 1 6 in t h e Pag e Sor t er 19 TIFF f iles 1 4 ti p s [...] 
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                            Page 168SM A RT  Te chnologies sma r t t ech.c om/suppo r t sma r t t ech.c om/c ont act suppor t[...] 

