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Sony DI12023 manuel d'utilisation

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Le mot vient du latin "Instructio", à savoir organiser. Ainsi, le manuel d’utilisation Sony DI12023 décrit les étapes de la procédure. Le but du manuel d’utilisation est d’instruire, de faciliter le démarrage, l'utilisation de l'équipement ou l'exécution des actions spécifiques. Le manuel d’utilisation est une collection d'informations sur l'objet/service, une indice.

Malheureusement, peu d'utilisateurs prennent le temps de lire le manuel d’utilisation, et un bon manuel permet non seulement d’apprendre à connaître un certain nombre de fonctionnalités supplémentaires du dispositif acheté, mais aussi éviter la majorité des défaillances.

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Tout d'abord, le manuel d’utilisation Sony DI12023 devrait contenir:
- informations sur les caractéristiques techniques du dispositif Sony DI12023
- nom du fabricant et année de fabrication Sony DI12023
- instructions d'utilisation, de réglage et d’entretien de l'équipement Sony DI12023
- signes de sécurité et attestations confirmant la conformité avec les normes pertinentes

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Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage Sony DI12023 ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles Sony DI12023 et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service Sony en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées Sony DI12023, comme c’est le cas pour la version papier.

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Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif Sony DI12023, l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.

Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation Sony DI12023. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.

Table des matières du manuel d’utilisation

  • Page 1

    DI12023 a 99 | full -frame inter changeable lens camer a the po w er of full - frame[...]

  • Page 2

    Son y’ s full - frame int er changeable lens cam era , the a 9 9. a m a ze y o ur sel f[...]

  • Page 3

    The n ew DSC - RX1 is the wo rld ’ s fir st fixed lens 35 mm full- frame digital came ra which of fers an uncompromising design that fo cuse s on intu itive, user-friendly operation. The cam era fi ts in th e pal m of a han d and al lows us ers to carr y it nearly e ver y where to captu re any sho oting opportunit y that ar ises. D S C - R X1 •[...]

  • Page 4

    Th e n e w S on y N EX -V G90 0 int er chang eable l ens H andy cam ® camc orde r f ea tur e s a 2 4. 3 M P full-fram e 3 5m m s ens o r f o r h igh - qual ity H D v id eo w it h a t r ul y pro fessi ona l l oo k. S hoo t v ideo i n Fu l l H D 2 4p , 6 0 p or 6 0i , a n d t ak e ad v an t ag e o f s upe rb l ow-l ig ht pe rform ance . NE X - V G90[...]

  • Page 5

    By ful ly leveragi ng the p otential o f T ranslucent Mirror T echnology , the 35m m ful l - fram e form at and S ony' s professional broadcasting technology , it takes a major l eap fo r ward in quality , per formance and handling eas e. Meet the f utur e of So ny a . 16 Push the En velope Image Quality 20 Th ink F as t Speed and Response 24 [...]

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    “S t andin g on t he edge of t h is wa t erf all in Iceland , I k ne w I wan t e d t o cap t ur e t his scene as a pan or ama . I lo ve ha vin g t he abili ty t o shoo t dr ama t ic imagery wi t h one pr es s of a bu t t on . ” 1 6 -3 5m m F2.8 Z A SS M ( S A L16 3 5 Z ) , 1 /1 6 0 se c., F6.3, I SO 10 0[...]

  • Page 9

    the calling “ T his a ssign me n t of a lif e t ime made me s t op and t h ink abou t t he w ay pho t ogr aph y has s haped my lif e . It made me appr eciat e how po werf ul pho t ogr aph y is . ” Sony took a major leap forward with the intr oduction of the new flagship Alpha a 99 int erchangeable lens camera . T o demonstr ate the r evolutiona[...]

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    “I lo v e t he wa y images , ligh t , and col or ar e so f leet in g . ” “I l ove sho oting i ce a nd ic eb erg s. Whe n we got to th is g lac ie r in I cel an d, the l ig ht was c old a nd th e wate r was st ill , whi ch wa s pe r fect for t he e nviron me nt. I shot at a low an gl e to get th e ma xim um ref le ctio n on t he wate r and c h[...]

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    “ As I s t ar t ed look ing ar oun d I saw t h is s t a t ue of Buddha li t b y neon ligh t s t ha t seemed mor e sui t ed t o t he w indow o f a bar t han a t emple . ” “We we nt to a Bud dhi st tem pl e in Vi etn am exp ect in g to see we at here d mo nks pra yin g in dra mat ic s haf ts of li ght. When we g ot th ere, al l the m onks we re[...]

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    [...]

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    “I w as amaz ed aft erwar d ho w much la t it ude t he f inal f r ame had , and h ow t he de t ail on t he back side of t he f isher man w as main t ained despi t e t he f ac t we w e r e sho o t ing in t o t he s un . ” “We go t up early one morning to shoo t a fisherman on t he Mek ong Delta. Lik e most pe opl e wh o make a li vin g from t [...]

  • Page 16

    pu sh the en v elop e Gorgeous full -frame sensor ima ge qualit y . David found the per fect travel companion in the a 99 b ec au se of th e ca me ra’ s ab ili t y to pe r form i n the re al wo rld. I n low l ight, co ntrar y l ight, fog, ra in, g ol den l ig ht, snow , ove rcas t li ght, all co nd iti ons we re con qu ere d by the a 9 9. “We w[...]

  • Page 17

    24.3 megapixel 35mm f u ll- frame Exmor CMOS sensor Th e new 24.3 m eg ap ixel 3 5m m fu ll - fra me E xmo r CM OS se nso r del ive rs beautiful, finely de tailed images from corner to corner w ith a wide dynamic range and low noise . Thanks to innov ations that only Son y— one of th e worl d’s lea din g ima ge s ens or deve lo pe rs— coul d [...]

  • Page 18

    On - chip c olu mn A/ D c onversio n with d ual N R Thousands of parallel analog / digital converters in the sensor conv er t ligh t to digital signals with utmost pr ec ision and spe ed. Before and af ter conversion, the sensor cancels noise to ens ure ex c eptionally cle an 1 4 - bit signal outp ut at all ISO settings. By pe rforming analog / dig[...]

  • Page 19

    1 3 5m m F1 .8 Z A ( SAL 1 35F 1 8Z ) , 1 / 25 0 se c., F1 .8, IS O 50 0[...]

  • Page 20

    think fa s t Engineered f or speed and response . David was ab le t o capture crisp, sharp , per fectly-focused pho tographs as he globe tro t ted with the a 9 9. Th e Dua l Ph ase D etect A F syste m, a wor ld fi rs t* amon g interch an ge abl e le ns c ame ras, a llow ed hi m to per fectly capture each d ecisive moment with tack-sharp pr ecision.[...]

  • Page 21

    Hig h - sp eed f ront- end L S I chip A new f ront- end LS I ( large scale in tegration ) chip suppor ts the BIONZ ™ im ag e processing engin e t o significantly boost per formance during the early stages of proc es sin g. By ac ce lera tin g th e han dli ng of i ma ge se nso r data e ar ly on , the L SI c hi p fre es oth er B IO NZ co mp one nts[...]

  • Page 22

    1 4 - b it R A W ou tput 1 4 - bi t R A W i ma ge d ata of ex tre me ly hi gh q ual it y i s out put by t he a 9 9 . Thi s da ta ful ly pre ser ve s th e ric h detai l ge ne rated by t he im ag e sen sor d uri ng th e 1 4 - b it A/D conver si on pro ces s. Whe n deve lo pe d wit h Sony ’ s Im ag e Data C onver ter RAW devel opm ent s of t ware, t[...]

  • Page 23

    85 mm F1 . 4 Z A ( SAL85 F1 4Z ) , 1 /80 s ec., F1 .4 , IS O 80 0[...]

  • Page 24

    sharpen y our fo c u s Du al AF S ystem Du al AF S yste m is th e wor ld’s firs t* AF syste m to emp loy t wo p has e dete ctio n sensors. By maximizing the strengths of bot h sen sor s, it vas tl y imp roves subject tracking performance as w ell as foc usi ng p reci si on. Th e 1 9 - po int ( 1 1 cross- point ) phase detection AF sensor moun ted[...]

  • Page 25

    Wide Local Spot Zone AF - D mode Contin uous autof ocusing is provided by a new A F - D ( D epth M ap A ssi st Continuous AF ) mode that delivers precision f ocusing for vir tually any subj ect. Thi s mo de ut ili zes th e 1 9 - po int ( 1 1 cross- point ) phase detection AF sensor t o keep subjects sharply f ocused in most shooting situations. Whe[...]

  • Page 26

    Cle ar ph oto and movie p layb ack Unlik e optical viewfinders, the viewfinder in the a 9 9 l ets you v iew ph otos an d movi es that have already been recor d ed. This conv eni ent capab ility is especially useful for confirming details in bright out door conditions. By applying the magnification fun cti on to rec orde d im ag es, you c an con fir[...]

  • Page 27

    V ersatile viewing Hig h - re sol utio n X GA OLED Tru - Fin der w ith 1 0 0 % fie ld of vi ew So ny’ s n ew XGA OLED Tru - Fin de r is e asy to vi ew in a lmo st any l ight ing. Eve r y deta il is fa ith ful ly repr oduc ed as it will appear in y our recording, including defocusing effects that f aithfully reflect your ap erture settings. Since [...]

  • Page 28

    3 -way tilt able L CD suppor ts various shooting positions Th e LCD flex ibl y til ts to prov id e the m ost natural vi ewing angl e and its 3 -way tilting mechanism has b een enhanced for op erational ease. The mechanism easily adjusts to support ev er y thing from ex t rem ely l ow to ex trem el y hig h shooting angles whether orienting the camer[...]

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    [...]

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    Smooth in tegrated control dial Th e new S ile nt Mu lti Contr oll er on the front of th e bo dy co mb ine s a dia l an d but to n to ena bl e sm ooth, e asy selection and adjustment of nu mero us ca me ra settings incl uding focus mode, f ocus area, exposure compensation, ISO sensitivity and met ering method. De pe nd ing on you r pre fere nc e, y[...]

  • Page 31

    Refi nem ents for serious shooting Th e a 99 o f fer s even gre ate r com for t and handling e ase than the acclaimed a 7 7 . Its optimi zed cont ours, thick er and t alle r grip , and wider thumb grip fit y our hand more comfor tably and contribut e to a steady grasp . Fr e quently used contr ols are placed within natur al reach, wit h main button[...]

  • Page 32

    g et to u g h Robust magnesium alloy body The rigidly construc ted a 99 is s upremely lightweight . Its rugge d magnesium- alloy top and rear panels in terlock with fr ont and side panels constructed o f highly rigid engineering plastic t o of fer pr otecti ve e x ternal shielding . Inside, a rigid magnesium chassis r e inf orced by s tainless stee[...]

  • Page 33

    V er t ical g rip for t ripl e batter y adv antage The optional ver tical grip ( V G - C 9 9A M ) features optimized con tours and essential controls that make v er tical shooting ne arly as comfor table as horizon tal shoo ting. It can house two bat teries that combine with the mai n ba t ter y to of fer a thre e - b at te r y advan tage that prac[...]

  • Page 34

    g e t i n t o mo tion Experi ence mo vie making in full - fr am e high definition. Da vid l ikes to wor k fast a nd li ght wi th a s mal l prod ucti on fo otpr int. Bec aus e th e a 99 h as le ss rol lin g shu t ter than the compe tition. He can spend more time shoo ting hand held with signi ficantly less need for thir d par ty ri gs. Af te r usi n[...]

  • Page 35

    Estimated continuous movie shootin g time Ambient temperature Continuous recor ding time for mo vies 20°C App rox. 29 minutes 30°C App rox. 29 minutes 40°C Ap prox. 29 minutes Simultaneous Full H D mo vie output via HDMI ( with shoo ting info On / Off flexibility ) An H DM I ter min al ma kes it e asy to tran sfe r Full H D mov ie si gna ls in r[...]

  • Page 36

    get i nto motion Full HD 60 p mo vie recording Creat e movies of amazing clarit y that play extra smoothly by recording them at Fu ll HD re sol uti on ( 1 920 x 108 0 pixe ls ) in th e A VCH D V e r . 2.0 ( Progressiv e ) format — at the extremely high frame rate of 6 0 fps. A ll th e wh ile, you c an enjoy t he hu ge a dvanta ge s of 35 mm full-[...]

  • Page 37

    1 6 -3 5m m F2.8 Z A SS M ( SAL 1 635F2 8Z ) , 1 / 6 40 s ec., F2.8, I SO 4 0 0, E V + 1 .7[...]

  • Page 38

    Mid- tone details captured Shadow de tails captured Final image with optimum shado w/ highlight det ail Auto HD R The Aut o HDR function cap tures the exp and ed d etail o f hig h dy nam ic rang e ph otos. Whe n you pre ss th e shutter button, it instantly r ecords thre e fra mes a t di f ferent ex pos ures and c om pos ites t he be st d etail s fr[...]

  • Page 39

    Creative St yle: Landscape Creative St yle: S tandar d Creativ e St yle Crea tive S t y le set t ing s swi f tl y br ing o ut th e ch aracte r of your s cen e. De pe ndi ng on your subject and cr eative int entions, yo u can simply sel ect a ny of 1 3 set t ing s ( including St andard, Vivid, Neutral, Por trait , Landscape , Sun set, Bla ck & W[...]

  • Page 40

    ge t t o k n o w th e a 99 01 AF Illuminator / Self- timer 02 Mounting index 03 Cust om but ton 04 Lens contacts 05 Lens release button 06 Mount 07 Silent multi- controller 08 Pr eview button 09 Remo te sensor 10 Front dial control 01 10 09 08 02 03 04 05 06 07 40[...]

  • Page 41

    11 Viewfinder 12 Eyepiece sens ors 13 MOVIE but ton 14 AF /MF but ton /Enlarge button 15 Rear cont rol dial 16 AEL button /SLO W SYNC but ton / Image index but ton 17 Multi-s elector 18 DISP button 19 Fn button /Image ro tation button 20 Smart telecon verter button / Zoom button /Focus Magnifier button 21 Access lamp 22 AF RANGE button /Delete bu[...]

  • Page 42

    01 Microphone 02 Drive but ton 03 White Balance button 04 Exposure but ton 05 Power switch 06 Shutter button 07 ISO button 08 Display panel illumination but ton 09 Image sensor position mark 10 D isplay pa nel 11 FINDER/ LCD button 12 Mul ti Inter fac e Shoe 13 Mode dial 14 Mode dial lock release button 15 ISO sensitivity 16 Shutter speed / Apertur[...]

  • Page 43

    23 Flash s ync terminal 24 Microphone jack 25 Headphones jack 26 HDMI t erminal 27 USB terminal 28 DC I N ter mi na l 29 Sp e ake r 30 REMO TE terminal 31 Diopter - adjustment dial 32 S LOT 1 ( Mem or y c ar d sl ot 1 ) 33 Bat t er y ( inside ) 34 SLOT 2 ( M emo r y ca rd s lot 2 ) 35 V ertical Control O n / O ff 36 Cont rol dial 37 Multi - selecto[...]

  • Page 44

    e x t en d y o ur poi n t of vie w Distagon T* 24mm F2 ZA SSM ( SAL24F20Z ) Planar T* 85mm F1.4 ZA ( SAL85F14Z ) Sonnar T* 135mm F1.8 ZA ( SAL135F18Z ) V ario-Sonnar T* 16-35mm F2.8 ZA SSM ( SAL1635Z ) V ario-Sonnar T* 24-70mm F2.8 ZA SSM ( SAL2470Z ) Carl Zeiss ® lenses Developed j ointly by S ony and renowned optical manufactur er Carl Zeiss, th[...]

  • Page 45

    APS - C APS - C APS - C APS - C APS - C APS - C 75-300mm F4.5-5.6 ( SAL75300 ) 28-75mm F2.8 SAM ( SAL2875 ) 16mm F2.8 Fishey e ( SAL16F28 ) 20mm F2.8 ( SAL20F28 ) 50mm F1.4 ( SAL50F14 ) 50mm F2.8 Macro ( SAL50M28 ) 100mm F2.8 Macro ( SAL100M28 ) 85mm F2.8 SAM ( SAL85F28 ) DT 16-50mm F2.8 SSM ( SAL1650 ) DT 11-18mm F4.5-5.6 ( SAL1118 ) DT 16-80mm F3[...]

  • Page 46

    e xpand y o ur horiz ons This pow er ful flagship flash unit ( GN 6 0 ) feat ures a n LED l ig ht and d eli ver s crea ti ve lighting for both still image an d mo vie shoo ting. As a lighting solution that supports stringent pr ofessional demands, it offers a flexible ro tation mechanism f or Quick Shif t Bounce as w ell as quick and in tuitive ope[...]

  • Page 47

    Thi s ki t me ets th e au dio n ee ds of prof essional movie pr oduction by pro viding t wo pr o - standar d XLR terminals that r eliably connect the camera with pr ofessional XLR- connected microphones, mixing consoles and sound studios . Direct separ ate con trol of the l eft and right channels provides versatile po ssibilities such as control of[...]

  • Page 48

    Shotgun Microphone ECM - CG50 Remote Commander RMT- D SLR 2 This wir eless remot e commander f or a A- mount a nd E - mo unt ca me ras provi des e asy re mote sta r t / sto p functionality whether sh ooting still ima ge s or m ovie s. Back pack LCS -B P 3 In addition t o holding the camer a with stan dard l en s at tac he d, th is ba g’ s ample d[...]

  • Page 49

    sy s te m a t a gl an ce Soft Carrying Case LCS -A MLC 4 Messenger T ype Bag LC S - MS10 Back Pack LCS -B P 2 Sc ree n Prote ctor Semi Hard Sheet P C K - L M 14 Rem ote Commander ( * Still images only ) R M - L1 A M Sho e Ca p FA - SH C1M XL R Adap tor Ki t X L R - K1M Br ac ket VCT- 5 5 LH Remote Commander RMT-DSLR2 Clip- on L CD Monitor CL M -V55[...]

  • Page 50

    GPS capability Th e bui lt- i n GP S ( Global P ositioning Sy stem ) feature can t ag your phot ographs with data that indicates where and when the y were tak en. Whe n you v iew tag ge d ph otograp hs on a P C ins tall ed w ith b und le d PM B sof t wa re, or on a c onn ecte d B RAVIA TV with the Pho to Map function , the photos c an b e dis pl ay[...]

  • Page 51

    Main specifications of Type Camera type Interchangeable lens digital camera Lens compatibility Sony A-mount lenses , oper ation with Minolta/Konica lenses confirmed Image sensor Type 35mm full-frame ( 35.8 x 23.9mm ) , Exmor CMOS sensor Number of pixels ( effective ) Approx. 24.3 megapixels Number of pixels ( total ) Approx. 24.7 megapixels Image s[...]

  • Page 52

    * is a tr ademark of Sony Corporation. * Exmor , BIONZ , BRA VIA , S teadyShot, V AIO , InfoLithium , Memory Stick , T ranslucent Mirror T echnology , Tru-Finder , Memory Stick PRO Duo , Memory Stick PRO-HG Duo , and Multi Interface Shoe , ar e trademarks or regist ered trademarks of Son y Corporation. * PLA YST A TION is a registered tr ademark of[...]