Vox E 1 manuel d'utilisation

O wner's Manual E1[...]

ii Precautions Location Using the unit in the f ollowing locations can result in a malfunction. • In direct sunlight • Locations of e xtreme temperature or humidity • Excessively dusty or dirty locations • Locations of e xcessive vibr ation • Close to magnetic fields P o wer supply Please connect the designated A C/A C power supply to an[...]

iii Data Handling Incorrect operation or malfunction ma y cause the contents of memor y to be lost, so we recom- mend that you sa v e important data on a floppy disk or other media source. Please be a ware that K org will accept no responsibility for any damages which ma y result from loss of data. * A United States patent has been obtained f or V[...]

iv Quick Star t A G UIDE FOR THOSE WHO WANT TO P LAY G UITAR F IRST , A ND R EAD THE M ANUAL L ATER ! ep , you’ re right, the vast majority of manuals are about as interesting as watching paint dry and we know that y ou’ re anxious to plug in to your ne w T oneLab and giv e it a whirl in the comf or t of your home . So , here’ s a “Quic k S[...]

v 5. Bef ore y ou tur n T oneLab on, lower the v olume of your amp or mix er so y ou don’t hear any potentially speak er-damaging pops or b uzz es . Then turn on the ST ANDBY switch (6.2) to po wer up T oneLab . 6. T ur n up the volume controls of y our amp or mixer , and T oneLab’ s rear panel LEVEL knob (9.3) to adjust the v olume. NO TE: Y o[...]

vi C REATE YOUR OWN S OUNDS 9. T o create your own sounds , use the knobs and buttons of the amp and eff ects sections – just as you w ould e xpect! The controls of the amp section work basically the same as on your f av or ite guitar amp . Simply tur n the GAIN (1.3), TREBLE, MIDDLE, BASS, PRES- ENCE (1.5–1.8), and VR GAIN (1.4) (which corresp[...]

vii Table of Contents Precautions .................................................................................................. ii Data Handling ............................................................................................. iii Quick Start ..........................................................................................[...]

viii 5. UK BLUES .................................................................................................. 26 6. UK 68P ....................................................................................................... 26 7. UK ’80s .....................................................................................................[...]

ix F. REVERB Effects ................................................................................................ 40 1. OFF............................................................................................................. 40 2. SPRING ....................................................................................................[...]

x[...]

Introduction Panel Tour Setup Program/ Manual Creating and Storing 1 Intr oduc tion W ELCOME A BOARD ! any thanks f or adding the V O X V alvetronix T oneLab to your sonic arse- nal. We’ re sure it’ll giv e you countless hours of great guitar tones that will f eel as good as the y sound! T o maximize your chances of enjo ying a long and happ y [...]

2 • T oneLab Sound Editor is an editor/librarian software that lets you visually edit T oneLab’ s numerous parameters, and sa ve and manage progr ams. T o obtain the “T oneLab Sound Editor , ” please contact the VO X distr ibutor in your country or download the latest v ersion from: “http://www .v o xamps.co .uk” or “http://www .valv [...]

Introduction Panel Tour Setup Program/ Manual Creating and Storing 3 Apar t from the vital v alv e tone this ingenious pow er amp design provides , it also allows us to replicate v arious “circuit characteris- tics” that are unique to the all- v alv e power stages of the amps we’v e modelled. These “characteristics” include: Class A or Cl[...]

4 Progr am Select mode: • Choose, pla y , and edit any of the 96 programs . Manual mode: • Use T oneLab just like a guitar amp , where the sound will be exactly as the knobs are set. As we said bef ore...what you see is what y ou get! UTILIT Y : • Adjust the noise reduction (the higher the settings the more noise will be suppressed). • Name[...]

Introduction Panel Tour Setup Program/ Manual Creating and Storing 5 A Guitarist ’ s Guided P anel T our ere we’ re going to learn about the knobs, buttons , and jacks on T oneLab’ s top and rear panel. T o help make this manual as painless to use as possib le, we’v e giv en it an inside back co ver that f olds out. And, when you f old it o[...]

6 1.5 TREBLE Con trol 1.6 MIDDLE Con trol 1.7 BASS Con trol This trio of controls allows you to dial-in the e xact amount of high, mid, and lo w frequencies. The manner in which each one of these controls beha v es and interacts with the others is dependent on the amp type selected. NO TE: In k eeping with the originals, cer tain models will produc[...]

Introduction Panel Tour Setup Program/ Manual Creating and Storing 7 E FFECTS S ECTION The PED AL effects are connected in “front” of the amp , and allow you to add one pedal eff ect to y our setup , if you wish. All ten (10) of the eff ects on off er here are models of classic stompbo x eff ects and, therefore, are meant to be added to y our g[...]

8 HINT : T o set a precise delay time that matches a song’ s tempo , tap y our finger on the T AP button in time with the song. If it’ s slightly off , use the Fine Control to match it perf ectly . STEP ON IT! If the optional f oot controller is connected, y ou can set the dela y time by tapping y our foot. HINT : T o defeat Bypass , press the[...]

Introduction Panel Tour Setup Program/ Manual Creating and Storing 9 3.5 GL OBAL Button This is where you adjust settings f or MIDI or the digital output. Press the GLOBAL button to mak e it light, and then use the 1/PREV and 2/ NEXT buttons (3.3) to mo ve through the menu items listed belo w . After selecting the desired menu item, use v alue knob[...]

10 V ALVE 4.1 V alve windo w T oneLab contains a 12AX7 (ECC83) valv e (vacuum tube). The v alv e is a ke y par t of the V alv e Reactor power amp . NO TE: The v alve window ma y break if it is subjected to impact. Be par ticularly careful not to let it be struck directly , since this may also break the v alv e itself. If the valv e window is brok e[...]

Introduction Panel Tour Setup Program/ Manual Creating and Storing 11 R EAR P ANEL P OWER S UPPLY 6.1 ~A C9V Connect the included A C/A C power supply here. 6.2 ST ANDBY S witch This s witches the unit between operating and standb y conditions. MIDI 7.1 MIDI OUT Jack This jack tr ansmits MIDI data to control a connected e xter nal MIDI device . 7.2[...]

12 Setup NO TE: Y ou MUST tur n off the po wer of all y our equipment before y ou mak e con- nections. If y ou ignore this warning, you ma y damage y our speaker system or e xperience malfunctions! B ASIC C ONNECTIONS 1. Use audio cables to connect the T oneLab’ s OUTPUT L/MONO (9.2) to your mix er/recorder or guitar amp . (p.13, 14) NO TE: If y [...]

Introduction Panel Tour Setup Program/ Manual Creating and Storing 13 NO TE: Since T oneLab uses an actual v alv e (v acuum tube), it will produce no sound f or se veral seconds until the v alve w arms up. This isn’t a malfunction – it’ s just the nature of v alv es. U SING T oneLab F OR D IRECT -L INE R ECORDING E XAMPLE OF A NALOGUE C ONNEC[...]

14 U SING T oneLab F OR L IVE P ERFORMANCE E XAMPLE OF C ONNECTION TO A G UITAR A MP (Or Amps) • If you are connecting T oneLab to one or more guitar amps f or use in a live per- f ormance etc., set the rear panel AMP/LINE switch (9.1) to “AMP , ” and connect the OUTPUT L/MONO and R jacks (9.2) to the input jac ks of your amp(s). HINT : If T [...]

Introduction Panel Tour Setup Program/ Manual Creating and Storing 15 Selec ting Pr ograms or Manual Settings (Progr am S elec t Mode / Manual Mode) hen pla ying your guitar through T oneLab, you can either select one of the 96 programs , or Manual mode. T o lear n how to select a progr am – or Manual mode – read on! P ROGRAMS (Pr o gram Select[...]

16 G ETTING TO P ROGRAM S ELECT M ODE Here’ s ho w to get to Program Select Mode. When y ou enter Program Select Mode , the bank number (1–24) will appear in the bank displa y (3.1). If the bank display sho ws “ ” (Manual Mode) This means that T oneLab is in Manual Mode. Do one of the f ollo wing actions to retur n to Progr am Select Mode. [...]

Introduction Panel Tour Setup Program/ Manual Creating and Storing 17 Crea ting and Storing Y our O wn Pr ogram(s) ... & More his is a cake walk, honest! There are two w a ys you can go about doing this – by “tweaking an e xisting program” or by “star ting from scratch. ” Let’ s tweak an e xisting progr am first. HINT : When you ch[...]

18 5. Using the CABINET TYPE selector (1.2), choose the cabinet you w ant to use. HINT : F or recommended combinations of amp and cabinet types , ref er to p .33. 6. Adjust the GAIN (1.3), TREBLE, MIDDLE, BASS, PRESENCE (1.5–1.8) and VR GAIN (1.4) to taste. CH V OLUME (1.9) adjusts the v olume while preser ving the ov erall character of the disto[...]

Introduction Panel Tour Setup Program/ Manual Creating and Storing 19 A DJUSTING THE N OISE R EDUCTION (UTILIT Y “NR SENS”) Here’ s how y ou can minimiz e an y noise that might be heard during inter v als when you’ re not pla ying. NO TE: When using high Gain settings on amp types such as RECT O or US HIGAIN, NR is highly recommended! Why? [...]

20 S TORING A P ROGRAM When your tw eaking has resulted in a sound you’ re happ y with, store it! 1. Press the WRITE button (3.6). The name displa y (3.8) shows “ ✳ WRITE ✳ , ” and the bank displa y (3.1) and CHANNEL SELECT 1–4 buttons (3.3) will b link. 2. Use v alue knob 3 (2.5) or the ▲ , ▼ buttons (3.2) to select the bank y ou w[...]

AMP TYPE CABINET TYPE PEDAL MODULA TION DELA Y REVERB Amp/Effect 21 Explanations of the A mp and Effec t T ypes his section e xplains the sixteen amp models , ten cabinet models , ten pedal eff ects, and fiv e modulation, three delay , and three rev erb effects . A. AMP M ODELS Which amps did we painstakingly model f or our seductiv e selection of[...]

22 on the original then PRESENCE will be an added control on our model. This time though, the “neutral” position is when the control is all the wa y off (tur ned fully counterclockwise). The two models this applies to are BLA CK 2x12 and TWEED 1x12. IMPORT ANT NO TE: As y ou’ll discov er when you read their descriptions, in the case of the A [...]

AMP TYPE CABINET TYPE PEDAL MODULA TION DELA Y REVERB Amp/Effect 23 T ube T alk Us Brits call ‘em valv es while our US cousins call ‘em tubes...as the sa ying goes: England and America are merely two countr ies divided b y a common language! Anyw a y , call ‘em what you will, these wondrous glass bottles lie at the tonal hear t of each of our[...]

24 A C30 and A C30TB . In a nutshell, the result of this design is more power and more distor tion - the latter of which gets thick with second and third order harmonics that become more and more pre v alent as the amp is crank ed. Thanks to our unique V alv e Reactor T echnology the power stage of y our T oneLab is automatically s witched to its ?[...]

AMP TYPE CABINET TYPE PEDAL MODULA TION DELA Y REVERB Amp/Effect 25 3. AC30 As already stated, the V O X AC15 w as a huge hit with the British guitar bands of the late ’50s. Ho wev er , as the popular ity of the A C15 using bands gre w , so did their need f or a more pow erful amp . Sure, the A C15 was loud for a 15 W att amp - dar ned loud in f [...]

26 Once again, the PRESENCE control of our model acts as the original’ s Cut (but in re v erse: “off ” = cut) while the GAIN, TREBLE and BASS mimic the original’ s V olume, T reble and Bass controls . The MIDDLE is an “e xtra” with 12 o’clock being its “neutral” position. Our A C30TB model produces clean sounds that are rich and j[...]

AMP TYPE CABINET TYPE PEDAL MODULA TION DELA Y REVERB Amp/Effect 27 7. UK ’80 S This is modelled on a 1983, all tube, single channel 100 W att head that boasts a Master V olume control - a w onderful f eature that allows the user to dial in a decent crunch tone without having to max out the amp’ s volume . In v ariably pla y ed with it’ s (pr[...]

28 10. RECTO This bad bo y is based on the “Moder n High Gain” channel of a brutal, 100 W att, ar mour-plated beast hailing from Calif or nia. Its deep , dark, loose low-end, some what “fizzy” top and Monster-like gain has made this all-tuber a mainsta y f or man y moder n, metal acts who either tune their guitars down as lo w as the y can[...]

AMP TYPE CABINET TYPE PEDAL MODULA TION DELA Y REVERB Amp/Effect 29 ups. It is also incredib ly responsive and e xtremely sensitive to pic king styles and pickup selection. And, as an added bonus, strummed chords just r ing out and blossom. Original ’ s tube compliment: 3 x 12AX7s in the preamp, 4 x 6L6s in the pow er amp . 14. BLACK 2 X 12 (BLK [...]

30 pupp y up will produce those classic, old roc kabilly and rock “n” roll sounds of the ’50s and ’60s, at the drop of a 10 gallon hat - especially when a single coil pic kup is used. Original ’ s tube compliment: 1 x 12A Y7, 1 x 12AX7s in the preamp, 1 x 5Y3GT rectifier , 2 x 6V6s in the power amp . 16. TWEED 4 X 10 (TWD 4X10) The 4x10 [...]

AMP TYPE CABINET TYPE PEDAL MODULA TION DELA Y REVERB Amp/Effect 31 B. CABINET M ODELS Now let’ s look at the CABINET models: CABINET AND SPEAKER AC CURACY There’ s not much point in having incredib ly accurate amp models if the speaker cabinet models on off er aren’t of the same e xacting standards. As y ou ma y know , in real lif e, the out[...]

32 recordings of many styles of m usic, b ut ver y predominantly Countr y and Blues based Rock. 5. VOX AC15 (AC15) This is a 1x12" open back ed combo using the famed V O X Blue Alnico speaker , manuf actured by Celestion in Ips wich, England. The one we used w as a modern re-issue that was housed in the V O X A C15TB combo . This speaker , whi[...]

AMP TYPE CABINET TYPE PEDAL MODULA TION DELA Y REVERB Amp/Effect 33 11. OFF OK, this not a cabinet. The OFF position turns off the cabinet modelling area of the T oneLab, and allows the direct amp models to be sent directly to the outputs. When would y ou use this? When you are connecting directly to a guitar system (guitar amp input or pow er amp/[...]

34 Due to the fle xibility of y our T oneLab, mixing and matching all of the amp and cabinet models can be done with the tur n of a s witch, without any risk of blow- ing the speakers up . Something that cannot be done in real lif e (unfor tu- nately!). This capability can lead to some very interesting combinations, some useful, perhaps some not, [...]

AMP TYPE CABINET TYPE PEDAL MODULA TION DELA Y REVERB Amp/Effect 35 3. ACOUSTIC W anna go “unplugged” without the hassle of s witching guitars and amps? Enter the acoustic guitar simulator - a cle ver eff ect that magically conv er ts an electric guitar’ s sound into that of an acoustic. It works best with a single coil (read: low output) pic[...]

36 6. U-VIBE Modelled on the f amous Univ o x Uni-Vibe - a phase/vibrato effect that w as designed to simulate a rotating speak er and produces a wonderfully seductiv e and “watery” tone. Interestingly enough, the guy responsible f or this great pedal is also responsible f or the bir th of the remar kab le V alv e Reactor T echnology used in th[...]

AMP TYPE CABINET TYPE PEDAL MODULA TION DELA Y REVERB Amp/Effect 37 D. MOD (Modulation) E FFECTS This section enables y ou to add a modulation effect after the cabinet. Y ou can choose one of the fiv e types of modulation eff ects . Here y ou can also assign exter- nal control ov er the SPEED control. 1. OFF Select this if you don’t w ant to use[...]

38 4. PHASER A model of a much respected and popular analogue phaser , housed in a banana yello w box! 5. TREMOLO This eff ect is based on the highly acclaimed tremolo circuit f ound in a BLACK 2x12. The SPREAD setting lets you create panning eff ects that are spread to left and right. 6. ROTARY This models a stereo rotar y speaker . When you adjus[...]

AMP TYPE CABINET TYPE PEDAL MODULA TION DELA Y REVERB Amp/Effect 39 1. OFF Select this if you don’t w ant to use the delay eff ect. 2. DELAY When this high quality digital dela y eff ect is employ ed, the tone of each repeat is so good it is indistinguishable from the original note(s). 3. TAPE ECHO (T ECHO) This is an incredibly accur ate model o[...]

40 F. REVERB E FFECTS Here you can mak e settings for the re verb eff ect that is play ed after the cabinet. Y ou can choose one of three types of re verb . 1. OFF Select this if you don’t w ant to use the rev erb effect. 2. SPRING A model of the most popular spring rev erb system used in guitar amps. 3. ROOM Emulates the natural re verber ation [...]

Tuner Foot Controller MIDI/DIGITAL Factory settings Trouble- shooting Spec. Program List 41 T uner or your con venience, T oneLab houses a built-in auto chromatic tuner that can be calibrated between 438 Hz and 445 Hz. T UNING P ROCEDURE 1. Simply press the TUNER button (3.7) and the auto chromatic tuner will be acti- v ated. 2. When you pla y a no[...]

42 U sing the Optional F oot C ontr oller he optional V O X V alv etronix foot controller lets y ou control the follo wing functions. • Select programs using f oot switches • Control the v olume using the v olume pedal • Control eff ect parameters using the e xpression pedal • T ur n individual eff ects on/off using f oot s witches • Acti[...]

Tuner Foot Controller MIDI/DIGITAL Factory settings Trouble- shooting Spec. Program List 43 1. Press the UTILITY button (3.4) to mak e the button light. 2. Press the 1/PREV or 2/NEXT button (3.3) to mak e the name displa y (3.8) read “EXP ***”. The parameter will change each time y ou press a button. 3. Use v alue knob 3 (2.5) or the ▲ , ▼ [...]

44 8. Use v alue knob 3 (2.5) or the ▲ , ▼ buttons (3.2) to specify ho w the e xpression pedal control v alue will be initialized. “EXP INIT” specifies whether the control data (pedal position) of the expres- sion pedal will be maintained when you s witch programs . If this is “OFF , ” the parameter selected as the e xpression target w[...]

Tuner Foot Controller MIDI/DIGITAL Factory settings Trouble- shooting Spec. Program List 45 C ontr ol via MIDI IDI stands f or Musical Instrument Digital Interface , and is a wor ld-wide standard f or e xchanging various types of musical data betw een electronic musical instruments and computers. When MIDI cables are used to con- nect two or more M[...]

46 NO TE: Y ou will need a MIDI interf ace in order to connect y our computer with T oneLab. Some USB-MIDI interf ace devices ma y not be able to transmit/receiv e the T oneLab’s MIDI e xclusive messages . S ETTING THE MIDI C HANNEL (GL OBAL “MIDI CH”) In order to e xchange data with an e xter nal MIDI device , T oneLab’ s MIDI channel must[...]

Tuner Foot Controller MIDI/DIGITAL Factory settings Trouble- shooting Spec. Program List 47 2. Press the 1/PREV or 2/NEXT button (3.3) to mak e the name display (3.8) show “PCHG OUT . ” 3. Specify whether program change messages will be tr ansmitted. Use v alue knob 3 (2.5) or the ▲ , ▼ buttons (3.2) to mak e the desired setting. “OFF”:[...]

48 “CC00”–“CC95”: When you operate a controller , messages of the specified control change number 00–95 will be transmitted. Similar ly , T oneLab will be controlled when it receiv es messages of the same control change number from an e xternal MIDI device . P ARAMETER C HANGE (GL OBAL “SYEX OUT”) When you oper ate T oneLab’ s kn[...]

Tuner Foot Controller MIDI/DIGITAL Factory settings Trouble- shooting Spec. Program List 49 B ACKING U P 1. Connect T oneLab’ s MIDI OUT to the MIDI IN of the device that will receiv e the data dump . 2. If you w ant to transmit only one program, use Progr am Select Mode to select the program y ou want to transmit. If y ou w ant to tr ansmit the [...]

50 the settings of the amp section are determined by the ph ysical positions of the selectors and controllers, the y will not change.) HINT : If T oneLab received all data, all data other than the amp section settings of Manual Mode will be o v erwritten automatically . How e v er if the data was receiv ed in Program Select Mode , the data being ed[...]

Tuner Foot Controller MIDI/DIGITAL Factory settings Trouble- shooting Spec. Program List 51 Restoring the F ac tor y Pr eset Pr ograms ere’ s how y ou can restore T oneLab’ s programs and all its other settings to the state in which it was shipped from the f actor y . NO TE: This operation will permanently erase all the prog rams you’v e writ[...]

52 T roubleshooting f you suspect a malfunction, please chec k the follo wing points first. If this does not resolv e the problem, contact a nearb y dealer . 1. The amp isn ’ t powering up when the ST ANDBY switch is “o n ” • Is the A C/A C power supply connected to the rear panel ~A C9V jac k? • Is the A C/A C power supply plugged into [...]

Tuner Foot Controller MIDI/DIGITAL Factory settings Trouble- shooting Spec. Program List 53 5. Y ou can ’ t hear an y MODULA TION, DELA Y or REVERB effects ev en though they ’ r e dialed in... • Are the eff ect LEDs lit? If an LED is dark, the corresponding effect is off . Press the TYPE button to select an eff ect type. • Could the modulat[...]

54 MIDI Implementa tion Char t Date : 2002. 12.20 ToneLab Memorized [VOX Valvetronix] Effect Control 0–95 MIDI Implementation Chart Basic Channel Default Changed Aftertouch Pitch Bend Polyphonic (Key) Monophonic (Channel) Velocity Note On Note Off Note Number: True Voice Mode Memorized Messages Altered Control Change Function Transmitted Recogniz[...]

Tuner Foot Controller MIDI/DIGITAL Factory settings Trouble- shooting Spec. Program List 55 Parameter Control Program Data Damp Notes *P: T ransmitted if GLOBAL “ PCHG OUT ” is On. *C: T ransmitted and receiv ed according to the setting of each controller if GLOBAL “ CCHG I/O ” is On. *E: T ransmitted if GLOBAL “ SYEX OUT ” is On. (Resp[...]

56 Specifications NUMBER OF AMP TYPES: 16 NUMBER OF CABINET TYPES: 10 NUMBER OF EFFECTS PED AL TYPES: 10 MODULA TION TYPES: 5 DELA Y TYPES: 3 REVERB TYPES: 3 NOISE REDUCTION: 1 NUMBER OF PROGRAMS: 96 (24 BANKS x 4 CHANNELS) A UDIO INPUTS INPUT x 1 A UDIO OUTPUTS OUTPUT x 2 (balanced/unbalanced TRS) DIGIT AL OUT x 1 (S/P DIF format: IEC60958, EIAJ [...]

Tuner Foot Controller MIDI/DIGITAL Factory settings Trouble- shooting Spec. Program List 57 Pr ogram list 1-1 BLIZZARD 1-2 HYSTERIA 1-3 BIZKIT 1-4 MAYTONE 2-1 CLN-EDGE 2-2 AC15TREM 2-3 BEETLE 2-4 QUEEN FL AMP CABINET TREBLE MIDDLE BASS PRESENCE GAIN VR GAIN CH VOL UME UK MODERN UK H30 4x12 4.8 6.4 5 3.7 7.9 5 3.4 PEDAL DRIVE TONE LEVEL MOD SPEED MI[...]

58 3-1 THRASH 3-2 ANGUS 3-3 VIABLE 3-4 PRIEST 4-1 NASHVILL 4-2 JIMIROTO 4-3 X-FIRE 4-4 CLN-TREM AMP CABINET TREBLE MIDDLE BASS PRESENCE GAIN VR GAIN CH VOL UME UK MODERN UK T75 4X12 5.6 0 10 3.6 9.3 4.4 5.5 PEDAL DRIVE TONE LEVEL MOD SPEED MIX DEPTH NR OFF — — — OFF — — — 8 DELA Y TIME MIX FEEDBACK REVERB L O DAMP MIX HI DAMP OFF — ?[...]

Tuner Foot Controller MIDI/DIGITAL Factory settings Trouble- shooting Spec. Program List 59 5-1 DIRT 5-2 MR.CLEAN 5-3 UNCHAIN 5-4 SLASHED 6-1 SKYNYRD 6-2 ZEP 6-3 VULGAR 6-4 BLUES AMP CABINET TREBLE MIDDLE BASS PRESENCE GAIN VR GAIN CH VOL UME RECTO US V30 4X12 5.3 5.6 5.2 3.4 7.7 4.7 4.4 PEDAL DRIVE TONE LEVEL MOD SPEED MIX DEPTH NR OFF — — —[...]

60 7-1 TASTY-FL 7-2 EC BADGE 7-3 SABBATH 7-4 CARLOS 8-1 FUNKY 8-2 MR.SCARY 8-3 JIMIFUZZ 8-4 FOLK AMP CABINET TREBLE MIDDLE BASS PRESENCE GAIN VR GAIN CH VOL UME T WEED 4X10 T WEED 4X10 3.7 9.7 8.4 1.8 2.2 10 7 PEDAL DRIVE TONE LEVEL MOD SPEED RESO DEPTH NR COMP 1.9 1 3.9 FLANGER 0.19 1.7 7.4 3 DELA Y TIME MIX FEEDBACK REVERB L O DAMP MIX HI DAMP OF[...]

Tuner Foot Controller MIDI/DIGITAL Factory settings Trouble- shooting Spec. Program List 61 9-1 OLDGUY 9-2 CRUNCH 1 9-3 CRUNCH 2 9-4 SOLO 10-1 VOXMAN 10-2 WET AC15 10-3 HEAVEN 10-4 UK-US AMP CABINET TREBLE MIDDLE BASS PRESENCE GAIN VR GAIN CH VOL UME T WEED 4X10 BLACK 2X10 3.5 5.9 2.8 6.6 1.8 10 7 PEDAL DRIVE TONE LEVEL MOD SPEED MIX DEPTH NR OFF ?[...]

62 11- 1 WILDMAN 11-2 THEATER 11-3 JOSHUA 11-4 POLICE 12-1 JOHNNY $ 12-2 JAZZMAN 12-3 TEXTREM 12-4 OCTAMAN AMP CABINET TREBLE MIDDLE BASS PRESENCE GAIN VR GAIN CH VOL UME UK '80S US V30 4X12 0 2.1 8.1 6.3 9.2 7.7 3.7 PEDAL DRIVE TONE LEVEL MOD SPEED MIX DEPTH NR TUBE OD 5.8 7.5 5.2 CHORUS 0.26 3.7 1.9 6.6 DELA Y TIME MIX FEEDBACK REVERB L O DA[...]

Reference data 63 Inde x Symbols 16 Numerics 1OCT A VE 36 2OCT A VE 36 A AC15 23 AC15TB 24 AC30 25 AC30TB 25 ACOUSTIC 35 AMP Models 21 AT TA C K 34 , 35 AU TO WA H 35 B Backing Up 49 BASS 21 , 35 BLACK 2x10 (BLK 2X10) 31 BLACK 2x12 (BLK 2X12) 29 , 31 BOD Y 35 BOUTIQUE CL (BTQ CL) 28 BOUTIQUE OD (BTQ OD) 28 BYP ASS 7 C Cabinet 31 CABINET Models 31 C[...]

2.1 2.5 3.1 3.9 3.3 2.2 2.3 2.4 4.1 1.1 6.1 6.2 1.2 1.5 1.6 1.7 1.8 1.3 1.4 1.9 5.1 2 3 4 1 6 8.1 8 9.3 9.2 9.1 9.4 9 7.1 7.2 7 5 5.2 3.8 3.10 3.7 3.6 3.5 3.2 3.4 TOP PANEL: REAR PANEL: Bank/Manual/Write/Tuner/ Channel Section[...]

Pr ogram Sheet PROGRAM NAME: NR (NOISE REDUCTION): T AP TEMPO: NOTE: PROGRAM NAME: NR (NOISE REDUCTION): T AP TEMPO: NOTE: This sheet is f or you to write down y our fa vorite settings. When you come up with a sound you lik e, write it down f or future use. W e suggest that you photocop y the program sheet below , and use the copies . Don’t f org[...]

E1 2003 VO X AMPLIFICA TION L TD . Printed in China Owner's Manual[...]