Yamaha PSR-7000 manuel d'utilisation
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Un bon manuel d’utilisation
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Qu'est ce que le manuel d’utilisation?
Le mot vient du latin "Instructio", à savoir organiser. Ainsi, le manuel d’utilisation Yamaha PSR-7000 décrit les étapes de la procédure. Le but du manuel d’utilisation est d’instruire, de faciliter le démarrage, l'utilisation de l'équipement ou l'exécution des actions spécifiques. Le manuel d’utilisation est une collection d'informations sur l'objet/service, une indice.
Malheureusement, peu d'utilisateurs prennent le temps de lire le manuel d’utilisation, et un bon manuel permet non seulement d’apprendre à connaître un certain nombre de fonctionnalités supplémentaires du dispositif acheté, mais aussi éviter la majorité des défaillances.
Donc, ce qui devrait contenir le manuel parfait?
Tout d'abord, le manuel d’utilisation Yamaha PSR-7000 devrait contenir:
- informations sur les caractéristiques techniques du dispositif Yamaha PSR-7000
- nom du fabricant et année de fabrication Yamaha PSR-7000
- instructions d'utilisation, de réglage et d’entretien de l'équipement Yamaha PSR-7000
- signes de sécurité et attestations confirmant la conformité avec les normes pertinentes
Pourquoi nous ne lisons pas les manuels d’utilisation?
Habituellement, cela est dû au manque de temps et de certitude quant à la fonctionnalité spécifique de l'équipement acheté. Malheureusement, la connexion et le démarrage Yamaha PSR-7000 ne suffisent pas. Le manuel d’utilisation contient un certain nombre de lignes directrices concernant les fonctionnalités spécifiques, la sécurité, les méthodes d'entretien (même les moyens qui doivent être utilisés), les défauts possibles Yamaha PSR-7000 et les moyens de résoudre des problèmes communs lors de l'utilisation. Enfin, le manuel contient les coordonnées du service Yamaha en l'absence de l'efficacité des solutions proposées. Actuellement, les manuels d’utilisation sous la forme d'animations intéressantes et de vidéos pédagogiques qui sont meilleurs que la brochure, sont très populaires. Ce type de manuel permet à l'utilisateur de voir toute la vidéo d'instruction sans sauter les spécifications et les descriptions techniques compliquées Yamaha PSR-7000, comme c’est le cas pour la version papier.
Pourquoi lire le manuel d’utilisation?
Tout d'abord, il contient la réponse sur la structure, les possibilités du dispositif Yamaha PSR-7000, l'utilisation de divers accessoires et une gamme d'informations pour profiter pleinement de toutes les fonctionnalités et commodités.
Après un achat réussi de l’équipement/dispositif, prenez un moment pour vous familiariser avec toutes les parties du manuel d'utilisation Yamaha PSR-7000. À l'heure actuelle, ils sont soigneusement préparés et traduits pour qu'ils soient non seulement compréhensibles pour les utilisateurs, mais pour qu’ils remplissent leur fonction de base de l'information et d’aide.
Table des matières du manuel d’utilisation
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ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: Battery Notice: This product MAY[...]
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English Owner’ s Manual Deutsch Bedienungsanleitung Français Mode d’emploi[...]
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Contents Congratulations! Y ou ar e the pr oud owner of an extraor dinary electr onic keyboar d. The Y amaha PSR-7000 PortaT one combines the most advanced A WM tone generation technol- ogy with state-of-the-art digital electr onics and featur es to give you stunning sound quality with maximum musical enjoyment. The advanced Auto Accompaniment and [...]
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Custom Accompaniment 75 Effects ................................................ 79 ■ REVERB DEPTH ............................ 79 ■ CHORUS TYPE & DEPTH .............. 80 ■ PAN ................................................. 80 Edit ..................................................... 81 ■ QUANTIZE ...................................[...]
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2 T aking Care of Y our PortaT one Y our P or taT one will give you y ears of playing pleasure if y ou follo w the simple rules given below: ■ Location Do not e xpose the instrument to the follo wing conditions to av oid deformation, discoloration, or more serious dam- age. ● Direct sunlight (e.g. near a window). ● High temperatures (e.g. nea[...]
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3 T aking Care of Y our PortaT one ● Internal memor y data can be corrupted due to incor- rect operation. Be sure to “ sa ve ” impor tant data to a flopp y disk frequently so you have a bac kup to rev er t to if something happens to damage the data in memor y . Also note that magnetic fields can damage data on the disk, so it is advisable to [...]
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4 Panel Controls ARRANGER PHRASE PAD CHORD BASS RHYTHM MASTER VOLUME MIN •• MAX MIXER LIST HOLD DIGITAL EQUALIZER TEMPO + – FADE IN / OUT INTRO/ FILL to MAIN ENDING/ rit. SYNCHRO START ST ART/STOP ACCOMPANIMENT DIRECTOR A BAB REC/STOP PERCUSSION PHRASE/CHORD PHRASE/CHORD PLAYING PHRASE CHORD MULTI PAD 12345678 PIANO/ ORGAN STRINGS / CHOIR BRA[...]
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5 Panel Controls HARMONY SUSTAIN TOUCH RESPONSE REVERB CHORUS DSP EFFECT LCD CONTRAST HELP/ LANGUAGE DEMO POWER PSR-7000 DISK IN USE EXIT FREEZE MEMORY BANK 1~16 + – 12345678 REGISTRA TION R 1 R 2 PIANO ORGAN STRINGS/ CHOIR SAX/ WOODWIND TRUMPET/ BRASS GUITAR/ BASS RIGHT 1 ACCORDION/ WORLD SYNTH/ PAD SOUND EFFECT PERCUSSIVE DRUM KIT CUSTOM VOICE [...]
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6 Connections & Music Stand The rear -panel AUX OUT L/L+R and R jacks deliver the output of the PSR-7000 for connection to a keyboard amplifier , stereo sound system, a mixing console, or tape recorder . If you will be connecting the PSR-7000 to a monaural sound system, use only the L/L+R jack. When a plug is inserted into the L/L+R jack only ,[...]
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7 Connections & Music Stand The Music Stand The PSR-7000 is supplied with a music stand that can be attached to the instrument by inserting it into the holes at the rear of the speaker panel. 5 MIDI IN, THRU and OUT Connectors ...................................................................................................................... [...]
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8 The Demonstration Z Switch ON ............................................................................................................................................................................................ T o give y ou an idea of the PSR-7000 ’ s sophisticated capabilities, it is programmed with 14 demonstration sequences which ca[...]
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9 The Random & Single Demo Play Modes If you play the demo as described above, you’ll hear all 14 demo songs played in random order . By selecting an appropriate play mode you can also play back all the songs sequence, or play a single specified song. The Demonstration Z Select a Play Mode .....................................................[...]
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10 The PSR-7000 Display & Display-based Controls The Display & Multi-function Controls The PSR-7000 makes general operation and program- ming easier than ever with a large backlit LCD display panel and multi-function controls. The 8 LCD selectors — four on either side of the display panel — and 8 LCD dials below the display perform the [...]
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11 ■ The [LIST HOLD] Button ...................................................................................................................................................... When selecting voices (page 14) or accompani- ment styles (page 26), or using the ONE T OUCH SETTING feature (page 35), the voice, style, or ONE T OUCH SETTING list will[...]
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12 ■ Before Y ou Begin Before playing your PSR-7000 for the first time, it might be a good idea to re-initialize it to the original factory settings just in case these have been changed at some point before you receive the instrument. T o do this, turn the [POWER] switch ON while holding the [DEMO] and [EXIT] buttons. When the display shown to th[...]
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13 Playing the PSR-7000 Z Set Initial V olume Levels ..................................................................................................................................................... Set the [MASTER VOLUME] control to an appropriate level, and make sure that the LEFT , R1 , R2 , LEAD and ORGAN volume levels in the MIXER MAIN VOL[...]
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14 Playing the PSR-7000 If you press the EASY SETTING LCD button before it disappears, the easy-setting display for that part will appear providing access to the split point parameters as well as the individual octave, pan, and tune parameters for that part. These same param- eters can be accessed via the FUNCTION displays (page 106), but the easy-[...]
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15 Playing the PSR-7000 Use the page-number LCD dials the select the page containing the voice you want if more than one page is available, then press the LCD button corre- sponding to the desired voice. Y ou can also use either of the SELECT LCD dials to select any of the voices within the selected group. V Pla y & Adjust V olume .............[...]
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16 Using the Organ Flute V oices The PSR-7000 has 18 preset ORGAN FLUTE voices which can be selected in the same way as the RIGHT , LEAD and LEFT voices: press an ORGAN FLUTE voice group button — [COMBI 1-6] , [COMBI 7-12] , or [COMBI 13-18] — and then press the LCD button corresponding to the desired voice in the selected group. The main diffe[...]
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17 ■ V OLUME & A TT A CK .................................................................................................................................................................. T o access the VOLUME and A TT ACK param- eters for the ORGAN FLUTE voices, press the VOLUME/ATTACK LCD button from the FOOT- AGE display . The VOLUME contr[...]
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18 The ROTARY SPEAKER controls set up the rotary speaker effect for the current ORGAN FLUTE voice. The TYPE control selected one of 5 different rotary speaker types. The SPEED control sets the speed of the rotary speaker ef fect when the F AST mode is selected: the greater the value the faster the speed. The RATE control sets the rate of variation [...]
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19 Keyboard Percussion When one of the RIGHT ORCHESTRA [DRUM KIT] voices is selected, you can play 61 different drums and percussion instruments on the keyboard. The drums and percussion instruments played by the various keys are marked by symbols above the keys. Some of the instru- ments in the different drum kit voices sound dif ferent even thoug[...]
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20 Changing the “L” Split Point The PSR-7000 has two programmable split points — one which divides the LEFT and RIGHT/LEAD/ORGAN FLUTE orchestra parts, and one which divides the auto-accompaniment and manual sections of the keyboard when AUTO BASS CHORD accompaniment (page 31) is engaged. In the split point displays accessed by the EASY SETTI[...]
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21 T ransposition, T uning, & Octave Change The most impor tant and fundamental adjustment f or any m usical instrument is tuning. The TRANSPOSE, TUNING, and OCT A VE CHANGE functions described below let you control the pitch of the PSR-7000 in a number of w a ys. TRANSPOSE & TUNE These functions allow the overall pitch of the PSR-7000 to b[...]
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22 OCT A VE CHANGE T ransposition, T uning, & Octave Change This function allows the LEFT , RIGHT 1, RIGHT2, LEAD, and ORGAN FLUTE voices to be independently transposed up or down by one octave. The LEFT , R1 , R2 , LEAD , and ORGAN LCD buttons directly set the octave of the corresponding voice. Press- ing one of these buttons changes the corre[...]
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23 Using the Accompaniment Section The PSR-7000 has 120 diff erent preset accompaniment “ styles ” and up to 32 custom accompaniment styles that can be used to pro- vide fully-orchestrated or rh ythm-only accompaniment. The PSR- 7000 ’ s sophisticated Auto Bass Chord accompaniment system can provide automated bass and chord backing that is pe[...]
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24 Using the Accompaniment Section CGF Cm C 7 Cm 7 ● SINGLE FINGER (SF) Single-finger accompaniment makes it simple to produce beautifully orchestrated accompaniment using major , seventh, minor and minor-seventh chords by pressing a minimum number of keys on the left- hand section of the keyboard. The abbreviated chord fingerings described below[...]
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25 ● FULL KEYBOARD When this advanced auto-accompaniment mode is engaged the PSR-7000 will automatically create appropriate accompaniment while you play just about anything, anywhere on the keyboard: chords, a bass line, arpeggiated chords, a melody line. The name of the detected chord will appear on the display . Y ou don’t have to worry about[...]
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26 Using the Accompaniment Section C Select a Style ................................................................................................................................................................................... The PSR-7000 has 120 preset styles or ganized in 11 groups (see the “Style List” on page 130). Use the ACCOMP ANIM[...]
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27 Using the Accompaniment Section B Star t the Accompaniment .................................................................................................................................................. There are several ways to start the accompani- ment: ● Straight star t: Press the [ST ART/ST OP] but- ton. If you press the [ST ART/ST OP] [...]
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28 Using the Accompaniment Section N Pla y On the ABC Section Of the Ke yboard ..................................................................................................... As soon as you play any chord that the PSR-7000 can “recognize” on the ABC section of the keyboard in one of the FINGERED modes or the AUTO MIDI BASS (see fingering [...]
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29 Using the Accompaniment Section < Use Fill-ins .......................................................................................................................................................................................... The PSR-7000 provides two types of automatic breaks or “fill-ins.” ● FILL to A: Press the [INTRO A/FILL [...]
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30 Using the Accompaniment Section ■ Fade-ins and Fade-outs ....................................................................................................................................................... FADE IN / OUT INTRO/ FILL to MAIN ENDING/ rit. SYNCHRO ST ART START/STOP ACCOMPANIMENT DIRECTOR A BAB The [F ADE IN/OUT] button can be u[...]
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31 Using the Accompaniment Section Changing the “A” Split Point The “ L ” split point has already been described on page 16. The “ A ” split point divides the auto-accompaniment and manual sections of the keyboard when AUTO BASS CHORD accompaniment (page 23) is engaged. Like the “ L ” split point, the “ A ” split point can be ch[...]
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32 Using the Accompaniment Section The Chord Assist Function The Chord Assist function is essentially an electronic “chord book” that will show you appropriate fingerings for chords you enter via the display . The fingerings are indicated by dots on the graphic keyboard in the display , and correspond to those recognized in the ABC FINGERED 1 m[...]
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33 Using the Accompaniment Section V Hear the Chor d ............................................................................................................................................................................... At this point you can “play” and hear the speci- fied chord by pressing the ENTER LCD button — i.e. the specified c[...]
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34 Using the Accompaniment Section The Arranger Buttons The ARRANGER buttons make it possible to indi- vidually mute accompaniment parts to create the blend and accompaniment “size” you want. When an ARRANGER button is pressed so that its indica- tor goes out, the corresponding accompaniment part(s) are muted. Muted parts can be turned back on [...]
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35 One T ouch Setting The PSR-7000 ’ s 120 inter nal styles each hav e 4 different preset “ panel setups ” that can be selected via the [ONE TOUCH SETTING] buttons to create diff erent musical te xtures — e.g. diff erent voices f or the accompaniment par ts. Z Engage the One T ouch Setting Feature ...........................................[...]
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36 One T ouch Setting X Adjust The Settings If Necessar y .............................................................................................................................. ■ THE TEMPO SET FUNCTION ..........................................................................................................................................[...]
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37 Expression & Effects ■ Harmon y ................................................................................................................................................................................................ Press the [HARMONY] button to turn the HARMONY ef fect on or off. When HARMONY is on (indicator lit), playing single[...]
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38 Expression & Effects ■ T ouch Response .......................................................................................................................................................................... The touch response function turns the PSR-7000’ s initial keyboard velocity and aftertouch response on or of f. Normally , touch [...]
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39 Expression & Effects ■ Chorus .................................................................................................................................................................................................... Press the [CHORUS] button to apply the chorus effect at a depth specified by the CHORUS DEPTH function described o[...]
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40 ■ Pitch Bend Wheel ........................................................................................................................................................................ The PITCH BEND wheel to the left of the keyboard lets you bend the pitch of notes played on the keyboard up or down. Normal pitch is restored when the PITCH [...]
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41 Expression & Effects ■ Digital Equalizer ........................................................................................................................................................................... The PSR-7000 features a digital 5-band equal- izer that can be used to “shape” the overall fre- quency characteristics of th[...]
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42 The Multi Pads The PSR-7000 f eatures 8 “ MUL TI P ADs ” abov e the ke yboard that can be used in two ways: ● PHRASE/CHORD: When the PHRASE/CHORD mode is selected, the 4 pads marked “PHRASE” and the 4 pads marked “CHORD” can be used to record and play back short sequences of notes and chords, respectively . ● PERCUSSION: In the P[...]
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43 The Multi Pads ■ Recording Phrases .................................................................................................................................................................... Z Select a PHRASE Pad For Recording Press the PHRASE pad you intend to record to while holding the [REC/STOP] button. The REC/ STOP indicator wil[...]
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44 The Multi Pads ■ Phrase Playback .......................................................................................................................................................................... As long as the PHRASE/CHORD mode is selected, any recorded phrase can be played back simply by pressing the corresponding PHRASE pad. The phr[...]
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45 The Multi Pads X Play the Required Chords Recording begins automatically as soon as you play a chord on the left-hand section of the keyboard, and the REC/ST OP indicator will light continuously as long as recording continues. C Stop Recording Press the [REC/STOP] button or the pad being recorded to stop recording when you’ve finished playing [...]
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46 The Multi Pads ■ The Repeat & Chord Matc h Settings ...................................................................................................................... The repeat and chord match settings for PHRASE/ CHORD pad playback can be accessed by pressing the EASY SETTING LCD button that appears when the [PERCUSSION - PHRASE/CHOR[...]
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47 The Multi Pads Use the LCD dials to turn the chord match function for the corresponding pads ON or OFF as required. NOTES • Phrases to be played back using the CHORD MATCH function must be recorded in the key of C major 7. • The chord match function is only available for pads 1 through 4 (the PHRASE pads). • The default chord match setting[...]
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48 The Multi Pads C Assign the Instruments A new drum/percussion instrument is assigned to a pad simply by playing the key corresponding to the desired instrument while holding the pad to which it is to be assigned. The reverse also works: press the pad while holding the key . The velocity at which you play the key (how hard you press the key = how[...]
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49 Registration Memory The PSR-7000 Registration Memory feature can be used to memo- rize 128 complete control-panel setups (16 banks, 8 setups each) that you can recall whenever needed. NOTES • Registration data can be saved to and loaded from floppy disk as required (page 96). • The disk provided with the PSR-7000 contains a number of sample [...]
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50 Registration Memory Entering a Registration Name Y ou can enter descriptive names up to 16 characters in length for each registration setup via the NAME function accessible via the registration EASY SETTING display . The same function is also available via the FUNCTION display — page 122. Z Select the NAME Function ............................[...]
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51 Registration Memory Recalling the Registered Panel Settings Simply select the appropriate bank using the BANK [–] or [+] button and press the desired REGISTRA- TION button at any time to recall the memorized settings. The memo- rized settings are actually recalled only when a REGISTRA TION button is pressed — selecting a dif- ferent bank doe[...]
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52 Registration Memory The Freeze Function If you press the [FREEZE] button so that its LED lights, selecting a different registration setup will not change the settings specified in the FREEZE GROUP SETTING display accessed either via the registration EASY SETTING display or the [FUNCTION] button (page 122). FREEZE MEMORY BANK 1~16 + – 12 Y ou c[...]
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53 Song Playback & Recording Song Playback The PSR-7000 SONG PLA Y mode allows song data to be played back from a floppy disk or the optional hard disk. The song file types which can be played by the PSR-7000 are: songs recorded on the PSR-7000, DOC (Disk Orchestra Collection), PianoSoft and GM song (SMF format). Refer to the DOC or SMF disk ma[...]
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54 ■ P ause , F ast Forward & Re verse .................................................................................................................................. When you press the STOP [ ■ ] LCD button, playback stops and the song position returns to the beginning of the song. The PAUSE LCD button, however , lets you pause playback[...]
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55 Chain Pla yback Song Playback & Recording Z Press the MAKE CHAIN LCD Button ..................................................................................................................... The MAKE CHAIN LCD button will take you to the chain programming display . Chain playback allows any number of songs to be grouped together in any or[...]
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56 V Save the Chain List, If Necessar y ............................................................................................................................. The completed chain list can be saved to disk by pressing the LIST SAVE LCD button. A confirma- tion display will appear (“OK to save chain data?”): press YES to save the list or N[...]
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57 Song Playback & Recording QUICK RECORD song MULTITRACK RECORD song DOC song GM song The number of volume parameters in the TRACK VOLUME display will depend on the type of song being played. If an original song recorded on the PSR-7000 using the QUICK RECORD mode is being played, two volume parameters will be avail- able: MANUAL and ACCOMP. I[...]
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58 SONG PLAY FUNCTION SONG RECORD CUSTOM ACCO MP. REC DISK CUSTOM VOICE EDIT Song Playback & Recording Song Recording The PSR-7000 SONG RECORD mode allows anything you play to be recorded to floppy disk. A QUICK RECORD mode provides an easy way to record a melody with accompaniment, while a MUL TITRACK record mode allows independent recording o[...]
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59 Song Playback & Recording C Select a Song .................................................................................................................................................................................. Use the SONG LCD dials to select either an existing song for additional recording or a new song (“ ” on the SONG LIST)[...]
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60 Song Playback & Recording Quic k Recor d The QUICK RECORD mode, as its name suggests, makes track selection and recording easy by grouping the accompaniment and manual tracks. Z Set the T rack Modes ................................................................................................................................................[...]
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61 Song Playback & Recording C T urn the Metronome On If Required ....................................................................................................................... Use the METRONOME LCD dials to turn the metronome ON if you want to record while monitor - ing the metronome sound (the metronome sound is not recorded). B Stop[...]
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62 Song Playback & Recording ■ THE TRA CK INDICA T ORS ................................................................................................................................................... The track indicators above the track mode selec- tors indicate which tracks contain data and which are muted. T racks which do not contain da[...]
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63 Song Playback & Recording Chor d Step Recording The CHORD STEP recording feature makes it possible to record accompaniment chord changes one at a time with precise timing. Since the changes don’ t have to entered in real time, it is easy to create even complex accompaniments before recording the melody . Select the CHORD STEP display via t[...]
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64 Song Playback & Recording C Enter the Specified Event(s) ........................................................................................................................................... Once the event or events to be entered have been specified as described in the preceding step, press the SET LCD button to actually enter the even[...]
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65 Song Playback & Recording Quic k Record Mode Edit Functions The QUICK RECORD mode EDIT display includes only one function: SONG DELETE. Select the EDIT display via the [ ] LCD button to the right of the display . ■ SONG DELETE ..................................................................................................................[...]
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66 Song Playback & Recording Multitrac k Recor d The MUL TITRACK record mode allows independent recording and playback on any of 16 tracks, so even complex songs can be built up track by track. Z Set the T rack Modes .................................................................................................................................[...]
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67 Song Playback & Recording C Set Up For the Recor ding .................................................................................................................................................. Select the required voice(s), select a style, turn AUTO BASS CHORD on if required. Set up all parameters as desired for recording. NOTES • I[...]
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68 Song Playback & Recording ■ THE TRA CK INDICA T ORS ................................................................................................................................................... The track indicators above the track mode selec- tors indicate which tracks contain data and which are muted. T racks which do not contain da[...]
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69 SONG PLAY FUNCTION SONG RECORD CUSTOM ACCO MP. REC DISK EXIT CUSTOM VOICE EDIT Song Playback & Recording ■ PLA YB A CK ......................................................................................................................................................................................... Recorded tracks are automatically se[...]
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70 Song Playback & Recording X Select a Start T rigger T ype ................................................................................................................................................. Use the TRIGGER LCD dials to select the FIRST KEY or START SW start trigger . When FIRST KEY is selected recording will begin when the firs[...]
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71 Song Playback & Recording N Star t Pla ybac k ................................................................................................................................................................................. Press the START LCD button or panel [ST ART/ ST OP] button to start playback from the current P AUSE location. M Star t[...]
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72 Song Playback & Recording T rac k V olume Control ■ QU ANTIZE ........................................................................................................................................................................................... The QUANTIZE function aligns recorded notes in a specified track to the specified beats to [...]
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73 Song Playback & Recording ■ TRA CK COPY/MIX ...................................................................................................................................................................... This function allows data to be copied from one track to another , or data from two tracks can be mixed and the results placed in [...]
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74 ■ INITIAL EDIT ..................................................................................................................................................................................... Song Playback & Recording ■ SONG DELETE ......................................................................................................[...]
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75 The CUST OM ACCOMP ANIMENT RECORD mode allows y ou to create original accompaniment styles that can be later recalled and pla yed at an y time, just lik e the presets. Up to 32 custom accompani- ment styles can be maintained in inter nal memor y at the same time, and any number can be sa ved to disk f or later reloading and use. 5 sections can b[...]
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76 Custom Accompaniment V Copy the Data For the A or B V ariation ............................................................................................................... The COPY parameter makes it possible to copy the A or B variation to the selected section, depend- ing on the variation you want to program. The possibilities are listed be[...]
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77 Custom Accompaniment Parts can be cleared completely before recording if you want to record “from scratch”, or change the number of measures in the section, as described below . When the DEL LCD button is pressed DE- LETE will appear for tracks which contain data. Select DELETE via the track LCD dials while hold- ing the DEL button to delete[...]
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78 Custom Accompaniment < Record the Selected part .................................................................................................................................................... Y ou can now add new notes to the selected part by playing the keyboard at the appropriate timing. All parts must be entered in the key of C major [...]
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79 Custom Accompaniment [ Go On to EFFECTS, EDIT , and ST ORE ................................................................................................................ Y ou can now stop the accompaniment by press- ing the [ST ART/ST OP] button (or leave it running, as required), and go on to the EFFECTS and EDIT functions described below . W[...]
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80 Custom Accompaniment ■ CHORUS TYPE & DEPTH .................................................................................................................................................... Use the ▲ and ▼ buttons to the left of the display to select the CHORUS TYPE/DEPTH parameters. T o select a chorus type use the TYPE LCD button t[...]
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81 Custom Accompaniment Edit Select the EDIT display via the [ ] or [ ] LCD button to the right of the display . If not already selected, press the SETTING LCD button to access the QUANTIZE , COPY , and REMOVE EVENT parameters. Use the ▲ and ▼ LCD buttons to the left of the display to select the desired function. ■ QU ANTIZE .................[...]
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Page 86
82 Custom Accompaniment X Select the Top, Last, and Destination Measures Use the TOP and LAST LCD dials to specify the first and last measures in the region to be copied. Use the DEST LCD dial to specify the top of the measure to which the data is to be copied. C Copy the Data Press the EXECUTE button. The “Completed” display will appear briefl[...]
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83 Custom Accompaniment Store/Clear Select the STORE display via the [ ] LCD button to the right of the display . If not already selected, press the SETTING LCD button to access the STORE and CLEAR CUSTOM STYLE parameters. Use the ▲ and ▼ LCD buttons to the left of the display to select the desired function. ■ ST ORE .........................[...]
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84 Custom V oice Edit This mode makes it possib le to create new v oices by editing some param- eters of the preset v oices. W av e data loaded from disk can also be edited to create original voices .* A simple EASY EDIT mode and full-parameter FULL EDIT mode are a vailab le. Both modes can be used to customize voice data loaded from disk. Up to 32[...]
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85 Custom V oice Edit The Easy Edit Parameters Use the [ ] and [ ] LCD buttons to the right of the display to select the EDIT and STORE/CLEAR display pages. Use the ▲ and ▼ buttons to the left of the display to select the various parameters within each page. The COMPARE LCD button can be used during editing to compare the sound of the original [...]
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86 Custom V oice Edit ■ T ONE ......................................................................................................................................................................................................... The timbre of the voice can be varied via the BRILLIANCE and RESONANCE LCD dials. “0” is the preset value for bo[...]
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87 Custom V oice Edit ST ORE/CLEAR ■ ST ORE ..................................................................................................................................................................................................... Stores the edited custom voice data in the specified custom voice memory location. When this function is s[...]
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88 Custom V oice Edit The Full Edit Parameters The FULL EDIT mode can be entered as described on page 78. The FULL EDIT mode can be used to edit both internal voices and voices in the custom voice group. Use the [ ] and [ ] LCD buttons to the right of the display to select the E1:BASIC , E2:CONTROLLER , E3:ENVELOPE , E4:EFFECTS and STORE/CLEAR disp[...]
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89 Custom V oice Edit ■ TUNE (except for the DRUM KITS) ............................................................................................................................................. These parameters adjust the pitch of the voice. COARSE tunes in semitone steps and FINE tunes in 1-cent steps (a cent is 1/100th of a semitone). The m[...]
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90 Custom V oice Edit ■ MODULA TION WHEEL ........................................................................................................................................................... The PMD (phase modulation), AMD (ampli- tude modulation), and Q BIAS (resonance) LCD dials set the corresponding modulation parameter . “0” is the[...]
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91 Custom V oice Edit E3:ENVELOPE ■ AMPLITUDE ENVELOPE ..................................................................................................................................................... The AMPLITUDE ENVELOPE LCD dials are used to set the amplitude envelope RATE and LEVEL parameters. Use the RATE or LEVEL LCD button to select t[...]
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92 Custom V oice Edit ■ FIL TER ..................................................................................................................................................................................................... The FILTER ENVELOPE LCD dials are used to set the filter envelope RATE and LEVEL param- eters. Use the RATE or LEVEL L[...]
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93 Custom V oice Edit E4:EFFECTS ■ LFO ............................................................................................................................................................................................................. The LFO parameters set the LFO (Low Fre- quency Oscillator) to produce cyclic pitch and am- plitude mod[...]
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94 Custom V oice Edit ■ LEAD EFFECT ................................................................................................................................................................................. Use the TYPE LCD dials to select a DSP EF- FECT type for the LEAD voice, and the DEPTH LCD dial to set the depth of the selected effec[...]
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95 Custom V oice Edit The Drum Kit Edit Mode When a drum kit voice is selected for editing the parameters and functions available are essentially the same as those for the orchestra voices in the FULL EDIT mode. Many parameters of individual percussion voices within the DRUM KIT can be edited independently . The only differences are in the E1:BASIC[...]
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Page 100
96 Disk Operations The PSR-7000 [DISK] button accesses a r ange of functions that are used f or storage and retr iev al of flopp y disk data. The PSR-7000 can also be fit- ted with an optional inter nal hard disk for massiv e on-line storage capacity . Consult your Y amaha dealer f or details on hard disk installation. T o select a disk operation f[...]
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Page 101
97 Disk Operations The LCD dials can now be used to select the type(s) of data to be loaded from the selected file. Data types which are turned ON are loaded. NOTES • Data spanning two or more disks (i.e. “ split ” data) cannot be loaded using the INDIVIDUAL LOAD function. • When loading CUSTOM STYLE or CUSTOM VOICE data — not in the INDI[...]
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98 Disk Operations Save T o Disk NOTES • If an unformatted disk or a disk which has not been formatted for use with the PSR-7000 is inserted, the “ Wrong disk type or format! Format disk? ” confirmation message will appear when the SAVE TO DISK function is selected. Press YES to format the disk or NO to cancel. Saves the data listed below to [...]
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99 Disk Operations Press the LIST LCD button when you want to go back to the FILE LIST display . When the file and data types have been specified, press the EXECUTE LCD button to actually begin the save operation — the confirmation display shown to the right will appear . If you want to give the file to be saved an original file name, be sure to [...]
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100 The LISTEN LCD button which appears when the SONG LIST is selected can be used to listen to the currently selected song — press LISTEN again to stop playback when done. When the user or song file to be renamed has been selected, press the EXECUTE LCD button. The following display will appear . Disk Operations Song file names can be up to 12 c[...]
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101 Disk Operations Delete File/Song Deletes the specified song or user file from the disk. Press the SONG LCD button to if the SONG LIST is not showing in order to delete a song file, or the USER FILE LCD button if the USER FILE LIST is not showing in order to delete a user file. Use the FILE or SONG LCD dials to select the file you want to delete[...]
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Page 106
102 Disk Operations Format FD Formats a floppy disk for use with the PSR-7000. After inserting a new floppy disk into the disk drive, press the EXECUTE LCD button to actually begin the format operation — the “OK to format?” confirmation display will appear . If you want to execute the format operation press the YES LCD button (or press the NO[...]
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103 Disk Operations When the source song has been selected press the DESTINATION LCD button and use the DIR ▲▼ LCD dials to select the destination disk. Select “ another FD ” to copy to a different floppy disk, or “ FLOPPY DISK ” to copy to the same floppy disk. Press the EXECUTE LCD button to begin the copy operation. At this point the[...]
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104 Disk Operations HD Utility This item will only appear when the optional hard disk is present. The HD Utility functions include hard disk directory management, formatting, and diagnostics. ● RENAME T o change a directory name use the DIR ▲▼ dials to select the directory , use the < and > dials to move the cursor to the characters you[...]
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Page 109
105 Disk Operations ● DELETE T o delete a directory use the DIR ▲▼ dials to select the directory to be deleted. Press the DELETE button, then press the YES confirmation button to execute the delete operation. Please note that direc- tories which contains files cannot be deleted — all files in the directory must be deleted first. ■ CHECK .[...]
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106 The PSR-7000 “Functions” The PSR-7000 [FUNCTION] b utton selects 8 groups of functions that access a number of related parameters . Here ’ s a list of the func- tions and the manual page numbers on which the y are descr ibed in detail. [F1] SCALE (ARABIC)/VOICE PART .................................................. 108 [F2] SPLIT POINT/A[...]
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107 The PSR-7000 “Functions” In cases where the number of parameters in- cluded in the function group is too large to fit on a single display page, several pages may be available, selectable via the and LCD buttons. ■ The [EXIT] Button ............................................................................................................[...]
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108 F1: Scale (Arabic)/V oice Part The PSR-7000 has a range of adv anced tuning and other voice- related functions which are all included in the F1 function group . ■ SCALE (ARABIC) ......................................................................................................................................................................[...]
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109 F1: Scale (Arabic)/V oice Part ● PART TUNE Individual tuning parameters are provided for the LEFT , RIGHT 1, RIGHT 2, LEAD, and OR- GAN voices, allowing each voice to be tuned over a ± 100-cent range. When the AUTO mode is selected, part tuning is automatic and the individual parts cannot be tuned manually . T o tune manually , first use the[...]
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110 F2: Split Point/ABC Mode/Multi Pad The F2 functions all per tain to the PSR-7000 ’ s accompaniment f ea- tures — i.e. the accompaniment split point, the ABC mode, and the multi-pad repeat and chord match modes. ■ SPLIT POINT/ABC MODE ..........................................................................................................[...]
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111 F2: Split Point/ABC Mode/Multi Pad ■ MUL TI P AD .......................................................................................................................................................................................... The repeat and chord match settings for PHRASE/CHORD MUL TI P AD playback can be accessed via this display .[...]
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Page 116
112 F3: Controller The F3 function group includes a range of functions that aff ect how the PSR-7000 responds to control via the ke yboard, a foot controller plugged into the rear-panel FOO T VOLUME jac k, foots witches plugged into the rear-panel FOO T SW jacks, the [SUST AIN] button, the PITCH BEND wheel, and the MODULA TION wheel. ● VOLUME Det[...]
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113 F3: Controller When the SUSTAIN , SOSTENUTO , or SOFT type is selected, use the LEFT , R1 , R2 , and LEAD LCD dials to turn footswitch control for the corre- sponding parts ON or OFF as required. The SUSTAIN type can be independently as- signed to the ORGAN voice. NOTES • The sustain effect is applied to the specified orchestra part(s) only w[...]
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Page 118
114 F3: Controller ■ P ANEL CONTROLLER ........................................................................................................................................................... ● SUSTAIN BUTTON Determines to which of the PSR-7000 voices the panel [SUST AIN] button will apply . Use the LEFT , R1 , R2 , LEAD , and ORGAN LCD dial[...]
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115 F3: Controller ● INITIAL TOUCH Sets the touch response OFF level and sensitivity curve of the keyboard initial touch response, and determines to which of the PSR-7000 voices touch response will apply . Use the OFF LEVEL LCD dial to set the level at which touch response is turned off. Use the SENSITIVITY LCD dials to select the desired sensiti[...]
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Page 120
116 This function allows y ou to “ re voice ” the currently selected style: i.e. change the volume , voice, re v erb depth, and chor us depth settings f or each accompaniment par t. Style Rev oice settings are retained in memor y as long as a good set of backup batteries is installed (see page 2). F4: Style Revoice ● VOLUME OFFSET Use the RHY[...]
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Page 121
117 F4: Style Revoice ● REVERB DEPTH Use the RHY1 , RHY2 , BASS , CHD1 , CHD2 , PAD , PHR1 , and PHR2 LCD dials to set the reverb depth for the corresponding accompaniment parts. The reverb depth range is from “0” (no reverb) to “100” (maximum reverb), or “ PRESET ”. When the preset reverb depth is selected a “ P ” appears in the [...]
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Page 122
118 F5: Reverb/Chorus/DSP Effect The PSR-7000 has 16 re v erb-based eff ects, a chor us eff ect, and 50 DSP (Digital Signal Processor) eff ects that can be selected via the REVERB/CHOR US/DSP EFFECT function display . The selected rev erb , chor us, and DSP eff ect settings are applied to the sound when the [REVERB], [CHOR US], and [DSP EFFECT] but[...]
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Page 123
119 F5: Reverb/Chorus/DSP Effect ● REVERB PARAMETER EDIT When the REVERB TYPE parameters are se- lected as described above, the PARAMETER EDIT LCD button will appear , pressing this button gives you access to the individual reverb parameters for the currently selected reverb type. Use the LCD dial below the number corresponding to the parameter y[...]
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Page 124
120 ■ CHORUS DEPTH .......................................................................................................................................................................... F5: Reverb/Chorus/DSP Effect Independently sets the depth of the chorus ef fect for the microphone, multi pads, accompaniment, left voice, right 1 voice, righ[...]
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Page 125
121 F5: Reverb/Chorus/DSP Effect ● DSP EFFECT PARAMETER EDIT When the DSP EFFECT TYPE parameters are selected as described above, the PARAMETER EDIT LCD button will appear , pressing this button gives you access to the individual DSP effect parameters for the currently selected DSP type. Use the LCD dial below the number corresponding to the para[...]
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Page 126
122 F6: Harmony/Registration ■ HARMONY ........................................................................................................................................................................................... ■ REGISTRA TION .......................................................................................................[...]
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123 F7: Utility The F7: UTILITY function accesses utility functions that let you turn memor y backup on or off , set a number of display modes, and recall the f actor y preset data. ■ RECALL PRESET D A T A ..............................................................................................................................................[...]
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Page 128
124 F8: MIDI MIDI, the Musical Instrument Digital Interface , is a world-standard communica- tion interface that allo ws MIDI-compatible musical instruments and equipment to share musical inf or mation and control one another . This makes it possib le to create “ systems ” of MIDI instruments and equipment that offer f ar greater v ersatility a[...]
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Page 129
125 F8: MIDI ■ CLOCK & TRANSPOSE ......................................................................................................................................................... ● CLOCK Determines whether the PSR-7000 is controlled by its own internal clock or a MIDI clock signal received from an external device. INTERNAL is the no[...]
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Page 130
126 F8: MIDI ● EXCLUSIVE The EXCLUSIVE TRANSMIT parameter turns MIDI transmission of MIDI exclusive data (voice and setup data) ON or OFF . The EXCLUSIVE RECEIVE parameter turns MIDI reception of MIDI exclusive data generated by external equipment ON or OFF . A check mark appears in the MESSAGE SW EXCLUSIVE TRANSMIT or RECEIVE box when the corres[...]
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Page 131
127 F8: MIDI OFF RIGHT 1 RIGHT 2 LEAD LEFT ORGAN FLUTE HARMONY 1 HARMONY 2 HARMONY 3 MULTI PAD 1 MULTI PAD 2 MULTI PAD 3 MULTI PAD 4 ACCOMP RHY 1 ACCOMP RHY 2 ACCOMP BASS ACCOMP CHORD 1 ACCOMP CHORD 2 ACCOMP PAD ACCOMP PHRASE1 ACCOMP PHRASE2 No data will be transmitted on the selected channel. Only data corresponding to the specified voice will be [...]
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Page 132
128 F8: MIDI RECEIVE This display page allows you to specify the MIDI receive mode for each PSR-7000 MIDI channels, and to specify which types of data will be received via each channel. ● RECEIVE MONITOR The RECEIVE MONITOR at the top of the display indicates when data is being received on any of the 16 MIDI channels: The dots corresponding to ea[...]
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Page 133
129 F8: MIDI NOTE This switch turns reception of the note data on or off. When off, no notes will be produced by the PSR-7000 even when note data is received on the selected channel. CNTCNG Turns reception of control change data on or off. Control change data includes modulation wheel, foot controller, and any other controller data (except the pitc[...]
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Page 134
130 F8: MIDI TYPE Note-on event Note-off event 1. OFF None None 2. SUSTAIN SUSTAIN ON SUSTAIN OFF 3. SOSTENUTO SOSTENUTO ON SOSTENUTO OFF 4. SOFT SOFT ON SOFT OFF 5. TAP TEMPO TAP TEMPO ON — 6. REGIST.+ REGISTRATION UP — 7. REGIST. – REGISTRATION DOWN — 8. SYNCHRO START [SYNCHRO START] ON — 9. START/STOP [START/STOP] ON — 10. ROTARY SP [...]
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131 T roubleshooting This is a normal result of the power surge that occurs when the unit is turned on or off. No solution necessary. The volume controls or foot volume are turned all the way down. Set the volume controls and foot volume to a reasonable listening level. Are the desired parts turned on? A pair of headphones is plugged into the PHONE[...]
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Page 136
132 Index A Accomp volume .............................. 30 Accompaniment ............................. 23 Accompaniment director ........ 27 – 30 After touch .................................... 115 Arabic ........................................... 108 Arranger ......................................... 34 Attack ................................[...]
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133 Index List hold .......................................... 11 Listen .................................. 100 – 102 Load ............................................... 96 M Main A/B ......................................... 28 Main volume ................................... 15 Manual (song) ................................ 60 Manual MIDI bass [...]
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134 V oice List • Stimmenverzeichnis • Liste des voix RIGHT Display BankSelect Program Change Voice Name No. MSB LSB No. PIANO 1 0 112 0 GrandPiano 1 2 0 112 1 BrightPiano1 3 0 112 5 CP 70 4 0 113 4 Funky E.P. 5 0 113 5 Hyper E.P. 6 0 112 4 E.Piano 1 7 0 112 6 Harpsichord1 8 0 0 7 Clavi. 9 0 0 0 GrandPiano 2 10 0 0 1 BrightPiano2 11 0 0 4 E.Pia[...]
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135 V oice List • Stimmenverzeichnis • Liste des voix LEFT Display BankSelect Program Change Voice Name No. MSB LSB No. 22 0 0 108 Kalimba 23 0 0 111 Shanai 24 0 0 106 Shamisen 25 0 0 107 Koto 26 0 0 104 Sitar 27 0 0 15 Dulcimer SYNTH/PAD 1 0 112 81 Analog Lead 2 0 112 80 Sub Aqua 3 0 113 81 Power Lead 4 0 118 81 Pulse Lead 5 0 115 81 Waspy Syn[...]
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Page 140
136 V oice List • Stimmenverzeichnis • Liste des voix Display BankSelect Program Change Voice Name No. MSB LSB No. STRINGS/CHOIR 1 0 113 48 Strings 1 2 0 0 51 Strings 2 3 0 112 48 Chamber 4 0 115 48 Violin Str. 5 0 112 40 Violin 1 6 0 112 52 Choir 7 0 113 54 Synth Choir 8 0 112 54 Xenon Pad 9 0 0 48 Strings 3 10 0 0 49 Soft Strings 11 0 114 48 [...]
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137 LEAD Display BankSelect Program Change Voice Name No. MSB LSB No. TRUMPET/BRASS 1 0 127 56 Solo Trumpet 2 0 126 56 Mellow Trp. 3 0 127 59 Mute Trumpet 4 0 125 56 FlugelHorn 1 5 0 127 57 Trombone 6 0 126 57 SoftTrombone 7 0 122 61 Tight Brass 8 0 125 62 Brass Lead 9 0 124 56 Soft Trumpet 10 0 123 56 FlugelHorn 2 11 0 127 60 French Horn 12 0 121 [...]
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138 Bank MSB# 127 127 127 127 127 127 127 127 Program # 1 9 17 25 26 33 4 1 49 Note# Note Standard Kit Room Kit Rock Kit Electro Kit Analog Kit Jazz Kit Brush Kit Classic Kit 13 C # 0 SurdoMut <—— <—— <—— <—— <—— <—— <—— 14 D0 SurdoOpn <—— <—— <—— <—— <—— <——[...]
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139 Style List • Rhythmusverzeichnis • Liste des styles Display No. Style Name ROCK/ROCK’N’ROLL 1 Rock&Roll 1* 2 Twist 3 Hard Rock 4 Rock Shuffle 5 Slow Rock* 6 Org RkBallad* 7 LiteRkBallad* 8 Rock Pop 9 Rock&Roll 2* 10 BoogieWoogie 11 Speed Metal 12 Rock Ballad* 13 6/8 Heavy Rk 14 Upbeat Pop* 15 CowboyBoogie* 16 Jive* POP/BEAT 1 16[...]
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140 O : YES X : NO Setup Parameters • Setup-Parameter • Paramètres de réglage général REGISTRATION ONE TOUCH DISK DATA MEMORY RECALL FACTORY REGISTRATION FREEZE SETTING group BACK UP group name PRESET group name PANEL ORGAN FLUTE VOICE O VOICE O SETUP O — Big Organ LEAD VOICE O VOICE O SETUP O — Tenor Sax RIGHT1 VOICE O VOICE O SETUP O [...]
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141 REGISTRATION ONE TOUCH DISK DATA MEMORY RECALL FACTORY REGISTRATION FREEZE SETTING group BACK UP group name PRESET group name ACCOMPANIMENT PHRASE1 O ACCOMP. O SETUP OX 100 PHRASE2 O ACCOMP. O SETUP OX 100 PAD O ACCOMP. O SETUP OX 100 CHORD1 O ACCOMP. O SETUP OX 100 CHORD2 O ACCOMP. O SETUP OX 100 BASS O ACCOMP. O SETUP OX 100 RHYTHM1 O ACCOMP.[...]
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142 Setup Parameters • Setup-Parameter • Paramètres de réglage général REGISTRATION ONE TOUCH DISK DATA MEMORY RECALL FACTORY REGISTRATION FREEZE SETTING group BACK UP group name PRESET group name F3 FOOT VOLUME TYPE O CONTROLLER X SETUP OX MASTER FOOT VOLUME ASSIGN O CONTROLLER X SETUP OX ALL ON FOOT SW1 TYPE O CONTROLLER X SETUP OX SUSTAI[...]
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143 Setup Parameters • Setup-Parameter • Paramètres de réglage général REGISTRATION ONE TOUCH DISK DATA MEMORY RECALL FACTORY REGISTRATION FREEZE SETTING group BACK UP group name PRESET group name F8 LOCAL CONTROL X — X SETUP OX ALL PARTS ON (ORGAN FLUTE, LEAD, R1, R2, LEFT, ACMP, M.PAD) CLOCK X — X SETUP OX INTERNAL TRANSPOSE TRANSMIT [...]
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Page 148
144 Fingering Chart • Akkordliste • T ablature • Notes in parentheses ( ) can be omitted. • Chord types marked with an asterisk (*) can be played in any inversion (i.e. the root does not have to be the lowest note in the chord). • If you play any three adjacent keys (including black keys), the chord sound will be canceled and only the rhy[...]
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145 • Les notes entre parenth è ses ( ) peuvent ê tre omises. • Les accords marqu é s d ’ un ast é risque (*) peuvent ê tre jou é s dans n ’ importe qu ’ elle inversion (il n ’ est pas n é cessaire que la note fondamentale de l ’ accord soit la note la plus basse). • Si vous jouez trois touches adjacentes (y compris les touch[...]
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Page 150
146 Fingering Chart • Akkordliste • T ablature Caug D aug (E aug) Daug Eaug Faug Gaug Aaug Baug # b C aug (D aug) # b F aug (G aug) # b G aug (A aug) # b A aug (B aug) # b Cdim D dim (E dim ) Ddim Edim Fdim Gdim Adim Bdim # b C dim (D dim ) # b F dim (G dim ) # b G dim (A dim ) # b A dim (B dim ) # b C sus D sus (E sus ) D sus E sus F sus G sus[...]
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Page 151
147 Fingering Chart • Akkordliste • T ablature CmM D mM (E mM ) DmM EmM FmM GmM AmM BmM # b C mM (D mM ) # b F mM (G mM ) # b G mM (A mM ) # b A mM (B mM ) # b 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) Cdim D dim (E dim ) Ddim Edim Fdim Gdim Adim Bdim # b C dim (D dim ) # b F dim (G dim ) # b G dim (A dim[...]
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Page 152
148 Fingering Chart • Akkordliste • T ablature ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) (9) (9) (9) (9) (9) (9) (9) (9) (9) (9) (9) C D (E ) D E F G A B # b C (D ) # b G (A ) # b A (B ) # b 7 7 7 7 7 7 7 7 7 7 7 7 7 7 (9) (9) (9) (9) (9) F (G ) # b 7 7 (9) 7 (9) (9) (9) (9) (9) (9) Cm D m (E m ) Dm Em Fm Gm Am Bm # b C m (D m ) # b F m ([...]
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Page 153
149 Fingering Chart • Akkordliste • T ablature Cadd D add (E add ) Dadd Eadd Fadd Gadd Aadd Badd # b C add (D add ) # b F add (G add ) # b G add (A add ) # b A add (B add ) # b 9 9 9 9 9 9 9 9 9 9 9 9 (9) (9) (9) (9) (9) (9) (9) (9) (9) (9) (9) (9) CM D M (E M ) DM EM FM GM AM BM # b C M (D M ) # b F M (G M ) # b G M (A M ) # b A M (B M ) # b 7[...]
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Page 154
150 Fingering Chart • Akkordliste • T ablature ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) CmM D mM (E mM ) DmM EmM FmM GmM AmM BmM # b C mM (D mM ) # b F mM (G mM ) # b G mM (A mM ) # b A mM (B mM ) # b 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 (9) (9) (9) (9) (9) (9) (9) (9) (9) (9) (9) (9) (9) (9) (9) (9) (9) ( # 11) ( # 11) ( # 11) ( # 11) ( # [...]
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Page 155
151 Fingering Chart • Akkordliste • T ablature C1+2+5 D 1+2+5 (E 1+2+5) D1+2+5 E1+2+5 F1+2+5 G1+2+5 A1+2+5 B1+2+5 # b C 1+2+5 (D 1+2+5) # b F 1+2+5 (G 1+2+5) # b G 1+2+5 (A 1+2+5) # b A 1+2+5 (B 1+2+5) # b G M aug (A M aug) CM aug D M aug (E M aug) DM aug EM aug FM aug GM aug AM aug BM aug # b C M aug (D M aug) # b F M aug (G M aug) # b # b A M[...]
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Page 156
152 Fingering Chart • Akkordliste • T ablature C D (E ) D E F G A B # b C (D ) # b F (G ) # b G (A ) # b A (B ) # b ( b 5) ( b 5) ( b 5) ( b 5) ( b 5) ( b 5) ( b 5) ( b 5) ( b 5) ( b 5) ( b 5) ( b 5) ( b 5) ( b 5) ( b 5) ( b 5) ( b 5) CmM D mM (E mM ) DmM EmM FmM GmM AmM BmM # b C mM (D mM ) # b F mM (G mM ) # b G mM (A mM ) # b A mM (B mM ) # [...]
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153 1. Hall 1 2. Hall 2 3. Hall 3 4. Hall 4 5. Room 1 6. Room 2 7. Room 3 8. Room 4 9. Stage 1 10. Stage 2 11. Plate 1 12. Plate 2 The DSP Effects & Parameters • DSP-Effekte und -Parameter Effets et paramètres DSP These are all reverberation (“reverb” for short) effects. Reverb is the warm musical “ambience” you experience when liste[...]
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Page 158
154 The DSP Effects & Parameters • DSP-Effekte und -Parameter • Effets et paramètres DSP 3. FEEDBACK LEVEL Range: – 63 … 0 … +63 Determines the amount of effect-sound feedback returned to the input of the effect stage. Higher negative or positive values produce a more pronounced effect. 4. DELAY OFFSET Range: 0 … 63 Varies the flan[...]
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Page 159
155 The DSP Effects & Parameters • DSP-Effekte und -Parameter • Effets et paramètres DSP 2. AM DEPTH Range: 0 … 127 Sets the depth of amplitude modulation. Higher values produce deeper modulation and therefore a more pronounced tremolo effect. 3. PM DEPTH Range: 0 … 127 Sets the depth of pitch modulation. Higher values produce deeper m[...]
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Page 160
156 The DSP Effects & Parameters • DSP-Effekte und -Parameter • Effets et paramètres DSP Although similar to the DelayL,R effect, Echo features independent feedback level parameters for the left and right channels, plus a “high damp” parameter that simulates the high-frequency damping characteristics of most natural acoustic environmen[...]
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Page 161
157 The DSP Effects & Parameters • DSP-Effekte und -Parameter • Effets et paramètres DSP Both of these effects are based on a two-band equalizer with independent high and low frequency and gain param- eters. 1. EQ LOW FREQUENCY Range: 50Hz … 2.0kHz Sets the boost/cut frequency of the low equalizer. 2. EQ LOW GAIN Range: – 12dB … 0dB [...]
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Page 162
158 The DSP Effects & Parameters • DSP-Effekte und -Parameter • Effets et paramètres DSP 51. Unison. 52. 5th Harmo Both of these effects produce a pitch-changed note in addition to the note played. With the default settings “Unison” produces a note one octave above the original note while “5th Harmony” produces a note one fifth abo[...]
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Page 163
159 [PortaTone] Date: 1995. 07. 18 Model: PSR-7000 MIDI Implementation Char t Version: 1.0 Function Transmitted Recognized Remarks Basic Default 1~16 CH (*1) 1~16 CH (*2) Channel Changed 1~16 CH (*1) 1~16 CH (*2) Default 3 3 Mode Messages XX Altered ***************** X Note 0~127 0~127 (*3) Number : True voice ***************** 0~127 Velocity Note [...]
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Page 164
160 *1 The RIGHT1, RIGHT2, LEAD, LEFT, ORGAN FLUTE, HARMONY, MULTI PAD, and ACCOMPANIMENT parts can be independently transmitted via the panel controls. *2 The tone generator normally functions as a 16-channel multi-timbre tone generator in response to MIDI input. MIDI messages therefore do not normally affect the panel voices or other panel settin[...]
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Page 165
161 MIDI Implementation Chart • Implementierungstabelle • T able d’implémentation *9 Exclusive The following system exclusive messages are recognized. <GM system ON> F0H, 7EH, 7FH, 09H, 01H, F7H All parameters except MIDI master Tuning and Dsp setting are reset to their default values. Remote Channel setting is cancelled. This message [...]
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Page 166
162 <Table 1-1> Parameter Base Address Model ID = 4C Parameter Change Address (H) (M) (L) Description XG 00 00 00 System SYSTEM 00 00 7D Drum Setup Reset 00 00 7E XG System On 00 00 7F Reset All Parameters EFFECT 1 02 01 00 Effect1(Reverb,Chorus,Variation ) DRUM 30 18 00 Drum Setup 1 31 18 00 Drum Setup 2 Address Parameter 3n 0B 00 note numbe[...]
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Page 167
163 44 2 00-7F VARIATION PARAMETER 2 MSB Refer to Effect Parameter List Depends on Variation type 00-7F VARIATION PARAMETER 2 LSB Refer to Effect Parameter List Depends on Variation type 46 2 00-7F VARIATION PARAMETER 3 MSB Refer to Effect Parameter List Depends on Variation type 00-7F VARIATION PARAMETER 3 LSB Refer to Effect Parameter List Depend[...]
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Page 168
164 MIDI Data Format • MIDI-Datenformat • Format des donées MIDI Reverb Type MSB (HEX) TYPE LSB (HEX) 00 01 02 03~07 08 09 0A 0B 0C 0D~ 00 No Effect <—— <—— <—— <—— <—— <—— <—— <—— <—— 01 [1]Hall 1 Hall 2 <—— <—— [2]Hall 2 [3]Hall 3 [4]Hall 4 <—— <—— <[...]
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Page 169
165 MIDI Data Format • MIDI-Datenformat • Format des donées MIDI BASIC TYPE N o . Parameter Display* Value CHORUS 1 LFO Frequency 0.00~39.7Hz 0-127 CELESTE 2 LFO PM Depth 0~127 0-63 3 Feedback Level -63~+63 1-127 4 Delay Offset 0~127 0-127 6 EQ Low Frequency 50Hz~2.0kHz 8-40 7 EQ Low Gain -12~+12dB 52-76 8 EQ High Frequency 500Hz~16.0kHz 28-58[...]
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Page 170
166 MIDI Data Format • MIDI-Datenformat • Format des donées MIDI BASIC TYPE N o . Parameter Display* Value GA TE REVERB 1 T ype T ypeA,T ypeB 0-1 REVERSE 2 Room Size 0.1~7.0 0-44 GA TE 3 Diffusion 0~10 0-10 4 Initial Delay 0~63 0-63 5 Feedback Level -63~+63 1-127 6 HPF Cutoff Thru~8.0kHz 0-52 7 LPF Cutoff 1.0k~Thru 34-60 10 Dry/Wet D63>W ~ [...]
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Page 171
167 Sample Data Disks EMS PK27S001 Sound Effects 24 great new sound effects - animals, machines, movies,.. EMS PK27S003 Vocal Hooks Shouts, Sung Chorus, Females, Bass Vox EMS PK27S004 Instruments DX Piano, Clavi, Classic Organ, Vintage E. Piano, new synths,... (2 disks) EMS PK27S005 House & Techno Drum Loops, Scratches, Hits, Vox, Synths, Basse[...]
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Page 172
168 KEYBOARD: 61 Keys (C1~C6) with Touch Response (Initial/After) POLYPHONY: 64 Notes max. VOICES: Preset 473 voices (including 9 Percussion kits) Custom 32 voices (Programmable) ACCOMPANIMENT: Accompaniment styles: Preset 120 + Disk 32 styles Custom 32 styles Auto Bass Chord: Single Finger/Fingered 1/Fingered 2/Full Keyboard/ Auto MIDI Bass/Manual[...]
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Page 173
169 IMPOR T ANT SAFETY INSTR UCTIONS 92-469-2 PLEASE KEEP THIS MANUAL INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. 8. This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a[...]
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Page 174
FCC INFORMA TION (U .S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modi- fications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT : When connecting this product to acce[...]