Acoustica Mixcraft 6 manuale d’uso

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C opyrights & Tra de m a rks Redi s tr i b uti ons of s ourc e c ode m us t retai n the ab ove c opy ri ght no ti c e, thi s l i s t of condi ti ons and the fol l ow i ng dis c l ai mer. Redi s tr i b uti ons i n b i nary form mu s t repr oduce the a b ov e c opy r i ght n oti c e, this l i s t of c ondi ti ons and the foll ow i ng d i s c l ai[...]

3 C onte nts 3 © 20 12 A c ous ti c a, In c T abl e o f Con te n ts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Impo r tan t So u n d S e tup Infor ma ti o n . . . . . . . . . . . . . . . . . . . . . . . . . .[...]

Mi x cra ft 6 Us e r Ma n ua l 4 © 20 12 A c ous ti c a, In c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Merge 56 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [...]

5 C onte nts 5 © 20 12 A c ous ti c a, In c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W MV Re nde r S ettings 117 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .[...]

Mi x cra ft 6 Us e r Ma n ua l 6 © 20 12 A c ous ti c a, In c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 9 C urs ors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [...]

I mpor t ant S ou nd Set up I nfor mati on - 7 © 20 12 A c ous ti c a, In c I mpor t ant Sound S etup Inf or mation W he n y ou f i rst s t art Mi x c raf t , y ou s ho uld mak e s ur e t ha t t he aud io l atency r espon s e i s s et up pro pe rly . Al l s oun d dev ic es an d s oun d c ar ds are not c r ea ted equ al and s ome hav e be tt er per[...]

Mi x cra ft 6 Us e r Ma n ua l 8 © 20 12 A c ous ti c a, In c T his option i s av ailab le wh en W av e R T i s s elec t ed . Audio f rom ot he r pr ogr ams an d W ind ow s w ill not wo rk at t he s ame t im e t hat y ou are i n t his mode . AS I O X P, V i s t a & W in 7 T he best f or play ba c k and re c or ding s y nchr on iz at ion . Mus [...]

I mpor t ant S ou nd Set up I nfor mati on - 9 © 20 12 A c ous ti c a, In c dr i v er s ar e ou t of da t e alre ady. )[...]

Mi x cra ft 6 Us e r Ma n ua l 10 © 20 12 A c ous ti c a, In c Quick Star t So y ou wa nt t o get s omet hin g don e in a hu rr y , eh? Le t ' s f ollow ou r f av or it e m us ic ian S oun d W ar rior (SW ) t hr oug h t he pa c es of usi ng M ix c ra f t ™. Lo a d i n sou nds o r l o o ps SW s t ar t s Mix c ra f t and c lic k s t he Lib ra[...]

Qu ic k St art - 11 © 20 12 A c ous ti c a, In c Re c o rd s a Lea d Synth Pad SW hoo k s up his MID I k eyboa rd and c re ates a V irtual In s t ru m en t T rack . H e f ind s a gro ov y s y nth lea d and record s hims elf . In a f ew s pots , he played t he wr ong no te an d s o he s im ply go es t o t he Pi an o Ro ll E dit or and mov es t he n[...]

Mi x cra ft 6 Us e r Ma n ua l 12 © 20 12 A c ous ti c a, In c C AV E c av e LADY lady" . He c li c k s on t he FX butt on on t r ack 3 and s elect s t he ef f ect " Dela y " f rom t he l is t . I n a s ud de n ins pir ation, he deci de s t ha t t he wh ole t hing nee ds rev er b s o t hat it s ou nd s lik e it ' s in a c av e.[...]

Qu ic k St art - 13 © 20 12 A c ous ti c a, In c (O f c our s e, S W ha s pu rchased all A c oust i c a s of t w ar e be c au s e he k no w s it is s mart t o s up p or t goo d s of t wa r e! )[...]

Mi x cra ft 6 Us e r Ma n ua l 14 © 20 12 A c ous ti c a, In c Regis t r at ion N or m ally , M ix c raf t ha s a t rial per i od of 14 days . A f t er t he t r ial pe r iod is ov er , y ou will ne ed t o pu r c hase t he s of t w ar e in or der t o bu rn aud io CD s or m ix dow n. T o pu rchase a re gis t ra t i on c od e, c l ic k t he " B [...]

R eg is t ra t ion - 15 © 20 12 A c ous ti c a, In c T y pe i n or c opy and pas t e y our " Re gis t ra t i on I D" (u s ually y our email add ress ) in t he S t ep 3 edit box an d t y pe in or c op y an d past e t he 20 c ha ract er " Re gis t ration Co de " (exc lud ing da s he s ) int o t he S t ep 4 edit box. (Mak e s ure [...]

Mi x cra ft 6 Us e r Ma n ua l 16 © 20 12 A c ous ti c a, In c M ixcraft R eference T his will help y ou iden ti f y s pe c if ic s ect i on s of t he main M ix c raf t interf ac e. M e nus A m en u t o acc ess all t he awe s ome po w er of M ix c ra f t ! T o o l bar Ac c es s c omm on fu nc t ions s uc h as s av ing, load ing , un do and r ed o.[...]

M ix c ra f t R efer en c e - 17 © 20 12 A c ous ti c a, In c T i m e li n e Add m ar k er s , mak e s elec t ions and ad just t empo, k ey and t i me s igna ture . T r ac k H e a ders Add ef f ect s , or gan iz e y our pr oject and arm y ou r t ra c k s . Ti p: T o quic k ly s c ro ll t he t ra c k s up and do w n, mov e t he m ou s e ov er t he [...]

Mi x cra ft 6 Us e r Ma n ua l 18 © 20 12 A c ous ti c a, In c T r ans po r t C on trol play ba c k , re c or din g, loop mode , pun c h i n/out. V iew t he play ba c k t im e and adjust t he m ast er v olume. T abs Proje c t Soun d* Mix er Lib ra ry * If t he S oun d t ab is s ele c t ed , y ou will ha v e t he f ollow ing editors av ailable : Au[...]

M ix c ra f t R efer en c e - Track s 1 9 © 20 12 A c ous ti c a, In c A d di ng T r ac ks Eac h ne w pro ject s t ar t s w it h 8 blan k t ra c k s . Y ou c an add t rack s by c lic k ing t he + Tra c k butt on ab ov e t he t r ack s t o t he lef t of t he t i me l ine. You c an als o c li c k A dd Tra c k f ollow ed by s elect i ng t he t y pe o[...]

Mi x cra ft 6 Us e r Ma n ua l 20 © 20 12 A c ous ti c a, In c R e- s iz e a t ra c k by mov ing t he m ou s e t o t he bott om of a t r ack an d dr ag up or do w n. W hen t he mouse is in t he rig ht s pot t o r e- s iz e, t he c ur s or will become an up/dow n c ur s or . Al t er n ativ ely , y ou c an c l ic k on t he Track m en u > P ro pe [...]

M ix c ra f t R efer en c e - Track s 2 1 © 20 12 A c ous ti c a, In c T o mi x do w n t o a ne w au dio t r ack , c hoo s e Track m en u > M i x To Ne w A udi o Track or r igh t c li c k on a t ra c k hea de r an d c hoo s e M i x T o Ne w A ud io T r ack . Dup li ca t e T r a c k You c an dup lic ate or c opy all s ett ings and s oun ds on a [...]

Mi x cra ft 6 Us e r Ma n ua l 22 © 20 12 A c ous ti c a, In c Selec t a new i mage and c li c k OK . A dd Y o ur Ow n I m a ge Or Ph oto You c an add an y im ag e or pho t o of y our ban d member s , y our dog or almos t an y t hing t hat i s in t he on e of t he f ollow ing im ag e f orma t s . . J PG . BM P . PNG . GI F C lic k on Add M y Ow n [...]

M ix c ra f t R efer en c e - Track s 2 3 © 20 12 A c ous ti c a, In c Vo lume & Pa n Adjus t t he v olume and pan f or ea c h t rack . V o lu m e Eac h t r ack ha s it s own v olume w hic h c an be adju s t ed by t he s lider on t he t ra c k . Clic k dow n on t he s li de r and mov e i t lef t or r ight. T he v olu me c an be s et f r om 0% [...]

Mi x cra ft 6 Us e r Ma n ua l 24 © 20 12 A c ous ti c a, In c T he han dle t ur ns re d s i gn if y ing t ha t y ou c an ad just t he recor ding l ev el f ro m t he c ur r en t i np ut. (T his is on ly f or aud io t ra c k s . ) Mu t e & So l o Mute an d/or s olo a t r ack . M ute I f y ou do no t wis h t o he ar a t ra c k , y ou c an m ute [...]

M ix c ra f t R efer en c e - Track s 2 5 © 20 12 A c ous ti c a, In c N ew s ou n ds and re c or dings are add ed at t he c ar et po s it i on . A f t er add ing a new s oun d, t he c are t will mov e t o t he en d of t he s ou nd . T he c are t i s als o t he poin t at wh ic h s elect ed s oun ds will be s plit . You c an m ov e t he c ar et ar [...]

Mi x cra ft 6 Us e r Ma n ua l 26 © 20 12 A c ous ti c a, In c T o ar m a t ra c k , c lic k t he Arm butt on on a t ra c k . Onc e a t rack i s ar med, it will high light in re d. A rm Toggl e C tr l + B C ho osi ng Re c or di n g Inp ut You c an record fr om mult iple s ou nd c ar d s and dif f er en t inp uts at t he s ame t im e. S ome s pe c [...]

M ix c ra f t R efer en c e - Track s 2 7 © 20 12 A c ous ti c a, In c T o c hoo s e an inpu t , c lic k t he ar m ar r ow f or t rack 1. Clic k on " Le x ic on " or wh at ev er y ou r de v ic e is c alled an d c hoo s e " Lef t C ha nn el" . On t he s ec on d t ra c k , we ' d lik e t o record t he " Righ t Cha nne l[...]

Mi x cra ft 6 Us e r Ma n ua l 28 © 20 12 A c ous ti c a, In c Some s oun d de v ic es i ncl ud e a f ea t ur e t ha t allow s y ou t o he ar wha t y ou ar e re c or ding. Many de v ic es (suc h as USB mic ro pho ne s ), t ho ug h, do no t allow y ou t o he ar wh at y ou ar e re c or din g. A nd other t i mes , y ou may wish t o m on it or y ou r [...]

M ix c ra f t R efer en c e - Track s 2 9 © 20 12 A c ous ti c a, In c Vi rtua l I nst ru ment T ra c k s hav e t he ext ra ins t ru ment bu t t on t o t he lef t of t he mut e butt on . C lic k t he ins t ru m en t bu tt on t o c hoo s e an ins t ru men t . You m ay c on ne c t a M I DI k ey bo ar d t o re c or d an d play MI D I . Pl ay an optio[...]

Mi x cra ft 6 Us e r Ma n ua l 30 © 20 12 A c ous ti c a, In c k ey bo ar d t o s ee if t his is pos s ible, t hou gh . Re c o rd in g Multip le T r a c ks Sim ul ta neousl y You c an record m ult iple V irtual In s t ru m en t (MI DI ) t r ack s at t he s ame t im e. Si mply c lic k t he ar m bu t t on f or eac h t ra c k t hat y ou wa nt t o rec[...]

M ix c ra f t R efer en c e - Track s 3 1 © 20 12 A c ous ti c a, In c T ogg le t he t ra c k s y ou w an t an d c li c k OK . V i d e o T he V ideo T rack holds v ide o c l ips & image s or pho t os. T her e is only on e v i de o t ra c k . T o t og gle t he v ideo play ba c k wind ow , c l ic k t he " S how / Hide V i de o W indo w"[...]

Mi x cra ft 6 Us e r Ma n ua l 32 © 20 12 A c ous ti c a, In c M a s t e r Eac h pr ojec t ha s on e M ast er T r ack . A ll t ra c k s ar e mix ed t o t he Mas t er T ra c k . T o v iew t he Mas t er T ra c k , c lic k Tra c k menu > S how M as te r Trac k . A lt ern ativ ely, c lic k t he + Tra c k bu tt on at t he t op of t he t rack s an d [...]

M ix c ra f t R efer en c e - Track s 3 3 © 20 12 A c ous ti c a, In c Add a S en d T r ack t o t he pr oje c t . W e re na med t his on e t o be c alled " Rev e r b (SE ND )". Go t o t he t ra c k t hat y ou wa nt t o rou t e s igna l t o t he S end t rack . Ex pa nd t he t ra c k automati on po r ti on of t he t rack by c lic k ing t h[...]

Mi x cra ft 6 Us e r Ma n ua l 34 © 20 12 A c ous ti c a, In c v olume adju s t ments . (PRE-Fad e r S en d) Pos t V olume A djust m en t - T he t rack 's aud io i s s ent t o t he S end T ra c k af t er app ly i ng i t s ow n v olume adju s t ments . (POS T -Fa de r Send ) T o c han ge t he S end V olume T y pe, righ t c lic k on t he Send k[...]

M ix c ra f t R efer en c e - Track s 3 5 © 20 12 A c ous ti c a, In c POS T-Fa d e r S e nd * * Dep end ing on t he s en d v olume t y pe , t he aud io f ro m a t rack will be s ent at on e of t he s t ar r ed * po ints i n t he aud i o s i gn al f low . Ti p: W hen add ing an ef f ec t t o a Send T rack , it is recomm en de d t o c ho ose a pr e[...]

Mi x cra ft 6 Us e r Ma n ua l 36 © 20 12 A c ous ti c a, In c I f y ou ha v e an aud io dev ic e wit h m ulti ple ou tputs , s im ply c lic k on t he ou t pu t dro p do w n of an ou t pu t t r ack an d c hoo s e t he ou t pu t . T he M ix er v iew als o allow s y ou t o ad just t he ro uting of t rack s t o outpu t s . T her e ar e many ways t ha[...]

M ix c ra f t R efer en c e - Track s 3 7 © 20 12 A c ous ti c a, In c mix . T hat s en d t ra c k 's outpu t ha s be en s et t o t he Hea dph on e Out 1 output t ra c k , wh ic h ha s be en ro ut ed t o a s pe c if ic outpu t on t he aud io dev ic e. T he S end k no bs on each t r ack ar e t he n us ed t o c re ate a c us t om monitor mix f [...]

Mi x cra ft 6 Us e r Ma n ua l 38 © 20 12 A c ous ti c a, In c R e w i r e R eW ire is a s t and ard c re at ed by P rop ellerh ea d S of t w ar e t ha t allow s M ix c ra f t t o i nter f ac e wit h other po pu l ar s of t w ar e. T his po w er f ul t ool allows M ix c raf t t o ac c es s s oun ds, v irtual ins t ru ments , and ot he r f eatur es[...]

M ix c ra f t R efer en c e - Track s 3 9 © 20 12 A c ous ti c a, In c Au toma t i on You c an c ha ng e t he w ay t hings s oun d ov er t i me. Aut omation allow s y ou t o add po ints at s peci f ic loc ations on a t ra c k ' s automation l an e . Aut omation t y pe s : Volume Pan Send t ra c k s Any ef f ect or s y nt he s iz er par amet e[...]

Mi x cra ft 6 Us e r Ma n ua l 40 © 20 12 A c ous ti c a, In c C lic k on an y po int i n t he au t omation bod y t o add a po int and t he n dr ag i t t o t he desired v alu e. M o vi ng T rac k A utom a t i on Po i nts T he glob al s na p v alue will ap ply w he n ad din g and edit ing au tomat ion po ints . I f y ou ar e ha v ing pro blems m ov[...]

M ix c ra f t R efer en c e - Track s 4 1 © 20 12 A c ous ti c a, In c 1. Ch oo s e a v irtual ins t r umen t f or t he t rack . 2. Clic k t he automation dro p do w n t o s ho w t he automati on . 3. No w s elect t he v i rtua l ins t ru men t . C lic k on t he c on t ro l t it led " T ra c k V olume", f ollowe d by c li c k ing t he v [...]

Mi x cra ft 6 Us e r Ma n ua l 42 © 20 12 A c ous ti c a, In c After t hat, we c an dr a w in automat ion po ints t o c han ge t he f ee db ac k ov er t im e. Re c o rd in g A ut o m a t i on You c an record automati on f or ef f ec t s or v i r t ua l ins t ru men t s by s ett i ng up y ou r MI D I dev ic e t o c on t ro l a par ameter. Once a M [...]

M ix c ra f t R efer en c e - Track s 4 3 © 20 12 A c ous ti c a, In c A u t o m a t i n g W i t h A M I D I C o n t r o l l e r You c an s et up an y M I DI c ontro ller or k ey boa rd t o c on t r ol any ef fe c t pa r ameter or v irtual ins t ru ment pa r ameter . Eac h MI D I k ey boa rd or c on t ro l ler is dif fe ren t. T he ba s ic ide a i[...]

Mi x cra ft 6 Us e r Ma n ua l 44 © 20 12 A c ous ti c a, In c Ho w T o Ma p A K n ob o r Sl i d e r T o A n Effec t I n or der t o c ontro l v ario us par amet er s of an ef fe c t , t he r e ar e s ev era l w ays t o do it . E ac h k nob or s li de r on a MI D I k ey boa r d ge ne r ates a M I DI CC mes s age . 1. C lic k t he M I D I Le ar n bu[...]

M ix c ra f t R efer en c e - Track s 4 5 © 20 12 A c ous ti c a, In c Lo a di ng A nd Saving Effe ct Ma ppi ng s C lic k S av e or S av e A s . . . t o s av e y ou r mapp ing . R ecall i t at any t im e f ro m t he P r eset s . I f y ou wis h t o ge t rid of m ap pin g, s elec t it and t hen c li c k De lete . Eff ec ts You c an add ef f ec t s t[...]

Mi x cra ft 6 Us e r Ma n ua l 46 © 20 12 A c ous ti c a, In c D e l e ting E mp ty L a ne s R igh t c li c k on an empty par t of a t ra c k an d c l ic k La ne s f ollow ed by De lete E mpty La ne s . D e l e te La ne A l t+K M uting La ne s You c an m ute or unmute all c lips on an y t ra c k by rig ht c l ic k ing on an empt y pa rt of a l an [...]

M ix c ra f t R efer en c e - Clips 4 7 © 20 12 A c ous ti c a, In c M o vi ng T o mov e a c li p, s elec t it s t i t le bar and dr ag wh ile ho lding dow n t he mouse bu tt on.. (T he t i t le bar i s t he t op ar ea of t he c l ip whe re t he na me i s dis played.) B E FORE M OVE A FTE R M OVE You c an als o mov e a c l ip by us ing t he k ey b[...]

Mi x cra ft 6 Us e r Ma n ua l 48 © 20 12 A c ous ti c a, In c Dele ting Selec t a c lip or gro up of c lips an d t hen s ele c t De lete f ro m t he E dit menu . Al t er n ativ ely , y ou c an push t he Dele t e k ey on y our k eyboa r d t o delete t hem. D e l e ting P a rts Of Cli ps I f y ou s elect par t of a c li p, it will only de lete t he[...]

M ix c ra f t R efer en c e - Clips 4 9 © 20 12 A c ous ti c a, In c a lef t righ t r e- s iz e c ur s or . Si mply c lic k on t he l ef t or righ t ed ge of t he c lip, ho ld t he mouse do w n and dra g lef t or rig ht. Eac h loo p is re pre s en t ed by a t rian gle on t he t op and bo tt om of t he s oun d. T he c l ip will l oo p ba s ed on t [...]

Mi x cra ft 6 Us e r Ma n ua l 50 © 20 12 A c ous ti c a, In c s hortc ut A l t Dr a g Copy a n d Pre s e rve Ti m e Of f s e t s hortc ut Sh i ft + Alt+d ra g (C opy N' P as t e mak es t he w or l d go ' ro und . Bec ome a f an of " Co py A nd P as t e" on y our f av or it e s oc ial ne twor k i ng s it e. ) Se lec ti n g Cli [...]

M ix c ra f t R efer en c e - Clips 5 1 © 20 12 A c ous ti c a, In c You c an t ogg le t he s elec t ion of mult iple c lips by ho lding dow n t he C t rl k ey and c lic k ing t he t it le ba r of t he c lip. You c an s elect add it ion al c lips by ho lding dow n S hift k ey and c lic k ing t he t it l e bar of t he c l ip. Sele c t i ng A Pa rt [...]

Mi x cra ft 6 Us e r Ma n ua l 52 © 20 12 A c ous ti c a, In c So u n d s T her e ar e t wo t y pe s of s oun ds: A udi o cli p s Vi rtua l I ns trume nt (MI DI) cl i ps C lip t empo and k ey c an be manip ula t ed in t he f ollow ing wa y s . T em po /T i m e A d j ustment s T i me t r av el m ay not be poss i ble y et , bu t y ou c an c ha ng e [...]

M ix c ra f t R efer en c e - Clips 5 3 © 20 12 A c ous ti c a, In c You will k now t hat y ou are i n Fl exA udio ™ mode i f t he c ursor t ur ns int o t he Flex A udio ™ c ur s or . Le ar n mor e abo ut Flex A ud io™ her e. K e y / Pi t c h A dju st m ent s A s ou nd c an be pit c h s hif t ed li k e a c hipmun k or m ad e t o s ou nd l ik[...]

Mi x cra ft 6 Us e r Ma n ua l 54 © 20 12 A c ous ti c a, In c T he or igina l de t ect ed t empo will s how up with an * next t o it in c as e y ou nee d t o rest or e it t o t he or i gina l de tec t ed t empo . Det ec tin g T e m po ( a udi o cli ps o nl y ) T he f ollow ing i nf or m ation i s f or aud i o c l ips on ly . I f A uto B ea t M at[...]

M ix c ra f t R efer en c e - Clips 5 5 © 20 12 A c ous ti c a, In c H ow ev er , y ou c an ha v e m or e t ha n one k ey c ha ng e in a pr oje c t . A s oun d in Adjus t To P roje c t K ey mode will adjust t o t he c or rect numbe r of ha lf s t ep s in ord er t o pla y in t he c or r ect k ey based on t he mos t re c en t k ey c ha ng e. T o c o[...]

Mi x cra ft 6 Us e r Ma n ua l 56 © 20 12 A c ous ti c a, In c You will k now t hat y ou are i n Fl exA udio ™ mode i f t he c ursor t ur ns int o t he Flex A udio ™ c ur s or . T i p s W i th F lexA ud i o™ U s e Fl exA udio™ t o c r ea t e pe rf ect loop s . I f y ou hav e a loop w it hou t a de t ect ed t empo, s et t he s na p t o meas[...]

M ix c ra f t R efer en c e - Clips 5 7 © 20 12 A c ous ti c a, In c You hav e mult iple au d io c lips one t rack r ecord ed wit h t he s ame nois y air c ond it ione r in t he ba c k gr ou nd and y ou w an t t o re mov e t he noise in on e c ommand . Mer gin g t he c l ips t og e t he r allow s y ou t o re mov e t he nois e on e t im e. You hav [...]

Mi x cra ft 6 Us e r Ma n ua l 58 © 20 12 A c ous ti c a, In c T his s ho w s a c l ip wit h t wo en v elop e po ints , ea c h at 10 0 % . Clic k on t he line t o c re ate a ne w v olume po int and t hen dr ag t o t he des ire d loc ation. I n t he i mage abo v e, t he v olu me of t he s ou nd now goe s f r om 100 % up t o abo ut 17 0% and t hen s[...]

M ix c ra f t R efer en c e - Clips 5 9 © 20 12 A c ous ti c a, In c Pan c an be s et t o v alu es fr om 100 % lef t t o 100 % rig ht. Lo w A n d H igh P as s F i lt ers I n ad dition t o c han ging t he v olume and pan of a s oun d ov er t i me, Mix c ra f t allow s y ou t o c ha ng e t he low pa s s and high pass filter ov er t i me. W ha t Is A[...]

Mi x cra ft 6 Us e r Ma n ua l 60 © 20 12 A c ous ti c a, In c T o ed it a s ou nd 's high pass filter c ut of f , go t o t he t oolba r an d mak e s ur e t ha t H igh P ass C utoff i s s elect ed. B y def au lt , all po ints on t his env elop e ar e at 0% , mean ing t ha t all s ou nd s ab ov e t he c utof f (i.e. ev eryt hing ) c an be he a[...]

M ix c ra f t R efer en c e - Clips 6 1 © 20 12 A c ous ti c a, In c Do ubl e Cl i ck A T r ac k W he n y ou do ub le c lic k on an aud io t rack bo dy, y ou s et t he c ar et and s imult ane ou s ly brin g up a w ind ow l ett ing y ou c ho ose a s oun d. T he s ou nd will be plac ed whe re t he c ar et wa s . A d d A Sound From T h e Loo p Li br [...]

Mi x cra ft 6 Us e r Ma n ua l 62 © 20 12 A c ous ti c a, In c R e cording Dire ctly To OGG I f y ou f i nd y ou r ha r d dr iv e f i lli ng up with hu ge W A V f iles , y ou c an re c or d dir ect l y t o OGG f il es. Recor din g t o OGG will t ak e up les s s pa c e on y our har d dr iv e. Go t o t he Re c or ding P re f er en c es , c lic k Co [...]

M ix c ra f t R efer en c e - Clips 6 3 © 20 12 A c ous ti c a, In c E d it In Ex te rna l E ditor Mix c ra f t will wo r k in c on junct ion with an ext ern al s oun d editor in ord e r t o app ly per m an en t c ha ng es or ed it s t o t he s ou nd . F or ex ample, if y ou w an t t o re v er s e a s ou nd or edit out c lic k s and pop or s ome o[...]

Mi x cra ft 6 Us e r Ma n ua l 64 © 20 12 A c ous ti c a, In c Edi t Name C ha ng e t he na me of a c li p. P re s s t he E nter k ey t o m ake t he c ha ng e. A lt er na ti v ely , c han ge t he na me and c lic k anywh er e els e. M ute /U nm ute C lic k t he s pe aker ic on t o t og gle a s oun d' s m uted s t at e. Lo c k or U n lo ck C li[...]

M ix c ra f t R efer en c e - Clips 6 5 © 20 12 A c ous ti c a, In c C lic k t he [ < < ] S ho w /Hide C on trols bu t t on t o s ee more s ou nd data, ins t ea d of t he c on t ro l s . T his will t og gle be twee n s how ing and hiding t he c on t r ols . T o s how t he c ontro ls aga in, c l ic k t he [ > > ] bu tt on. N o i s e R e[...]

Mi x cra ft 6 Us e r Ma n ua l 66 © 20 12 A c ous ti c a, In c an d dr ag ging t he N ois e S t ar t or No is e E nd c on trols . I f y ou w an t t he s of t w ar e t o automati c ally loc at e t he nex t be s t no is e pr i nt, c l ic k Nex t N ois e>> . T his ins t ru c t s M ix c raf t t o look fo r t he next bes t no is e s ample ba s ed[...]

M ix c ra f t R efer en c e - Clips 6 7 © 20 12 A c ous ti c a, In c T his will s ho w t he bea ts in t he s ou n d. E ac h bea t point ha s t empo . T he s of t w ar e w ill no t s ho w all t he be at po ints de pe nding on y ou r z oo m lev el. Z oo m in t o s ee m or e de t ail an d be at poin ts . Ho v er y ou r mouse ov er a be at po int and [...]

Mi x cra ft 6 Us e r Ma n ua l 68 © 20 12 A c ous ti c a, In c D ou ble c lic k a V i r t ua l I ns t ru ment T ra c k or r ight c li c k on a Vi rtua l I nst ru ment T r ack an d c l ic k A dd I nst rume nt Clip t o c re ate a bla nk V i r t ua l I ns t ru ment Clip. Re c o rd a V i rtua l In st r um e nt Cl i p. Arm a V i rtua l I ns t ru ment T[...]

M ix c ra f t R efer en c e - Clips 6 9 © 20 12 A c ous ti c a, In c MID I E diti ng T her e ar e many ways t o ed it y our M I DI data. S im ply rig ht c l ic k on a V irtual I nst rume nt c l ip and s elect M I D I E diti ng f ollow ed by of t he f ollow ing op t ion s . Qua n tiz e . . . Adjus t no t es t o be c los er t o t he be at. H um a ni[...]

Mi x cra ft 6 Us e r Ma n ua l 70 © 20 12 A c ous ti c a, In c No te T yp e Spec if i es t he s na p s et t ing t o qua nt iz e t o. Pl ea s e note t ha t i f y ou hav e t his s et t o eigh t h note and y ou ar e act ually qua ntiz i ng a wh ole no te, it w ill no t adjust t he leng t h of t he no t e t o an eigh t h note, but ra t he r align i t [...]

M ix c ra f t R efer en c e - Clips 7 1 © 20 12 A c ous ti c a, In c A l l o r Se l e c t i on C ho ose w he ther t o qu an ti z e t he s ele c t ed no t es or all t he no tes in t he c ur r en t v irtual i nst rumen t c lip. (T his is only an option i f t he dialog was inv ok ed on t he piano roll ed it or . ) Q u a ntize Exa m pl e Bef ore qua n[...]

Mi x cra ft 6 Us e r Ma n ua l 72 © 20 12 A c ous ti c a, In c M a x Di sta nce T he m axi mum no t e dur at ion t o human i z e t owa rds. Sta r t T i m e Spec if i es i f we ar e hu maniz ing t he s t ar t t i me. I f c he c k ed, y ou c an c ho ose fr om E ar ly , Late or R an do m ad jus t ments . Dur at i o n Spec if i es i f we ar e hu maniz[...]

M ix c ra f t R efer en c e - Clips 7 3 © 20 12 A c ous ti c a, In c C ho ose Oc t av e( s ) or S emit one (s) f ro m t he Tra n s pose By. T he n enter i n t he amou nt and c lic k OK. I f y ou w an t t his t o app l y t o t he s elec t ed no t es only , c li c k t he S elect ion rad i o butt on. V e l o c i t i e s T he V eloci t ies dialo g all[...]

Mi x cra ft 6 Us e r Ma n ua l 74 © 20 12 A c ous ti c a, In c O f f s e t s Of f s et No tes dialog allows y ou t o ad just all t he notes or t he s ele c t ed no t es t i me of f s et s . R igh t c li c k on a M I DI c l ip or MI D I data in t he P iano Roll and s elect M I DI E dit ing f ollow ed by Of f s ets . . . T his brin gs up t he Of f s[...]

M ix c ra f t R efer en c e - Clips 7 5 © 20 12 A c ous ti c a, In c T his brin gs up t he No te Du ration win do w . A d j ust B y Adjus t t he no t es dur at ions by a per c en t ag e. F o rce T o For c e t he no t es t o a s pe c if ic note dur at ion. C ho ose f ro m: W ho le notes 1/2 notes 1/4 notes 1/8 notes 1/16 no t es 1/32 no t es 1/64 n[...]

Mi x cra ft 6 Us e r Ma n ua l 76 © 20 12 A c ous ti c a, In c s oloiz ing S o un d tab ( P i a no R o ll ) T he S oun d t ab allow s y ou t o ren ame a s oun d, c han ge i t s leng t h, c han ge i t s t im e of f s et, m ute it , loc k it , c ha ng e it s t empo , pit c h s hif t or k ey . Edi t Name C ha ng e t he na me of a c li p. T y pe in a [...]

M ix c ra f t R efer en c e - Clips 7 7 © 20 12 A c ous ti c a, In c T i m e Stre t c h / T em po Set t he mode of t he t im e s t re t c hing fo r t his s ou nd . Lea rn m or e ab ou t t i me s t re tc hing and t empo i n t he T empo/T ime S t r etc h s ec t ion . A d j usting P i t ch, K ey or T ransposi tion Set t he mode of t he pit c h s hif [...]

Mi x cra ft 6 Us e r Ma n ua l 78 © 20 12 A c ous ti c a, In c I ns t ru men t C lip or righ t c li c k on a V i r t ua l I ns t ru ment Clip and s ele c t E dit t o br ing up t he P iano R oll Edit or . Eac h blu e box rep resents a no t e. T he no te is deter mined by how i t lines up wit h t he v er t ic al pian o, he nce, t he name 'p i a[...]

M ix c ra f t R efer en c e - Clips 7 9 © 20 12 A c ous ti c a, In c D ou ble c lic k a note on t he piano roll k ey bo ar d an d all no t es of t hat v alu e will be c ome s elec t ed . C lic k an y wh e re bes ide s a note t o deselec t it or pre s s t he E s c k ey. Selec t ed no t es will app e ar dar k blue . You c an als o s elec t by dur at[...]

Mi x cra ft 6 Us e r Ma n ua l 80 © 20 12 A c ous ti c a, In c E di tin g note s i n de ta i l You c an als o ed it a note or gro up of notes by righ t c li c k i ng and s elect i ng " E dit . . . " T he note ed it dia log will po p up an d allow y ou t o edit t he s peci f ic s , wh ic h i ncl ud e: St art t im e (Mea s ur e, be at and [...]

M ix c ra f t R efer en c e - Clips 8 1 © 20 12 A c ous ti c a, In c D ra g C opy A l t+dra g C o n t r o l l e r I n f o r m a t i o n You c an edit MI D I c ontro ller da t a on t he bo tt om por t i on of t he P i an o R oll E ditor on t he Soun d t ab. C ho ose T he C o ntrol l er T yp e C lic k t he dr op dow n on t he l ef t ha n d s i de t [...]

Mi x cra ft 6 Us e r Ma n ua l 82 © 20 12 A c ous ti c a, In c I f y ou ne ed m or e ro o m or pix els t o edit t he c ontro ller da t a, s i mply c l ic k on t he bar at t he t op of t he c on t ro l ler ar ea and dra g it up or dow n t o re- s i z e t he c on troller are a. T he s elec t ed no t e' s c orr es pon ding v eloc it y l ine ap p[...]

M ix c ra f t R efer en c e - Clips 8 3 © 20 12 A c ous ti c a, In c Edit Co ntro ller D ele t e Co ntro ller D ele t e A ll C on troller s For ex ample, if y ou wa nt an ext ern al s y nthesi z er t o s witc h t o pa tc h 67, c hoo s e t he " P ro g ra m C ha ng e" c ontro ller , mov e t o t he s t ar t of t he t rack , righ t c li c k [...]

Mi x cra ft 6 Us e r Ma n ua l 84 © 20 12 A c ous ti c a, In c Map Fil e - T he na me of t he f ile y ou jus t c re ated, ie: " Bi g A nd D umb Dr ums . t x t " VS T GUI D - T his i s a s pe c ial v alue un iqu ely ide ntif y ing t he V S T i . Ope n up y ou r Lo g f ile af t er ha v ing us ed t he plug- in t o get it s V ST GUI D. Y our[...]

M ix c ra f t R efer en c e - Clips 8 5 © 20 12 A c ous ti c a, In c On c e y ou ar e s ati s f ied w it h t he loop , y ou c an ex t en d t he c li p in t he s es s ion ar ea t o loop i t as m an y t imes as y ou' d l ik e. See Loo pin g Clips S o un d tab ( N ota tion ) Mix c ra f t allow s y ou t o edit, v iew and pr i nt y our m us ic in [...]

Mi x cra ft 6 Us e r Ma n ua l 86 © 20 12 A c ous ti c a, In c Le ngth C ha ng e t he leng t h of a s oun d by en t er i ng i n m inu t es, s econd s and m ill is ec ond s or us ing t he s pinne r c on t ro l s . (I f t he s oun d is made l on g en ou gh , t his will als o c ause i t t o loop . ) I f in B eat mode , t his ed it bo x es w ill be i [...]

M ix c ra f t R efer en c e - Clips 8 7 © 20 12 A c ous ti c a, In c N o t a t i o n E d it o r Edi ting No te s Mix c ra f t allow s y ou t o edit a pian o ba r on t he s t af f dire c t ly . B y ed it ing t he s iz e an d posi t ion of t he pia no ba r , y ou c an c han ge t he wa y t he no tat ion is dis pla y ed. H er e is a t y pic al example[...]

Mi x cra ft 6 Us e r Ma n ua l 88 © 20 12 A c ous ti c a, In c N ote s elect ion t ool. Add new notes with t he pen c il. R emov e no t es wit h t he er a s er . D ura tion But t ons - Ch oo s e a def au lt dur at ion w he n ad ding a ne w no te with t he pen c il t oo l. C ho ose f ro m wh ole no t e, ha lf note, qu ar t er no t e, eigh t h note,[...]

M ix c ra f t R efer en c e - Clips 8 9 © 20 12 A c ous ti c a, In c R igh t c li c k on a c lef and c ho ose f rom t he f ollow ing: T reb le & B ass T reb le Bas s T his c ha ng es t he c l ef f or t he en ti re t rack . Pr i nting On c e a c li p is pr ope rly s elect ed, c l ic k t he P rint. . . butt on on t he No t ation V iew t oo lba r[...]

Mi x cra ft 6 Us e r Ma n ua l 90 © 20 12 A c ous ti c a, In c nu mbe r f rom 1 t o 127 which de s c ribe s ho w f as t t he k ey wa s de pr es s ed. A v eloc it y of 1 w ou ld har dly be hea rd and a v eloc it y of 127 w ou ld be f ull v olume . Eac h MI D I No te mes s age c on t ain s t he f ollowin g inf orma t ion: No t e V alu e (C 0 - C1 0)[...]

M ix c ra f t R efer en c e - Clips 9 1 © 20 12 A c ous ti c a, In c Vi de o c l ips I m ag es Le ar n mor e abo ut v i de o in t he v ide o s ec t ion Te x t C li p s A t ex t c l ip c on t ain s t ex t w it h as s oc iat ed ef f ec t s . Le ar n mor e abo ut t ex t c lips in t he v ideo s ec t ion R ecording R ecord i ng lets y ou re c or d au d[...]

Mi x cra ft 6 Us e r Ma n ua l 92 © 20 12 A c ous ti c a, In c C lic k t he St op butt on t o s t op record i ng . T he re c or din g will be s av ed in y ou r P r oject f olde r . I f y ou wa n t t o re c or d mult iple t r ack s at a t im e, y ou ' ll nee d t o arm t hem s im ultane ou s ly and hav e t he re qu i re d inpu t s an d har dw a[...]

M ix c ra f t R efer en c e - Re c or din g 93 © 20 12 A c ous ti c a, In c Re c o r ding Mod e T her e ar e t hr ee record i ng mode s . E ach t ra c k ' s re c or din g mode c an be s et by righ t c lic k ing or by us ing t he T ra c k m en u. Tra c k menu > R ecord i ng M o de > Tak es Ov erdub R eplace You c an s et up y our def au [...]

Mi x cra ft 6 Us e r Ma n ua l 94 © 20 12 A c ous ti c a, In c I n t his mode , t he ex is t ing au dio is rep l aced. Ne w lan es are not c rea ted. Lo o p Re co rding Lo op record i ng allow s y ou r ecord m ult iple t ak es or ov er dub w it hou t hav ing t o s t op. T o c re ate a loop , c lic k t he Lo op m od e butt on on t he T ra nspor t. [...]

M ix c ra f t R efer en c e - Re c or din g 95 © 20 12 A c ous ti c a, In c After s ett ing up a pu nc h ar ea, pr ess re c or d an d t he ne w re c or d ings will be c re ated ins ide t he pu nch s t ar t an d en d. Ti p: T o quic k ly s et t he pun c h in/ ou t ar ea, c r ea te a s ele c t ion and t ogg le P unch I n/Out. Use s nap t o s et v er[...]

Mi x cra ft 6 Us e r Ma n ua l 96 © 20 12 A c ous ti c a, In c Se l e ct All S ounds I n Vi e w C tr l + A Li br a ry You c an c ho ose a s peci f i c li br ary or A ll . I f A ll is s elec t ed , s oun ds f r om all l oa de d libra r ies ar e c ho s en, inc ludin g any i mpo rted libra ries . T her e ar e t wo built in libr ar i es: Lo op s Soun [...]

M ix c ra f t R efer en c e - Loo p Lib ra ry 9 7 © 20 12 A c ous ti c a, In c After a s ear c h is pe r f or med, Mi x c raf t will dis play ho w many it ems matc he d t he s ear c h qu er y . So rting & C o l um ns You c an s or t s ou nd s by c lic k ing on an y c olumn hea de r. T o s or t t he c olu mn in desc en din g or de r , c li c k [...]

Mi x cra ft 6 Us e r Ma n ua l 98 © 20 12 A c ous ti c a, In c I f y ou w an t t o get acc ess t o t he s oun d on t he ha r d dr iv e, s im ply rig ht c l ic k on t he s oun d and c ho ose Op en C on taining Folde r. N ow y ou hav e ac c es s t o t he phys ic al loc ati on of t he aud io f ile an d may do w ha t y ou w an t wit h it . I mpo rt in[...]

M ix c ra f t R efer en c e - Loo p Lib ra ry 9 9 © 20 12 A c ous ti c a, In c D ef au lt S on g K it - S elect or t y pe in a name f or t he s ong k it y ou wa nt t he im po r t ed s ou nd s t o be ass oci ated with. ( Y ou c an alw ay s edit i t later.) Gu ess (w hen i mpor t i ng i f not built into f i le t y pe .) St y le - I f a k ey wo r d i[...]

Mi x cra ft 6 Us e r Ma n ua l 10 0 © 20 12 A c ous ti c a, In c Key - I f a k ey is f ou nd by it s elf , s uc h as " Ro c k -G", Mi x c raf t will as s ume t ha t " G" is t he k ey of t he s ou nd . I ns t ru men t - I f a k eywo rd i s f ou nd i n t he f i le c alled " l ib- ins t s -f or -impor t . t x t " , Mix c[...]

M ix c ra f t R efer en c e - Loo p Lib ra ry 10 1 © 20 12 A c ous ti c a, In c To Ne w A udio Tra c k . No w c ro p t he re s ulti ng au d io c lip t o y our des ire d s iz e and add t his f il e t o t he libra ry . Dele ting S ou nds Si mply s ele c t t he s oun d or s ou nd s . R igh t c li c k and s elect De lete or pre s s t he [ De l ete] bu[...]

Mi x cra ft 6 Us e r Ma n ua l 10 2 © 20 12 A c ous ti c a, In c t he " S epa r ated by C omma" option wit h a T ex t de lim it er of a qu ote ( " ). You m ay nee d t o c ha ng e t he f i le ex t en s ion t o . C SV bef or e ed it ing dep end ing on ho w y ou r s y s t em i s s etup. M LDB F i elds Eac h MLD B f ile ha s a numbe r o[...]

M ix c ra f t R efer en c e - Loo p Lib ra ry 10 3 © 20 12 A c ous ti c a, In c T empo T he t empo of t he loop i f ap plic ab le. nu ll or v alid t empo s uc h as 120 or 141 . 23 D ate T he date t hat t he loop / s ou nd w as c re at ed / ad de d. A v alid date s uch as 01 /03/12 or mm / dd /y y f o rma t , w he r e dd=t he da y , mm = month and [...]

Mi x cra ft 6 Us e r Ma n ua l 10 4 © 20 12 A c ous ti c a, In c Sho w/Hi d e T r ac ks You c an c he c k or un - c he c k t rack s un de r t he S how Tra c k s s ect i on . T his allows y ou t o s im plif y y ou r v iew an d only s ee t he t rack s t ha t y ou ar e c ur re nt ly m ix i ng . C lic k t he C he c k A ll butt on t o s ee all t r ack [...]

M ix c ra f t R efer en c e - M i x e r 105 © 20 12 A c ous ti c a, In c Arm t he t ra c k f or re c or din g Solos t he au dio on t his t rack . ( Mut es ot he r no n- s olo ed t rack s . ) Mutes t he aud i o on t his t ra c k . Audio t ra c k s and V irtual I nst ru ment t ra c k s hav e an I n pu t s elect or. On an au dio t ra c k , t his let [...]

Mi x cra ft 6 Us e r Ma n ua l 10 6 © 20 12 A c ous ti c a, In c T he def au lt is t he M ain M i x which is t he M ast er t ra c k . V ideo Mix c ra f t s upp or t s loa ding and s av ing of v i de o. I t i s designe d s o t ha t y ou c an do t he fo l low ing : Add a mus ic al s oun dtra c k t o a v i de o. Add s ou nd ef fe c t s t o a v i de o[...]

M ix c ra f t R efer en c e - V ideo 107 © 20 12 A c ous ti c a, In c PNG GI F I f y ou w an t t o add m or e t ha n one i mage at a t im e, y ou c an s elect m ulti ple ph otos or i mage s an d add t he m all at once. T he i mage s w ill be add ed t o a v ide o t ra c k with ea c h i mage l ast i ng fiv e s ec ond s an d ov er lapp ed by one s ec[...]

Mi x cra ft 6 Us e r Ma n ua l 10 8 © 20 12 A c ous ti c a, In c You c an alt er a v ide o by ad din g ef f e c t s . Y ou c an m ake it f ad e in, f ade t o black or l oo k lik e it s old f i lm. B e fore e ff e cts A ft e r us i ng the K a l e i dos cope a nd Gre e n cha nne l e ff e cts . Le ar n mor e abo ut v i de o ef f ec t s her e. M i xi [...]

M ix c ra f t R efer en c e - V ideo 109 © 20 12 A c ous ti c a, In c You c an add an y ph oto or im ag e by c li c k ing t he V ideo m en u > A dd S til l I m age s . . . T his brin gs up a f i le dialog which allow s y ou t o s ele c t an im ag e or m ult iple im ag es. T he im ag es will be placed at t he c ar et loc ati on . T he f ollow in[...]

Mi x cra ft 6 Us e r Ma n ua l 11 0 © 20 12 A c ous ti c a, In c C ho ose a dur at ion , s t ar t t i me an d ov er l ap t ime f or ea c h c lip. I f y ou ha v e a s elec t ion y ou c an c hoo s e Selec t ed C lips Only and on ly t he s elect ed c lips will be ad just ed. Vi d e o Cli ps I f y ou ha v e v ideo c lips in y our pr oject , t heir l e[...]

M ix c ra f t R efer en c e - V ideo 111 © 20 12 A c ous ti c a, In c T his s ho w s t he au tomat ion lane . C ho ose f ro m v ar ious ef f ec t s and add po ints t o s hap e t he ef f ec t s . Clic k t o ad d poin t s an d edit poin t s jus t lik e au dio t ra c k automation . V i deo Effe ct Li st Lig htness Lig htness ( H igh CPU ) Gr ays c al[...]

Mi x cra ft 6 Us e r Ma n ua l 11 2 © 20 12 A c ous ti c a, In c A d di ng T ext T her e ar e a f ew wa y s t o ad d t ex t . T he easi est i s t o c lic k V ide o m en u > A dd Tex t . . . T his w ill c re ate a t ext t rack and place a ne w t ext c lip on it an d laun c h t he t ex t ed it or . T o c re ate a s c rolling t ext object , c lic [...]

M ix c ra f t R efer en c e - V ideo 113 © 20 12 A c ous ti c a, In c Edi ting T ext You c an m ov e t he mouse c ur s or t o any of t he re d s qua r es. T his allow s y ou t o re- s i z e t he t ex t ob jec t lik e a s t an da rd win do w . T he c ursor will t ur n int o a re- s iz e ar row wh en y ou are ov er a red s qu ar e an d c an re -s iz[...]

Mi x cra ft 6 Us e r Ma n ua l 11 4 © 20 12 A c ous ti c a, In c C ha ng e t he t ext c olor or ba c k gr ou nd c olor , as we l l as t he Op aci t y . T he op aci t y is ho w s olid t he c olor is . B y m ov ing t he Op aci t y s lider , y ou ar e mov ing f r om t ran s pa r en t t o f u ll s olid c olor . N ote t hat i f y ou hav e s ome t ex t [...]

M ix c ra f t R efer en c e - V ideo 115 © 20 12 A c ous ti c a, In c C ho ose a t ex t mas k c olor . T his i s t he c olor t hat f ill s t he no n- t ex t ar ea . In t he abo v e ex ample, t he t ext m ask c olor i s wh it e. D rop S ha dow C ho ose be twee n S mall, M ed ium and La r ge dr op s had ow s . F a de On t he Fad e t ab , y ou c an c[...]

Mi x cra ft 6 Us e r Ma n ua l 11 6 © 20 12 A c ous ti c a, In c Mos t ev er y t hin g is t he s ame as no rma l t ex t ed it ing as w it h editi ng s c ro lli ng t ex t , ex c ept t ha t it is mis s ing a M o t ion t ab . For m or e he lp on editi ng s c ro lli ng t ex t , plea s e s ee t he E dit ing T ext s ect i on . Mixing Down C ho ose f ro [...]

M ix c ra f t R efer en c e - V ideo 117 © 20 12 A c ous ti c a, In c File menu > M ix D ow n To > A V I W M V I f y ou w an t t o c han ge t he output qu alit y or s iz e, c li c k E dit De tails . . . Le ar n mor e abo ut c han g ing t he mix do w n s et t ing s her e: AV I R en de r s ett i ng s W MV Re nde r s ett i ng s A V I R e n d e [...]

Mi x cra ft 6 Us e r Ma n ua l 11 8 © 20 12 A c ous ti c a, In c I f y ou do n' t wa nt t o t hink , c hoo s e P re s et Qua lit y and s lide t he s l ide r t o t he best f or m at. M ov e it all t he w ay t o t he lef t if y ou w an t t he s malles t po s s ible f il e s i z e or all t he wa y t o t he righ t t o c hoo s e t he high est qu a[...]

M ix c ra f t R efer en c e - V ideo 119 © 20 12 A c ous ti c a, In c en c od ing met ho d w or k s best will gen era lly dif f er de pe nding on y our v ideo c on t en t, and y ou might hav e t o t ry m ult iple met ho ds and c ompa r e t hem. Bi t ra te als o has a big im pa c t on v ideo qua lit y . H igh er bit ra t es will result in hig he r [...]

Mi x cra ft 6 Us e r Ma n ua l 12 0 © 20 12 A c ous ti c a, In c t o pr od uce s maller f i le s iz es , y ou' ll ne ed t o ex pe r iment t o fin d t he be s t s et t ing . Vi d e o Bit Ra te : T his s ett ing s pec if i es app ro x imat ely ho w muc h ban dw idt h y our v ideo will req uire , in k ilobits pe r s ec on d. I t 's one of t[...]

M ix c ra f t R efer en c e - V ideo 121 © 20 12 A c ous ti c a, In c hig h aud io qua l it y s ett ing will ra re l y hav e muc h re lati v e ef f ec t on t he ov era l l s i z e of y ou r v ideo . 12 8 k bp s will us ua lly pro duc e goo d re s ults f or mus ic au dio qua lit y . Timeline T he t im eline dis plays i n t im e or be ats m od e. I [...]

Mi x cra ft 6 Us e r Ma n ua l 12 2 © 20 12 A c ous ti c a, In c You c an c ha ng e t he s na p lev el on t he t ime line or by c lic k ing t he V iew m en u f ollow ed by c lic k ing S na p To Grid f ollow ed by c lic k ing t he de s ire d s nap s ett i ng . H er e ar e t he po s s ible s na p s et t ing s : Of f Measur e 1/2 Notes 1/4 Notes 1/8 [...]

M ix c ra f t R efer en c e - Ti meline 123 © 20 12 A c ous ti c a, In c Ma r ke rs Mar k er s c an be used f or m ar k ing a s pec if i c t im e wit h t ex t s uc h as " C ho r us B egins He r e" or t he y c an c on t ain t empo , k ey or t i me s igna t ure c ha ng es . I n add i t ion, marker s c an indic ate ne w CD t rack s or m ix [...]

Mi x cra ft 6 Us e r Ma n ua l 12 4 © 20 12 A c ous ti c a, In c mar k er y ou ' d lik e t o edit . Dele ting R igh t c li c k on a m ar k er on t he t im e l ine an d s elec t D ele t e t o r emov e a m ar k er . (N ote t hat y ou c an no t de lete t he fir s t mar k er an d may on ly edit i t . ) D e l e te All Ma rke rs C lic k t he M ix m[...]

M ix c ra f t R efer en c e - Ti meline 125 © 20 12 A c ous ti c a, In c W he n mix ing do w n t o an aud io f ile or bur nin g an au dio C D , t he s of t wa re w ill c re ate a ne w CD t rack or aud io f ile if t he option Cr eate T rack For CD s or A udio Files is c heck ed. I SRC I f y ou ar e mak ing an of f ic ial aud i o CD f or m as t er i[...]

Mi x cra ft 6 Us e r Ma n ua l 12 6 © 20 12 A c ous ti c a, In c T i me is s elec t ed on t he t i me- line. R igh t c li c k on t he t im e- l ine an d c ho ose Re m ov e Selec t ed Tim e. T i me is re mov ed an d ev er y t hing be y on d t he s elec t ion is m ov ed ov er . Au toma t i c Ma r ke r Wiz a r d T he t ra c k m ar k er wiz ar d is a [...]

M ix c ra f t R efer en c e - E f f ec t s 12 7 © 20 12 A c ous ti c a, In c A d di ng Effe ct s T o ad d an ef f ec t , c l ic k t he dro p do w n labe led < S ele c t A n E f f ec t > an d c hoo s e an ef f ect . I f y ou w an t t o add ef fe c t s t o a t ra c k , y ou c an c lic k t he FX bu tt on on t he t ra c k t o brin g up it s ef f[...]

Mi x cra ft 6 Us e r Ma n ua l 12 8 © 20 12 A c ous ti c a, In c D ele t e t he ef f ect c hain Re o rd e ri ng a nd Delet i ng Effe c t s Selec t an ef f ec t t o delete or re or der . T he or de r of t he ef fe c t s is impor t ant. Clic k on an ef f ect t o s elect it . After s elect ing an ef f ect , c l ic k on e of t he bu t t on s t o mov e[...]

M ix c ra f t R efer en c e - E f f ec t s 12 9 © 20 12 A c ous ti c a, In c T his allows y ou t o au dition how t hing s s oun d withou t t ha t par ti c ular ef fe c t w it hou t l osi ng t he s ett ings . N ote : W hen a t ra c k is f ro z en , it s ef f ect s w ill no t be editable un t il t he t ra c k i s un f rozen. Edi ting Effe ct s Eac h[...]

Mi x cra ft 6 Us e r Ma n ua l 13 0 © 20 12 A c ous ti c a, In c Loa d V S T P re s e t Fi l e (VS Ti 's onl y) Some V ST ef f ect and ins t r umen t m an uf act ure rs will dis t rib ute add it iona l ba nks of s ou nd s , in t he f or m of . f x b f iles . T he s e f iles re pla c e y ou r c ur r en t pre s ets wit h a ne w s et of pr eset [...]

M ix c ra f t R efer en c e - E f f ec t s 13 1 © 20 12 A c ous ti c a, In c Eff ec ts I n c lud e d I n Mixc r aft T her e ar e s ev er al ef f ect s inc lude d by def au lt with Mix c ra f t and are detailed belo w . A coustica C ho r us C ho r us ef f ect s ar e us ed t o t hic k en up a s oun d, s uc h as a v oc al or guitar re c or ding. T hi[...]

Mi x cra ft 6 Us e r Ma n ua l 13 2 © 20 12 A c ous ti c a, In c D ela y ef f ect s are of t en t he s i mplest and mos t mus ic ally us ef ul ef f ect s . Quie t s im ply , t he y t ake inc oming au dio , w ait a c er t ain amou nt of t im e, and play t he au dio ba c k , s omet imes at a low er v olume. T his c re ates an echo ef f ect , s uc h [...]

M ix c ra f t R efer en c e - E f f ec t s 13 3 © 20 12 A c ous ti c a, In c bo ost or re duc e t he au dio f req uen c ies t hat mak e up t he s oun d of y our recor ding . If , fo r example, y ou r re c or ding s oun ds t inny , y ou c an bo ost t he bass f re qu en c ies . I f y our re c or din g s oun ds t oo 'b r igh t ' , y ou migh[...]

Mi x cra ft 6 Us e r Ma n ua l 13 4 © 20 12 A c ous ti c a, In c B ro adc a st M ultib a nd C o m pr e ssor T his pow erf ul we ap on i n t he " loud ne s s wa r s " he lps y ou bo ost y ou r mus ic 's v olume s o t hat it s ou nd s lou de r t ha n ev er . I t c an als o l ow er loud er au dio pa rts with do w nw ard c ompr es s i o[...]

M ix c ra f t R efer en c e - E f f ec t s 13 5 © 20 12 A c ous ti c a, In c T his ef fe c t is s imi lar t o t he A c ou s t ic a Ch oru s ef f ec t , with s ome add it iona l f eatur es and a un ique s ou nd . C l a ss i c C om pr es sor T his ef fe c t is s imi lar t o t he A c ou s t ic a Ch oru s ef f ec t , with s ome add it iona l f eatur e[...]

Mi x cra ft 6 Us e r Ma n ua l 13 6 © 20 12 A c ous ti c a, In c Si mi lar t o t he Ac ou s t ic a E Q ef fe c t , t he C las s ic E Q ef f ect giv es y ou indiv idua l c on t ro l ov er t he lef t and rig ht c han ne l of y our re c or din g. T his c an be used, f or ex ample, t o c re a t e int er est ing s t er eo ef f ect s , w he r e one s pe[...]

M ix c ra f t R efer en c e - E f f ec t s 13 7 © 20 12 A c ous ti c a, In c T his ef fe c t is s imi lar t o t he A c ou s t ic a Re v er b ef f ec t , with s ome add it iona l f eatur es and a un ique s ou nd . EZQ Equali ze r T her e ' s no ea s ier w ay t o E Q y ou r t r ack s t han wit h E Z Q! Ra ther t han t hinking abo ut y our m usi[...]

Mi x cra ft 6 Us e r Ma n ua l 13 8 © 20 12 A c ous ti c a, In c Pl ug t his ef f ec t int o a t rack t ha t's armed fo r r ecord ing wit h a gu it ar wit h M on it or i ng t ur ned on , and GT une will wor k as a r ea l-tim e guitar t un er . M ake s ur e y our guitar is in per fe c t t un e bef ore y ou s t ar t re c or ding an d av oid los[...]

M ix c ra f t R efer en c e - E f f ec t s 13 9 © 20 12 A c ous ti c a, In c T he S hr ed A m p S im ulator by A c m eBar Gig, a c omple t e guitar amp an d c abine t s uite c ontainin g 5 c las s i c amp hea ds , 17 c abine t m od els , an d 6 pow erf ul ef f ect s . Shre d f ait hf ully m od els c las s i c B ritis h an d A mer ic an t ube hea d[...]

Mi x cra ft 6 Us e r Ma n ua l 14 0 © 20 12 A c ous ti c a, In c T his i s a uniqu e ef f ec t t hat doe s no t act ually pr oces s or c han ge t he aud i o and , i nst ead , allow s y ou t o v iew t he f re qu en c y s pect rum of t he aud io. T his is gre at f or lear ning ab ou t au d io fr equ en c ies an d f o r he lping y ou t o ana l y z e [...]

M ix c ra f t R efer en c e - E f f ec t s 14 1 © 20 12 A c ous ti c a, In c 10 0% and t he Dr y M i x t o 0%. Us ing MI D I T o Con tr o l Eff e c ts An ef f ec t c an receiv e an d us e MID I data f rom any t rack . For ex ample, a pit c h c or re c t ion ef f ec t c an us e MI D I data t o s hif t t he aud io t o t he M I DI no t e c urr ently [...]

Mi x cra ft 6 Us e r Ma n ua l 14 2 © 20 12 A c ous ti c a, In c Vir tua l Ins tr u me n t s Pr es e ts As s uming t he t ra c k is a V irtual In s t ru m en t T rack , c lic k t he ins t ru men t pian o k ey bo ar d bu t t on t o br ing up t he In s t ru m en t P r eset win do w . T his will brin g up t he ins t r umen t pre s et win do w f il le[...]

M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 143 © 20 12 A c ous ti c a, In c C lic k on t he pre s et c olumn t o s elec t a pr eset . Le ar n mor e abo ut c re ating y our own v irtual i nst rume nts . < Re wi re De vi c e s> T his s ect i on will l is t any av ailable R eW ire ap plic ati on s t ha t ar e av ailab le on y our [...]

Mi x cra ft 6 Us e r Ma n ua l 14 4 © 20 12 A c ous ti c a, In c Ed it ing Vir tua l Ins tr u me n t Pres e t s You c an m ak e y our own v irtual i nst rume nt pr eset s by lay er i ng mult iple s y nthesi z er s , ed it ing pr eset s , s ett i ng k ey ran ge and mor e! T o c re ate y ou r ow n V irtual I nst rume nt, c l ic k t he I nst rumen t [...]

M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 145 © 20 12 A c ous ti c a, In c After s elect ing an ins t ru ment, y ou c an c han ge t he f ollow i ng par ame t er s : Pa ra m e te r D e s cription Preset Selec t a pre s et or pa t c h f ro m t he s y nt he s iz er Edit I f t he s y nthes iz er ha s an interf ac e, c lic k t he E dit b[...]

Mi x cra ft 6 Us e r Ma n ua l 14 6 © 20 12 A c ous ti c a, In c Eac h ins t r umen t i nter f ac e will hav e t he s ame c on trols on t he t op of t he ef f ec t wind ow wh i c h allow y ou t o c hoo s e a ne w pr es et, s av e a pre s et or de lete a pr eset . Pre s e t Drop D ow n C ho ose a pr eset . I f t he pre s et is f ac t or y de f ault[...]

M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 147 © 20 12 A c ous ti c a, In c w is h. Op t iona l ly , y ou c an ha v e t he c us t om ic on embed de d in t he pre s et f ile by c lic k ing t he E mb ed I c on c heck box . W hen ar e s at is f ied , c li c k S av e. New Pr e se t C lic k t his t o c r ea te a blank pr eset . I f y ou h[...]

Mi x cra ft 6 Us e r Ma n ua l 14 8 © 20 12 A c ous ti c a, In c A dee p, bit ing ba s s s y nthesi z er ins pir ed by t he f amo us Ro land T B -3 03 ™ bas s s y nt he s iz er . I de al f or au then t ic ac id ba s s t one s , an d other fo rms of elec t ro nic m us ic . C om bo O rg an M o del F A recrea t i on of t he c las s ic Far fisa™ t[...]

M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 149 © 20 12 A c ous ti c a, In c T his poly ph on ic ana l og - s t y l e s y nthesiz er i s mode led af t er s y nthesi z er s f rom t he ear l y 80s, and i s loa de d with c las s i c an alog s y nthesi z er t on es. Lo unge Lizard El e c tric Pi a no T he Rh od es™ and W urlitz er ™ e[...]

Mi x cra ft 6 Us e r Ma n ua l 15 0 © 20 12 A c ous ti c a, In c T his i ncred ibly acc ur at e re c re ation of t he f a mous S equ en t i al Circuit s P ro ph e t 5™ s y nthesi z er t ak es t he c on c ep t ev en f ur t her , wit h inc re ased poly ph on y , ad de d ef f ec t s , and mor e. T his c las s i c an alog s y nt he s iz er do minate[...]

M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 151 © 20 12 A c ous ti c a, In c T he Ha mmond Or ga n™, inv en t ed by Lau r en s H ammond i n t he 193 0s , has had a major impact on ne ar ly ev er y po pu l ar m us ic gen r e, f r om gos pe l an d blue s t o ro c k and pop . P air ed wit h a Les lie™ s pe aker, t her e may be no m o[...]

Mi x cra ft 6 Us e r Ma n ua l 15 2 © 20 12 A c ous ti c a, In c Tr ansport T his i s wh er e y ou ' ll f ind play ba c k , recor ding , l oo p mode an d mas t er v olume. C on t ro l s R e cord C lic k t he re c or ding bu t t on t o s t art re c or ding. A lt er na tely , pre s s Ctrl+ R or R. R e w i nd To Sta rt R eset s t he playback ind[...]

M ix c ra f t R efer en c e - Tran s po r t 1 53 © 20 12 A c ous ti c a, In c T he m ast er v olume adjust s t he l ev e l of t he en t ire mix . Mov e t he s l ide r lef t or rig ht t o s et t he de s ired v olume. Al t er n ativ ely , y ou c an righ t c lic k on t he T ran s po r t an d s elec t M ast er V olume or c ho ose t he M ix m en u f ol[...]

Mi x cra ft 6 Us e r Ma n ua l 15 4 © 20 12 A c ous ti c a, In c Punch In/O u t U s e P unch I n/ Out t o c r ea te a v er y pr ec is e and s ur gic al re c or din g at s pe c if ic t i me s ect i on . T o mark a s ect i on as a pu nch in/out ar ea , c lic k t he P un c h I n/ Ou t bu t t on . Adjus t t he P un c h I n ha ndle and P unch Out ha nd[...]

M ix c ra f t R efer en c e - Tran s po r t 1 55 © 20 12 A c ous ti c a, In c R e cording M e tronom e I f c he c k ed, t he met ro no m e will s oun d dur ing recor ding . T ogg le Re c or din g M etro no m e A l t+O R e cording Count- I n Me a s ure s W he n C ou nt-I n is act i v at ed and t he Recor d butt on is pre s s ed, Mi x c ra f t will [...]

Mi x cra ft 6 Us e r Ma n ua l 15 6 © 20 12 A c ous ti c a, In c M IDI Lea r n Mak e s ure y ou ha v e a MI D I dev ic e plugg ed i n t o y ou r c ompu t er . No w y ou c an as s ign a who l e li s t of op ti on s f rom play ba c k , m etro no me, arming , und o and red o. 1. C lic k M I DI Le ar n t o automati c ally as s ign c omman ds 2. C lic [...]

M ix c ra f t R efer en c e - Tran s po r t 1 57 © 20 12 A c ous ti c a, In c M IDI C hanne l & D e vice I f y ou w an t t o s et up t he c on trol s ur f ace t o only re c eiv e on a s pe c if ic M I DI c han nel or dev ic e, c ho ose M I D I C ha nn el or D ev ic e and pic k t he de s ire d c han ne l an d de v ic e. For ex ample, if y ou t [...]

Mi x cra ft 6 Us e r Ma n ua l 15 8 © 20 12 A c ous ti c a, In c Set S elect ed T ra c k P an Mute/ Un m ute S ele c t ed T r ack Solo/ U nsolo S elec t ed T rack Arm/ Dis ar m S elect ed T ra c k Monitor ing For Selec t ed T rack T ogg le Gu it ar T une r For S elec t ed T rack T ogg le EQ High F or S elec t ed T ra c k EQ M id For S elect ed T r[...]

M ix c ra f t R efer en c e - P ro jec t 1 59 © 20 12 A c ous ti c a, In c Or Y our B a nd f or mak ing re c or dings f r om liv e ins t ru men t s or y ou r mi c ro ph one . B ui l d Loop & B e a t Ma tche d Mus i c T his option i s gr ea t f or DJ s or jus t an y on e c on s t ru c t ing mus ic w it h l oo ps. T his is a goo d c hoic e if y [...]

Mi x cra ft 6 Us e r Ma n ua l 16 0 © 20 12 A c ous ti c a, In c T emplate (MX 6 T emplate). Al t er n ativ ely , y ou c an s av e t he pro j ect by c l ic k ing t he Sav e bu tt on on t he t oo lbar . Mi x i ng Dow n I f y ou w an t t o s av e y ou r pr ojec t as a s i ng le M P3, W A V, OGG or W M A file, y ou s hou ld m ix dow n y ou r pr ojec [...]

M ix c ra f t R efer en c e - P ro jec t 1 61 © 20 12 A c ous ti c a, In c Pr o j ec t T emp o , Ke y A nd T i m e Si gnat u re C ho ose a mas t er or pro ject t empo, k ey and t i me s igna ture . Proj e ct Te m po * Al l s oun ds t hat hav e a t empo an d ar e s et t o A djust T o P ro ject T empo m od e will ad jus t ba s ed on t he pr ojec t &[...]

Mi x cra ft 6 Us e r Ma n ua l 16 2 © 20 12 A c ous ti c a, In c Al t er n ativ ely , y ou c an t ogg l e A uto B ea t M atc h mode by c ho osing A ut omatic ally B eat M atc h Ne w Soun ds fr om t he M ix menu . Pr o j e c t F o l der Eac h pr ojec t ha s it s own record i ng f olde r wh i c h def au lt s t o t he Defau lt P ro ject Re c or din g[...]

M ix c ra f t R efer en c e - P ro jec t 1 63 © 20 12 A c ous ti c a, In c Burn P roo f t y pe pr ot ect i on , y ou c an bu r n at max imum s pe ed wit ho ut wo rrying abo ut a bur n f ailure . Te s t Mo de I n t his mode , t he CD wr it er will not t ur n it s las er on f or wr it ing and will go t hr ou gh t he pro c ess of t ra ns f er ring t [...]

Mi x cra ft 6 Us e r Ma n ua l 16 4 © 20 12 A c ous ti c a, In c Form a t De ta i l s T his s ho w s t he c ur r en t fo rmat details s uc h as bit rate and c ha nn els. Clic k E dit De t ails . . . t o c ha ng e t he fo rmat details f or t he c ur r en t f or m at. A wind ow will po p up an d allow y ou t o c han ge t he bit ra t e, c ha nn els a[...]

M ix c ra f t R efer en c e - P ro jec t 1 65 © 20 12 A c ous ti c a, In c C ho ose a f old er , t y pe i n a name and c lic k " S av e". A f t er mi x ing dow n, y ou r de f ault v ide o player will be lau nched an d will s t ar t pla y ing y our v ideo . Co p y Pr o j e ct Fil es To .. . You c an c op y y our pro j ect and all t he s o[...]

Mi x cra ft 6 Us e r Ma n ua l 16 6 © 20 12 A c ous ti c a, In c So u n d Dev ice C ho ose s ett i ng s f or y our s ou nd dev ic es . D rive r You c an c ho ose f rom W av e or A S I O or W av eR T mode . T his c hoic e c ha ng es t he re s t of t he c on t ro l s av ailab l e on t his pag e. T he A S I O option will be un av ailab l e if no A SI[...]

M ix c ra f t R efer en c e - P re f er enc es 16 7 © 20 12 A c ous ti c a, In c A S I O P r e f e r e n c e s T hese ar e t he pr ef ere nce opti on s if A S I O mode i s s elec t ed on t he S oun d D ev ic e P re fere nces . A S I O is an alt er na t iv e dr i v er s y s t em t hat allow s f o r low er l atency and be tt er s y nchro niz at ion [...]

Mi x cra ft 6 Us e r Ma n ua l 16 8 © 20 12 A c ous ti c a, In c B uff e r S i z e T he s i z e of t he buf f er als o deter mines t he l atency of t he s of t w ar e. La r ge r bu f f er s l ea d t o highe r latency . C ho osing dif f er en t buf f er s iz es m ay he lp t he s of t wa re wor k bett er with y ou r s oun d c ar d or s oun d de v ic[...]

M ix c ra f t R efer en c e - P re f er enc es 16 9 © 20 12 A c ous ti c a, In c D i s pl a y V ol um e As : C ho ose be twee n De c ibels or P er c en tage . T his will af f ect t he t rack v olume s li de r s an d editing v olu me en v elop e po ints on t he s ou nd . D e fa ul t Tra ck Color C ho ose a def ault t r ack c olor . (T he def ault i[...]

Mi x cra ft 6 Us e r Ma n ua l 17 0 © 20 12 A c ous ti c a, In c T he def au lt c opyrigh t notic e will be f i lled int o each ne w pr ojec t ' s au t ho r inf or mati on . Te m po T he def au lt t empo . (D ef au lt is 120 bpm . ) K e y T he def au lt k ey . (D ef ault is C ) Ti m e S i gna ture T he def au lt t ime s igna t ur e. (D ef aul[...]

M ix c ra f t R efer en c e - P re f er enc es 17 1 © 20 12 A c ous ti c a, In c R e cording F orm a t C ho ose f ro m uncompr ess ed W A V or c ompr e s s ed OGG. OGG allows y ou t o s av e dis k s pa c e on y our ha r d dr iv es , if au dio qu ality do es not hav e t o be pe rf ect . I f y ou c ho ose OGG , y ou w ill be able t o als o c ho ose [...]

Mi x cra ft 6 Us e r Ma n ua l 17 2 © 20 12 A c ous ti c a, In c D e fa ul t M I D I Se tt i ngs T his butt on will re v er t t his pag e back t o t he de f ault s ett ings. CD Burning B urni ng E ngi ne C ho ose be twee n P rimo , Gold en ha w k or IMAP I . Primo is t he def au lt an d re c ommend ed CD bur nin g eng i ne . It will bu r n aud io [...]

M ix c ra f t R efer en c e - P re f er enc es 17 3 © 20 12 A c ous ti c a, In c C lic k t his bu t t on t o ad d, edit or de lete f older s t hat t he s of t wa re will s c an f or V S T plug- i ns. R e -Sca n All V S T P l ug-Ins Sc an s y our V S T f older s fo r ne w plug- i ns. A utoma tica l l y a dd a l l i n s tr um e nt ou t put tra cks f[...]

Mi x cra ft 6 Us e r Ma n ua l 17 4 © 20 12 A c ous ti c a, In c f or ea s ily re o rg aniz ing y our pro ject files, or f or c ollabo rating with other s . For ex ample, y ou c an quic k ly z ip up y ou r pr ojec t , inc ludin g all inc lude d loop s , v i de os and record ed s ou nd s , an d e- mail it t o an othe r pe r s on . Mi x Dow n To T h[...]

M ix c ra f t R efer en c e - M enu s & Too lb ar 17 5 © 20 12 A c ous ti c a, In c s pa nn ed m ult iple t ra c k s . C rop (C t rl+ Q) T his i s t he op po s it e of c ut. Cr opp ing s omething will k eep wha t i s s elec t ed an d dis c ar d ev er y t hing els e on t he s ele c t ed c li ps. D e l e te (D elete) T his will remo v e any s ou[...]

Mi x cra ft 6 Us e r Ma n ua l 17 6 © 20 12 A c ous ti c a, In c R e w i nd To Sta rt ( [ H ome]) T his s ets t he P lay b ac k I ndic ator t o t he be ginn i ng or s t ar t of t he pr oject . I f t he pr oje c t is play ing aud i o, it w ill r est art playback f rom t he s t art, as w ell. Fa s t Forw a rd T o E nd ([ End]) T his s ets t he P lay[...]

M ix c ra f t R efer en c e - M enu s & Too lb ar 17 7 © 20 12 A c ous ti c a, In c Trac k Men u A dd Tra ck T his app en ds a ne w aud io t rack . (C t r l+ G) or a ne w V irtual I nst rume nt T ra c k (C t rl+ E ) t o t he end of t he pr ojec t . I ns e rt Tra ck T his i nserts a ne w aud io t rack or a ne w V i rtua l I ns t ru ment T ra c [...]

Mi x cra ft 6 Us e r Ma n ua l 17 8 © 20 12 A c ous ti c a, In c Mute All Mutes all c l ips on t he c lic k ed lane . U nm ute All U nmutes all c lips on t he c li c k ed lane . Se l e ct All Selec t all c li ps on t he c l ic k ed l an e. A rm For Re cording Arms t he s elec t ed t ra c k . Moni tor Al low s y ou t o hea r y our li v e r ecord in[...]

M ix c ra f t R efer en c e - M enu s & Too lb ar 17 9 © 20 12 A c ous ti c a, In c Prop e rt i e s T his i s a s ub m en u with pr op erties . Mute Mutes or un mutes t he s elec t ed s ou nd . C ha nne l s Al low s y ou t o c ho ose t he ac t iv e/aud i ble c han ne l f or an au dio c lip. ** Audio c l ips on ly . Ph a s e C ho ose t he pha s[...]

Mi x cra ft 6 Us e r Ma n ua l 18 0 © 20 12 A c ous ti c a, In c Lin k S elect ed Clips U nlink S elec t ed Clips I f a c l ip i s li nked, it will hav e a l ink bu tt on on it s t it le ba r : C lic k it t o ea s ily un link a li nked c l ip. Sp l i t (C t rl+ T) T his will s plit an y s elect ed s oun ds at t he t ime of f s et wh er e t he c ar[...]

M ix c ra f t R efer en c e - M enu s & Too lb ar 18 1 © 20 12 A c ous ti c a, In c C ho ose t he c olor of t he ba c k gro und w he n t he re are n' t an y v i de o or i mage c lips . Sh ow / Hide V i de o W i nd ow T his will s ho w or hide t he v ide o play ba c k wind ow. Se t Pre vi e w W i ndow S i z e C ho ose f ro m s t and ar d v[...]

Mi x cra ft 6 Us e r Ma n ua l 18 2 © 20 12 A c ous ti c a, In c Z ooms in or out s o t ha t t he en ti re pro ject i s v i s ible on t he s c r ee n. He lp Men u H e l p Cont e n t s . . . Bring s up t he he lp f ile. C he ck For U pda te . . . C he c k s t he I nter ne t t o s ee if t he r e is a new er or upd ated v er s ion of t his s of t wa [...]

M ix c ra f t R efer en c e - M enu s & Too lb ar 18 3 © 20 12 A c ous ti c a, In c Z oom in f or a c los er v iew. Z o om Out Z oom ou t t o v i ew m or e t ime. Pre fe re nce s Bring s up t he P r ef er enc e dialo g. B uy or Re gi s te r M i x cra ft Purchase Mi x c ra f t and en ter y our reg is t ra ti on inf or mati on . M or e on pu r c[...]

Mi x cra ft 6 Us e r Ma n ua l 18 4 © 20 12 A c ous ti c a, In c C T R L + arr ow ke y s m ov es +/ - 20 m i l l i s ec onds. C tr l + Sh i f t + arr ow k eys m ov e + /- 1 m i l li s ec ond . U p/dow n arr ow ke y s m ov e the s el ected c l i ps to a di f f er ent trac k. Movi ng the Ca re t If s n ap is on , t he ca r e t w ill m o ve at t h e [...]

M ix c ra f t R efer en c e - K ey b oar d Co nt ro ls 185 © 20 12 A c ous ti c a, In c Snap A dj ust m ent s (T he s e s hor t c uts will not wo r k pr op er ly if t he M usi c al T y ping Key boa r d is v is ible. T he k ey s t ro k es m ay be us ed by t he M us ic al T y ping K ey bo ar d. ) Of f ~ Me a s ure 1 1/2 Not e s 2 1/4t h N ote s 3 1/[...]

Mi x cra ft 6 Us e r Ma n ua l 18 6 © 20 12 A c ous ti c a, In c Move N ote But Ke e p Of f s e t Sh i ft + Dra g Sele c t i ng C l i ps Se l e ct All C tr l + A Se l e ct All On Tra ck C tr l + S hi ft + A Se l e ct All On La ne C tr l + S hi ft + Alt+A Se l e ct Ne x t Cli p Ta b Se l e ct P re vious Cli p Sh i ft + Ta b U ns e l e ct All E s c [...]

M ix c ra f t R efer en c e - K ey b oar d Co nt ro ls 187 © 20 12 A c ous ti c a, In c Zo om i ng/Scro l li ng Z o om To P roj e ct 0 Z o om I n - Z o om Out + Z o om Mous e w he e l Scrol l Horiz onta l Sh i ft + M ous e w he e l Scrol l V e rt i ca l C tr l + Mous e w he e l Scrol l Tra ck s U p Pa g e U p Scrol l Tra ck s D ow n Pa g e D ow n [...]

Mi x cra ft 6 Us e r Ma n ua l 18 8 © 20 12 A c ous ti c a, In c B oos t Cli p 5% A l t+Ct rl + W R e duce Cli p 5% A l t+Ct rl + S B oos t Cli p 25% A l t+Ct rl + E R e duce Cli p 25% A l t+Ct rl + D B oos t Cli p 50% A l t+Ct rl + R R e duce Cli p 50% A l t+Ct rl + F Mus ical Typing K eyboard (MTK) I f y ou do no t hav e a M I DI k ey boa rd att[...]

M ix c ra f t R efer en c e - M us ic al Typ ing K ey b oa rd (M TK ) 189 © 20 12 A c ous ti c a, In c K e yboa rd s ho rt cut : Ctrl + A lt + K Pl aying A nd Rec o r di ng N o te s T he M T K s pa n s 17 no t es or 1.5 oct av es wh ic h c an be play ed v ia t he c ompu ter' s k eyboa r d. Mak e s ur e t o add a V irtual I nst rumen t T ra c [...]

Mi x cra ft 6 Us e r Ma n ua l 19 0 © 20 12 A c ous ti c a, In c I -B e a m T his c ur s or s ho w s t ha t a s elec t ion c an be made on a s oun d. Pe n cil T his c ur s or s ho w s t ha t y ou c an dr aw new notes or c on troller data. Pl a y S ound T his c ur s or s ho w s t ha t y ou c an play a s oun d in t he s ou nd l ibr ar y . R e -s i z[...]

M ix c ra f t R efer en c e - Cu rsor s 191 © 20 12 A c ous ti c a, In c Troubleshoot ing H er e ar e s ome answer s t o c ommon pro blems and i s s ues. Playing C a n't P lay Sou nd You' v e ad de d s oun ds, but y ou c an' t play an y t hing . . . T her e ar e a f ew t hing s y ou c an c he c k . 1. A re t he s pe aker s on an d p[...]

Mi x cra ft 6 Us e r Ma n ua l 19 2 © 20 12 A c ous ti c a, In c T his will rep ort how muc h C PU M ix c ra ft is us ing c ompa red t o t he en ti re c ompu ter' s CPU us ag e. So und I s De laye d O r Laggi ng (Lat enc y) T he opp osit e pr ob l em of s ou nd bre aking up or ga pp i ng is t hat t he s oun d will be de layed and hav e a late[...]

Tro u b les ho oting - P lay ing 193 © 20 12 A c ous ti c a, In c mos t lik ely . C lic k on t he s ou nd and t he n c li c k on t he S ou nd t ab an d adju s t t he s oun d t o be in Tim e St retc h B y m od e ins t ead of A djus t To P ro jec t Tempo . W he n a s oun d play s ba c k at a dif f er ent s pe ed , i t c an s oun d od d if it 's[...]

Mi x cra ft 6 Us e r Ma n ua l 19 4 © 20 12 A c ous ti c a, In c Adjus t t he s oun d manu ally U pd ate y ou r s ou nd c ar d' s dr iv ers if po s s ible. C he c k t he s oun d c ar d' s we bsi t e. Ge t a new s oun d dev ic e. Get a more pro f es s iona l s oun d c ar d desi gn ed fo r r ecord ing m us ic , if po s s ible. T ry s witc [...]

Tro u b les ho oting - Re c or din g 195 © 20 12 A c ous ti c a, In c M y rec or di ng s a r e t o o l o ud and a re distor t i ng! W hat d o I d o ? D is t ortion c an ru in a go od record i ng , an d t he w or s t pa r t is , once y ou' v e r ecord ed dis t orted au dio , t he r e' s no wa y t o f ix it . If y ou r met er s ar e lighti[...]

Mi x cra ft 6 Us e r Ma n ua l 19 6 © 20 12 A c ous ti c a, In c I f t he v ideo fa i ls t o load , i t is becaus e y ou ar e mos t li k ely m is s i ng t he c or r ect Dir ect X v ide o c ode c . T he best adv ic e is t o do one of t he fo l low ing : I ns t all t he s of t wa r e t hat c ame wit h y our v ide o c amera . It may als o hav e c ome[...]

Tro u b les ho oting - E f f ec t s & P lug- i ns 19 7 © 20 12 A c ous ti c a, In c H ow ev er , if y ou ' d lik e t o hea r t he ef f ec t s dur i ng record i ng , y ou ' ll nee d t o dis able t he s ou nd de v ic e' s monitor ing an d us e M ix c r af t ' s monitorin g s y s t em. For ex ample, if y ou ar e mak ing a w ei[...]

Mi x cra ft 6 Us e r Ma n ua l 19 8 © 20 12 A c ous ti c a, In c Shut dow n other pro gra ms and t empor arily s hut do w n y our v iru s c heck er dur i ng a bu rn . ( S hu tt i ng do w n y our v iru s c heck er s hou ld be don e at y our own ris k . M ak e s ure y ou ar e no t c on ne c t ed t o t he I nt er ne t and ha v e don e a fu l l v i ru[...]

Tro u b les ho oting - V ideo 199 © 20 12 A c ous ti c a, In c V ideo V i deo Pl ayba c k Pr o bl e m s I f af t er l oa din g y our v ideo , M ix c ra ft do es one of t he fo l low ing : Mix c ra f t c rashes wit h an er r or wind ow Mix c ra f t f r ee z es and s t ops re s pon ding Mix c ra f t 's CPU us ag e go es way up t o abo v e 60% o[...]

Mi x cra ft 6 Us e r Ma n ua l 20 0 © 20 12 A c ous ti c a, In c Mak e s ure t hat y ou are c on ne c t ed t o t he I nt er n et. T ry l au nching y our I nter ne t bro w s er and go ing t o a new s ar t i c le or web s it e t hat y ou hav en ' t bee n t o. (T his v er i f ies t hat y ou ar en ' t v iew ing c ac he d c ontent. ) Mak e s [...]

Tro u b les ho oting - Co ntro l S ur f ac es 201 © 20 12 A c ous ti c a, In c M i xcra ft rec o gni zes som e knob s or butt o ns on m y control l er, bu t wo n't r es po nd to othe r kn ob s or butt on s. Mix c ra f t 's c ontrols c an be s et t o respon d t o M I DI Co ntinuo us Co ntro ller (C C) m ess ag e, or s pe c if ic no tes on[...]

Mi x cra ft 6 Us e r Ma n ua l 20 2 © 20 12 A c ous ti c a, In c M ixcraft Pro St udio M i x cra f t Pro Stud i o 6 gi v e s prof e ss i o nal a udi o e ngi ne e rs the tool s the y ne e d to mi x a nd ma ste r c omme rcial - q ual i ty musi c w i th ease . M i x cr aft Pro S tudi o 6 e x p ands M i x cr aft 6 's al re ady- pow e rf ul tool s[...]

M ix c ra f t Pro S t ud io - E f f ec t s 20 3 © 20 12 A c ous ti c a, In c Eff ect s I n ad dition t o t he 25 ef f ect s inc lude d with Mix c ra f t , Mi x c raf t P ro S t ud io als o inc lude s t he s e pr of ess iona l au dio an d mas t er ing ef f ec t s : A coustica 3 1 Ba n d EQ Perh ap s no ef f ec t is m or e im po r t an t fo r pr ope[...]

Mi x cra ft 6 Us e r Ma n ua l 20 4 © 20 12 A c ous ti c a, In c T his i ntense de lay ef fe c t go es f ar beyond t he lim it s of t ra diti on al dela y s . Du bmast er c ombine s t empo -s y nc ed rh y t hmic l iqu id delay with po w er fu l LFO- driv en f ilt erin g and pha s e ef f ect s t o add atmos phe r e and a un iqu e s oun d t o y ou r[...]

M ix c ra f t Pro S t ud io - E f f ec t s 20 5 © 20 12 A c ous ti c a, In c T his pow erf ul m ast erin g t ools add s s we et high f re qu en c ies , an alo g c olor s , c ry s t al an d t ra nspar ent t ra ns ients , and bo ldn ess t o any m ix . FS Q19 64 ad d s li f e an d s par k le t o ev en t he m ost basi c t ra c k s , s o t hey pop ou t[...]

Mi x cra ft 6 Us e r Ma n ua l 20 6 © 20 12 A c ous ti c a, In c Perh ap s no c ompa ny i s be t t er k no w n f or c rea t i ng pr of es s i on al m ast erin g t oo ls t han iZ otope . F r om t he m ak er s of Oz on e, t he pr emi er e mas t er ing s uit e, c omes iZ otope M as t er i ng E s s en t ials . Mas t er ing Es s entials c ombines a gr [...]

M ix c ra f t Pro S t ud io - E f f ec t s 20 7 © 20 12 A c ous ti c a, In c Giv e y ou r t ra c k s 3D s pace, de pth, width, and atmos phe r e with t his po w er f ul s t er eo enh a ncer. H ar m on ic V it alis er + fe at ur es br an d ne w t echno log y f or v it aliz ing, c olor ing, c ontro lling, adju s t ing and w ide ning s t er eo m ater[...]

Mi x cra ft 6 Us e r Ma n ua l 20 8 © 20 12 A c ous ti c a, In c T her e ' s s omething ab ou t t he s ou nd of t ape -- and F er ox c aptur es t hat " s omet hing . " T he un ique s ou nd of au then t ic t ape his s , s atura ti on , an d c ompr ess ion giv es pe r s on alit y an d c l ass ic t one t o y our t ra c k s . T ry i t o[...]

M ix c ra f t Pro S t ud io - E f f ec t s 20 9 © 20 12 A c ous ti c a, In c T he k ey t o a goo d mi x is pro pe r EQing, and t his gra ph i c par ametric equ aliz er i s one s er i ou s ly po w er f ul equ aliz ati on t ool. W i t h a gor ge ous interf ac e, 6 c olor - c od ed ba nd s , 6 f ilt er t y pe s , s pect rum an alys is , and t he abil[...]

Mi x cra ft 6 Us e r Ma n ua l 21 0 © 20 12 A c ous ti c a, In c Adds s ub t le ana log w ar m t h or f i er c e ov er driv en t ub e gr i t t o y our t rack s . T his v int ag e t ube pre a mp ad ds 196 0' s c har m an d c har act er t o v oc als , guitar, dr ums , an d more . XB as s 40 00 L Ba ss Enha nce r X Bas s 400 0L ad d s t he wa rm[...]

M ix c ra f t Pro S t ud io - I ns t ru ments 21 1 © 20 12 A c ous ti c a, In c An inc re dib ly re alis t ic emula t ion of t he Y amaha CS80™ ana l og s y nt he s iz er, amon g t he mos t po w er f ul and c ov eted an alog s y nthes iz er s ev er m ad e. T his amazi ng recrea t i on s up po r t s po ly pho nic af t er t ouch (ju s t li k e t h[...]

Mi x cra ft 6 Us e r Ma n ua l 21 2 © 20 12 A c ous ti c a, In c T his high qu alit y , aw ar d- w innin g gr an d pian o f eature s 25 0MB of S t einw ay Mode l D™ pian o s amples c ombine d with po w er f ul piano m od eling t ec hno log y .[...]

M ix c ra f t Pro S t ud io - I ns t ru ments 21 3 © 20 12 A c ous ti c a, In c Glos sar y A SI O AS I O pro v ides an int er f ac e betwe en y ou r au dio ap plic ation and t he s ou nd c ar d, an d s t and s f or: A ud io St rea m I npu t / Outpu t . I t wa s de v elop ed by S t einb er g Media T ec hno log ies and he lps manu fa c t ur ers and [...]

Mi x cra ft 6 Us e r Ma n ua l 21 4 © 20 12 A c ous ti c a, In c T he deci be l (d B ) i s a l og ar i t hmic unit of re lati v e measur emen t us ed t o c ompa r e t he ra t i o of t he int en s it ies of t w o s i gn als. W hen an amplit ude dou bles, t he inc re ase c or r espon ds t o 6 dB. D e code r An algo r it hm or pro c ess f or t ak ing[...]

Gloss ar y - 21 5 © 20 12 A c ous ti c a, In c Me tronom e A m etron ome is a de v ic e or s y s t em t hat pr od uces a reg ulat ed puls e, us ua lly used t o k ee p a bea t s t ead y in m usi c al c ompo s it i on s . MI DI MI D I is an ac ro nym f or Mus ic al In s t ru m en t D igit al In t erf ace an d is t he wa y t hat ph y s i c al an d v [...]

Mi x cra ft 6 Us e r Ma n ua l 21 6 © 20 12 A c ous ti c a, In c t o be c onf used with byt es ). Co mm on ex amples of bit dep th inc lude CD aud io, which is record ed at 16 bits , an d DVD -Aud io wh ic h c an s upp ort up t o 24- bit aud i o. Sa m pl e Cha nne l s Sample c ha nn els des c rib es t he numbe r of c ha nn els c on t ain ed in eac[...]

Gloss ar y - 21 7 © 20 12 A c ous ti c a, In c Vi rtua l S t ud io T ec hn olog y an d it s ac ro nym V S T ref er t o an i nter f ac e s t an d ar d f or c onn ect i ng aud io s y nt he s iz er an d ef f ect plug ins t o aud io editor s and har d- dis k record i ng s y s t ems . VS T and s imi lar t echno log ies allow t he re pla c emen t of t r[...]

Mi x cra ft 6 Us e r Ma n ua l 21 8 © 20 12 A c ous ti c a, In c CH ANGE LI ST Ve rs i on 6 Cha nge s N ew i nter f ac e & ar t w or k Ov er 6, 00 0 loop s in v er s ion 6! ! ! Major i mpr ov eme nts t o MI D I editi ng , pia no roll Submix t rack s f or gr ou ping t ra c k s t oge t he r Mult iple lane s f or t ra c k s ( inc ludin g mult ipl[...]

C ha ng e Lis t - 219 © 20 12 A c ous ti c a, In c N ew A LT dra g t o m ake a quic k c opy of a c li p N ew + 1 loop er bu t t on on c lips I m pr ov ed s upp or t f or fa ult y V S T s Lo w er CPU us ag e Bet t er har d dr iv e util iz at ion R ecord dire c t ly t o OGG m od e. Ve rs i on 4.5 Cha nge s Supp or t fo r s av ing pr oje c t s t o M [...]

Mi x cra ft 6 Us e r Ma n ua l 22 0 © 20 12 A c ous ti c a, In c About A cous t ica Ac ou s t ic a wa s f oun de d in 19 9 8 and i s loc ated in t he f oothills of t he Yos emit e Valley . A c oust i c a' s mis s ion is t o c rea te high qua lit y , intuit iv e and pow erf ul s of twar e. W e v alue diligen c e, c rea ti v it y an d inn ov at[...]

Fou nd ed i n 199 8 an d loc ated i n t he f oothills of t he Yos emit e V alley, Ac ou s t ic a’s m is s ion is t o c rea t e high qua lit y , intuit iv e, and pow erf ul s of t wa r e at af f or dab le pric es. A t A c oust i c a, t he c us t omer c omes fir s t ![...]