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Casio CTK900 manuale d’uso - BKManuals

Casio CTK900 manuale d’uso

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Un buon manuale d’uso

Le regole impongono al rivenditore l'obbligo di fornire all'acquirente, insieme alle merci, il manuale d’uso Casio CTK900. La mancanza del manuale d’uso o le informazioni errate fornite al consumatore sono la base di una denuncia in caso di inosservanza del dispositivo con il contratto. Secondo la legge, l’inclusione del manuale d’uso in una forma diversa da quella cartacea è permessa, che viene spesso utilizzato recentemente, includendo una forma grafica o elettronica Casio CTK900 o video didattici per gli utenti. La condizione è il suo carattere leggibile e comprensibile.

Che cosa è il manuale d’uso?

La parola deriva dal latino "instructio", cioè organizzare. Così, il manuale d’uso Casio CTK900 descrive le fasi del procedimento. Lo scopo del manuale d’uso è istruire, facilitare lo avviamento, l'uso di attrezzature o l’esecuzione di determinate azioni. Il manuale è una raccolta di informazioni sull'oggetto/servizio, un suggerimento.

Purtroppo, pochi utenti prendono il tempo di leggere il manuale d’uso, e un buono manuale non solo permette di conoscere una serie di funzionalità aggiuntive del dispositivo acquistato, ma anche evitare la maggioranza dei guasti.

Quindi cosa dovrebbe contenere il manuale perfetto?

Innanzitutto, il manuale d’uso Casio CTK900 dovrebbe contenere:
- informazioni sui dati tecnici del dispositivo Casio CTK900
- nome del fabbricante e anno di fabbricazione Casio CTK900
- istruzioni per l'uso, la regolazione e la manutenzione delle attrezzature Casio CTK900
- segnaletica di sicurezza e certificati che confermano la conformità con le norme pertinenti

Perché non leggiamo i manuali d’uso?

Generalmente questo è dovuto alla mancanza di tempo e certezza per quanto riguarda la funzionalità specifica delle attrezzature acquistate. Purtroppo, la connessione e l’avvio Casio CTK900 non sono sufficienti. Questo manuale contiene una serie di linee guida per funzionalità specifiche, la sicurezza, metodi di manutenzione (anche i mezzi che dovrebbero essere usati), eventuali difetti Casio CTK900 e modi per risolvere i problemi più comuni durante l'uso. Infine, il manuale contiene le coordinate del servizio Casio in assenza dell'efficacia delle soluzioni proposte. Attualmente, i manuali d’uso sotto forma di animazioni interessanti e video didattici che sono migliori che la brochure suscitano un interesse considerevole. Questo tipo di manuale permette all'utente di visualizzare tutto il video didattico senza saltare le specifiche e complicate descrizioni tecniche Casio CTK900, come nel caso della versione cartacea.

Perché leggere il manuale d’uso?

Prima di tutto, contiene la risposta sulla struttura, le possibilità del dispositivo Casio CTK900, l'uso di vari accessori ed una serie di informazioni per sfruttare totalmente tutte le caratteristiche e servizi.

Dopo l'acquisto di successo di attrezzature/dispositivo, prendere un momento per familiarizzare con tutte le parti del manuale d'uso Casio CTK900. Attualmente, sono preparati con cura e tradotti per essere comprensibili non solo per gli utenti, ma per svolgere la loro funzione di base di informazioni e di aiuto.

Sommario del manuale d’uso

  • Pagina 1

    CTK900-ES-1[...]

  • Pagina 2

    CASIO Europe GmbH Bornbarch 10, 22848 Norderstedt, Germany Important! Please note the following i mportant information before using this product. • Before us ing the op tional AD-5 Adapto r to power the unit, be sure to c heck the AC Adaptor for any d amage first. Carefull y check t he powe r cord for br eakage , cuts, expo sed wire and other se [...]

  • Pagina 3

    Safety Precautions E-1 Safety Pr e cautio ns Congratulations on your selection of the CASIO electronic musi cal instru ment. • Before using the instrument, b e sure to caref ully read through the ins truction s contai ned in this manual. • Plea se keep all in formatio n for future re ference . Sym bols Various symbols are used in t his user’s[...]

  • Pagina 4

    Safety Precaution s E-2 ● Never touch the AC adaptor while your hands are wet. Doing so crea tes the ri sk of electr i c shock. ● Use the A C adaptor where i t will not be spl ashe d wi th w ate r. Wa ter c rea tes the r isk of fire and electric sh ock. ● Do not pla ce a vase or any oth er contai ner filled w ith li q uid on to p of t he AC a[...]

  • Pagina 5

    E-3 Safety Precauti ons AC Adaptor ● Misuse of t he AC adaptor creates t he risk of fire and electric shock. A l ways make sure you observe the following precautions. • Do not locat e the elect r ic co r d near a stove or other sou rces of hea t. • Never pull on the cord when unplugging from the electrical o utlet. Always grasp the AC adaptor[...]

  • Pagina 6

    Safety Precaution s E-4 * Stand is available as an option. When usi ng batteries, be sure to replace them or shift to one of the alt e rnat e power sourc es whenev er you notice any o f the following symptoms. • Dim power indica tor • Instrumen t does not turn on • Display t hat is flickerin g, dim, or di fficult to re ad • Abnormally low s[...]

  • Pagina 7

    Introduction E-5 Introduc tion Congr atula tions u pon you r selec tion of thi s CAS IO musica l instrum ent. T his keyb oard pro vides you with the follo wing feat ures and f unctions. J J J J 550 Tones Include Rich Advanced Tones A total o f 332 Advanc ed Tones are programmed wi th DSP tone s to make th em richer and mo re powerful . Advanced ton[...]

  • Pagina 8

    Introd uction E-6 J J J J Powerf ul effects A colle ction of p owerf ul effects , such as DSP, rev erb, choru s, and more, g ive you to tal co ntrol o ver the type of sou nd you want . Y ou can even change the parameters o f an effe ct to crea te your own, original ef fects . A 4-band equalizer i s also included. J J J J Mixer You can specif y tone[...]

  • Pagina 9

    Contents E-7 Safety Precautions ......... E-1 Introductio n ......... ........... E-5 General Guide...... ........... E-9 Attaching t he Scor e stand .......... ......... E-10 Playing a Demo Tune .......... ................ E-11 Power Supply ...... ......... E-12 Using ba tteries .............. ............. ......... E-12 Using the AC Adapto r ...[...]

  • Pagina 10

    Contents E-8 Synthesizer Mode ......... E-40 Synthes izer Mode Functions ...... ......... E-40 Creating a User Tone .... ............. ......... E-43 Storin g a User Tone I n Memory . ......... E-45 Registration Memo ry ... E-46 Registrati on Memory Fe atures ... ......... E-46 To Sav e a Setup in Regist ration Memory ...... ................... ...[...]

  • Pagina 11

    General Guide E-9 General Gui de * 1 * 2 707A-E-011A[...]

  • Pagina 12

    General Guide E-10 1 POWER button 2 Power i ndicator 3 SONG MEMORY button 4 SYNTH button 5 TRANSPOSE/FUNCTION b u tton 6 MIXER butt o n 7 EFFECT button 8 SMF PLAYER butt on 9 MAIN VOLUME knob b k MODE button bl ONE TOUCH PRESET button b m ACCOMP VOLUME bu tton b n DATA ACCESS indicator b o RHYTHM button b p TONE button b q DRAWB AR ORGAN but ton br[...]

  • Pagina 13

    E-11 General Guide J Attachin g the Score stand ( * 1) Insert the score stand into the s lot at th e top of the keyboard as sho wn in the i l lustr ation. 707A-E-013A[...]

  • Pagina 14

    General Guide E-12 J Playing a Demo Tune ( * 3) P r e s s i n g t h e D E M O b u t t o n s t a r t s d e m o t u n e p l a y . T h e r e a r e 3 d e m o t u n e s , w h i c h c o n t i n u o u s l y p l a y i n s e q u e n c e . T o s t o p d e m o t u n e play, press e ither the DEMO button or the START/STOP button. • Press ing the [+] /[ – ][...]

  • Pagina 15

    Power Supply E-12 Power Supply This keyboa rd can be po w ered by current from a standa rd household wall outlet ( us ing the speci fied AC adaptor) or by batteries. Always make sure you turn th e keyboard off whenever you ar e not using it. Always make sure you turn off the keyboard before loading or r eplacing batter ies. 1. Remove the battery co[...]

  • Pagina 16

    E-13 Power Supply Make sur e that yo u use onl y the AC adaptor specified for thi s keyboard. Rear Panel 1 DC 9V jack 2 AC adaptor AD-5 3 AC outle t Note the fo llowing i mportant prec autions to a void damage to the pow er cord. ● During Use • Never pull on the cord with excessiv e force. • Never repeatedly pul l on the cord. • Never twist[...]

  • Pagina 17

    Power Supply E-14 • Be sure to press the POWER butt o n to tur n off power a nd make sure that the LCD backli ght is of f before disconnec ting the AC a daptor or do ing anyt hing else . • Never disconne ct the AC adaptor whi l e the ke y board is turned on or try to turn off power using a ny other techniqu e besides pres sing the POWE R button[...]

  • Pagina 18

    Connections E-15 Connections Before connec ting phones or other exter nal equipment, be sure to first turn down the volume setti ngs of the keyboard and the c onnected equipmen t. You can t hen adjust volume to the d esired le vel afte r conn ectio ns are com ple te. Rear Panel J Connect i ng Pho nes 1 Connecting phones cuts off output fr o m the k[...]

  • Pagina 19

    Basic Operations E-16 Basic Op erations This sec tion prov ides info rmatio n on perfo rming b asic keyboard operations. 1. Press the POWER butto n to turn the keyboard on. • Th is cause s the pow er ind icator to light. 2. Use the M AIN VOLUME kno b to set the volume to a rela tive ly low level . 3. Play so mething on t he keybo ard. This keyboa[...]

  • Pagina 20

    E-17 Basic Operati ons Drawb ar Orga n Tones : 50 P reset Ton es + 1 00 User Tones * 1 See “C hang ing Tone s and Confi guri ng D SP Eff ect Settings” on pa ge E-18. * 2 Memory ar ea for tones created by you. See “Synthes izer Mode ” on page E-40. User tone are as 700 through 799 init ially c ontain the same data a s DSP typ es 000 throu gh[...]

  • Pagina 21

    Basic Operati ons E-18 This keybo ard has only a singl e DSP sou nd source. Because of this, selecting tones for which D SP is enab led for m ultiple parts when l ayering or s plitting t ones (page E- 61, E-62) c a n cause con f licts . To avo i d c onflicts, DSP is alloca ted to the la st DSP e nabled tone, and DS P is d isabl ed (DSP line OFF) f [...]

  • Pagina 22

    Using the Drawbar Organ Mode E-19 Using the Draw bar Organ Mode Your keyboard has built-in “drawbar organ to nes” that c a n be alter ed using ni ne digital dr a wbars whose o perations are simila r t o th e co n tr o ls o n a d ra w ba r or ga n . Y o u ca n al so s e le c t p er c u ss io n or k ey c li c k. Th e re i s r o om i n m e m or y [...]

  • Pagina 23

    Using the Dr aw bar Organ Mode E-20 1. Find th e drawbar or gan tone you want to use in the tone lis t and note it s tone number. 2. Press the DRAWBAR O RGAN button . • This causes the drawbar o rgan tone sele ction sc r een to appear. 1 Tone Nu mber 2 Tone Na me 3. Use the n umber buttons to input the three d igit tone num ber for the tone you w[...]

  • Pagina 24

    E-21 Using the Drawbar Organ Mode The fol lowing prov ides de tails ab out th e param eter s you can configure u sing t he drawbar organ tone editing scree n. This pa ramete r defines the posit ion of each dra wbar, and the volume of each overt o ne. The larger the value, the greater the correspondi ng overtone’ s volume. (Ft: Feet) The pa ramet [...]

  • Pagina 25

    Using the Dr aw bar Organ Mode E-22 1. After edit ing parameters, u se the [ ] an d [ ] CURSOR buttons to display “ More? ” . 2. Press the [ ] CURSOR button three times to displa y the screen for inputting a to ne name and assign ing a tone numb er. 3. Use t he [ + ] and [ – ] but tons to sele ct a to ne numb er. • You can s elect a tone n [...]

  • Pagina 26

    Applying Effects to Tones E-23 Applying E ffec ts to Ton es This ke yboard pr ovides you with a se lection of e ffects that you can apply to tones. The built-i n effects include a wide variety of va r iati ons that give you acces s to a selection of general digital effects. The following shows how the effects of this keyboard are organiz ed. J DSP [...]

  • Pagina 27

    Applying Eff ects to Tones E-24 2. Press the [ ] CURSOR button. 3. Use the [+] and [ – ] buttons or the number bu ttons to sele ct the type of DSP y ou want. • See t he “Eff ec t Li st” on pa ge A -13 for i nfor mat ion about t he DSP types th at can be selected . • Here you could also change the parameters of the effect you s elected, if[...]

  • Pagina 28

    E-25 Applying Eff ects to Tones You can save up to 100 modified DSPs i n the user area f or lat er re call when yo u nee d them. • User DSP areas 100 through 1 99 initially c ontain t he same data as DSP types 000 t hrough 099. 1. After mak ing the DSP param e ter setti ngs you want, press the [ ] CURSOR button. • This causes the DSP number of [...]

  • Pagina 29

    Applying Eff ects to Tones E-26 You c a n co ntrol t he re lative stre ngt h of a reverb and ho w it is applied. See t he following section t itled “REVERB Parame ters” for m ore inform ation. 1. After sel ecting the reverb type you want, use the [ ] and [ ] CURSOR buttons to display the para meter whos e sett ing yo u wan t to ch ange. • Thi[...]

  • Pagina 30

    E-27 Applying Eff ects to Tones  Chorus L evel (Range: 000 to 127) Specifies the siz e of the chorus sound.  Chorus Ra te (Range: 000 to 127) Specifies the undulation speed of t he chorus sound. A higher val ue produces faster un dul ation.  Chorus Dept h (Range: 000 to 127) Specifies the undulation depth o f the chorus sound. A higher val[...]

  • Pagina 31

    Auto Accompaniment E-28 Auto Accom paniment This keyboard automatically plays bass and chord parts in accordance with the chords you finger. The bass and chord parts are played using sounds and tones that are automatically selected to select the rhythm you a re using. All of this m eans tha t you get full, re alisti c acco mpanim ents for the melod[...]

  • Pagina 32

    E-29 Auto Accompaniment This keyboard provides you wit h 160 exciting rhythms that you c an se lect usi ng th e foll owing proced ure. You can al so transfer acc ompani ment data from your computer and s tore up to 1 6 of them as us er rhythms in keyboard memory. See “Using the Music D ata Management Software (o n the Bundle d CD-ROM)” on page [...]

  • Pagina 33

    Auto Accompaniment E-30 The following pro cedure describes h ow to use the keyboard’ s Auto Accompaniment fea ture. Before starti ng, you should first select the rhythm you want to us e and set the tempo of the rhythm to the val u e you want. 1. Use the MO DE button to select FUL L RANGE CHORD, FINGERED, or CASIO CHORD as the accom paniment mode [...]

  • Pagina 34

    E-31 Auto Accompaniment • It makes no diff erence whet her you press bl ack or white keys to the righ t of a major chor d key when playing minor and seventh chords. FINGERED provid es you with a t o tal of 15 differ ent chord type s. The foll owin g descri bes the FINGE RED “accompaniment keyboard” and “melody keyboard”, and tells you how[...]

  • Pagina 35

    Auto Accompaniment E-32 Example : To play the chor d C major. Any of the f ingering s sh own in t he illus tration b elow will produce C major. • As with the FINGERED mode (pag e E-31), y ou can play the notes that form a chor d in any combinat ion ( 1 ). • When the lowes t note of a chor d is separated from its neighborin g note by six or more[...]

  • Pagina 36

    E-33 Auto Accompaniment You can set up the keyboard to start r hythm play at the same time you play the accompaniment on the keyboard. The following procedure describ es how to use synchro start. Before starti ng, you should first sel ect the rhyt hm you want to use, set the tempo, and use the MODE butto n to select the chor d pla y met hod you wa [...]

  • Pagina 37

    Auto Accompaniment E-34 One-touch preset a utomatica lly makes the mai n settings listed below i n accordanc e with the r hythm pattern you a re using. •K e y b o a r d t o n e •L a y e r o n / o f f •S p l i t o n / o f f • Auto Har monize on/ off • Auto Har monize ty pe • Accompanim ent volume l evel •T e m p o • Effect se ttings [...]

  • Pagina 38

    E-35 Auto Accompaniment Auto Harmonize lets you select f rom among the 10 Auto Harmonize types. Type changing is performed by the setting item using th e TRANSPOSE/FUNCTION button. See “Changing Other Settings” on page E-66 for more inform ation. The notes yo u play on the ke y board ar e called “ melody notes,” whi l e the no tes a dded to[...]

  • Pagina 39

    Mixer Function E-36 Mixer F unction This keyboard lets y ou play multiple different musi cal instrument par ts at the sam e time during a uto-accompanim ent play, song memo ry playba ck, receipt of data th rough the MIDI terminal, et c. The Mixer assigns each part to a separate channel (1 through 16) and lets you control the channel on/off, volume,[...]

  • Pagina 40

    E-37 Mixer Functi on 3. Press the [ ]/[ ] CURSOR butt ons to dis play the on/o ff selection screen. 4. Use th e [ + ]/[ – ] button s to s elect on or off. Example : To turn the c hannel off. • Press the [ ] CURSOR button to return to the chann el select ion screen . • Pre ssing the MIXER button returns to the Ton e Screen. • The MIDI dat a [...]

  • Pagina 41

    Mixer Functi on E-38 1. While Cha nnel 16 is selec ted, press the [ ] CURSOR button. • This select s the DSP channel. • Pressing the [ ] CUR SOR button while the DSP channel i s selected retu rns to Cha nnel 16. The following are the parameter s whose sett ings can be chan ged in t he Parameter Edit Mode. z Tone (R ange: 000 to 903 , Drawbar or[...]

  • Pagina 42

    E-39 Mixer Functi on z Chorus Sen d (Range: 000 to 127) This p arame ter con trols how mu ch chor us sen d is ap plied t o a part. A sett ing “000” tu rns chorus sen d off, whil e a setting of 127 applies maximu m chorus se nd. • “Chorus Send” does not work with drum soun ds. z DSP Line (Setti ngs: on, o FF) You can use thi s paramete r t[...]

  • Pagina 43

    Synthesizer Mode E-40 Synt hesiz er Mode The Sy nthesizer Mode of this key board pro vides t he tools fo r creating yo ur own origi nal tones. Simply s elect one of the buil t-in to nes a nd chang e its para me ters to create your own original sound . You can ev en store your sounds in m emory and select it using the same procedure as t ha t used t[...]

  • Pagina 44

    E-41 Synthesizer Mode J Tone Charac teristic Waveform z Tone Setti ng Specifies which of the preset tones should be used as the origi nal tone. J Volume Chara cteristic Pa rameters These parameter s cont rol how the t o ne ch a nges over time, from when the keyboard key is pressed until the tone decays. You can spe cify change s in volume and sound[...]

  • Pagina 45

    Synthesizer Mode E-42 The group of t one numbers from 700 throu gh 799 (User 00 1 through Us er 100) is called the “user area” be cause they are reserved for stora ge of user ton es. After you rec all a preset tone and change its paramete rs to create your own user tone, you can sto re it in the user area f or later reca ll. You can r ecall you[...]

  • Pagina 46

    E-43 Synthesizer Mode Use the fo llowing procedure to select a preset tone a nd chan ge its pa ramete rs to cr eate a us er tone. 1. First, s elect the preset tone you want to u se as a basis for your user tone . 2. Press the SYNTH b utton. • This enter s the Synth esizer Mode, whi ch is i ndicate d by the pointer next to SYNTH on the display scr[...]

  • Pagina 47

    Synthesizer Mode E-44 z Vibrato Delay (Ra nge: –64 to 00 t o +63) Specifies the amount of tim e before vibrat o starts. z Vibrato Ra te (Range: –6 4 to 00 to +63) Rate (spe ed) of the vibrat o effect z Vibrato De pth (Range: –64 to 00 to +63) Depth of the vibr ato effe ct z Octave Shift (Range: –2 to 0 to +2) Up/down octa ve shift z Level ([...]

  • Pagina 48

    E-45 Synthesizer Mode The foll owing hints pro vide he lpful advi ce on ma king use r tone creat ion a bit quicker and ea sier. Use a preset to ne th at is similar to the one you a re trying to create. Whenever you already have a rough idea of the tone you are trying to c reate, it is alwa ys a good idea to start with a p reset tone that i s simila[...]

  • Pagina 49

    Registration Memory E-46 Regi strat ion Memory Registration memory lets you store up to 32 keyboard setups (4 sets × 8 banks) f or instant recall w henever you need them. The fo llowing is a list of settings that are sa ved in re gistrat ion memory . •T o n e •R h y t h m •T e m p o •L a y e r o n / o f f •S p l i t o n / o f f • Split[...]

  • Pagina 50

    E-47 Registration Memory You can as sign setups in to one of 32 areas, which you can select usin g BANK b uttons 1 throu gh 4 and the four REGISTRATION buttons. Area name s range from 1-1 thro ugh 8- 4 as s hown be low . • Wheneve r you s ave a setup and assign it a s etup name, any setup dat a previously assigne d to that name is re placed with [...]

  • Pagina 51

    Registrati on Memory E-48 1. Use the BAN K butt on or the n umber buttons to select the bank. • If you d o not perfor m any operat ion for about five seconds afte r pressing the BANK butt on, the keyboard automat ically cl ears the registra tion memo ry reca ll screen. 2. Press the REG ISTRATION butt on (1 to 4) for the area whose setu p you want[...]

  • Pagina 52

    Song Memory Function E-49 Son g Mem ory Fu ncti on This keyboard lets you record up to five separate songs in song memory for later play back. There a re two methods you can use to record a s ong: real-time r ecording wher e you record th e notes as yo u play them on the keyboard, and step recording where you input chords and notes one-by-one. • [...]

  • Pagina 53

    Song Memory Function E-50 Use the SONG MEMORY TRACK buttons marked CHORD/ TR1 th rough TR 6 to select the t rack you wa nt. J SONG MEMORY TRACK Buttons 1 Track 1 2 Track 2 3 Track 3 4 Track 4 5 Track 5 6 Track 6 The status of t he Song Memory changes each ti me you press the SONG MEMORY butto n. With real-time recording, the notes you play on the k[...]

  • Pagina 54

    E-51 Song Memory Function 5. Play so mething on t he keybo ard. • You can als o record Auto Acco mpan iment c hords by select ing the applicable mode with the MODE button. • Op tiona l pedal op eratio n is als o record ed. Se e “Tr ack 1 Contents A fter Real-t ime Record ing”. 6. Press the START /STOP button to end recording when y ou are f[...]

  • Pagina 55

    Song Memory Function E-52 J To start Auto Accompaniment p a rt way i nto a recording In place of step 4 , press the SYNCHRO/FILL-IN NEXT button and t hen play something on t he melody keyboard to star t rec ordi ng wi thou t Auto Acco mpa nime nt. W hen you reach t he point w here you w ant acco mpanim ent to star t, play a chord on the accompanim [...]

  • Pagina 56

    E-53 Song Memory Function 1. Press th e SONG MEMO RY button thre e times to enter ste p recording stan dby, and then us e the number b u ttons to sel ect the s ong numbe r (0 to 4). 1 Flash 2. Make t he following s ettings. • Rhythm numbe r •M O D E b u t t o n 3. Press the CH ORD/TR1 b utton, which is one of th e SONG ME MORY TRACK butto ns, t[...]

  • Pagina 57

    Song Memory Function E-54 When the acc ompaniment mode is set to NORMAL during step recording, you can specif y chords using a method that is different fro m CASIO CHORD and FINGER ED fingerin gs. This ch ord specif icatio n meth od can be used to inpu t 18 different chord types using only two keyboard keys, so chords c an be spec ified even if you[...]

  • Pagina 58

    E-55 Song Memory Function Exampl e 2: To inp ut Gm/C , hold do wn C and G on the root input keyboard and press the m key on the chord type input keyboard. During step rec ording, the number buttons are us ed to specify the length of each no te. J Note lengths Use num ber buttons [1] t hrough [6] t o specify who le notes ( ) , half no tes ( ), quart[...]

  • Pagina 59

    Song Memory Function E-56 Track 1 of the keyboard’s son g memory records Auto Acco mpanime nt and keybo ard pla y. In ad ditio n, ther e are five other m elody tracks that you c a n use to record mel ody part s only. You can re cord differ ent tones to the melo dy tracks and build a full ensem ble of instr uments for your recordings. The procedur[...]

  • Pagina 60

    E-57 Song Memory Function 3. Specify a tone number. • Pressing a TONE button or the DRAWBAR O RGAN button di splays the tone number and name on th e display. You c an then use th e number buttons, o r the [ + ] (increa se) and [–] (decre ase) buttons t o change the tone . • After changing the tone number, pr ess any keyboard key to clear the [...]

  • Pagina 61

    Song Memory Function E-58 2. Monit oring the data on the d isplay, use th e [ ] and [ ] CURSOR buttons to move the input point to the data you wa nt to cha nge. Example : To re- record all note data f ollow ing t he note A3 located at Measure 12 0, Beat 1, Clock 0. 3. Press the [ ] CURSOR button. 4. Press the YES b utton. • This dele tes all d at[...]

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    E-59 Song Memory Function 4. Use the [ ] and [ ] CURSOR buttons to move to the l ocation in trac k where the n ote or para m eter you want to change is lo cated. Note e diting example 1 Veloc ity 2 Pitc h 5. Make a ny changes in the va lue that y ou want. • The actual procedures you use to chan ge a parameter depend on the type of data it contain[...]

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    Song Memory Function E-60 • You can onl y change to ne numbers that were origi nally set for Tracks 2 through 6 using step record ing. J To change a rhythm numbe r Use the number buttons or [ + ] and [–] buttons t o change a rhythm number . • In the cas e of real-time rec ording , you later can chan ge rhythm numbers you specified while recor[...]

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    E-61 Song Memory Function You can use a pr ocedure called “Panel Record” to change the initial M ixer, tem po and ot her settings st ored in the song header. 1. Press the SO NG MEMORY button on ce to ente r playba ck standby . 2. Use th e [ + ] and [ – ] buttons to s elect the number o f the son g that contains t he header data yo u want to r[...]

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    Keyboard Settings E-61 Keyboard Set tings Up to four pa rts (numbered 1 through 4) c a n be used simultaneously duri ng keyboard play. Thes e parts c an be used by the layer and split funct i ons explai ned below. Layer lets you assi gn two dif ferent tones (a mai n tone an d a layered tone) to the keyboard, bo th of which play whenever you press a[...]

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    Keyboard Settings E-62 5. Press the LAYER button ag ain to unl a yer the tones and retur n the keyboard to normal. • Turning on layering switches t he currently select ed part from Part 1 to Pa rt 2, and di splays the la yered tone . At tha t time, you can u se the [ ] an d [ ] CURSOR buttons to swit ch betw een p arts. Turnin g off l ayeri ng re[...]

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    E-63 Keyboard Settings • Turning o n split switches the currently se lected part to Part 3, and displays t he spl it tone. At tha t time, you can use t he [ ] and [ ] CURSOR butto ns to swit c h betwe en parts. Turni ng off spli t returns to Part 1. • The ma in tone sounds over Ch annel 1, whil e the split tone sounds ov er Channel 3. You c an [...]

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    Keyboard Settings E-64 Transpose lets yo u raise and lower the overall key of the keyboard in semitone uni ts. If you want to play an accom panime nt for a voca list who sings in a key that ’s different fro m the keyboard , for example, simpl y use transpose to change the key of the keyboard. 1. Press the TRANSPOSE/F U NCTION butt on. • Th is c[...]

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    E-65 Keyboard Settings The tuning f eature l ets you fine tune the keyboard to match the tuni ng of ano ther musi cal instrument . 1. Press the TRANSPOSE/F U NCTION butt on. 2. Use the [ ] and [ ] CURSOR buttons to display the t uning sc reen. 3. Use [+] an d [ – ] to cha nge the tunin g setting of the keybo ard. Example : To lower the tuning by [...]

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    Keyboard Settings E-66 The tabl e below shows t he parameters whose settings yo u can change. • The above set t ings are all s aved whenever y ou turn off the keyboard. F or details, se e “ Memory Conten ts ” on page E-1 4. • MIDI setti ngs and Delete/Init ialize set tings are disabled while y ou are using th e SMF Player or Song Memo ry fu[...]

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    E-67 Keyboard Settings 1. Press the TRANSPOSE/F U NCTION butt on. • This causes a pointer to appear on the display next to TRANSPOSE/FUNCTION. 2. Use the [ ] and [ ] CURSOR buttons, a nd the [ ] and [ ] CURSOR buttons to recall the items whose setting s you want to cha nge. To use the keyboard settings menu 707A-E-069A[...]

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    Keyboard Settings E-68 3. Use th e [ + ] and [ – ] b uttons or the num ber buttons to c hange the value s. • Settings you make are appl ied even i f you do not press th e EXIT button. • See the fol lowing se ction titl ed “Setting Menu Items” for details on e a ch sett ing. • After making the settings you want, press t h e TRANSPOSE/FUN[...]

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    E-69 Keyboard Settings J Auto Harmonize Types You can sele ct from among th e 10 different types of auto harmoniz e listed bel ow. J Other Settings Setting Menu Items No. Type Descrip tion 0 Duet1 Adds a 1-part harmony to keybo ard play. 1 Duet2 Adds a 1-part harmon y to keyboard play. Duet 2 harmony is more open than Duet1. 2 Country Adds a countr[...]

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    Keyboard Settings E-70 J MIDI Settings J Delete/In itialize Settings Setting me nu Range Default Descrip tion Keyboard Ch annel (Keybd Ch) 01 to 16 01 Specif ies th e send cha nnel for main tone pla y. MIDI In Chor d Judg e (Chord ) on/oFF oFF Specifies w hether acco mpaniment range MIDI Not e On messages receive d from an e xternal device shou ld [...]

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    Using the SMF Player E-71 Using the SMF P layer The lett ers “SMF ” stand for S tandard MIDI File, w hich is a fil e format t hat allows MIDI da ta to be shar ed betwe en differe nt sof tware and s equencers . There ar e actually t hree S MF format s, named S MF 0, SM F 1, and SMF 2. This keyb oard su pports the SMF 0 fo rmat, which is the one [...]

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    Using the SMF Player E-72 SMF Player Mode Operat ional Flow [  ] * , [ – ] Select file. Select play along part. 000 ABC1 File Name File Number 001 ABC 2 File Name File Number Error (Other err ors ma y also occur .) During SMF playbac k Data is not an SMF 0 format Data is not correct SMF Err Not SMF0 Err WrongDat 01 K ey Ch P ar t Number 04 K e[...]

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    E-73 Using the SMF Player 1. Press the SM F PLAYER button to displa y the file sel ection screen. • This causes the SMF p layer point er to a ppear on the displa y. • SMF are those whose file names end with the extension “MID”. An err or message appears at this time if there are no SMF files currently in Fl a sh Memory. 2. Use the numbe r b[...]

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    Using the SMF Player E-74 4. Press the [ ] CURSOR button to display the outpu t mode selec tion s creen . • Use the [ ] and [ ] CUR SOR buttons o r the [ + ] and [–] butt ons to selec t the output mode. • You can selec t from amon g the follow ing two ou tput type s. • Layer, s plit, and A uto Harmonize are au tomatic ally turne d off in th[...]

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    MIDI E-75 MIDI MIDI is a st andar d for digi tal si gna ls and conn ecto rs tha t allows m usical in strumen ts, compute rs, and othe r devices, r e g a r d l e s s o f m a n u f a c t u r e r , t o ex c h a n g e d a t a w i t h e a c h o t h e r . To use a computer or other MIDI device to record and p l a y b a c k t h e M I D I d a t a p r o d u[...]

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    MIDI E-76 The Music Data Management Soft w are applicat ion on the CD-ROM that come s bundled wit h the keyboa r d lets you transfer data you downloaded from the CASIO MUSIC SIT E from your computer to keyboard memory. You can also use it to save ke yboard data t o your computer’s har d di sk. Music Data Manage ment Software suppo rts transfer of[...]

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    E-77 MIDI Returni ng the keyboard to its initial fa ctory defaul ts The “D ata” f older on the CD-RO M that comes bund led wit h the keyboa rd includes a file name d “alldata. ckf”, whic h contains factor y default s etup data. Transferring the “alldat a.ckf” dat a to the keyboar d’s flash me mory will re turn all sett ings to their i[...]

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    Troubleshooting E-78 Troubleshoo ting Problem Possible Cause Action See pa ge No keyboard Sound 1. Power supply problem. 2. Power is n ot turne d on. 3. Volume s etting is too low. 4. Pla ying in th e accomp anim ent keyboard area whi l e the MODE button setti ng is CASIO CHORD or FINGERED. 5. Loca l Contro l is off. 6. Mixer channel 1 is t urned o[...]

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    E-79 Troubleshooti ng Nothing ha ppens when the LAYER or SPLIT bu tton is pressed. 1. One o r more of th e melo dy chan nels (2 through 4) is turned off. 2. The volume sett ing of on e or mo re of the melody channel s (2 through 4) is too lo w. 3. The keyboard is in r ecord standby. 4. The SMF Player Mo de is current l y being use. 1. Use the Mixer[...]

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    Specifications E-80 Specificatio ns Model : C TK-900 Keyboard: 61 st andard-si ze keys, 5 octav es with touch resp onse (Off / 1 / 2 / 3) Tones: 3 32 Adva nced Tones + 20 0 Preset Ton es + 18 Drum Set s + 100 standa rd user ton es + 20 u ser ton es wi th w ave s * + 4 user dru m set s wit h wa ves * + 50 dr awbar organ tones + 100 user drawbar orga[...]

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    E-81 Specificati ons * The same memor y area is us ed to store waveform data, acc ompaniment data , and SMF d ata. Other Func t ion s • Transpose: • Tuning: • LCD: 49 step s ( – 24 semi tones to +24 sem itones) Vari able (A4 = appro ximately 440H z ±100 cen ts) Adj ustable co ntrast SMF Pla yer Flash memo ry storage for up to 200 files * ?[...]

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    Care of your Instrument E-82 Care of your Instrument J Avoid heat , humidity o r direct sunligh t. Do not over expose the ins trument to direct sunl ight, or pl ace it near a n air conditioner , or in any extremely hot pl ace. J Do not use n ear a TV or radi o. This in strumen t can cau se vide o or audio in terferen ce with TV and rad io recept io[...]

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    DSP Algorithm List E-83 DSP Algori th m L i s t J 00 :Auto Pan • Functio n Continually performs left-right panning of the input signal in accordance with an LFO. • Parameters J 01 :Tremo lo • Functio n Adjusts volume of input s ig nal in accordance with an LFO . • Parameters J 02 :2BandEQ • Functio n This is a two-band eq ua lizer. • Pa[...]

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    DSP Algorithm List E-84 J 09 :Stere o Phaser • Functio n This is a stereo phaser that modulates the phase in accordanc e with a sine wave LFO. • Parameters J 10 :Phas er • Functio n This is a monaural phaser that modulates the phase in accordance with a sine wa ve LFO. • Parameters J 11 : Rotary • Functio n This is a rotary speaker simula[...]

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    E-85 DSP Algorithm List J 17 :Sin 2-Ph ase Chorus • Functio n This is stereo chorus in accordance with a sine wave LFO. • Parameters J 18 : 3 -P hase Chor us • Functio n This is 3-phase chorus in accordance with two LFOs of with different sine wave rates. • Parameters J 19 :Tri 2-P hase Choru s • Functio n This is stereo cho ru s in accor[...]

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    DSP Algorithm List E-86 J 25 :Refle ction • Functio n This is an effector that extracts the first reflected sound from a reverb sound. • Parameters J 26 :Flange r • Functio n This is a flanger in accordance with a sine wa ve LFO. • Parameters J 27 : Reverb • Functio n This is an ef fector that preserves the breadth of a sound by adding a [...]

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    E-87 DSP Algorithm List J M05 :Mu lti05 (Enh ancer – 1-Pha se Chorus) • Functio n This is a multi eff ector related to E nhancer – 1-Phase Chorus. • Parameters J M06 : Multi 06 (Enh ancer – 2-Ta p Delay) • Functio n This is a multi eff e ctor that is related to Enhancer – 2-Tap Delay. • Parameters J M07 : Mult i07 (Enhanc er – Fla[...]

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    DSP Algorithm List E-88 This is a multi eff ector related to Drive Rotary – Reflection. • Parameters J M17 : Mul ti17 (Rotar y – Reflection ) • Functio n This is a multi eff ector related to Rotary – Reflection. • Parameters J M18 : Multi1 8 (C ompre ssor – Enhancer – 2-Ta p Delay) • Functio n This is a multi effector that is rela[...]

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    E-89 DSP Algorithm List J M27 :M ulti 27 (LFO Wah – Distortion – 2-Tap Delay) • Functio n This is a multi eff ector that is related to LFO Wah – Distortion – 2- Tap Dela y. • Parameters J M28 : Multi 2 8 (Di stortion – 3-Tap Delay) • Functio n This is a multi eff e ctor that is related to Dis tortion – 3-Tap Delay. • Parameters [...]

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    707A-E-196A[...]

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    707A-E-197A[...]

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    707A-E-198A[...]

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    707A-E-199A[...]

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    707A-E-200A[...]

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    707A-E-201A[...]

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    Appendix/Apéndice A-1 Appendix/A p é ndice Tone List/Li sta de sonidos 1 No./N º 2 T one Group/Grupo de Sonido 3 T one Name/Nombre de sonido 4 Program Change/Camb io de programa 5 Bank Select M SB/MSB de selecci ó n de banco 6 Maximum Polyphony/Polifon í a m á xima 7 Range T ype/T ipo de ga ma 8 DSP T y pe/T ip o DSP Advanced Tones/Sonidos av[...]

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    A-2 Appendix/Apéndice 126 BASS RESO.SQR B ASS 39 50 32 – 1 E nha Cho 127 BASS RESO.SA W BASS 1 38 53 32 – 1 A WhChDly 128 BASS RESO.SA W BASS 2 38 49 16 – 1 PhaDly 2 129 BASS DISTOR T ION SQR BASS 39 51 16 – 1 DistD l y1 130 BASS D IGIT AL BASS 1 39 52 32 – 1 Co mp 2 131 BASS D IGIT AL BASS 2 39 55 16 – 1 Ch orus 2 132 BASS ACID BA SS [...]

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    Appendix/Apénd ice A-3 276 SYNTH- LEAD PLUCK LEAD 2 84 51 16 N FlanDly2 277 SYNTH- LEAD FIFTH MEL LOW 86 50 16 N StXDelay 278 SYNTH- LEAD FOUR TH LEAD 86 51 16 N Auto Pan 279 SYNTH- LEAD DETUNE S A W 81 51 16 N Chorus 2 280 SYNTH- LEAD RESO.S A W LEAD 81 58 16 N Phaser 281 SYNTH- LEAD GR LEAD 2 81 59 32 N CmpCr Dly 282 SYNTH- LEAD GR LEAD X 81 60 [...]

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    A-4 Appendix/Apéndice 484 GM GM CH ARANG 84 64 16 N – 485 GM GM VO ICE LEAD 85 64 16 N – 486 GM GM FIFTH LEAD 86 64 16 N – 487 GM GM BASS +LEAD 87 64 16 N – 488 GM GM F ANT ASY 88 64 16 N – 489 GM GM W ARM P AD 89 64 32 N – 490 GM GM P OL YSYN TH 90 64 16 N – 491 GM GM SP ACE C HOIR 91 64 16 N – 492 GM GM BOWED GLASS 92 64 16 N –[...]

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    Appendix/Apénd ice A-5 User Tones/Sonidos de usuario 12 3 4 5 700 USER TONE STER EO GRAND P IANO 0 94 701 USER TONE STER EO MELLOW PI ANO 1 94 702 USER TONE STER EO BRI GHT PIANO 2 94 703 USER TONE GRA ND PIA NO 3 94 704 USER TONE ROCK PIANO 4 94 705 USER TONE MODE RN PIAN O 5 94 706 USER TONE DANCE P IANO 6 94 707 USER TONE MELL OW PIANO 7 94 708[...]

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    A-6 Appendix/Apéndice Drawbar Orga n Preset Tones/Sonidos de órgano con Drawba r 12 3 4 5 6 7 8 0 DRA WBAR DRA W BAR O RGAN 1 0 96 10 N Rotar y 1 DRA WBAR JAZZ O RGAN 1 1 96 10 N Rotar y 2 DRA WBAR FULL DRA WBAR 2 96 16 N Rotar y 3 DRA WBAR PERC. ORGAN 1 3 96 16 N Rotar y 4 DRA WBAR 16'+1' ORGAN 4 96 16 N Rota ry 5 DRA WBAR SOUL ORGAN 1[...]

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    Appendix/Apénd ice A-7 Range • The abov e list shows t he initial fact ory default co nfigurat ion. The tone gro up tone number s indicated be low will change from those shown in this list if you save origi nal tones to keyboard memory ( page E-42 ). • User Ton es (Tone Numbe rs 700 through 799 ) * 1 • User Tones with Waves (Tone Numbers 800[...]

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    A-8 Appendix/Apéndice “” i ndicates t he same so und as STAND ARD SET 1. / “” indica el mi smo soni do que ST ANDAR D SET 1. Drum Assig nment List/Lista de asignación de batería 707A-E-189A[...]

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    Appendix/Apénd ice A-9 707A-E-190A[...]

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    A-10 Appendix/Apéndice Rhy thm List/L ista de Ritm o No./ N º Rhyth m Name/ Nombre de Ritmo 8 BEA T 000 8 BEA T 1 001 8 BEA T 2 002 8 BEA T 3 003 8 BEA T 4 004 8 BEA T 5 005 8 BEA T POP 1 006 8 BEA T POP 2 007 8 BEA T POP 3 008 8 BEA T POP 4 009 60'S SOUL 010 8 BEA T DANCE 01 1 POP ROCK 1 012 POP ROCK 2 16 BEA T 013 16 BEAT 1 014 16 BEAT 2 0[...]

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    Appendix/Apénd ice A-11 This tabl e shows the fi ngerings for commonly used c hords, incl uding inverted fingerings. Esta tab la muestra la s digitac iones para lo s acorde s usados com ú n men te, incl uyend o las digi tacion es inv ertid as. Fingered Ch ord Chart/Cuadro de acordes Fingered 707A-E-192A[...]

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    A-12 Appendix/Apéndice * You ca n change the keybo ard range of dim7 ch ords for ro ots A, B b , and B, and aug ch ords f or ro ots B b and B by adjust ing the split poi nt setting (page E-62). * Puede ca mbiar la gama del teclado de los acordes d im7 para las notas fund ament ales A, B b y acord es aumentado s (augment) para las notas fundamenta [...]

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    Appendix/Apénd ice A-13 Settabl e parameters d epend on the D SP type. Al so, the paramet ers for eac h DSP type d epend on th e algorith m * associated with the DSP ty pe. See the DSP Algorith m List on page E-83 for mo re information . * Effect or s tructur e a nd ope ration type Los p ar á metr os que pueden ajusta rse dependen en el tipo DSP [...]

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    A-14 Appendix/Apéndice Phaser [05] 10 Phaser Phaser [06] 09 StPhaser Stereo Phaser Chorus [07] 16 Chorus 1 Cho rus 1 [08] 17 Chorus 2 Cho rus 2 [09] 19 Chorus 3 Cho rus 3 [10] 18 Chorus 4 Cho rus 4 [11] M05 Enha Cho Enhancer - Chorus Flanger [12] 26 Flanger Flanger [13] M07 EnhaF lan Enhancer - Fl anger Delay [14] 28 Dela y Delay [15] 22 3Tap De l[...]

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    MIDI Implementation Chart Model CTK-900 Version : 1.0 Function ... Transmitted Recognized Remarks 0, 32 1 6, 38 7 10 11 16 17 18 19 64 67 66 71 72 O X * 2 O O O X * 2 O O O O O * 3 O * 3 O * 3 O O Bank select Modulation Data entry Volume Pan Expression DSP Parameter0 DSP Parameter1 DSP Parameter2 DSP Parameter3 Hold1 Sostenuto Soft pedal Resonance [...]

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    73 74 77 76 78 80 81 82 83 91 93 98, 99 100, 101 120 121 Mode 1 : OMNI ON, POLY Mode Mode 2 : OMNI ON, MONO O : Yes Mode 3 : OMNI OFF, POLY Mode Mode 4 : OMNI OFF, MONO X : No * 2 ᴷ Cannot be sent by keyboard play or control panel operations on this instrument, but sent by Auto Accompaniment or Song Memory Functions. * 2 ᴷ Sobre este instrument[...]

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    F MA0503-A Printed in China CTK900-ES-1[...]