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Kawai MP5 manuale d’uso - BKManuals

Kawai MP5 manuale d’uso

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Un buon manuale d’uso

Le regole impongono al rivenditore l'obbligo di fornire all'acquirente, insieme alle merci, il manuale d’uso Kawai MP5. La mancanza del manuale d’uso o le informazioni errate fornite al consumatore sono la base di una denuncia in caso di inosservanza del dispositivo con il contratto. Secondo la legge, l’inclusione del manuale d’uso in una forma diversa da quella cartacea è permessa, che viene spesso utilizzato recentemente, includendo una forma grafica o elettronica Kawai MP5 o video didattici per gli utenti. La condizione è il suo carattere leggibile e comprensibile.

Che cosa è il manuale d’uso?

La parola deriva dal latino "instructio", cioè organizzare. Così, il manuale d’uso Kawai MP5 descrive le fasi del procedimento. Lo scopo del manuale d’uso è istruire, facilitare lo avviamento, l'uso di attrezzature o l’esecuzione di determinate azioni. Il manuale è una raccolta di informazioni sull'oggetto/servizio, un suggerimento.

Purtroppo, pochi utenti prendono il tempo di leggere il manuale d’uso, e un buono manuale non solo permette di conoscere una serie di funzionalità aggiuntive del dispositivo acquistato, ma anche evitare la maggioranza dei guasti.

Quindi cosa dovrebbe contenere il manuale perfetto?

Innanzitutto, il manuale d’uso Kawai MP5 dovrebbe contenere:
- informazioni sui dati tecnici del dispositivo Kawai MP5
- nome del fabbricante e anno di fabbricazione Kawai MP5
- istruzioni per l'uso, la regolazione e la manutenzione delle attrezzature Kawai MP5
- segnaletica di sicurezza e certificati che confermano la conformità con le norme pertinenti

Perché non leggiamo i manuali d’uso?

Generalmente questo è dovuto alla mancanza di tempo e certezza per quanto riguarda la funzionalità specifica delle attrezzature acquistate. Purtroppo, la connessione e l’avvio Kawai MP5 non sono sufficienti. Questo manuale contiene una serie di linee guida per funzionalità specifiche, la sicurezza, metodi di manutenzione (anche i mezzi che dovrebbero essere usati), eventuali difetti Kawai MP5 e modi per risolvere i problemi più comuni durante l'uso. Infine, il manuale contiene le coordinate del servizio Kawai in assenza dell'efficacia delle soluzioni proposte. Attualmente, i manuali d’uso sotto forma di animazioni interessanti e video didattici che sono migliori che la brochure suscitano un interesse considerevole. Questo tipo di manuale permette all'utente di visualizzare tutto il video didattico senza saltare le specifiche e complicate descrizioni tecniche Kawai MP5, come nel caso della versione cartacea.

Perché leggere il manuale d’uso?

Prima di tutto, contiene la risposta sulla struttura, le possibilità del dispositivo Kawai MP5, l'uso di vari accessori ed una serie di informazioni per sfruttare totalmente tutte le caratteristiche e servizi.

Dopo l'acquisto di successo di attrezzature/dispositivo, prendere un momento per familiarizzare con tutte le parti del manuale d'uso Kawai MP5. Attualmente, sono preparati con cura e tradotti per essere comprensibili non solo per gli utenti, ma per svolgere la loro funzione di base di informazioni e di aiuto.

Sommario del manuale d’uso

  • Pagina 1

    Owner ’ s Manual[...]

  • Pagina 2

    2 Import ant Safety Instructions When connecting the AC power cord and other cords, take care not to get them t angled. Pulling the AC power cord itself may damage the cord, causing a fire, electric shock or short-circuit. denotes that care should be taken. The example instructs the user to take care not to allow fingers to be trapped. denotes a pr[...]

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    3 Do not place the product near electrical appliances such as TVs and radios. T ake care not to allow any foreign matter to enter the product. Before connecting cords, make sure that the power to this product and other devices is turned OFF . Do not use the product in the following areas. Areas, such as those near windows, where the product is expo[...]

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    4 The power supply cord or the plug has been damaged. Object s have fallen, or liquid has been spilled into the product. The product has been exposed to rain. The product does not appear to operate normally or exhibits a marked change in performance. The product has been dropped, or the enclosure damaged. Do not place open flame sources, such as li[...]

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    5[...]

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    6[...]

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    7 WELCOME TO THE MP5 Thank you for purchasing the KA WAI MP5. The MP5 Stage Piano featur es 256 Internal Sounds of the highest quality . The MP5 can also be used as a MIDI master controller . On stage, at home, or in the studio, the MP5 has been designed to offer quick and easy ac cess to many sophisticated featur es. BASIC FEATURES of the MP5 4 AS[...]

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    8 WELCOME TO THE MP5..... 7 1. NAMES AND FUNCTIONS.....10 1.1 FRONT PANEL.....10 1.2 HEADPHONE JACK.....12 1.3 REAR PANEL.....12 2. Basic Operations.....14 2.1 Getting Ready .....14 2.2 Selecting a Sound.....15 2.3 Layer .....17 2.4 Split.....17 2.5 Piano Only .....18 2.6 Metronome.....18 2.7 T ranspose.....18 2.8 Using the MP5 as a MIDI controller[...]

  • Pagina 9

    9 8.2.11 Receive Channel.....49 8.2.12 LCD Contrast.....49 8.2.13 LED Brightness.....49 8.2.14 Out Mode.....49 8.2.15 Foot Switch Mode .....49 8.2.16 Wheel Mode .....50 8.2.17 Dump Mode .....50 8.3 System Dump.....50 8.3.1 Dump Current.....50 8.3.2 Dump All Sound.....51 8.3.3 Dump All Setup.....51 8.4 System Reset.....52 8.4.1 Reset One SOUND/SETUP[...]

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    10 1. NAMES AND FUNCTIONS 1.1 FRONT PANEL [F ADER SECTION] 1. VOLUME F ader The VOLUME fader controls the master volume lev el of the MP5. 2. ZONE SELECT buttons The ZONE SELECT buttons are used to select one of the f our zones for editing. Only one zone can be selected at a time. The front panel setting represents the current zone status. 3. ON/OF[...]

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    11 [EFFECT BUT TONS] 11. SW button This button turns the assigned function ON or OFF . Many different f unctions can be assigned to this switch for your convenience. When in edit mode, pressing the SW button will exit from edit mode. 12. EFX button This button turns the EFX ON or OFF for the selected zone. 13. REVERB button This button turns the RE[...]

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    12 1.2 HEADPHONE JACK The headphone jack is located in front at the left end of the key slip. Use a headphone with a standard stereo 1/4 inch phone jack. 1.3 REAR PANEL 1. POWER SWITCH T urns the MP5 ON or OFF . 2. POWER RECEPT ACLE Connect the power cable, which is included in the MP5 package, to this receptacle. 3. MIDI JACKS These jacks are used[...]

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    13[...]

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    14 2. Basic Operations 2.1 Getting Ready Since the MP5 has no built-in speak ers, you will need to connect a mixer , keyboard amplifier or headphones in order to listen. T urn the MP5 on, using the POWER SWITCH on the rear panel. It is recommended to turn the MP5 on before turning on an y amplifiers in order to avoid switching noise. What you need [...]

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    15 2.2 Selecting a Sound The MP5 always starts up in SOUND mode when the power is turned ON. The SOUND button will be lit to indicate SOUND mode is active. Operation 1 Select the sound category by pressing a sound select but ton in the top row . There are 3 rows of sound select buttons, the top row is f or selecting a sound category and the second [...]

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    16 In Sound mode, the “1” in the display indicates that the z one 1 is currently selected. When the multitimbre is off , the defaul t settings of the zones ar e as follows. It is recomended for simple MIDI transmit/receiv e use on stage etc. The default TXchannel is System Ch (see page45). Z one 1 Internal On (Plays internal sound) Z one 2 Inte[...]

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    17 2.3 Layer Let’s try la yering another sound. T urn the zone 2 on by pressing the ZONE ON/ OFF button for zone 2. The Z ONE SELECT button for zone 2 is automatically selected and the display shows the sound name for zone 2. Select the sound for zone 2 with the SOUND SELECT buttons as shown in the previous section. Adjust the volume balance of z[...]

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    18 2.5 Piano Only The Piano Only function lets you quickly r eturn the MP5 sounds to the default settings. Press the PIANO button and the SOUND SELECT but ton 1 simultaneously . Al l the current settings (except f or SYSTEM settings) will go back to original and only Concert Grand sound can be play ed on the whole keyboard. Note: You may use this f[...]

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    19 2.8 Using the MP5 as a MIDI controller The MP5 can control external devices via MIDI. MIDI Connection Connect the MIDI OUT on the MP5 to the MIDI IN on an external MIDI device with a MIDI cable. Selecting the MIDI Channel The MIDI T ransmit Channel of the MP5 must be matched with the Receive Channel of any MIDI devices connected to the MP5. Sele[...]

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    20 The transmit ted program number is shown in the displa y . Y ou can also send program change numbers by using V ALUE buttons. Note: Full program change numbers including bank numbers can be transmitted by setting them in MENU and saving it as a SETUP. See page35 for details. 2.9 Selecting a SETUP The MP5 offers 256 preset combinations of the pan[...]

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    21 3. SW Button The SW button is a progr ammable realtime switch which can be assigned to one of 8 different functions. Press and hold the SW button. The display shows the currently assigned function. Press the SW button again to exit without changing the function. Use the VALUE but tons to change the function. The display will automatically return[...]

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    22 When the SW button is OFF : The display briefly shows as follows and the rotary speed changes to slow . Note: When the Rotary effect is not in use, the display briefly shows as follows. 3.4 EQ Bypass On/Off Y ou can temporarily bypass the EQ by turning the SW button on. When the SW button is lit the EQ Bypass is on. EQ Bypass On: The display bri[...]

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    23 3.6 Foot Switch Lock Y ou can lock the assignable foot switch to avoid unnecessary mov ement by accident. First, connect a foot switch to the FSW jack on the rear panel of the MP5. When the SW button is lit the F oot Switch Lock is on. F oot Switch Lock On: The display briefly shows as f ollows and the assignable foot switch is locked. F oot Swi[...]

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    24 3.8 External Sequencer Start/Stop Y ou can start and stop the external sequencer connected to the MP5 with SW button. First, connect an external sequencer to the MIDI OUT jack on the rear panel of the MP5. Make sure that the sequencer is capable to receiving external MIDI clock and commands. Check the MIDI implementation chart of the sequencer i[...]

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    25 4. EFX/REVERB The internal sounds of the MP5 can be enhanced using the built in REVERB and EFX generators. There are 7 REVERB types and 22 differ ent EFX types to choose from. MP5 contains 4 variations of EFX t ype per INT section, and different EFX can be added to the sound of each ZONE. 4.1 EFX The MP5 contains 22 high quality EFX types, desig[...]

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    26 Auto Wah: Auto W ah creates an automatic filter sweep at the attack of each note. Pedal W ah: P edal W ah creates a filter sweep with the expression pedal connected to the MP5. Enhancer: Enhancer produces a crisper tone, so the sound is more easily discernible. Overdrive: Overdrive effect adds tube- amp style distortion. Note: You can select dif[...]

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    27 5. Control Knobs Select the function with the but tons on the left and use the knobs to change the values. Y ou can also mov e the cursor with the MENU buttons and change the value with the V ALUE buttons while the displa y is showing Control Knobs function. 5.1 EFFECT Make sure that the EFFECT button in the CONTROL KNOBS section is lit. If the [...]

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    28 17 . ROT ARY 1 r ate slow/fast wet balance 18. ROT ARY 2 r ate slow/fast drive 19. AUT O WAH sense 0 -100 (%) wet balance 20. PEDAL WAH sense 0 -100 (%) wet balance 21. ENHANCER intensity 0 -100 (%) send level 22. OVERDRIVE drive 0 -100 (%) wet balance REVERB parameter list REVERB Time REVERB Depth 1. HALL 1 rev .time 0.3 - 5.0S send level 2. HA[...]

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    29 5.3 TONE MODIFY The MP5 allows certain characteristics of the sounds to be custom tailored to suit a particular musical or playing style, or to create many v ariations and different t ypes of sounds. TONE MODIFY set tings can be done for each zone individually . The following par ameters are provided: CUTOFF , A T T ACK, DECAY and RELEASE. Make [...]

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    30 CUTOFF : Raising the CUT OFF level makes the sound brighter , lowering the level makes the sound duller . A T T ACK: As the value increases, the attack time becomes longer , which means a slower attack is produced. DECA Y : This parameter controls the amount of time from the peak level to the sustain level of the sound. RELEASE: This parameter c[...]

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    31 When the selected zone is set to EXT , the display shows the MIDI CC numbers. The default parameters assigned f or each knob are as follows. A: #10 Panpot (P AN) B: #70 Sustain Level (STN) C: #76 Vibrato R ate (VbR) D: #77 Vibrato Depth (VbD) Note: If the selected zone is set to BOTH, changing the MIDI CC# parameters affects both internal and ex[...]

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    32 6. MENU The MENU buttons allow access to the edit par ameters in the MP5. This collection of settings together with other editable par ameters can be stored as a SETUP . The MP5 provides 256 SETUPs, and all are user progr ammable. A SETUP consists of four zones. Each zone can be set as Internal, External or Both individually . Inside each of the[...]

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    33 6.1 Editing Procedure and Parameters First, press the ZONE SELECT but ton for the zone to be edited. Next, press the MENU buttons until the par ameter you want to edit appears in the DISPLA Y . When a zone is set as Both, pressing the ZONE SELECT button again will switch the menu list from Internal to External or vice versa. Set the value of the[...]

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    34 6.2.4 String Resonance (Int Piano only) The volume of string resonance can be changed to the lev el you prefer . The value changes fr om 0 (off ) to 10. <String R esonance> In acoustic pianos, there are strings corresponding to each k ey . When a key is pressed, strings of other keys in the related harmonic series to the note played resona[...]

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    35 6.2.8 TX Prg # (Ext only) This parameter determines if a Progr am Change Number will be transmit ted (On) or not (Off ) when a SETUP is recal led. If you want to switch sounds on external MIDI devices every time you call the Setup turn this par ameter ON. 6.2.9 Prg # (Ext only) This parameter determines which Progr am Change Number will be trans[...]

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    36 6.2.14 Velocity Switch V elocity switching is an extremely useful and creative tool f or customizing a performance. Using V elocity Switching, it is possible to hav e either one sound switch to another sound at a set velocity , or even for a second sound to be added in once a certain velocity has been r eached, or to have a sound drop out above [...]

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    37 Note: Each zone can have a separate Velocity Switch Value. By setting the Soft Zone Velocity Switch Value higher than that of the Loud Zone, a dynamic area where both sounds play can be created. It is also possible to switch Internal Zones with External Zones for even more possibilities. Note2: Velocity Switch = Loud /Velocity Switch Value = 1 I[...]

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    38 6.2.19 Transmitting Volume (Ext only) This parameter determines if an initial MIDI V olume message will be transmitted (On) to an external MIDI device or not (Off ) when a SETUP is recalled. Note: In a zone set to External or Both, moving the faders will still transmit volume messages even if TX Volume is set to Off. 6.2.20 Volume This parameter[...]

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    39 6.2.25 Foot Switch This parameter determines if a F oot Switch connected to the FOO T SWIT CH jack is active (On) or not (Off ) for the selected zone. The type of controller assigned to the footswitch is a common Setup par ameter and is used for all zones of a Setup as a global parameter . 6.2.26 Expression Pedal This parameter determines if an [...]

  • Pagina 40

    40 6.3 Common Parameters Common parameters ar e affecting all zones. 6.3.1 Stretch Tuning The hearing ability of a human is unev en and is not accurate with high fr equency and low frequency as it is with the middle r ange. The tuning of an acoustic piano is stretched to compensate f or this so the sound will be heard naturally to the ears. Off: Th[...]

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    41 for the Mersenne pure temper ament. It produces chords that are more beautiful than those with the equal temper ament. W erkmeis/Kirnberg: These two temperaments are placed in between Meantone and Pythagorean. For music with f ew accidentals, this temperament produces the beautiful chords of the mean tone, but as accidentals increase, the temper[...]

  • Pagina 42

    42 6.3.7 Modulation Wheel Control Change Number This parameter assigns a Control Change Number to the Modulation Wheel on the right side of the front panel. See page72 for the list of Control Change numbers. Note: When the following Numbers are selected for the FootSW,EXP or Modulation Wheel Control Change Number, the functions affect the internal [...]

  • Pagina 43

    43 7. STORE Y ou can save the changes of the settings made as either a SOUND or a SETUP . Up to 256 SOUNDs or 256 SETUPs can be stored. Moreover , the Common parameters can also be stored as the initial setting in SOUND mode. The following groups of parameters ar e stored. [SOUND] Selected Z one’s One Sound set tings: EFX/REVERB settings ( see pa[...]

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    44 7.2 Storing the COMMON settings While in SOUND mode, press the ST ORE button. The display will show the following screen: Press the V ALUE DOWN button, the displa y will show the following screen: Press the V ALUE UP button to confirm. The ST ORE procedure can be cancelled at any time by pressing an y other button which is not used during the ST[...]

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    45 8. SYSTEM Use this mode to set the System parameters of MP5. T o enter the SYSTEM mode, press the SYSTEM button. 8.1 System Menu Use the MENU buttons to scroll through the System par ameters. [System P arameter] System Channel T ouch System T une V olume Slider Action Reverb Off set EQ Offset Local Control On/Off Multitimbre On/Off System Channe[...]

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    46 8.2.2 Touch This parameter adjusts the touch response curv e of the keyboard. Heavy +: This Curve has a steep rise as velocity incr eases, and a shallower curve at low velocities. (see 1) This curve requires the most striking f orce to produce a loud volume. Heavy: This curve requires a stronger striking force to produce a loud volume. (see 2) T[...]

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    47 8.2.3 System Tuning This parameter sets the global master tuning of the MP5. The v alue changes from 427 .0 to 453.0 (Hz). 8.2.4 Volume Slider Action This selects how the volume sliders react, when you change the v olume. Normal: The value changes immediately , when the v olume slider is moved. Catch: The va lue won’t change until the volume s[...]

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    48 8.2.9 Multi-Timbral Mode Multi- Timbral Mode allows the MP5 to receive data on more than one MIDI channel simultaneously . In this mode, the MP5 can play different musical parts with different sounds for each part. On1/2: This is a flexible 16 part multi-timbral setup. (On 1 and On 2) MP5’ s normal program change numbers are assigned in On 1, [...]

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    49 8.2.11 Receive Channel This parameter determines whether or not a particular MIDI channel will receive incoming MIDI data from an external source. This parameter can be used to filter out data on specific MIDI channels that are not intended for the MP5. On: The MP5 responds to MIDI data received on this channel. Off: The MP5 ignores MIDI data re[...]

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    50 8.3 System Dump 8.3.1 Dump Current This function transmits the curr ent and active settings of the MP5 as a S ystem Exclusiv e Message via the MIDI OUT . Press the SYSTEM button. Then press the MENU-DOWN but ton until “Dump Current” appears on the display . Press the V ALUE-UP button. The display will ask for confirmation. T o cancel Dump Cu[...]

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    51 Note: Loading the data back to the MP5 will change the current settings. SETUP and SYSTEM data will not change. You can use this function to temporarily change the setting from your sequencer. If you want to save the setting, you must use the STORE procedure and save as Setup. 8.3.2 Dump All SOUND This function transmits all the Sounds of the MP[...]

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    52 8.4 System Reset 8.4.1 Reset One SOUND/SETUP This function resets one SOUND or SETUP back to the original f actory default settings. Press the SYSTEM button. Then press the MENU-DOWN but ton until “Reset X - X - X” (X - X -X stands for the setup number) appears on the display . Now use the SOUND SELECT buttons to select the sound or setup yo[...]

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    53 9. OTHER 9.1 MIDI IN When the Multi- Timbral Mode is Off , the MP5 receives the MIDI information coming in the System Channel only . (see page45) F or changing the internal sounds via MIDI, refer to the SOUND Pr ogram Number List on the next page. Note: If the MP5 receives the Program Number from 1 to 128 and Bank number LSB from 2 to 3 in the S[...]

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    54 9.3 SOUND Program Number List Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB Piano 1 A Concert Grand 1 0 0 1 95 16 B S tudio Grand 2 0 0 1 95 17 C Mellow Grand 3 0 0 1 95 18 D Jazz Grand 4 0 0 1 95 19 2 A Concert Grand2 5 0 0 1 121 0 B S tudio Grand 2 6 0 0 1 121 1 C Mellow Grand 2 7 0 0 1 121 2 D Jazz Grand [...]

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    55 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB 5 A Crystal EP 49 0 0 6 9 5 1 B New Age EP 50 0 0 6 9 5 2 C New Age EP2 51 0 0 6 95 3 D New Age EP3 52 0 0 6 9 5 4 6 A Clavinet 5 3 0 0 8 12 1 0 B Synth Clavinet 54 0 0 8 121 1 C Clavi & Marim 55 0 0 8 95 1 D Clavi Phaser 56 0 0 8 95 2 7 A V ibraphone 57 0 0 [...]

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    56 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB Organ 1 A Church Organ 97 0 0 20 121 0 B Full Pipes 98 0 0 2 0 95 9 C Full Ensemble 99 0 0 21 95 1 0 D Church Organ 2 100 0 0 20 121 1 2 A PrincipleChoir 101 0 0 20 95 23 B Small Ensemble 102 0 0 20 9 5 8 C Small Ens. 2 10 3 0 0 20 95 2 5 D Baroque 104 0 0 20 95 [...]

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    57 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB 5 A Passionate Vln 17 0 1 41 121 0 B Classic V iolin 18 0 1 4 1 95 3 C Passionate Vc 19 0 1 43 121 0 D Classic Cello 20 0 1 43 95 4 6 A Choir 21 0 1 5 3 121 0 B Breathy Choir 22 0 1 53 95 1 C Choir Aahs 23 0 1 53 95 3 D Slow Choir 24 0 1 53 9 5 2 7 A Jazz Ensembl[...]

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    58 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB Pad & Synth 1 A New Age Pad 65 0 1 89 121 0 B New Age Pad 2 66 0 1 89 95 1 C New Age Pad 3 67 0 1 89 95 2 D New Age Pad 4 68 0 1 8 9 95 3 2 A Atmosphere 69 0 1 100 121 0 B Brightness 70 0 1 101 121 0 C Brightness 2 71 0 1 101 95 1 D Goblin 72 0 1 102 121 0 3 [...]

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    59 Multi T imbre ON1 Multi Timbre ON2 Bank Bank Bank Bank Prog# MSB LS B Prog# MSB LSB 5 A Rhythm Guitar 1 13 0 1 2 8 121 0 B Overdrive 114 0 1 30 121 0 C Distortion 1 15 0 1 31 121 0 D Muted Electric 1 16 0 1 2 9 121 0 6 A Pedal Steel 1 17 0 1 27 121 1 B HawaiianGuitar 1 18 0 1 27 95 1 C Jazz Guitar 1 19 0 1 27 121 0 D Jazz Guitar 2 120 0 1 27 95 [...]

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    60 9.4 Notes about USB The MP5 can be connected to a personal computer with a USB cable for exchanging MIDI data. Y ou need a USB driver installed in your computer . [For W indows XP/Me users] A standard USB driver is already installed in your computer . Y ou don’t need to install a new driver . [For W indows 2000/98SE users] Y ou need to install[...]

  • Pagina 61

    61 Specifications K eyboard 88 keys with Advanced Hammer Action IV # of Z one 4 zones # of Internal Sound 256 sounds P olyphony Maximum 192 Effect 7 Rev erbs 22 Effects 4-band Equalizer Internal Memory 256 SETUPs Display 16 x 2 LCD w/backlight Jack 1/4” Out (L/MONO, R) Headphones MIDI IN/OUT/THRU USB (to Host) Foot Contr oller Damper EXP (Assigna[...]

  • Pagina 62

    62 MP5 MIDI Implementation Contents 1. Recogniz ed data 1.1 Channel V oice Message 1.2 Channel Mode Message 1.3 System Real time Message 2. T ransmitted data 2.1 Channel V oice Message 2.2 Channel Mode Message 2.3 System Real time Message 3. Exclusive data 3.1 Universal Realtime Exclusive Message 3.2 Dump Message 3.3 Sound Data Format 3.4 Setup Dat[...]

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    63 1. Recognized Data 1.1 Channel V oice message Note off Status 2nd Byte 3rd Byte 8nH kkH vvH 9nH kkH 00H n=MIDI channel number :0H-fH(ch.1 ~ ch.16) kk=Note Number :00H - 7fH(0 ~ 127) vv=V elocity :00H - 7fH(0 ~ 127) Note on Status 2nd Byte 3rd Byte 9nH kkH vvH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) kk=Note Number :00H - 7fH(0 ~ 127) vv=V eloc[...]

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    64 Damper Pedal Status 2nd Byte 3rd Byte BnH 40H vvH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) vv=Control V alue :00H - 7fH(0 ~ 127) Default = 00H 0 - 63=OFF , 64 - 127=ON Sostenuto Pedal Status 2nd Byte 3rd Byte BnH 42H vvH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) vv=Control V alue :00H - 7fH(0 ~ 127) Default = 00H 0 - 63 =OFF , 64 - 127=ON Sof[...]

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    65 01H 64H mmH Decay time mm:00H - 7FH(-64 ~ 0 ~ +63) Default = 40H 01H 66H mmH Release time mm:00H - 7FH(-64 ~ 0 ~ +63) Default = 40H * Ignoring the LSB of data Entry * It is not affected in case of modifying cutoff if tone does not use the DCF . RPN MSB/LSB Status 2nd Byte 3rd Byte BnH 65H mmH BnH 64H llH n=MIDI channel number :0H-fH(ch.1 ~ ch.16[...]

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    66 MONO Status 2nd Byte 3rd Byte BnH 7eH mmH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) mm=mono number :01H(M=1) POL Y Status 2nd Byte 3rd Byte BnH 7fH 00H n=MIDI channel number :0H-fH(ch.1 ~ ch.16) 1.3 System R ealtime Message Status FEH Active sensing 2. T ransmitted Data 2.1 Channel V oice Message Note off Status 2nd Byte 3rd Byte 9nH kkH 00H n=[...]

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    67 V olume Status 2nd Byte 3rd Byte BnH 07H vvH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) v=V olume :00H - 7fH(0 ~ 127) Default = 64H Panpot Status 2nd Byte 3rd Byte BnH 0aH vvH n=MIDI channel number :0H-fH(ch.1 ~ ch.16) vv=Panpot :00H - 7fH(0 ~ 127) Default = 40H(center) Expression Status 2nd Byte 3rd Byte BnH 0bH vvH n=MIDI channel number :0H-fH[...]

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    68 RPN MSB/LSB Status 2nd Byte 3rd Byte BnH 65H mmH BnH 64H llH n=MIDI channel number :0H-fH(ch.1~ch.16) mm=MSB of the RPN parameter number ll=LSB of the RPN parameter number RPN number implemented in MP5 are the followings RPN # Data MSB LSB MS B LSB Function & Range 00H 00H mmH llH Pitch bend sensitivity Default=02H mm:00H-0cH(0~12 [half tone[...]

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    69 2.3 System R ealtime Message Status F8H Clock F AH Start FCH Stop *Sending [SW] External Seq. Start/Stop 3. Exclusive Data 3.1 Universal R ealtime Exclusiv e Message Master V olume Format:F0 7F 7F 04 01 ll mm F7 mm=MSB of Master V olume ll=LSB of Master V olume 3.2 Dump Message MP5 can receive this dump data, and also can transmit by the panel o[...]

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    70 3.3 Sound Data F ormat The structure of the one Sound patch [48bytes] No. PARAMETER VALUE 1 Sound Data ID 2 2 Reverb T ype 0~6 (see page26) 3 Reverb Time 0-127 4 -undifiend- 5-47 <Int Parameters> *see table3.4.2 48 -undifined- 3.4 Setup Data F ormat The structure of the one Setup patch [432bytes] (common DA TA) + (Z one 1,2,3,4 Int DA T A)[...]

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    71 3.4.2 Z one 1-4 Internal DA T A No. PARAMETER VALUE 1 T one Number MSB 0-2 2 T one Number LSB 0-127 3 V oicing 0-5 (0:Normal,1~2:Mellow1~2,3:Dynamic,4~5:Bright1~2) 4 -reserved- 5 Damper Resonance 0-10 (0:off , 1-10) 6 String Resonance 0-10 (0:off, 1-10) 7-40 <Both Parameters> *see table3.4.4 41 EFX T ype 0-21 (see page25) 42 EFX Rate 0-127[...]

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    72 4. Control Change Number (CC#) T able Control Number Control Function Decimal Hex 0 0 Bank Select (MSB) 1 1 Modulation Wheel or lever 2 2 Breath Controller 3 3 (undefined) 4 4 Foot Controller 5 5 Portament Time 6 6 Data Entry (MSB) 7 7 Channel V olume 8 8 Balance 9 9 (undefined) 10 A Panpot 11 B Expression Controller 12 C Effect Controller1 13 D[...]

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    73 [ST AGE PIANO] Date: F ebruary 2007 Model: KAW AI MP5 V ersion: 1.0 Function T r ansmit Receive Remarks Multi Off(*5) Multi On Basic Default 1-16 1-16 1-16 Channel Changed 1-16 1-16 1-16 Default 3 3 3 Mode Messages 3, 4 (M=1) X 3, 4 (M=1) Altered ***** Note 0-127 0-127 0-127 Number: T rue V oice ***** V elocity Note ON O 1-127 O 1-127 O 1-127 No[...]

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    74[...]

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    75[...]

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    Copyright © 2007 KA WAI Musical Instruments Mfg. Co . ,Ltd. All Rights R eserved. MP5 Owner’s Manual OW1007E-C0704 V ersion.2 Printed in Indonesia KMSZ-0016 815921[...]