Roland XV-5080. manuale d’uso

Notation Used in This Owner’s Manual To make operation procedures easy to understand, the following notation system is adopted: Characters and numbers in square brackets [ ] indicate buttons on the front panel. For example, [PATCH] represents the PATCH button and [ENTER] the ENTER button. An asterisk (*) at the beginning of a paragraph indicates [...]

2 For the USA FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equi[...]

3 USING THE UNIT SAFELY • Before using this unit, make sure to read the instructions below, and the Owner’s Manual. .......................................................................................................... • Do not open or perform any internal modifica- tions on the unit. (The only exception would be where this manual provide[...]

4 • Do not force the unit ’ s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords — the total power used by all devices you have connected to the extension cord ’ s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads[...]

5 IMPORTANT NOTES In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2 and 3, please read and observe the following: Power Supply • Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system). ?[...]

6 Contents USING THE UNIT SAFELY ...................................................................... 3 IMPORTANT NOTES ............................................................................... 5 Features ................................................................................................. 11 Panel Descriptions .................[...]

7 Signal (PART) Flow .................................................................................................................... 117 Parameters .................................................................................................................................... 117 Digital Connections Using R-BUS ............................[...]

8 Editing a Patch or Rhythm Set in the Performance Mode ................................................................ 167 Palette Function ........................................................................................................................... 167 Chapter 6 Creating Rhythm Sets .................................................[...]

9 Transmitting to User Memory................................................................................................... 204 Protecting the Internal Memory (Protect) ........................................................................................... 205 Resetting All Settings to Default Factory Settings (Factory) ...................[...]

10 SCSI Devices That Can Be Used ................................................................................................ 239 What you need to know before making connections ........................................................................ 239 Types of SCSI cables and SCSI connectors ..................................................[...]

11 Features 128-Voice Polyphony and 32- Part Multitimbrality The XV-5080 is a 32-part multitimbral sound generator that produces up to 128 simultaneous polyphonic voices. It provides ample polyphony, even with Patches containing multiple Tones. Create Amazingly Expressive Tones With Patches containing four stereo Tones, as well as four-Tone instrum[...]

12 Panel Descriptions Front Panel fig.0-001 A VOLUME Knob (PHRASE PREVIEW) This adjusts the volume from the A (MIX) OUTPUT jacks and PHONES jacks. The volume from the OUTPUT B, C and D jacks cannot be adjusted. You can press the knob to listen to the XV-5080 without using any external devices. (Phrase Preview function; p. 16) PHONES Jack Headphones[...]

13 Panel Descriptions E (MODE) [PERFORM] (Performance) Pressed to get into Performance mode. ( p. 17) Press this button while holding down [SHIFT] to switch to Part Play mode, enabling you to make changes to the settings for the Patch and Rhythm Set assigned to each Part. ( p. 167) [PATCH] Pressed to get into Patch mode. (p. 17) [RHYTHM] (Rhythm Se[...]

14 Panel Descriptions Rear Panel fig.0-002 K AC IN (AC Inlet) Connect the included power cable here. (Quick Start; p. 11) L (MIDI) MIDI Connectors (IN 1/2, OUT, THRU) These connectors connect the XV-5080 with other MIDI devices, enabling the sending and receiving of MIDI messages. (Quick Start; p. 11) IN 1, 2: Receive messages from other MIDI devic[...]

15 Panel Descriptions S/P DIF OUT Connector The XV-5080 features both optical and coaxial digital out connectors (conforming to S/P DIF). S/P DIF : This is a digital interface format used for consumer digital audio devices. * About the Optical Connector Protecting Cap • If you remove the protecting cap, be sure to keep in a safe place to prevent [...]

16 Chapter 1 Selecting and Playing a Sound Auditioning Sounds on the XV-5080 (Phrase Preview) The Phrase Preview feature allows you to audition Patches on the XV-5080 even when it ’ s not connected to a MIDI keyboard or sequencer. You can preview a Patch using a Phrase that ’ s appropriate to the Patch ’ s type or category. 1. Press [PATCH], [...]

17 Chapter 1 Selecting and Playing a Sound Chap.1 Playing a Patch on the XV- 5080 from External MIDI Devices (MIDI Keyboard) The XV-5080 produces sound in response to MIDI messages that it receives from an external MIDI device such as a MIDI keyboard or sequencer. In order for this to occur, the MIDI transmission channels of the external device mus[...]

18 Chapter 1 Selecting and Playing a Sound sound generators are capable of reliably playing back music files that carry either the General MIDI or General MIDI 2 logo. In some cases, the conventional form of General MIDI, which does not include the new enhancements, is referred to as “ General MIDI 1 ” as a way of distinguishing it from General[...]

19 Chapter 1 Selecting and Playing a Sound Chap.1 Selecting a Patch Basic Procedure for Selecting a Patch Turn the VALUE dial or press [INC]/[DEC] to select the desired Patch. VALUE Dial To move quickly through the available Patches: Turn the VALUE dial while pressing it or, if you prefer, turn the VALUE dial while pressing [SHIFT]. [INC]/[DEC] To [...]

20 Chapter 1 Selecting and Playing a Sound The following categories can be selected. Category Group Category Contents — NO ASSIGN No assign Piano PNO AC.PIANO Acoustic Piano EP EL.PIANO Electric Piano Keys&Organ KEY KEYBOARDS Other Keyboards (Clav, Harpsichord etc.) BEL BELL Bell, Bell Pad MLT MALLET Mallet ORG ORGAN Electric and Church Organ[...]

21 Chapter 1 Selecting and Playing a Sound Chap.1 Selecting Patches and Rhythm Sets from an External MIDI Device By receiving MIDI messages, the XV-5080 can switch Patches (including the Patches for each Part of a Performance) or Rhythm Sets. In Patch or Rhythm Set modes 1. Press [PATCH] — or [RHYTHM] if you wish to select a Rhythm Set — to mak[...]

22 Chapter 1 Selecting and Playing a Sound Rhythm Sets Rhythm Set Rhythm Set Bank Select Program Group Number Number Number MSB LSB USER 1, 2, 3, 4 86 00 1, 2, 3 , 4 PR-A 001, 002 86 64 001, 002 PR-B 001, 002 86 65 001, 002 PR-C 001, 002 86 66 001, 002 PR-D 001, 002 86 67 001, 002 PR-E 001, 002 86 68 001, 002 PR-F 001, 002 86 69 001, 002 PR-G 001, [...]

23 Chapter 1 Selecting and Playing a Sound Chap.1 212), modify the third byte to the appropriate value when transmitting the above exclusive message. Setting a Patch ’ s Pitch in Octave Steps (Octave Shift) In Patch mode, you can easily change the pitch of an entire Patch. Each time you press [ ]/[ ], the pitch will change in one- octave steps. Y[...]

24 Chapter 2 Using the XV-5080 Effects The XV-5080 contains four independent effects units. Multi-effects The Multi-effects offers 90 different effects. In addition to effects consisting of only one effect, such as distortion and delay, the 90 types also include a number of compound effects, which are formed by combining a number of effects. Furthe[...]

25 Chapter 2 Using the XV-5080 Effects Chap.2 The screen appears as shown below, according to the settings values. • For MFX fig.02-004.e_70 • For A – D fig.02-005.e_70 • For 1 – 8 fig.02-006.e_70 The following shows the basic setting procedure. 1. Select the Patch you wish to work with. 2. Press [F6 (Effects)]. The Patch Effect page appe[...]

26 Chapter 2 Using the XV-5080 Effects Dry Send Level Range: 0 – 127 This sets the level of the signal sent to the output destination set with Output Assign. Chorus Send Level 0 – 127 Sets how much of the Tone is sent to the Chorus. Reverb Send Level 0 – 127 Sets how much of the Tone is sent to the Reverb. Making Multi-Effects Settings This p[...]

27 Chapter 2 Using the XV-5080 Effects Chap.2 REV: The Chorus output is sent only to the Reverb. fig.02-010.e M+R: The Chorus output is sent to the OUTPUT jacks and to the Reverb. fig.02-011.e Chorus Level 0 – 127 Determines the Chorus output level. Chorus Output Assign A – D Selects the pair of OUTPUT jacks to which the Chorus unit ’ s stere[...]

28 Chapter 2 Using the XV-5080 Effects Making Reverb Settings These settings allow you to select the desired type of Reverb, its characteristics, and the pair of OUTPUT jacks to which the Reverb unit ’ s stereo output is routed. On the Effects General page, set the following parameters. Reverb Type Selects the type of Reverb. 0 (Off): Reverb is n[...]

29 Chapter 2 Using the XV-5080 Effects Chap.2 LF Damp Gain -36 – 0 dB Adjusts the amount of damping applied to the frequency range selected with LF Damp. With a setting of “ 0, ” there will be no reduction of the reverb ’ s low-frequency content. HF Damp Freq (LF Damp Frequency) *3 Specifies the frequency above which the high-frequency cont[...]

30 Chapter 2 Using the XV-5080 Effects Performance Mode Settings Three different Multi-effects can be used in a Performance. Select which of these three Multi-effects to use with Part Output MFX Select. With this parameter, the same Multi- effects are applied to all selected Parts. You can adjust the amount of effect to be applied to the Parts by a[...]

31 Chapter 2 Using the XV-5080 Effects Chap.2 A “ * ” symbol will appear at the left of the Performance name, indicating that its settings have been modified. fig.02-018.e_70 * If you turn off the power or select another Performance while the “*” symbol is displayed, your new Performance settings will be lost. If you wish to keep these sett[...]

32 Chapter 2 Using the XV-5080 Effects * When you press [F2 (MFX)] once again, the MFX Param page will reappear. MFXA – C Control 1 – 4 Source Select the Control Source to be used for changing the Multi- effects parameters, and set the Sens and parameters to be changed by that Control Source. OFF: No controller is used. CC01 – 95: Controller [...]

33 Chapter 2 Using the XV-5080 Effects Chap.2 Pressing [F4 (Chorus)] in the General page calls up the Chorus page, in which you can make the following settings. • For Type: 1 (CHORUS) Rate (Chorus Rate) 0.05 – 10.00 Hz Adjusts the modulation speed of the chorus effect. Depth (Chorus Depth) 0 – 127 Adjusts the modulation depth of the chorus ef[...]

34 Chapter 2 Using the XV-5080 Effects Making Reverb Settings These settings allow you to select the desired type of Reverb, its characteristics, and the pair of OUTPUT jacks to which the Reverb unit ’ s stereo output is routed. On the Effects General page, set the following parameters. Reverb Type Selects the type of Reverb. 0 (Off): Reverb is n[...]

35 Chapter 2 Using the XV-5080 Effects Chap.2 • For Type: 2 (SRV ROOM)/3 (SRV HALL)/4 (SRV PLATE) Pre Delay (Pre Delay Time) 0.0 – 100 ms Adjusts the time delay from when the direct sound begins until the reverb sound is heard. Time (Reverb Time) 0 – 127 Adjusts the time length of reverberation. Size 1 – 8 Adjusts the size of the simulated [...]

36 Chapter 2 Using the XV-5080 Effects Rhythm Set Mode Settings You can apply Multi-effects, Chorus or Reverb to each of a Rhythm Set ’ s Tones. You can control the amount of effect to be applied to each Rhythm Tone by adjusting its send level to the Multi-effects, Chorus and Reverb. fig.02-022.e The primary role of the effect settings is to dete[...]

37 Chapter 2 Using the XV-5080 Effects Chap.2 Routing Tones to Effects This sets the output destination and level for the currently selected Tone, as well as its send level with respect to the Chorus and Reverb. On the Effects General page, set the following parameters. Rhythm Tone Output Assign MFX: The Tone is sent into the Multi-effects. Its out[...]

38 Chapter 2 Using the XV-5080 Effects Making Chorus Settings The XV-5080 ’ s Chorus effect unit can also be used as a stereo delay unit. These settings allow you to select chorus or delay, the characteristics of the selected effect type, and the Chorus output routing. On the Effects General page, set the following parameters. Chorus Type 0 (Off)[...]

39 Chapter 2 Using the XV-5080 Effects Chap.2 • For Type: 2 (DELAY) Center (Delay Center) 200 – 1000 ms, Note Sets the delay time for the delay located at the center of the stereo field. Left (Delay Left) 200 – 1000 ms, Note Sets the delay time for the delay located at the left side of the stereo field. Right (Delay Right) 200 – 1000 ms, No[...]

40 Chapter 2 Using the XV-5080 Effects • For Type: 1 (REVERB) Type (Reverb/Delay Type) Selects a type of reverb or delay. ROOM1: This is a short reverb with high density. ROOM2: This is a short reverb with low density. STAGE1: This is a reverb with greater late reverberation. STAGE2: This is a reverb with strong early reflections. HALL1: This is [...]

41 Chapter 2 Using the XV-5080 Effects Chap.2 Settings in General MIDI Mode Please refer to Making Effects Settings ([F5 (Effects)]) (p. 227). Parameters for Each Multi- Effects The multi-effects feature 90 different kinds of effects. Some of the effects consist of two or more different effects connected in series or in parallel. Parameters marked [...]

42 Chapter 2 Using the XV-5080 Effects 37: CHORUS -> FLANGER(p. 63) 38: CHORUS/DELAY(p. 64) 39: FLANGER/DELAY(p. 64) 40: CHORUS/FLANGER(p. 64) 41: STEREO PHASER(p. 65) 42: KEYSYNC FLANGER(p. 65) 43: FORMANT FILTER(p. 66) 44: RING MODULATOR(p. 67) 45: MULTI TAP DELAY(p. 68) 46: REVERSE DELAY(p. 69) 47: SHUFFLE DELAY(p. 70) 48: 3D DELAY (p. 70) 49[...]

43 Chapter 2 Using the XV-5080 Effects Chap.2 73: KEYBOARD MULTI 74: RHODES MULTI 75: JD MULTI LoFi (Effects that intentionally degrades the sound quality) 50: LOFI COMPRESS 51: LOFI NOISE 76: STEREO LOFI COMPRESS 77: STEREO LOFI NOISE Guitar and Bass (Effects useful for the Guitar and Bass) 2: OVERDRIVE 3: DISTORTION 26: OVERDRIVE -> CHORUS 27:[...]

44 Chapter 2 Using the XV-5080 Effects 1: STEREO EQ (Stereo Equalizer) This is a four-band stereo equalizer (low, mid x 2, high). fig.2-04 Freq/Gain LowFreq (Low Frequency) Select the frequency of the low range (200 Hz/400 Hz). LowGain Adjust the gain of the low frequency. Mid1 Freq (Middle 1 Frequency) Adjust the frequency of Middle 1 (mid range).[...]

45 Chapter 2 Using the XV-5080 Effects Chap.2 3: DISTORTION This effect produces a more intense distortion than Overdrive. fig.2-06 Distortion Drive # Adjust the degree of distortion. The volume will change together with the degree of distortion. Amp Simulator Type (Amp Simulator Type) Select the type of guitar amp. SMALL: small amp BUILT-IN: singl[...]

46 Chapter 2 Using the XV-5080 Effects 5: SPECTRUM Spectrum is a type of filter which modifies the timbre by boosting or cutting the level at specific frequencies. It is similar to an equalizer, but has 8 frequency points fixed at locations most suitable for adding character to the sound. fig.2-08 Gain 250Hz (Band 1 Gain) Adjust the 250 Hz level. 5[...]

47 Chapter 2 Using the XV-5080 Effects Chap.2 7: AUTO WAH The Auto Wah cyclically controls a filter to create cyclic change in timbre. fig.2-10 Auto Wah Filter (Filter Type) Select the type of filter. LPF: The wah effect will be applied over a wide frequency range. BPF: The wah effect will be applied over a narrow frequency range. Sens Adjust the s[...]

48 Chapter 2 Using the XV-5080 Effects Level (High Frequency Level) Adjust the volume of the high frequency rotor. Output Level (Output Level) # Adjust the output level. 9: COMPRESSOR The Compressor flattens out high levels and boosts low levels, smoothing out unevenness in volume. fig.2-12 Compressor Attack Adjust the attack time of an input sound[...]

49 Chapter 2 Using the XV-5080 Effects Chap.2 11: HEXA-CHORUS Hexa-chorus uses a six-phase chorus (six layers of chorused sound) to give richness and spatial spread to the sound. fig.2-14 Hexa Chorus Rate # Adjust the rate of modulation. Depth Adjust the depth of modulation. Depth Dev (Depth Deviation) Adjust the difference in modulation depth betw[...]

50 Chapter 2 Using the XV-5080 Effects 13: SPACE-D Space-D is a multiple chorus that applies two-phase modulation in stereo. It gives no impression of modulation, but produces a transparent chorus effect. fig.2-16 Chorus Rate # Adjust the rate of modulation. Depth Adjust the depth of modulation. Phase Adjust the spatial spread of the sound. Pre Del[...]

51 Chapter 2 Using the XV-5080 Effects Chap.2 Output Level (Output Level) Adjust the output level. 15: STEREO FLANGER This is a stereo flanger. (The LFO has the same phase for left and right.) It produces a metallic resonance that rises and falls like a jet airplane taking off or landing. A filter is provided so that you can adjust the timbre of th[...]

52 Chapter 2 Using the XV-5080 Effects 16: STEP FLANGER The Step Flanger effect is a flanger in which the flanger pitch changes in steps. The speed at which the pitch changes can also be specified in terms of a note-value of a specified tempo. fig.2-19 Flanger Rate (LFO Rate) Adjust the rate of modulation. Depth (LFO Rate) Adjust the depth of modul[...]

53 Chapter 2 Using the XV-5080 Effects Chap.2 frequencies of the feedback, set this parameter to BYPASS. Feedback # Adjust the proportion (%) of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase. FBK Mode (Feedback Mode) Select the way in which delay sound is fed back into the effect. NORMAL: The left del[...]

54 Chapter 2 Using the XV-5080 Effects Modulation Rate # Adjust the speed of the modulation. Depth Adjust the depth of the modulation. Phase Adjust the spatial spread of the sound. EQ Gain Low (Low Gain) Adjust the gain of the low frequency range. High (High Gain) Adjust the gain of the high frequency range. Balance Balance (Effect Balance) # Adjus[...]

55 Chapter 2 Using the XV-5080 Effects Chap.2 Balance Balance (Effect Balance) # Adjust the volume balance between the direct sound and the delay sound. With a setting of D100:0W only the direct sound will be output, and with a setting of D0:100W only the delay sound will be output. Output Level (Output Level) Adjust the output level. 20: QUADRUPLE[...]

56 Chapter 2 Using the XV-5080 Effects 21: TIME CONTROL DELAY This effect allows you to use a specified controller (the controller selected in EFX Control Source) to control the delay time and pitch in realtime. Lengthening the delay will lower the pitch, and shortening it will raise the pitch. For details refer to “ Changing the Multi-Effects Se[...]

57 Chapter 2 Using the XV-5080 Effects Chap.2 Pitch B Coarse (Coarse Pitch B) #2 Adjust the pitch of Pitch Shift B in semitone steps (-2-+1 octaves). Fine (Fine Pitch B) #2 Make fine adjustments to the pitch of Pitch Shift B in 2-cent steps (-100-+100 cents). One cent is 1/100th of a semitone. Pan (Output Pan B) Adjust the stereo location of the Pi[...]

58 Chapter 2 Using the XV-5080 Effects 24: REVERB The Reverb effect adds reverberation to the sound, simulating an acoustic space. fig.2-30 Reverb Type (Reverb Type) Select the type of Reverb effect. ROOM1: dense reverb with short decay ROOM2: sparse reverb with short decay STAGE1: reverb with greater late reverberation STAGE2: reverb with strong e[...]

59 Chapter 2 Using the XV-5080 Effects Chap.2 Output Level (Output Level) # Adjust the output level. 26: OVERDRIVE → CHORUS This effect connects an overdrive and a chorus in series. fig.2-32 Overdrive Drive Adjust the degree of overdrive distortion. The volume will change together with the degree of distortion. Pan (Overdrive Pan) # Adjust the st[...]

60 Chapter 2 Using the XV-5080 Effects 28: OVERDRIVE → DELAY This effect connects an overdrive and a delay in series. fig.2-34 Overdrive Drive Adjust the degree of overdrive distortion. The volume will change together with the degree of distortion. Pan (Overdrive Pan) # Adjust the stereo location of the overdrive sound. L64 is far left, 0 is cent[...]

61 Chapter 2 Using the XV-5080 Effects Chap.2 32: ENHANCER → CHORUS This effect connects an enhancer and a chorus in series. fig.2-38 Enhancer Sens (Enhancer Sens) # Adjust the sensitivity of the enhancer. Mix Level (Enhancer Mix Level) Adjust the ratio with which the overtones generated by the enhancer are combined with the direct sound. Chorus [...]

62 Chapter 2 Using the XV-5080 Effects 34: ENHANCER → DELAY This effect connects an enhancer and a delay in series. fig.2-40 Enhancer Sens # Adjust the sensitivity of the enhancer. Mix Level (Enhancer Mix Level) Adjust the ratio with which the overtones generated by the enhancer are combined with the direct sound. Delay Time (Delay Time) Adjust t[...]

63 Chapter 2 Using the XV-5080 Effects Chap.2 Output Level (Output Level) Adjust the output level. 36: FLANGER → DELAY This effect connects a flanger and a delay in series. fig.2-42 Flanger Pre Delay (Flanger Pre Delay Time) Adjust the time delay from when the direct sound begins until the flanger sound is heard. Rate (Flanger Rate) Adjust the mo[...]

64 Chapter 2 Using the XV-5080 Effects Depth (Flanger Depth) Adjust the modulation depth of the flanger effect. Feedback (Flanger Feedback Level) Adjust the proportion (%) of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Balance (Flanger Balance) # Adjust the volume balance between the chorus sound[...]

65 Chapter 2 Using the XV-5080 Effects Chap.2 41:STEREO PHASER This is a stereo phaser. With the Step effects, you can also make stepped changes in the pitch of sounds to which the Phaser effect is applied. fig.2-51 Phaser Type (Phaser Type) Selects the type of Phaser. Type 2 adds more of the Phaser effect to the high frequencies than Type 1. Mode [...]

66 Chapter 2 Using the XV-5080 Effects Depth (LFO Depth) Adjust the modulation depth of the flanger sound. Fbk # Adjust the proportion (%) of the flanger sound that is to be returned to the input. Positive (+) settings will return the signal to the input with the original phase, while negative (-) settings produce an inverted phase. Higher settings[...]

67 Chapter 2 Using the XV-5080 Effects Chap.2 setting is the vowel 2. Rate Sets the frequency at which the two vowels will be switched. Depth Sets the effect depth. Manual Sets the point at which the two vowels will be switched. When set to 50, Vowels 1 and 2 switched in the same amount of time. Setting this higher than 50 increases the time for Vo[...]

68 Chapter 2 Using the XV-5080 Effects Output Level (Output Level) Adjust the output level. 45:MULTI TAP DELAY The Multi Tap Delay has four delays. Each of the Delay Time parameters can be specified as a note length of the selected tempo. You can also set the panning and level of each delay sound. fig.2-55 Delay 1 (Delay Time 1) Adjust the delay ti[...]

69 Chapter 2 Using the XV-5080 Effects Chap.2 Output Level (Output Level) Adjust the output level. 46:REVERSE DELAY Reverse Delay is a delay effect that adds the reverse of the input sound as the delay sound. fig.2-56 Delay 1 (Delay Time 1) Adjust the delay time from the original sound until the delay 1 sound is heard. 2 (Delay Time 2) Adjust the d[...]

70 Chapter 2 Using the XV-5080 Effects 47:SHUFFLE DELAY Shuffle Delay adds a shuffle to the delay sound, giving the sound a bouncy delay effect with a swing feel. fig.2-57 Delay Time (Delay Time) # Adjust the delay time from the original sound until the delay sound is heard. Shuffle Rate # Sets the ratio (as a percentage) of the time that elapses b[...]

71 Chapter 2 Using the XV-5080 Effects Chap.2 HF Damp Adjust the frequency above which delayed sound fed back to the delay input will be cut. If you do not want to cut the high frequencies of the feedback, set this parameter to BYPASS. Feedback # Adjust the proportion (%) of the delay sound that is to be returned to the input. Positive (+) settings[...]

72 Chapter 2 Using the XV-5080 Effects Pan 1:2:3 (Output Pan 1:2:3) Specify the stereo location of the pitch shift 1 – 3 sound. L64 is far left, 0 is center, and 63R is far right. Output Level (Output Level) Adjust the output level. 50:LOFI COMPRESS This is an effect that intentionally degrades the sound quality. fig.2-60 Lo-Fi Type (LoFi Type) L[...]

73 Chapter 2 Using the XV-5080 Effects Chap.2 HPF: The frequency region below the Cutoff Freq setting will be cut. Cutoff (Cutoff Frequency) Adjust the frequency at which the filter will begin cutting. Radio Noise Detune # Simulates the tuning noise of a radio. As this value is raised, the tuning will drift further. Level Adjust the volume of the r[...]

74 Chapter 2 Using the XV-5080 Effects Output Level (Output Level) # Adjust the output level. 53:OVERDRIVE 2 This is an overdrive that provides heavy distortion. fig.2-63 Overdrive Drive # Adjust the amount of distortion. The volume will change together with the degree of distortion. Tone Adjust the sound quality of the Overdrive effect. Amp Simula[...]

75 Chapter 2 Using the XV-5080 Effects Chap.2 55:STEREO COMPRESSOR fig.2-65 Compressor Attack Adjust the attack time of an input sound. Sustain Adjust the time over which low level sounds are boosted until they reach the specified volume. Post Gain Adjust the output gain. EQ Gain Low (Low Gain) Adjust the low frequency gain (amount of boost or cut)[...]

76 Chapter 2 Using the XV-5080 Effects 57:GATE The Gate effect cuts the reverb ’ s delay according to the volume of the sound input to the effects device. Use this in situations such as when you want to force a decrease in the decay sound. fig.2-67 Gate Mode GATE (Gate Reverb): When the source volume falls below a certain level, the gate closes, [...]

77 Chapter 2 Using the XV-5080 Effects Chap.2 Threshold (Reset Threshold) Sets the volume level at which the reset begins. Monitor (Reset Monitor) Determines whether the sound used as the reset trigger is output (ON) or not (OFF). This parameter is disabled when Reset is set to OFF or Source. Beat Change Mode Sets the manner in which the volume cha[...]

78 Chapter 2 Using the XV-5080 Effects Chorus Rate (LFO Rate) # Adjust the modulation frequency of the chorus sound. Depth (LFO Depth) Adjust the modulation depth of the chorus sound. Phase Adjust the spaciousness of the chorus sound. Pre Delay (Pre Delay Time) Adjust the delay time from the original sound until when the chorus sound is heard. Filt[...]

79 Chapter 2 Using the XV-5080 Effects Chap.2 Step Rate Switch (Step Rate Switct) Determines whether the pitch is changed in a stepped fashion (ON) or not (OFF). Step Rate (Step Rate) # And adjust the rate at which the pitch will change. EQ Gain Low (Low Gain) Adjust the low frequency gain (amount of boost or cut). Positive (+) settings will emphas[...]

80 Chapter 2 Using the XV-5080 Effects The teeth in SAW1 and SAW2 point at opposite directions. fig.2-73a Rate # Adjust the frequency (speed) of the change. Depth # Sets the depth to which the effect is applied. EQ Gain Low (Low Gain) Adjust the low frequency gain (amount of boost or cut). Positive (+) settings will emphasize (boost) the low freque[...]

81 Chapter 2 Using the XV-5080 Effects Chap.2 Output Level (Output Level) Adjusts the output level. 65: STEREO AUTO WAH This is a stereo auto wah. fig.02-065m.e Auto Wah Filter Type Selects the type of filter. LPF: The wah effect will be applied over a wide frequency range. BPF: The wah effect will be applied over a narrow frequency range. Sens # A[...]

82 Chapter 2 Using the XV-5080 Effects amount of time. Setting this higher than 50 increases the time for Vowel 1; setting this lower than 50 decreases the time for Vowel 1. Phase # Sets the phase shift of the left and right sounds when the two vowels are switched. Keysync Switch (Keysync Switch) Determines whether the LFO for switching the vowels [...]

83 Chapter 2 Using the XV-5080 Effects Chap.2 68: REVERSE DELAY 2 This allows you to set even longer delay times (max. 1500 ms) for the Multi-Tap Delay function. fig.02-068m.e Delay 1 – 4 (Delay Time 1 – 4) Adjusts the delay time from the direct sound until the delay 1 – 4 sound is heard. Feedback 1, 4 (Feedback 1, 4) # Adjusts the proportion[...]

84 Chapter 2 Using the XV-5080 Effects Feedback # Adjusts the proportion (%) of the delay sound that is fed back into the delay input. Positive (+) settings will return the signal to the input with the original phase, while negative (-) settings produce an inverted phase. HF Damp Adjusts the frequency above which delayed sound fed back to the delay[...]

85 Chapter 2 Using the XV-5080 Effects Chap.2 High (High Gain) Adjusts the gain of the high frequency range. Positive (+) settings will emphasize (boost) the high- frequency range. Balance Balance (Effect Balance) # Sets the volume balance between the direct sound and the effect sound. With a setting of D100:0W only the direct sound will be output,[...]

86 Chapter 2 Using the XV-5080 Effects EQ Gain Low (Low Gain) Adjusts the gain of the low frequency range. Positive (+) settings will emphasize (boost) the low- frequency range. High (High Gain) Adjusts the gain of the high frequency range. Positive (+) settings will emphasize (boost) the high- frequency range. Output Level (Output Level) # Adjusts[...]

87 Chapter 2 Using the XV-5080 Effects Chap.2 Fast (Low Frequency Fast Rate) Adjusts the speed of the low-range rotor for the fast-speed setting. Accel (Low Frequency Acceleration) Adjusts the time over which the rotation speed of the low- range rotor will change from slow-speed to fast-speed (or fast-speed to slow-speed) rotation. Lower values wil[...]

88 Chapter 2 Using the XV-5080 Effects EQ Gain Low (EQ Low Gain) Adjusts the low-range gain of the equalizer. Mid (EQ Mid Gain) Adjusts the gain of the area specified by the EQ M Fq parameter and the EQ M Q parameter. High (EQ High Gain) Adjusts the high-range gain of the equalizer. Mid (EQ Mid Frequency) Sets the center frequency for the equalizer[...]

89 Chapter 2 Using the XV-5080 Effects Chap.2 74: RHODES MULTI Rhodes Multi provides Enhancer (EH), Phaser (PH), Chorus or Flanger (CF), and Tremolo or Pan (TP) effects connected in series. fig.02-074m.e Sequence Enhancer (Enhancer Switch) Turns the Enhancer on/off. Phaser (Phaser Switch) Turns the Phaser on/off. CF Sw (CF Switch) Turns the chorus/[...]

90 Chapter 2 Using the XV-5080 Effects Tremolo/Pan Type Selects either Tremolo or Pan. ModWave (Modulation Wave) Selects the way in which tremolo or pan will be modulated. Tri: The sound will be modulated like a triangle wave. Sqr: The sound will be modulated like a square wave. Sin: The sound will be modulated like a sine wave. Saw1,2: The sound w[...]

91 Chapter 2 Using the XV-5080 Effects Chap.2 modified. 250Hz (250Hz Gain) Specifies the gain (amount of boost or cut) at 250 Hz. 500Hz (500Hz Gain) Specifies the gain (amount of boost or cut) at 500 Hz. 1000Hz (1000Hz Gain) Specifies the gain (amount of boost or cut) at 1000 Hz. 2000Hz (2000Hz Gain) Specifies the gain (amount of boost or cut) at 2[...]

92 Chapter 2 Using the XV-5080 Effects 77: STEREO LO-FI NOISE This is a stereo Lo-Fi noise. In addition to a Lo-Fi effect, this effect also generates various types of noise such as radio noise and disc noise. fig.02-077m.e Lo-Fi Type Degrades the sound quality. The sound quality will become poorer as this value is increased. Hum Type (Hum Noise Typ[...]

93 Chapter 2 Using the XV-5080 Effects Chap.2 Output Level (Output Level) Adjusts the output level. 78: GUITAR AMP SIMULATOR This is an effect that simulates an amp. fig.02-078m.e Amp Simulator Switch (Pre Amp Switch) Turns the amp switch on/off. Type (Pre Amp Type) Selects the type of guitar amp. Amp Level Volume (Pre Amp Volume) # Adjusts the vol[...]

94 Chapter 2 Using the XV-5080 Effects 79: STEREO OVERDRIVE This is a stereo overdrive. fig.02-079m.e Overdrive Drive # Adjusts the degree of distortion. The volume will change together with the degree of distortion. Tone Specifies the sound quality of the Overdrive effect. Amp Simulator Switch (Amp Simulator Switch) Turns the Amp Simulator switch [...]

95 Chapter 2 Using the XV-5080 Effects Chap.2 81: GUITAR MULTI A Guitar Multi 1 connects Compressor (Cmp), Overdrive or Distortion (ODDS), Amp Simulator (Amp), Delay (Dly), and Chorus or Flanger (CF) effects in series. * In this section, the Delay and Chorus/Flanger are depicted in diagrams. When these same effects are discussed later, these diagra[...]

96 Chapter 2 Using the XV-5080 Effects Amp Simulator Amp Type (Amp Simulator Type) Selects the type of guitar amp. Small: small amp BltIn: built-in type amp 2-Stk: large double stack amp 3-Stk: large triple stack amp Delay Left Time (Delay Time Left) Adjust the delay time from the original sound until the left delay sound is heard. Right Time (Dela[...]

97 Chapter 2 Using the XV-5080 Effects Chap.2 Amp Sim (Amp Simulator Switch) Turns the Amp Simulator on/off. 3 Band EQ (3 Band EQ Switch) Turns the equalizer on/off. Cho/Flg (Chorus/Flanger Switch) Turns the chorus/flanger on/off. Compressor Attack (Compressor Attack) Specifies the duration of the attack when sound is input. Sustain (Compressor Sus[...]

98 Chapter 2 Using the XV-5080 Effects Cutoff (Cutoff Frequency) Sets the cutoff frequency when a specific frequency band is cut off by a filter. Output Level (Output Level) Adjusts the output level. Pan (Output Pan) Adjusts the stereo location of the output sound. 83: GUITAR MULTI C Guitar Multi C connects Overdrive or Distortion (ODDS), Wah (Wah)[...]

99 Chapter 2 Using the XV-5080 Effects Chap.2 Feedback (Delay Feedback Level) Adjusts the proportion (%) of the delay sound that is fed back into the delay input. HF Damp Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to damp the high frequencies, set this parameter to BYPASS. Balance (Delay Balance) [...]

100 Chapter 2 Using the XV-5080 Effects EQ Gain Low (EQ Low Gain) Adjusts the low-range gain of the equalizer. EQ M Gain (EQ Mid Gain) Adjusts the gain of the area specified by the EQ M Fq parameter and the EQ M Q parameter. High (EQ High Gain) Adjusts the high-range gain of the equalizer. Mid Mid Freq (EQ Mid Frequency) Sets the center frequency f[...]

101 Chapter 2 Using the XV-5080 Effects Chap.2 85: CLEAN GUITAR MULTI B Clean Guitar Multi 2 provides Auto-wah (AW), Equalizer (EQ), Delay (Dly), and Chorus or Flanger (CF) effects connected in series. fig.02-085m.e Seqeuence Wah (Auto Wah Switch) Turns the Auto Wah on/off. 3 Band EQ (3 Band EQ Switch) Turns the 3 Band EQ on/off. Delay (Delay Switc[...]

102 Chapter 2 Using the XV-5080 Effects Chorus/Flanger Type Selects either Chorus or Flanger. Rate Sets the modulation speed for the chorus or flanger. Depth Sets the modulation depth for the chorus or flanger. Feedback (CF Feedback) Adjusts the proportion (%) of the flanger sound that is fed back into the effect. Negative (-) settings will invert [...]

103 Chapter 2 Using the XV-5080 Effects Chap.2 together with the degree of distortion. Level (Overdrive/Distortion Level) # Sets the volume of the Overdrive/Distortion sound. Amp Simulator Type (Amp Simulator Type) Selects the type of bass amp. Small: small amp BltIn: built-in type amp 2-Stk: large double stack amp 3 Band EQ Low (EQ Low Gain) Adjus[...]

104 Chapter 2 Using the XV-5080 Effects 87: ISOLATOR 2 This adds a filter to the ISOLATOR effect. Isolator is an equalizer which cuts the volume greatly, allowing you to add a special effect to the sound by cutting the volume in varying ranges. fig.02-087m.e Boost/Cut Low (Level Low) # Mid (Level Middle) # High (Level High) # These boost and cut th[...]

105 Chapter 2 Using the XV-5080 Effects Chap.2 500Hz (500Hz Gain) Specifies the gain (amount of boost or cut) at 500 Hz. 1000Hz (1000Hz Gain) Specifies the gain (amount of boost or cut) at 1000 Hz. 1250 Hz (1250 Hz Gain) Specifies the gain (amount of boost or cut) at 1250 Hz. 2000 Hz (2000 Hz Gain) Specifies the gain (amount of boost or cut) at 200[...]

106 Chapter 2 Using the XV-5080 Effects Copying Effect Settings You can copy the effect settings from any Patch, Performance, or Rhythm Set into the currently selected Patch, Performance, or Rhythm Set. This can save a great deal of time and effort when setting up effects. You can select the following effect contents to be copied. Copy Type ALL: Mu[...]

107 Chapter 3 Selecting Output Jacks The XV-5080 has four sets of stereo outputs. These outputs allow you to separate sounds — or groups of sounds — from the XV-5080 ’ s overall stereo mix, and to send them to their own external destinations. For example, you could route a stereo Rhythm Set to a pair of output jacks connected to an external e[...]

108 Chapter 3 Selecting Output Jacks Parameters The parameters related to Patch output settings are shown below. PATCH Effects General page ([PATCH] - [F6 (Effects)] - [F1 (General)]) This sets the output destination and level for the currently selected Tone, as well as its send level with respect to the Chorus and Reverb. Tone Output Assign Availa[...]

109 Chapter 3 Selecting Output Jacks Chap.3 PATCH Common General #1 page ([PATCH] - [F1 (COMMON)] - [F1 (General)]) Common Level (Patch Level) Range: 0 – 127 Sets the volume of the Patch. * You can specify the level for each Tone using the Tone Level parameter (TVA; p. 143). Pan (Patch Pan) Range: L64 – 63R Sets the stereo position of the Patch[...]

110 Chapter 3 Selecting Output Jacks Example of Settings Assigning Different Output Destinations for the Tones in a Patch In this example, let ’ s suppose we have a Patch composed of four Tones, and we are outputting Tone 1 from the A OUTPUT jacks, Tone 2 from the B OUTPUT jacks, Tone 3 from the INDIVIDUAL 5 jack, and Tone 4 from the INDIVIDUAL 6[...]

111 Chapter 3 Selecting Output Jacks Chap.3 Performance Mode Settings Signal (PART) Flow fig.03-002.e Parameters The parameters related to Part output settings are shown below. PERFORMANCE Effects General page ([PERFORM] - [F6 (Effects)] - [F1 (General)]) Sets the output destination and level for the selected Part, as well as its send level with re[...]

112 Chapter 3 Selecting Output Jacks Part Chorus Send Level Range: 0 – 127 Sets how much of the Part is sent to the Chorus. Its final output destination is determined by the Chorus output setting. Part Reverb Send Level Range: 0 – 127 Sets how much of the Part is sent to the Reverb. Its final output destination is determined by the Reverb outpu[...]

113 Chapter 3 Selecting Output Jacks Chap.3 SYSTEM General #1 page ([SYSTEM] - [F1 (General)]) Master Level (Master Level) Range: 0 – 127 Adjusts the volume of the entire XV-5080. Example of Settings Selecting Different Output Destinations for Parts in a Performance This example describes the procedure for outputting Part 1 from the A (MIX) OUTPU[...]

114 Chapter 3 Selecting Output Jacks Rhythm Set Mode Settings Signal (RHYTHM TONE) Flow fig.03-003.e Parameters The parameters related to Patch output settings are shown below. RHYTHM Effects General page ([RHYTHM] - [F6 (Effects)] - [F1 (General)]) These parameters set the output destination and level for the currently selected Rhythm Set Tone, an[...]

115 Chapter 3 Selecting Output Jacks Chap.3 MFX Chorus Send Level Range: 0 – 127 Determines the level of the post-Multi-effects processor signal sent to Chorus. Its final output destination is determined by the Chorus output setting. MFX Reverb Send Level Range: 0 – 127 Determines the level of the post-Multi-effects processor signal sent to Rev[...]

116 Chapter 3 Selecting Output Jacks SYSTEM Output page ([SYSTEM] - [F2 (OutP&EQ)]) Output Mix/Parallel Mode Available Settings: MIX: Signals that are set to be output from jacks other than the A (MIX) OUTPUT jacks are mixed and output from the A (MIX) OUTPUT jacks. This setting allows you to quickly route everything through headphones when you[...]

117 Chapter 3 Selecting Output Jacks Chap.3 Settings in General MIDI Mode Signal (PART) Flow fig.03-004.e Parameters The parameters related to Part output settings are shown below. GM Effects General page ([GM] - [F6 (Effects)] - [F1 (General)]) Sets the output destination and level for the selected Part, as well as its send level with respect to t[...]

118 Chapter 3 Selecting Output Jacks Reverb Send Level Range: 0 – 127 Sets the amount of the Chorus unit ’ s output to be sent to the Reverb. Its final output destination is determined by the Reverb output setting. Reverb Output Assign Range: A – D Selects the OUTPUT jacks to which the Reverb unit ’ s stereo output is routed. * As the inter[...]

119 Chapter 3 Selecting Output Jacks Chap.3 Digital Connections Using R- BUS The XV-5080 comes equipped with an R-BUS connector. This connector allows you to make an eight-channel digital connection using a single R-BUS cable (RBC-1/RBC-5; optional). In addition, you can connect the R-BUS connector to a DIF-AT, AE-7000, or other such digital device[...]

120 Chapter 3 Selecting Output Jacks Eight-Channel R-BUS Digital Connection fig.RBUS-1.e XV-5080 ——– > Device Equipped with R-BUS Connector (One Example) When Making the XV-5080 the Word Clock Master • XV-5080 Settings Master Clock: INTERNAL Master Freq: 44.1 or 48.0 kHz (set to match the sampling rate of the connected device) • VM-310[...]

121 Chapter 3 Selecting Output Jacks Chap.3 Converting to the Various Digital Formats Digital Output to an ADAT Connect a DIF-AT, and you ’ ll then be able to output to an ADAT. When Making the XV-5080 the Word Clock Master fig.RBUS-2.e Settings • XV-5080 Settings Master Clock: INTERNAL Master Freq: 44.1 or 48.0 kHz (set to match the sampling r[...]

122 Chapter 3 Selecting Output Jacks Digital Output to a TASCAM DA Series Connecting a DIF-AT then allows you to output to a TASCAM DA Series device. fig.RBUS-3.e When Making the XV-5080 the Word Clock Master Settings You cannot make these settings (the DIF-AT cannot be used as Word Clock Slave with TASCAM devices). When Making the XV-5080 the Word[...]

123 Chapter 3 Selecting Output Jacks Chap.3 Digital Output to an AES/EBU Device Connecting an AE-7000 then allows you to output to an AES/EBU device. When Making the XV-5080 the Word Clock Slave Settings fig.RBUS-4.e • XV-5080 Settings Master Clock: R-BUS • AE-7000 Settings CLOCK SOURCE SELECT:WORD CLOCK or INPUT A (for detailed instructions, r[...]

124 Chapter 3 Selecting Output Jacks Synchronizing the XV-5080 to the Word Clock arriving at WORD CLOCK IN fig.RBUS-6.e Settings • XV-5080 Settings Master Clock: WORD CLOCK IN • Word Clock Master Device Settings Set the sampling rate for the device acting as Word Clock Master to 44.1 or 48.0 kHz. * Word Clock signals input at WORD CLOCK IN are [...]

125 Chapter 4 Creating Patches Types of Patches and Their Composition The basic unit of sound used in performances on the XV-5080 is called a Patch; there are two types of Patches, Four-Tone Patches and Multi-Partial Patches. The Patch type is determined by the Tone type setting, in the Patch Common screen (p. 127). You do not need to be particular[...]

126 Chapter 4 Creating Patches Multi-partial Patch Patches using data loaded into the XV-5080 from sampler libraries are of this type. Multi-Partial Patches are created by assigning the constituent sounds, called Partials, to the keys on the keyboard, with up to 88 Partials being assignable. One difference between Tones and Partials is that whereas[...]

127 Chapter 4 Creating Patches Chap.4 Settings Common to the Entire Patch Setting Procedure: 1. Select the Patch you ’ re going to use. 2. Press [F1 (COMMON)]. 3. Use [F1] – [F5] to select the page containing the parameter you wish to set. * When the setting pages are displayed, you can press TONE SWITCH [1]–[4] to turn each Tone on/off. 4. U[...]

128 Chapter 4 Creating Patches INDIV 1 – 8: The Patch is sent to the selected INDIVIDUAL 1 – 8 jack. (Mono output) TONE/KEY: The output routing is determined by the settings of each Tone/Partial. Octave&Tune (Patch Octave & Tune) Octave Shift Range: -3 – +3 Sets the pitch of the Patch in units of an octave (+/-3 octaves). * This setti[...]

129 Chapter 4 Creating Patches Chap.4 Release Offset Range: -63 – +63 This simultaneously lowers or raises the individual TVA ENVELOPE T4 values of the Tones/Partials in the Patch. With Multi-Partial Patches, only TVA changes. Velo Sens Offset (Velocity Sensitivity Offset) Range: -63 – +63 Sets the relative ratio of change of the TVF VELOCITY V[...]

130 Chapter 4 Creating Patches that uses multiple tones, it may stop being heard in MONO. When making large pitch changes, set the Legato Retrigger to “ON.” Bender Sets the bend range. Bend Range Up Range: 0 – 48 Specifies the amount (in semitones) of pitch bend that will occur when the bender lever of a connected MIDI keyboard is moved to th[...]

131 Chapter 4 Creating Patches Chap.4 Structure (Patch Structure) These parameters can be set only for Four-Tone Patches. PATCH Common Structure page ([PATCH] - [F3 (Struct)]) fig.04-011.e_70 Tone 1&2/Tone 3&4 Determines how Tone 1 and 2, or Tone 3 and 4 are connected. Type (Structure Type) Range: 1 – 10 fig.04-012.e fig.04-013.e fig.04-0[...]

132 Chapter 4 Creating Patches other Tone to be connected in the simple order of WG/TVF/ TVA. Booster (Booster Gain) Range: 0/+6/+12/+18 If the “ Type ” parameter has been set to 3 or 4, you can set the Booster strength. The Booster amplifies the incoming signal, causing it to distort. This creates an effect similar to the distortion often used[...]

133 Chapter 4 Creating Patches Chap.4 U.F (TMT Keyboard Fade Width Upper) Range: 0 – 127 Determines what will happen to the Tone ’ s level when a note that ’ s higher than the Tone ’ s specified keyboard range is played. Higher settings result in a more gradual change in volume. If you don ’ t want the Tone to sound at all when a note abo[...]

134 Chapter 4 Creating Patches U.F (TMT Velocity Fade Width Upper) Range: 0 – 127 This determines what will happen to the Tone ’ s level when the Tone is played at a velocity greater than its specified velocity range. Higher settings result in a more gradual change in volume. If you don ’ t want notes played outside the specified velocity ran[...]

135 Chapter 4 Creating Patches Chap.4 fig.04-027.e 5. Press [ ]/[ ]/[ ]/[ ] to move the cursor to the parameter you want to set. 6. Turn the VALUE dial or press [INC]/[DEC] to select the desired value. * If you make a mistake when setting a parameter’s value, or you don’t like the change you have made, just press [UNDO] to restore the original [...]

136 Chapter 4 Creating Patches The following diagram shows an example of a sound – an electric organ – that combines one-shot and looped waveforms. fig.04-030.e Notes for Editing One-Shot Waveforms You cannot give a one-shot waveform a longer decay — or make it into a sustaining sound — by using an envelope. If you were to program such an e[...]

137 Chapter 4 Creating Patches Chap.4 Gain (Wave Gain) Range: -6/0/+6/+12 Specifies the gain (amplitude) of the waveform. The value changes in 6 dB (decibel) steps — an increase of 6 dB doubles the waveform ’ s gain. If you intend to use the Booster to distort the waveform ’ s sound, set this parameter to its maximum value. Tempo Sync (Wave T[...]

138 Chapter 4 Creating Patches Time (Tone Delay Time) Range: 0 – 127/Note Specifies the time after which the Tone will sound when using Tone Delay. When the Type parameter (STRUCT page) has a setting of 2 – 10, the outputs of Tones 1 (3) and 2 (4) will be combined with Tone 2 (4). Tone 1 (or 3) settings will be ignored. For more information on [...]

139 Chapter 4 Creating Patches Chap.4 Depth (Pitch Envelope Depth) Range: -12 – +12 Determines the amount of pitch enveloping to be used. Higher values will cause greater change. Negative (-) settings invert the direction of the changes made by the Pitch Envelope. Time Keyfollow (Pitch Envelope Time Keyfollow) Range: -100 – +100 Use this parame[...]

140 Chapter 4 Creating Patches point, then go back and forth between the Loop Start point and the Loop End point. REV-ONE (Reverse One-shot) The sample will be played back only once from the Loop End point to the Start point in the reverse direction. REV (Reverse): When the sample has been played back from the Loop End point to the Start point, it [...]

141 Chapter 4 Creating Patches Chap.4 filter reduces the frequencies more gently than LPF2. This can be very effective with acoustic-instrument-based Tones, since nothing is done to weaken the power and energy of the sound. * This disables the Resonance setting. Cutoff Freq (TVF Cutoff Frequency) Range: 0 – 127 Specifies the frequency (cutoff fre[...]

142 Chapter 4 Creating Patches PATCH TVF Envelope page ([PATCH] - [F3 (TVF)] - [F2 (TVF Env)]) fig.04-044.e_70 TVF Envelope These parameters determine the amount of filter enveloping – changes to your original cutoff frequency setting that occur over time – the effect of velocity on the TVF envelope, and the basic characteristics of the TVF env[...]

143 Chapter 4 Creating Patches Chap.4 Changing the Volume and Stereo Location ([F4 (TVA)]) The TVA (Time Variant Amplifier) controls volume changes to the Tone as well as its stereo positioning. PATCH TVA Parameter page ([PATCH] - [F4 (TVA)] - [F1 (TVA Prm)]) fig.04-046.e_70 TVA Level (Tone Level) Range: 0 – 127 Sets the volume of the Tone. This [...]

144 Chapter 4 Creating Patches Keyfollow (Tone Pan Keyfollow) Range: -100 – +100 Use this parameter when you want each note ’ s keyboard position to affect its stereo location. Higher values for this parameter will cause more extreme changes to the T2 – T4 settings as you play further away from Middle C (C4) – at Middle C itself, your origi[...]

145 Chapter 4 Creating Patches Chap.4 Applying Vibrato or Tremolo ([F5 (LFO&CTL)]) The LFO (Low Frequency Oscillator) can alter various Tone settings in a back-and-forth, cyclic manner. Each Tone has two LFOs, and each can apply the desired amount of repetitive change to the Tone ’ s Pitch, TVF cutoff frequency, TVA Level and TVA Pan settings[...]

146 Chapter 4 Creating Patches Fade (LFO Fade) Mode (LFO Fade Mode) Sets how the LFO will be applied. Available Settings: ON-IN: The LFO will fade in after the key is pressed. fig.04-051.e ON-OUT: The LFO will be immediately applied when the key is pressed, and will then fade out. fig.04-052.e OFF-IN: The LFO will fade in after the key is released.[...]

147 Chapter 4 Creating Patches Chap.4 PITCH ENV: Pitch envelope TVF ENV: TVF envelope TVA ENV: TVA envelope Destination Selects the parameters to be controlled. (p. 218) Sens (Sensitivity) Range: -63 – +63 Adjusts the amount of change that will occur in response to controller changes. Negative (-) values invert the change. Negative (-) settings w[...]

148 Chapter 4 Creating Patches Creating Multi-Partial Patches When creating and playing Multi-Partial Patches, you must have a separate device to load samples from a sampler library or other source to the XV-5080. First, load a Patch or Performance from the sound library (such as the optional L-CDX Series). Then, if needed, make changes to the para[...]

149 Chapter 4 Creating Patches Chap.4 Assign (Assign Type) Selects the range over which the Split settings are applied. MULTI: The settings affect all Partials. SINGLE: The settings affect a single selected Partial. MIDI (MIDI Switch) Range: OFF/SELECT/SET Determines whether or not selections and settings are be made with a MIDI keyboard. OFF: MIDI[...]

150 Chapter 4 Creating Patches Editing Samples PATCH WG SMT#1 page ([PATCH] - [F2 (WG)] - [F2 (SMT)]) fig.04-061.e_70 SMT (Sample Mix Table) The SMT number is displayed. No. (Sample Number) Specify the number of the Sample to be assigned. Name (Sample Name) The name of the assigned sample will be displayed. Level (Sample Level) Range: 0 – 127 Det[...]

151 Chapter 4 Creating Patches Chap.4 PATCH WG SMT#2 page ([PATCH] - [F2 (WG)] - [F2 (SMT)]) fig.04-063.e_70 SMT Velocity Control (SMT Velocity Control Switch) Range: OFF/ON Determines whether Velocity messages from a MIDI keyboard or sequencer will be recognized (ON), or ignored (OFF). L.F (SMT Velocity Fade Width Lower) Range: 0 – 125 Determine[...]

152 Chapter 4 Creating Patches ONE SHOT: The sample will be played back only once, from the Start point to the Loop End point. ALT (Alternate): When the sample has been played back from the Start point to the Loop End point, playback will repeat to the Loop Start point, then go back and forth between the Loop Start point and the Loop End point. REV[...]

153 Chapter 4 Creating Patches Chap.4 keyboard to select the pertial. PATCH TVF Parameter page ([PATCH] - [F3 (TVF)] - [F1 (TVF Prm)]) fig.04-066.e_70 TVF Filter Type (TVF Filter Type) Selects the filter type. A filter typically reduces, or attenuates, a specific frequency range within a Tone in order to accentuate its other frequencies. Available [...]

154 Chapter 4 Creating Patches PATCH TVF Envelope page ([PATCH] - [F3 (TVF)] - [F2 (TVF Env)]) These parameters determine the amount of filter enveloping – changes to your original cutoff frequency setting that occur over time – the effect of velocity on the TVF envelope, and the basic characteristics of the TVF envelope itself. fig.04-068.e_70[...]

155 Chapter 4 Creating Patches Chap.4 Making the Volume Change ([F4 (TVA)]) Press [F5 (Global)] to turn Global on and display the " ✔ " to the left of the function name; the same settings are applied to all Partials used in the Patch being edited. When Global is set to OFF, then only the currently selected Partial (the Partial appearing[...]

156 Chapter 4 Creating Patches Level (TVA Envelope Level 1 – 3) Range: 0 – 127 Each TVA envelope level value determines an amount of change to be applied to the original Tone level setting. Velocity Sens (TVA Envelope Velocity Sensitivity) Time1 (TVA Envelope Time 1 Velocity Sensitivity) Range: -63 – +63 Use this parameter when you want keybo[...]

157 Chapter 4 Creating Patches Chap.4 Rate (LFO Rate) Range: 0 – 127 Adjusts the basic modulation rate, or speed, of the LFO. Detune (LFO Rate Detune) Range: 0 – 127 Changes the rate of the LFO. Delay (LFO Delay) Time (LFO Delay Time) Range: 0 – 127 This sets the time interval between the moment when a key is pressed (or released) and the mom[...]

158 Chapter 4 Creating Patches Destination Selects the parameters to be controlled. (p. 218) Sens (Sensitivity) Range: -63 – +63 Adjusts the amount of change that will occur in response to controller changes. Negative (-) values invert the change. Negative (-) settings will invert the phase. For LFO rates, negative (-) values slow down the LFO, a[...]

159 Chapter 5 Creating a Performance How a Performance Is Organized With Performances, you can combine a total of up to 32 separate Patches and Rhythm Sets to enjoy ensemble performances featuring rich tones. In other words, using Performances allows you to control 32 separate tones with a single XV-5080. A sound module that can simultaneously prod[...]

160 Chapter 5 Creating a Performance * This setting is linked to the setting for the Solo Part Select parameter (Performance Common page; p. 160). * Even with Solo Part specified here, no sound will be produced if the MIDI Rx (Performance MIDI #1 page) for the selected part is switched to “OFF.” Establishing Settings for an Entire Performance ([...]

161 Chapter 5 Creating a Performance Chap.5 5. Turn the VALUE dial or press [INC]/[DEC] to select the desired value. * If you make a mistake when setting a parameter’s value, or you don’t like the change you have made, just press [UNDO] to restore the original value of the parameter. 6. Repeat steps 2 – 5 to complete a Performance. 7. Press [[...]

162 Chapter 5 Creating a Performance K.L (Part Keyboard Range Lower) Range: C -1 – G9 Specifies the lowest note that will cause the Part to play its sound. K.U (Part Keyboard Range Upper) Range: C -1 – G9 Specifies the highest note that will cause the Part to play its sound. The Lower value cannot be set to a value greater than Upper value, or [...]

163 Chapter 5 Creating a Performance Chap.5 Bend Range (Part Pitch Bend Range) Range: 0 – 48/PATCH Sets the amount of pitch change that will occur when you move the Pitch Bend lever. The amount of change when the lever is tilted is set to the same value for both left and right sides. When set to PATCH, the bend range settings for the assigned Pat[...]

164 Chapter 5 Creating a Performance Release Offset (Part Release Time Offset) Range: -64 – +63 Sets the relative proportion of change in the TVF/TVA Envelope T4 value set for each tone comprising the Patch or Rhythm Set assigned to the part. * Patches also contain a Release Time Offset setting. The final TVF/TVA Envelope release time value is th[...]

165 Chapter 5 Creating a Performance Chap.5 MIDI IN1 (Part MIDI IN 1 Receive Switch) Range: OFF/ON Sets whether each Part will receive MIDI messages (ON) or not (OFF) from the MIDI IN 1 connector. MIDI IN2 (Part MIDI IN 2 Receive Switch) Range: OFF/ON Sets whether each Part will receive MIDI messages (ON) or not (OFF) from the MIDI IN 2 connector. [...]

166 Chapter 5 Creating a Performance Expression (Receive Expression Switch) Range: OFF/ON Sets whether the MIDI channel will receive MIDI Expression messages (ON) or not (OFF). Hold-1 (Receive Hold 1 Switch) Range: OFF/ON Sets whether the MIDI channel will receive MIDI Hold 1 messages (ON) or not (OFF). Phase Lock Range: OFF/ON This setting activat[...]

167 Chapter 5 Creating a Performance Chap.5 5. Press [ ]/[ ]/[ ]/[ ] to move the cursor to “ Type. ” 6. Turn the VALUE dial to select “ PART. ” 7. Press [ ]/[ ]/[ ]/[ ] to move the cursor to the parameter you want to set. 8. Either by rotating the VALUE dial or by pressing [INC]/ [DEC], set the value. 9. Press [F6 (Copy)] to initiate the co[...]

168 Chapter 6 Creating Rhythm Sets How Percussion Instruments Are Organized Rhythm sets are groups of a number of different percussion instrument sounds. An instrument consists of the following four elements. fig.06-001.e WG (Wave Generator) Specifies the PCM waveform (wave) that is the basis of the sound, and determines how the pitch of the sound [...]

169 Chapter 6 Creating Rhythm Sets Chap.6 Settings Common to an Entire Rhythm Set Setting Procedure: 1. Select the Rhythm Set you wish to use. 2. Press [F1 (Common)]. 3. Use [ ]/[ ]/[ ]/[ ] to move the cursor to the parameter you want to set. 4. Turn the VALUE dial or by press [INC]/[DEC], to select the desired value. * If you’ve made a mistake, [...]

170 Chapter 6 Creating Rhythm Sets Setting up Individual Rhythm Tones The parameters that can be set for each Rhythm Tone of the Rhythm Set are assigned to [F2] – [F5] as follows. Setting Procedure: 1. Select the Rhythm Set you wish to set. 2. Press [F2] – [F5], whichever has the parameter you wish to set assigned to it, and select the display [...]

171 Chapter 6 Creating Rhythm Sets Chap.6 vibrations and the hollow sounds of brass instruments. The following diagram shows an example of a sound — an electric organ — that combines one-shot and looped waveforms. fig.06-005.e Notes for Editing One-Shot Waveforms You cannot give a one-shot waveform a longer decay — or make it into a sustainin[...]

172 Chapter 6 Creating Rhythm Sets WAVE Group (Wave Group) Selects the group for the waveform that is to be the basis of the Rhythm Tone. Available Settings: INT: Waveform stored in the XV-5080 ’ s memory. XP-A – H: Waveform on the wave expansion boards A – H. * It is not possible to select a Group of a Wave Expansion Board that is not instal[...]

173 Chapter 6 Creating Rhythm Sets Chap.6 RHYTHM WG Pitch page ([RHYTHM] - [F2 (WG)] - [F2 (Pitch)]) fig.06-008.e_70 Pitch (Rhythm Tone Pitch) Coarse Tune (Rhythm Tone Coarse Tune) Range: C-1 – G9 Adjusts the pitch of the Tones in semitone steps over a range of +/-4 octaves. Fine Tune (Rhythm Tone Fine Tune) Range: -50 – +50 Adjusts the pitch o[...]

174 Chapter 6 Creating Rhythm Sets Time4 (Pitch Envelope Time 4 Velocity Sensitivity) Range: -63 – +63 Use this parameter when you want keyboard playing dynamics (velocity) to affect T4 (Time 4) of the pitch envelope. With higher settings, the T4 value will change more significantly depending on whether you release the key slowly or quickly. With[...]

175 Chapter 6 Creating Rhythm Sets Chap.6 Loop Mode (Loop Mode) Displays the loop mode of the loaded Sample. Available Settings: FWD (Forward): After the Sample played back from the Start point to the Loop End point, it will then be repeatedly played back in the forward direction, from the Loop Start point to the Loop End point. ONE-SHOT: The sampl[...]

176 Chapter 6 Creating Rhythm Sets cutoff frequency by raising their level. You can use this to create wah-wah effects by employing an LFO to change the cutoff frequency cyclically. LPF2: Low Pass Filter 2. This reduces the volume of all frequencies above the cutoff frequency. This differs from LPF in that you can control the amount of the reductio[...]

177 Chapter 6 Creating Rhythm Sets Chap.6 RHYTHM TVF Envelope page ([RHYTHM] - [F3 (Key TVF)] - [F2 (TVF Env)]) fig.06-016.e_70 TVF Envelope These parameters determine the amount of filter enveloping – changes to your original cutoff frequency setting that occur over time – the effect of velocity on the TVF envelope, and the basic characteristi[...]

178 Chapter 6 Creating Rhythm Sets V-Curve (TVA Level Velocity Curve) Range: FIXED/1 – 7 This setting allows you to select from seven velocity curves that determine how the force with which the keyboard is played is to affect the Tone ’ s volume. The selected curve is displayed to the below of its parameter value. When set to “ FIXED, ” the[...]

179 Chapter 6 Creating Rhythm Sets Chap.6 Other Settings ([F5 (Key Ctl)]) RHYTHM Key Control page ([RHYTHM] - [F5 (Key Ctl)]) fig.06-020.e_70 Control Bend Range (Tone Pitch Bend Range) Range: 0 – 48 Sets the amount of pitch change that will occur when you move the Pitch Bend lever. The settings value affects the Bend Range in both the upper and l[...]

180 Chapter 6 Creating Rhythm Sets Copying Settings from Some Other Rhythm Tone The Rhythm Tone settings in a Rhythm Set you select can be copied to the current Rhythm tone. This can save you a great deal of time and effort when editing sounds. 1. Confirm that the copy-destination Rhythm Tone is currently selected. 2. Press [SYSTEM/UTILITY], gettin[...]

181 Chapter 7 Loading a Variety of Data Loading Sampler Libraries (CD-ROM) Now let ’ s try loading a sampler library (such as the optional L-CDX Series) into the XV-5080 and playing some sounds. Playing sampler libraries with the XV-5080 requires a SCSI- type CD-ROM drive (the optional CDR-88RW-2), and commercially available SIMMs (memory modules[...]

182 Chapter 7 Loading a Variety of Data 1. Turn off the power on the XV-5080 and any connected devices, and disconnect any cables connected to the XV- 5080. 2. Detach the cover on the top of the XV-5080. fig.07-002.e 3. The order in which the slots are used when installing the SIMMs depends on the number of SIMMs added. Refer to the table below. SI[...]

183 Chapter 7 Loading a Variety of Data Chap.7 Installation de la carte d'extension Wave (French language for Canadian Safety Standard) Les cartes d'exten-sion Wave contiennent des donnees Wave, aussi bien que des morceaux musicaux et des ensembles rythmiques utilisant ces donnees, auxquelles on peut directement acceder dans la zone tempo[...]

184 Chapter 7 Loading a Variety of Data 1. É teindre le XV-5080 et tout l ’é quipement qui y est reli é . Ensuite, d é connecter tous les c â bles qui sont reli é s au XV-5080. 2. Enlever la plaque protectrice du dessus du XV-5080. 3. L ’ emplacement et l ’ ordre d ’ installation sont d é termin é s par le nombre de cartes que vous [...]

185 Chapter 7 Loading a Variety of Data Chap.7 Connecting a CD-ROM Drive fig.07-005.e 1. Turn off the power of the XV-5080 and any connected external devices. 2. Connect the XV-5080 and the CD-ROM drive with a SCSI cable (one equipped with a 25-pin D-sub type connector at the XV-5080 end). 3. Set the SCSI ID with the SCSI switch on the rear panel. [...]

186 Chapter 7 Loading a Variety of Data 10. Turn the VALUE dial or press [ ] or [ ] to select the file to be loaded and press [F5 (Mark)]; a “ ✔ ” is added. * Press [F4 (Mk All) if you want to set markers for all files. Press it again to remove all markers. The files can also be sorted. Press [F3 (Sort)] to open the window for selecting the s[...]

187 Chapter 7 Loading a Variety of Data Chap.7 About Each Sampler Library Folder Type (Display) In the case of the S-700 series <Volume>: This indicates Volume folders. <Performance>: This indicates Performance folders. <Patch>: This indicates Patch folders. <Partial>: This indicates Partial folders. <Sample>: This ind[...]

188 Chapter 7 Loading a Variety of Data About the Display of Folder Categories in Sampler Libraries S-700 Series files have the category indicated. The following categories can be selected. • other: No Assign • BEL: Bell(Bell, Bell Pad) • BRS: Brass(Synth Brass) • BS : Bass(Acoustic Bass, Electric Bass) • BTS: Beats(Beat, Groove) • CMB:[...]

189 Chapter 7 Loading a Variety of Data Chap.7 Auto Load This selects the folder (<Sample>) to which samples are automatically loaded when the XV-5080 ’ s power is turned on. * If you select Auto Load, the display will show a message for ten seconds, informing you that “Samples for automatic loading were found. Execute automatic loading??[...]

190 Chapter 7 Loading a Variety of Data Playing Back Loaded Sampler Libraries Patches and Performances loaded from CD-ROMs are recorded in the USER Group. After selecting a Patch or Performance in the USER Group, you can then play the sounds. 1. Press [USER], getting the indicator to light. 2. Press [PATCH] or [PERFORM] to make its indicator light.[...]

191 Chapter 7 Loading a Variety of Data Chap.7 You can also sort files. When you press [F3 (Sort)] the window for selecting the type of sort is displayed. Turn the VALUE dial or press [ ] or [ ] to select the way you want the files to be sorted, then press [F6 (OK)]. Without: Files appear in the order saved. Name: Files are sorted according to the [...]

192 Chapter 7 Loading a Variety of Data fig.07-04.e_70 f 5. Turn the VALUE dial or press [ ] or [ ] to select the Sample to be transmitted, then press [F5 (Mark)]. Press [F4 (Mk All) if you want to set markers in all samples. Press this once more to remove all markers. * This displays the number and size of marked samples on the display. 6. Press [[...]

193 Chapter 7 Loading a Variety of Data Chap.7 Automatically Creating Multi- Partial Patches (Create Patch) This creates Partials from samples loaded to the SIMM, assigns the samples to the original key, and automatically creates a Multi-Partial Patch. * If any of the loaded samples have the same original key, the sample assigned latest is given pr[...]

194 Chapter 8 Saving Tones and Other Data You ’ ve Created Saving Edits to the XV- 5080 ’ s Internal Memory (Write) If you turn the power off or select another Patch, Performance, or Rhythm Set after you have modified a Patch, Performance or Rhythm Set, the changes you have made will be lost. If you wish to preserve the data, store it into the [...]

195 Chapter 8 Saving Tones and Other Data You ’ ve Created Chap.8 When Changing the Settings for the Patch or Rhythm Set Assigned to a Part in a Performance After changing the settings for the Patch or Rhythm Set assigned to a Part in a Performance, if you then try to save the Performance without first saving the changes in the settings, the foll[...]

196 Chapter 8 Saving Tones and Other Data You ’ ve Created Formatting a Memory Card This function initializes (formats) a memory card so that XV- 5080 data can be saved onto it. Before a new memory card or a memory card used on another device can be used on the XV-5080, it must be formatted on the XV-5080. * Please be aware that formatting will e[...]

197 Chapter 8 Saving Tones and Other Data You ’ ve Created Chap.8 If samples not loaded into the SIMM memory are found in the save destination memory card, those samples will be deleted from the memory card. The sample is automatically registered to an empty bank in CARD A-H. * To cancel the operation, press [EXIT]. Free Area SIMM This displays t[...]

198 Chapter 8 Saving Tones and Other Data You ’ ve Created By pressing [F2 (View)], you can specify the category of files to be displayed. Turn the VALUE dial or press [ ] or [ ] to select the category to be loaded, then press [F5 (Mark)]. Press [F4 (Mk All) if you want to set markers for all files. Press this once more to remove all markers. The[...]

199 Chapter 8 Saving Tones and Other Data You ’ ve Created Chap.8 <Registering to Banks (Regstry)> 1. Press [DISK], lighting the indicator. 2. Press [F5 (Tool)]. 3. Press [F5 (Regstry)]. The Card&Disk Card Registration page appears. fig.08-05.e_70 * The amount of memory available in installed SIMMs, and the size of samples on the card a[...]

200 Chapter 8 Saving Tones and Other Data You ’ ve Created Saving All Data to Zip Disk ([DISK] - [F2 (SAVE)]) By connecting a SCSI-compatible Zip drive (optional ZIP- EXT-2S), you can take all of the Patch, Performance, Rhythm Set, System, and Favorites List settings that are stored in the internal memory, put them in one single file, name the fi[...]

201 Chapter 8 Saving Tones and Other Data You ’ ve Created Chap.8 [F2 ( ← Prev)]: To move back one character. [F4 (Insert)]: To insert a space. [F5 (Delete)]: To delete the character at the cursor position. The Save what from SIMM? window will appear. WAV + PARAMETERS: All of the XV-5080 ’ s settings are saved. In addition, samples loaded to [...]

202 Chapter 8 Saving Tones and Other Data You ’ ve Created Initializing a Sound This function resets all of the parameters in the current Patch, Performance, Rhythm Set or Rhythm Tone to their standard or factory default settings. * Only current data (data in the temproary memory) will be initialized, and data resident in user memory will not be [...]

203 Chapter 8 Saving Tones and Other Data You ’ ve Created Chap.8 Use [ ] [ ] to move the cursor to Key, and either rotate the VALUE dial, or press [INC] [DEC] to select the key. You can also use TONE SELECT [1] – [4] to select the percussion instrument sound you wish to edit, according to the key that plays it. TONE SELECT [1]: Selects the key[...]

204 Chapter 8 Saving Tones and Other Data You ’ ve Created Source You can specify the data to be transmitted by selecting the appropriate combination shown below. For example, if you wish to transmit the USER group Patches 001 – 020, you would specify “ PATCH USER: 001 – 020. ” TYPE BLOCK ALL USER TEMP PERFORM USER 01 – 64 TEMP -PATCH *[...]

205 Chapter 8 Saving Tones and Other Data You ’ ve Created Chap.8 TYPE BLOCK ALL PR-A, B *1 PERFORM USER *2 01 – 64 PR-A, B 01 – 32 CARD 01 – 64 *6 PATCH USER *2 001 – 128 PR-A – G *3 001 – 128 CARD 001 – 128 *5 XP-A – H *4 RHYTHM USER *2 1 – 4 PR-A – G *3 1 – 2 CARD 1 – 4* 5 XP-A – H* 4 SYSTEM CARD *6 F-LIST CARD *6 * 1[...]

206 Chapter 8 Saving Tones and Other Data You ’ ve Created 6. Press [EXIT] several times to return to the applicable PLAY page. * Even if the Internal Write Protect setting is “ON” (write prohibit), incoming System Exclusive messages can rewrite the User memory data if the Exclusive Protect setting is set to “OFF” (write permit). Resettin[...]

207 Chapter 8 Saving Tones and Other Data You ’ ve Created Chap.8 Registering Favorite Patches in the FAVORITE LIST You can bring together your favorite and most frequently used Patches in one place by registering them in the FAVORITE LIST. The FAVORITE LIST gives you immediate access to your favorite Patches, whether they are in the XV- 5080 its[...]

208 Chapter 9 Other Settings/Status Checks Settings Common to the Entire XV-5080 ([SYSTEM/ UTILITY] - [F1 (General)]) fig.09-001.e_70 Setting Procedure: 1. Press [SYSTEM/UTILITY], getting the indicator to light. * If the indicator is blinking, you are in UTILITY mode. Press [SYSTEM/UTILITY] once again to make its indicator light. 2. Press [F1 (Gene[...]

209 Chapter 9 Other Settings/Status Checks Chap.9 Setting the Tuning and Volume Settings Master The Master Tune and Master Key Shift settings are common to all Patches, Performances, Rhythm Sets, and the GM Mode. Level (Master Level) Range: 0–127 Adjusts the volume of the entire XV-5080. Tune (Master Tune) Range: 415.3–466.2 kHz Adjusts the ove[...]

210 Chapter 9 Other Settings/Status Checks 5. Either turn the VALUE dial, or press [INC]/[DEC] to select the desired value. * If you’ve made a mistake, simply press [UNDO]. The value of the parameter will be restored to what it was when you first positioned the cursor there. 6. Press [EXIT] to return to the applicable PLAY page. The Setting In Pe[...]

211 Chapter 9 Other Settings/Status Checks Chap.9 Making the Equalizer Settings ([SYSTEM/UTILITY] - [F2 (Outp&EQ)] - [F2 (EQ)]) You can set the equalization for each of the output jacks. * ON and OFF are applied to all of the equalizers as a group. (p. 24) fig.09-003.e_70 Output-A (1/2) – D (7/8) L.F (Low Frequency) Range: 200/400 Hz Selects [...]

212 Chapter 9 Other Settings/Status Checks Setting the MIDI Channel The XV-5080 produces sound, and can change its internal settings in response to MIDI messages that it receives from other devices. In order for this to occur, the MIDI transmission channels of the external device must match the MIDI reception channels of the XV-5080. MIDI Receive C[...]

213 Chapter 9 Other Settings/Status Checks Chap.9 MIDI IN connectors The XV-5080 has two MIDI IN connectors. By providing for the use of two MIDI IN connectors, the XV-5080 readily accommodates a broad variety of performance situations. The XV-5080 ’ s MIDI IN 1 connector is usually used for keyboard performances and the like, whereas the MIDI IN[...]

214 Chapter 9 Other Settings/Status Checks fig.09-MIDI IN-5.e In Performance Mode The instrument operates as a Performance (32-part) sound module and a 16-part GM2 sound module (for a total of 48 parts). In this case, the MIDI IN 2 Receive switch settings for the Performance ’ s parts are disabled (always OFF). You cannot use the panel to select [...]

215 Chapter 9 Other Settings/Status Checks Chap.9 Selecting Common Controllers ([SYSTEM/ UTILITY] - [F4 (Control)]) These settings allow you to choose four MIDI controllers for global use when controlling the parameters of any Patch or Performance. The settings in each Patch or Performance will determine whether the two controllers you choose here [...]

216 Chapter 9 Other Settings/Status Checks SCSI ID XV-5080 Self The current SCSI ID number of the XV-5080 will be displayed.[...]

217 Chapter 10 Examples of Applications Using the XV-5080 Controlling the XV-5080 in Real Time Using an External MIDI Device External MIDI controllers (modulation lever, foot switch, expression pedal, etc.) can be used to modify Multi-effects settings or Tone settings in real time. Changing the Multi-Effects Settings From an External MIDI Device Th[...]

218 Chapter 10 Examples of Applications Using the XV-5080 MFX Control Destination Selects the Multi-effects parameter to be controlled using the MFX Control 1 – 4 source. The parameters that can be selected depend on which type of Multi-effects is set to MFX Type. Modifying Tone Settings You can use the Matrix Control parameter to control Tone se[...]

219 Chapter 10 Examples of Applications Using the XV-5080 Chap.10 PAN TVA ENV A-TIME TVA ENV D-TIME TVA ENV R-TIME Sens Range: -63 – +63 Adjusts the amount of change that will occur in response to controller changes. Negative (-) values invert the change. Negative (-) settings will invert the phase. For LFO rates, negative (-) values slow down th[...]

220 Chapter 10 Examples of Applications Using the XV-5080 64:STEREO PHASER2 Rate,Step Rate 65:STEREO AUTO WAH Rate 66:ST FORMANT FILTER Rate 67:MULTI TAP DELAY 2 Delay1-4 68:REVERSE DELAY 2 Delay1-4 69:SHUFFLE DELAY 2 Delay 70:3D DELAY 2 Delay Left/Right/Center 71:ROTARY 2 Woofer Speed Slow/ Fast,Tweeter Speed Slow/ Fast 72:ROTARY MULTI Rotary High[...]

221 Chapter 10 Examples of Applications Using the XV-5080 Chap.10 You can play these phrase loops in sync with the System Tempo. 1. On the PATCH PLAY page, select a Patch that uses a phrase loop. 2. Set the Patch Clock Source parameter (PATCH Common General #2 page) to “ SYSTEM. ” 3. Call up the PATCH WG Parameter page. 4. Press TONE SELECT [1][...]

222 Chapter 10 Examples of Applications Using the XV-5080 in pitch with the Control Number 6 (Data Entry MSB) and Control Number 38 (Data Entry LSB) settings. There is no change in pitch when Data Entry MSB is set to “ 64 ” and Data Entry LSB to “ 0. ” The pitch is raised as the respective values increase, and lowered as the respective valu[...]

223 Chapter 10 Examples of Applications Using the XV-5080 Chap.10 Applications for Matrix Control Controlling the TMT with the LFO and Changing the Tone ’ s Cycle Time Plays When TMT (Tone Mix Table) is selected as the Matrix Control destination, you can change the timing at which tones used in Patches are played with the Control Source controlle[...]

224 Chapter 10 Examples of Applications Using the XV-5080 Using the XV-5080 as a General MIDI Sound Module The XV-5080 features a GM mode (GM2) — a convenient way to play back or create GM score data (music files for General MIDI sound module). You ’ re able to play back commercial GM score data releases and even modify various parameter settin[...]

225 Chapter 10 Examples of Applications Using the XV-5080 Chap.10 Turning Effects On/Off fig.10-004.e_70 1. Press [EFFECTS ON/OFF]. 2. Use [ ] or [ ] to select the effects device to be turned on or off. 3. Pressing [INC] turns it on and pressing [DEC] turns it off. EQ An equalizer lets you boost or cut specified frequency ranges of a sound to adjus[...]

226 Chapter 10 Examples of Applications Using the XV-5080 Key Mode Mono/Poly (Part Mono/Poly) Range: MONO/POLY Specifies whether the Part will play polyphonically (POLY) or monophonically (MONO). The MONO setting is effective when playing a solo instrument Patch such as sax or flute. Portament (Portamento) Switch (Portamento Switch) Specifies wheth[...]

227 Chapter 10 Examples of Applications Using the XV-5080 Chap.10 Making MIDI Settings for Each Part ([F4 (MIDI)]) fig.10-007.e_70 PART MIDI Receive Channel (MIDI Channel) Range: 1 – 16/OFF Specifies the MIDI channel for each Part. Part MIDI Receive Switch Receive Switch Sets whether each Part will respond to received MIDI messages (ON) or not (O[...]

228 Chapter 10 Examples of Applications Using the XV-5080 GM Effects Reverb page ([F5 (Effects)] - [F3 (Reverb)]) GM mode reverb settings are made here. In GM mode, the reverb effect settings for the GM Patch assigned to each Part will be ignored (except for the Send Level parameter). fig.10-010.e_70 Type (Reverb Type) Selects the type of Reverb. A[...]

229 Chapter 10 Examples of Applications Using the XV-5080 Chap.10 Initializing GM Settings (Init) As GM Initialize initializes only GM mode settings, data stored in user memory will not be initialized. If you want to restore the factory values of all settings, carry out Factory Reset (p. 206). With the XV-5080, you can operate two separate, 16-part[...]

230 Chapter 10 Examples of Applications Using the XV-5080 6. Press [EXIT] several times to return to the applicable PLAY page. * Even if the Internal Write Protect setting is “ON” (write prohibit), incoming System Exclusive messages can rewrite the User memory data if the Exclusive Protect setting is set to “OFF” (write permit).[...]

231 Appendices[...]

232 Troubleshooting If no sound can be heard, or if the unit does not perform as you expect, check the following points first. If this does not resolve the problem, contact your dealer or a nearby Roland service station. * If a message appears during operation, consult the following section (p. 235). No sound Is the VOLUME lowered? • Check the VO[...]

233 Troubleshooting Appendices Effects do not apply Are [MFX], [CHORUS], and [REVERB] turned off? • Press the corresponding button to turn on the indicator. Are the various effect settings correct? • If the send levels to each effect are at 0, effects will not apply. Check each setting. • Even if the send level to each effect is above 0, effe[...]

234 Troubleshooting the power in the proper sequence. If the device is still not being recognized, even with the setting at the maximum value, then that SCSI device cannot be used with the XV- 5080. Is any SCSI ID being used for more than one device? • If more than one device shares the same SCSI ID, then connected devices will not be correctly r[...]

235 Appendices Error Messages If there has been a mistake in operation, or if the XV-5080 is unable to continue processing as you directed, an error message will appear in the display. Take the appropriate action for the displayed error message. This section gives the error messages in alphabetical order. All Data on the Drive Will Be Lost.It Will [...]

236 Error Messages File Name (Folder, Volume)Format Error Situation: A file name has not been assigned. Action: Assign a file name. File not Found Situation: The specified file was not found. Action: Insert the memory card that contains the specified file, and try the operation once again. File Read Error! Cause 1: The data is damaged, and cannot b[...]

237 Error Messages Appendices Memory Card Write Protected Situation: Since a write protect sticker is affixed to the memory card, data cannot be saved to the card bank. Action: Remove the write protect sticker from the memory card. Memory Error! Cause: For some reason, wave memory cannot be read or written. Action: The SIMM may be damaged. If the s[...]

238 Error Messages Source Disk Incorrect! Cause: The operation you are attempting to execute does not support this media. Action: Do not select this media as the object of the operation. This Will Clear the File(s)/Folder(s).Are You Sure? Condition: The file(s) or folder(s) will be deleted from the disk. Is it OK to execute? Action: To cancel the o[...]

239 Appendices About SCSI Connecting a SCSI device In order to load wave data from a sound library (a CD-ROM containing sounds or phrases) into the XV-5080, or to save data on a removable disk or hard disk, you will need to connect a separately available SCSI device. SCSI devices are delicate. Incorrect connections or operation may not only cause t[...]

240 About SCSI sure to turn it on. For details on attaching an active terminator, refer to the owner ’ s manual of your SCSI device. * On some SCSI devices, the terminator switch is always on (i.e., the terminator is always active). Attach such devices at the end of the SCSI chain. * Do not “double” terminators. For example, do not attach an [...]

241 Appendices Parameter List ■ Patch Parameters PATCH Common General #1 ([PATCH]-[F1(Common)]-[F1(General)])(p. 127) Group Parameter Value Common Name Patch name ASCII Characters (max. 12) Category Patch category (*1) Patch Type Patch Type 4 TONES, MULTI-PARTIAL Level Patch Level 0 – 127 Pan Patch Pan L64 – 0 – 63R Output Assign Patch outp[...]

242 Parameter List PATCH Common TMT Vel Range ([PATCH]-[F1(Common)]-[F5(V.Range)])(p. 133) Group Parameter Value TMT Velocity Control Switch TMT Velocity control switch OFF, ON, RANDOM TMT Matrix Control Switch TMT Matrix control switch OFF, ON TMT VEL RANG L.F Velocity fade width lower 0–127 V.L Velocity range lower 1–UPPER V.U Velocity range [...]

243 Parameter List Appendices PATCH TVF Parameter ([PATCH]-[F3(TVF)]-[F1(TVF Prm)])(p. 140) Group Parameter Value TVF Filter type Filter type OFF, LPF, BPF, HPF, PKG, LPF2, LPF3 Cutoff freq Cutoff frequency 0 – 127 Resonance Resonance 0 – 127 Resonance Velo Sens Resonance Velocity Sens 0 – 127 Cutoff keyfollow Keyfollow Cutoff frequency keyfo[...]

244 Parameter List PATCH LFO&Ctrl LFO1, LFO2 ([PATCH]-[F5(LFO&CTL)]-[F1(LFO1)])(p. 145) Group Parameter Value Wave Form LFO form SIN,TRI, SAW-UP, SAW-DW, SQR, RND, BEND-UP, BEND-DW, TRP, S&H, CHAOS Offset LFO offset -100, -50, 0, +50, +100 Rate Value LFO rate 0–127(*1) Detune LFO detune 0–127 Delay Time LFO delay time 0–127 Keyfol[...]

245 Parameter List Appendices PATCH Effects General ([PATCH]-[F6(Effects)]-[F1(General)])(p. 25) Group Parameter Value Patch Output Assign MFX, A – D, 1 – 8, TONE Tone Output Assign MFX, OUTPUT A – D, INDIV1 – 8 Tone Dry Send Level 0 – 127 Tone Chorus Send Level 0 – 127 (non MFX/MFX) Tone Reverb Send Level 0 – 127 (non MFX/MFX) MFX Ty[...]

246 Parameter List ■ Multi Partial Patch Parameters PATCH Common Split ([PATCH]-[F1(Common)]-[F3(Split)])(p. 148) Group Parameter Value Note --- Note Number A0 – C8 No. --- Partial Number --- Partial Name --- Partial Name --- L.P --- Lower Key Point A0 – C8 U.P --- Upper Key Point A0 – C8 Mute --- Mute Group OFF, 1 – 31 Assign --- Assign [...]

247 Parameter List Appendices PATCH TVF Envelope ([PATCH]-[F3(TVF)]-[F2(TVF Env)])(p. 154) Group Parameter Value TVF Envelope Depth TVF envelope depth -63 – +63 Time Keyfollow TVF envelope time keyfollow -63 – +63 T1, T2, T3, T4 TVF envelope time 1, 2, 3, 4 0 – 127 L0, L1, L2, L3 TVF envelope level 0, 1, 2, 3 0 – 127 Velo Sens Amount TVF en[...]

248 Parameter List PATCH LFO&Ctrl Control #2 ([PATCH]-[F5(LFO&Ctl)]-[F2(Control)])(p. 157) Group Parameter Value Matrix Control 3 Source Control source3 (*1) Destination Destination Control3 Destination1 – 4 (*2) Sens Control3 sens1 – 4 -63 – +63 Matrix Control 4 Source Control source4 (*1) Destination Destination Control4 Destination[...]

249 Parameter List Appendices ■ Performance Parameters PERFORMANCE Common ([PERFORMANCE]-[F1(Common)])(p. 160) Group Parameter Value Performance Name Name Performance Name ASCII Character (12 characters max) Solo Part Select Number Solo Part Number OFF, PART1-32 PERFORMANCE Key Range ([PERFORMANCE]-[F2(K.Range)])(p. 161) Group Parameter Value F.L[...]

250 Parameter List PERFORMANCE MIDI #2 MIDI Filter ([PERFORMANCE]-[F4(MIDI)])(p. 165) Group Parameter Value MIDI Message Program Change Receive program change switch OFF, ON Bank Select Receive bank select switch OFF, ON Pitch Bend Receive bend switch OFF, ON Channel Pressure Receive channel pressure switch OFF, ON Poly Key Pressure Receive polypho[...]

251 Parameter List Appendices PERFORMANCE Effects MFX Control #2 ([PERFORMANCE]-[F5(Effects)]-[F3(MFX Ctl)])(p. 31) Group Parameter Value Source Control 1 MFX control source 1 (*1) Control 2 MFX control source 2 (*1) Control 3 MFX control source 3 (*1) Control 4 MFX control source 4 (*1) Destination Control 1 MFX control Destination 1 (*2) Control [...]

252 Parameter List ■ Rhythm Set Parameters RHYTHM Common ([RHYTHM]-[F1(Common)])(p. 169) Group Parameter Value Common Name Rhythm set name ASCII Characters (max. 12) Level Rhythm level 0 – 127 Output Assign Rhythm output assign MFX, OUTPUT A – D, INDIV 1 – 8, TONE Tempo Clock Source Rhythm clock source RHYTHM, SYSETEM Tempo Rhythm tempo 20 [...]

253 Parameter List Appendices RHYTHM WG WMT Vel Range ([RHYTHM]-[F2(Key WG)]-[F4(V.Range)])(p. 174) Group Parameter Value Velocity Control Switch Velocity Control Switch OFF, ON, RANDOM L.F Velocity fade width lower 0 – 127 V.L Velocity range lower 1 – UPPER V.U Velocity range upper LOWER – 127 U.F Velocity fade width upper 0 – 127 RHYTHM W[...]

254 Parameter List RHYTHM Key Control ([RHYTHM]-[F5(Key Ctl)])(p. 179) Group Parameter Value CONTROL Bend Range Bend range 0 – 48 Envelope Mode Envelope mode NO SUS, SUSTAIN Mute Group Mute group OFF, 1 – 31 Assign Type Assign type MULTI, SINGLE Rx MIDI Expression Receive expression switch OFF, ON Pan Receive pan control switch CONTINUOUS, KEY-[...]

255 Parameter List Appendices ■ GM Mode Parameters GM Control ([GM]-[F2(Control)])(p. 225) Group Parameter Value Modify Cutoff offset Cutoff offset -64 – +63 Resonance offset Resonance offset -64 – +63 Attack time offset Attack time offset -64 – +63 Release time offset Release time offset -64 – +63 Key Mode Mono/Poly MONO/POLY MONO, POLY [...]

256 Parameter List GM Effects General ([GM]-[F6(Info)])(p. 228) Group Parameter Value Infometion Mod Modulation information 0 – 127 Breath Breath information 0 – 127 Foot Foot information 0 – 127 Volume Volume information 0 – 127 Pan Pan information L64 – 0 – 63R Exp Expression information 0 – 127 Hold Hold1 information 0 – 127 Bend[...]

257 Parameter List Appendices ■ MFX Prameters 1:STEREO EQ(p. 44) Parameter Value Freq/Gain LowFreq Low frequency 200, 400 Hz LowGain Low gain -15 – +15 dB Mid1 Freq Middle 1 frequency 200 – 8000Hz(*1) Mid1 Gain Middle 1 gain -15 – +15 dB Mid2 Freq Middle 2 frequency 200 – 8000 Hz(*1) Mid2 Gain Middle 2 gain -15 – +15 dB High Freq High f[...]

258 Parameter List 8:ROTARY(p. 47) Parameter Value Rotary Speed Speed SLOW, FAST Woofer Slow Rate Low frequency slow rate 0.05-10.00 Hz Fast Rate Low frequency fast rate 0.05-10.00 Hz Acceleration Low frequency acceleration 0-15 Level Low frequency level 0-127 Separation Separation 0-127 Tweeter Slow Rate High frequency slow rate 0.05-10.00 Hz Fast[...]

259 Parameter List Appendices 15:STEREO FLANGER(p. 51) Parameter Value Flanger Rate Rate 0.05-10.00 Hz Depth Depth 0-127 Feedback Feedback level -98-+98% Phase Phase 0-180 degree Pre Delay Pre delay time 0.0-100.0 ms Filter Type Filter type OFF, LPF, HPF Cutoff Cutoff frequency 200-8000 Hz (*1) EQ Gain Low Low gain -15-+15 dB High High gain -15-+15[...]

260 Parameter List 20:QUADRUPLE TAP DELAY(p. 55) Parameter Value Delay Delay 1 Delay time 1 200-1000 ms, note *1 Delay 2 Delay time 2 200-1000 ms, note *1 Delay 3 Delay time 3 200-1000 ms, note *1 Delay 4 Delay time 4 200-1000 ms, note *1 HF Damp HF damp 200-8000 Hz, BYPASS (*1) Feedback Feedback level -98-+98% Delay Level Level 1 Level 1 0-127 Lev[...]

261 Parameter List Appendices 26:OVERDRIVE → CHORUS(p. 59) Parameter Value Overdrive Drive Drive 0-127 Pan Pan L64-0-63R Chorus Pre Delay Chorus pre delay time 0.0-100.0 ms Rate Chorus Rate 0.05-10.00 Hz Depth Chorus depth 0-127 Balance Chorus balance D100:0W-D0:100W Output Level Output level 0-127 27:OVERDRIVE → FLANGER(p. 59) Parameter Value [...]

262 Parameter List 35:CHORUS → DELAY(p. 62) Parameter Value Chorus Pre Delay Chorus pre delay time 0.0-100.0 ms Rate Chorus rate 0.05-10.00 Hz Depth Chorus depth 0-127 Balance Chorus balance D100:0W-D0:100W Delay Time Delay time 0.0-500.0 ms Feedback Delay Feedback level -98-+98% HF Damp Delay HF damp 200-8000 Hz, BYPASS (*1) Balance Delay balanc[...]

263 Parameter List Appendices 43:FORMANT FILTER(p. 66) Parameter Value Overdrive Switch Switch OFF, ON Drive Drive 0 – 127 Filter Vowel 1 Vowel 1 a, e, i, o, u Vowel 2 Vowel 2 a, e, i, o, u Rate Rate 0.05 – 10.00 Hz , note *2 Depth Depth 0 – 127 Manual Manual 0 – 100 Keysync Switch Keysync switch OFF, ON Thres Keysync threshold 0 – 127 EQ[...]

264 Parameter List 47:SHUFFLE DELAY(p. 70) Parameter Value Delay Time Delay time 0 – 1800 ms , note *2 Shuffle Rate Shuffle rate 0 – 100 % Acceleration Acceleration 0 – 15 Feedback Feedback -98 – +98 % HF Damp HF Damp 200 – 8000 Hz, BYPASS(*1) Pan A Pan A L64 – 63R B Pan B L64 – 63R Balance Level balance A100:0B – A0:100B EQ Gain Lo[...]

265 Parameter List Appendices 51:LOFI NOISE(p. 72) Parameter Value Lo-Fi Type LOFI type 1 – 9 Post Filter Type Post Filter Type OFF, LPF, HPF Cutoff Cutoff Frequency (*1) Radio Noise Detune Radio detune 0 – 127:0 – 127 (*2) Level Output level 0 – 127 Disk Noise Type Disc noise type (*3) LPF Disc noise LPF (*4) Level Level (*5) EQ Gain Low L[...]

266 Parameter List 57:GATE(p. 76) Parameter Value Gate Mode Mode GATE, DUCK Attack Time Attack time 0 – 127 Hold Time Hold time 0 – 127 Release Time Release time 0 – 127 Gate Key Key Key SOURCE, A, B, C, D Threshold Key threshold 0 – 127 Monitor Key monitor OFF, ON Balance Effect balance D100:0E – D0:100W Output Level Output level 0 – 1[...]

267 Parameter List Appendices 62:TREMOLO(p. 79) Parameter Value Tremolo Mod Wave Modulation wave TRI, SQR, SIN, SAW1, SAW2 Rate Rate 0.05 – 10.0 Hz, note *2 Depth Depth 0 – 127 EQ Gain Low Low gain -15 – +15 dB High High gain -15 – +15 dB Output Level Output level 0 – 127 63:AUTO PAN(p. 79) Parameter Value Auto Pan Mod Wave Modulation wav[...]

268 Parameter List 68:REVERSE DELAY 2(p. 82) Parameter Value Delay 1-4 Delay time 1-4 0-1500 ms, note *2 Feedback 1, 4 Feedback level 1, 4 -98-+98% HF Damp 1, 4 HF damp 1, 4 200-8000 Hz, BYPASS (*1) Level 1-3 Level 1-3 0-127 Pan 1-3 Pan 1-3 L64-0-R63 Threshold Value Value 0-127 EQ Gain Low Low gain -15 – +15 dB High High gain -15 – +15 dB Balan[...]

269 Parameter List Appendices 72:ROTARY MULTI(p. 86) Parameter Value Sequence OD/Dist Overdrive/Distortion Switch OFF,ON Amp Sim Amp Simulator Switch OFF,ON 3 Band EQ 3 Band EQ Switch OFF,ON Rotary Rotary Switch OFF,ON Overdrive/Distortion Type Type Overdrive, Distortion Drive Drive 0-127 Tone Tone 0-127 Level Level 0-127 Amp Simulator Type Type SM[...]

270 Parameter List 74:RHODES MULTI(p. 89) Parameter Value Sequence Enhancer Enhancer Switch OFF, ON Phaser Phaser Switch OFF, ON Cho/Flg Chorus/Flanger Switch OFF, ON Tre/Pan Tremolo/Pan Switch OFF, ON Enhancer Sens Sens 0 - 127 Mix Level Mix Level 0 - 127 Phaser Mode Mode 4 stage, 8 stage Manual Manual 0 - 127 Mix Level Mix Level 0 - 127 Rate Rate[...]

271 Parameter List Appendices 77:STEREO LOFI NOISE(p. 92) Parameter Value Lo-Fi Type LOFI type 1 – 9 Hum Type Hum Type 50, 60 [Hz] LPF Hum LPF (*1) Level Hum Level 0 – 127 Post Filter Type Post Filter Type OFF, LPF, HPF Cutoff Cutoff Frequency (*2) Disc Noise Type Disc noise type WHITE, PINK LPF Disc noise LPF (*1) Level Disc noise Level 0 – [...]

272 Parameter List 81:GUITAR MULTI A(p. 95) Parameter Value Sequence Comp Cmp Switch OFF,ON OD/Dist Overdrive/Distortion Switch OFF,ON Amp Sim Amp Simulator Switch OFF,ON Delay Delay Switch OFF,ON Cho/Flg Chorus/FlangerF Switch OFF,ON Compressor Attack Attack 0 - 127 Sustain Sustain 0 - 127 Level Level 0 - 127 Overdrive/Distortion Type Type OVERDRI[...]

273 Parameter List Appendices 83:GUITAR MULTI C(p. 98) Parameter Value Sequence OD/Dist Overdrive/Distortion Switch OFF,ON Wah Wah Switch OFF,ON Amp Sim Amp Simulator Switch OFF,ON Delay Delay Switch OFF,ON Cho/Flg Chorus/FlangerF Switch OFF,ON Overdrive/Distortion Type Type OVERDRIVE, DISTORTION Drive Drive 0 - 127 Tone Tone 0 - 127 Level Level 0 [...]

274 Parameter List 85:CLEAN GUITAR MULTI B(p. 101) Parameter Value Sequence Wah Wah Switch OFF, ON 3 Band EQ 3 Band EQ Switch OFF, ON Delay Delay Switch OFF, ON Cho/Flg Chorus/Flanger Switch OFF, ON Wah Filter type Filter type LPF, BPF Rate Rate 0.05-10.00 Hz, note *2 Depth Depth 0-127 Sens Sens 0-127 Manual Manual 0-127 Peak Peak 0-127 EQ Gain Low[...]

275 Parameter List Appendices 88:STEREO SPECTRUM(p. 104) Parameter Value Band Gain 250Hz 250Hz gain -15-+15 dB 500Hz 500Hz gain -15-+15 dB 1000Hz 1000Hz gain -15-+15 dB 1250Hz 1250Hz gain -15-+15 dB 2000Hz 2000Hz gain -15-+15 dB 3150Hz 3150Hz gain -15-+15 dB 4000Hz 4000Hz gain -15-+15 dB 8000Hz 8000Hz gain -15-+15 dB Band Width Q Q 0.5, 1.0, 2.0, 4[...]

276 Parameter List ■ System Parameters SYSTEM General #1 ([SYSTEM/UTILITY]-[F1(General)])(p. 209) Group Parameter Value Setup LCD Contrast LCD contrast 1 – 10 Patch Remain Patch remain switch OFF, ON Powerup Mode Power up mode LAST-SET, DEFAULT Character Style Character Style TYPE1 – 4 Rhythm Edit Key Rhythm edit key PANEL, PANEL&MIDI SCS[...]

277 Appendices Waveform List No. Wave Name 1 StGrand pA L 2 StGrand pA R 3 StGrand pB L 4 StGrand pB R 5 StGrand pC L 6 StGrand pC R 7 StGrand fA L 8 StGrand fA R 9 StGrand fB L 10 StGrand fB R 11 StGrand fC L 12 StGrand fC R 13 Ac Piano2 pA 14 Ac Piano2 pB 15 Ac Piano2 pC 16 Ac Piano2 fA 17 Ac Piano2 fB 18 Ac Piano2 fC 19 Ac Piano1 A 20 Ac Piano1 [...]

278 Waveform List No. Wave Name 251 UprightBs 2C 252 Ac.Bass A 253 Ac.Bass B 254 Ac.Bass C 255 Slap Bass 1 256 Slap & Pop 257 Slap Bass 2 258 Slap Bass 3 259 Jz.Bs Thumb 260 Jz.Bs Slap 1 261 Jz.Bs Slap 2 262 Jz.Bs Slap 3 263 Jz.Bs Pop 264 Funk Bass1 265 Funk Bass2 266 Syn Bass A 267 Syn Bass C 268 Syn Bass 269 Syn Bass 2 A 270 Syn Bass 2 B 271 [...]

279 Waveform List Appendices No. Wave Name 501 DIGI Bell 1+ 502 JD Cowbell 503 Bell Wave 504 Chime 505 Crystal 506 2.2 Bellwave 507 2.2 Vibwave 508 Digiwave 509 DIGI Chime 510 JD DIGIChime 511 BrightDigi 512 Can Wave 1 513 Can Wave 2 514 Vocal Wave 515 Wally Wave 516 Brusky lp 517 Wave Scan 518 Wire String 519 Nasty 520 Wave Table 521 Klack Wave 52[...]

280 Waveform List No. Wave Name 751 Rock Tom M f 752 Rock Tom H f 753 Rock Flm L1 754 Rock Flm L2 755 Rock Flm M 756 Rock Flm H 757 Jazz Tom L p 758 Jazz Tom M p 759 Jazz Tom H p 760 Jazz Tom L f 761 Jazz Tom M f 762 Jazz Tom H f 763 Jazz Flm L 764 Jazz Flm M 765 Jazz Flm H 766 Maple Tom 1 767 Maple Tom 2 768 Maple Tom 3 769 Maple Tom 4 770 808 Tom[...]

281 Waveform List Appendices No. Wave Name 1001 REV MplTom2 1002 REV MplTom4 1003 REV 808Tom 1004 REV VerbTomH 1005 REV VerbTomL 1006 REV DryTom H 1007 REV DryTom M 1008 REV RkClH1 p 1009 REV RkClH1mf 1010 REV RkClH1 f 1011 REV RkClH2 p 1012 REV RkClH2mf 1013 REV RkClH2 f 1014 REV JzClH1 p 1015 REV JzClH1mf 1016 REV JzClH1 f 1017 REV JzClH2 p 1018 [...]

282 MIDI Implementation Model XV-5080 Date May. 20, 2000 Version 1.00 1. Receive data ■ Channel Voice Messages * Not received in Performance mode when the Receive Switch parameter (PERFORM/ PART) is OFF. ● Note off Status 2nd byte 3rd byte 8nH kkH vvH 9nH kkH 00H n = MIDI channel number:0H - FH (Ch.1 - 16) kk = note number: 00H - 7FH (0 - 127) [...]

283 MIDI Implementation Appendices * In Performance mode the Part pan parameter (PERFORM/PART) will change. ❍ Expression (Controller number 11) Status 2nd byte 3rd byte BnH 0BH vvH n = MIDI channel number:0H - FH (Ch.1 - 16) vv = Expression: 00H - 7FH (0 - 127) * Not received when Tone Receive Expression parameter (PATCH/TONE or RHYTHM/ TONE) is [...]

284 MIDI Implementation ❍ General Purpose Controller 8 (Controller number 83) Status 2nd byte 3rd byte BnH 53H vvH n = MIDI channel number:0H - FH (Ch.1 - 16) vv = Control value: 00H - 7FH (0 - 127) * The Tone Level parameter (PATCH/TONE) of Tone 4 will change. ❍ Portamento control (Controller number 84) Status 2nd byte 3rd byte BnH 54H kkH n =[...]

285 MIDI Implementation Appendices ● OMNI OFF (Controller number 124) Status 2nd byte 3rd byte BnH 7CH 00H n = MIDI channel number:0H - FH (Ch.1 - 16) * The same processing will be carried out as when All Notes Off is received. ● MNI ON (Controller number 125) Status 2nd byte 3rd byte BnH 7DH 00H n = MIDI channel number: 0H - FH (Ch.1 - 16) * T[...]

286 MIDI Implementation Byte Explanation F0H Exclusive status 7FH ID number (universal realtime message) 7FH Device ID (Broadcast) 04H Sub ID#1 (Device Control) 03H Sub ID#2 (Master Fine Tuning) llH Master Fine Tuning LSB mmH Master Fine Tuning MSB F7H EOX (End Of Exclusive) mm, ll : 00 00H - 40 00H - 7F 7FH (-100 - 0 - +99.9 [cents]) * The Master [...]

287 MIDI Implementation Appendices ❍ Scale/Octave Tuning Adjust Status Data byte Status F0H 7EH,7FH,08H,08H,ffH,ggH,hhH,ssH... F7H Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) 7FH Device ID (Broadcast) 08H Sub ID#1 (MIDI Tuning Standard) 08H Sub ID#2 (scale/octave tuning 1-byte form) ffH Channel/Option byte[...]

288 MIDI Implementation 7EH ID number (Universal Non-realtime Message) dev Device ID (dev: 00H - 1FH (1 - 32), the initial value is 10H (17).) 7CH ID number (Wait) ppH Packet number F7H EOX (End Of Exclusive) ● Data Transmission This instrument can use exclusive messages to exchange many varieties of internal settings with other devices. he model[...]

289 MIDI Implementation Appendices ❍ Panpot (Controller number 10) Status 2nd byte 3rd byte BnH 0AH vvH n = MIDI channel number:0H - FH (Ch.1 - 16) vv = Panpot: 00H - 40H - 7FH (Left - Center - Right), Initial value = 40H (Center) ❍ Portamento (Controller number 65) Status 2nd byte 3rd byte BnH 41H vvH n = MIDI channel number:0H - FH (Ch.1 - 16[...]

290 MIDI Implementation ● Sample Dump Standard * Transmitted only in Sample Dump mode. ❍ Dump Header Status Data byte Status F0H 7EH, dev, 01H, ssH, ssH, eeH, ffH, ffH, ffH, ggH, F7H ggH, ggH, hhH, hhH, hhH, iiH, iiH, iiH, jjH Byte Explanation F0H Exclusive status 7EH ID number (Universal Non-realtime Message) dev Device ID (dev: 00H - 1FH (1 -[...]

291 MIDI Implementation Appendices | 00 00 00 | Temporary Patch *1-3-1| | 10 00 00 | Temporary Rhythm *1-3-2| +——————————————————————————————————————————————————————————————————————————————+ *1-[...]

292 MIDI Implementation |—————————————+———————————+————————————————————————————————————————————————————| | 00 10 | 0aaa aaaa | Voice Reserve 1 (0 - 64) | | | | 0 - 63, FULL | | 00 11 | 0aaa aaaa | V[...]

293 MIDI Implementation Appendices |# 01 0D | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | MFX Parameter 32 (12768 - 52768) | | | | -20000 - +20000 | |—————————————+——————————————————————————————————————————————[...]

294 MIDI Implementation | | | -64 - +63 | | 00 14 | 0aaa aaaa | Part Release Time Offset (CC# 72) (0 - 127) | | | | -64 - +63 | |—————————————+———————————+—————————————————————————————————————————————————[...]

295 MIDI Implementation Appendices | | | TVA-ATK, TVA-DCY, TVA-REL, | | | | TMT, FXM, MFX1, MFX2, MFX3, MFX4 | | 00 45 | 0aaa aaaa | Matrix Control 3 Sens 4 (1 - 127) | | | | -63 - +63 | |—————————————+———————————+—————————————————————————————?[...]

296 MIDI Implementation | 00 03 | 0000 00aa | Chorus Output Select (0 - 2) | | | | MAIN, REV, MAIN+REV | |—————————————+———————————+————————————————————————————————————————————————————| |# 00 04 | 0[...]

297 MIDI Implementation Appendices | | | 600, 700, 800, 900, 1000, 1100, | | | | 1200 | | 00 04 | 0aaa aaaa | Tone Pan (0 - 127) | | | | L64 - 63R | | 00 05 | 000a aaaa | Tone Pan Keyfollow (54 - 74) | | | | -100 - +100 | | 00 06 | 00aa aaaa | Tone Random Pan Depth (0 - 63) | | 00 07 | 0aaa aaaa | Tone Alternate Pan Depth (1 - 127) | | | | L63 - 63[...]

298 MIDI Implementation | | | 32 - 127 [ASCII] | | 00 01 | 0aaa aaaa | Rhythm Name 2 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 02 | 0aaa aaaa | Rhythm Name 3 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 03 | 0aaa aaaa | Rhythm Name 4 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 04 | 0aaa aaaa | Rhythm Name 5 (32 - 127) | | | | 32 - 127 [ASCII] | | 00 [...]

299 MIDI Implementation Appendices |# 00 14 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Chorus Parameter 5 (12768 - 52768) | | | | -20000 - +20000 | |# 00 18 | 0000 aaaa | | | | 0000 bbbb | | | | 0000 cccc | | | | 0000 dddd | Chorus Parameter 6 (12768 - 52768) | | | | -20000 - +20000 | |# 00 1C | 0000 aaaa | | | | 0000 bbbb [...]

300 MIDI Implementation | 00 3C | 0aaa aaaa | WMT1 Velocity Fade Width Lower (0 - 127) | | 00 3D | 0aaa aaaa | WMT1 Velocity Fade Width Upper (0 - 127) | |—————————————+———————————+————————————————————————————————————————?[...]

301 MIDI Implementation Appendices | 40 01 39 | 0aaa aaaa | Chorus Pre-LPF (0 - 7) | | 40 01 3A | 0aaa aaaa | Chorus Level (0 - 127) | | 40 01 3B | 0aaa aaaa | Chorus Feedback (0 - 127) | | 40 01 3C | 0aaa aaaa | Chorus Delay (0 - 127) | | 40 01 3D | 0aaa aaaa | Chorus Rate (0 - 127) | | 40 01 3E | 0aaa aaaa | Chorus Depth (0 - 127) | | 40 01 3F | [...]

302 MIDI Implementation * Drum Setup Parameter +——————————————————————————————————————————————————————————————————————————————+ | Start | | | Address | Description | |—————————[...]

303 MIDI Implementation Appendices during the song and then rewound or fast-forwarded, the sequencer may not be able to transmit the correct status, and the sound generator will then misinterpret the data. Take care to give each event its own status. It is also necessary that the RPN or NRPN parameter number setting and the value setting be done in[...]

304 MIDI Implementation As the data size of Rhythm Tone is 00 00 01 41H, summation of the size and the start address of Tone 4 of Part 16 at Temporay Patch in Performance mode will be; 14 70 00 00H 01 3E 00H +) 00 00 01 41H 14 71 3F 41H And the size that have to be got should be; 14 71 3F 41H -) 10 00 00 00H 04 71 3F 41H Therefore the system exclus[...]

Function... Basic Channel Mode Note Number : Velocity After Touch Pitch Bend Control Change Program Change System Exclusive System Common System Real Time Aux Messages Notes Transmitted Recognized Remarks Default Changed Default Messages Altered True Voice Note On Note Off Key's Channel's 0, 32 1 2 4 5 6, 38 7 10 11 64 65 66 67 68 69 71 7[...]

306 Specifications XV-5080 128 voice sound module GM Level 2 system Compatible ● Parts 32 ● Maximum Polyphony 128 voices ● Wave memory 64MB (16-bit linear format) ● Expansion slots Wave Expansion Board SR-JV80 Series: 4slots New Wave Expansion Board SRX Series: 4slots Two SIMM Slots (Compatible with 72-pin FP/EDO 16/32/64 MB SIMMs for a max[...]

307 Index Numerics 2VOICE PITCH SHIFTER ............................................. 56 3D AUTO SPIN ............................................................. 105 3D CHORUS ................................................................... 77 3D DELAY ....................................................................... 70 3D DELAY 2 ......[...]

308 LIMITER .......................................................................... 48 Loading .................................................................. 181, 190 LOFI COMPRESS ........................................................... 72 LOFI NOISE .................................................................... 72 M Matrix Control[...]

309 V V. Range ......................................................................... 133 V.L .......................................................................... 133, 174 V.U .......................................................................... 133, 174 W WAV ...........................................................................[...]

Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. As of June 1, 2002 (Roland) ARGENTINA Instrumentos Musicales S.A. Av.Santa Fe 2055 (1123) Buenos Aires ARGENTINA TEL: (011) 4508-2700 BRAZIL Roland Brasil Ltda Rua San Jose, 780 Sala B Parque Industrial [...]

2 For the USA FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equi[...]

02019812 ’02-6-F2-61K[...]