Xerox 2000 manuale d’uso

Intr odu ction A new way to look at d ocumen ts An overview o f the DocuColor 2000 Seri es Design Guid e 1. Digital prin t 1-1 What is digital prin t? 1-1 Digital prin t workflow 1-3 Documen t creati on 1-3 Prepr ess 1-3 Press 1-5 P ostpress 1-5 Correcti on requir ed? 1-5 What does di gital print m ean to you? 1-6 Benefits o f digital prin t 1-6 Sh[...]

3. Designin g docum ents 3-1 Design elem ents to discuss with your prin ter 3-1 P aper stock 3-1 Imag e consi derati ons 3-2 Imag e area, bleeds an d folds 3-4 Specifying colours 3-7 Choi ce of scr eens 3-7 Vign ettes 3-16 Te xt 3-17 Solid blacks 3-19 Imag e mottle 3-19 Knock out, overprint an d trapping 3-20 File form ats 3-21 Resource collecti on[...]

Why paper d oesn’t always work the way it sh ould 5-3 Coated paper and o ffset 5-3 Coated paper and di gital printin g 5-3 M oistur e and o ffset 5-4 M oistur e and di gital printing 5-4 Te xtured stock an d offset 5-4 Te xtured stock an d digital prin ting 5-4 Thick paper stocks 5-5 Coated papers 5-5 P aper stretch 5-5 Optical paper qu alities t[...]

Laminati on 6-7 V arnish 6-8 Embossing 6-8 Shrink wrappin g 6-8 Double-sid ed printin g 6-9 7. Applicati ons by in dustry 7-1 Finan cial servi ces 7-1 Consum er prod ucts 7-6 H ospitality 7-10 Pro fession al services 7-13 Edu cation 7-15 H ealth car e 7-18 Public sector 7-21 Appendix 1. Micr osoft Offi ce colour charts 1 Appendix 2. RGB colour char[...]

A new w ay to look at documents One o f the gr eatest advantages o f digital colour appli cations an d systems is that th ey allow high-qu ality colour process prin ting to be prod uced in sm aller quantiti es at a high er frequen cy , as well as person ally tailored prin ting to optimise customer in teracti on. Digital prin ting techn ology change[...]

• Section 4 in clud es informati on on how to submit jobs to a DocuColor soluti on, directly fr om softwar e application s on Wind ows or Macintosh person al computers, over the web , usin g removable m edia, or oth er means . Use this secti on to mak e sure you get th e job to the prin ter trouble-free every tim e . • Section 5 d escribes how [...]

Digital techn ology has chang ed many f acets of busin ess and ind ustry today . Computing an d communi cations techn ology has allowed companies to r evolutionise the manu f acturing pr ocess – from pr oducin g goods an d then h oping to sell them, to just-in- time pr odu ction, wher e prod ucts are sold first an d then m anuf actured to ord er [...]

What truly distinguish es digital prin ting from tr adition al printing is th e ability to print every page differ ently . This is somethin g that offset pr esses – includin g DI presses – can- n ot d o. Offset presses can only prin t exact r eplicas o f the sam e sheet, again and again. The di gital colour presses that d ominate the m arket n [...]

Digital print workflo w The en tire pr ocess for the pr odu ction of a prin ted docum ent can be br oken-down in to three phases: pr epress (whi ch includ es all steps after the d esign is completed up to the point wh ere th e job is printing), pr ess or printin g (the printin g phase), and postpr ess or finishing (all th e steps requir ed to finis[...]

differen t RIPs are used) an d colours will not match e xactly . A proo f can be prod uced on a digital d evice (lik e a DocuColor printer or inkjet or dye sublim ation system) or usin g a photom echanical system (lik e Cromalin). Th e advantag e of digital system s is that they have a lower cost and qui cker turn around , and th ey better fit the [...]

Press The job is n ow at the stag e where it’s r eady to be prin ted. If the job is bein g printed on a DocuColor 2045 or 2060, th e operator will have calibrated th e press earli er in the day an d loaded th e right paper . The job is then RIPped (using th e appropri ate settings) and prin ted. I t doesn’t matter wh ether you wan t 1 copy or a[...]

With the DocuColor 2045 an d 2060, you’ll mak e the chang e to the file an d re-submit the job . The prin ter will re-RIP the job an d print it. Don e. With the tr adition al offset process , you would also chang e the file and r e-submit the job . N ow th e printer will have to cr eate a new set of film, n ew plates, set th e press up again, and[...]

The DocuColor 2045 an d 2060 now allow con sumers of prin t to have high qu ality colour work printed cost effectively on sh ort runs – an ywhere fr om a one-o ff up to 2,000 copies . Y ou no lon ger have to buy lon g print run s to drive unit costs down. Because a digital pr ess prints each pag e differently , you can even print one book at-a- t[...]

As the life cycle of prod ucts g ets shorter an d shorter , it mean s that with digital print you will always have the latest, m ost up-to-date , accurate an d relevan t support material and publi cation s. It allows you to fr equently upd ate the conten t of your prin ted m ateri al and prin t small batches o f the latest versi on, avoiding th e d[...]

V ariable inf ormati on printin g A unique characteristi c of di gital print is the ability to prin t every page differ ently . Not only does this m ean you can print a m ulti-page docum ent (lik e a book) in a single print run, but you can also personalise each sh eet or page to an in div idu al. It is achieved by changin g certain text (lik e nam[...]

U se o f colour Colour attracts atten tion, in creases impact, stimulates em otion s, and tou ches us wh ere pure r eason and in tellect do not. U se of colour in d ocuments impr oves und erstandin g and compr ehen sion, helps or ganise data, an d aids the r eader in d ecision-m aking, learning, r etenti on and recall. Nume r ous studi es back the [...]

The DocuColor 2045 an d 2060 are di gital colour presses with the ability to pr odu ce superb print qu ality on a broad r ange o f paper stocks. This secti on includ es a d escripti on of th e technology that’s built into th e presses that allows th em to deliver on their pr omise as well as provi ding inform ation on som e of the capabiliti es o[...]

Digital Blanket Signifi cant impr ovements in im age qu ality can be attributed to the Digital Blank et used in the DocuColor 2000 Seri es. Th e Digital Blanket passes un der th e four printin g station s wher e the im age is tran sferred to th e blanket. The f our colours of th e imag e are assembled on the blank et – one on top o f another in p[...]

TRA CS To en sure con sistency from first prin t to last, the DocuColor 2000 Seri es utilises a technology called TRA CS (T oner Repr odu ction A uto Correction System). TRA CS automati cally measur es 16 levels of den sity and colour , and m akes adjustm ents on th e fly . TRACS works by placing CMYK d ensity patch es directly on th e Digital Blan[...]

2 – 4 DocuColor 2000 series design guide Print speeds o f the DocuColor 2060 ar e as follows (in imag es per minute): A4 A3 SRA3 64 – 80 gsm: 45 ipm 30 ipm 22.5 ipm 81 – 135 gsm: 60 ipm 30 ipm 30 ipm 136 – 220 gsm: 30 ipm 15 ipm 15 ipm 221 – 280 gsm: 22.5 ipm 15 ipm 7.5 ipm The DocuColor 2045 prin ts slower than the 2060. Prin t speeds ar[...]

Image size/paper size The DocuColor 2045 an d 2060 accept stand ard paper sizes of A4, A3 an d SRA3. They will also accept non-stan dar d paper sizes, from 182 mm to 320 mm in h eigh t, and 182 mm to 488 mm in wid th. The DocuColor 2045 an d 2060 will print to within 4 mm o f each paper edge . The followin g table provi des th e imageable ar ea for[...]

The DocuColor 2045 an d 2060 use a calibrated 200 cluster d ot screen, as def ault, to achieve th eir crisp imag e quality . Four other scr eens are available (600 fix ed line , 300 fixed lin e , 200 rotated line an d 150 cluster dot) f or specific customer effects . For ex ample , the 600 scr een could be used for pages con taining only te xt, the[...]

2 – 7 image reproduction process Gamut The gam ut (or ran ge of colours) that th e hum an eye can see is much lar ger than th e ran ge of colours that can be reprodu ced in a photogr aph, on a television or computer display , or in print. Also, every d evice capable o f reprod ucin g colour has a different gam ut. The gamut o f an RGB computer di[...]

Process colour s Process colours ar e prod uced by printin g overlapping scr eens of cyan, m agen ta, yellow and black. Sin ce the DocuColor 2045 an d 2060 do not prin t “spot” colour like an o ffset press , you have the ability to mix an d blend variati ons o f CMYK to create virtually limitless colour palettes. Refer to Appen dix 3 for e xamp[...]

Graphi c desi gners today have a br oad choi ce of medium s they can use to comm unicate id eas and d esign s, inclu ding tr aditional prin t technologi es – like lith o, gravure or fle xo – or newer techn ologies , like the web , multi-medi a CD, or digital colour presses . Every medium pr esents its own set o f challenges f or the d esign com[...]

Imag e consi der ation s Wheth er your origin al image is a tr anspar ency , photogr aphic prin t or digital file , the imag e characteristi cs you start with will have a major impact on the en d results . As with any oth er high qu ality print medium, th e lower the qu ality of your source im age , the poorer th e quality o f your reprod ucti on. [...]

3 - 3 designing documents 300dpi 225dpi 150dpi 72dpi[...]

Wher e offset has a total ink limit o f around 350%, di gital printin g has a lower limit of aroun d 280%. This requir es images to have UCR or GCR appli ed either at th e time of scanning, or wh en they ar e RIPped. If you scan imag es with UCR, do so with a m aximum ink limit of 280%. Th e Creo an d Fiery RIPs used with the DocuColor 2000 Seri es[...]

3 - 5 designing documents Minimum paper size 182 x 182mm Image area 174 x 174mm A4 paper size 210 x 297mm Image area 202 x 289mm A3 paper size 297 x 210mm Image area 289 x 412mm[...]

Bleed is recomm end ed to be at least 3 mm all around to allow f or any fr ont to back imag e skew on th e DocuColor 2045 and 2060 (which has toler ance o f 1 to 1.5 mm). Folding an y stock can result in paper cr acking on the spin e , theref ore it is r ecommen ded that for best r esults, all sh eets that are to be fold ed be run through a scorin [...]

3 - 7 designing documents Specifying colours The DocuColor 2045 an d 2060 print usin g process colours, i e , a mix of cyan, mag enta, yellow and black. Y ou have the ability to mix and blen d variati ons o f CMYK to create virtually limitless colour palettes . Refer to Appendix 3, CMYK colour charts , for ex amples of some of the combin ation s yo[...]

600 SCREEN[...]

300 SCREEN[...]

200 SCREEN[...]

150 SCREEN[...]

600 SCREEN[...]

300 SCREEN[...]

200 SCREEN[...]

150 SCREEN[...]

Vign ettes Vign ettes, blen ds, and gr adien ts (all essentially th e same – basi cally one colour blendin g into an other) are o ften seen in docum ents these d ays. That’s because it’s so easy to create th em – simply click on th e appropriate di alog box in your appli cation, specify your colours, an d go. Blen ds may print poorly on som[...]

T ry restri cting vign ettes to smaller ar eas (less than 180 mm) rather than full pag e vign ettes. T ry addin g “noise” to a raster vi gnette (eg, use th e “ Add N oise” filter in Photosh op). Create vi gnettes in Ph otoshop rath er than Quark Xpr ess for better quality blen ds. Te x t With the DocuColor 2045 an d 2060, you can use both P[...]

Remember to always in clud e full font f amilies with your artwork as missin g fonts will be substituted. 3 - 18 DocuColor 2000 series design guide 11 point text on white background, 4 point line 11 point text on black background, 4 point line 10 point text on white background, 3 point line 10 point text on black background, 3 point line 9 point te[...]

Solid blacks Larg e areas o f solid black can often appear wash ed out, wheth er printed on an offset or digital pr ess. Also, wh en overprinting te xt, und erlying colours and pattern s can show through. T o avoid these issues , use a black that has been mixed with oth er colours for add ed punch. Wh en designin g your docum ent, use a ‘super bl[...]

Imag e mottle Un even spotty ink or toner cover age , called mottlin g, can occur when prin ting larg e solid ar eas of flat mi d tone colours, especi ally one colour black. P aper choi ce can be critical in avoi ding this pr oblem. For the DocuColor press , a good , smooth paper stock should be used . See Section 5, Selectin g paper stock, for mor[...]

3 - 21 designing documents Tr apping is a technique in which adjacen t colours sligh tly overprint each other to h elp minimise the effects o f possible misregistr ation. The DocuColor 2000 Seri es presses have e xcellent plate to plate r egistrati on. For many layouts, it is unn ecessary to desi gn for separati ons . However , if ‘separati ons?[...]

Creatin g PDFs Acr obat PDF can be a very convenient f ormat f or delivering files to prin t – you simply hand o ff the file with out having to worry about inclu ding f onts, link ed imag es, etc . H owever , you have to mak e sure th e PDF is mad e with the correct settin gs in ‘Distiller’ and that it is set up to run corr ectly from ‘Read[...]

Dot gain Dot gain is the ten den cy for halftone d ots to become lar ger and appear d arker because o f wet ink spreadin g when it com es into contact with paper . It is a real issue with offset presses an d inkjet printers , but is not a problem with th e DocuColor 2045 and 2060. Design elements to avoid The f ollowing ar e elements you sh ould av[...]

3 - 24 DocuColor 2000 series design guide[...]

Larg e areas o f solid colour Larg e solid ar eas of colour will always presen t a challeng e for a press , wheth er it is o ffset or di gital. The DocuColor 2045 an d 2060 are capable of pr odu cing great r esults when it com es to flat tints , however , particular colours – lik e C100, M70 – can show up with bandin g in the soli d area. Rathe[...]

Coated stock and lar ge white te xt on heavy back groun d When prin ting white te xt on a heavy backgr ound on gloss or coated stock, f aint ghostin g may occur . What causes this is the BeltNip fuser m aintainin g an oil coating when white n on imag e areas are put thr ough the fuser . On second si de prin ting, this n on im age ar ea can be coate[...]

With any prin t job , it’s important to und erstand that paper qu ality has a direct r elati onship to prin t quality . No m atter whether you’r e printin g offset, on a di gital press , or at hom e on an inkjet, this is, and always will be , the case . Also, paper repr esents a si gnificant pr oportion o f the cost of a job , and can account f[...]

P aper influences on print quality V ariables in th e papermaking pr ocess can influence th e quality and perf orman ce of th e finished paper . While some vari ables are con trolled to cr eate specific stocks, oth er may r esult in imperfecti ons . Formation Formati on is how fibr es are distributed on a sheet. P oor fibre form ation can cause m o[...]

W eight This is a measur e of th e weight o f paper or stock, in gram s per square m etre (gsm), an d is anoth er important con sider ation in paper selecti on. Most offi ce papers are ar ound 80 or 90 gsm, and ar e norm ally used for correspon den ce. H eavi er sheets , used for covers and busin ess cards , are often thi cker because th ey contain[...]

m ay be used in di gital printin g equipment, th ere ar e some limitation s to the perform ance o f coated stocks with this technology . Coating m aterials used in the manu f acture o f these papers can impact perf ormance an d reli ability (ie , smearin g, blurring, str etching an d flaking). Moisture and off set Offset printin g is essenti ally a[...]

Thick paper stocks Imag e quality on r ecommend ed heavy wei ght stocks is often e xcellen t, but cannot always be expected to m atch the im age quality on 100 gsm Colotech+ paper . Degrad ation in im age quality is m ore lik ely to occur as paper weight in creases . The r ough f ormati on of heavy wei ght papers in creases the possibility o f mott[...]

Optical paper qualities that influence image quality The perf orman ce of toner an d ink are affected by th e following paper char acteristics: shade , opacity , brigh tness , and reflectivity . Shade P aper shades m ay change th e appearan ce of colour imag es because toner an d ink are applied in d ot patterns (or scr eens) which allow a certain [...]

5 - 7 selecting paper stock Reflectivity When ton er or ink is applied to a sm ooth surface , the r esulting imag e is sharper because the im age is r eflected back in a straigh tforwar d direction. Im ages r esulting fr om toner or ink applied to a r ough surface ar e not as sharp because the im age r eflection is scattered in sever al directi ons[...]

P aper grades When you or der paper , it’s important to kn ow the differ ences between papers so that you’ll know what to ask f or . Professi onals divi de papers into lar ge categ ories or gr ades accordin g to their en d use, m ethod o f printing, an d pulp conten t. The f ollowing tables summarise th e major gr ades available , as well as pr[...]

5 - 9 selecting paper stock Xerox equivalent Blue Wrap 80 gsm 635 x 880 mm S/G 650 x 910 mm L/G A4, A3 Blue Wrap 90 gsm 650 x 910 mm L/G Purple Wrap 80 gsm A4 Business 80 gsm A4 P erformer 80 gsm A4, A3 Symphon y Tints 80 gsm A4, A3 Commen t Surface n ot suited to high resoluti on imag e reprod ucti on. Id eal for spot colours . T ype Book publishi[...]

5 - 10 DocuColor 2000 series design guide Finish Regular printin g, smooth, vellum Applicati on Books, br ochur es, calend ars, catalogues , flyers, direct m ail pieces , manu als, newsletters , program s, ann ual reports , posters, techni cal dr awings , self-mailers, r eply paid , speaker sheets , inserts , packing slips, n otices. Xerox equivale[...]

5 - 11 selecting paper stock UNCOA TED OFFSET (continued) Finish W ove, sm ooth, antique r ough Applicati on Annu al reports , announcem ents , brochur es, books , flyers, leaflets, m ailers , gener al offi ce communicati ons , letterheads Xerox equivalent Green Wr ap 80 gsm 615 x 870 mm S/G, A4, A3 Green Wr ap 90 gsm 615 x 870 mm S/G Revive 80 gsm[...]

5 - 12 DocuColor 2000 series design guide TEXT AND COVERS (continued) Applicati on Annu al reports , announcem ents , art reprod ucti ons, books , broch ures, calen dars , posters, labels, invitati ons , greeting car ds, quality appar el enclosures , men us, high qu ality advertising. Xerox equivalent Non e available Commen t Often have textur ed s[...]

5 - 13 selecting paper stock UNCOA TED DIGIT AL T ype Xer ographic , digital, laser , colour copy Definition • Especially enhan ced uncoated surf aces for digital an d laser r epr oducti on. P articularly suited to jobs with high colour im age quality n eeds. • V ery even, smooth surfaces to lift im age gloss on th e page . • Strictly con tro[...]

5 - 14 DocuColor 2000 series design guide Xerox equivalent Green Wr ap Cardstock 150, 200 gsm A4 Symphon y Cardstock Tints 120, 160 gsm A4 P astel Cardstock 150, 200 gsm A4 Colotech+ 160, 200, 220, 250, 280 gsm A4, A3, SRA3 Commen t Surface type and gr ain directi on must be consi der ed before selectin g. M oistur e conten t in offset grad es may [...]

5 - 15 selecting paper stock Applicati on High qu ality covers, gr eeting cards , point o f sale, posters , postcards , business cards , men us, high qu ality advertising Xerox equivalent Colotech Imagin g Supergloss 135, 160 gsm A4, A3 Colotech Imagin g Supergloss 210 gsm A4, A3, SRA3 Colotech Imagin g Supergloss 250, 275 gsm SRA3 Commen t Oil str[...]

5 - 16 DocuColor 2000 series design guide P aper handling and storage P apers for di gital printing ar e man ufactured with a lower m oisture con tent than o ffset papers. For optim um printin g, this controlled m oisture con tent of paper n eeds to be m ain tained . Because paper absorbs or sheds m oisture r apidly , it’s important to k eep pape[...]

Wr ap-up P aper has a direct r elationship to prin t quality – th e better the paper , the better th e r esults . Specify paper that has been desi gned f or digital printin g. Select paper that has good f ormati on. U se sm ooth or coated finishes f or documen ts that have fine d etail, shaded areas or halftone im ages . Select a true white paper[...]

5 - 18 DocuColor 2000 series design guide[...]

6 – 1 Outsid e of th e commerci al print world , a vital part of a docum ent’s lifecycle is o ften overlooked . Man y people believe a docum ent is completed on ce the pages leave th e printer , disregar ding th e finishing pr ocess altogether . Y et advancements in bin ding an d finishing pr ocesses are just as revoluti onary as th ose f oun d[...]

6 – 2 DocuColor 2000 series design guide Scoring Scoring is g ener ally used when a fold n eeds to be mad e against th e paper grain, or wh en jobs are printed on mi ddle to heavy wei ght stocks that r equire foldin g. Scoring involves a long blun t edg ed rule that presses firmly down on a docum ent, causin g a crease in the paper . The paper is[...]

binding and finishing 6 – 3 An accordi on fold is wh en two or more par allel folds ar e made in r eversing dir ection s. Gate folds ar e useful for br ochures an d book covers because they cr eate a pair of fold outs.[...]

6 - 4 DocuColor 2000 series design guide Binding Saddle stitching Saddle stitchin g is the m ost common and least e xpensive bin ding and is best suited to low page coun t publicati ons. In a sad dle stitched publi cation, the si gnatur es are open ed and str addled acr oss a metal righ t angle plate called a sad dle. In sm all quan tities , saddle[...]

binding and finishing 6 - 5 Edition binding The conven tion al method o f bookbindin g, produ cing "har dback" books. Si gnatures ar e collated in sequence , en dleaves pasted on the first and last si gnatur e, an d then sewn togeth er . The book is then trimm ed on three ed ges, th e spine (or backbon e) rough ed up and r ound ed (to lay[...]

6 - 6 DocuColor 2000 series design guide Mechanical binding M echani cal bindin g includ es an array o f devices that can be used to h old a final d ocum ent tog ether , inclu ding spiral bin ding, plasti c bindin g, and coil bindin g. Holes or slots are d rilled or cut along on e gutter edge an d wire or plasti c binding is in serted. When open ed[...]

binding and finishing 6 - 7 Finishing touches T rimming T rimming is g enerally perf ormed on a guillotin e cutter after binding. Docum ents ar e placed in the gutter , with the boun d sid e away from th e knife. Th e knife is lined up to the d esired ed ge of th e docum ent in position, an d the knife cuts o ff the unn ecessary mar gin between the[...]

6 - 8 DocuColor 2000 series design guide V arnish Anoth er tool that can be used to protect d ocuments fr om abrasi on is varnishing. It can also be used as a desi gn tool to enhance a d ocument’s appear ance . Dependin g on the d esir ed effect, gloss or matte (d ull) varnish can be applied to an entir e docum ent (flood coverag e) to give it a [...]

binding and finishing 6 - 9 Double-sided printing The DocuColor 2060 is capable o f automati cally duplex prin ting on up to 220 gsm m edi a. During autom atic duple x printin g mode th e machin e will mak e printing pr ocess contr ol chang es during th e sid e 2 pass, in an attempt to closely match th e imag e on sid e 1. These m ake printin g pro[...]

6 - 10 DocuColor 2000 series design guide[...]

Financial services Banking, fin ance , securities , funds m anagem ent, in suran ce, br okers , credit uni ons Business gr aphics T ypical verti cal application n ame • “Red herrin g” dr aft prospectus • Pitch book • Deal book Decision m aking r ole • Investmen t banking • Global finan ce • Capital mark ets • Private placemen ts ?[...]

Decision m aking r ole • Mark eting • Retail sales • CEO • Man aging dir ector • Research • Annuiti es mark eting • Un derwritin g • Commer cial lin es marketin g • Man aged car e • Finan ce • T reasury K ey ben efits of di gital colour printing • Improve sales conversi on rate • T ailor documen t to an indiv idu al usin g[...]

K ey ben efits of di gital colour printing • Speed up turnar ound tim e • T arget based on needs/featur es/services • Ensur e consisten cy • Pr ovide m ulti-lingu al docum entation to improve un derstan ding • Redu ce inventory/obsolescen ce • Enable JIT d elivery of prin t Prom otion al materi als T ypical verti cal application n ame ?[...]

K ey ben efits of di gital colour printing • Incr ease sales • Grow busin ess, r evenue and pr ofits • Gain competitive advantag e • Build bran d id entity/recogniti on • Impr ove response with tar geted m arketin g based on season, ethnic , dem ographic , economi c, g eographic ar eas • Improve subscriber compli ance an d wellness • [...]

Compensati on and ben efit booklets/directori es T ypical verti cal application n ame • Cover/spine • Booklet • Entitlem ents an d benefits booklets Decision m aking r ole • Hum an resour ces • Employee services • Member servi ces • Mark eting K ey ben efits of di gital colour printing • Improve compr ehen sion and r ecall • Impro[...]

Consumer products Manu f acturing, in dustri al, retail, wholesale , consumer electr onics Catalogues T ypical verti cal application n ame • Prod uct • P arts • Channel Decision m aking r ole • Mark eting • Catalogue sales • Advertisin g K ey ben efits of di gital colour printing • Speed up turnar ound tim e • Redu ce inventory/obso[...]

Decision m aking r ole • Mark eting • Advertisin g • Graphi c arts/creative servi ces • Public r elation s K ey ben efits of di gital colour printing • Incr ease sales • Grow pr ofits • Build bran d id entity/recogniti on • Pr ovide ability to chan ge to d emogr aphic and economi c mark ets • Impr ove response with tar geted m ark[...]

Manua ls T ypical verti cal application n ame • T rainin g • Operati ons an d procedur e • Prod uct m arketing • Service/r epair • Distribution • Consum er (i.e . phone/in ternet bankin g) Decision m aking r ole • Mark eting • T rainin g • Sales • IT • Service • Improve qu ality • Distribution/tr affic K ey ben efits of di[...]

Presen tation s/proposals/r eports T ypical verti cal application n ame • Proposals • Overheads • Han douts • Inserts • Cover/spine Decision m aking r ole • CEO/ex ecutives • Mark eting/sales • T rainin g K ey ben efits of di gital colour printing • Ensur e impact • Enhance pr ofessi onal imag e • Improve compr ehen sion and a[...]

Hospitality Restauran ts, h otels, conventi on centr es, travel ag enci es, advertisin g agenci es, cruise lines , tour operators Prom otion al materi als T ypical verti cal application n ame • Conferen ce materi als • Flyers • Danglers • Broch ures • Price sh eets • CD jewel case inserts • Vid eo case inserts • Sale campaign s • [...]

based on buying pr eferen ces • Facilitate micr o-mark eting • Build customer loyalty • Acceler ate competitive respon se • Redu ce inventory/obsolescen ce • Lower short run costs • Pr ovide m ulti-lingu al materi al to improve r espon se • Provi de stock fle xibility • Ease registr ation r equiremen ts Compensati on and ben efit bo[...]

Manua ls T ypical verti cal application n ame • T rainin g • Operati ons an d procedur es • Prod uct an d services mark eting • Seminars Decision m aking r ole • Mark eting • Retail sales • T rainin g • IT K ey ben efits of di gital colour printing • Improve prin t turnar ound time • T arget based on needs/featur es/services •[...]

Pro fessional services Legal firms , accountan cy firms, r eal estate , travel, consultin g firms , IT , peak bodies Presen tation s/proposals/r eports T ypical verti cal application n ame • Proposals • Research r eports • Mark et reports • Overheads • Han douts • Inserts • Cover/spine Decision m aking r ole • Man aging partn er •[...]

Manua ls T ypical verti cal application n ame • T rainin g • Operati ons an d procedur es • Prod uct an d services mark eting • Seminars Decision m aking r ole • Mark eting • Sales • T rainin g • IT K ey ben efits of di gital colour printing • Improve prin t turnar ound time • T arget based on needs/featur es/services • Ensur [...]

• Sign age , posters, bann ers • Directori es • Direct m ail campaign s • Business car ds • T rad e show materi als Decision m aking r ole • Man aging partn er • Mark eting • Graphi c arts K ey ben efits of di gital colour printing • Incr ease sales • Grow pr ofits • Build bran d id entity/recogniti on • Disseminate inf orma[...]

Decision m aking r ole • Vice-chan cellors • School prin cipals • Departmen t heads K ey ben efits of di gital colour printing • Redu ce costs/contain costs • Redu ce inventory/obsolescen ce • Enable JIT d elivery of prin t • Acceler ate learning, r etention an d recall • Improve prin t turnar ound time • T arget based on needs/fe[...]

K ey ben efits of di gital colour printing • Redu ce costs/contain costs • Improve qu ality • Improve par ent satisf action • Improve stu den t satisfaction • Improve employee satisf action Prom otion al materi als T ypical verti cal application n ame • Flyers • Broch ures • CD jewel case inserts • Vid eo case inserts • Event/pr[...]

Other T ypical verti cal application n ame • Stud ent ID car ds • Phon e cards • Certificates • Diploma • Acad emic publi cations Decision m aking r ole • Registrar • Vice-chan cellors • School prin cipals • Departmen t heads K ey ben efits of di gital colour printing • Lower short run costs • Ease registr ation r equiremen ts[...]

• Event/pr ogram n otices • P ostcards • Sign age , posters, bann ers • Directori es • Direct m ail campaign s • Tick ets and passes to even ts • Invitation s to fund r aisers and events • Covers • Calend ars Decision m aking r ole • Public r elation s • Ad ministrator • Graphi c arts K ey ben efits of di gital colour printi[...]

Compensati on and ben efit booklets T ypical verti cal application n ame • Cover/spine • Booklet Decision m aking r ole • Hum an resour ces • Employee services K ey ben efits of di gital colour printing • Improve compr ehen sion and r ecall • Improve employee satisf action N ewsletters/m ailers T ypical verti cal application n ame • E[...]

Public sector Feder al Governmen t – Armed f orces K ey appli cation s • P amphlets • V ersion s of recruitm ent pamphlets/booklets K ey ben efits of di gital colour printing • Redu ce inventory/obsolescen ce • Speed up turnar ound tim e • Foster community ed ucati on and awaren ess Local Council - Gen eral servi ces K ey appli cation s[...]

Feder al/State/Local Governmen t – Graphi cs repr odu ction prin t shops K ey appli cation s • Colour covers f or technical docum entati on • Colour covers for tr aining m aterials • Sign age , posters, bann ers • CD jewel case inserts • Vid eo case inserts • Multi-lin gual br ochures • Newsletters • Public o ffici als presentati [...]

K ey ben efits of di gital colour printing • Enable JIT d elivery of prin t • Organise an d classify inform ation • Redu ce inventory/obsolescen ce Feder al/State/Local Governmen t - Departmen t of Roads K ey appli cation s • En gineering chan ge n otificati on • Maps • Bid specs • Schem atics • Litigati on docum entation • Expend[...]

Feder al/State/Local Governmen t - Departmen t of P arks K ey appli cation s • Br ochures • Flyers • P ostcards (in cluding souvenir) • Maps • Events • Invitation s/progr ams • Fund r aising campai gns • Certificates • Newsletters • Sign age , posters, bann ers • Tick ets (security) • House rules an d regulati ons • Season[...]

All Micr osoft Offi ce application s (W ord, Ex cel, P owerP oint, Access , etc.) work in th e RGB colour space . The RGB gam ut is much br oader than th e gamut of a pr ocess colour printer or pr ess. Con sequently , man y colours available in Microso ft Office appli cation s cannot be r eprod uced on a process colour d evice . A common ar ea of d[...]

1 - 2 DocuColor 2000 series design guide Mi cros o ft C h art st an dar d "Chart fi lls" an d "Cha rt li n e s " c o lo u r s Mi cros o ft E x ce l s ta nd a r d " C ha rt fill s" and "Chart li n e s" c o lo u rs The first chart below sh ows the basi c standar d palette of 40 colours available in Micr osoft O[...]

1 - 3 microsoft o ffice colour charts Mi cros o ft C h art st an dar d "Chart fi lls" an d "Cha rt li n e s " c o lo u r s Mi cros o ft E x ce l s ta nd a r d " C ha rt fill s" and "Chart li n e s" c o lo u rs Da r k Gr een Gr een Li gh t Gr een Rose Tan Li gh t Tu rq uois e Pa le Bl u e La ve n d e r Re d Or[...]

The n ext chart sh ows which of th ese stand ard Micr osoft Offi ce colours are out o f gamut, ie , th ose that cannot be r eprodu ced on a DocuColor 2060. Because ther e are man y variables associ ated with colour repr oducti on, it is not possible to absolutely d etermine wheth er a Micr osoft Office colour will or will n ot repr oduce accur atel[...]

The f ollowing chart sh ows the exten ded stan dard colour palette available in Mi croso ft Office appli cation s. It in clud es the nam es of th e 40 basic stan dard colours wh ere th ey appear on the palette . 1 - 5 microsoft o ffice colour charts Da r k Gr een Gr een Wh i te Li gh t Gr een Rose Ta n Li gh t Tu rq uoise Pale Bl u e La ve n d e r [...]

The last chart sh ows the sam e extend ed stand ard colour palette with out of gam ut colours highli ghted , ie , those colours that cann ot be reprod uced on a DocuColor 2060. Because ther e are m any variables associ ated with colour repr oducti on, it is not possible to absolutely determin e wheth er a Microso ft Office colour will or will n ot [...]

APPENDIX 2: RGB colour charts The RGB colour space (or gam ut) is mu ch broader than th e gamut o f a process colour printer or pr ess. Con sequently , man y colours available in the RGB colour space cannot be repr odu ced on a process colour devi ce . A common ar ea of discon tent with customers is th e issue of colour conversi on from RGB to CMYK[...]

2 - 2 DocuColor 2000 series design guide 255 225 200 175 150 125 100 75 50 25 0 255 225 200 175 150 125 100 75 50 25 0 Blue Green Red = 0[...]

2 - 3 RGB colour charts 255 225 200 175 150 125 100 75 50 25 0 255 225 200 175 150 125 100 75 50 25 0 Blue Green Red = 25[...]

2 - 4 DocuColor 2000 series design guide 255 225 200 175 150 125 100 75 50 25 0 255 225 200 175 150 125 100 75 50 25 0 Blue Green Red = 50[...]

2 - 5 RGB colour charts 255 225 200 175 150 125 100 75 50 25 0 255 225 200 175 150 125 100 75 50 25 0 Blue Green Red = 75[...]

2 - 6 DocuColor 2000 series design guide 255 225 200 175 150 125 100 75 50 25 0 255 225 200 175 150 125 100 75 50 25 0 Blue Green Red = 100[...]

2 - 7 RGB colour charts 255 225 200 175 150 125 100 75 50 25 0 255 225 200 175 150 125 100 75 50 25 0 Blue Green Red = 125[...]

2 - 8 DocuColor 2000 series design guide 255 225 200 175 150 125 100 75 50 25 0 255 225 200 175 150 125 100 75 50 25 0 Blue Green Red = 150[...]

2 - 9 RGB colour charts 255 225 200 175 150 125 100 75 50 25 0 255 225 200 175 150 125 100 75 50 25 0 Blue Green Red = 175[...]

2 - 10 DocuColor 2000 series design guide 255 225 200 175 150 125 100 75 50 25 0 255 225 200 175 150 125 100 75 50 25 0 Blue Green Red = 200[...]

2 - 11 RGB colour charts 255 225 200 175 150 125 100 75 50 25 0 255 225 200 175 150 125 100 75 50 25 0 Blue Green Red = 225[...]

2 - 12 DocuColor 2000 series design guide 255 225 200 175 150 125 100 75 50 25 0 255 225 200 175 150 125 100 75 50 25 0 Blue Green Red = 255[...]

3 - 1 The DocuColor 2060 prin ts using pr ocess colours, viz. cyan (C), mag enta (M), yellow (Y) and black (K). Y ou have the ability to mix and blen d variati ons o f CMYK to create virtually limitless colour palettes . The f ollowing charts provi de e xamples of mixtur es of CMYK that you can use to select colours. T wo types of sample charts ar [...]

3 - 2 DocuColor 2000 series design guide 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 0% Y ellow[...]

3 - 3 CMYK colour charts 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 0% Y ellow 5% Black 10% Black 30% Black 20% Black[...]

3 - 4 DocuColor 2000 series design guide 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 10% Y ellow[...]

3 - 5 CMYK colour charts 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 10% Y ellow 5% Black 10% Black 30% Black 20% Black[...]

3 - 6 DocuColor 2000 series design guide 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 20% Y ellow[...]

3 - 7 CMYK colour charts 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 20% Y ellow 5% Black 10% Black 30% Black 20% Black[...]

3 - 8 DocuColor 2000 series design guide 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 30% Y ellow[...]

3 - 9 CMYK colour charts 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 30% Y ellow 5% Black 10% Black 30% Black 20% Black[...]

3 - 10 DocuColor 2000 series design guide 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 40% Y ellow[...]

3 - 11 CMYK colour charts 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 40% Y ellow 5% Black 10% Black 30% Black 20% Black[...]

3 - 12 DocuColor 2000 series design guide 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 50% Y ellow[...]

3 - 13 CMYK colour charts 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 50% Y ellow 5% Black 10% Black 30% Black 20% Black[...]

3 - 14 DocuColor 2000 series design guide 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 60% Y ellow[...]

3 - 15 CMYK colour charts 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 60% Y ellow 5% Black 10% Black 30% Black 20% Black[...]

3 - 16 DocuColor 2000 series design guide 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 70% Y ellow[...]

3 - 17 CMYK colour charts 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 70% Y ellow 5% Black 10% Black 30% Black 20% Black[...]

3 - 18 DocuColor 2000 series design guide 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 80% Y ellow[...]

3 - 19 CMYK colour charts 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 80% Y ellow 5% Black 10% Black 30% Black 20% Black[...]

3 - 20 DocuColor 2000 series design guide 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 90% Y ellow[...]

3 - 21 CMYK colour charts 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 90% Y ellow 5% Black 10% Black 30% Black 20% Black[...]

3 - 22 DocuColor 2000 series design guide 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 100% Y ellow[...]

3 - 23 CMYK colour charts 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% 100% 90% 80% 70% 60% 50% 40% 30% 20% 10% 0% Cyan Magenta 100% Y ellow 5% Black 10% Black 30% Black 20% Black[...]

3 - 24 DocuColor 2000 series design guide[...]

APPENDIX 4: P antone colour charts 4 - 1 The DocuColor 2060 is n ot capable of prin ting spot colours. H owever , it can convert Pa n tone colours into CMYK pr ocess colours on the fly d uring the RIP stag e . Both the Fiery an d CreoScite x RIPs will convert Pan tone colours in to process colours, but th eir conversion alg orithms ar e slightly di[...]

4 - 2 DocuColor 2000 series design guide PA NTONE 120 PA NTONE 121 PA NTONE 122 PA NTONE 123 PA NTONE 124 PA NTONE 125 PA NTONE 126 P ANT ONE 113 P ANT ONE 114 P ANT ONE 115 P ANT ONE 116 P ANT ONE 117 P ANT ONE 118 P ANT ONE 119 P ANT ONE 106 P ANT ONE 107 P ANT ONE 108 P ANT ONE 109 P ANT ONE 110 P ANT ONE 111 P ANT ONE 112 P ANT ONE 100 P ANT ON[...]

4 - 3 P antone colour charts PA NTONE 141 PA NTONE 142 PA NTONE 143 PA NTONE 144 PA NTONE 145 PA NTONE 146 PA NTONE 147 P ANT ONE 1345 P ANT ONE 1355 P ANT ONE 1365 P ANT ONE 1375 P ANT ONE 1385 P ANT ONE 1395 P ANT ONE 1405 P ANT ONE 134 P ANT ONE 135 P ANT ONE 136 P ANT ONE 137 P ANT ONE 138 P ANT ONE 139 P ANT ONE 140 P ANT ONE 127 P ANT ONE 128[...]

4 - 4 DocuColor 2000 series design guide PA NTONE 162 PA NTONE 163 PA NTONE 164 PA NTONE 165 PA NTONE 166 PA NTONE 167 PA NTONE 168 P ANT ONE 1555 P ANT ONE 1565 P ANT ONE 1575 P ANT ONE 1585 P ANT ONE 1595 P ANT ONE 1605 P ANT ONE 1615 P ANT ONE 155 P ANT ONE 156 P ANT ONE 157 P ANT ONE 158 P ANT ONE 159 P ANT ONE 160 P ANT ONE 161 P ANT ONE 1485 [...]

4 - 5 P antone colour charts PA NTONE 1767 PA NTONE 1777 PA NTONE 1787 Red 032 PA NTONE 1797 PA NTONE 1807 PA NTONE 1817 P ANT ONE 1765 P ANT ONE 1775 P ANT ONE 1785 P ANT ONE 1788 P ANT ONE 1795 P ANT ONE 1805 P ANT ONE 1815 P ANT ONE 176 P ANT ONE 177 P ANT ONE 178 W arm Red P ANT ONE 179 P ANT ONE 180 P ANT ONE 181 P ANT ONE 169 P ANT ONE 170 P [...]

4 - 6 DocuColor 2000 series design guide PA NTONE 203 PA NTONE 204 PA NTONE 205 PA NTONE 206 PA NTONE 207 PA NTONE 208 PA NTONE 209 P ANT ONE 196 P ANT ONE 197 P ANT ONE 198 P ANT ONE 199 P ANT ONE 200 P ANT ONE 201 P ANT ONE 202 P ANT ONE 1895 P ANT ONE 1905 P ANT ONE 1915 P ANT ONE 1925 P ANT ONE 1935 P ANT ONE 1945 P ANT ONE 1955 P ANT ONE 189 P[...]

4 - 7 P antone colour charts PA NTONE 236 PA NTONE 237 PA NTONE 238 PA NTONE 239 PA NTONE 240 PA NTONE 241 PA NTONE 242 P ANT ONE 230 P ANT ONE 231 P ANT ONE 232 Rhod . Red P ANT ONE 233 P ANT ONE 234 P ANT ONE 235 P ANT ONE 223 P ANT ONE 224 P ANT ONE 225 P ANT ONE 226 P ANT ONE 227 P ANT ONE 228 P ANT ONE 229 P ANT ONE 217 P ANT ONE 218 P ANT ONE[...]

4 - 8 DocuColor 2000 series design guide PA NTONE 2562 PA NTONE 2572 PA NTONE 2582 PA NTONE 2592 PA NTONE 2602 PA NTONE 2612 PA NTONE 2622 P ANT ONE 256 P ANT ONE 257 P ANT ONE 258 P ANT ONE 259 P ANT ONE 260 P ANT ONE 261 P ANT ONE 262 P ANT ONE 250 P ANT ONE 251 P ANT ONE 252 Purple P ANT ONE 253 P ANT ONE 254 P ANT ONE 255 P ANT ONE 243 P ANT ON[...]

4 - 9 P antone colour charts PA NTONE 270 PA NTONE 271 PA NTONE 272 PA NTONE 273 PA NTONE 274 PA NTONE 275 PA NTONE 276 P ANT ONE 2635 P ANT ONE 2645 P ANT ONE 2655 P ANT ONE 2665 Violet P ANT ONE 2685 P ANT ONE 2695 P ANT ONE 263 P ANT ONE 264 P ANT ONE 265 P ANT ONE 266 P ANT ONE 267 P ANT ONE 268 P ANT ONE 269 P ANT ONE 2567 P ANT ONE 2577 P ANT[...]

4 - 10 DocuColor 2000 series design guide PA NTONE 277 PA NTONE 278 PA NTONE 279 Reflex Blue PA NTONE 280 PA NTONE 281 PA NTONE 282 P ANT ONE 2708 P ANT ONE 2718 P ANT ONE 2728 P ANT ONE 2738 P ANT ONE 2748 P ANT ONE 2758 P ANT ONE 2768 P ANT ONE 2707 P ANT ONE 2717 P ANT ONE 2727 Blue 072 P ANT ONE 2747 P ANT ONE 2757 P ANT ONE 2767 P ANT ONE 2706[...]

4 - 11 P antone colour charts PA NTONE 2975 PA NTONE 2985 PA NTONE 2995 PA NTONE 3005 PA NTONE 3015 PA NTONE 3025 PA NTONE 3035 P ANT ONE 297 P ANT ONE 298 P ANT ONE 299 P ANT ONE 300 P ANT ONE 301 P ANT ONE 302 P ANT ONE 303 P ANT ONE 2905 P ANT ONE 2915 P ANT ONE 2925 P ANT ONE 2935 P ANT ONE 2945 P ANT ONE 2955 P ANT ONE 2965 P ANT ONE 290 P ANT[...]

4 - 12 DocuColor 2000 series design guide PA NTONE 324 PA NTONE 325 PA NTONE 326 PA NTONE 327 PA NTONE 328 PA NTONE 329 PA NTONE 330 P ANT ONE 317 P ANT ONE 318 P ANT ONE 319 P ANT ONE 320 P ANT ONE 321 P ANT ONE 322 P ANT ONE 323 P ANT ONE 3105 P ANT ONE 3115 P ANT ONE 3125 P ANT ONE 3135 P ANT ONE 3145 P ANT ONE 3155 P ANT ONE 3165 P ANT ONE 310 [...]

4 - 13 P antone colour charts PA NTONE 337 PA NTONE 338 PA NTONE 339 PA NTONE 340 PA NTONE 341 PA NTONE 342 PA NTONE 343 P ANT ONE 331 P ANT ONE 332 P ANT ONE 333 Green P ANT ONE 334 P ANT ONE 335 P ANT ONE 336 P ANT ONE 3248 P ANT ONE 3258 P ANT ONE 3268 P ANT ONE 3278 P ANT ONE 3288 P ANT ONE 3298 P ANT ONE 3308 P ANT ONE 3245 P ANT ONE 3255 P AN[...]

4 - 14 DocuColor 2000 series design guide PA NTONE 365 PA NTONE 366 PA NTONE 367 PA NTONE 368 PA NTONE 369 PA NTONE 370 PA NTONE 371 P ANT ONE 358 P ANT ONE 359 P ANT ONE 360 P ANT ONE 361 P ANT ONE 362 P ANT ONE 363 P ANT ONE 364 P ANT ONE 351 P ANT ONE 352 P ANT ONE 353 P ANT ONE 354 P ANT ONE 355 P ANT ONE 356 P ANT ONE 357 P ANT ONE 344 P ANT O[...]

4 - 15 P antone colour charts PA NTONE 3935 PA NTONE 3945 PA NTONE 3955 PA NTONE 3965 PA NTONE 3975 PA NTONE 3985 PA NTONE 3995 P ANT ONE 393 P ANT ONE 394 P ANT ONE 395 P ANT ONE 396 P ANT ONE 397 P ANT ONE 398 P ANT ONE 399 P ANT ONE 386 P ANT ONE 387 P ANT ONE 388 P ANT ONE 389 P ANT ONE 390 P ANT ONE 391 P ANT ONE 392 P ANT ONE 379 P ANT ONE 38[...]

4 - 16 DocuColor 2000 series design guide PA NTONE 427 PA NTONE 428 PA NTONE 429 PA NTONE 430 PA NTONE 431 PA NTONE 432 PA NTONE 433 P ANT ONE 420 P ANT ONE 421 P ANT ONE 422 P ANT ONE 423 P ANT ONE 424 P ANT ONE 425 P ANT ONE 426 P ANT ONE 413 P ANT ONE 414 P ANT ONE 415 P ANT ONE 416 P ANT ONE 417 P ANT ONE 418 P ANT ONE 419 P ANT ONE 406 P ANT O[...]

4 - 17 P antone colour charts Cool Grey 1 Cool Grey 2 Cool Grey 3 Cool Grey 4 Cool Grey 5 W arm Grey 6 W arm Grey 7 W arm Grey 8 W arm Grey 9 W arm Grey 10 W arm Grey 11 W arm Grey 1 W arm Grey 2 W arm Grey 3 W arm Grey 4 W arm Grey 5 P ANT ONE 441 P ANT ONE 442 P ANT ONE 443 P ANT ONE 444 P ANT ONE 445 P ANT ONE 446 P ANT ONE 447 P ANTONE pr ocess[...]

4 - 18 DocuColor 2000 series design guide PA NTONE 455 PA NTONE 456 PA NTONE 457 PA NTONE 458 PA NTONE 459 PA NTONE 460 PA NTONE 461 P ANT ONE 4485 P ANT ONE 4495 P ANT ONE 4505 P ANT ONE 4515 P ANT ONE 4525 P ANT ONE 4535 P ANT ONE 4545 P ANT ONE 448 P ANT ONE 449 P ANT ONE 450 P ANT ONE 451 P ANT ONE 452 P ANT ONE 453 P ANT ONE 454 Black 2 Black [...]

4 - 19 P antone colour charts PA NTONE 476 PA NTONE 477 PA NTONE 478 PA NTONE 479 PA NTONE 480 PA NTONE 481 PA NTONE 482 P ANT ONE 4695 P ANT ONE 4705 P ANT ONE 4715 P ANT ONE 4725 P ANT ONE 4735 P ANT ONE 4745 P ANT ONE 4755 P ANT ONE 469 P ANT ONE 470 P ANT ONE 471 P ANT ONE 472 P ANT ONE 473 P ANT ONE 474 P ANT ONE 475 P ANT ONE 4625 P ANT ONE 4[...]

4 - 20 DocuColor 2000 series design guide PA NTONE 504 PA NTONE 505 PA NTONE 506 PA NTONE 507 PA NTONE 508 PA NTONE 509 PA NTONE 510 P ANT ONE 4975 P ANT ONE 4985 P ANT ONE 4995 P ANT ONE 5005 P ANT ONE 5015 P ANT ONE 5025 P ANT ONE 5035 P ANT ONE 497 P ANT ONE 498 P ANT ONE 499 P ANT ONE 500 P ANT ONE 501 P ANT ONE 502 P ANT ONE 503 P ANT ONE 490 [...]

4 - 21 P antone colour charts PA NTONE 525 PA NTONE 526 PA NTONE 527 PA NTONE 528 PA NTONE 529 PA NTONE 530 PA NTONE 531 P ANT ONE 5185 P ANT ONE 5195 P ANT ONE 5205 P ANT ONE 5215 P ANT ONE 5225 P ANT ONE 5235 P ANT ONE 5245 P ANT ONE 518 P ANT ONE 519 P ANT ONE 520 P ANT ONE 521 P ANT ONE 522 P ANT ONE 523 P ANT ONE 524 P ANT ONE 5115 P ANT ONE 5[...]

4 - 22 DocuColor 2000 series design guide PA NTONE 546 PA NTONE 547 PA NTONE 548 PA NTONE 549 PA NTONE 550 PA NTONE 551 PA NTONE 552 P ANT ONE 5395 P ANT ONE 5405 P ANT ONE 5415 P ANT ONE 5425 P ANT ONE 5435 P ANT ONE 5445 P ANT ONE 5455 P ANT ONE 539 P ANT ONE 540 P ANT ONE 541 P ANT ONE 542 P ANT ONE 543 P ANT ONE 544 P ANT ONE 545 P ANT ONE 532 [...]

4 - 23 P antone colour charts PA NTONE 560 PA NTONE 561 PA NTONE 562 PA NTONE 563 PA NTONE 564 PA NTONE 565 PA NTONE 566 P ANT ONE 5535 P ANT ONE 5545 P ANT ONE 5555 P ANT ONE 5565 P ANT ONE 5575 P ANT ONE 5585 P ANT ONE 5595 P ANT ONE 553 P ANT ONE 554 P ANT ONE 555 P ANT ONE 556 P ANT ONE 557 P ANT ONE 558 P ANT ONE 559 P ANT ONE 5467 P ANT ONE 5[...]

4 - 24 DocuColor 2000 series design guide PA NTONE 5747 PA NTONE 5757 PA NTONE 5767 PA NTONE 5777 PA NTONE 5787 PA NTONE 5797 PA NTONE 5807 P ANT ONE 5743 P ANT ONE 5753 P ANT ONE 5763 P ANT ONE 5773 P ANT ONE 5783 P ANT ONE 5793 P ANT ONE 5803 P ANT ONE 574 P ANT ONE 575 P ANT ONE 576 P ANT ONE 577 P ANT ONE 578 P ANT ONE 579 P ANT ONE 580 P ANT O[...]

4 - 25 P antone colour charts PA NTONE 614 PA NTONE 615 PA NTONE 616 PA NTONE 617 PA NTONE 618 PA NTONE 619 PA NTONE 620 P ANT ONE 607 P ANT ONE 608 P ANT ONE 609 P ANT ONE 610 P ANT ONE 611 P ANT ONE 612 P ANT ONE 613 P ANT ONE 600 P ANT ONE 601 P ANT ONE 602 P ANT ONE 603 P ANT ONE 604 P ANT ONE 605 P ANT ONE 606 P ANTONE pr ocess colour simulati[...]

4 - 26 DocuColor 2000 series design guide PA NTONE 649 PA NTONE 650 PA NTONE 651 PA NTONE 652 PA NTONE 653 PA NTONE 654 PA NTONE 655 P ANT ONE 642 P ANT ONE 643 P ANT ONE 644 P ANT ONE 645 P ANT ONE 646 P ANT ONE 647 P ANT ONE 648 P ANT ONE 635 P ANT ONE 636 P ANT ONE 637 P ANT ONE 638 P ANT ONE 639 P ANT ONE 640 P ANT ONE 641 P ANT ONE 628 P ANT O[...]

4 - 27 P antone colour charts PA NTONE 684 PA NTONE 685 PA NTONE 686 PA NTONE 687 PA NTONE 688 PA NTONE 689 PA NTONE 690 P ANT ONE 677 P ANT ONE 678 P ANT ONE 679 P ANT ONE 680 P ANT ONE 681 P ANT ONE 682 P ANT ONE 683 P ANT ONE 670 P ANT ONE 671 P ANT ONE 672 P ANT ONE 673 P ANT ONE 674 P ANT ONE 675 P ANT ONE 676 P ANT ONE 663 P ANT ONE 664 P ANT[...]

4 - 28 DocuColor 2000 series design guide PA NTONE 719 PA NTONE 720 PA NTONE 721 PA NTONE 722 PA NTONE 723 PA NTONE 724 PA NTONE 725 P ANT ONE 712 P ANT ONE 713 P ANT ONE 714 P ANT ONE 715 P ANT ONE 716 P ANT ONE 717 P ANT ONE 718 P ANT ONE 705 P ANT ONE 706 P ANT ONE 707 P ANT ONE 708 P ANT ONE 709 P ANT ONE 710 P ANT ONE 711 P ANT ONE 698 P ANT O[...]

4 - 29 P antone colour charts PA NTONE 7422 PA NTONE 7423 PA NTONE 7424 PA NTONE 7425 PA NTONE 7426 PA NTONE 7427 PA NTONE 7428 P ANT ONE 7415 P ANT ONE 7416 P ANT ONE 7417 P ANT ONE 7418 P ANT ONE 7419 P ANT ONE 7420 P ANT ONE 7421 P ANT ONE 7408 P ANT ONE 7409 P ANT ONE 7410 P ANT ONE 7411 P ANT ONE 7412 P ANT ONE 7413 P ANT ONE 7414 P ANT ONE 74[...]

4 - 30 DocuColor 2000 series design guide PA NTONE 7457 PA NTONE 7458 PA NTONE 7459 PA NTONE 7460 PA NTONE 7461 PA NTONE 7462 PA NTONE 7463 P ANT ONE 7450 P ANT ONE 7451 P ANT ONE 7452 P ANT ONE 7453 P ANT ONE 7454 P ANT ONE 7455 P ANT ONE 7456 P ANT ONE 7443 P ANT ONE 7444 P ANT ONE 7445 P ANT ONE 7446 P ANT ONE 7447 P ANT ONE 7448 P ANT ONE 7449 [...]

4 - 31 P antone colour charts PA NTONE 7492 PA NTONE 7493 PA NTONE 7494 PA NTONE 7495 PA NTONE 7496 PA NTONE 7497 PA NTONE 7498 P ANT ONE 7485 P ANT ONE 7486 P ANT ONE 7487 P ANT ONE 7488 P ANT ONE 7489 P ANT ONE 7490 P ANT ONE 7491 P ANT ONE 7478 P ANT ONE 7479 P ANT ONE 7480 P ANT ONE 7481 P ANT ONE 7482 P ANT ONE 7483 P ANT ONE 7484 P ANT ONE 74[...]

4 - 32 DocuColor 2000 series design guide PA NTONE 7527 PA NTONE 7528 PA NTONE 7529 PA NTONE 7530 PA NTONE 7531 PA NTONE 7532 PA NTONE 7533 P ANT ONE 7520 P ANT ONE 7521 P ANT ONE 7522 P ANT ONE 7523 P ANT ONE 7524 P ANT ONE 7525 P ANT ONE 7526 P ANT ONE 7513 P ANT ONE 7514 P ANT ONE 7515 P ANT ONE 7516 P ANT ONE 7517 P ANT ONE 7518 P ANT ONE 7519 [...]

4 - 33 P antone colour charts PA NTONE 871 PA NTONE 872 PA NTONE 873 PA NTONE 874 PA NTONE 875 PA NTONE 876 PA NTONE 877 P ANT ONE 808 P ANT ONE 809 P ANT ONE 810 P ANT ONE 811 P ANT ONE 812 P ANT ONE 813 P ANT ONE 814 P ANT ONE 801 P ANT ONE 802 P ANT ONE 803 P ANT ONE 804 P ANT ONE 805 P ANT ONE 806 P ANT ONE 807 P ANT ONE 7541 P ANT ONE 7542 P A[...]

4 - 34 DocuColor 2000 series design guide[...]

1/0 “One over zer o” refers to printin g with one colour on one si de o f a sheet, leavin g the other si de blank. 2-up/4-up/8-up The n umber of imag es printed on one si de o f a sheet. 4/0 “Four over zero” r efers to printing with f our colours on one sid e of a sheet o f paper , leaving th e other si de blank. 4/4 “Four over four” r [...]

Bleed An imag e that extends to all f our edges o f a page . The e xtra amoun t of the im age that is printed on a sh eet beyond the cr op marks (th e sheet is then trimm ed to size). Calendered P aper that has been passed through a seri es of stainless steel rollers that prod uce a very smooth finish to th e paper . Calibration A pr ocedure to set[...]

Colour rendering dictionary A lookup table in P ostScript that describes how to m ap colour from one d evi ce to another . Also called CRD. Colour separations A full colour imag e broken d own into a series o f single colour im ages of the prim ary printing colours . This is most often th e four pr ocess colour imag es (CMYK), but may also inclu de[...]

Crosso ver Occurs when an im age is printed on two adjacen t pages in a publi cation so read ers perceive a single , unbrok en imag e. Customisation A form o f variable inform ation printin g. Used to d escribe a documen t that has been customised to its audi ence . Generally a comm on d ocum ent template is used with differen t messages an d conte[...]

Electrophotogr aphy The im age tran sfer system used in printers an d copiers wher e images ar e prod uced using electr ostatic for ces. Electri cal charges ar e used to create an imag e on a photoco ndu ctive surface to whi ch toner is attracted . The toner is th en transferr ed and fused to paper . Embossing A process in whi ch paper is pressed b[...]

Grain Gr ain direction is th e orientati on of fibr es with respect to the lon g edge of the paper . For example , in an A4 sheet, th e fibres of a lon g grain sheet ar e parallel to the 297 mm dim ension o f the pag e (the pages o f a short gr ain sheet are par allel to the 210 mm dimen sion). Graininess W eak imag e (on an offset print) with a gr[...]

Impressions per hour The term m ost commonly used with offset prin ting for m easuring prin t speed. On e impression can con sist of multiple im ages on a lar ge sheet that will be cut into sm aller sized sheets after being prin ted. Impressions per minute The term most comm only used with offset prin ting for m easuring print speed. On e impressio[...]

Looseleaf binding A bin ding meth od that inclu des drillin g holes into a paper’s ed ge to be easily inserted in to binders . lpi Short f or lines per inch. See scr een frequency . LUT Short f or lookup table. Maker eady All work required to set up a pr ess for printin g. This can inclu de loading plates, paper , ink or toner , as well as adjust[...]

provi des for autom atic replacem ent o f low-resolution placeh older imag es with high-r esolution imag es. Overprint Wh en printing a shape or type in colour , the shape prin ts over whatever colours have alread y been printed. This can r esult in a shift of colour d ue to overlappin g ink or toner . P age One sid e of a sheet o f paper . Both to[...]

Preflight A step in th e prepress pr ocess used to test every component o f a job to ensur e it will print correctly . This can inclu de fon ts, imag e files and links, colour gam ut, etc. Prepr ess All operation s in the print pr odu ction process that tak e place up to the point wh ere the job is sen t to the RIP of a di gital printer (or wh ere [...]

Rosette The (acceptable) d ot cluster formati on that is created in four-colour imag es. RTP Short f or ready to prin t. A file that has been ripped Runnability Describes the ease with whi ch paper moves through th e printing pr ess or printer . A paper that performs well on th e press (d ust free , ideal m oistur e content, n o curves or waves, tr[...]

Sheet-fed press A printin g press, eith er digital or o ffset, that prints on cut sheets o f paper . Sheets per hour A term comm only used to describe the speed o f bindin g and foldin g operati ons. Short edge feed The sh ortest edge o f the paper is fed into th e printer first. Short grain P aper in which th e orien tation of fibr es is parallel [...]

Stock A term used to refer to all types o f paper , tran sparen cies, an d other printable m aterials. Also called m edia or substrate . Streaking Und esir able artifacts caused by linear irr egularities in ink or toner tran sfer . Substrate A term used to r efer to all types of paper , transpar encies , and other printable m aterials. Also called [...]

V arnish A finishing pr ocess in which a coating, or varnish, is appli ed over the printed ar ea (or whole page) to pr otect it or enhance its visual appeal. V ector An imag e file that uses mathem atical f ormulae to describe lin es and curves. Ve r sioning A form of vari able inform ation printin g. Several version s of a d ocument are cr eated b[...]