ACDSee Pro 6 manual

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A good user manual

The rules should oblige the seller to give the purchaser an operating instrucion of ACDSee Pro 6, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.

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First and foremost, an user manual of ACDSee Pro 6 should contain:
- informations concerning technical data of ACDSee Pro 6
- name of the manufacturer and a year of construction of the ACDSee Pro 6 item
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Why don't we read the manuals?

Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of ACDSee Pro 6 alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of ACDSee Pro 6, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the ACDSee service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of ACDSee Pro 6.

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Table of contents for the manual

  • Page 1

    User Guide T otal photgr aphy c ontr ol[...]

  • Page 2

    [...]

  • Page 3

    Co nte nts C H A P T E R 1 : G E T T I N G S T A R T E D 1 Wel com e To ACD S ee P ro 6 1 Ab out T h e ACD S ee U ser In t erf ac e 1 Manag e M o d e 1 View Mode 2 Dev elo p M o d e 2 E di t Mode 2 Onl in e Mod e 2 S wit chi n g Modes In AC DS e e Pro 3 U sin g Man ag e Mod e 3 Ab o ut T h e Manag e Mod e Pa n e s 3 Manag e M o d e D r op- d own Me[...]

  • Page 4

    AC DSe e Pr o 6 U s e r Gu id e I mp o r tin g Fil es Fr om Sp eci f ic T ypes Of Devic es 1 4 Ab o ut Re mo va b le Devic es 1 5 Impo rti n g P h otos From A D evi ce 1 5 Impo rti n g P h otos From A C D O r D VD 2 0 Impo rti n g P h otos From A D i s k 2 0 Impo rti n g P h otos From A S can n er 2 1 Impo rti n g P h otos From A Mobil e P h one F [...]

  • Page 5

    S el ecti n g F il es 3 4 Prev i ew i n g I mag es 3 5 Ro ta ti n g I mag es 3 5 C om p ari n g I mag es 3 6 G ath eri n g I mag es I n Th e I mag e Basket 3 8 C atal og i n g An d Man agi n g Fi l es I n ACD S ee P r o 3 8 Org an i zin g Wi t h Th e C at al o g P an e 3 8 Ca te g o r ies 3 9 Ke ywor d s 3 9 Ra tin g s 3 9 Co lor L a b els 3 9 Auto[...]

  • Page 6

    AC DSe e Pr o 6 U s e r Gu id e Org an iz e T ab 5 0 Fil e T ab 5 0 E m b edd i ng AC DSe e M et adata Into Fi les 50 U sin g Th e Map P an e 5 1 U s in g T h e Map Pa ne In Man a g e M o d e 5 2 Ad d i n g Met ad at a To Fi l es An d U si n g P res ets 5 2 Man age Me tadata Vi ews An d Presets 5 4 C reati n g An d Ass i gni n g Hi erarc h i cal Ke[...]

  • Page 7

    I d enti fyin g C om mo nl y U s ed Sea r c h Ca te g o r i e s 7 2 Re fi n in g Y our Au to Cat eg o r ies Se ar c h 7 3 Fi n din g D u p l i cate F il es 7 3 Fi n din g I mag es Q ui ckl y 7 4 S h ari ng F i l es W it h A C DS ee P ro 7 4 Taki n g A S creen C aptu re 7 4 Email i n g I mag es 7 6 S h are / Email U sin g ACD S ee On l i n e 7 6 C r[...]

  • Page 8

    AC DSe e Pr o 6 U s e r Gu id e Res i zin g Mu l t ipl e I mag es 1 0 5 Ad ju s ti n g Expo su re F or Mu l ti ple I mag es 1 0 6 Ad ju s ti n g Bat ch Exp os u re Opti on s 1 0 7 Ren amin g Mu l ti pl e Fi l es 10 8 C h an g i n g Th e C olor P ro f i l es O f Mu l ti ple I m ages 1 1 0 U sin g Bat ch Ed i t 1 1 1 Batch Edit R otate Op ti on s 1 1[...]

  • Page 9

    Backi n g U p You r D atabase 1 3 8 Dat abas e Backu p Ti p s An d S t rategie s 1 3 9 Ba c kup Sc h edu le 1 40 Ba c kup L o c at ion 1 40 Ba c kup Siz e 1 4 0 Res t o ri n g D atabase I n f orm at ion Fro m A Bac ku p 1 4 0 Mai n tai n i n g Th e Dat abas e 1 4 1 Opti mizi n g Th e Da tabas e 1 4 1 Reb u i l d i n g Th u mb n ai ls An d Met ad at[...]

  • Page 10

    AC DSe e Pr o 6 U s e r Gu id e Ad d i n g Or Ed i ti n g I mag e Au d i o 1 5 4 Re c o r d in g Au d io T o An Ima g e 1 55 S el ecti n g P art Of An I mag e 1 5 6 Ap p l yi n g P resets I n Vi ew Mod e 1 5 7 Vi ewin g Fi l e P rop erti es I n Vi ew Mode 1 5 7 Pri n t in g I mag es I n Vi ew Mod e 1 5 7 S h ow i n g Ori gin al s 1 5 8 C om mit ti [...]

  • Page 11

    Sa vin g Im ages 1 75 How AC DS ee Pro S av es C h an g es To Images 1 7 6 Pro 3 RA W Proces si n g Emul at i on 1 7 7 Ab out Th e Tu n e Tab 1 7 8 Sa vin g An d Ca n c elin g 1 78 U sin g Th e Dev el op Bru sh 1 7 9 Dev elo p Br u s h Op tions 1 8 1 Maki n g G en eral Adj u stmen ts 1 8 1 A Br ief T ec h ni c a l E x p lan a tion Of E V 1 82 Ad ju[...]

  • Page 12

    AC DSe e Pr o 6 U s e r Gu id e Fi xi n g L en s Vi gne tt in g 2 0 2 Ab out Th e Rep ai r Tab 2 0 3 Sa vin g An d Ca n c elin g 2 03 Red u cin g Red Eye 2 0 4 C H A P T E R 6 : E D I T M O D E 2 0 6 U sin g Ed i t Mod e 2 0 6 W h a t Hap p e n s Fr om Deve lop T o E d it 20 6 E di tin g An I ma g e 2 06 Re ve r tin g T o Deve lop Settin g s Or Or [...]

  • Page 13

    T ex tu r e s 2 28 E dg es 2 2 8 Ad d i n g A Vi gne tt e 2 2 9 Ab out S pecial Ef f ect Fi l ters 2 3 1 Ap p l yi n g A Bat h roo m W in dow Ef f ect 2 3 1 Ap p l yi n g A Bl i n ds Ef f ect 2 3 2 Ap p l yi n g A Bu l ge Ef f ect 2 3 2 Ap p l yi n g A C ol l ag e Ef f e ct 2 3 3 Ap p l yi n g A C ol or ed Ed g es Ef f ect 2 3 4 Ap p l yi n g A C o[...]

  • Page 14

    AC DSe e Pr o 6 U s e r Gu id e Ap p l yi n g A S h ee t Me tal Ef f ect 2 5 0 Ap p l yi n g A S h i f t Ef f ect 2 5 1 Ap p l yi n g A S l an t Ef f ect 2 5 2 Ap p l yi n g A S obel Ef f ect 2 5 2 Ap p l yi n g A S ol ari z e Ef f ect 2 5 3 Ap p l yi n g A S t ai n ed G l ass Ef f ect 2 5 3 Ap p l yi n g A S u n spo t Ef f ect 2 5 4 Ap p l yi n g [...]

  • Page 15

    Gr a p h s 2 76 Dodg e An d Bu rn 28 1 Do d g in g And Bu r n in g Pa r ts Of An I ma g e 2 8 1 Ad ju s ti n g W h it e Bal an ce 2 8 2 Ad ju s ti n g C ol or 28 2 Ad ju s ti n g S pl i t Ton e 2 8 7 Ad ju s ti n g C ol or Bal an ce 2 8 8 C reati n g A G rayscale Image 2 8 9 U sin g Th e Hi stog ram 29 0 C h an g i n g I mag e C olor D ep th 2 9 0 [...]

  • Page 16

    AC DSe e Pr o 6 U s e r Gu id e S et ti n g Th e Fi l e Li st Pa ne Opti on s 3 0 7 S et ti n g Th e Th u mb n ail In f o Op ti on s 3 0 9 S et ti n g Th e Th u mb n ail S ty le Opti ons 3 1 1 S et ti n g Th e De tai l s Vi ew Opti on s 3 1 1 S et ti n g Th e P r ev iew P an e Op t ion s 3 1 2 S et ti n g Th e Fol der s P an e Opti on s 3 1 3 S et [...]

  • Page 17

    Man age Mode Mou se S h or t c u t s 3 3 5 Vi ew Mod e Keybo ard S h ortcu ts 3 3 6 Vi ew Mod e Mouse S h ortcu ts 3 4 0 C al en d ar P an e S h ortcu ts 3 4 1 Dev el op An d Ed i t Mod e Keyboar d S h or tcu t s 3 4 1 Dev el op An d Ed i t Mod e Mou se S h or t c u t s 3 4 2 On l i n e Mod e Keybo ard S h ortcu t s 3 4 2 On l i n e Mod e Mouse S h[...]

  • Page 18

    [...]

  • Page 19

    Chapter 1 : Gettin g s tarted C hap te r 1 : G e t ti ng start e d We lcome to AC DSe e Pr o 6 W elc om e to AC DSe e, and c ong r atul a tions o n c h oo s in g th e i nd u s tr y-leadi ng d ig ital p h o to manag e me n t s oftw a r e. AC DSe e Pr o i s th e es s ential app l ic atio n f o r i m p o r tin g , or g a n iz in g , viewi ng , en han [...]

  • Page 20

    AC DSe e Pr o 6 U s e r Gu id e org ani z at ion an d s h ar in g to ols . Manag e mode c ons i s ts of 1 2 p anes , most of w hi c h c an b e c l o s ed w h e n n ot i n u s e. T h e F ile Li s t p an e i s alw ay s vis ib l e, and d i s pl ay s the c ontents of th e c u r r ent f o ld er , th e r es u lts of yo u r latest s ea r c h , or th e f i[...]

  • Page 21

    Chapter 1 : Gettin g s tarted Switching Mo des in AC DSe e Pr o I n AC DSe e, yo u c an q u ic kl y s w itc h b etween th e f ive mo d e s — Man a g e, View, Dev elop, E d it, and Onl in e mode. T h e mo d e b u tto ns ar e l o c ate d at th e top r i gh t of th e ACD See Pro w in d o w : To sw i tch f rom on e mod e to an ot h er: Clic k on e of[...]

  • Page 22

    AC DSe e Pr o 6 U s e r Gu id e Fi l e L i st T h is p ane d i s p lay s th e c onten ts of th e c u r r ently s elec ted f o ld er , th e r es u lts of yo ur l a tes t s ear c h, or th e f iles an d f o ld er s th at ma tc h your s elec tive b r ows i ng c r iter ia. T h e Fil e L is t p ane i s alw a ys vis ib l e , and c ann o t b e h id d en or[...]

  • Page 23

    Chapter 1 : Gettin g s tarted Works p aces : W h e r e yo u c an s av e a s et of c u s to miz ed l a yo uts f o r th e w orks p ac e or r es e t i t to th e d efau lt w o r ks p a c e. Impo rt : W h er e yo u c an i m p o r t p h o to s f r o m c ame r as an d other d evic es. Batch : W h er e you c an r u n all th e b atc h ed itin g p r oc e s s[...]

  • Page 24

    AC DSe e Pr o 6 U s e r Gu id e 1 . Dr ag th e p ane's ti tle b ar or tab to ac tiva te th e Doc king Co mpas s . 2 . T o d oc k a p ane ar o u nd th e outer ed g e of th e w in d ow, h o ld yo ur c u r s or ove r an y of th e ou te r ar r o w s of th e Do c kin g Co m p ass , and th en r elease th e mo u s e b u tto n . 3 . T o d oc k a p ane[...]

  • Page 25

    Chapter 1 : Gettin g s tarted Vi ew area : T h i s is th e main view in g area, w hi c h d i s p lay s th e c u r r ent i m age or medi a f il e. Y ou c an c u s tom iz e th e view , an d z o om i n o r ou t on your images and medi a f il es. Bott o m tool b ar : L o c ate d b elow the ma in view in g ar e a, th e Bo tto m too lb ar p r o vid es s [...]

  • Page 26

    AC DSe e Pr o 6 U s e r Gu id e Do on e of th e f o ll o wi n g: Pres s th e F ke y. Rig ht- c l ic k th e i m age and s elec t Vi ew | Fu l l S creen . U s e th e keyboa r d s h o r tc u t F i n Vi e w mo d e to togg l e in an d out of a f u ll s c r een vi e w . Usin g th e V iew mo d e p a nes To op en t h e Vi ew mod e pane s : 1 . Op e n an i [...]

  • Page 27

    Chapter 1 : Gettin g s tarted Ad d t o i mag e bas ket Ad ds th e i ma g e to th e i ma g e b as ke t. Ro ta te l ef t Ro ta te s th e image to th e l eft. Ro ta te ri ght Ro ta te s th e image to th e r ig h t. S cro l l Pa ns or s c r olls th e i ma g e w h e n th e i ma g e i s z oo m ed to a l a r g er s i z e th a n th e View mo d e ar ea . S [...]

  • Page 28

    AC DSe e Pr o 6 U s e r Gu id e Do most of yo ur ad j us tments on RA W i m ages in Deve lop mo d e , w h ere yo u c an w ork on th e RA W image d at a. T h en ma ke yo ur f in al adj u s tme nts i n E d it mode, w h e r e yo u c an ap p ly f in e- tun ed ad j us tments on th e mo r e l imited  RGB image d ata . For exa mpl e , i f you ad j us t[...]

  • Page 29

    Chapter 1 : Gettin g s tarted Y ou c an eas ily g r oup yo ur i m ages in M a n a g e mode s o th a t yo u c an f in d th e images th a t h ave b een d eve lop e d and ed ited . Fr om th e G ro u p d r op - d o w n menu s elec t P ro cess ed S tat e , or u s e c olo r l a b els to p l a n yo u r w orkf low. U s e th e keyboa r d s h o r tc u t ES C[...]

  • Page 30

    Chapter 2: Gettin g h elp C hap te r 2: G e t ti ng he l p Using the Q uick Star t G uide T h e Qu ic k Sta r t Gu id e c ontain s a s et of li nks on the l eft s i de th a t yo u c an c l ic k to g et a tour of th e ma in f ea tu r es in ACDS ee or s et s om e i m p o r tant p r efer enc es . To cl o se t h e Qu i ck S ta r t: U nc h ec k th e Al [...]

  • Page 31

    AC DSe e Pr o 6 U s e r Gu id e Faceb oo k T w itter Ab o ut ACD See Pr o[...]

  • Page 32

    Chapter 3 : Manag e M o d e C hap te r 3 : Manag e Mo de Manag e mode is the main b r ow s in g an d ma n a g in g c om p o nen t of the u s er i nter f a c e, and is w h a t yo u s ee w hen you s tar t ACD See Pr o u s in g th e s h o r tc u t ic on on yo u r d es kto p. I n Man a g e mo d e, you c an: I mp o r t yo u r p h o to s f r o m a d ev i[...]

  • Page 33

    AC DSe e Pr o 6 U s e r Gu id e I mp o r tin g Photo s Fr om a Dev ic e I mp o r tin g Photo s Fr om a CD or DVD I mp o r tin g Photo s Fr om a Dis k I mp o r tin g Photo s Fr om a Sc a n ner ( T h is op tio n may n o t b e ava il a b le in th e 6 4 b it vers ion. ) I mp o r tin g Photo s Fr om a Mobi le Phone F o ld er A b ou t r em o vab le d evi[...]

  • Page 34

    Chapter 3 : Manag e M o d e So me c ame r as , f or exa mpl e, Ca n o n , u s e W in d ows I ma g e Ac q ui s ition ( W I A) to c om m u ni c at e w i th a c om p uter . So me s c ann er s u s e T W AIN to c onn ec t to a c ompu ter. If your d ev ic es u s e th es e p r oto c o ls , yo u c an i mpor t b y c li c kin g F r om Dev i ce or F ro m S ca[...]

  • Page 35

    AC DSe e Pr o 6 U s e r Gu id e Vi ew by Dat e Dis p lays all the f il es g r oup ed b y th e d ates th ey w e r e c r ea te d . T o d es elect a d ate , c li c k th e c h ec k b ox b es id e th e d ate . T o d es elect all d at es , c li c k the Al l Dat es c h e c k b ox. Fi l e Type Dis p lays all the f il es g r oup ed b y th eir f il e type. T[...]

  • Page 36

    Chapter 3 : Manag e M o d e Pl ace i n su b f olders S u b f ol d ers dro p- do w n l i st Dis p lays th e f o ll o w in g p r e- d e f in ed s u b f o ld er opti o n s to s elec t: S i n g l e f ol d er by n ame : Cr ea tes a n ew s u b fold er w ith th e n am e you type i nto th e N a me f ield , w h ic h ac tivat es w h e n yo u s elec t th is o[...]

  • Page 37

    AC DSe e Pr o 6 U s e r Gu id e Ren ame f i l es t o Ren ame t emp l ate dr op - dow n l i st Re name s eac h f i le as i t imp o r ts ac c ord i ng th ese p r ed efi ned r enamin g tem p late s : Dat e/ti me - f i l en ame : Create s ea c h f ilen a me u s in g th e f il e d ate an d time th e f il e w as c r eate d p lu s th e ori g in al f il e [...]

  • Page 38

    Chapter 3 : Manag e M o d e Prop erti es pan e Met ad ata tab E nter ACD See an d IP T C Metadata in to to th e f ield s to ad d to th e f il es you ar e imp o r tin g .* Open s th e Ke ywor d Pic ker d ialog b ox w h e r e yo u c an s elec t exis tin g ke ywor d s . Prop erti es pan e C ategor i es tab As s ig n s th e i mpor te d f iles to any c [...]

  • Page 39

    AC DSe e Pr o 6 U s e r Gu id e 1 . Co nn ec t th e d is k to th e c om p uter . 2 . Do one of th e f ollowi n g: I f th e W i n dow s Au to Pla y d ialog b ox open s , s elec t I mp or t p i ctu res u si n g AC DS ee . I f yo u h ave more th a n one d i s k or d r i ve c onn ec te d to your c om p uter , s elec t th e d evic e yo u w ant to u s e,[...]

  • Page 40

    Chapter 3 : Manag e M o d e I mpo r ting Phot os F r om a Mo bile Pho ne Folder T h e M o b ile Phone Ac q ui r e W iz ar d w i ll g u id e you th r oug h th e p r oc ess of d own loadi ng i m ages f r o m yo u r mo b il e p h o n e f old er. To do w n l oad ph otos f rom you r mob i l e p h on e: 1 . In M a n a g e mo d e, c l ic k F i l e | Impo [...]

  • Page 41

    AC DSe e Pr o 6 U s e r Gu id e S yste m templ ate dr op - dow n l i st Clic k th e d r o p - d own l is t to s elec t a d i ff er e n t p r e-def in e d s ys tem tem p late . New ren ame templ ate Clic k to op e n th e N e w Rename T em p late d ialog b ox w h e r e yo u c an typ e i n a n a me f o r yo u r own r enamin g tem p late . Gi v e th e [...]

  • Page 42

    Chapter 3 : Manag e M o d e the f ile h a s b een p r oc e s s ed or g eot agg ed . T h e C on ten ts B a r T h e Co n te n ts b ar i s l o c at ed at th e to p of th e Fi le L is t p ane and d es c r ib es w h a t yo u ar e c u r r ently b r ows i ng . W h en you ar e u s in g th e Fold e r s p an e , th e Co n te n ts b ar w ill d i s pl ay th e [...]

  • Page 43

    AC DSe e Pr o 6 U s e r Gu id e S ou n d Ap pear s if th e f ile c ontain s em b edd ed or as s o c iated aud i o . Rati n g Ap pear s if th e f ile h as b een r ate d in th e AC DSe e Pr o d ata b a s e. C olor L ab el Ap pear s if th e f ile h as b een as s ig n ed a c olor l a b el. Dat abas e i n f or mati on Ap pear s if th e f ile h as i nf o[...]

  • Page 44

    Chapter 3 : Manag e M o d e I n Man a g e mo d e, c l ic k Vi ew | F o l d ers . W h e n you c on nec t a r emo va b le d evic e, s u c h as a mass s tor a g e d evic e or d ig ital c ame r a, th e Fold ers p ane d is p l a ys th e d ev ic e as another d r ive, an d as s ig n s i t a d r ive letter autom atic a ll y. Y ou c an ac c es s th e d ev i[...]

  • Page 45

    AC DSe e Pr o 6 U s e r Gu id e I f yo u ar e u s in g th e Photo Ca len dar , yo u onl y s ee th u mbn ails i f th er e ar e p h o to s on a p ar tic u lar d ay in th a t month . Days that h a ve n o p h o to, ar e b l a n k . C a l end a r pa n e vi ew opt i o ns Even t s Vi ew Swi tc hes th e Calend ar p ane to E vents view . In th e E ve n ts v[...]

  • Page 46

    Chapter 3 : Manag e M o d e A d din g d esc r ip tio n s a nd th u m b na ils in Events view Y ou c an ad d a d es c r ip tion and a th umb n a il image to d ate s i n E vents view to h e lp yo u r eme mber th e event. T r y r i gh t- c li c king th e Ca lend ar T itl e b ar and s elec t Fl oati n g to mo ve th e p ane to a n e w loc a tion. To add[...]

  • Page 47

    AC DSe e Pr o 6 U s e r Gu id e 3 . T yp e a n a me f or th e n e w s h o r tc u t an d c l ic k OK . Cr ea tin g a n ew f o ld er Y ou c an c r ea te a f o ld er , or an en tir e d i r ector y tr ee, i n th e F a vo r ites p ane to h e lp org an iz e your s h o r tc u ts . To create a n ew f older: 1 . In th e Favo r ites p ane, r i g ht- c li c k[...]

  • Page 48

    Chapter 3 : Manag e M o d e B r o ws ing R A W File s Be c aus e a RAW f il e i s s imil a r to a n egative, i t is n ec e s s ar y to d ev elop, or p r oces s it, b ef o r e i t b ec o me s vis i b le. I t w o u ld b e ver y in c onveni e n t i f you h ad to d eve lop all of your RAW f il e s b ef o r e you c ou ld b r ows e yo u r p h o to s . In[...]

  • Page 49

    AC DSe e Pr o 6 U s e r Gu id e the c olumn or d e r . To sel ect colu mn s an d set c olu mn ord er: 1 . In M a n a g e mo d e, f r om the Fi le L is t d r op - d o wn , c li c k Vi ew | C h oo se Det ai l s . 2 . In th e Ch o o s e Det ails d ialog b ox , d o one or mo r e of th e f o ll o w in g : T o add a c olu m n , s elec t a f old er or d e[...]

  • Page 50

    Chapter 3 : Manag e M o d e S h ow arch i ve f i l es Se lec t S h ow h i d den f i le s an d f ol d ers to s h ow f i les an d f old e r s th at ar e n or m ally h id d en b y yo u r op e r atin g s ys te m. Se lec t S h ow TH M f i l es to s h o w th umb n a il f il e s . Se lec t S h ow XMP f i l es to s h ow th e XMP s i d e c ar f iles th at A[...]

  • Page 51

    AC DSe e Pr o 6 U s e r Gu id e Do on e of th e f o ll o wi n g: Clic k Vi ew | G ro u p By | Table of C ont en ts . Clic k th e G ro u p d r op - d o w n l is t and s elec t Table of C on ten t s . At th e b otto m of th e Fi le L is t s c r oll b ar , c l ic k th e Table of C on ten t s b u tto n. To qui ckl y ju mp t o a sp eci f i c gro u p : 1[...]

  • Page 52

    Chapter 3 : Manag e M o d e Mod i f i ed D ate Image P ro per ti es C ap ti on Rati n g Tag ged More ( s o r t b y me tadata , E XI F, f il e p r oper ties , image attr ib u te s , IP T C in f o r ma tion, or mu ltimedi a at tr ib u tes) 2 . T o s et th e d i r e c tion o f th e s or t, c li c k Vi ew | S ort By , an d th en s elec t a d i r ecti o[...]

  • Page 53

    AC DSe e Pr o 6 U s e r Gu id e C l ick a th u m b n a il to s elec t the f il e. C TR L + cl i ck to s elec t mo r e th a n one f il e. S HI FT + c l i ck to s elec t a n umb er of f il es i n a r ow. Clic k of f to th e s id e in th e f ile l is t p ane to c l ea r yo u r s elec tion. To sel ect you r f i l es or f olders u si n g t h e men u : 1[...]

  • Page 54

    Chapter 3 : Manag e M o d e W h e n you r o tate u n p r o c es s ed J PEG images , ACDS ee Pr o p er for ms a l o s s les s r ota tion. To ro t ate i mages : 1 . In M a n a g e mo d e or View mode, s elec t one or mo r e i m ages . 2 . Clic k th e Rotate Lef t o r Rotat e Righ t ic on i n th e b otto m too lb ar. R o tate i c o n s Ro ta te L ef t[...]

  • Page 55

    AC DSe e Pr o 6 U s e r Gu id e Prev i o u s Swap s th e s elec ted image w i th th e p r evious i ma g e i n th e Com p a r is on L is t. Next Swap s th e s elec ted image w i th th e n ext image i n th e Co mpar is on L is t. Zo om I n I n c r ea s es th e magn if ic ation of th e s elec ted image. Zo om Ou t Re d uc es th e ma g n if ic atio n o[...]

  • Page 56

    Chapter 3 : Manag e M o d e S ave Open s a d i a log b ox w h e r e yo u c an s av e th e i ma g e w ith a d if f er e n t f il e n a me and a d if f e r ent f ile f o r ma t. Prev i o u s Swap s th e d is p laye d i m age w ith the p r evious i m age i n the Co mp a r is on L is t. Next Swap s th e d is p laye d i m age w ith the n ext image i n t[...]

  • Page 57

    AC DSe e Pr o 6 U s e r Gu id e Ca teg o r ies Ca te g o r ies ar e an ea s y w ay to or g a n iz e your f il es i nto c ontext-r elate d s ec tions . W h en you as s ig n a f il e to a c ate g o r y, yo u d o n ot mo ve the f ile f r o m i ts f old er or c r ea te an extr a c op y. Y our c ategor ies c an b e s i m p le or c ompl ex and u s e any [...]

  • Page 58

    Chapter 3 : Manag e M o d e 2 . E n te r yo u r s ear c h c r iter ia and th en c l ic k th e S aved searche s i c o n. T h e n ew s ave d s ea r c h ap p e ar s in th e Save d Se ar c hes on th e Cata log p ane and i n th e Sa ve d Sea r c h e s d r op- d own li s t of th e Se ar c h p ane. S p ec ial I tem s Y ou c an u s e Sp eci al Ite ms to q [...]

  • Page 59

    AC DSe e Pr o 6 U s e r Gu id e I n th e Cat alo g p a n e , s elec t th e i nd i c a tor to th e lef t of eac h i te m w ith c o n te n ts you w a n t to d is p l a y. T h e i nd i c a to r c h ang es ori entatio n to p oint to th e i te m you h ave s elec ted. I f yo u s elec t a c ate g o r y, r atin g , or c om b in at ion th a t d oes n o t h [...]

  • Page 60

    Chapter 3 : Manag e M o d e To create a cat eg ory: 1 . Do one of th e f ollowi n g: Rig ht- c l ic k a c ate g o r y i n the Ca ta log p ane, an d th en s elec t New Cat ego ry . I n Man a g e mo d e, c l ic k Ed i t | S e t C ategor i es | New C ategor y . 2 . Selec t one of the f ollowi ng : Create a n ew, top - leve l c ate g ory Create a s u b[...]

  • Page 61

    AC DSe e Pr o 6 U s e r Gu id e Make s u r e th e c ate g ory b u tto n n am e ma tc h es th e c at eg o r y n am e i n th e c ate g o r y tr ee . As s ignin g a nd Se ar ching Cat e go r ie s an d R at ings Y ou c an as s ig n f iles to a r atin g , or on e or mo r e c ate g o r ies , w ith o u t mo vin g th e f i le or ma kin g an extr a c op y. [...]

  • Page 62

    Chapter 3 : Manag e M o d e T h e h ov er i c o n s d is p l a y i n T h u m b n a il view onl y . U s e th e keyboa r d s h o r tc u t C TRL + 0 - 5 to q u ic kly r ate a f ile. T h e r atin g n u m b er you s elec t c an b e r ef lec te d as a s tar r atin g in other ap p lic ations . Give yo u r f av ori te s h ots a h ig h r atin g , and yo u r[...]

  • Page 63

    AC DSe e Pr o 6 U s e r Gu id e Co py Pa s te Delet e E di t Ca te g o r y To searc h a cate g or y or rati n g i n th e C at al o g pane: Clic k th e Ca te g o r y n am e or Rating n u mber to d i s p lay all c or r es p o nd i ng f il es i n th e Fil e L is t p a n e. A ssig n C at ego r ies a n d Ratin g s in t he P r o p er ties pa n e T h e Pr[...]

  • Page 64

    Chapter 3 : Manag e M o d e As s ignin g C o lor L a bels Co lor l a b els ar e u s efu l f or n am in g an d q u ic kly id en tif y in g yo u r p r oces s i ng p l a n s f o r yo ur i ma g e s . Di ff er e n t c olor s c an b e u s ed to r epr es e n t d i ff er e n t s tag e s of your w o r kfl o w . For exa mpl e, as yo u r eview yo u r p h o to[...]

  • Page 65

    AC DSe e Pr o 6 U s e r Gu id e f o r ma ts th a t c u r r ently d o n o t s u p p o r t XMP, i n c lu d in g RA W , PS D, ABR , the AC DSe e M e tadata i s w r itten to a s i d e c ar f il e th at is s tor e d i n th e s am e f old er as its f il e. Bec a u s e a s i d e c ar f ile i s s epar ate f r o m th e f il e i tself , yo u n eed to r en a [...]

  • Page 66

    Chapter 3 : Manag e M o d e 1 . In M a n a g e mo d e, d o one of th e f o ll o w in g : Dr ag s elec ted f il e s to a c olo r l a b el i n th e Ca ta log p ane. Dr ag th e c olo r l a b el f r om th e Ca ta log p ane to s elec ted f iles . To ass i gn f i l es t o col o r l abels i n t h e P rop erti es pane : 1 . In th e Fi le Li s t p ane, s el[...]

  • Page 67

    AC DSe e Pr o 6 U s e r Gu id e Rem o ving c o lo r lab els a n d co lo r la bel sets To remo ve a color l ab el f rom a f il e: 1 . In th e Fi le Li s t p ane, s elec t one or mo r e f il es you w ant to r emo ve a l a b el f r om . 2 . Do one of th e f ollowi n g: Rig ht- c l ic k a s elec te d f il e, an d th en c l ic k S et Label | C l ear Lab[...]

  • Page 68

    Chapter 3 : Manag e M o d e h e ld i n th e d ata b ase. AC DSe e M e tadata c an b e embed d ed in to all yo u r f il e s ( o r j u s t s elec ted ones ) b y c li c king th e Too l s | Emb ed ACD S ee Met adata c om ma n d . T h e IP T C d ata f ield s p r ov id e a s tand ar d mea n s f o r enter in g and s tori n g i nf or m atio n ab o ut your [...]

  • Page 69

    AC DSe e Pr o 6 U s e r Gu id e Using the Ma p Pan e T h e map p ane all o w s you to ad d an d view p h o to l o c at ion s to anyw her e in th e w o r ld . U s e th e ma p to s elec t g r oup s of f il es f or f u r ther w o r kfl o w s tep s , an d s elec t p h o to s f o r d is p lay i n Vi e w mo d e. T h e l o c at ion s of f il e s ar e d is[...]

  • Page 70

    Chapter 3 : Manag e M o d e Note : T h e map r ef lec ts th e c u r r en t Fil e l is t. If th e Fi le li s t h as i ma g e s ma p p e d to a d if f eren t l o c atio n f r om your d efau lt s etting , th en th a t l o c atio n w il l b e d i s p lay ed . T o p an an d z oo m th e map to a s p ec if ic loc atio n , enter th e loc a tion in to th e [...]

  • Page 71

    AC DSe e Pr o 6 U s e r Gu id e 1 . In Man age mo d e , s elec t one or mo r e f il es i n th e F ile Li s t p an e . 2 . In th e Pr oper ties p ane, s elec t th e Met ad ata tab . 3 . E n te r i nf ormatio n i nto th e me ta d at a f ield s . 4 . Clic k Ap ply or p r es s En te r to ap pl y yo u r c h ang es . W h e n you c l ic k App l y or En t [...]

  • Page 72

    Chapter 3 : Manag e M o d e 5 . Clic k S ave . 6 . E n te r a n ame f or th e p r es et an d c l ic k OK . T h e p r es et w il l ap pear i n th e Pr es et s d r op - d o wn li s t. To set a S h or tcu t P res et (C TRL+M): 1 . Fr om th e Met ad at a P resets d r op - d o wn li s t, s elec t Man age P res et s . 2 . In th e M a n a g e M e tadata P[...]

  • Page 73

    AC DSe e Pr o 6 U s e r Gu id e 3 . Clic k th e p lu s + s ig n s to expan d th e tr ee and togg l e th e c h ec k b o xes on an d off to s elec t yo ur p r ef e r enc es . See M a n a g e Meta d at a View option s b elo w . 4 . Clic k th e s ave b u tto n and en te r a n a me f o r yo u r c u s to miz ed view . 5 . Clic k OK . M a n a g e M e t a [...]

  • Page 74

    Chapter 3 : Manag e M o d e 3 . T o es ta b li s h a h ier ar c hy, d o one of the f ollowi ng : I n th e keywor d f ield , typ e th e l e s s er or mo r e s p ec if ic key w o r d , f ollowed b y th e l es s th a n s ymbol, f ollowed b y th e g r ea te r or mo r e g en e r al ke ywor d . Exa mple: Owl < Bi rd or Madr i d < S pain < Eu rop[...]

  • Page 75

    AC DSe e Pr o 6 U s e r Gu id e 1 . In th e Keywor d g r oup , on th e Or gan iz e tab, s elec t Man age Q ui ck Key w ord s f r om th e d r op - d o w n menu . T h e Qui c k Ke ywor d s d i a log b ox open s . 2 . E n te r u p to n in e as s o c iate d or c om m onl y -u s ed ke ywor d s i n to th e op e n f ield s . T o c r eat e a h ier ar c hy [...]

  • Page 76

    Chapter 3 : Manag e M o d e 2 . In th e Copy T o Fold e r or Mov e T o Fold er d i a log b ox , d o one of the f ollowi n g: Se lec t th e F olders tab , and l o c ate th e f o ld er on yo u r h ard d r ive w h e r e yo u w a n t to p lac e th e f il e s . Se lec t th e H i stor y tab , and s elec t a f o ld er f r om th e li s t of r ec e n tly-ac[...]

  • Page 77

    AC DSe e Pr o 6 U s e r Gu id e To u se th e C on f i rm F i le Rep l ace di al o g bo x: 1 . If you ar e mo ving a n u m b er of f il e s an d w ant to h a n d le all p ote n tial f ile n am e c olli s ions in th e s am e ma n ner , s elec t th e App l y to al l c h eck b o x. 2 . T o h elp d ete r min e any d i ff er enc es b etween th e tw o f i[...]

  • Page 78

    Chapter 3 : Manag e M o d e To create a priv ate f ol der : 1 . Close any open p r i v ate f old e r s . 2 . Rig h t- c l ic k th e p r ivate f o ld er ic on in th e Pr iva te Fold e r p ane and s elec t C reate P riv ate F o l der . 3 . In th e En t er P assw or d text b o x, typ e a p as s w o r d f or th e p r ivate f old e r . Y our p a s s w o[...]

  • Page 79

    AC DSe e Pr o 6 U s e r Gu id e 1 . Op e n th e p r i va te f old er to w hi c h you w a n t to ad d f il e s . 2 . Clic k and d r ag the f o ld er onto th e p r ivate f old e r ic on in the Pr ivate Fold er p ane. 3 . Clic k Ye s to mo ve the f old er and i ts c onten ts to th e p r i v ate f old e r . To restor e f ol d ers an d f i l es f ro m a[...]

  • Page 80

    Chapter 3 : Manag e M o d e To tag a selec t ed i ma g e: U s e th e keyboa r d s h o r tc u t b ac ksl ash key to tog gl e th e tag o n . Se lec t th e c h ec k b o x in th e b ot to m r ig h t c or ner of th e th u m b n a il . Rig ht- c l ic k on one or mo r e th u m b nail s and s elec t Tag . I n th e Pr o p er ties p ane, s elec t th e tag [...]

  • Page 81

    AC DSe e Pr o 6 U s e r Gu id e 1 . Clic k Too l s | Remo ve Me tadata . 2 . If you d o n ot w ant to r emo v e EXIF an d I PTC o r th e Emb ed ded AC DS ee Metadata , d es e lec t ac c ord i ng l y. 3 . Clic k OK . Meta d at a is p er m anen tly r emo ve d . Note : E XI F d at a s p ec if ic to DNG f iles w il l b e p r es er ve d . R emov ing IPT[...]

  • Page 82

    Chapter 3 : Manag e M o d e To ch an g e th e date an d t ime pro per ti es of a f i l e: 1 . Do one of th e f ollowi n g: I n Man a g e mo d e, s elec t one or mo r e i m ages , and th e n c l ic k Tools | Batch | Ad ju s t Time S tamp . I n View mo d e, c l ic k Tools | Mod i f y | Ad ju s t Image Time S tamp . 2 . On th e Dat e to Chan ge tab , [...]

  • Page 83

    AC DSe e Pr o 6 U s e r Gu id e S h i f t date an d t ime by a specif i c n u mber : Sh if ts all th e time s tam p s eith er f orw ar d s or b ac kwar d s b y a s p ec if ic n u m b er of h o u r s ( to adj u s t f o r time z ones ). Se lec t eith er S h i f t f orw ard or S h i f t back war d , and typ e a n umb er in to th e H ours , Mi n u t es[...]

  • Page 84

    Chapter 3 : Manag e M o d e 1 . In M a n a g e mo d e, c l ic k F i l e | S yn c | Edit S y n c . 2 . In th e Save d Sync h r o n iz atio n s d ialog b ox, s elec t a s yn c hr on iz at ion f r om th e li s t. 3 . Do one of th e f ollowi n g: T o s c h edu le th e s ync h r oni z a tion, c l ic k S ch edu le . Sp ec if y h o w of te n to r u n yo u[...]

  • Page 85

    AC DSe e Pr o 6 U s e r Gu id e W h e n ACDS ee Pro s earc h es f ile n am es, it onl y c ons i der s th e f ir s t ter m in th e f ile n am e. For ex am p le, a f il e c alled C at _Dog w o u ld b e f o u nd b y s ea r c h in g f or C at , b u t n ot f or D og . Se ar c h ter ms ar e n o t c as e- s e n s itive. To ru n a Qu ick S earch : Do on e [...]

  • Page 86

    Chapter 3 : Manag e M o d e I n Man a g e mo d e, c l ic k Vi ew | S earch . S ea r c h p an e ar ea s T h e Sea r c h p ane c ontain s s eve r a l ar ea s to h elp yo u ma nag er your s ea r c h es . W h en you c r ea te a s ea r c h , r eme mber th a t th e s earc h to ol w ill onl y r etur n f il e s th at ma tc h al l of th e c r iter ia th at [...]

  • Page 87

    AC DSe e Pr o 6 U s e r Gu id e S earch f or f i l es or f ol d ers n amed T ype a p orti o n of the f i le or f o ld er n am e f or w h ic h yo u w ant to s earc h , or s elec t a p r ev iou s s ear c h term f r om th e d r o p - d o w n li s t. Y ou c an als o u s e w il d c a r d s to s ea r c h f or f il e n a me p a ttern s . T o ex c lu d e a[...]

  • Page 88

    Chapter 3 : Manag e M o d e 4 . In th e Pr oper ties ar e a, c l ic k the h yp e r l in k s to d efi ne c ond i tional s tate me n ts f or eac h p r op e r ty. 5 . Clic k S t ar t to p er for m th e s ear c h. Se ar ch ing Wi th File Name Pat te r n s Y ou c an typ e a tex t p at ter n i nto th e Se ar c h p ane's S earch f or f i l es an d f [...]

  • Page 89

    AC DSe e Pr o 6 U s e r Gu id e S ettin g selec tiv e b r o wsing c r iter ia T h e Selec tive Br o w s in g p ane i s d ivid ed i n to th r ee ar ea s : Fold e r s , Ca talo g , and Ca len dar , ea c h of w h ic h c or r e s p ond s to th e Manag e mo d e p ane of th e s am e n am e. W h e n th e Selec tive Br o w s in g p an e is open , th e Co n[...]

  • Page 90

    Chapter 3 : Manag e M o d e mo ving th e c u r s o r ov er th e ed g e . Se ar ch ing Wi th A ut o Ca tegor ie s Do you h a ve h un d r ed s , p os s ib ly th o u s a n d s , of i m ages ? Do you u s e mo r e th an one c ame r a? Do d if f e r ent mem b ers of your f a mily s h a r e c ame r as? O r d o you h av e i ma g e s on yo u r c om p u te r[...]

  • Page 91

    AC DSe e Pr o 6 U s e r Gu id e Ref in in g yo ur a u to c ateg o r ies sear c h Y ou c an r efi ne yo u r au to c ate g o r ies s ear c h b y s elec tin g mo r e th an one au to c ategor y. For exa mpl e , imagi ne th a t yo u ar e l ea r n in g to c om b in e aper tu r e and s h utter s p ee d s ettin g s to p r oper ly exp o s e i ma g e s in a [...]

  • Page 92

    Chapter 3 : Manag e M o d e 8 . Selec t F i n d i mages on l y i f yo u onl y w ant to s ea r c h f or i m age f i les . 9 . Clic k Next . 1 0. I f n o d up l ic ate s ar e f oun d , c l ic k O K and r ef in e yo u r s earc h or c li c k C an cel to exit th e Dup l ic ate Fi n der . 1 1. I f d u p lic ates ar e f oun d , s p ec if y f r o m w h ic [...]

  • Page 93

    AC DSe e Pr o 6 U s e r Gu id e 1 . In M a n a g e mo d e or View mode, c l ic k Tools | S creen Captu re . 2 . In th e Sour c e ar ea of th e Sc r ee n Ca p tur e d ialog b o x, i d e n tif y th e p a r t of th e s c r ee n you w ant to c ap tur e. See th e tabl e b elo w f o r a d es c r ip ti o n of th e Sour c e opti o ns . 3 . If you w ant to [...]

  • Page 94

    Chapter 3 : Manag e M o d e E mailing Ima ge s Y ou c an u s e th e Send E ma il W i z a r d to s end images d ir ec tly f r om ACDS ee Pro w ith out o p eni ng an exte r nal em ail ap pl ic ation. T o u s e the Se n d E ma il W i z a r d , you w ill n ee d an acti ve ema il acc oun t, an d h av e a d efau lt ema il app l ic atio n s et u p on yo u[...]

  • Page 95

    AC DSe e Pr o 6 U s e r Gu id e 5 . Clic k U p l oad . 6 . A n ew w in d o w open s p r ov id i ng th e opti o n to enter a me s s age, en a b le d o w nl o ad of f ul l s i z ed J P G, and c r eate an ac c ess p a s s w ord . 7 . Clic k OK . C r e at ing a De s k to p Scree ns ave r Y ou c an c r ea te a d es k top s c r eens ave r u s in g yo ur [...]

  • Page 96

    Chapter 3 : Manag e M o d e Basi c S el ect tran si ti on s Dis p lays a l is t of tr ans i tions f o r yo u to s elec t and p lays ea c h tr ans i tion, vari at ion, or eff ec t i n th e Preview as you s elec t i t. S el ect al l : Selec ts all th e tr ans i tio n s an d d i s pl ay s th em r and om ly. C l ear a ll : Clea r s any s elec ted tr an[...]

  • Page 97

    AC DSe e Pr o 6 U s e r Gu id e Al ign men t Sp e c if ies th e alig n me n t of th e tex t c apti o n s . Backg ro u n d col or Sp e c if ies a b ac kgr ou nd c olor f or th e c apti o n text. Text Sp e c if ies th e text to d is p lay as a c apti o n . Fon t Open s th e Font d ialog b ox w h e r e yo u c an s elec t or c h ang e the f ont op tio [...]

  • Page 98

    Chapter 3 : Manag e M o d e Fi l e S el ect ion S l i d esh o w con ten t s Sp e c if ies w hi c h of the f ollowi ng medi a to i nc l ud e in th e s li d e s h o w : Al l media i n cu rren t f ol d er : Dis p l a ys all th e f i les (i ma g e s or vid eo ) in the f old er yo u h ave s elec ted. Al l media i n cu rren t f ol d er an d s u bf o l de[...]

  • Page 99

    AC DSe e Pr o 6 U s e r Gu id e Basi c S el ect t ran s i ti on s Dis p lays a l is t of tr ans i tions f o r yo u to s elec t and p lays ea c h tr ans iti o n , var iatio n , or ef fec t i n th e Pr eview as yo u s elec t it. S el ect al l : Selec ts all th e tr ans i tio n s an d d i s pl ay s them r and om ly. C l ear a ll : Clea r s any s elec [...]

  • Page 100

    Chapter 3 : Manag e M o d e Ad van ced G en eral set ti n gs Se lec t or c lear an y of th e f o ll o w in g opti o ns : S tret ch i mages t o f i t screen : E nl arg es s ma ll images to f i ll th e enti r e s c r een. Pl ay embed d ed au di o : Play s any au d io c li p s em b edd ed i n th e images . S tret ch v i d eo to f i t screen : E n lar [...]

  • Page 101

    AC DSe e Pr o 6 U s e r Gu id e To create a sl i d esh ow : 1 . In M a n a g e mo d e, c l ic k Tools | C reate | S l i deshow F il e . 2 . On th e W elc om e p age, to c r eat e a n ew s l id esh ow, s elec t th e C reate a new sl i d esh o w r ad io b utton. T o s p ec if y w h a t type of s li d e s h o w yo u w ant to c r eate , s elec t one of[...]

  • Page 102

    Chapter 3 : Manag e M o d e 1 . In M a n a g e mo d e, n av ig ate to a f o ld er c on ta in in g images that yo u w ant to ad d to th e d es kto p s l id es how . 2 . Do one of th e f ollowi n g: Clic k Tools | C reate | AC DS ee S h o wr oo m . Clic k S t art | P ro g rams | AC D S yste m s | AC DS ee S h o wr oo m . T h e s l id es how s tarts i[...]

  • Page 103

    AC DSe e Pr o 6 U s e r Gu id e 3 . On th e W elc om e p age of th e Cr ea te PDF W i z ard , s elec t o n e of the f ollowi n g o p tions , an d th en c l ic k Ne xt : C reate a PD F sl i d esh o w : Co m b in es all of your images in to a s in g le PDF f il e th at yo u c an view as a s li d e s h o w . C reate on e PD F f i l e con tai n i n g a[...]

  • Page 104

    Chapter 3 : Manag e M o d e Se lec t L i n k t o I mag e f i l e if you w a n t your images to s tay l in ke d to ACDS ee Pr o r ather th an b e embed d ed in th e p r es e n ta tion. Clic k U se a des i g n t emp l ate if yo u w a n t to u s e a b ac kgr oun d templ a te and b r ow s e to th e f o ld er on yo u r c om p u te r to s elec t i t. ( P[...]

  • Page 105

    AC DSe e Pr o 6 U s e r Gu id e I n or der to b e ab le to b r ows e th e c ontents of your d is c w h il e i t i s ejec ted, yo u may w ant to c r ea te an AC DSe e Photo Dis c . B u r n B a sket to olba r b ut to n s Format Opti on s Open s th e For m at Op tio n s d ialog b ox , w her e yo u c an s p eci f y w h ether or n o t yo u w a n t to ad[...]

  • Page 106

    Chapter 3 : Manag e M o d e I f yo u w ant to d i s pl ay text i n th e h ea d er or f o o ter , s elec t U se i n f or mati on an d c l ic k S et In f orm ati on an d ad d enter th e text th a t yo u w o u ld l ike to d is p l a y. I n th e F older set ti n gs s ec tio n , c li c k Brow s e and s elec t th e f o ld er w h ere yo u w ould li k e to[...]

  • Page 107

    AC DSe e Pr o 6 U s e r Gu id e 4 . Follow th e i ns tr u c tions i n th e w iz ar d to u p load your images . E ac h s er vic e h as d if f eren t s tep s . 5 . If you n eed h elp , c l ic k H el p . E a c h s er vic e h as i ts own h elp f il e, w h ic h yo u op en f r om i ns i d e i ts d ialog b ox . New S er vic es As n ew s er vic es b ec o m[...]

  • Page 108

    Chapter 3 : Manag e M o d e Th u mb na il setti n gs S i ze Sp e c if ies th e n u m b er of c olu m n s and r ow s to c r eat e on eac h p age. S pac i n g Create s a f r a me ar oun d each th umb nail . Sp e c if i e s th e am o u nt of s p ac e b et w ee n r ows or c olu mns . In th e Hori z on tal an d Verti cal s p in b o xe s , type a va lu e[...]

  • Page 109

    AC DSe e Pr o 6 U s e r Gu id e T o p r ot ec t th e c onten ts of your ar c hi ve w ith a p as s wor d , s elec t th e P ass wo rd P r otect Arch iv e c h e c k b ox , and type a p ass w or d in to th e f ield b esi d e i t. N o te that n o t all ar c h ive typ es s u p p ort p as s wor d s , and s ome f or m ats r equ i r e th em . 5 . T yp e a p[...]

  • Page 110

    Chapter 3 : Manag e M o d e C r e at ing a S endPix Albu m AC DSe e Pr o i nc l ud es Send Pix, a f r ee d ig ital i m age s h ar in g s er vic e. Y ou c an c r eate alb ums of yo u r i m ages to s h a r e w ith your f r iend s and f am ily. T h e alb u ms yo u c r eate ar e s tored on AC D Sys te ms ’ s ec u r e s er vers f or 3 0 d ays . Send P[...]

  • Page 111

    AC DSe e Pr o 6 U s e r Gu id e s h e et . Se lec t L ayou t and th e n c h oo s e one of th e av ailab le l a yo u t op tio n s . 4 . On th e P r i n te r Opti ons tab, s p ec if y th e p r i nter you w a n t to u s e, th e p ap e r s i z e , th e n u mber of c opi es yo u w ant, th e r ang e of p ages th at yo u w ant to p r in t, and i m age r e[...]

  • Page 112

    Chapter 3 : Manag e M o d e Pri n t er Sp e c if ies th e p r in ter yo u w ant to u s e. Select a p r i nter f r om th e d r o p - d o w n li s t an d c l ic k th e P rop erti es b u tto n to s et i ts op tio n s . Re f e r to th e p r i nter manu fac tu r e r ' s Help f ile or ma n ual f or mo r e i nf or m atio n . Pa p er size Sp e c if ie[...]

  • Page 113

    AC DSe e Pr o 6 U s e r Gu id e C olor Fr om th e d r op - d o w n menu , you may c h oo s e b etween allowi n g yo u r p r i nter to ma n a g e c olor s , or ma nag in g c olo r s w ith ACD See . Manag e c olor s u s in g ACD See : Pri n t er P r of i l e : Allow s yo u to s elec t f r o m all p r i nter p r ofi les c u r r ently s tor e d o n yo [...]

  • Page 114

    Chapter 3 : Manag e M o d e 1 . In th e Pr in t d i a log b ox , c li c k th e C apti on tab . 2 . Selec t U se cap ti on text . 3 . Clic k Fon t to o p en th e Fon t d i a log b ox and s et th e f ont opti o n s . 4 . In th e text b ox , type th e text yo u w ant th e c apti o n to d i s pl ay . 5 . Clic k I n s ert Met adata to i ns er t f il e -[...]

  • Page 115

    AC DSe e Pr o 6 U s e r Gu id e Th u mb na il sett i n g s S i ze Sp e c if ies th e n u m b er of c olu m n s and r ow s to c r eat e on eac h p age. S pac i n g Sp e c if ies th e am oun t of s p ac e b etween r ows or c olu m n s . In th e H o ri z on tal and Verti cal s p in b o xe s , typ e a n u m b er to i nd ic ate th e am oun t of s p ace [...]

  • Page 116

    Chapter 3 : Manag e M o d e Y ou c an exp o r t one or mo r e f iles to a n umb er of s p ec if ied : f o ld er s f ile n am es f o r ma ts d imens ion s To expo rt a batch of i mages : 1 . In M a n a g e mo d e, s elec t th e i ma ges th a t yo u w ant to expor t. 2 . Do one of th e f ollowi n g: Clic k F i l e | Expo rt ( als o ava il a b le in V[...]

  • Page 117

    AC DSe e Pr o 6 U s e r Gu id e Dest i n ati on f ol d er S ame as source f ol d er Se lec t th is opti o n to u s e th e s ame f o ld er w h er e th e s our c e images c u r r ently r es id e. Se lec t th e Cr ea te a n e w s u b fold er f o r th e f il e s c h ec k b o x to p lac e th e images w ith in a s u b fold er of th e s our c e f o ld er [...]

  • Page 118

    Chapter 3 : Manag e M o d e Format Fi l e F o rmat Se lec t th e f il e f o r ma t in w hi c h you w o u ld li ke to s ave th e expor ted i ma g e s . Format S et ti n gs Clic k th is b u tto n to c h a n g e th e s ettin g s f or th e f or m at you h ave s elec ted. Pi xel f orm at Sp e c if y th e c olo r d ep th f o r yo u r f ormat s ettin g s [...]

  • Page 119

    AC DSe e Pr o 6 U s e r Gu id e Ou tpu t si z e Res i ze i mage Se lec t th is opti o n to s p ec if y h o w to s c ale th e i ma g e s . Res amp l i n g met hod U s e th is opti o n to d ete r mine th e method u s ed to r es iz e ( r esampl e) th e image: Bel l : Sm oo thes th e image. Bi cu b i c : Pr o d u c e s g oo d r es ul ts w ith p h o to-[...]

  • Page 120

    Chapter 3 : Manag e M o d e Met ad ata Se lec t th es e op tio n s if th e image c on ta in s me tadata , an d you w ant th e ex p orted i ma g e to c ontain th e s am e meta data an d c olor p r ofi le. Opti on : Y o u c an s av e your s etting s as a p r es et b y c l ic kin g the n ew expor t p r es e t b u tto n and enter in g a n am e f or yo [...]

  • Page 121

    AC DSe e Pr o 6 U s e r Gu id e R o tat ing or Flipping Multip le Ima ge s Y ou c an r o tate or f li p mul tip le i m ages at p r es e t ang l e s . To ro t ate or f l i p an i mage: 1 . In M a n a g e mo d e, s elec t one or mo r e i m ages , an d th en c l ic k Tools | Bat c h | Rotat e/Fl i p . 2 . In th e Batc h Ro ta te/Fli p Im ages d ialog [...]

  • Page 122

    Chapter 3 : Manag e M o d e Y ou c an als o u s e th e Ro ta te too l in E d it mode to r ot ate an image u s i ng a c u s tom an gl e of r ota tion. Se tting R o tat e d an d Fl ipp e d Fil e Op tion s Y ou c an c h ang e th e s ettin g s in th e Batc h Im age Ro tate /Fl ip Opti o ns d ialog b ox to c ontr ol w her e AC DSe e Pr o p l a c es mo d[...]

  • Page 123

    AC DSe e Pr o 6 U s e r Gu id e R esiz ing Multiple I mages Y ou c an r es iz e a g r oup of i ma g e s b y s p ec if yin g th eir d i m ens i o n s i n p ixels , s p ec if yin g a p er c entage of th e ir ori g in al s i ze, or b y c ons tr ain in g th e m to a p hys i c a l p r in t s i z e. To resize a gro u p of i mages : 1 . In M a n a g e mo [...]

  • Page 124

    Chapter 3 : Manag e M o d e Pe r cen tage of or i gin al Pe r cen tage Sp e c if ies h o w to r es iz e th e i m ages . E nter a p erc entag e l e s s than 1 00 to r ed uc e the images , an d g r ea ter than 1 0 0 to en lar g e th em . Ap p l y t o Sp e c if ies w heth e r th e r es iz e is a p p lied to th e h eig h t, w id th, or b oth. S i ze i [...]

  • Page 125

    AC DSe e Pr o 6 U s e r Gu id e T o adj u s t image exp o s u r e automa tic ally, s elec t th e Au t o L evel s tab and s et th e opti o ns . T o p r ec is ely ad j us t the RGB c olor c h a n nels in your image, s elec t the Ton e C u rves tab an d s et th e op tions . 3 . Do one of th e f ollowi n g: Se lec t th e App l y set ti n gs to al l s e[...]

  • Page 126

    Chapter 3 : Manag e M o d e C h an n el Sp e c if ies th e b r i gh tn e s s or c olor c h ann el yo u w ant to adj u s t. S h ado w s Sp e c if ies th e b lac k p oin t o f an i m age. Mov e th e s li d e r or type a n umb er f r o m 0 to 2 5 5 in to th e s p i n b ox to d ef in e th e b l a c ke s t ar ea of an image. As the va lu e in c r eases [...]

  • Page 127

    AC DSe e Pr o 6 U s e r Gu id e 1 . In M a n a g e mo d e, s elec t one or mo r e f il e s , and th en c l ic k Tools | Bat ch | Ren ame . 2 . In th e Batc h Re n a me d ialog b ox , d o one or mo r e of the f ollowi ng : Se lec t th e Templat e tab to s p ec if y th e T empl a te option s . Se lec t th e S ea r ch an d Rep l ace tab to s et th e S[...]

  • Page 128

    Chapter 3 : Manag e M o d e Temp l ate Se lec t th e U se Temp lat e t o ren ame f i l es c h e c k b ox to c r eat e a r en a min g tem p late. Y ou c an s p eci f y a n u m er ic al or alp h abetic al s eq uen c e f or th e n ew f il e n a me s , and u s e th e or ig in al f il e n a me s , n ew n a me s , or n am es b ased on image meta d a ta. [...]

  • Page 129

    AC DSe e Pr o 6 U s e r Gu id e At th is time, ACDS ee Pr o d o es n o t s u p p o r t CMY K c olo r p r ofi les . To ch an g e th e col o r pr of i l es u sed i n i mag es: 1 . In M a n a g e mo d e, s elec t one or mo r e i m ages . 2 . Clic k Too l s | Bat ch | C on vert IC C P r of i l e . 3 . In th e C ol or pro f i l e t o c on vert f rom l i[...]

  • Page 130

    Chapter 3 : Manag e M o d e 1 . Dr ag th e Zoo m s l id er to th e l eft or r ig h t to s ee th e entir e image, or to z oo m in to a s p ec if ic ar ea i n th e image. 2 . Clic k th e Fi t Image b u tto n to f it th e i m age in to th e Pr ev iew ar ea . 3 . Clic k th e Actu al S i ze b u tto n to d is p l a y th e image at f u ll s iz e in th e P[...]

  • Page 131

    AC DSe e Pr o 6 U s e r Gu id e Dest i n ati on f ol d er S ame as source f ol d er Se lec t th is opti o n if yo u w ant to s ave th e edi te d i ma g e s in th e s am e f old e r as the o r i gi nal images . C reate a ne w su b f older f or t h e f i l es Create s a n ew s u bf old er in th e f old er th a t yo u s elec ted f r o m th e S pec i f[...]

  • Page 132

    Chapter 3 : Manag e M o d e I n th e Batc h E d it w iz ar d , s elec t th e Ro t ate c h ec k b o x. R o tate op tion s No rotat i on T h is o p tion i s s elec ted b y d efau lt s o you s ee th e u n- r ota ted i m age u nti l you are r ea d y to s elec t a r ot atio n op tio n . 1 8 0 ° Ro ta te s the image 1 8 0 d egr ees . L ef t 9 0 ° Ro ta[...]

  • Page 133

    AC DSe e Pr o 6 U s e r Gu id e I n th e Batc h E d it w iz ar d , s elec t th e Resize c h ec k b ox. R esi ze op t i on s[...]

  • Page 134

    Chapter 3 : Manag e M o d e Res i ze by Megap i xel s Se lec t th is opti o n to r edu c e or enl a r g e th e i m age to th e s p ec if ied n umb er of me g a p ixels w h ile ma in ta in i ng th e h eig ht/ w id th as p ec t r atio. For exa mpl e, i f you h a ve a 6 me g api xe l i m age w i th an as p ec t r atio of 3 00 0 b y 2 0 00 an d you s e[...]

  • Page 135

    AC DSe e Pr o 6 U s e r Gu id e Pe r cen tage Se lec t th is opti o n to r edu c e or enl a r g e th e i m age to a p er c entage of the or ig i nal. For exa mpl e , i f you w ant to r ed u c e th e i m age, enter a p erc entage th a t i s l e s s than 1 00 . If yo u w ant to enl a r g e th e i m age, enter a p er c e n ta g e that is g r ea ter th[...]

  • Page 136

    Chapter 3 : Manag e M o d e Res am- pli n g meth od U s e th is opti o n to d ete r mine th e method u s ed to r es iz e ( r esampl e) th e image: Box : Di s p lay s c ons i d e r abl e til in g or j agg ies w h en you r es iz e an image. Trian gl e : Pr o d u c e s g oo d r es ul ts f o r image r ed uc ti o n an d en lar g e me n t, b u t d i s pl[...]

  • Page 137

    AC DSe e Pr o 6 U s e r Gu id e C olor C ast S el ect col or Clic k an area i n th e image th at s h o u ld b e w h ite o r g r ay . T h e c olor s q u a r e s h o w s th e c olo r of the o r i gi nal p ixel on th e lef t, and of th e mo d if ied p ixel on th e r i g ht. Wh i te P oi nt Se lec t one of th e f o ll o w in g: C u s t o m : Dis p l a [...]

  • Page 138

    Chapter 3 : Manag e M o d e Pe r cen t Red Dr ag th e s li d e r to th e lef t or r i gh t. T h e mo r e r ed th er e i s in a p i x el, th e mo r e ef fec t th e r ed s li d e r h as on th at p ixel. So th e area of r ed in th e p ic tu r e i s b r ig h tened or d ar ke n e d mo r e th a n other ar e as . Pe r cen t G reen Dr ag th e s li d e r to[...]

  • Page 139

    AC DSe e Pr o 6 U s e r Gu id e C h an n el Sp e c if ies th e b r i gh tn e s s or c olor c h ann el yo u w ant to adj u s t. S h ado w s Sp e c if ies th e b lac k p oin t o f an i m age. Mov e th e s li d e r or type a n umb er f r o m 0 to 2 5 5 in to th e s p i n b ox to d ef in e th e b l a c ke s t ar ea of an image. As the va lu e in c r ea[...]

  • Page 140

    Chapter 3 : Manag e M o d e C h an n el Sp e c if ies th e c olor c h ann els to adj u s t. S h ow H i s t o gr am T ogg les th e h is togr am d i s pl ay . Hi stogr am Dis p lays a vis u al r ep r esen ta tion of the c olor in f o r ma tion l ev els in th e i ma g e , b as e d on th e s elec ted c h ann el. Clic k an d d r ag th e l in e to ma n i[...]

  • Page 141

    AC DSe e Pr o 6 U s e r Gu id e 1 . Clic k Too l s | Bat ch | Bat ch Ed i t . 2 . In th e Batc h E d it d ialog b ox , s elec t th e N oise Removal c h eck b o x. No i se R em oval op t i on s Despeckle Re mo v es n o is e. S quare Re mo v es n o is e u s in g a 3 x 3 p ixel s q u ar e . X Re mo v es n o is e u s in g a 3 x 3 p ixel X s h ap e . U [...]

  • Page 142

    Chapter 3 : Manag e M o d e B a tch E dit Vigne tt e Opt ions Y ou c an u s e th e op tio n s i n th e Vi gn ette s ec tion to add a f r am e ar oun d a s u b j e c t, s u c h as a p er s on or a b o u q uet of f l o wer s . Y ou c an c h a n g e th e f ocal p oin t i n th e p or trait. Y ou c an als o c ontr ol the ap p ea r a n c e of the b or d [...]

  • Page 143

    AC DSe e Pr o 6 U s e r Gu id e Hori z on tal Sp e c if ies th e f o c al p oin t of th e p or tr a it on th e h ori z o n ta l ax is . A value of 5 00 p lac es th e c en te r in th e mid d le of the p hoto . Verti cal Sp e c if ies th e f o c al p oin t of th e p or tr a it on th e ver tic al axis . A value of 5 00 p lac es th e c en te r in th e [...]

  • Page 144

    Chapter 3 : Manag e M o d e B a tch E dit Text Ov erlay O ptio ns Y ou c an u s e th e op tio n s i n th e T ext Ove r lay s ec tion to ad d f ormatt ed tex t to a p h o to . Y ou c an app l y s p ec ial ef fec ts to yo u r text to add arti s tic f lair . Y ou c an als o ad j us t th e opac ity of the text to c r eat e a w ate r ma r k ef fec t— [...]

  • Page 145

    AC DSe e Pr o 6 U s e r Gu id e S pec i al Eff ect Sp e c if ies th e ef fec t yo u w ant to app l y to th e b o x. E ac h ef fec t h as d i ff er e n t op tio n s th a t c ontr ol i ts app ea r anc e. Dr ag th e s li d e r s to ad j us t th e app earan c e of th e b ox . Bevel A n g l e Sp e c if ies th e d ir ec tion of the i ma g in a r y l ig h[...]

  • Page 146

    Chapter 3 : Manag e M o d e S pec i al Eff ect Sp e c if ies th e ef fec t yo u w ant to app l y to your tex t. E ac h ef fec t h as d if f eren t op tions th at c ontr ol its app earan c e . Dr ag th e s l id er s to ad j us t th e app ear a n c e of th e tex t. Bevel A n g l e Sp e c if ies th e d ir ec tion of the i ma g in a r y l ig h t s our [...]

  • Page 147

    AC DSe e Pr o 6 U s e r Gu id e Image Bro ws e Clic k to s elec t a w ate r ma r k, or s elec t a w at er m ar k f r o m th e d r op - d o w n l is t. T h e w at er m ar k d is p lays i n the c en ter of th e p h o to b y d efaul t. C li c k and d r ag th e w ate r ma r k to p osi tion it, or u s e th e op tions o n th e Po s iti o n & Blend i [...]

  • Page 148

    Chapter 3 : Manag e M o d e Ex po r t op tions 1 30[...]

  • Page 149

    AC DSe e Pr o 6 U s e r Gu id e Dest i n ati on f ol d er S ame as source f ol d er Se lec t th is opti o n to u s e th e s ame f o ld er w h er e th e s our c e images c u r r ently r es id e. Se lec t th e Cr ea te a n e w s u b fold er f o r th e f il e s c h ec k b o x to p lac e th e images w ith in a s u b fold er of th e s our c e f o ld er [...]

  • Page 150

    Chapter 3 : Manag e M o d e Ou tpu t si z e Res i ze i mage Se lec t th is opti o n to s p ec if y h o w to s c ale th e i ma g e s . Selec t f r o m th e f ollowi ng option s : Di men si ons Se lec t th is opti o n to f o r c e th e expor ted images to f i t th e s et d i m ens i o n s in d epen d e n t of l and s c ape or p ortr ait or ien ta tio[...]

  • Page 151

    AC DSe e Pr o 6 U s e r Gu id e Ra tin g s Ca p tio n s Y ou c an als o c h o ose to excl ud e f o ld er s f r om th e d ata b ase, and kee p th e c on te n ts of th o s e f old e r s s epar ate f r o m your o th e r i m ages and medi a f il e s . W h e n you ad d AC DSe e M e ta d ata to a f il e in ACDS ee , th e f i le i s li nked to th e d ata [...]

  • Page 152

    Chapter 3 : Manag e M o d e Clic k Tools | Emb ed AC DS ee M etadata , and th en s elec t one of th e f ollowi ng : In All F il es : E m b eds d ata f or all f il es . In S el ected F i l es : E mbed s d ata f o r any f il e s th at yo u h av e s elec te d . AC DSe e Pr o u s es XMP to embed ACDS ee Meta d at a i n to each f ile. On ly s ome f il e[...]

  • Page 153

    AC DSe e Pr o 6 U s e r Gu id e T o r es et your excl ud ed f old ers l is t to th e d efau lt s ett in g s , c li c k Reset t o Def au l t s . 3 . W h en you are s atis fi ed w i th your c h o ic es , c l ic k C l os e to r etu r n to AC DSe e. C ata loging Fil es i n th e Dat ab as e AC DSe e Pr o automa tic ally ad ds f il e i nf ormatio n and t[...]

  • Page 154

    [...]

  • Page 155

    AC DSe e Pr o 6 U s e r Gu id e 1 . In M a n a g e mo d e, c l ic k Tools | D atabas e | I m po rt , and th e n s elec t P h o t o D i s c . 2 . In th e Op en d i a log b ox , l o c ate and s elec t th e p h o to d i s c f il e yo u w ant to imp ort. 3 . Clic k Open . T o imp o r t th e i nf or m atio n f r om Photo Di s c s c r ea ted w ith ACDS e[...]

  • Page 156

    Chapter 3 : Manag e M o d e E x p orti ng yo u r d ata b a s e in f o r ma tion d if f e r s f r om c r ea tin g a b ac kup in th at yo u c an c h oo s e to expor t only th e p ar ts of yo u r d ata b a s e that yo u w ant to s h ar e or s tore w ith s p ec if ic f iles , s u c h as th o s e on a CD. Other AC DSe e Pr o u s er s c an imp o r t yo u[...]

  • Page 157

    AC DSe e Pr o 6 U s e r Gu id e in f o r ma tion. T h e ACD See Bac kup W iz ar d c r ea tes a s er ies of f il e s i n a s p ec if ied loc atio n th at c ontain yo u r enti r e d ata b a s e. T h e b ac kup i s g ener a ted u s in g your f old e r s tr u c tur e and i s u n iq u e to your c om p u te r . T o b ac k u p p or tio n s of yo u r d ata[...]

  • Page 158

    Chapter 3 : Manag e M o d e and th e mo r e ti me you s p end en te r in g th a t i nf or m atio n , th e mo r e i mpor ta n t i t is to b ac k u p yo ur d ata b ase, and to h a ve a g oo d s tr at eg y f or ma n a g in g yo u r b ac k u p s . Los in g h our s of w o r k to a s ys te m c r ash or other u nc ontr ollab le eve n t is s om ethi ng th [...]

  • Page 159

    AC DSe e Pr o 6 U s e r Gu id e Ma inta ining the Da ta ba se I t is r ec om m end ed th at yo u r eg u lar ly p er f o r m d at abas e ma in tenanc e and op timiz at ion to i nc r ea s e h a r d d r i ve s p ac e , r em ov e r edu n d a n t or extran e ous i nf or m atio n , and i nc r eas e ov er a ll ACD Se e Pro p er for ma nc e. Y ou c an u s [...]

  • Page 160

    Chapter 3 : Manag e M o d e 1 . In M a n a g e mo d e, c l ic k Tools | D atabas e | Opti mi z e D atabase . 2 . In th e Data b ase Op timiz atio n W iz ar d , c l ic k N ext . 3 . Selec t one or b oth of th e f ollowi n g: Opti mize t h e database t ables an d f i el ds : Re mo v es obs olete i nf ormatio n f r om th e d at abas e, r ed uc es th e[...]

  • Page 161

    AC DSe e Pr o 6 U s e r Gu id e Typ es o f p lu g -in s Image D eco de : Co nver ts a f ile f r om a b in ar y f o r ma t to th e i m age d i s p lay ed in ACD See . Dec o d e p lu g -ins a ll o w ACDS ee Pro to d i s p lay i ma g e s of ma n y d if f eren t f il e f o r ma ts . T h e f il es th at yo u c an vi e w w ith ACD See Pr o d ep end on w [...]

  • Page 162

    Chapter 3 : Manag e M o d e 1 . In th e Plu g - in Settin gs d ialog b o x, s elec t one of th e Plu g - in tab s . 2 . Selec t a p lu g - in i n th e P lu g- in s l is t. 3 . Do one of th e f ollowi n g: Clic k th e Move u p b u tto n to mo ve the p l ug - i n h i gh er i n the l is t. Clic k th e Move d ow n b u tto n to mo ve th e p lu g - in l [...]

  • Page 163

    Chapter 4 : Vi e w Mod e C hap te r 4 : V i e w Mo d e View mo d e i s th e main view in g c omponen t of th e u s er in ter fac e. I n View mo d e, you c an: Clic k+ hold + d r a g to p an ar oun d l a r g e images . Pres s th e ke yb o ard s h or tc ut F to togg l e i n an d out of f ul l s c r een view . Zo o m i n or out on yo u r i m ages . Vi[...]

  • Page 164

    AC DSe e Pr o 6 U s e r Gu id e 1 . Op e n a g r oup of i m ages in Vi e w mo d e. 2 . Clic k Vi ew | Au to Ad van ce | Opti on s . 3 . In th e Au to Advanc e d ialog b ox , s et th e op tions as d es c r i bed b elow. 4 . Clic k S t ar t . 5 . T o ad v anc e to th e n ex t i ma ge, p r es s S pace . 6 . T o r etur n to th e p r evio u s image, p r[...]

  • Page 165

    Chapter 4 : Vi e w Mod e Al ign men t Sp e c if ies th e j u s tif ic ation of th e c apti o n s . Backg ro u n d Ad ds a b ac k g r oun d c olo r to th e text . Cli c k C o l or to s p ec if y a c olo r . Descripti on Dis p lays th e tex t yo u w ant to s ee on yo ur i m ages . T yp e th e tex t yo u w ant to ap pear , or c li c k in s id e th e f[...]

  • Page 166

    AC DSe e Pr o 6 U s e r Gu id e S h ow n ew i m ages i mm ediat el y Dis p lays i ma g e s as s oo n as th ey app ear in th e f o ld er . If th is opti o n is c l ea r ed, n ew i m ages ar e ad ded to the end of th e s l id es how . Ign or e open f i l es Dela ys ad d in g a n ew f i le to th e s l id es how u nti l th e tr ans f er r in g app l ic[...]

  • Page 167

    Chapter 4 : Vi e w Mod e 2 . Selec t th e Ph o to Dis c r ec o r d th at yo u w ant to r eb in d to th e c u r r en t d is c f r om th e P h o to D i sc Name li s t. 3 . Clic k Reb i n d . Using AC DSe e Q uick Vie w AC DSe e Qu ic k View is an i ma g e vi e w e r th a t yo u c an u s e to q ui c kly view i m ages w ith o u t open in g AC DSe e. Fo[...]

  • Page 168

    AC DSe e Pr o 6 U s e r Gu id e To restor e you r system t o th e def au l t d esktop wal l p aper : Clic k Tools | S et W al lpaper | R estore . To pr i n t t h e i mage: 1 . Clic k Fi l e | P ri n t . 2 . U nd er F or mat , c h o o s e a p r i nt s iz e. 3 . On th e P r i n te r Opti ons tab, s p ec if y th e p r i nter you w a n t to u s e, th e[...]

  • Page 169

    Chapter 4 : Vi e w Mod e T h e s elec ted image i s s ave d as AC D W allp ap er. b mp i n th e W i nd ows f o ld er . ACDS ee Pro autom atic ally c h ang es the w allp aper s ettin gs in th e Co ntr ol P anel Dis p lay p r oper ties to d i s p lay th e image. To au tomati cal l y stret ch wal l p ap ered i mag es t o f i t th e screen : 1 . Clic k[...]

  • Page 170

    AC DSe e Pr o 6 U s e r Gu id e To play v ideo or a udi o f i l es: I n Man a g e mo d e, i n the Fi le Li s t p ane, d o one of th e f o ll o w in g : Do u b le- c l ic k a vid eo or au d io f ile. Se lec t one or mo r e f il es and p r es s En t er . Se lec t one or mo r e f il es, r ig h t- c lic k a s elec ted f il e, and th en s elec t Vi ew .[...]

  • Page 171

    Chapter 4 : Vi e w Mod e S h ow S el ect i o n T ogg les b etw e en s h owi ng an d h id i ng th e s elec tion h a n d les . T h is o p tion on ly s u p por ted on W in d ows Vi s ta ® and XP ® . Pl ay S el ect ion Pla ys onl y th e s elec ted p o r tion of th e me d ia f il e . T h is o p tion on ly s u p por ted on W in d ows Vi s ta ® and XP [...]

  • Page 172

    AC DSe e Pr o 6 U s e r Gu id e 3 . Clic k th e P l ay S el ecti on b utton. 4 . Clic k th e P l ay b u tto n. Sav ing Video F r ames as I ma ge s Y ou c an extr a c t an i nd ivi du al f r a me f r om a vid eo and s ave it as a s til l i ma g e , or ex tr ac t mul tip le f r am es and s ave eac h on e as a s in g le image. T h is f e atur e i s on[...]

  • Page 173

    Chapter 4 : Vi e w Mod e I ma g es w ith as s oci a ted aud i o ar e i ma g e f il es p air ed w ith s epar ate W AV au d io f il es . Im age f iles and th eir as s o c iated aud i o f il e s c ontain the s am e f il e n a me and ar e l o c at ed i n the s ame f o ld er . Y ou c an as s o c iate any W AV f il e w ith an i ma ge f ile b y g i v in g[...]

  • Page 174

    AC DSe e Pr o 6 U s e r Gu id e 5 . Clic k Reco rd to s top th e r ec ord i ng . 6 . Clic k S ave As to s av e th e aud io f il e. 7 . In th e Save Soun d Fil e d ialog b ox , type a n am e i n th e Fi l e n ame f ield , and th en c l ic k S av e . 8 . Clic k OK . R ec o r d sou nd setting s op tion s C ap tu re devi ce Sp e c if ies w hi c h of yo[...]

  • Page 175

    Chapter 4 : Vi e w Mod e Ap plying Pr esets in Vie w Mod e Many ACD See Pr o d ev elo p in g too ls all o w you to s ave yo u r s ettin g s as p r es et s . T h is i s c onveni e n t w hen you f r eq uen tly u s e th e s am e s etting s f or a p ar tic u lar too l or ef fec t. For mo s t to ols , AC DSe e Pr o automa tic ally s ave s th e l a s t o[...]

  • Page 176

    AC DSe e Pr o 6 U s e r Gu id e 6 . Ad d c ap tions , h ea d ers , o r f o ot er s . 7 . Clic k P r i n t . To pr i n t a ll i mages : 1 . In View mo d e, c l ic k F i l e | Pri n t Al l I mag es . 2 . U nd er P rin t l ay o u t , d o one of th e f o ll o w in g : Se lec t F u ll p age and th en c h o o s e a p r i nt s iz e f r o m th e Format l i[...]

  • Page 177

    Chapter 4 : Vi e w Mod e Zoo ming an Im age I n View mo d e yo u c an u s e th e Zoo m to ols to enl a r g e or r edu c e th e s i z e of th e i m age you ar e view in g. W h en an ima g e is z oo me d to a lar g er s i ze th a n th e Vi e w mo d e w in d o w , yo u c an u s e th e Sc r oll to ol (h and ic on) to p an or s c r oll th e i ma g e . W[...]

  • Page 178

    AC DSe e Pr o 6 U s e r Gu id e 1 . Clic k Too l s | Zo om | Zoo m To . 2 . In th e Zoo m level ar ea , s elec t on e of th e f ollowi n g: Fi t wh ole i mag e : Zoo m s th e image to f it enti r e ly w i thin th e w i nd ow. Fi t wi d th : Zoo ms th e i ma g e to f it the w i dth of th e w in d o w . Fi t h ei gh t : Zoo m s th e i ma g e to f it [...]

  • Page 179

    Chapter 4 : Vi e w Mod e Fi t I mag e Fi t W i d th Fi t H ei g h t Red u ce On l y Re d uc es lar g e images to f it th e s i z e of th e View mo d e w in d o w . I ma g es th a t are s maller th an th e View mode w in d o w ar e d i s p lay ed at their or ig in al s i z e . Re d uc es l arg e i ma ges to f it b et w ee n th e lef t and r ig h t s[...]

  • Page 180

    AC DSe e Pr o 6 U s e r Gu id e Do on e of th e f o ll o wi n g: Dr ag th e image to c en te r th e ar ea you w ant to view . Pres s an ar r o w key. Y ou c an h old th e C TR L ke y to p an q u ic kly, or h o ld th e S H IF T ke y to p a n mor e s lowl y. Usin g P a n L oc k Y ou c an u s e th e Pan L o c k s ettin g to autom atic a ll y c enter t[...]

  • Page 181

    Chapter 5 : Dev elop Mod e C hap te r 5 : De ve l o p Mo de Dev elo p mo d e all o ws n o n- d es tr uc ti ve p r o c es s in g o f RAW, J P E G and other f il e typ e s . Do mo s t of yo ur ad ju s tments on RA W i m ages in Dev elo p mo d e, w her e yo u c an w or k on th e RAW i m age d at a. I n Dev elop mo d e you c an: T u ne th e i m age u s[...]

  • Page 182

    AC DSe e Pr o 6 U s e r Gu id e To save th e i ma g e a n d r etu rn to th e m o d e yo u were i n p r eviou sl y : 1 . Clic k Don e . 2 . Selec t one of the f ollowi ng : S ave : Sav e your c h a n g e s . S ave a s : Sav e a c opy of your d ev eloped image w ith a n e w n am e or f ormat. Di scard : Di s c a r d your c h ang es . C an cel : Rem a[...]

  • Page 183

    Chapter 5 : Dev elop Mod e 5 . Selec t an image you w ant to c op y th e s ettin g to, b y d oin g one of th e f o ll o w in g : Clic k on an image i n th e f il m s tr ip view. Se lec t F i le | Open Ne xt Image (or p r es s th e P ag e Dow n key). Se lec t F i le | Open P revi ou s I mag e ( o r p r es s the S h i f t + Al t + L keys ). 6 . Selec[...]

  • Page 184

    AC DSe e Pr o 6 U s e r Gu id e Hi stogr am Dis p lays th e h is togr am p r eview f o r th e c u r r ent i m age. T h e h is to g r am p r eview s h o w s th e r ed , g r een, and b l ue c olo r c h ann els o f th e p h o to . Ke epi ng th e h is tog r a m open is p a r tic u lar ly u s efu l w h en ad ju s tin g ex p osu r e, as th e h is tog r a[...]

  • Page 185

    Chapter 5 : Dev elop Mod e V iewin g I ma g es Y ou c an vi e w other images b y c l ic kin g on the f i lms tr ip at th e b otto m of th e s c r een. Or , c li c k th e ar r o w s on th e D o n e b u tto n to s elec t an i m age to d eve lop . Cu sto m izing th e view Y ou c an d etach th e Deve lop an d E d it p anes to s u it your w o r kfl o w [...]

  • Page 186

    AC DSe e Pr o 6 U s e r Gu id e Dest i n ati on f ol d er S ame as source f ol d er Se lec t th is option to u s e th e s am e f old e r w her e th e s o u r c e i ma g e s c u r r ently r es id e. Se lec t th e Cr ea te a n ew s u b f o ld er f o r th e f il es c h ec k b o x to p l a c e th e i ma g e s w ith in a s u b fold er of th e s ou r c e[...]

  • Page 187

    Chapter 5 : Dev elop Mod e Ou tpu t si z e Resi z e i mag e Se lec t th is option to s p ec if y h o w to s c ale th e images . Selec t f r o m th e f o ll o wi n g op tions : Res amp l i n g meth od U s e th is o p tion to d eter m in e th e method u s ed to r es iz e ( r esampl e) th e image: Box : Di s p lay s c ons i d e r ab le til in g or j a[...]

  • Page 188

    AC DSe e Pr o 6 U s e r Gu id e Preserve Ori g i n al As pect rati o Se lec t th is option to ma in tain or ig in al i m age p r op o r tions . Not e : Im a g es r es iz ed to long or s h o r t ed g e ma in ta in o r ig i nal image p r op o r tion. Met ad ata Se lec t th ese op tions if th e i ma g e c ontain s met adata , and yo u w ant th e ex p [...]

  • Page 189

    Chapter 5 : Dev elop Mod e R esto r ing Or iginal Images Onc e yo u h av e d eve lop e d an i ma g e , th e s ettin g s you u s ed ar e s av ed i n th e d a tabas e and w ill b e ap p li e d ag a in ea c h ti m e you op en that f ile. Y ou c an r emo ve th e d eve lop s ettin g s f r om a s i ng l e i m age or f r om a b atch of i ma g e s . To rem[...]

  • Page 190

    AC DSe e Pr o 6 U s e r Gu id e Top of t h e p an e U s e th e d eve lop s etting s b u tto n f r om th e to p - l e vel to s ave all d ev elo p s ettin g s f r om T u ne, Deta il ,Geo me tr y, and Repair tabs . Pres ets c r ea ted at th is l e ve l c an b e ac c es s ed f r o m Man a g e an d View mo d e . In M a n a g e mo d e, p r es ets c an b [...]

  • Page 191

    Chapter 5 : Dev elop Mod e To create a pres et f ro m t h e t op of t h e p an e: 1 . Make c or r e c tions to your image i n Deve lop mo d e . 2 . Clic k th e d eve lop s ettin g s b u tto n l o c ate d at th e top of th e p ane. 3 . Selec t S av e P reset f r om th e me n u. 4 . In th e Save Deve lop Se ttin g s Pres ets d ialog, c li c k S el ec[...]

  • Page 192

    AC DSe e Pr o 6 U s e r Gu id e 1 . In M a n a g e mo d e, s elec t an i ma g e and c li c k the View tab . T h e i m age op ens i n Vi e w mo d e. 2 . Rig h t- c l ic k on th e image an d s elec t P ro cess | App l y P reset . 3 . Selec t th e p r es et you w a n t to ap pl y to th e i m age. T h e i m age i s u p d a ted w ith the s elec ted p r [...]

  • Page 193

    Chapter 5 : Dev elop Mod e Sav ing I mages in D e ve lop Mod e I n Dev elop, c h a n g e s ar e s av ed to th e d ata b ase, s o th a t every time yo u op en an i ma g e th e adj u s tme nts ar e w h er e you l eft th em . T h is als o allows yo u to r etur n to th e image to u n d o or f u r ther tw ea k adj u s tme n ts . Y ou h ave s everal op t[...]

  • Page 194

    AC DSe e Pr o 6 U s e r Gu id e To save th e i ma g e a n d c o n t inu e process i n g ot h er i ma g es: 1 . Clic k S ave . 2 . Selec t one of the f ollowi ng : S ave As : Sav e a ve r s i o n of yo ur d eve lop e d i m age w i th a n ew n am e or f o r ma t and s w itc h to the u p d at ed i ma g e . S ave a C op y : Sa ve a c op y of your d ev [...]

  • Page 195

    Chapter 5 : Dev elop Mod e S tat e Non e n c od able f i l es ( e. g . RA W) En co d able f i l es (e .g. J PEG ) Ori g i n al Ori g in al images ar e l o c ate d in th e f o ld er s yo u p l a c ed th e m i n. Ori g in al images ar e l o c ate d in th e f o ld er s yo u p l a c ed th em i n. Dev el op ed W h e n you mak e c h ang es an d c l ic k [...]

  • Page 196

    AC DSe e Pr o 6 U s e r Gu id e 4 . Ap p ly th is p r es e t in AC DSe e Pr o to any i ma ge d ev eloped in Pro 3 to c on v er t ov er to th e n ew p r oces s i ng p i p e li ne ( r ig h t-c l ic k and s elec t P r oces s | App l y P res et to s elec t th e p r es et ) . Ab o ut the T u ne T ab I n th e T u n e tab, you c an adj u s t ex p osu r e,[...]

  • Page 197

    Chapter 5 : Dev elop Mod e S ave a C op y is u s efu l f o r ma kin g mul tip le ver s ions of an image w h il e c on tinu i ng to w ork f r om th e ori g in a l f ile in s tea d of a n ew p r oc ess ed c opy. For exa mp le, i f you tak e a RA W image an d s ave a c op y of i t as a J PG , i n s te ad of s w itc h in g to th is los s y JPG image, y[...]

  • Page 198

    AC DSe e Pr o 6 U s e r Gu id e Hov er in g ove r a b r u s h b u tto n w il l r eve al th a t s p ec if ic b r u s h 's s tr o kes on the i ma g e . T h e b r u s h s tr ok es w i ll ap p ea r i n th e c olo r s elec ted in th e d r op- d own n e xt to th e S h ow br u sh strokes c h ec k b o x. ( By d efau lt, th e c olor i s r ed .) Alter n[...]

  • Page 199

    Chapter 5 : Dev elop Mod e Dev elo p Br u sh o p tion s Ad d br u sh stroke Br us h w h il e h old in g th e l ef t mou s e bu tt on d own . Eras e brush st r oke Br us h w h il e h old in g th e ri g h t mo u se but ton d own . Ad ju s t br u sh size U s e th e mou se wheel to ad j us t n i b w id th or u s e th e N ib W id th s l id er. Ad ju s t[...]

  • Page 200

    AC DSe e Pr o 6 U s e r Gu id e Exp os u re Dr ag th e s li d e r to th e r i gh t to i nc r ea s e ex p o s u r e, or d r a g to th e lef t to d ec r ea s e expos u r e . One eV is eq u iva len t to on e s top of ex p osu r e c h ang e. Hi gh li gh t En h an cem en t Dr ag th e s li d e r to th e r i gh t to r ec ov er d eta il in ove r expos e d [...]

  • Page 201

    Chapter 5 : Dev elop Mod e Wh i te Bal an ce For RAW i m ages , s elec t one of th e f o ll o w in g w hi te b alanc e c or r e c tion op tio n s : As S h ot : Selec ted autom a tic all y. App l ies th e c ame r a's w h ite b alanc e s ettin g as s to r ed in th e c am er a w hen th e p h ot o w a s tak en. Au to: Ad j us ts th e c olor tem p [...]

  • Page 202

    AC DSe e Pr o 6 U s e r Gu id e To red u ce l i gh ti n g i n y our i mag e: 1 . In Deve lop mode, s elec t th e Tu n e tab. 2 . In th e L ig h tin g g r oup , s elec t Basi c mo d e , L igh t EQ mo d e or Ad van ced mode f r o m th e d r op - d o w n menu at th e to p of th e p a n e and d o one of th e f o ll o wi n g: Se lec t an ar ea of th e i[...]

  • Page 203

    Chapter 5 : Dev elop Mod e Bri g h te- n sli ders ( top ) Dr ag th e s li d e r s u p to i nc r eas e th e b r i g hten in g i n each to n a l b and . T h e s l id er s on th e l e f t af fec t d ark tones . T h e s li d e r s on th e r i gh t aff ect b r ig h t to n es. M o vin g a s li d e r c h ang es th e am oun t of b r ig h tenin g o n ly in [...]

  • Page 204

    AC DSe e Pr o 6 U s e r Gu id e Area Acti on Res u l t S l i d - ers Drag Bri g h ten i n g sl i d er T o th e r i gh t: Inc r eas e s th e li g ht app l ied to th e d ar ke r ar e as . T o th e lef t: Ap p lies b r i gh teni ng mo r e u n if ormly to all ar e as of the i ma g e . Drag D arkeni n g sl i d er T o th e r i gh t: Inc r eas e s th e d [...]

  • Page 205

    Chapter 5 : Dev elop Mod e On Imag- e Dou ble- cli ck wit h lef t mo u se but ton Autom atic ally s ets b r ig h teni ng to opti m u m f or th at ar e a of th e i ma g e . A b r ig h ter ar ea (e. g. a f ac e) w or k s b es t. Dou ble- cli ck wit h r i g h t mo u se but ton Autom atic ally s ets th e d ar ke n in g c om p r ess i o n to opti m u m [...]

  • Page 206

    AC DSe e Pr o 6 U s e r Gu id e 1 . In Deve lop mode, s elec t th e Tu n e tab. 2 . In th e Ad va n c ed Co lor g r oup , s elec t th e S at u rati on , Bri g h tn ess or Hu e tab, an d ad ju s t th em ac c ord i ng to th e opti o n s d esc r ib ed i n th e tab le b elow. Y ou c an r ig h t- c lic k a s l id er to r es et to th e d efaul t valu e .[...]

  • Page 207

    Chapter 5 : Dev elop Mod e Se lec t H i g h Qu al i t y mo d e or S t an dar d mo d e f r om th e Advanc ed Co lor d r op - d o wn me n u. T o adj u s t c olors i n di vid uall y, l e f t- c lic k a c olor i n the i ma g e an d d r ag u p or d own to alter . Y our c h a n g e s ar e r efl ected i n th e c olo r s l id er s in H ig h Quali ty mode, [...]

  • Page 208

    AC DSe e Pr o 6 U s e r Gu id e S tan dard Sup p or ts p r evio u s ly d eve lop e d i m ages . Ad j u s t c olor s i nd i vid uall y or mak e g l o b a l adj u s tme nts . Verti cal sl i d er Ap pl y adj u s tme nts to th e en tir e image. A s li d e r on the lef t h as th e f ollowi ng eff ec ts on th e tab s : S atu rat i o n : Ad j u s ts f r o[...]

  • Page 209

    Chapter 5 : Dev elop Mod e Bl ack & Wh i t e Mod e Ad van ced Bl ack & W h i te I n Blac k & W h ite mode, ( a s d efi ned i n th e Ge n eral g r o u p of th e Deve lop T oo ls p a n e), th e Ad va nc ed Co lor g r oup b ec om es th e Ad vanc ed Blac k & W h i te g r o u p . Bri g h tn ess : Ad j u s ts th e b r ig h tn e s s of c o[...]

  • Page 210

    AC DSe e Pr o 6 U s e r Gu id e Ap plying a C r o ss Pro ce s s E f f ect A p o p u lar f i lm p h o to g r aph y tec hn iq u e i n th e '8 0 s and ' 90 s in vo lved p r oc ess i n g f il m in a s olu tion th at w as i ntend ed f o r another typ e of f ilm. T h is c r oss p r oces s in g g av e p h oto s a b o ost i n s atur ation and c o[...]

  • Page 211

    Chapter 5 : Dev elop Mod e Create a s ep ia tone eff ec t b y f ir s t r edu c i ng the s atu r a tion of your p hoto w ith th e Ad v anc ed Co lor too l and th en ap p lyin g a r edd i s h b r ow n h u e w ith th e Sp li t T one to ol. Or c r eat e a mo n o c h r o ma tic b lac k and w h ite p h o to w ith a s l ig h t ti nt of h u e. Ad din g a P[...]

  • Page 212

    AC DSe e Pr o 6 U s e r Gu id e C u rve Se lec t a c u r ve to ap pl y to your image. Sta n d a r d c u r ve i s th e d efau lt. U s e Ca me r a to u s e th e c u r ve g en e r ate d b y AC DSe e Pr o to p r odu c e a c u r ve s u itab le f o r th e i m age. T h e Cur ve d r op - d o w n l is t i s onl y av ailab le f or RAW f il e s . C h an n el [...]

  • Page 213

    Chapter 5 : Dev elop Mod e S a ving an d c an c elin g W h e n you h ave f in i s hed d eve lop in g an image, yo u c an c h o o s e f r o m one of th e many opti o ns f or s avin g yo u r i m age, d epen d in g o n w hat yo u w ant to d o n e xt. To save th e i ma g e a n d r etu rn to th e m o d e yo u were i n p r eviou sl y : 1 . Clic k Don e .[...]

  • Page 214

    AC DSe e Pr o 6 U s e r Gu id e Y ou c an s ave yo u r s ettin g s as a p r es e t f o r f u tur e u s e. To sh ar pen y our image: 1 . In Deve lop mode, s elec t th e D etai l tab. 2 . In th e Sh arp en in g g r ou p, ad j us t th e s l id er s as d es c r i bed b elow. Y ou c an r ig h t- c lic k a s l id er to r es et to th e d efaul t valu e . [...]

  • Page 215

    Chapter 5 : Dev elop Mod e L umi n an ce Dr ag th e s li d e r to th e r i gh t to r ed u c e th e vis ib i lity of l ig h tin g n ois e. Ap p ly a s etting th a t is p r opor tional to th e n o is e i n th e image an d r ef e r to th e p r eview w i nd ow to en s ur e th at yo u b alanc e th e l e ve l of n ois e r ed uc ti o n w ith los s of d et[...]

  • Page 216

    AC DSe e Pr o 6 U s e r Gu id e Fi x Red/ C yan Ad ju s t th e r ed and c yan c h ann els to r ed uc e r ed /c yan f r in g in g . Fi x B lu e/Y el low Ad ju s t th e b l ue and yellow c h ann els to r ed u c e b lu e/yellow f r in g in g . De fr i ng e opt i o ns Def ri n g e stren gth Ad ju s t th e amo un t of f r in g e c olo r to r emo v e f r[...]

  • Page 217

    Chapter 5 : Dev elop Mod e To save th e i ma g e a n d c o n t inu e process i n g ot h er i ma g es: 1 . Clic k S ave . 2 . Selec t one of the f ollowi ng : S ave As : Sav e a ve r s i o n of yo ur d eve lop e d i m age w i th a n ew n am e or f o r ma t and s w itc h to the u p d at ed i ma g e . S ave a C op y : Sa ve a c op y of your d ev elo p[...]

  • Page 218

    AC DSe e Pr o 6 U s e r Gu id e To cor rect a cro oked phot o: 1 . In Deve lop mode, s elec t th e G eometry tab. 2 . In th e Rot ate and Str a ig h ten g r oup , adj u s t yo u r i m age as d es c r ib ed b elow. Y ou c an r ig h t- c lic k a s l id er to r es et to th e d efaul t valu e . Clic k th e S h ow G ri d b u tt on to d i s p lay a g r i[...]

  • Page 219

    Chapter 5 : Dev elop Mod e Verti cal Dr ag th e s li d e r to th e lef t or r i gh t to i d entif y th e c en te r of th e i m age on th e verti c a l axis . Hori z on tal Dr ag th e s li d e r to th e lef t or r i gh t to i d entif y th e c en te r of th e i m age on th e h o r iz ontal ax is . Verti cal S h ear Dr ag th e s li d e r to th e lef t[...]

  • Page 220

    AC DSe e Pr o 6 U s e r Gu id e 1 . T yp e th e d es ir ed c r op w in d o w p r opor tions i nto th e Wi dth and H ei g h t s p in b oxe s . 2 . In th e U n i t s d r op - d o w n l is t, s elec t a u ni t of mea s u r em ent. 3 . U s e th e Dot s per i n ch s p in b o x to s p ec if y a r es olu tio n . To constrai n t h e cr op wi n d ow t o a r[...]

  • Page 221

    Chapter 5 : Dev elop Mod e S tren gth Ad ju s t h ow mu c h th e c or ner s of th e i m age w i ll b e b r i g hten e d . Rad i u s Ad ju s t th e d i s ta n c e f r om th e c orn er s of th e image th at p ixels w ill b e b r i g hten e d . T h e h ig h er th e r ad iu s , the c los er to th e c enter of th e i m age p i xe ls w il l b e b r i g h[...]

  • Page 222

    AC DSe e Pr o 6 U s e r Gu id e To save th e i ma g e a n d c o n t inu e process i n g ot h er i ma g es: 1 . Clic k S ave . 2 . Selec t one of the f ollowi ng : S ave As : Sav e a ve r s i o n of yo ur d eve lop e d i m age w i th a n ew n am e or f o r ma t and s w itc h to the u p d at ed i ma g e . S ave a C op y : Sa ve a c op y of your d ev [...]

  • Page 223

    Chapter 5 : Dev elop Mod e Y ou c an s h ow o r h id e th e r ed ey e outli ne b y togg l in g th e eye b u tto n, l o c ate d in th e to p lef t c or ner of th e Red E ye g r oup , on or of f. U s e th e D el ete key to r emo v e th e c u r r ently s elec ted r ed eye ad j us tment. 2 05[...]

  • Page 224

    Chapter 6 : E d it M o d e C hap te r 6 : Ed i t Mo de Make your f in al ed its i n E d it mo d e, w her e yo u c an ap p ly f in e- tun ed ad j us tments on th e mo r e l imitedR GB image d ata . U s e th e too ls i n E di t mo d e f or an y touc h - u ps to s p ec if ic ar ea s of yo u r i m ages . In E d it mod e yo u c an: U s e th e Selec t[...]

  • Page 225

    AC DSe e Pr o 6 U s e r Gu id e 8 . In th e Detail g r oup , c l ic k Sh a r p en , Bl ur , Cla r ity , or c li c k Nois e to r emo v e or ad d n ois e. 9 . Y ou h a ve s eve r al op tions i n s av in g yo ur i m ages . Se e Sa vin g i m ages in E d it f or mo r e i n for m atio n . Rever tin g to Develop settin g s o r o r ig in a l settin g s Y o[...]

  • Page 226

    Chapter 6 : E d it M o d e Using Presets in Ed it Many ACD See Pr o ed itin g too ls and s p ec ial eff ec ts all o w yo u to s ave your s ettin gs as p r esets . T h is is c onveni ent w h en you f r e q u e n tly u s e th e s am e s ettin g s f or a p arti c ul ar too l or eff ec t. For mo s t to ols , AC DSe e Pr o automa tic ally s ave s th e l[...]

  • Page 227

    AC DSe e Pr o 6 U s e r Gu id e R esto r ing Or iginals an d De ve lop Se ttings Y ou c an als o r es to r e an ed ited image b ack to its d eve lop s ettin gs , i f yo u w is h to d i s c a r d w or k d o n e in E d it. Y ou c an r ea d mo r e in f o r ma tion on h ow c h ang es ar e s ave d in ACDS ee . I f yo u h ave c omm itted c h a n ges to a[...]

  • Page 228

    Chapter 6 : E d it M o d e 1 . In E d it mo d e, s elec t th e too l you w ant to u s e. 2 . Clic k th e E d it Br us h to en te r b r u s h in g mode and open th e b r u s h c ontr ols . Or , togg l e th e b r u s h p anel open and c l o s ed w ith the B key . 3 . Sp eci fy th e b r u s h s ettin gs in th e p anel or on th e f ly as d es c r ib ed[...]

  • Page 229

    AC DSe e Pr o 6 U s e r Gu id e Using B le nd Mo des an d Opa city W h e n u s in g a too l in E d it, at th e top th e r e i s a b l e n d mode and opac ity to ols . T h es e to ols g ive you c r ea tive c ontr ol an d l e t you c om b in e the tw o to c r ea te a n ew i ma ge. Y ou c an app l y b lend mo d e s an d opac ity to an entir e image or[...]

  • Page 230

    Chapter 6 : E d it M o d e Y ou c an u s e th e Edit Bru sh to p ain t an ef fec t onto s p ec if ic ar e as of yo u r i m age, and th e n s et th e b l e n d mode and opac ity s li d e r to c h a n g e th e w ay th e ef fec t is ap p lied . T h e b l e n d mode and opac ity c ontr ols app l y to many of th e ed itin g too ls an d s p ec ial eff ec[...]

  • Page 231

    AC DSe e Pr o 6 U s e r Gu id e S ave a C op y : Sa ve a c op y of your edi te d i ma g e w ith a n ew n am e or f or m at, an d c onti nu e to w o r k on the or ig in al f ile. S ave a C op y is u s efu l f o r ma kin g mul tip le ver s ions of an image w h il e c on tinu i ng to w ork f r om th e ori g in a l f ile i ns tead of a n e w p r o c es[...]

  • Page 232

    Chapter 6 : E d it M o d e S tat e Non e n c od able f i l es ( e. g . RA W) En co d able f i l es (e .g. J PEG ) Ori g i n al Ori g in al images ar e l o c ate d in th e f o ld er s yo u p l a c ed th e m i n. Ori g in al images ar e l o c ate d in th e f o ld er s yo u p l a c ed th em i n. Dev el op ed W h e n you mak e c h ang es an d c l ic k [...]

  • Page 233

    AC DSe e Pr o 6 U s e r Gu id e Co lor: W h ite Ba lan c e , Ad va n c e d Colo r , Co lor Balanc e, Co nver t to Blac k an d W h i te Det ail: Sh a r p en, Blu r , N o is e, Clar ity Th e selec tio n to o ls Freeh an d L asso : Cli c k the l eft mo u s e b u tto n and d r ag th e c u r s or to d r aw arou nd th e ar ea th at yo u w i s h to s elec[...]

  • Page 234

    Chapter 6 : E d it M o d e 6 . T o ad d mu ltip le ar ea s i nto your s elec tio n , h o ld d o w n SHI FT an d d r aw ar oun d an y p ar t of th e image. As lon g as you d o n o t touc h th e l in e of any other s elec tion, yo u c an ad d s everal s ep arate ar ea s to a s elec tio n . 7 . T o s u b tr a c t f r om a s elec tion, h o ld d o w n C[...]

  • Page 235

    AC DSe e Pr o 6 U s e r Gu id e 3 . Do any of th e f o ll o w in g : Slid e th e Th res h old s li d e r to adj u s t th e n u m b er of p i x els to b e in c l ud ed or excl u ded . T h e T h r es hold s l id er s ets h o w s imil a r a p ixel n e ed s to b e to th e one yo u c l ic ked i n or d er to b e i nc l u ded in th e s elec tion. Clic k t[...]

  • Page 236

    Chapter 6 : E d it M o d e To app ly an edi t or ef f ect to a s el ecti on : 1 . U s e th e Selecti o n s too l to c r eate a s elec tion, th e n c l ic k D one to r etur n to th e E d it mode me n u. T h e s elec tion r em ain s ac tive . 2 . Selec t a too l to u s e f r om an y of th e f o ll o w in g g r o u p s : E x p osu r e/L ig h tin g Co [...]

  • Page 237

    AC DSe e Pr o 6 U s e r Gu id e Clic k Reset to c lear yo u r c h ang es and r es et to d ef a u lt s ettin g s . If you s ave d your c h ang es , you c ann ot r es et your s ettin gs . I f yo u w ant to d i s c a r d onl y th e E d it s ettin g s , s elec t Fi l e | R estore t o Dev el op ed . Y ou c an r ig h t- c lic k a s l id er to r es et to [...]

  • Page 238

    Chapter 6 : E d it M o d e 6 . Do one of th e f ollowi n g: Clic k D on e to ap p ly yo u r c h ang es and c l o s e th e too l. Clic k C an cel to d i s c a r d all c h ang es and c l o s e th e too l. Clic k Reset to c lear yo u r c h ang es and r es et to d ef a u lt s ettin g s . If you s ave d your c h ang es , you c ann ot r es et your s etti[...]

  • Page 239

    AC DSe e Pr o 6 U s e r Gu id e 7 . Do one of th e f ollowi n g: Clic k App l y to ad d th e text to your image, and kee p th e T ext too l op e n s o yo u c an add mo r e text. T h e T ext to ol c r ea tes a n ew, empty mar qu ee, and you c an r etur n to s tep 3 in th e li s t ab o ve . Clic k D on e to ad d th e text to yo u r i m age, and l e a[...]

  • Page 240

    Chapter 6 : E d it M o d e Bu bb le Text S et ti n gs Tal k E nc l o s es your text in a c om ic - b oo k tex t b u bb l e w ith a p oin te d s tem . Th ough t E nc l o s es your text in a c om ic - b oo k tex t b u bb l e w ith a d ott ed s tem . S te m An g l e Sp e c if ies th e d ir ec tio n of th e text b u b b le s tem. Dr ag th e ar r ow to [...]

  • Page 241

    AC DSe e Pr o 6 U s e r Gu id e Ad din g Dra wing s to Y ou r I mage Y ou c an u s e th e Dr aw in g T oo ls in E d it mode to ad d li nes and s h a p es, s u c h as s q u ares , c i r c les an d ar r o w s to your image. Y ou c an als o adj u s t th e w id th , f e ather in g and b len d in g of your b r u s h, w h ic h i s u s efu l f or c r eati[...]

  • Page 242

    Chapter 6 : E d it M o d e Sc r o ll w ith yo ur mo u s e to ad j us t th e s iz e of th e n ib w id th at anytime. Y ou c an r ig h t- c lic k a s l id er to r es et to th e d efaul t valu e . Ad din g a Wa terma r k to an I mage Y ou c an u s e th e W atermar k too l to add a w a ter m ar k to a p h o to . Y ou c an mo ve the w ate r ma r k to an[...]

  • Page 243

    AC DSe e Pr o 6 U s e r Gu id e Ad din g B or ders Y ou c an u s e th e Bor der s too l to ad d one or mo r e b or d e r s an d ed g e eff ec ts to your i m ages . Y ou c an s et th e s i z e of each s id e of th e b o r d er , c h a n g e th e c olor and text u r e of th e b or der or p ic k u p a c olor f r om w ith in th e i ma g e b y c li c ki[...]

  • Page 244

    Chapter 6 : E d it M o d e Eyedr op p er Pic ks u p th e c olo r b eneath th e c u r s or w h e n you c l ic k on th e image. T h e b or d e r c h a n g e s to th e c l ic ked c olor , w h ic h als o ap p e ar s in th e Co lor b ox on th e Bo r d ers p a n e s o th at yo u c an ad j us t i t i f you op en th e Co lor d ialog b ox . T h e eye d r op[...]

  • Page 245

    AC DSe e Pr o 6 U s e r Gu id e Irregul ar Ac tiva tes w hen yo u s elec t th e I rreg u l ar r ad io b u tto n . Do an y of th e f o ll o w in g : Clic k th e s id e ar r o w b es id e th e ed g e b o x to open th e ed g e li b r a r y and vi e w th umb n a il s of ed ges to s elec t. Clic k th e f o r w a r d and b ac k ar r ows to b r ows e th r[...]

  • Page 246

    Chapter 6 : E d it M o d e A d din g yo u r o wn textu r es o r ed g es I t is p os s ib le to add c u s tom tex tu r e s a n d ed g e s to th e l ib r ar ies i n th e Bor der s to ol. If you mak e your own edg es or tex tur es , or own a c ollec tion f r o m th e In te r n e t, you c an add th em to th e tex tur e and ed g e li b r a r i e s . Y o[...]

  • Page 247

    AC DSe e Pr o 6 U s e r Gu id e 3 . In M a n a g e mo d e, s elec t th e i ma ge yo u w ant to u s e an d th en c l ic k Tools | P r oces s | Edit . 4 . In th e Ad d g r oup , c li c k Bord ers . 5 . Selec t th e I rreg u l ar r ad io b u tto n and th en c l ic k th e ar r o w on th e r i gh t s i d e of th e ed g e b ox to open th e ed ge l ib r a[...]

  • Page 248

    Chapter 6 : E d it M o d e Hori z on tal Sp e c if ies th e f o c al p oin t of th e p or tr a it on th e h ori z o n ta l ax is . A value of 5 00 p lac es th e c en te r in th e mid d le of th e p h o to . Verti cal Sp e c if ies th e f o c al p oin t of th e p or tr a it on th e ver tic al axis . A value of 5 00 p lac es th e c en te r in th e mi[...]

  • Page 249

    AC DSe e Pr o 6 U s e r Gu id e Frame sett i n g s T h e s ettin g s th at d is p l a y b elow th e Fr ame d r op- d o w n li s t c h ang e d epen d in g on th e f r am e yo u s elec t. For exa mpl e , i f you s elec t C ol o r i n th e F ram e d r o p - d o w n li s t, a c olor p i c ke r d is p l a ys s o th at yo u c an s elec t th e c olo r f o[...]

  • Page 250

    Chapter 6 : E d it M o d e Ap plying a Bl ind s E f f ect U s e th e Bli nd s ef fec t to d ivid e yo u r i ma ge in to b ars th at loo k l ike venetian or ver tic al w i nd ow b l in d s . Y ou c an c u s to miz e th e c h a r ac te r is ti c s of th e b li n ds yo u w ould l ike ad d e d to yo u r i m age. Y ou c an s ave yo u r s ettin g s as a [...]

  • Page 251

    AC DSe e Pr o 6 U s e r Gu id e 4 . Do one of th e f ollowi n g: Clic k D on e to ac c ept your c h ang es and c l o s e the p an e l. Clic k C an cel to d i s c a r d your c h ang es and c los e th e p anel. B u l g e a nd Sh r i n k opt i o ns Hori z on tal po sit i on Sp e c if ies th e c en te r of the d i s to r tion along th e h or iz ontal a[...]

  • Page 252

    Chapter 6 : E d it M o d e 6 . Do one of th e f ollowi n g: Clic k D on e to ac c ept your c h ang es and c l o s e the p an e l. Clic k C an cel to d i s c a r d your c h ang es and c los e th e p anel. 7 . Clic k Exi t to l e av e Sp e c ial E f fec ts , and r etu r n to th e E d it mo d e me n u. Y ou c an r ig h t- c lic k a s l id er to r es e[...]

  • Page 253

    AC DSe e Pr o 6 U s e r Gu id e Ap plying a C o nto ur s Ef fe ct Y ou c an u s e th e Co n to ur s eff ec t to d r aw c ontour li nes on yo ur i m age to c r eate a c ar to on eff ec t. Selec t or c h a n g e th e r ou nd in g , li ne f r e q u e n c y, c olo r and s tr en g th s ett in g to ap p ly to yo u r image. Y ou c an s ave yo u r s ettin [...]

  • Page 254

    Chapter 6 : E d it M o d e Ap plying a C r o ss h atch E f fe ct Y ou c an u s e th e Cr o s s h at c h eff ec t to ad d c r os s h a tc h in g to an i ma g e . To u se th e C ros sha tch ef f ect : 1 . In E d it mo d e, i n th e Ad d g r oup , c l ic k S pecial Ef f ect . 2 . Clic k C ro ss h atch . 3 . Do one of th e f ollowi n g: Clic k D on e t[...]

  • Page 255

    AC DSe e Pr o 6 U s e r Gu id e Y ou c an r ig h t- c lic k a s l id er to r es et to th e d efaul t valu e . Ap plying a n E dge Dete ct Eff e ct Y ou c an u s e th e E d g e Dete c t eff ec t to c r eate a h ig h li g hted outl in e of yo u r i m age. Af te r c r eat in g a b l a c k i m age, th e eff ec t u s es c olo r ed l in es to outl in e t[...]

  • Page 256

    Chapter 6 : E d it M o d e Y ou c an r ig h t- c lic k a s l id er to r es et to th e d efaul t valu e . Y ou c an u s e th e Edit Bru sh to p ain t th is eff ec t on to s p ec if ic ar ea s of your image. Ap plying a Fur r y E dges E f f e ct Y ou c an u s e th e Fu r r y E d g es ef fec t to add f u r and b r is tles to th e li nes an d d eta il [...]

  • Page 257

    AC DSe e Pr o 6 U s e r Gu id e Y ou c an r ig h t- c lic k a s l id er to r es et to th e d efaul t valu e . Y ou c an u s e th e Edit Bru sh to p ain t th is eff ec t on to s p ec if ic ar ea s of your image. Ap plying a G low ing Ed ges Eff e ct Y ou c an u s e th e Glow in g E d ges ef fec t to add c olor to th e li nes an d d eta il s of p eo [...]

  • Page 258

    Chapter 6 : E d it M o d e 4 . Do one of th e f ollowi n g: Clic k D on e to ac c ept your c h ang es and c l o s e the p an e l. Clic k C an cel to d i s c a r d your c h ang es and c los e th e p anel. Gr a nite op tion s L igh t An g l e Sp e c if ies th e d ir ec tio n f r o m w h ic h an i ma gi n a r y l ig h t s our c e i s s h in in g on th[...]

  • Page 259

    AC DSe e Pr o 6 U s e r Gu id e 1 . In E d it mo d e, i n th e Ad d g r oup , c l ic k S pecial Ef f ect . 2 . Clic k Mi rro r . 3 . On th e Mi r r o r p anel, i n th e M ir r or d i r e c tion ar ea , s elec t one of th e f ollowi n g o p tions to in d ic ate w h ic h d ir ec tion yo u w ant to mir r or th e i m age: Hori z on tal Verti cal 4 . Dr[...]

  • Page 260

    Chapter 6 : E d it M o d e 3 . On th e Oil Pa in t p anel, d r ag th e Bru sh width s li d e r to s p ec if y th e w id th of th e b r u s h s tr oke s i n th e ef fec t. T h e h ig h er th e va lu e, th e w id er th e b r u s h s tr oke . 4 . Dr ag th e Vari an ce s li d e r to s p ec if y th e c olor var ianc e i n each b r u s h s tr ok e. Hi g [...]

  • Page 261

    AC DSe e Pr o 6 U s e r Gu id e Ap plying t he Or to n E f f ect Create b ea uti fu l imp r ess i o n is tic images w ith th e Orton ef fec t. T h e Or to n ef fec t mimic s a d ar kr o o m tec h ni q ue c r eat ed b y s and w ic h in g two i m ages to g ether , on e of w h ic h is s l ig h tly out of f oc us , an d b oth of w h ic h ar e s l ig h [...]

  • Page 262

    Chapter 6 : E d it M o d e L in e width Sp e c if ies th e w id th of th e outl in e in th e eff ec t. T h e h ig h er th e valu e , th e w id er th e outl in e. Th res h old Sp e c if ies h o w s h ar p an edg e mus t b e i n o r d er to b e o u tlin ed . If you s p ec if y a h ig h er value, mo r e ed g es in th e p h o to w il l b e outl in e d [...]

  • Page 263

    AC DSe e Pr o 6 U s e r Gu id e Hori z on tal cen ter Sp e c if ies th e c en te r p oin t of th e exp los io n on th e h o r iz ontal ax is . A va lu e of 5 0 0 p lac es th e expl o s ion at the mid d le of th e image. Verti cal cen t er Sp e c if ies th e c en te r p oin t of th e exp los io n on th e ve r tic al ax is . A va lu e of 5 0 0 p lac [...]

  • Page 264

    Chapter 6 : E d it M o d e Ap plying a Po s te r iz e E f f ect Y ou c an u s e th e Po s ter iz e ef fec t to r ed uc e th e n u m b er of b r i g htn ess leve ls i n your image. Select or c h ang e the Poster iz e option s to app l y th is ef fec t to yo u r image. Y ou c an s ave yo u r s ettin g s as a p r es e t f o r f u tur e u s e. To app l[...]

  • Page 265

    AC DSe e Pr o 6 U s e r Gu id e Hori z on tal po sit i on Sp e c if ies th e c en te r of the w ave s on th e h or iz o n ta l axis . A value of 50 0 p lac es th e w av es i n th e mid d le of th e i m age. Verti cal pos i ti on Sp e c if ies th e c en te r of the w ave s on th e ver tic al axis . A valu e of 5 0 0 p lac es th e w ave s in th e mid[...]

  • Page 266

    Chapter 6 : E d it M o d e S tren gth Sp e c if ies th e l e n g th of th e r ain d r ops . Dr ag th e s li d e r to th e r i gh t to i nc r ea s e the l eng th . Opac i ty Sp e c if ies th e opac ity of th e r ain d r op s . T yp e a n umb er f r om 0 to 1 0 0 or d r ag th e s li d e r to adj u s t th e opac ity of th e r ain d r ops . T h e h ig [...]

  • Page 267

    AC DSe e Pr o 6 U s e r Gu id e Hori z on tal po sit i on Sp e c if ies th e c en te r of the r ip p les on the h or iz ontal axis . A value of 5 00 p lac es th e r i p p les in th e mid d le of th e i m age. Verti cal pos i ti on Sp e c if ies th e c en te r of the r ip p les on the ver tic al axis . A valu e of 5 0 0 p lac es th e r i p p les in [...]

  • Page 268

    Chapter 6 : E d it M o d e Ti le si z e Sp e c if ies th e s i z e o f th e ti les . S catt er amoun t Sp e c if ies h o w mu c h th e til e s w i ll mov e f r o m th eir or ig in al p os itions . Backg ro u n d col or Sp e c if ies th e c olor of th e b ackg r oun d . Cli c k th e c olor p ic ke r to s elec t a d if f er e n t c olor . Ran d om i [...]

  • Page 269

    AC DSe e Pr o 6 U s e r Gu id e 3 . On th e Sheet Meta l p anel, s et th e op tions as d esc r ib ed b elow. 4 . Do one of th e f ollowi n g: Clic k D on e to ac c ept your c h ang es and c l o s e the p an e l. Clic k C an cel to d i s c a r d your c h ang es and c los e th e p anel. Sh eet M eta l o pt i o ns Ro u n din g Sp e c if ies th e am ou[...]

  • Page 270

    Chapter 6 : E d it M o d e Y ou c an r ig h t- c lic k a s l id er to r es et to th e d efaul t valu e . Ap plying a Slant E f f ect Y ou c an u s e th e Slan t eff ec t to mak e a p h o to ap p e ar s l a n te d . For exa m p le, yo u c ou ld u s e th e Slant eff ec t to d i s to r t a p h o to b y p us h in g th e top of th e p h ot o to th e lef[...]

  • Page 271

    AC DSe e Pr o 6 U s e r Gu id e 1 . In E d it mo d e, i n th e Ad d g r oup , c l ic k S pecial Ef f ect . 2 . Clic k S ob el . 3 . Do one of th e f ollowi n g: Clic k D on e to ac c ept your c h ang es and c l o s e the p an e l. Clic k C an cel to d i s c a r d your c h ang es and c los e th e p anel. Y ou c an u s e th e Edit Bru sh to p ain t t[...]

  • Page 272

    Chapter 6 : E d it M o d e To app ly a S t ai n ed G l ass ef f ect : 1 . In E d it mo d e, i n th e Ad d g r oup , c l ic k S pecial Ef f ect . 2 . Clic k S t ain ed G l ass . 3 . On th e Sta in ed Glas s p anel, s et th e opti o ns as d es c r ib ed b elo w . 4 . Do one of th e f ollowi n g: Clic k D on e to ac c ept your c h ang es and c l o s e[...]

  • Page 273

    AC DSe e Pr o 6 U s e r Gu id e Ap plying a Swir l E ff e ct Y ou c an u s e th e Sw ir l eff ec t to r ota te and s tr etc h p eo p le an d ob jec ts i n your image. Y ou c an s ave yo u r s ettin g s as a p r es e t f o r f u tur e u s e. To app ly a S wi rl ef f ect: 1 . In E d it mo d e, i n th e Ad d g r oup , c l ic k S pecial Ef f ect . 2 . [...]

  • Page 274

    Chapter 6 : E d it M o d e 1 . In E d it mo d e, i n th e Ad d g r oup , c l ic k S pecial Ef f ect . 2 . Clic k Th res h old . 3 . On th e T h r esh old p anel, s et th e op tions as d es c r ib ed b elow. 4 . Do one of th e f ollowi n g: Clic k D on e to ac c ept your c h ang es and c l o s e the p an e l. Clic k C an cel to d i s c a r d your c [...]

  • Page 275

    AC DSe e Pr o 6 U s e r Gu id e Ap plying a Wa te r Eff e ct Y ou c an u s e th e W ater ef fec t to in s er t an expan s e of w a ter b elow th e s u b j ect of a p h o to an d to d is p l a y a r efl ecti o n of th e s u b j e c t i n the w a ter. Y ou c an c ontr ol th e p os ition of th e w a ter b elow th e s u b j ec t. For exam p le, you c a[...]

  • Page 276

    Chapter 6 : E d it M o d e 1 . In E d it mo d e, i n th e Ad d g r oup , c l ic k S pecial Ef f ect . 2 . Clic k Wat er Drop s . 3 . On th e W ate r Dr ops p anel, s et th e opti o n s as d esc r ib ed b elow. 4 . Do one of th e f ollowi n g: Clic k D on e to ac c ept your c h ang es and c l o s e the p an e l. Clic k C an cel to d i s c a r d your[...]

  • Page 277

    AC DSe e Pr o 6 U s e r Gu id e 4 . Do one of th e f ollowi n g: Clic k D on e to ac c ept your c h ang es and c l o s e the p an e l. Clic k C an cel to d i s c a r d your c h ang es and c los e th e p anel. Wa ves op tion s Wave le n g th Sp e c if ies th e d is ta n c e b etween w av es . Dr ag th e s l id er to th e l eft to r ed uc e th e d i [...]

  • Page 278

    Chapter 6 : E d it M o d e Y ou c an u s e th e Edit Bru sh to p ain t th is eff ec t on to s p ec if ic ar ea s of your image. Ap plying a Wind E f f ect Y ou c an u s e th e W i n d eff ec t to ad d w in d l in es th at ma ke s tatio n a r y obj ec ts i n your image l o ok l ike th ey are mov in g . Selec t or c h ang e the s etting s to c ontr o[...]

  • Page 279

    AC DSe e Pr o 6 U s e r Gu id e Y ou c an u s e th e Edit Bru sh to p ain t th is eff ec t on to s p ec if ic ar ea s of your image. C r e at ing a Cus to m S p e cial Eff e ct F ilte r (C o nvolutio n Eff e ct) Y ou c an u s e th e Co n vo lu tio n f il ter to c r ea te your own s p eci al ef fec ts an d ap pl y th e m to yo u r i m age. Y ou c an[...]

  • Page 280

    Chapter 6 : E d it M o d e Norm al Ap pl ies th e text to th e u n d e r lyin g i m age w i th th e s p ec if ied c olor . On ly op a c ity aff ec ts th is b len d . S creen Co m b in es th e text c olor w ith th e in ver s e of the u n d erl yin g p h o to c olo r , r es ul tin g i n a c olo r th at is th e s am e or li g hter . Mu l ti pl y Co m [...]

  • Page 281

    AC DSe e Pr o 6 U s e r Gu id e Clic k th e Hori z on tal or Verti cal b utton, and u s e th e too ls as d es c r ib ed b elow. Se lec t C rop strai g h t en ed i mag e if you w a n t to c r op th e i m age af te r i t i s s tr aig hten e d . Se lec t P res erve s t r ai ght en ed i mag e i f you d o n ot w ant to c r op th e s tr aig h tened i ma [...]

  • Page 282

    Chapter 6 : E d it M o d e C r op ping an I mage Y ou c an u s e th e Cr o p too l to r emo ve u nw anted p ar ts of yo u r i m ages , or to r ed uc e th e i m age c anvas to a p ar tic u lar s iz e. Y ou c an als o s av e your s etting s as a p r es et f o r f u tur e u s e. To cro p a n i mage: 1 . In E d it mo d e, i n th e Geo m etr y g r oup ,[...]

  • Page 283

    AC DSe e Pr o 6 U s e r Gu id e 3 . Do one of th e f ollowi n g: Po s ition yo u r c u r s or ov er th e ed g e of th e c r op w in d ow u n til i t c h ang es in to a d oub l e-p o in ted ar r ow, and th en d r ag the edg e of th e c r op w in d o w to th e d es ir ed s i z e. U s e th e W idth or H ei g h t s p in b o x to s p ec if y a d imens i[...]

  • Page 284

    Chapter 6 : E d it M o d e To cor rect l en s d i s t o rti on : 1 . In E d it mo d e, i n th e Geo m etr y g r oup , c l ic k L en s D ist or ti on C or recti on . 2 . In th e Ty p e of D i s t o rti on s ec tio n , s elec t Barrel , P i n cush i on , or Fi sh eye . 3 . Set th e option s as d esc r ib ed b elow. 4 . Do one of th e f ollowi n g: Cl[...]

  • Page 285

    AC DSe e Pr o 6 U s e r Gu id e Actu al /Pri n t si z e in : Re s iz es the i ma g e to mat c h a s p ec if ic outp u t s i z e. Clic k th e d r op-d o wn li s t to s p ec if y a u ni t of me as ur eme n t. 3 . If you w ant to maintain a s p ec if ic w id th to h eig h t r atio, s elec t th e P res erve asp ect rati o c h ec k b ox , an d th en s e[...]

  • Page 286

    Chapter 6 : E d it M o d e Res i ze opti on s Fi t wi th i n op ti on s Acti on En la r ge on l y Wi dth on l y Re s iz es th e i ma g e i f th e s p ec if ied d imens i o ns a r e lar g er th a n th e image's or ig in al d imens i o n s . T h e w id th is i nc r eas e d to th e s p ec if ied va lu e and th e h eig h t i s i nc r eas e d to ma[...]

  • Page 287

    AC DSe e Pr o 6 U s e r Gu id e Res i ze opti on s Fi t wi th i n op ti on s Acti on En la r ge or red u ce Wi dth on l y Re s iz es th e w i dth to th e s p ec if ied valu e an d r es iz es th e h eig h t to w hatev er valu e i s n eces s ar y to ma in tain th e as p ec t r atio. Hei gh t on l y Re s iz es th e h eig h t to th e s p ec if ied va l[...]

  • Page 288

    Chapter 6 : E d it M o d e Y ou c an u s e th e Edit Bru sh to p ain t th is eff ec t on to s p ec if ic ar ea s of your image. Ad ju st ing Ima ge Le v els Y ou c an u s e th e L ev els too l to p r ec is ely ad ju s t th e c ontr as t an d l ig h t leve ls i n yo ur i m ages . Y ou c an s ave yo u r s ettin g s as a p r es e t f o r f u tur e u s[...]

  • Page 289

    AC DSe e Pr o 6 U s e r Gu id e C h an n el Sp e c if ies th e b r i gh tn e s s or c olor c h ann el yo u w ant to adj u s t. S h ado w s Sp e c if ies th e b lac k p oin t o f an i m age. Mov e th e s li d e r or type a n umb er f r o m 0 to 2 5 5 in to th e s p i n b ox to d ef in e th e b l a c ke s t ar ea of an image. As th e valu e i nc r ea[...]

  • Page 290

    Chapter 6 : E d it M o d e Ad ju st ing Le v el s A ut oma tically Y ou c an u s e th e Au to Leve ls too l to autom atic ally c or r ect th e exp o s ur e leve ls of yo ur i m ages . Auto L ev els mak es th e d ar k es t i m age p ixels d arker , and th e b r i g htes t p ixels b r ig h te r . Y ou c an s ave yo u r s ettin g s as a p r es e t f o[...]

  • Page 291

    AC DSe e Pr o 6 U s e r Gu id e 3 . Do one of th e f ollowi n g: Clic k App l y to ap p ly your c h a n ges . Clic k D on e to ap p ly yo u r c h ang es and c l o s e th e Cur ves too l. Clic k C an cel to d i s c a r d all c h ang es and c l o s e th e too l. Clic k Reset to c lear yo u r c h ang es and r es et to d ef a u lt s ettin g s . If you [...]

  • Page 292

    Chapter 6 : E d it M o d e Ad van ced tab : Gi v es yo u u lti m at e c ontr ol of th e b r ig h tn e s s an d c ontr as t i n an i ma g e . Ba s ic adj u s tme n t c u r ve s c an b e c ons tr u c ted u s i ng f our s li d ers , and you c an manu ally ad ju s t th e c u r ve s b y c l ic kin g and d r ag g in g w ith in th e g r ap h ar ea or on t[...]

  • Page 293

    AC DSe e Pr o 6 U s e r Gu id e Usin g th e L ig h t EQ tab T h e L ig h t E Q tab h as tw o s ets o f s li d ers . T h e top s et i s f o r b r ig h tenin g . T h e low e r s et i s f o r d a r keni ng . T h e d ar k -t o- li g ht g r adi ent on eac h s li d e r in d ic ates th a t you b r ig h ten th at tone b a n d w h e n yo u mo ve th e s li d[...]

  • Page 294

    Chapter 6 : E d it M o d e Usin g th e A d van c ed tab S l iders T h e Ad va n c e d tab h a s tw o s l id ers f or b r i gh teni ng and tw o f or d ar ke ni n g. T h e Bri g h ten i n g an d D arkeni n g s l id er s c ontr ol th e s h ape o f th e ad ju s tme n t c u r ve s , w hi le th e Amp l i tu de s li d e r s c ontr ol th e h e ig h t of th[...]

  • Page 295

    AC DSe e Pr o 6 U s e r Gu id e Dr ag th e C ont ras t s l id er to in c r ease or d ec r ea s e c on tras t i n your image. Dr ag th e Fi l l L i ght s li d er to add l ig h t to th e d ark ar ea s in your image. Make ad j us tments u s in g any of th e option s in th e tabl e b elow, i n c lu d in g on th e i m age i ts elf. 2 . Clic k Don e to a[...]

  • Page 296

    Chapter 6 : E d it M o d e Area Acti on Res u l t S l i d ers Drag Bri g h t en in g T o th e r i g ht: Inc r eas e s th e li g hten in g ap p lied to th e d ar ke r ar ea s . T o th e l e f t: Ap pl ies b r i gh teni ng mo r e u n if o r mly to all ar ea s of th e i m age. (T h e n a me of th e s li d er c h ang es to C u stom cu r ve w h en yo u [...]

  • Page 297

    AC DSe e Pr o 6 U s e r Gu id e Area Acti on Res u l t On G rap h Drag t h e g rap h ( top ) T h e g r ap h c h ang es as yo u l e f t- c li c k and d r ag u p on th e g r aph i ts e lf . T h e g r aph r ep r es e n ts th e b r ig h ten ad j us tments yo u ar e ma kin g. T h e d ark g r ay g r aph r ep r es e n ts th e ma ximum amo un t yo u c an d[...]

  • Page 298

    Chapter 6 : E d it M o d e Area Acti on Res u l t On I mag e Dou ble- cli ck wit h lef t mouse but ton Autom atic ally s ets Br ig h teni ng to optimu m f o r that ar e a of th e i ma g e . A b r ig h te r ar ea ( e.g . a f a c e) w o r ks b es t. Dou ble- cli ck wit h r i g h t mo u se but ton ( o r S HI FT + doubl e-cl ick w i th l ef t mouse bu [...]

  • Page 299

    AC DSe e Pr o 6 U s e r Gu id e Do dge an d B ur n E nh anc e yo ur p h ot os and i m p r o ve c ontr as t b y c ontr olli ng th e l ig h t and i ntens ity of c olor i n s elec t ar ea s . Dod ge, b u r n, s atur ate an d d esatu r a te yo ur p h o tos to acc entu at e and d efi n e s h a p es , ma g ni f y an d f ade c olor, and add s h a d o w s [...]

  • Page 300

    Chapter 6 : E d it M o d e 3 . U nd er Br u s h s ettin g s s elec t f r om th e f o ll o w in g p r efer enc e s ettin g s : Dr ag th e Ni b W idth s li d e r to s elec t a b r u s h s i z e. Dr ag th e Feat h eri n g s li d er to s often the ed g es of your s tr ok es Dr ag th e S tren gth s l id er to adj u s t th e i nten s ity of your s tr ok [...]

  • Page 301

    AC DSe e Pr o 6 U s e r Gu id e Ad v anc ed Colo r i s u s efu l f or c h ang i ng a s i ng l e c olo r i n an image. If yo u h ave an image w ith a yellow c ar , you c an u s e th e Satur ation ta b to s atur ate th e yellow , or u s e th e Br ig h tn e s s tab to b r i gh ten th e yellow. In th e H ue tab , you c an c h a n ge th e c olor of th e[...]

  • Page 302

    Chapter 6 : E d it M o d e Se lec t H i g h Qu al i t y mo d e or S t an dar d mo d e f r om th e to p o f th e Ad va nc ed Co lor p an e . T o ad j us t c olor s i nd i vid uall y, lef t- c li c k a c olo r on th e image an d d r ag u p o r d o w n to alter . Y our c h a n g e s ar e r efl e c ted in th e c olor s li d ers i n Hi g h Quality mo d [...]

  • Page 303

    AC DSe e Pr o 6 U s e r Gu id e S tan dard Sup p or ts p r evio u s ly d eve lop e d i m ages . Ad j u s t c olor s i nd i vid uall y or mak e g lobal adj u s tme n ts.[...]

  • Page 304

    Chapter 6 : E d it M o d e Verti cal sl i d er Ap pl y adj u s tme n ts to the entir e i ma g e . A s li d e r on th e l eft h a s th e f o ll o wi n g eff ec ts on th e ta b s : S atu rat i o n : Ad ju s ts f r om s atur atio n to g r ay s c ale. Bri g h tn ess : Ad ju s ts th e li g ht or d ar k tones i n the image. Hu e : Ch a n ges to a d i ff [...]

  • Page 305

    AC DSe e Pr o 6 U s e r Gu id e In di vi dual col or sl i d ers Ad ju s t each c olo r w ith in d ivid u al s l id er s . Se lec t the c olo r yo u w a n t to adj u s t and c l ic k and d r ag th e s li d e r s . Y ou c an als o enter a n umb er in to th e f ield s f o r p r ec is e ad ju s tme n ts . Di rect i mag e adjustmen t s Pla c e your c u [...]

  • Page 306

    Chapter 6 : E d it M o d e T h e Sp li t T one too l g i ve s yo u c r eative c ontr ol ov er th e Hu e and Satur atio n of yo u r h ig h li gh ts an d s h adows . U s e th e s li d e r s to ad j us t the b a lan c e of to n es i n th e h ig h lig h ts and s h adow s of yo u r p h o to s . Sp lit to n in g all o w s yo u to ad d a c r eat ive eleme[...]

  • Page 307

    AC DSe e Pr o 6 U s e r Gu id e 3 . Do one of th e f ollowi n g: Clic k App l y to ap p ly your c h a n ges . Clic k D on e to ap p ly yo u r c h ang es and c l o s e th e too l. Clic k C an cel to d i s c a r d all c h ang es and c l o s e th e too l. Clic k Reset to c lear yo u r c h ang es and r es et to d ef a u lt s ettin g s . If you s ave d [...]

  • Page 308

    Chapter 6 : E d it M o d e 1 . In E d it mo d e, i n th e Co lor g r oup , c l ic k C onv ert to Bl ack & Wh i t e . 2 . Do any of th e f o ll o w in g : Dr ag th e Pe r cen t Red s l id er to th e l eft or r ig h t. T h e mo r e r ed th e r e i s in a p ixel, th e mo r e ef f e c t th e r ed s li d e r h a s on th a t p ixel. T h e ar ea of r [...]

  • Page 309

    AC DSe e Pr o 6 U s e r Gu id e I n View mo d e, c l ic k Tools | Mod i f y | C h an g e C olor D ep th , an d s elec t one of th e op tions d es c r i bed b elow. C olor dept h opt i o ns Bl ack an d Wh i t e T w o -color b lac k and w h ite p a lette 1 6 G rays 1 6-c olo r g r ays c a le p alet te 2 5 6 G rays 2 56 -color g r ay s c ale p alette [...]

  • Page 310

    Chapter 6 : E d it M o d e Th e c o lor g r id s I n th e top l e f t c or n e r th e r e i s a f ixed g r i d of Basi c c olors to c h oo s e f r om , in c l ud i ng g r ay , b lac k, an d w h ite in th e las t thr ee b ox es . Be low i t i s a g r i d of Cus tom c olors that you c an f il l in b y c r ea tin g a c u s tom c olor , an d th en c l [...]

  • Page 311

    AC DSe e Pr o 6 U s e r Gu id e Amo u n t Sp e c if ies th e am oun t of s h a r p eni ng app l ied b y in c r ea s in g c ontr as t ar o u nd th e ed g es. Rad i u s Co ntr ols th e n u mber of p ixels to ad j us t ar oun d each ed ge. H ig h e r va lu es i nc r ea s e the n u mber of s h a r p ened p ixels and ten d to b r in g out c oa r s er d [...]

  • Page 312

    Chapter 6 : E d it M o d e G au ss i an Prod uc es an ev en, s mo o th b lu r . Amo u n t Sp e c if ies th e am oun t of b lu r . Move the s l id er to th e r ig h t to in tens i f y th e ef fec t. L in ear Prod uc es a b lu r r i ng ef fec t th a t g i ve s th e i llu s i o n of mo ve me n t. Amo u n t Sp e c if ies th e am oun t of b lu r . Move [...]

  • Page 313

    AC DSe e Pr o 6 U s e r Gu id e Ab o ut Noise an d Noise Re duct ion I ma g e n o is e l o ok s li ke r and om b lac k, w h ite, or c olo r ed p i xe ls i n an ar ea of a p h oto w h er e th er e s h oul d b e s olid c olo r , s u c h as a d ar k n ig h t s ky. In d ig i ta l p h o to g r aph y, n o is e i s typ ic ally mo r e vi s ib le i n th e d[...]

  • Page 314

    Chapter 6 : E d it M o d e 4 . Do one of th e f ollowi n g: Clic k D on e to ap p ly yo u r c h ang es and c l o s e th e Re mo ve Nois e too l. Clic k C an cel to d i s c a r d all c h ang es and c l o s e th e too l. Clic k Reset to c lear yo u r c h ang es and r es et to d ef a u lt s ettin g s . If you s ave d your c h ang es , you c ann ot r e[...]

  • Page 315

    AC DSe e Pr o 6 U s e r Gu id e Clic k Reset to c lear yo u r c h ang es and r es et to d ef a u lt s ettin g s . If you s ave d your c h ang es , you c ann ot r es et your s ettin gs . I f yo u w ant to d i s c a r d onl y th e E d it s ettin g s , s elec t Fi l e | R estore t o Dev el op ed . Ad d Noise op t i on s In t en si ty Sp e c if ies th [...]

  • Page 316

    Chapter 6 : E d it M o d e 4 . Do one of th e f ollowi n g: Clic k D on e to ap p ly yo u r c h ang es and c l o s e th e too l. Clic k C an cel to d i s c a r d all c h ang es and c l o s e th e too l. Y ou c an als o type a n umb er in to th e n u mber b ox an d i nc r eme n ta ll y mak e p r ec is e ad j us tments . Y ou c an r ig h t- c lic k a[...]

  • Page 317

    Chapter 7 : Onl in e Mod e C hap te r 7 : On li ne Mod e For h elp w ith ACDS ee Onl in e.c o m, c li c k th e AC DS eeO nl i n e. co m tab, th en c l ic k H el p . Y ou c an u s e Onl in e mode to u pl o ad yo u r images to AC DSe eO n lin e.c om , an image s h ar in g and s tor a g e s er vic e av ailab le to ACDS ee Pro u s e r s . W i th On lin[...]

  • Page 318

    AC DSe e Pr o 6 U s e r Gu id e Y ou c an u s e th e On lin e mo d e to u p loa d yo ur i ma g e s to ACDS ee Onl in e . c o m, an image s h ar in g and s tor a g e s er vic e av ailab le to ACDS ee Pro u s er s . W i th the On lin e mo d e and ACD See O n lin e.c om, you c an u p load an d b r ows e th r oug h yo u r onl in e i m ages w ith o u t [...]

  • Page 319

    Chapter 7 : Onl in e Mod e 1 . In Onl in e mode, c l ic k L og i n . 2 . Log in to yo u r ac c o u nt. 3 . Clic k U p l oad to s w i tch to T r ans f er . Y our s c r een s p l its in tw o, w ith th e b otto m p art of the s c r ee n d i s pl ay in g images on yo u r c ompu ter, and the top p ar t of the s c r een r ep r es e n tin g your images[...]

  • Page 320

    AC DSe e Pr o 6 U s e r Gu id e 3 . Clic k th e Tran s f er tab . 4 . In th e Fold er s p a n e in th e b o tto m h alf of th e s c r ee n , r i gh t- c li c k a f old e r and s elec t S et as S yn c to W eb Fol d er . 5 . In th e Set u p Sync to W eb f o ld er d ialog b o x, s et th e op tions as d es c r ib ed b elow. 6 . Clic k OK . Y ou c an al[...]

  • Page 321

    Chapter 7 : Onl in e Mod e I n AC DSe eO n lin e.c om and T r an s fer , yo u c an c r eate f old ers an d ma ke th e m p r i va te or p u b lic . W h en you ma ke a f old e r p u b lic , anyone c an f in d and s ee th e i m ages in th at f o ld er . Y ou c an als o c op y th e U RL f o r yo u r p u b lic f old er s and s h are the U RL w ith s om [...]

  • Page 322

    AC DSe e Pr o 6 U s e r Gu id e AC DSe eO nl in e.c om is als o a s to r age s er vic e f o r AC DSe e Pr o u s er s . Y ou c an d o w nl o ad yo u r i m ages f r o m yo u r ACDS ee Onl in e .c om acc oun t to yo u r c ompu ter at any ti m e. To do w n l oad y our i mag es: 1 . In Onl in e mode, c l ic k L og i n . 2 . Log in to yo u r ac c o u [...]

  • Page 323

    Chapter 8 : Opti o ns and c on fi gu r ation C hap te r 8 : Op ti on s an d con fi gurat ion Se tting the G eneral Opt ions Y ou c an ad j us t s etting s i n th e Opti o n s d ialog b ox to d is p lay h elp f ul tip s , s et th e f o r ma t f o r d at e d i s pl ay s , s et au to m atic r ota te option s , an d c on trol th e d i s p lay of c er t[...]

  • Page 324

    AC DSe e Pr o 6 U s e r Gu id e To set M an ag e mod e op t ion s: 1 . In M a n a g e mo d e, c l ic k Tools | Opti on s . 2 . In th e Op tions d ialog b ox , c li c k Man age Mode . 3 . On th e Manag e mode p age, s et or c h a n g e th e op tio n s as d esc r ib ed b elow. 4 . Clic k OK to ap p ly your c h a n g e s an d r etur n to AC DSe e. M a[...]

  • Page 325

    Chapter 8 : Opti o ns and c on fi gu r ation In cl u de f i l e n ames Se ar c hes f o r f il e and f old e r n a me s th at b egi n w ith th e s ea r c h ter m. In cl u de categor i es Se ar c hes f o r c ate g ori es th at ma tc h th e s ea r c h ter m, an d r etu r ns any f il es as s ig n ed to th o s e c ate g o r ies . Sub c ategor ies ar e n[...]

  • Page 326

    AC DSe e Pr o 6 U s e r Gu id e Fi l e L i st Au tomati cal l y sel ect n ew f i l es Autom atic ally s elec ts n ew f iles w h en th ey ar e add ed to the f o ld er d is p layed i n th e Fil e L is t p ane. G ro u p arch i ves wi th f ol d ers T r ea ts ar c h ive f il e s as f o ld er s w h en s or tin g i te ms in th e Fil e Li s t p ane. U se e[...]

  • Page 327

    [...]

  • Page 328

    AC DSe e Pr o 6 U s e r Gu id e In f orm ati on Fi l e n ame Dis p lays th e n a me of ea c h f il e on th e th u m b nail i n th e Fi le Li s t p ane. C h o ose Th u mb n ai l In f o Open s a d i a log b ox w h e r e yo u c an s elec t th e in f o r ma tion to d i s pl ay on ea c h th umb n a il in th e Fil e Li s t p an e . C h o ose Ti l es I nf[...]

  • Page 329

    Chapter 8 : Opti o ns and c on fi gu r ation Se tting the T h umb na il Sty le Opt ions Y ou c an u s e th e Op tions d ialog b o x to c h a n g e h o w th e th umb nail s of i m ages d is p l a y in th e Fil e L is t p a n e. T h es e o p tions ar e s et u nd er Fi l e L ist | Th u mb n ai l S ty l e . To adj u st t h e Th u mb n ail S t yl e op t[...]

  • Page 330

    AC DSe e Pr o 6 U s e r Gu id e S h ow grid l i n es Se p arates ea c h r ow and c olu mn i n Deta il s view mo d e w ith a g r id li n e . Fu l l row sel ect Se lec ts th e enti r e r ow w hen you c l ic k a c olu mn en try in th at r ow. C olu mn a ut o-wi d th Autom atic ally r es iz es each c olumn to f it its c on te n ts. Hi gh li gh t sor t [...]

  • Page 331

    Chapter 8 : Opti o ns and c on fi gu r ation Se tting the Fold e r s Pa ne Op tion s Y ou c an c u s tom iz e th e Fold er s p an e b y s h o w in g or h id in g th e E a s y- Se lec t b ar , d is p l a yin g ar c hi ve s , an d i den tif yin g ex c lu d ed f o ld er s . To cu s t o mi z e t h e F olders pan e: 1 . In M a n a g e mo d e, c l ic k T[...]

  • Page 332

    AC DSe e Pr o 6 U s e r Gu id e C ategor y del eti on C onf i rm i f catego ry h as a s sign ed f i l es Prompts yo u f or c onf ir ma tion w h e n d eletin g a c ate g o r y w ith as s ig n ed f iles . C onf i rm i f catego ry h as su b-cat eg ories Prompts yo u f or c onf ir ma tion w h e n d eletin g a c ate g o r y c ontain in g s u b - c ate g[...]

  • Page 333

    Chapter 8 : Opti o ns and c on fi gu r ation Dat e t ypes Dat abas e date So r ts f iles i n th e Ca lend ar p ane b as ed on th e d ate s tor e d i n th e AC DSe e Pr o d a tabas e . Dat e t aken So r ts f iles i n th e Ca lend ar p ane b as ed on th e E XI F d ate of ea c h item. Fi l e mod i f i ed date So r ts f iles i n th e Ca lend ar p ane b[...]

  • Page 334

    AC DSe e Pr o 6 U s e r Gu id e Se tting the Pr o pert ie s Pan e Opt ions Y ou c an u s e th e Op tions d ialog b o x to c u s to miz e th e i nf or m atio n ava ilab le on th e M e tadata tab in th e Pr o p e r ties p ane. To cu s t o mi z e t h e M etadata t ab i n t h e P ro p erti es p an e: 1 . In M a n a g e mo d e, c l ic k Tools | Opti on [...]

  • Page 335

    Chapter 8 : Opti o ns and c on fi gu r ation Overwrit i n g du p l i cate f i l es As k Prompts yo u f or c onf ir ma tion w h e n ov er wr i tin g d u p lic ate f il es. Ren ame Autom atic ally r es olve s an y n am in g c onf li c ts w hen mo vin g or c opyin g f iles b y r enaming th e s our c e f il e s . In th e S eparator characte r f ield , [...]

  • Page 336

    AC DSe e Pr o 6 U s e r Gu id e 3 . On th e Co lor M a n a g em ent p ag e , s et or c h ang e an y of th e option s as d esc r ib ed b elow. 4 . Clic k OK to ac c ep t your c h a n g e s an d r etu r n to ACDS ee . C olor M a n a g em ent opt i o ns En ab l e En ab l e C olor Man agem en t Ac tiva tes th e c olor manag e me n t s ys te m i n AC DS[...]

  • Page 337

    Chapter 8 : Opti o ns and c on fi gu r ation I n View , Dev elo p , and E d it M o d e , th e s h o r tc u t [ to g g les So f t Pr o ofi ng on an d off . So me Soft Pr o ofin g menu i te ms ar e als o av ailab le th r oug h View, Deve lop, and E d it Mod e . U n d e r Vi ew | S of t P ro of i n g , s elec t your Re n d e r in g In te nt or w h eth[...]

  • Page 338

    AC DSe e Pr o 6 U s e r Gu id e Dat abas e l ocati on Sp e c if ies th e l o c at ion on yo u r h ar d d r ive to s to r e th e ACDS ee Pr o d at abas e. Clic k th e Brow se b u tto n to l o c ate a f old er. Di splay backu p remin der Autom atic ally r emin ds yo u to b ac k u p yo u r ACDS ee Pro d ata b a s e. Clic k th e Every d r op - dow n l [...]

  • Page 339

    Chapter 8 : Opti o ns and c on fi gu r ation Decodin g an d cach i n g D ecod e n ext i mag e i n advan ce Autom atic ally d ec o d es th e n e xt i m age in s eq u e n c e i n Vi e w mo d e, r es ul tin g in s h o r ter l o ad ti m es . Keep pr evi ou s i mage i n memo ry Ke eps th e p r evio u s ly d ec o d ed i ma ge in mem o r y f o r q u ic k [...]

  • Page 340

    AC DSe e Pr o 6 U s e r Gu id e Zo om op ti on s Def au l t zoo m mod e Sp e c if ies th e d efau lt z oo m l e vel f or i m ages in View mo d e. Res et zoom mod e to def au lt on ev ery i mag e ch an ge Re s ets th e z oo m mo d e to the s elec te d d ef a u lt w h en th e d is p layed i m age c h a n g e s . Res i ze Re s iz es th e i ma g e b as[...]

  • Page 341

    Chapter 8 : Opti o ns and c on fi gu r ation Ed i t S h ow i con s i n edi t p an e : Dis p l a ys i c o n s n ex t to th e to ols in E d it. Dev el op En ab l e f ast i mag e sw i tch i n g f or RAW f i l es i n D evel op : E n a b les f ast image s w itc h i ng f o r RA W and other n o n -e nc od a b le f iles i n Deve lop s o th a t w hen yo u s[...]

  • Page 342

    AC DSe e Pr o 6 U s e r Gu id e Se tting the A C DSe e Show r o om Optio ns Y ou c an c u s tom iz e th e ACD See Sh o w r o om d esktop s l id es how in a n u m b er of w ay s , i nc l ud i ng c h ang in g th e s l id e d u r a tion, or d e r , and tr ans iti o n o r c h a n g in g th e f r am e opac ity, s iz e, an d f r am e s tyle. To cu s t o [...]

  • Page 343

    Chapter 8 : Opti o ns and c on fi gu r ation Se tting the A C DSe e Q uick View O ptio ns Y ou c an c u s tom iz e AC DSe e Qu ic k View i n a n umb er of w ay s , i nc lu d in g d i s pl ay in g Qui c k View on top of an y op en w in d o w s , d is p l a yin g Qui c k vi e w at f u ll s c r ee n , or ev en c h ang i ng th e b ac kgr oun d c olo r [...]

  • Page 344

    AC DSe e Pr o 6 U s e r Gu id e Image qu al it y Dr ag th e s li d e r to d ete r mine th e q u ality of th e J P EG i m age. En co d i n g Prog ress i ve : Selec t to en a b le p r o g r es s ive en c o d in g . Opti mize H u f f man co d es : Selec t to op timiz e H uf f ma n c od es to i nc r eas e c om p r ess ion. C olor com po n en t samp li [...]

  • Page 345

    Chapter 8 : Opti o ns and c on fi gu r ation Au to - hid ing Panes and Pa nel s Y ou c an u s e th e Au t o Hi de b u tto n to autom atic ally h id e s ome p an e s and p anels i n AC DSe e. W h e n a p ane i s s et to auto- hi d e , i t r olls away w h e n yo u c li c k o u ts id e of i t, l ea ving a tab d i s p lay ed . Y ou c an ac c es s th e [...]

  • Page 346

    AC DSe e Pr o 6 U s e r Gu id e Cu sto m izing to o lb ar c o n ten ts Y ou c an c u s tom iz e th e f ollowi ng to o lb ar s : I n Man a g e mo d e: T h e M a in too lb ar and th e Fi le L is t too lb ar . I n View mo d e: T h e Bo tto m too lb ar . Y ou c an ad d , r emo ve , an d r earr an g e b uttons on th ese to olb a r s . Y ou c an als o d [...]

  • Page 347

    Chapter 8 : Opti o ns and c on fi gu r ation To reset t h e t oo l b ars : 1 . Dis p l a y th e Cus tom iz e d i a log b ox . 2 . Clic k th e Too l bar s tab , an d th en c l ic k Reset Al l . 3 . Clic k Ye s to r es et th e to olb a r s . 4 . Clic k C l os e . C us to mizin g the To o ls Panes Y ou c an r es iz e, mo ve , and d oc k th e Deve lop [...]

  • Page 348

    AC DSe e Pr o 6 U s e r Gu id e 1 . Clic k th e T oo lb ar d r o p - d o w n ar r o w ( to th e r i g ht of th e Ext ernal Ed i tors me n u op tion) an d s elec t Add or Remove Bu tt ons | C u stomize . 2 . In th e Cu s to miz e d ialog b o x, i n th e C om man d s tab , s elec t Extern al Ed it ors f r om th e Cat eg o r y l is t. 3 . Clic k and d[...]

  • Page 349

    Chapter 8 : Opti o ns and c on fi gu r ation So me c omm and s , s u c h as Op en and Co p y, ar e av ailab le i n b oth M a n a g e mode and View mo d e . Y ou c an u s e th e s ame keyboa r d s h o r tc u t f or th es e c omm a n d s i n M a n a g e mode and th e View mo d e, or you c an d ef in e d if f er e n t s h ortc u ts f or th es e c omm [...]

  • Page 350

    Chapter 9 : Shor tc uts C hap te r 9 : Sh o rtcuts Ma na ge Mo de Key bo ar d Shor tcuts Y ou c an u s e th e f ollowi ng key b o ar d s h ortc u ts w h il e w or k in g i n M a n a g e mo d e. T h e r e ar e als o s h o r tc u ts th at c an b e u s ed s p ec if ic ally in th e Ca lend ar p an e . T o p r in t th is p age f o r ea s y r efer enc e,[...]

  • Page 351

    AC DSe e Pr o 6 U s e r Gu id e Th i s shortcu t Has th is r es u lt ( bac kslash ) T ags or u ntag s th e image. ` ( gr ave a c cen t) T ogg les i ma g e au d io on or off . ALT + L EFT ARROW Re tur n s to th e p r ev iou s f old e r yo u b r ow s e d i n th e F ile Li s t p an e . ALT + RI GH T AR ROW Re tur n s to th e f o ld er yo u l a s t m[...]

  • Page 352

    Chapter 9 : Shor tc uts C TR L + J Open s th e Bat c h Ro ta te / Flip Im ages d ialog b ox . C TR L + K Pla c es th e c u r s o r in the Key w o r d s f ield of th e Or gan iz e tab in th e Prop erti e s p ane. C TR L + L Open s th e Bat c h Ad ju s t E xp o s ur e d ialog b o x. C TR L + M Open s th e Man a g e M e tadata Pr e s ets d ialog b o x[...]

  • Page 353

    AC DSe e Pr o 6 U s e r Gu id e C TR L + S HI FT + L Open s or c l o s es th e Se lec tive Br ows i ng p ane. C TR L + S HI FT + M Open s or c l o s es th e Map p ane. C TR L + S HI FT + O Open s th e f il e u s in g the s ys tem ap pl ic ation as s oci at ed w ith its f il e ext ens i o n . C TR L + S HI FT + P Open s or c l o s es th e Preview p [...]

  • Page 354

    Chapter 9 : Shor tc uts S h or t c u t Res u l ti n g act i o n Dou ble- cli ck Open s th e s elec ted image i n Vi e w mo d e. Righ t- cli ck Open s th e Man a g e mo d e c ontext me n u. S HI FT + c l i ck Se lec ts a g r oup of i ma g e s . C l ick + dr ag Se lec ts a g r oup of i ma g e s . Be s u r e to c l ic k on a b l a n k ar ea of the s c[...]

  • Page 355

    AC DSe e Pr o 6 U s e r Gu id e S h or t c u t Res u l ti n g acti on ( bac kslash ) T ags or u ntag s th e i ma g e . = ( eq u al sign ) I n c r ea s es the magn i fi c a tion of th e c u r r ent i m age (z oo ms i n) . ` ( gr ave a c cen t) T ogg les i ma g e au di o on or off . ALT + ENTER Open s or c l o s es th e Pr oper ties p ane. ALT + D [...]

  • Page 356

    Chapter 9 : Shor tc uts S h or t c u t Res u l ti n g acti on C TR L + F Open s the Batc h Co n v er t Fil e For ma t d i a log b ox . C TR L + F 4 Clo s es th e c u r r en t item. C TR L + I NS ERT Co pi es th e s elec ted p o r tion of an image to th e Clip b oa r d . C TR L + J Open s the Batc h Ro ta te/Fli p Im ages d ialog b ox . C TR L + M I[...]

  • Page 357

    AC DSe e Pr o 6 U s e r Gu id e S h or t c u t Res u l ti n g acti on C TR L + S HI FT + T Dis p lays or h id es th e Bot to m too lb ar . C TR L + S HI FT + W Se ts th e s elec te d image as a til ed d es k top w allp aper . C TR L + S HI FT + AL T + W Se ts th e s elec te d image as a c enter ed d es kto p w allp ap e r . C TR L + S HI FT + 1 Cha[...]

  • Page 358

    Chapter 9 : Shor tc uts S h or t c u t Res u l ti n g acti on S HI FT + F3 Ac tiva tes the z oo m too l. S HI FT + HOME Dis p lays th e f ir s t p ag e of th e c u r r en t mul tip le-p age image. S HI FT + INS ERT Pa s te s th e c onten ts of th e Cli pb oa r d . S HI FT + L Open s the f i le u s in g th e s ys tem ap pl ic ation as s oci at ed w [...]

  • Page 359

    AC DSe e Pr o 6 U s e r Gu id e S h or t c u t Res u l ti n g act i o n Dou ble- cli ck Clo s es View mo d e and r etu r ns to th e p r evious m ode. Righ t- cli ck Open s th e View mo d e c ontext me n u. Mi d dle cl i ck T ogg les f u ll s c r een mo d e ( on 3 - b u tto n mo u s e). Wh eel cl i ck T ogg les f u ll s c r een mo d e . Wh eel u p D[...]

  • Page 360

    Chapter 9 : Shor tc uts S h or t c u t Res u l ti n g act i o n ALT + ENTER Open s or c l o s es th e Prop erti e s p ane. B T ogg les th e E d it Br us h on and off in E d it mode. S Shows b r u s h s tr oke s . C TR L + D Open s th e image in Deve lop mo d e . E T ogg les th e expos ur e w ar ni n g on an d off i n Deve lop mode. C TR L + S Sa ve[...]

  • Page 361

    AC DSe e Pr o 6 U s e r Gu id e I f yo u w oul d l ike to d efi ne your o w n key b oa r d s h o r tc u ts , s ee Cus tomiz in g Key b o ar d Sh o r tc uts .[...]

  • Page 362

    Chapter 9 : Shor tc uts S h or t c u t Res u l ti n g act i o n ALT + A Se ts s elec te d f old er as an U p s ync f o ld er . ALT + D Do w nl o ads s elec ted f il e s and f old ers . ALT + ENTER Dis p lays Pr oper ties p ane i n th e low e r s c r een of T r ans f er mo d e . ALT + N um + Gr o u p f or war d f il e s and f old ers i n th e l o w [...]

  • Page 363

    AC DSe e Pr o 6 U s e r Gu id e S h or t c u t Res u l ti n g act i o n Nu m + So r t f o r w a r d f il e s an d f o ld er s i n th e lower s c r ee n of T r an s fer mo d e. Nu m - So r t b ackw ard f il es an d f o ld er s i n th e low e r s c r een of T r ans f er mode. S HI FT + A L T + A Dis p lays ACDS ee Onl in e . c o m mo d e. S HI FT + A[...]

  • Page 364

    Chapter 1 0 : F ile f o r ma ts C hap te r 1 0: F i le form at s Ab o ut R A W File s A RA W f il e is li ke a n egative. RAW f il e s c ontain all of th e d at a th at w a s c ollec ted b y yo u r d ig i ta l c ame r a's s ens or w h en you to ok a p hoto . If yo u tr i ed to view a RAW f il e w ith o u t p r oc e s s in g , i t w o u ld ap p[...]

  • Page 365

    AC DSe e Pr o 6 U s e r Gu id e F o r M ic r o so f t W in d o ws V ista ® o r W in do ws 7® To set f i l e assoc i ati on o pti ons i n ACD S ee: 1 . Clic k Too l s | F i l e Ass ociat i ons | S et F i l e Asso ci ati on s . 2 . Selec t one of the f ollowi ng op tio n s : Al l i mag e f i l e t ypes : Sets AC DSe e Pr o as th e d ef a u lt ap p [...]

  • Page 366

    Chapter 1 0 : F ile f o r ma ts C h o ose def au l ts f or t h i s p rog r am to p i c k and c h oo s e b y f il e typ e . 5 . Clic k OK . 3 48[...]

  • Page 367

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  • Page 368

    Glos s a r y G l o ss ary 3 50[...]

  • Page 369

    AC DSe e Pr o 6 U s e r Gu id e A Ab so l u te C olori m et ric Re nd er in g i n te n t, g ener a ll y u s ed f o r p r oo fi ng . Ba s ed on a d evic e-i nd ep e n d e n t c olor s p ace, r ep r o d u c in g c olors w i thi n th e av ailab le g am u t p er fec tly, an d r ed uc i n g c olors ou ts id e of th e g am u t to th e n ea r es t r ep r [...]

  • Page 370

    Glos s a r y Any op eration or too l, s u c h as r es iz i ng , c onver tin g , or r enamin g, th at c an b e u s ed to ad j us t mul tip le images or f iles s imu ltaneo u s ly. bit Bits ar e s ma ll u n its o f c om p uter me mo r y. T h e c olor d ep th of your image i s c ons tr ain ed b y th e n u mber of b its av ailab le to s tor e c olo r i[...]

  • Page 371

    AC DSe e Pr o 6 U s e r Gu id e color man ag emen t Proc es s of ad ju s tin g your c om p uter s ettin gs s o th a t th e c olor outp u t f r o m your p r in ter match es th e c olor s you s ee on yo u r mo ni to r . color sp ace T h e r e ar e tw o typ es of c olor s p ac e s : d evic e-i nd ep end ent or d evic e-d epen d e n t. A d ev ic e- in [...]

  • Page 372

    Glos s a r y Measu r eme nt of an i m age’s r es olu tio n . For ex am p le, 9 2 DPI me ans 9 2 d ot s h o r iz ontally and 9 2 d ots ver tic ally, w hi c h eq u a ls 8 , 4 64 d o ts p er s q u a r e in c h . Mor e d ot s p er i nc h r es ul t in h ig h er r es oluti o n an d i m age q u ality. dyn amic ran g e T h e d yn a mic r ang e of an imag[...]

  • Page 373

    AC DSe e Pr o 6 U s e r Gu id e I n f is h ey e d i s to r tion, th e p h ot o app ea r s to b u lg e outw ar d s f r om th e c enter , as i f th e p h oto w er e w r app ed a r oun d a s p h ere. G gam ma Ra ng e of c o lor values a moni to r , s c ann er , or p r in ter c an d is p l a y. Ad ju s tin g th is value in c r ea s es or d ec r e as e [...]

  • Page 374

    Glos s a r y jag g i es I n d ivid u a l p ixels d is p laye d i n an i ma g e w ith low r es o lu tion. T h e ap p e ar a n c e of p i x els in an i m age c au s e s li n e s an d c u r ve s to app ear j agg ed . L l en s v ign ett i n g U nu s u a l d ar knes s in th e c or ner s of i ma g e s as a r es u lt of an in abi li ty of the l ens to d i[...]

  • Page 375

    AC DSe e Pr o 6 U s e r Gu id e Mov in g z oo m ed images verti c a ll y, h o r iz on ta lly, an d d iag o n a ll y ac r o s s th e d is p l a y ar ea to view s p ec if ic ar ea s of th e i ma g e . PD F An ac r onym f o r Po r ta b le Docu me n t Format. Y ou c an view PDFs on an y c ompu ter u s in g th e f r ee Ad o b e Rea d er® s oftw a r e. [...]

  • Page 376

    Glos s a r y RA W An i ma ge f ile f o r ma t. RAW f il es c ontain all of th e image d ata that w a s c ap tur ed b y yo u r d ig i ta l c ame r a ' s s en s o r . RAW f il es ar e n o t p r o c es s ed b y yo u r c am er a ; in s tea d , yo u mus t p r o c es s RAW i m ages th r o u gh Deve lop mo d e . recursi ve Prog r a m or tas k th a t [...]

  • Page 377

    AC DSe e Pr o 6 U s e r Gu id e Se p ia- to ned images ar e c om p osed of s h ades of b r own . Many old p hoto g r aph s h a ve a s ep ia tone. sh ar pen T h e s h ar pen too l is f or s h ar pen in g images . T h e ori g in al image is b lu r r ed s li g htl y. T h is b lu r r ed ve r s ion of th e i m age i s s u b tr a c ted f r o m th e or ig[...]

  • Page 378

    Glos s a r y watermar k Ba c kg r o un d text or g r aph ic s ad d ed to an i m age, u s uall y to p r ov id e c op yri g ht p r ote c tion. whi t e bal an ce Re mo v es c olo r c as t to c r ea te a p h o to th at is c o r r ec tly l it. Y ou c an u s e your c am era s ettin g s to ap p ly th e c or r ect w h ite b alanc e b efor e tak in g an ima[...]

  • Page 379

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  • Page 380

    I n d e x In dex 3 62[...]

  • Page 381

    AC DSe e Pr o 6 U s e r Gu id e A AC DSe e d a tabas e 13 2 imp o r tin g p h o tos 14 u s e r in ter fac e 1 acq u ir in g imp o r tin g 1 4 acq u ir in g p h ot os 14 Ad ju s tin g Clar ity 29 7 adj u s tin g p os t- c r o p vig n ett in g 1 93 adj u s tin g s oft f ocu s 1 91 Ad v anc ed Colo r 2 82 arc h ivin g f il e s 9 0 ass ig n in g c ateg[...]

  • Page 382

    I n d e x b a tc h expor t h o w 9 7 b a tc h p r oces s i ng about 9 7 b lac k and w h ite 2 91 b lend mo d e s 26 1 b lu r r in g 2 93 b o r d er 2 25 b r ig h tnes s 26 9 Bur n Ba s ke t 8 6 C Ca lend ar p ane 2 6 Ca ta log p an e c u s to miz in g 3 13 c ata logi ng ass ig n in g r atin g s 43 f iles 3 8 c ata logi ng f iles 1 35 c ate g o r ie[...]

  • Page 383

    AC DSe e Pr o 6 U s e r Gu id e c om m itti ng c h ang es 15 8 c om p a r in g i ma g e s 3 6 c ontac t s h ee ts c r ea tin g 8 9 p r in tin g 9 6 c onverti ng d a tabas es 1 3 5 d esc r ip t. ion f il e s 1 36 images to an o ther f i le f ormat 1 02 to g r ays c a le 2 90 c opyin g f iles 5 7 images 5 8 Crayo n Dr awi ng eff ec t 2 35 c r oo k ed[...]

  • Page 384

    I n d e x d a tabas e about 1 32 add i ng i nf ormatio n to 5 2, 5 4 b a c kin g u p 1 38 c ata logi ng f iles 1 35 c onverti ng 1 35 d esc r ip t. ion f il e s 1 36 ex c lu d in g f old ers 1 3 4 ex p o r tin g 1 3 7 imp o r tin g 1 36 ke ywor d s 5 5 ma in ta in in g 1 4 1 optimiz i ng 1 41 option s 3 19 q uar anti ni ng f iles 14 2 r ebu i ld in[...]

  • Page 385

    AC DSe e Pr o 6 U s e r Gu id e Li g htin g g r oup 1 83 Nois e Redu c tion g r oup 1 9 6 Outp u t Co lor Sp a c e g r oup 1 94 Pe r s p ecti ve g r o u p 2 00 Po s t- C r o p Vig n ette g r oup 1 9 3 p r es e ts 1 71 Re d E ye Redu c tion 2 0 4 Ro ta te & Str aig h te n g r oup 1 99 Shar p enin g g r oup 1 9 5 So f t Foc us g r o u p 1 91 Sp l[...]

  • Page 386

    I n d e x p lu g - in s 15 d is p lay th em e 3 0 6 , 3 3 1 d o w nl o adi ng p hoto s f r o m a CD 2 0 p hoto s f r o m a d ig i ta l c am er a 1 5 p hoto s f r o m a mo b ile p h o n e 2 2 p hoto s f r o m a s c ann er 2 1 p hoto s in ACDS ee 14 d ual mo ni to r s mo ving th e p an e s 5, 3 5 Dup l ic ate Fin d er 7 3 DVD c r ea tin g 8 6 s ettin[...]

  • Page 387

    AC DSe e Pr o 6 U s e r Gu id e Re s iz e 2 6 6 Ro ta te 2 62 Se lec tions 21 4 Shar p en 29 2 T ex t 2 20 , 2 23 T one Cu r ve 2 7 2 Vig n e tte 2 2 9 W ate r ma r k 22 4 E di t mo d e 9 E di t mo d e , Deve lop mode 9 edi tin g add i ng n ois e 29 6 add i ng text 2 20 , 2 23 b lu r r in g 2 93 b r ig h tnes s 2 69 c lar ity 2 9 7 c loni n g 21 9 [...]

  • Page 388

    I n d e x r ot ating 2 62 s h a r p en 29 2 s p ec ial ef fec ts 2 3 1 to n e c u r ve 2 7 2 to olb a r s 3 27 eff ec ts about 2 31 Ba thr oo m W i nd ow 2 31 Blin d s 2 32 Blu r 2 43 Bul g e 2 32 c ollag e 23 3 Co lored E d g e s 23 4 Co ntour s 2 35 Crayo n Dr awi ng 2 3 5 Cros s h a tc h 2 36 Da u b e r 2 36 E dg e Dete c t 2 37 E m b o s s 2 37[...]

  • Page 389

    AC DSe e Pr o 6 U s e r Gu id e Rip p le 2 4 8 Sc a ttered T i les 24 9 Se p ia 2 50 Sheet Meta l 2 50 Shi ft 2 51 Slant 2 52 So b el 25 2 So lar iz e 2 5 3 Sta in ed Glas s 25 3 Sun s p ot 2 54 Swi r l 2 55 T h r e s h o ld 25 5 T opogr aph y 25 6 u s e r d efi ned 2 6 1 Vig n e tte 2 2 9 W ate r 2 57 W ate r Dr ops 2 57 W av es 25 8 W ea ve 2 59 [...]

  • Page 390

    I n d e x Fil e Li s t p an e c u s to miz in g 3 07 f ilter in g f il es 3 1 f ul l s c r een 2 5 s etting Deta ils View op tio n s 31 1 s etting Fil e L is t opti o ns 3 07 s etting th umb nail d is p lay opti o ns 3 09 u s in g 2 4 views 3 0 f iles arc h ivin g 90 ass oci a tin g w ith AC DSe e 34 6 c ata logi ng 38 c ata logi ng in th e d ata b[...]

  • Page 391

    AC DSe e Pr o 6 U s e r Gu id e mul tip le p h o to s 1 03 f o c u s 1 91 f o ld er s b r o w s in g 25 ex c lu d in g f r om d a tabas e 1 3 4 mo b ile p h o n e 2 2 p a s tin g 5 8 r enaming 5 9 s ync h r oni z in g f il es 6 5 s ync h r oni z in g i n Vi e w mo d e 1 47 Fold e r s p an e option s 3 13 u s in g 2 5 f o o ter in View mo d e 1 4 6 [...]

  • Page 392

    I n d e x h is togr am 2 90 h o me f old er 3 06 HSL 2 82 HT ML alb u m 8 7 I I ma g e Ba s ket 3 8 I ma g e W ell 7 4 images add i ng aud i o 15 5 c om p a r in g 36 c onverti ng to an o ther f or m at 1 02 c opyin g 58 d ev elo p in g 16 7 d ev elo p in g a b at c h of f il e s 12 9 d o w nl o adi ng 14 em aili ng 76 ex tr acti ng f r o m vid eo [...]

  • Page 393

    AC DSe e Pr o 6 U s e r Gu id e f r o m a s c ann er 2 1 I PT C add i ng IP T C in f o r ma tion 5 2, 5 4 r em ov in g IPTC ke ywor d s au to c ategor ies 6 3 viewi ng 4 9 J JPE G opti o n s 3 25 K ke yb o a r d s h o r tc u ts c u s to miz in g 3 30 Manag e mode 3 3 2 View mo d e 33 6 L lab e ls ass ig n in g 4 6 li g ht levels 27 0 li s tin g f i[...]

  • Page 394

    I n d e x Se ar c h p ane 6 7 Se lec tive Br ows i ng p ane 70 u s in g 3 views 3 0 Map p ane u s in g 5 1 me ta d ata r em ov in g meta d a ta 6 2 Mi r r o r eff ec t 2 40 mo b ile p h o n e 22 mo d e s s w itc h in g 3 mo us e s h o r tc u ts 3 4 0 mo ving f iles 5 7 Manag e mode p anes 3 mul tip le images adj u s tin g expos u r e 10 6 r enaming[...]

  • Page 395

    AC DSe e Pr o 6 U s e r Gu id e p r ivacy s ettin g s 3 02 r ating s ys tem 3 0 3 u pl o adi n g images 1 1 optimiz i ng th e d ata b a s e 1 41 option s AC DSe e Qu ic k View 14 9 Ca lend ar p ane 31 4 Ca ta log p an e 3 13 c ontac t s h ee t 9 6 d a tabas e 3 1 9 f ile ma n a g em ent 3 16 Fold e r s 3 1 3 g ener a l 3 0 5 Manag e mode 3 0 5 Prev[...]

  • Page 396

    I n d e x p hoto d i s c s 1 48 Photo Re p a ir too l 2 19 p hoto s 2 3 3 p in c u s hi o n d is tor tio n 2 65 Pixe l E xpl o s ion eff ec t 2 44 p ixel r es i ze op tio n s 2 6 7 Pixe late ef fec t 2 45 p lu g - in s about 1 42 ma nag in g 1 43 viewi ng p r oper ties 1 44 p o lar oid 2 33 Po s te r iz e eff ec t 2 46 Preview p an e c u s to miz i[...]

  • Page 397

    AC DSe e Pr o 6 U s e r Gu id e r ating s ass ig n in g 4 3 RA W images b r o w s in g 30 d ev elo p in g 16 3 r em ov in g d eve lop s ettin gs 1 71 viewi ng 14 5 r ec o r d in g i m age au di o 15 5 r ed eye r ed uc ti o n 20 4 , 2 18 r em ov ea b le d ev ic es 15 r enaming f ile or f o ld er 5 9 mul tip le f il e s 10 8 w hi le g ettin g p h oto[...]

  • Page 398

    I n d e x s h a r in g 82 Se ar c h p ane 67 s ea r c h in g f ile n am e p at ter ns 70 f o r d u pl ic ate f iles 7 3 I ma g e W ell 7 4 Qui c k Searc h b ar 66 s etting Qui c k Se ar c h opti o ns 3 06 w ild c ar d s 7 0 w ith ACD Se e 6 6 w ith th e Sea r c h p ane 6 7 s ec o n d mo n ito r mo ving th e p an e s 5, 3 5 s elec tin g f iles 3 4 p[...]

  • Page 399

    AC DSe e Pr o 6 U s e r Gu id e s h o r tc u ts Manag e mode 3 3 2 mo us e 3 40 View mo d e 33 6 Slant eff ec t 2 5 2 s li d e s h o w s auto ad v anc e 1 4 5 c onf ig u r in g 79 s h a r in g 82 So b el ef fec t 2 52 s oft f o c u s 1 91 So lar iz e eff ec t 25 3 s orti ng f iles 3 3 s oun d add i ng to images 1 54 r ec o r d in g 1 5 5 Sta in ed [...]

  • Page 400

    I n d e x add i ng to p ages ( p r in tin g ) 9 5 b lend mo d e s 26 1 d is p layin g o n i m ages in View mo d e 1 46 li s ts of f iles 1 38 theme c olo r 3 06 , 3 3 1 T h r e s h o ld eff ec t 2 55 thu mb nail s r ebu i ld in g 1 42 s etting d is p l a y opti o n s 30 9 s etting r atio op tions 3 1 1 views 3 0 timestamp 6 3 timestamps 6 3 to olb [...]

  • Page 401

    AC DSe e Pr o 6 U s e r Gu id e c u s to miz in g 3 20 d is p layin g tex t 1 46 f ul ls c r een mo d e 7 h is togr am 2 90 ke yb o a r d s h o r tc u ts 33 6 ma g ni fyi ng g l a s s 1 62 mo us e s h o r tc u ts 3 4 0 n a vig at or 1 6 1 p a n ni n g 16 1 s etting d is p l a y opti o n s 32 1 s etting z oo m leve l 1 59 s ync h r oni z in g to a f[...]