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Acesonic KM-360 manual

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Table of contents for the manual

  • Page 1

    P r o f e s s i o n a l D S P K a r a o k e M i x e r K M - 3 6 0 U S E R ’ S M A N U A L v 2 w w w. a c e s o n i c . c o m C A U T I O N : T o a s s u r e t h i s p l a y e r w i l l w o r k a t i t s b e s t , p l e a s e r e a d t h i s u s e r ’ s m a n u a l c a r e f u l l y b e f o r e o p e r a t i o n a n d k e e p f o r f u t u r e r[...]

  • Page 2

    RISK OF ELECTRIC SHOCK DO NOT OPEN C A U T I O N C A U T I O N : TO R E D U C E T H E R I S K O F E L E C T R I C S H O C K . D O N O T RE M O V E C O V ER ( O R B A C K ) . T h e l i g h t n i n g f l a s h w i t h a r r o w h e a d s y m b o l , w i t h i n a n e q u i l a t e r a l t r i a n g l e i s i n t e n d e d t o a l e r t t h e u s e r [...]

  • Page 3

    1 5 . T h i s p r o d u c t s h o u l d b e o p e r a t e d o n l y f r o m t h e t y p e o f p o w e r s o u r c e i n d i c a t e d o n t h e m a r k i n g l a b e l . I f y o u a r e n o t s u r e o f t h e t y p e o f p o w e r s u p p l y t o y o u r h o m e , c o n s u l t y o u r p r o d u c t d e a l e r o r l o c a l p o w e r c o m p a n [...]

  • Page 4

    Ta b l e o f C o n t e n t s 1 . F e a t u r e s - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - P a g e 2 ~ 3 2 . R e m o t e C o n t r o l - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - P[...]

  • Page 5

    F E A T U R E S  F e e d b a c k E l i m i n a t o r - K M - 3 6 0 ' s r e a l - t i m e f e e d b a c k e l i m i n a t o r p r o c e s s o r w a s d e s i g n e d t o p r o v i d e s t a t e - o f - t h e - a r t f e e d b a c k e l i m i n a t i o n p r o c e s s i n g , w h i l e m a i n t a i n i n g a s i m p l e c o n t r o l i n t e[...]

  • Page 6

    F E A T U R E S  S / P D I F D i g i t a l I n p u t - K M - 3 6 0 h a s a c o a x i a l i n p u t t o c a r r y d i g i t a l a u d i o s i g n a l s f r o m y o u r p l a y e r t o t h e m i x e r . U s i n g t h e S / P D I F c o n n e c t o r , y o u c a n s e n d t h e p u r e s t a u d i o s i g n a l t o t h e m i x e r w i t h o u t a n [...]

  • Page 7

    B e f o r e O p e r t a t i o n B a t t e r i e s i n s t a l l a t i o n o f R e m o t e C o n t r o l R e m o t e C o n t r o l u s a g e : R e m o t e c o n t r o l w i l l s e n d o u t a n I R s i g n a l a s a c o m m a n d t o c o n t r o l K M - 3 6 0 . P l e a s e a l w a y s f a c e t h e f r o n t p a n e l o f K M - 3 6 0 w h e n u s i [...]

  • Page 8

    R e m o t e C o n t r o l P r e s e t M e m o r y B u t t o n # 1 & # 3 P r e s e t M e m o r y B u t t o n # 2 & # 4 M u t e B u t t o n I n p u t S e l e c t i n g B u t t o n F e e d b a c k E l i m i n a t i n g B u t t o n . T h e r e a r e 3 d i f f e r e n t e f f e c t l e v e l a n d O F F t o t u r n t h e e f f e c t o f f. K e y[...]

  • Page 9

    F r o n t P a n e l V i e w [ 1 ] M i c r o p h o n e Vo l u m e C o n t r o l - f o r # 1 & # A ( r e a r ) [ 2 ] M i c r o p h o n e Vo l u m e C o n t r o l - f o r # 2 & # B ( r e a r ) [ 3 ] M e m o r y - U s e t h e s e b u t t o n s t o r e c a l l p r e s e t e f f e c t s e t t i n g s , t o s a v e p r e f e r r e d e f f e c t s [...]

  • Page 10

    R e a r P a n e l V i e w 1 2 3 5 6 7 8 9 12 1 3 14 15 17 18 4 16 1 0 1 1 [ 1 ] M a i n P o w e r S w i t c h [ 2 ] P o w e r p l u g ( A C 1 1 0 V / 5 0 H z ) [ 3 ] R s 2 3 2 P o r t - To c o n n e c t t o c o m p u t e r , a n d u s e s o f t w a r e ( s a l e s e p a r a t e l y ) t o c o n t r o l K M - 3 6 0 . [ 4 ] E x t r a R e m o t e S e n[...]

  • Page 11

    S y s t e m S e t u p F r o n t L e f t / R i g h t S p e a k e r s E x t e r n a l I R S e n s e r P r o f e s s i o n a l A m p l i f i e r Tel e v i s i o n P o w e r S u b w o o f e r o r A m p l i f i e r + s u b w o o f e r AU DI O L AUDIO R DVD / V O D VI D EO O UT AUDIO OUT S / P D I F S u r r o u n d i n g S p e a k e r s M i c r o p h o n[...]

  • Page 12

    O p e r a t i o n 9 P o w e r o n K M - 3 6 0 INP UT FB - EX INP UT FB - EX A u t o D e t e c t i n g INP UT FB - EX M i c : 2 8 E : 2 8 M u s i c : 2 8 K A R A O K E P l u g t h e p o w e r c a b l e , a n d p r e s s t h e p o w e r s w i t c h i n P i c # 1 ; P o w e r i n d i c a t o r a t f r o n t p a n e l w i l l t u r n o n , t h e L E D s[...]

  • Page 13

    M u s i c M e n u O p e r a t i o n FL SL S R SC A R T 1 0 M u s i c E Q S e t t i n g : K M - 3 6 0 a l l o w s t o c u s t o m i z e t h e E Q s e t t i n g i n f o l l o w i n g f r e q u e n c i e s : 1 0 K H z / 3 3 0 0 H z / 1 0 0 0 H z / 3 3 0 H z / 1 0 0 H z / 6 0 H z R e m o t e U s e U p / D o w n b u t t o n s t o f i n d t h e E Q f r e[...]

  • Page 14

    M u s i c M e n u O p e r a t i o n S u b w o o f e r R e d u c e r : T h i s f u n c t i o n h e l p s y o u r e d u c e s u b w o o f e r v o l u m e w h e n y o u a r e s i n g i n g . T h i s d y n a m i c c o m e s h a n d y w h e n a s i n g e r h a s l o w v o c a l r a n g e . Subwoof R e d u c e r 1 0 L E D s c r e e n d i s p l a y : S e [...]

  • Page 15

    M u s i c M e n u O p e r a t i o n M u s i c A u t o L e v e l S e t u p : W h e n p l a y i n g a u d i o t r a c k s , s o m e s o n g s a r e l o u d e r t h a n o t h e r s e v e n t h o u g h t h e v o l u m e o f y o u r s y s t e m r e m a i n s t h e s a m e . W h e n y o u t u r n o n t h e " M u s i c Vo l u m e A u t o L e v e l i [...]

  • Page 16

    M u s i c M e n u O p e r a t i o n C e n t e r C h a n n e l S e t u p : T h e r e a r e t h r e e c e n t e r c h a n n e l m o d e s : M i c r o p h o n e / M u s i c / M i c . + M u i s c 1 . M i c r o p h o n e m o d e : o n l y m i c r o p h o n e s i g n a l w i l l b e t h e a u d i o o u t p u t 2 . M u s i c m o d e : o n l y m u s i c s [...]

  • Page 17

    M i c r o p h o n e M e n u O p e r a t i o n M i c r o p h o n e P r e s e t M a x V o l u m e : P r e s e t t i n g a m a x m i c r o p h o n e v o l u m e t o p r e v e n t u n c o m f o r t a b l e m i c r o p h o n e n o i s e w h i l e u n a p p r o p r i a t e d u s i n g . M i c V o l u m e + 4 0 L E D s c r e e n d i s p l a y R e m o t e [...]

  • Page 18

    M i c r o p h o n e M e n u O p e r a t i o n R e v e r b T i m e S e t t i n g : A r e v e r b i s c r e a t e d w h e n a s o u n d i s p r o d u c e d i n a n e n c l o s e d s p a c e c a u s i n g a l a r g e n u m b e r o f e c h o e s t o b u i l d u p a n d t h e n s l o w l y d e c a y . R e v e r b i s m o s t n o t i c e a b l e w h e n [...]

  • Page 19

    M i c r o p h o n e M e n u O p e r a t i o n E c h o D e l a y S e t t i n g : E c h o d e l a y f u n c t i o n i s u s e d t o a d j u s t t h e e c h o d e l a y t i m i n g , r a n g e f r o m 0 ~ 2 5 0 m s . Yo u c a n a d j u s t E c h o D e l a y L a n d E c h o D e l a y R s e p a r a t e l y t o e n h a n c e t h e s t e r e o s o u n d e[...]

  • Page 20

    O t h e r O p e r a t i o n P r e s e t M e m o r y R e c a l l : 4 p r e s e t e f f e c t s e t t i n g s a l l o w y o u t o s t o r e y o u r f a v o r i t e e f f e c t s e t t i n g s . INPUT FB - EX INPUT FB - EX INPUT FB - EX 4 p r e s e t m e m o r y s t o r e f a c t o r y d e f a u l t e f f e c t s e t t i n g . T o s t o r e / r e n e [...]

  • Page 21

    M e n u O p e r a t i o n C Volume Subwoof Volume Max Music Volume Subwoof Reducer Subwoof LPF Music Auto Level Music Vocal S Volume Surround Sel Music Balance Digital Freq M u s i c M e n u C e n t e r c h a n n e l v o l u m e c o n t r o l Max Mic V o l u m e E c h o D e l a y L / R E c h o L e v e l N o i s e G a t e Mic E Q 8 K H z Mic E Q 2 .[...]

  • Page 22

    P r o b l e m S o l u s i o n N o p o w e r P o s s i b l e R e a s o n P o w e r c o r e l o o s e R e i n s t a l l t h e p o w e r p l u g N o m u s i c o u t p u t P r e s e t m a x m u s i c o u t p u t v o l u m e i s 0 , i t w i l l l i m i t t h e m u s i c o u t p u t l e v e l t o 0 . S e t t h e p r e s e t m u s i c v o l u m e h i g h [...]