Go to page of
A good user manual
The rules should oblige the seller to give the purchaser an operating instrucion of Altina A600, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.
What is an instruction?
The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of Altina A600 one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.
Unfortunately, only a few customers devote their time to read an instruction of Altina A600. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.
What should a perfect user manual contain?
First and foremost, an user manual of Altina A600 should contain:
- informations concerning technical data of Altina A600
- name of the manufacturer and a year of construction of the Altina A600 item
- rules of operation, control and maintenance of the Altina A600 item
- safety signs and mark certificates which confirm compatibility with appropriate standards
Why don't we read the manuals?
Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Altina A600 alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Altina A600, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Altina service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Altina A600.
Why one should read the manuals?
It is mostly in the manuals where we will find the details concerning construction and possibility of the Altina A600 item, and its use of respective accessory, as well as information concerning all the functions and facilities.
After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.
Table of contents for the manual
-
Page 1
A L T I N A A 60 0 U s er ’ s M a n u a l[...]
-
Page 2
E n g l i s h V e r s i o n R 0 1 N o v . 2005 T rad e m a r ks A l l bran d an d produ c t n a m e s a r e t r a d e m ar k s or reg i s t ered t rad e m a r ks o f t h e i r re s pe c t i v e c o m p a n i e s . N o t e T h e i n f or m a t i o n i n t h i s m a nua l i s s ub j e c t t o c h a n ge w i t h o u t n o t i c e .[...]
-
Page 3
B e f o r e Y o u B e g in ※ P r eca u t i ons an d N o t i ce s ※ F or y o ur o w n s a f e t y , do n o t o p e r a t e t he c o n t ro l s o f t h e produ c t w h il e d r i v i n g . ※ U s e t h i s p r o d u c t p r u den t l y . T he pro d u c t i s i n t e n ded t o be u s e d on l y a s a na v i g a t i o n a i d . It i s no t f or p [...]
-
Page 4
- U s i n g F a v or i t e s ( p e r s ona l s t o r e d l o c a t i o n s ) - U s i n g H i s t o r y ( p r e v i ou s de s t i n a t i o n s ) ※ R e c o r d i n g a nd p l a y b a c k o f j o u r n e y s ※ V i e w i ng m ode s f or d i f f e r e n t n e e d s and s i t u a t i o n s : - 2 D or 3 D - D a y t i m e or n i g h tt im e v i e w - [...]
-
Page 5
P a r t I. B a s i c O p e r a t ion s P ar t I gu i de s y o u t hrou g h t he pro c e s s o f ge t t i n g y our d e v i c e r u nn i ng , f a m il i a r i z e s y o u w i t h t h e e x t erna l c o m p o nen t s , an d t e l l s y o u ho w t o c u s t o mi z e s y s t e m s e t t i n g s[...]
-
Page 6
1. G e tt i n g S t a r t e d T h i s c h a p t e r t e ll s y ou s t e p b y s t e p h o w t o p e r f or m t h e i n i t i a l s t ar t up a nd i n t r o d u c e s y ou t o t h e e x t e r n a l c o m pon e n t s o f y o ur d e v i c e . 1 . 1 S e t ti ng t h e O N / O FF S w it c h T h e O N / O F F s w i t c h s ho u l d be s e t t o t h e O N [...]
-
Page 7
※ T h e c h a r g e i nd i c a t o r g l o w s a m b e r w he n c h a r g i n g i s i n p r og r e s s . D o no t d i s c o n ne c t y our d e v i c e f r o m A C po w er u n t il t h e b a tt er y i s f u ll y c h a r g e d , w h e n t he c h a r g e i n d i c a t o r t u r n s g r e en . T h i s w i l l t a k e a c oup l e o f hou r s . 1 . 3 U[...]
-
Page 8
Œ Ž • • R ef C o m p on e n t D e s c r i p t i o n Œ C h a r g e I nd i ca t o r G l o w s b r i gh t a m be r t o i n d i c a t e t ha t t he b a t t e r y i s c h a r g i ng , a nd t u r n s g r e e n w h e n t h e ba tt e r y i s f u l l y c h a r g e d . • T o u c h S c r e e n D i s p l a ys t h e o u t pu t o f y o u r d e v i c e .[...]
-
Page 9
B ack C ompon e n t s Œ • Ž • R ef C o m p on e n t D e s c r i p t i o n Œ G PS A n t e nn a R e c e i v e s s i g n a l s f r o m t he G P S s a t e l l i t e s o v e r h ead . I t s h ou l d b e l i f t e d u p t o t h e ho r i z o n t a l p o s i t i o n f o r no r m a l o p e r a t i o n . • S p e ak e r S e nd s ou t m u s i c , s o [...]
-
Page 10
Œ • Ž R ef C o m p o n e n t D e s c r i p t i o n Œ S D / M M C S l o t A c c e p t s a S D ( S e c u r e D i g i t a l ) o r M M C ( M u l t i M e d i a C a r d ) c a r d f o r a c c e s s i ng d a t a s u c h a s m ap s a n d M P 3 m u s i c. N O T E: B e f o r e u s i n g G P S na v i ga t i o n s o f t w a r e a nd m ap s , y ou n eed t o[...]
-
Page 11
R i gh t - S i d e C o m po n e nt s • Œ R ef C o m po n e n t D esc r i p t i on Œ E x t e r n a l A n t e n n a C o n n ec t or T h i s c o nn e c t o r ( un de r r u bb e r d u s t c o v e r ) a l l o w s u s e o f an o p t i o n a l e x t e r n a l a n t e n na w i t h m ag ne t i c m o un t , w h i c h m a y b e p o s i t i oned o n t o p [...]
-
Page 12
Œ • R ef C o m po n e n t D esc r i p t i on Œ P o w e r C o n n e c t or C o n ne c t s t o t h e A C ad a p t e r . • H o l d B u tt on W he n h o l d o n t h e b u tt o n , i t w i ll f r ee z e t h e o pe r a t i on .[...]
-
Page 13
2 . B a s i c S k i l l s T h i s c hap t er g u i de s y o u t hro u gh t h e p r o c e s s o f u s i n g y our de v i c e a nd f a m il i ar i z e s y o u w i t h t h e b a s i c o p e r a t i on s s u c h a s u s i ng t h e s t y l u s pe n a nd n a v i g a t i o n pad . . 2 . 1 T u r n i n g O n a n d O ff Y o u r D e v i ce U s e t he po w e r[...]
-
Page 14
B u t t on N a m e D e s c r i p t i o n P o w e r O n / O f f T u r n s o n a nd o f f t h e de v i c e . B a c k ※ G o e s ba ck t o t h e p r e v i o u s sc r e en . ※ G o e s t o t h e m ap s c r e e n w h i l e i n a N a v i g a t i o n S e tt i n g s s c r e e n . Z o o m I n I n c r e a s e s t he m a p sc a l e Z oo m O u t D e c r ea s[...]
-
Page 15
3 . S ys t em S e tt i ng s Y o u r de v i c e i s s u p p l i ed w i t h d e f a u l t s e tt i n g s . Y ou m a y a l s o c u s t o mi z e t h e s e tt i n g s t o s u i t y o u r per s on a l ne e d s . O n c e y ou c h a n ge s e tt i n g s , y our n e w s e t t i ng s w i l l re m a i n un t il e i t h e r y o u c han g e t h e m a g a i n , o[...]
-
Page 16
3 . A ft e r y ou ha v e m ade c h a ng e s , pre s s t h e m ar k b u t t o n t o s a v e t he c h an g e s a n d e x i t t he s c ree n . A d j u s t i ng t h e B r i ghtn es s T a p t h e bu l b b u t t o n t o a d j u s t . ※ T o dar k e n t h e sc r e en , t a p t he l e ft bu l b b u t t o n . ※ T o l i g h t en t h e sc reen , t a p t h [...]
-
Page 17
T a p t he I d l e T i m e b o x a n d s e l e c t t h e t i m e . T h e o p t i on s a r e 1 mi nu t e , 2 mi nu t e s , 5 m i nu t e s , ne v e r . 3 . 3 C a l i b r a t i on Y o u c a n c a li b ra t e t h e t o u c h s c reen i f i t i s no t r e s p on d i n g a c c u r a t e l y t o y o u r s t y l u s p e n t a p s . 1 . T ap S e t up on t h[...]
-
Page 18
4 . W hen t he t a r g e t m o v e s t o a n o t her p o s i t i o n , t a p an d h o l d a t t h e c e n t er o f t h e n e w t arge t . R e p ea t e a c h t i m e t o c o m p l e t e t he c a li bra t i o n p r o c e s s . 5 . W h e n c o m p l e t ed , t a p a n y w h e r e o n t h e sc r e e n . 3 . 4 P o w e r T o c h e ck t h e re m a i n i n[...]
-
Page 19
1 . T ap S e tt i n g s on t h e M a i n sc reen . 2 . T ap t h e C l o c k b u tt on on t he S e t up s c r e e n . 3 . T ap t h e T i m e Z one bo x t o s e l e c t y o ur t i m e z o n e . 4 . T ap t h e D a t e b o x t o s e t t h e d a t e . A c a l e ndar w i l l p op up s h o w i n g da y , m on t h and y e a r . T a p t he l e ft a r r o w [...]
-
Page 20
Y ou c an a l s o t ap t h e m o n t h a n d y ear o n t o p o f t he c a l e ndar t o c h a ng e t h e m o n t h a nd y e a r . T hen t ap t h e da t e on t h e c a l en d a r . . 5 . B e f ore s e t t i n g t h e t im e , y ou c a n t i c k t h e 2 4 - h o u r f o r m a t bo x t o u s e 24-hour f o r m a t . T hen t ap t h e i t e m (H o u r / M [...]
-
Page 21
3 . T ap t h e b u t t on t o s e l e c t y o u r l ang u age . 3 . T here a r e E n g l i s h , F ra n c e , G er m a n y , I t a l y , S p a i n , D u t c h l an g uage s a v a il a b l e .[...]
-
Page 22
4 . A f t er s e t t i ng , t h e sc reen w ill s h o w y our s e t t i ng l ang u age .[...]
-
Page 23
P a r t I I . G PS N av ig a t ion P ar t I I t e l l s y ou ho w t o u s e t he G P S n a v i g a t i o n f u n c t i on .[...]
-
Page 24
4 . N a v i g a t i on B a s i c s I n t h i s c hap t e r y o u w il l l e a rn ho w t o s t ar t G P S p o s i t i o n i ng , s e l e c t o r i g i n ( s t a r t i ng p o i n t ) a n d d e s t i n a t i o n (end po i n t ) . T hen , y o u c a n b e g i n y o ur j ourn e y w i t h t he n a v i ga t i o n p r o g r a m t o gu i d e y o u do w n t h[...]
-
Page 25
4 . T ap t h e N a v i ga t or bu t t o n t o s t ar t t he n a v i g a t i o n p r o g r a m 5 . It w il l b e l oa d ed t h e D e s t i na t o r m a p . . 6 . T ap t he “ A cc e pt ” b u t t o n[...]
-
Page 26
7 . T he m a i n m enu w i ll be a s f o l l o w i n g : . 4 4 . . 3 3 N N A A V V I I G G A A T T E E T T O O A A K K N N O O W W N N A A D D D D R R E E S S S S Y o u c an a c c e s s m a n y f u n c t i o n s o f y o u r N a v i g a t i on d e v i c e f r o m t he M a i n M e nu . T o a cc e s s t h e M a i n M en u , pr e s s t h e M enu b u t [...]
-
Page 27
4 .4 N A V I G A T E T O A N A DDR ESS T o na v i ga t e t o a n a ddr e s s , y o u w il l n e ed t o t e ll D e s t i n a t o r t h e C i t y , S t ree t, a n d St r e e t N u m b e r o f y our de s t i na t i on . 1 . C l i c k M e nu bu t t on ( b o t t o m t oo l b a r ) , t o o p en A ddr e ss m e nu . Dr i v i n g d i r e c t i o n and s t r[...]
-
Page 28
2 . C l i c k t h e A ddr e s s bu t t on 3 . U s e t he S o ft K e y bo a r d t o en t er t he f i r s t f e w c h a r a c t e r s i n t he C i ty na m e . T he s c r o ll li s t w i l l u pda t e a cc ord i n g l y . S e l e c t t h e C i t y eg : AA R O N S P ASS . 4 . C l i c k S t r eet ( t op o f t h e s c r e en) t o d i s p l a y a l i s t [...]
-
Page 29
3 . U s e t he s t y l u s t o s c ro l l or drag t h e m a p t o a s pe c i f i c p o i n t – t a p t h e de s i r e d l o c a t i on . T he C u r s o r D i a l og open s . 4 . T h e r e are s e v e r a l c h o i c e s a t t h i s p o i n t , s e t t i n g t h i s l o c a t i on a s t h e O r i g in , t o N av i g ate ( c r e a t e a rou t e) o [...]
-
Page 30
1 C l i c k M e nu b u t t o n (b o t t o m t o o l b ar ) , t o op en P O I m en u . 2 L o c a t e a n d s e l e c t t h e P OI bu t t o n S c ro l l do w n t he l i s t o f P O I c a t e g o r i e s a nd h i gh l i gh t y o u r d e s i red c a t e g o r y . I n t h i s e x a m p l e , w e are go i n g t o h i gh l i g h t R e s t a u r a nt . T h[...]
-
Page 31
4 T o p r e v i e w y o u r de s t i na t i on on t h e m a i n m a p c l i ck S h ow b u t t o n . 5 T o c a l c u l a t e t h e r o u t e c li ck N a v i g a t e . T h e rou t e i s s ho w n a s a h i g h l i g h t ed b l ue li n e f ro m y our c u r r en t G P S p o s i t i on . A s y o u d r i v e , D e s t i na t or p r o v i de s y o u w i t [...]
-
Page 32
A s n e w e r de s t i n a t i o n s , a r e w r i tt en , t o t he t o p o f t he s t a ck , t he o l der d e s t i na t i on s a t t he bo tt o m o f t h e s t a ck are era s e d . Af t e r en t er i ng t h e d e s t i na t i o n , y ou c a n i n i t i a t e na v i ga t i o n f ro m H i s t or y , o r v i e w d e t a i l s o f t h e de s t i n a [...]
-
Page 33
A F a v o r i t e p l a c e i s an ad d re ss or a p o i n t on D est i n at or pr e v i o u s l y s t o r e d b y y o u f o r f u t u r e u s e . Y ou c a n a l s o s a v e , e d i t o r de l e t e d e s t i na t i on s f r o m t h i s f o l d er . 1 . C li ck M e n u b u t t on ( b o t t o m t o o l ba r ) , t o op e n F a v o r i t e s b u t t o[...]
-
Page 34
T h e d e p a r t u r e p o i nt i s i nd i c a t e d w i t h a B l u e f l ag , an d t h e d es t i n at i on w i t h an O r a n g e f l ag . T h e c a l c u l a t ed rou te i s a l w a y s d i s p l a y e d i n b l ue . T h e sc reen a l s o d i s p l a y s t he de t a il s o f t he de s t i n a t i on : D e s t i na t i on – A ddr e ss D i sta[...]
-
Page 35
5. S E T T I NG 5 . 1 I nt r odu c t i on W an t t o k n o w h o w t o c h a n g e t h e d e f au l t s e t t i n g o f m a p s , v i e w s a n d r o u t e m an a ge m e n t ? W a n t t o c h an g e t h e c o mm on l y u s e d op t i o n s an d p r e f eren c e s s e t t i n g s ? W e l l t h i s c h a p t e r w i ll l e t y o u c han g e t h e s e[...]
-
Page 36
f un c t i o n s a n d f ea t ure s l i s t e d w il l n o t w or k or b e a v a i l ab l e T h e v a r i o u s op t i o n s , p r e f e r en c e s and s e t t i n g a r e a l l a v a i l a b l e f ro m t h e s e m en u a n d s ub- m en u s . E a c h s e tt i n g h a s a c he c k b o x w h i c h w hen s e l e c t ed e n a b l e s t ha t p a r t i c[...]
-
Page 37
M a p O r i e n tat i on 1 . F o r w a rd i s Up - D y na m i c M ap N o t a t i o n – t h e m a p w il l ro t a t e a s t h e v e h i c l e t u r n s . D e s t i n at or w i l l a l s o u p da t e t h e c o m pa s s t o s h o w t h e N o r t h- S ou t h d i r e c t i o n a s t h e v eh i c l e t u r n s . 2 . N or t h i s Up - N or t h m a p no [...]
-
Page 38
R ou t i ng M od e 1 . N a v i g a t i o n m ode – N or m a l dr i v i ng – S e t a s d e f au l t v i e w . 2 . Pl a n n e r M ode – d i s p l a y , p l an n ed r o u t e s , b u t d o e s no t s ho w y o ur pro g r e s s , a s y ou t ra v e l . R ou te g e n e r at i on 1 . Q u i ck e s t r o u te – D e s t i n at or c a l c u l a t e s t[...]
-
Page 39
V o i c e P r o m p t s 1 . S p ee d S et t i ng - g i v e s y ou a v o i c e p r o m p t , w hen y o u r c ar e x c e e d s t h e s p e ed li m i t o n t h i s s e c t i o n o f t h e r o a d . 2 . R ou te r e c a l c u l at i on - If d e v i a t ed f r o m or i g i na l rou t e , D est i n a t or a u t o m a t i c a ll y r e c a l c u l a t e d n[...]
-
Page 40
U n i t S e l e c t i o n s A l l d i s t a n c e s are d i s p l a y ed i n im p e r i a l o r m e t r i c u n i t s . 1 I m p e r i al ( Mi l e s a nd y ard s ) f o r U S A an d t he U K. 2 M et r ic ( K il o m e t e r s and m e t er s ) f o r G er m an y a nd C ana d a . A pp li cat i on Fon t s e l ec t U s e L a rg e f o n ts - m a k e s t h e[...]
-
Page 41
6 6 . . V V I I E E W W 6 . 1 I n t rodu c t i on D es t i n a t or c on t a i n s m an y i m p r o v e m en t s and enha n c e m en t, e g : i n c r e a s ed v i e w i ng a r ea , c l ea r e r d r i v i ng d i r e c t i on , b r i gh t e r c o l o r s f o r i n c r ea s ed v i e w i ng , l e ss c l u tt e r ed s c r een a s w e ll a s add i t i on[...]
-
Page 42
6 . 3 H o w t o Zoo m T he Z oo m s c r o ll b a r c an b e u s ed t o Z oo m In ( + M a g n i fy ) o r t o Zoo m O u t (- E x p a nd ) on t he d i s p l a y ed m ap . Y ou c a n z oo m f r o m 100 m (m e t e r s ) t o 400 K m ( K i l o m e t e r s - m e t r i c s y s t e m) o r I m pe r i a l s y s t e m f r o m 60 y ( y a r d s ) t o 200 m i (M i[...]
-
Page 43
6 . 4 T y p es o f V i e w D es t i n a t or c o m e s w i t h s e v e r a l d i ff e r en t gene r a l v i e w p o i n t s : F r o m 2 D , 3 D a nd E n h a n c e d 3 D o r B i rd ’ s – e y e V i e w . 2 D V i e w T he 2 D v i e w i s t he s t r a i gh t f o r w a r d 2 ( t w o ) D i m en s i ona l no r m a l v i e w . T he no rm a l m a i n m [...]
-
Page 44
It s ho w s t he b a s i c r e l i e f ( ou t l i ne ) and de t a i l s o f t he s u rr ound i ng r oad s a n d gene r a l a r ea Y ou r c u rr en t po s i t i on i s c l ea r l y s ho w n ( b l ue c i r c l e ) a s w e l l a s y ou r de s t i na t i on ( r ed a r r o w ) . B i rd ’ s - eye V i e w E x t e n s i v e s c r ee n d e s i gn o f t h [...]
-
Page 45
T h i s i s t h e de f au l t m ode . ( V i ew > D a y c o l o r sk in ) . Y ou c a n u s e t h i s s e tt i ng t o c han g e t h e l e v e l o f ba c k l i gh t i ng ( f r o m N i gh t c o l o r sk in ) o n t h e s c r een o f t h e P o c k e t P C d e v i c e f o r da y l i gh t d r i v i ng c o n d i t i on s . C o l o r s a r e b r i gh t an[...]
-
Page 46
T h i s v i e w i n d i c a t e s t he r ou t e T u r n B y T u r n . It wil l s ho w t he ne x t t u r n i mm e d i a t e l y a ft e r c o m p l e t i ng t he p r e v i ou s t u r n . T he t w o a rr o w s P r ev i ou s and N ext a l l o w s c r o ll i ng t o t he ne x t t u r n o r p r e v i ou s t u r n . It wil l a l s o p r o v i de a V o i c [...]
-
Page 47
Part III. M ore T oo l s P a r t III i n t r odu c e s M P 3 P l a ye r , P ho t o V i e w e r , M peg 4 V i deo P l a y , C a l c u l a t o r , e t c[...]
-
Page 48
7. Using M P3 Pl a y e r Th i s c h a p t e r t e ll s y o u ho w t o p l a y M P 3 f il e s u s i n g y ou r d e v i c e T he M P 3 P l a y e r p r og r a m t u r n s y ou r de v i c e i n t o an M P 3 p l a y e r . It f ea t u r e s : ※ P l a y ba c k o f M P 3 a n d W A V f i l e s ※ B a s i c p l a y ba c k c on t r o l s s u c h a s p l a [...]
-
Page 49
T o e x i t t he p r og r a m , j u s t t ap i n t he l o w e r r i gh t o f t he s c r een . 7 . 2 P r e p a r i ng M P 3 F il e s f or Y our D e v i ce W i t h t h e c a r d r eade r , y ou c an e a s i l y c op y M P 3 f i l e s f r o m y o u r c o m pu t e r t o a s t o r age c a r d . T he M P 3 P l a y e r c an de t e c t M P 3 f i l e s i n [...]
-
Page 50
bu tt o n s a s d e s c r i bed l a t e r . ※ N O T E : W h en f il e s a r e added t o t he p l a y l i s t, t he p l a y l i s t i s au t o m a t i c a ll y s a v e d w hen y ou e x i t M P 3 P l a y e r . 3 . T o e x i t t he p r og r a m , t ap a t t he t op o f t h e t oo l ba r . Y ou w il l r e t u r n t o t he M a i n m enu . 7 . 4 M P 3 [...]
-
Page 51
pane l w i l l s ho w t he c u rr en t v o l u m e l e v e l. V o l u m e I n c r e a s e t he v o l u m e . T he i n d i c a t o r on t he uppe r r i gh t c o r ne r o f t h e pane l w i l l s ho w t he c u rr en t v o l u m e l e v e l. R epea t a ll R epea t a ll S i ng l e p l a y ba c k S i ng l e p l a y ba c k R ando m R ando m s e que n c e[...]
-
Page 52
2 . Y ou c an u s e t he f o l l o w i ng bu tt o n s t o add o r d e l e t e s on g s i n y ou r p l a y l i st ： ※ A dd S ong A dd a ne w s on g t o y ou r p l a y l i s t. T ap A d d S o n g i c on . 3 . C ho o s e a s ong t ha t y ou w i s h t o a d d t o y ou r p l a y l i s t . T ap A dd S ong bu tt on a t t he b o tt o m o f t he s c r e[...]
-
Page 53
3 . D e l e t e S ong R e m o v e o n e s ong f r o m y ou r p l a y l i s t. C hoo s e a s ong t h a t y ou w i s h t o de l e t e and t ap D e l e t e S o ng i c on . 4 . D e l e t e A l l R e m o v e a ll s on g s f r o m y ou r p l a y l i s t. T ap D e l e t e A l l i c on on t he r i gh t t oo l ba r . A l l s on g s i n y ou r p l a y l i s [...]
-
Page 54
8. Using V i deo P l a y er Th i s c h a p t e r t e ll s y ou ho w t o p l a y V i d e o f i l es u s i ng y our d e v i ce T he V i deo P l a y e r p r og r a m t u r n s y ou r de v i c e i n t o an V i deo p l a y e r . It f ea t u r e s : ※ P l a y ba c k o f W M V , A S F a n d A V I ( M i c r o s o f t f o rm a t ) f i l e s ※ B a s i c [...]
-
Page 55
T o e x i t t he p r og r a m , j u s t t ap i n t he l o w e r r i gh t o f t he s c r een . 8 . 2 P r e p a r i ng Vi d e o F i l es f or Y our D ev i ce W i t h t h e c a r d r eade r , y ou c an e a s i l y c op y V i deo f i l e s f r o m y ou r c o m pu t e r t o a s t o r ag e c a r d . T h e V i deo P l a y e r c an d e t e c t V i deo f il[...]
-
Page 56
3 . T o e x i t t he p r og r a m , t ap a t t he t op o f t h e t oo l ba r . Y ou w il l r e t u r n t o t he M a i n m enu . 8 . 4 M P 3 P l a y b ack C on t ro l Y ou c an c o n t r o l t he M P 3 P l a y e r v i a c on t r o l b u tt o n s . S ee t h e t ab l e be l o w f o r de t a i l s : C on t r o l B u tt on N a m e D e s c r i p t i on P[...]
-
Page 57
S i ng l e p l a y ba c k S i ng l e p l a y ba c k R ando m R ando m s e que n c e P l a y L i s t O pen p l a y l i s t. I n f o C he c k v e r s i on E x i t E x i t M P 3 P l a y e r 8 . 5 U s i ng Pl a y L i s t O n c e t he V i deo p l a y e r i s open , b y de f au l t t he s y s t e m wil l au t o m a t i c a ll y l oad a ll V i deo f i l e[...]
-
Page 58
on t he r i gh t t oo l ba r . 3 . C ho o s e a f i l e t ha t y ou w i s h t o add t o y ou r p l a y l i s t . T ap A d d f il e bu tt on a t t he b o tt o m o f t he s c r een . T he ne w v i deo f il e wil l appea r i n y o u r p l a y l i s t. 4 . D e l e t e f i l e R e m o v e o n e f il e f r o m y ou r p l a y l i s t. C ho o s e a f i l e[...]
-
Page 59
6 . T o r e t u r n t o t he c o n t r o l p ane l , t ap on t he r i gh t t oo l ba r .[...]
-
Page 60
9. Using P h oto Pl a y er Th i s c h a p t e r t e ll s y ou ho w t o p l a y P ho t o f il es u s i ng y our d e v i ce T he P ho t o P l a y e r p r og r a m t u r n s y ou r de v i c e i n t o an P ho t o p l a y e r . It f ea t u r e s : ※ P l a y ba c k o f J P E G f il e s ※ B a s i c p l a y ba c k c on t r o l s s u c h a s t he p i c [...]
-
Page 61
T o e x i t t he p r og r a m , j u s t t ap i n t he l o w e r r i g h t o f t he s c r een . 9 . 3 P r e p a r i ng P ho t o F il es f or Y our D ev i ce W i t h t h e c a r d r eade r , y ou c an e a s i l y c op y P h o t o f i l e s f r o m y ou r c o m pu t e r t o a s t o r age c a r d . T he P ho t o P l a y e r c an de t e c t P h o t o f [...]
-
Page 62
Z oon i n Z oo m i n t he pho t o Z oo m ou t Z oo m ou t t h e pho t o D i s p l a y N o rm a l D i s p l a y R i gh t R o t a t e P l a y f i l e i n R i gh t R o t a t i on Le ft R o t a t e P l a y f i l e i n Le ft R o t a t i on 9 . 5 D i s p l a y M od e Y ou m a y b r o w s e t h r ough t h e p i c t u r e s i n f ou r d i f f e r en t m od[...]
-
Page 63
l F u ll sc r ee n m o d e 1 . T ap P ho t o P l a y e r on t he M a i n s c r een t o s w i t c h t o t he p r og r a m . 2 . T ap t he pho t o f i l e i n t he w i ndo w and doub l e c li c k . 2 . T he s e l e c t ed f il e w il l be s ho w n i n f u l l sc r een m ode . 1 . S e l e c t t h e f il e 2 . D oub l e C l i c k[...]
-
Page 64
4 . T he p ho t o p r og r a m wil l au t o m a t i c a ll y de t e c t t he pho t o f il e s o f y ou r f l a s h c a r d s . If y ou a r e go i ng t o b r o w s e t he ne x t p h o t o , p l ea s e t ap i c on an d i t w il l s ho w t he ne x t i m age . If y ou a r e go i ng t o b r o w s e t h e p r e v i o u s pho t o , p l ea s e t ap i c on [...]
-
Page 65
5 . T he s li de s ho w m ode w i l l a f f o r d m o r e t han 10 d i f f e r en t t r an s i t i on e f f e c t s and wil l m a k e y o u r s l i de s ho w m o r e ou t s t and i ng . 9 . 6 B r o w s e P h o t o It s u ppo r t s 2 4 - b i t t r ue c o l o r i m age s . Y ou c a n b r o w s e t h e p i c t u r e w i t h z oo m i n / ou t, r o t a [...]
-
Page 66
4 . T ap i c on and y ou m a y b r o w s e t he pho t o i n z oo m ou t m ode . l P h o t o b r o w s e i n R o t a t i on 1 . T ap P ho t o P l a y e r on t he M a i n s c r een t o s w i t c h t o t he p r og r a m . 2 . T ap t he pho t o f i l e i n t he w i ndo w and doub l e c li c k i t. A dd 2 Lan d s c a pe m ode (r o t a t e l e f t & [...]
-
Page 67
3 . T ap i c on ， i t w il l s ho w t he r o t a t ed i m age t u r n - i n r i gh t. 4 . T ap i c on ， i t w il l s ho w t he r o t a t ed i m age t u r ned - i n l e f t.[...]