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A good user manual
The rules should oblige the seller to give the purchaser an operating instrucion of AOC 917SW, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.
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Unfortunately, only a few customers devote their time to read an instruction of AOC 917SW. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.
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First and foremost, an user manual of AOC 917SW should contain:
- informations concerning technical data of AOC 917SW
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Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of AOC 917SW alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of AOC 917SW, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the AOC service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of AOC 917SW.
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After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.
Table of contents for the manual
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Page 1
AOC 91 7Sw Us er’ s G uid e A b o u t T h is G u id e T h is g u id e d e s c r ibe s th e m o n it o r's fe a tu re s, s e tu p , a nd o pe ra tio n . ln fo r m a tio n in th is d o cu m e n t is s u b je c t to c h an g e w i th o u t n o tic e . T h e s e ctio ns a re a s fo llo w s: S a fe ty In s tr u ct ion s : l is ts s a fe ty in[...]
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Page 2
FCC No tice F C C C la ss B R a d io F re q u e n c y In te rfe re n c e S t ate m e n t W A R N IN G : (F O R F C C C E R T IF IE D M O D E L S ) N O T E : T h is e qu ip m e n t h a s b e e n te s te d a n d fo u n d to c o m p ly w ith t h e li m its fo r a C la s s B d ig ita l d e vi ce , p u rs ua n t to P a rt 1 5 o f t h e F C C R u le s. T[...]
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Page 3
P R E C A U T IO N S D o n o t u se th e m o n ito r n e a r w a te r , e .g . n e a r a b a th tu b , w a s h b ow l, k itc h e n s in k , la un d ry tu b , s w im m in g p oo l o r in a w e t b as e me n t. D o n o t p la c e the mo n ito r o n a n u n s ta b le c a rt , s ta n d , o r ta b le . If th e m o n ito r fa l ls , it c a n in j[...]
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Page 4
S e tu p th e s ta n d a n d b a se P le a se s e tu p o r re m o ve th e b a s e fo ll o w ing b e lo w s te ps . A d ju st in g V ie w in g A n g le F o r o p t im al v ie w in g it is re co m m e n de d to lo ok a t the fu ll fa c e of th e m on ito r, t h e n a dj us t th e m o n ito r' s a n g le to y ou r o w n p re fe re n ce . [...]
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Page 5
A tt a ch in g th e C a b les C a b le C o n n e c tio n s O n B ac k o f M o n i to r a n d C o m pu te r 1 . P o w e r 2 . A n a lo g T u rn o f f yo u r c o m p u te r b e fo re p e rfo r m in g th e p ro ce d ure b e lo w . 1 . C o nn e c t th e p o w e r c ab le t o th e A C p o rt o n th e b a c k o f th e m o ni to r . 2 . C o nn e c t o ne [...]
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Page 6
A tt a ch in g W a ll M o u n tin g A r m P re pa rin g to In s ta ll A n O p tio n a l W a l l M o u n tin g A r m T h is m on i to r c a n b e a tta ch e d to a w a ll m ou n t in g a rm y ou p ur c h as e s e pa ra te ly . D is co n ne c t p ow e r b e fo re th is p ro c e d ure . F o llo w th e se s te ps : 1 . R e m o ve th e b a se . 2 . F o [...]
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Page 7
S e tt in g th e O p ti m a l R e so lu t io n T h e re c o m me nd e d r e so lu t io n fo r th is mo n ito r is 1 4 4 0 b y 9 0 0 . T o s e tu p th e m o n it or to th i s re so lu ti on , f ol lo w th e s te p s b e low . 1 . C li c k S T A R T . 2 . C li c k S E T T IN G S . 3 . C li c k C O N T R O L P A N E L . 4 . D o ub le c lic k D IS P L [...]
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Page 8
O S D S e tti n g s 1 ) P re s s th e M E N U -b ut to n ( ) to a c tiv a te th e O S D w ind o w . 2 ) P re s s o r to n av iga te th ro u g h th e fu n c tio n s . On c e th e d e s ire d fu n ct io n is h ig h lig h te d, p re s s th e M E N U -b u tto n to a ct iva te s u b -m e n u . On ce th e d e si re d fu n ct io n is h ig h lig h te d[...]
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Page 9
1 ) H o w to u se C o lo r B o o s t? Y C M a d ju s t m en t : In a d d it io n to th e b a s ic R (r e d ), G ( g re e n ), B (b lue ) co lo r a d ju s tm e nts , C o lo r B o os t h a s a d de d Y (y e llo w ) , C (c ya n in e ), a n d M ( m a ge n ta ) fo r m ore c o lo r fin e -t u n ing o p tio n s . Y C M a dj u s t me n ts a re in th e th i[...]
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Page 10
F u ll E n h an c e: W h e n " Fu l l E n h an c e " i s tu rn e d o n, th e co l o r sa tu ra tio n o f th e e n ti re sc re e n is ful ly e n ric h e d, th u s a ll co lo rs b e c o m e m o re v ib ra n t. N a tu re S k in : Wh e n " N a tu ra l S k in" is t urn e d o n , th e re d a n d y e llo w c o lo rs a re e n ric h e d [...]
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Page 11
S k y B lu e: W he n " S k y B lu e " is tu rn e d o n , th e co lo r b lu e is b e ing f ine -tu n e d s o th a t th e s k y o r o c e an la nd s c ap e w ill lo ok m o re v iv id a nd in -d e p th . " S ky B lu e " se tt in g is id e al fo r vie w in g s ky a nd o c e an i ma g e s. A u to D e te c t: Wh e n “A u to D e te c[...]
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Page 12
2 ) H o w to u se P ic tu re B oo s t? U s e rs c an c h an g e th e c o lo r s e t ti n gs o f a se lf -s e le c te d z o n e o n th e s cre e n. T h e s iz e a n d p o s itio n o f th e se le c te d z o ne c an a lso b e a dju s te d. " P ic tu re B o o s t" is lo ca te d in th e f if th ic o n la b e le d " P ic ture B o os t"[...]
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Page 13
H o w to U s e D C R ? G o to t h e f irs t O S D ic o n la b e le d " L u m in a nc e " , tu rn o n o r o ff D C R a s de s ire s. D C R b o o s ts th e c o n tra s t s b e tw e e n lig h tn e s s & d ark ne ss a nd e na b le s th e v ie w e r to s e e m ore la ye rs a n d d e ta ils o f the p ic tu re , e s p e cia lly in the d ark [...]
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Page 14
F u n c t io n C o n tro l I llu s t ra t io n L u m in an c e A d ju s t R a n ge D e s crip tio n B rig h tn e ss 0 -1 00 B a c kl igh t A d ju s tm e n t C o ntr a st 0 -1 00 C o ntr a st f ro m D ig ita l-r e g is te r. E c o m o de S ta nd a rd S ta nd a rd M o d e T e x t T e x t M o d e In te rn e t In te rn e t M o de G a me Ga me M o de M [...]
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Page 15
E x tra A u to C o n fig y e s or no A u to a d ju st th e p i c tu re to d e fa u lt R e se t y e s o r no R e se t th e me n u t o d e fa u l t D D C -C I T u rn O N /O F F D D C -C I S u p po rt In fo r m a tio n S h o w th e in fo rm a tio n o f th e m a in i m a ge a nd s u b - i m ag e s o urc e L E D In d ic a to rs S ta tu s L E D C o lo r [...]
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Page 16
F re q u e n tl y A sk e d Q u e s tio n s P ro b le m & Q ue s ti o n P o ss ib le S o lu tio n s P o w e r L E D Is N o t ON M ak e s ure th e po w e r b u tto n i s O N a n d th e P o w e r C ord i s p ro pe rly c o nn e cte d to a g ro u n d e d p ow e r o u t le t a n d to th e m on ito r. N o P lu g & P la y In o rd e r fo r t[...]
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Page 17
S p ec if ic a ti o n s L C D P an e l M od e l n u m b e r 9 17 S w D riv ing s y ste m T F T C o lor L C D V ie w a ble I m a g e S iz e 4 8 1 m m d ia go a n l P ix e l p itc h 0 .2 8 35 m m (H ) x 0 .2 83 5 m m (V ) V id e o R , G , B A n a lo g ln te rfa ce S e p ara te S y n c . H /V T T L D is p lay C o lo r 1 6.7 M C o lo rs D o t C lo c k [...]
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Page 18
P re s et D i sp la y M o d es S T A N D R E S O L U T I O N H O R IZ O N T A L F R E QU E N C Y (k H Z ) V E R T IC A L F R E QU E N C Y (H z ) D o s- m od e 7 20 × 4 0 0 3 1.4 7k H z 7 0.0 H z V G A 6 40 × 4 8 0 3 1.4 7k H z 6 0.0 H z 6 40 × 4 8 0 3 7.5 0k H z 7 5.0 H z S V G A 8 00 × 6 0 0 3 7 .8 7 9 k H z 6 0.0 H z 8 00 × 6 0 0 4 6 .8 7 5 [...]