Casio LK100AR1A manual

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38

Go to page of

A good user manual

The rules should oblige the seller to give the purchaser an operating instrucion of Casio LK100AR1A, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.

What is an instruction?

The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of Casio LK100AR1A one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.

Unfortunately, only a few customers devote their time to read an instruction of Casio LK100AR1A. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.

What should a perfect user manual contain?

First and foremost, an user manual of Casio LK100AR1A should contain:
- informations concerning technical data of Casio LK100AR1A
- name of the manufacturer and a year of construction of the Casio LK100AR1A item
- rules of operation, control and maintenance of the Casio LK100AR1A item
- safety signs and mark certificates which confirm compatibility with appropriate standards

Why don't we read the manuals?

Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Casio LK100AR1A alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Casio LK100AR1A, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Casio service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Casio LK100AR1A.

Why one should read the manuals?

It is mostly in the manuals where we will find the details concerning construction and possibility of the Casio LK100AR1A item, and its use of respective accessory, as well as information concerning all the functions and facilities.

After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.

Table of contents for the manual

  • Page 1

    LK100AR1A A            CASIO COMPUTER CO.,LTD. 6-2, Hon-machi 1-chome Shibuya-ku, Tokyo 151-8543, Japan MA0603-A Printed in China LK100AR1A C                                            [...]

  • Page 2

    MIDI Implementation Char t Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO O : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO X : No Function ... Transmitted Recognized Remarks Basic Default Channel Changed Default Mode Messages Altered Note Number True voice Velocity Note ON Note OFF After Key’s Touch Ch’s Pitch Bender 1 Control 6, 38 Chang[...]

  • Page 3

    AR-1 662A-A-003A                            ( )              ?[...]

  • Page 4

    AR-2 662A-A-004A                       !?[...]

  • Page 5

    AR-3 662A-A-005A -+ .'/ 01          ,             2 (?[...]

  • Page 6

    AR-4 662A-A-006A      )*+ AC ●    AC               • ?[...]

  • Page 7

    AR-5 662A-A-007A I6 JJ •        LCD                LCD , [...]

  • Page 8

    AR-6  + =  L    "  <   ❐ JO P@ QB JR 3 D/H/ AS6 •                                                    , ?[...]

  • Page 9

    AR-7 W ! 3 a  b                   cccccccccccccccccccccccc AR-1  + =  L    "  <   ccccccccccccccccccccccccc AR-6 (   5 @  ] ccccccccccccccccccccccccccccccccc AR-8                       ?[...]

  • Page 10

    AR-8 E J E D C F H I ** ** * G M N O P Q R 1 2 3 7 8 0 A B 9 4 6 5 L K 662A-A-010A       [...]

  • Page 11

    AR-9 1                      MIC V OLUME 2      POWER/MODE 3           PO WER 4       MAIN V OLUME 5     DEMO 6     KEY LIGHT ● RHYTHM CONTROLLER              7[...]

  • Page 12

    AR-10 1          POWER/MODE      NORMAL  2         SONG BANK  3                                        ,               [...]

  • Page 13

    AR-11                                                                                 AC   ?[...]

  • Page 14

    AR-12 •                                                                AC  •             AC       ?[...]

  • Page 15

    AR-13 1 2 3                                                                                     ?[...]

  • Page 16

    AR-14 •                    on/off                                                            [...]

  • Page 17

    AR-15 BASS PIANO      PERCUSSION       99  • PERCUSSION        99                                                         ?[...]

  • Page 18

    AR-16 5 O  P Q    R    . S J*  T2 B2                                                          ?[...]

  • Page 19

    AR-17 ❚    +  •                                                     ,                            [...]

  • Page 20

    AR-18 9            TEMPO                 •                       TEMPO                   ,              ?[...]

  • Page 21

    AR-19 C Caug ( * 1) Cm7 C7  5 ( * 1) Cmadd9 Cm Csus4 CM7 C7sus4 CmM7 Cdim C7 Cm7  5 Cadd9 Cdim7 ( * 1) * 1            ,                                                [...]

  • Page 22

    AR-20  E I d  -  _   K   e    0     f  g             ST ART/STOP                                           [...]

  • Page 23

    AR-21                                                                                   ?[...]

  • Page 24

    AR-22 < 9                    ,         ST AR T/STOP         = 9                    ,         SONG BANK         •   ?[...]

  • Page 25

    AR-23 ('_& >_5?@ -A B+&C QF# >41  GHIE ,?                                     00    83         ?[...]

  • Page 26

    AR-24 DEF# >4 GRW  9         KEY LIGHT  •           KEY LIGHT                                       •         KEY LIGHT    ?[...]

  • Page 27

    AR-25     % :    ' ( ) * + & , &   - ,  9       STEP 3  •             ,          STEP 3  •                      9          [...]

  • Page 28

    AR-26      - h &  X ^ ' >        * + $                                  ,                            84    99 [...]

  • Page 29

    AR-27 MIDI          MIDI ?      MIDI                                                                    [...]

  • Page 30

    AR-28 TEMPO RHYTHM SONG BANK          LOCAL CONTRO L                           GM                                        ?[...]

  • Page 31

    AR-29                                                                              [...]

  • Page 32

    AR-30    •       •      •     •  MIDI    ?[...]

  • Page 33

    AR-31    ! " : LK-100   #     $ % & :                ,               ' (    )     :                              ?[...]

  • Page 34

        A-1               GM 662A-A-034A 00 GRAND PIANO 01 BRIGHT PIANO 02 HONKY-TONK 03 E GRAND PIANO 04 ELEC PIANO 1 05 ELEC PIANO 2 06 ELEC PIANO 3 07 ELEC PIANO 4 08 HARPSICHORD 09 CLAVI 10 ELEC ORGAN 1 11 ELEC ORGAN 2 12 ELEC ORGAN 3 13 ELEC ORGAN 4 14 CHURCH ORGAN 15 PIPE ORGAN 16 REED ORGAN 1[...]

  • Page 35

               A-2 662A-A-035A POPS 00 CLUB POP 01 FUNKY POP 02 SOUL BALLAD 03 POP BALLAD 04 LITE POP 05 16 BEAT FUNK 06 8 BEAT POP 07 POP ROCK 08 DANCE POP 09 POP FUSION 10 FOLKIE POP ROCK 11 ROCK WALTZ 12 SLOW ROCK 13 SOFT ROCK 14 50’S ROCK 15 60’S SOUL 16 4 BEAT ROCK 17 ROCK 18 TWIST 19 NEW ORLNS R&R 20 R&[...]

  • Page 36

    1 2 3 4 5 :                                 ! " # $  % &  $ ' (FINGERED CHORD)                                       [...]

  • Page 37

    *                FINGERED                           ,                                            ?[...]

  • Page 38

    MIDI Implementation Char t Function ... Transmitted Recognized Remarks Basic Default Channel Changed Default Mode Messages Altered Note Number True voice Velocity Note ON Note OFF After Key’s Touch Ch’s Pitch Bender 1 Control 6, 38 Change 7 10 11 64 1 1 Mode 3 X ❊❊❊❊❊❊❊❊❊❊❊❊❊❊ 36-96 ❊❊❊❊❊❊❊❊❊❊❊?[...]