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Genesis Advanced Technologies G7.1c manual

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Table of contents for the manual

  • Page 1

    ver 1.0 1 1 1 1 absolute fidelity  R E A D T H I S F I R S T Genesis loudspeakers in general are heavy an d slippery. Th is is as a result of the fine veneer, and high gloss f inishes that we put on the spea ker to make them beautiful and an object of art. T hey have a luxurious feel a s well as an elegant lo ok. The cabine t is solidly made of [...]

  • Page 2

    ver 1.0 2 2 2 2 absolute fidelity  O w n e r s M a n u a l a n d S e t - u p G u i d e : G e n e s i s 7 . 1 C o n v e r t i b l e L o u d s p e a k e r C o nt e n t s 1 A QUICK START SET -UP GUIDE 5 1.1 U NPACKING 5 1.2 P LACEMENT 5 1.3 C ONNECTIONS 6 1.4 A DJUSTME NTS 6 2 SETTING UP: MULTI-CHANNEL 7 2.1 P OSITIONING FOR C ENTE R C HANNEL 7 2.2[...]

  • Page 3

    ver 1.0 3 3 3 3 absolute fidelity  4.2.2 T ITANIUM M ID -W OOFER 15 4.3 C ROSSOVE R 15 4.4 V IBRATION - FREE C ABINE T 16 5 SPECIFICATIONS 17[...]

  • Page 4

    ver 1.0 4 4 4 4 absolute fidelity  A M e s s a g e f r o m G e n e s i s Congratulations! You are now the owner of one of the finest loudspeake rs in the world. The Genesis 7 .1 Convertible (G 7.1c) features the world’s first solid titanium c one mid-woofer, and shares technologies d eveloped for our flagship Genesis 1.1. The G7.1c is designed[...]

  • Page 5

    ver 1.0 5 5 5 5 absolute fidelity  1 A Q u i c k S t a rt S e t - u p G u i d e N ow t h at y ou ha v e y o ur ne w G en es i s 7 . 1 C o n v e rt i bl e ( G 7 .1 c) , w e r ea l iz e t ha t y o u c an ’ t w a it t o h o ok i t u p a n d s ta r t p la yi ng ! H ow ev er , p le as e r ea d t hi s q ui c k s et - up g ui d e ( ev en i f yo u r d[...]

  • Page 6

    ver 1.0 6 6 6 6 absolute fidelity  ( 13 . 6 kg s) e ac h, a n d c an ca u s e de at h or s e ve r e i nj u ry i f i t fa ll s o n s om eo ne ’ s h e ad ! 1 . 3 C o n ne c t i o ns Th e s pe ak er s s h ou ld b e c on ne c te d d i re c tl y t o th e s pe ak e r - l ev el ou tp u t o f y ou r p ow er a mp l if i er s u s in g h i g h q ua l i t[...]

  • Page 7

    ver 1.0 7 7 7 7 absolute fidelity  2 S e t t i n g u p : M u l t i - c h a n n e l 2 . 1 P o s i t i o n i n g fo r C e nt e r C h a nn e l A g ood star ting p osit ion is for the G7.1 c to b e p l ac e d h or i z on ta l ly a bo ut 2 0 i nc he s f r om th e f l oo r , a nd a ng l ed up w ar d s by 3 t o 5 de g re e s. Th i s i s a ss u m i ng t[...]

  • Page 8

    ver 1.0 8 8 8 8 absolute fidelity  3 S e t t i n g u p a s S t e r e o P a i r 3 . 1 P o s i t i o n i n g U se d a s a st e re o pa i r , t h e G 7. 1c s ho ul d b e p l ac ed ve r ti ca l ly at l ea s t 1 8 i nc h es ( 0. 45 m) in t o t he r oo m a s m e as ur ed fr o m t he fr on t w al l ( t he w al l y o u l o o k at a s yo u a r e s ea t e[...]

  • Page 9

    ver 1.0 9 9 9 9 absolute fidelity  3. 2. 2 T we et er D ef ea t Th e o pt i ma l w ay to us e t he se sp e ak e rs as a s t er eo p ai r i s to l ea v e t h e r ea r t w ee t er s o n, a nd ru n th e m a s di po l e a nd at le a s t 1 8 -i nc he s fr om th e fr on t w al l . H ow ev er , i n s om e c as es , th i s ma y n ot b e po ss i bl e. S [...]

  • Page 10

    ver 1.0 10 10 10 10 absolute fidelity  no less than 5 feet apart. If th e image i s still to o big, t oe the speaker s in a slight amount. C on v er se ly , i f th e i m ag e i s t oo s m al l , mo v e th e s pe a ke r s ap ar t. Th e s pe ak er s s ho u ld b e no mo r e th an e ig ht fe et a p ar t. R ep ea t t hi s pr oce ss unt il y ou have i[...]

  • Page 11

    ver 1.0 11 11 11 11 absolute fidelity  3 . 6 D e fi n i n g t h e S o u n ds t a g e A co mm on p ro bl em i s a te nd en cy t o se pa ra te t he s pe ak er s t oo f ar fr om e ac h o t h er . T hi s g iv es a n un n at u ra l ly w i de so un d st ag e be t w ee n t he tw o s pe ak er s , an d c re at es p r ob l em s b ey on d th e un n at u r [...]

  • Page 12

    ver 1.0 12 12 12 12 absolute fidelity  S id e wa ll s . B ec a us e t h e s pe ak er is a di po l e, i t i s l es s s e ns i ti v e to t h e si de w al ls . H ow e v e r, a s a ru l e o f t hu mb it is a go o d i de a t o k ee p t he s pe a ke r a s fa r aw ay fr om t he si de wa ll s as i s pr act ic al . In s om e roo ms , i t m ay b e he lp f[...]

  • Page 13

    ver 1.0 13 13 13 13 absolute fidelity  fi ne - t un i ng y ou r s y s te m b ec au s e, i f e v er y r ec or di ng y ou l is t en t o h as a s im i la r it y o f s ou nd ( to o m u c h or to o l it tl e of a c er ta i n f r eq u en cy f or i ns t an ce ) , t he n y ou c an be fa ir ly c e rt a in t ha t y ou h av e y et to p e rf e ct yo u r s e[...]

  • Page 14

    ver 1.0 14 14 14 14 absolute fidelity  4 T h e T e c h n o l o g y u s e d 4 . 1 D i p o l a r C o n fi g u r a t i o n Wh a t a l ot o f p eo p le d on ’t re a l iz e i s t h at t h e ro om i s a s b i g ( if n o t bi gg er ) , a p ar t o f t he ir m u si c s y s te m as ar e th e l ou ds pe a ke r s. At Ge n es i s , w e s tr iv e to g et th[...]

  • Page 15

    ver 1.0 15 15 15 15 absolute fidelity  r i b bo n/ e l ec t ro s ta ti c d es i g ns , w i th ou t t he hi gh di s to r ti o n a nd p o or d is p er s io n th at is ty pi c al l y a s s oc i at ed w it h t he m. Th e G 7. 1c us es t w o o f th es e t w ee te r s p er ch a nn e l. On e i s fr o nt - fi r in g a nd t h e o th er r ea r -f i ri n g[...]

  • Page 16

    ver 1.0 16 16 16 16 absolute fidelity  4 . 4 V i b r a t i o n - f r ee C a bi n et Th e c ab i n et w as d es i gn ed fo r ae s th et ic s , b ut wi th a n o bs es s i on to so ni c q ua l it y , v ib r at i on c on tr ol , s t ru c tu r a l s tr e ng t h an d r ig id i ty . I n s o me pa rt s of t h e c ab i ne t w he r e v ib r at i on w ou l[...]

  • Page 17

    ver 1.0 17 17 17 17 absolute fidelity  5 S p e c i f i c a t i o n s  F re q ue n cy R e sp on s e: 5 0H z t o 3 6k Hz , ± 3 dB  S en si ti v i ty : 8 7 dB , 1 w at t 1 m e te r  M in / Ma x Pow er ( T u be ) : 4 5/ 25 0 w at t s p er s id e  M in / Ma x Pow er ( S ol id St a t e) : 6 0/ 50 0 w at t s p er s id e  I np ut I m p e[...]