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Kodak EASYSHARE LS443 manual

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Table of contents for the manual

  • Page 1

    KO D AK EA SY SH AR E LS 443 Zo om D i git al C ame ra Us e r ’ s G u id e V i si t K oda k on the W o rl d Wi de W eb a t w w w .kod ak .c o m[...]

  • Page 2

    Ea st man K oda k Co mpan y 343 St at e St r eet R o ch es te r , N ew Yor k 14 6 50 © E as tm an Ko da k Comp an y , 2002 Kod ak a nd E as yS har e ar e tra dem ark s of Ea st m an K oda k Co mp a ny . P/ N 6B8 176[...]

  • Page 3

    i Pr o d u c t O v e r v i e w Fr o n t V i e w 1 S hut t er b ut to n 7 Mic ro pho ne 2 Fl as h bu tt on 8 V i e w fin d er 3 Se lf T im er /B u rs t b u tto n 9 L e ns 4 S pea ke r 1 0 Le ns t hr ea d ri ng 5 Li gh t se ns or 11 F la sh u ni t 6 Lo w L ig ht A uto F o cu s/ Se lf tim e r LE D 12 W r ist st ra p po st 8 1 2 3 5 12 7 6 9 11 4 10[...]

  • Page 4

    ii Pr o d u c t O v e r v i e w Ba c k V i e w 1 Zoo m ( Wi de An gl e an d Te le ph ot o) 7 Po wer li gh t 2 Wri st st ra p po st 8 Me nu bu tton 3 S h ar e bu tto n 9 Jo ys ti ck /O K b utt on /p re ss 4 Rev i ew bu tt on 10 Mo de d ia l 5 LCD ( pi ct ur e, vi de o disp la y) 11 R ea dy l ight 6 D e le te b utt on 1 2 Vie w fi nd er 12 6 1 2 10 3[...]

  • Page 5

    ii i Pr o d u c t O v e r v i e w Side V ie ws 1 Sl ot fo r op t io n al M M C /S D ca rd 2 A/ V O ut 3 D C In 4 US B p or t 4 2 1 3[...]

  • Page 6

    iv Pr o d u c t O v e r v i e w B ottom Vie w 1 Bat t er y do or 2 Tr ip od s ock et 3 Doc k co nne ctor 3 2 1 2[...]

  • Page 7

    v Tabl e o f Cont ents 1 Getti ng Sta rt ed . .. ... .. .. .. .. .. .. .. .. .. .. ... .. .. .. .. .. .. .. .... ... .. .. .. .. .. .. .. .. .1 In stal l Soft w ar e F i rs t ... ... ... ... ... ... ...... ... ... ... ... ... ... ... ... ... ... ... ... ... . 1 N e e d This G uide in L arg e r Pri nt?. ... ... ... ... ... ... ... ... ... ... ... ..[...]

  • Page 8

    vi Livev iew—Using t he L CD to Fra me Your Subj e ct .. ... ... .. 18 Quic kv i ew—Revi ewing the P icture Jus t T ak e n .. ... ... ... ... .. 19 Usin g t he A uto Focus Framing Mark s . ... ... ... ...... ... ... ... ... . 20 Usin g t he Optica l Zoom .. ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... .. 21 Usin g t h[...]

  • Page 9

    vi i 4 R evi ew in g Pic ture s and V i deos .. .. .. .. .. .. .. .. .... ... .. .. .. .... .. . 41 P icture and Vid eo Icons ... ... ... ... ... ... ... ... ... ... ... ... ... ...... ... ... ... ... .4 1 V iewing Si ngle P i ct ure s and V i deos ... ... ...... ... ... ... ... ... ... ... .. 42 V iewing M ulti ple P icture s a nd Vi deos .. ... .[...]

  • Page 10

    vi ii Turni ng Of f t he Low Li ght Aut o Focus L ED.. ... ... ... ... ... ... . 58 Setting V ideo Out ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ...... . 58 Selecti ng a Language .. ... ... ... ... ... ... ... ...... ... ... ... ... ...... ... ... ... ... . 59 Forma tti ng I nte r na l M e m o ry or M MC/ SD Ca[...]

  • Page 11

    ix 1 1 Ap pe ndix . .. .. .. .. .. .. .. ..... .. .. .. .. .. .. .. .. .. ..... .. .. .. .. .. .. .. .. .. ... .. .. .. .. .... 9 3 C a me ra Specif icat i ons .. ...... ... ... ... ... ... ... ... ... ... ...... ... ... ... ... ..... 93 Ori gi nal Fact ory Set tings — C a me r a ... ... ... ... ... ...... ... ... ... .. 95 Upgr adin g Your Soft [...]

  • Page 12

    [...]

  • Page 13

    1 1 G etti ng Sta r ted In s tall S oft ware F irst In st all th e so ft wa re f ro m th e K OD A K EA S YS H AR E So ft w ar e C D bef or e co n ne ct in g t he c ame ra ( o r c am e ra d o ck ) to th e co m p ute r . F a ilu re to d o so ma y ca us e th e s of twa re to l oa d in co rr ec tly . Se e th e Qu ic k St ar t G u id e or WI NDOWS S ys [...]

  • Page 14

    2 Ch a pt er 1 What C an I D o Wi th My Cam e ra? C a pt ur e S til l Pi ct ur e s — En jo y po in t- an d- sh oot ope ra t io n wi th f l as h, se lf t ime r , and z oo m fe at ur es . Us e A ut o, Spo rt, N ig ht , L an ds cap e, and Cl os e- up mod es to ex pa nd y our c ap ab il i ti es . Cap tu re V i deos wit h Sou nd — Ca pt ur e vi de o[...]

  • Page 15

    3 Cha p ter 1 Pa ck ag e Co n te n ts No t s hown: U se r’ s G u id e, Q uic k S tar t G u id e, K OD A K EA SY S H AR E So ft wa re C D . (I n so m e co un tr ie s, th e Us er ’ s G ui de is p ro vi de d on a C D in st ea d o f in p ri nt ed fo rm .) 1 Ca m er a 5 W ri st st r ap 2 Ca m er a Do c k 6 AC a d ap t e r 3 Au di o/ Vi de o ca b le [...]

  • Page 16

    4 Ch a pt er 1 Attach ing the Wris t Strap 1 T hr ea d th e sh or t loo p o f t he w ri st st ra p th r ou gh t he w ri st st ra p po st . 2 T hr ea d th e lo ng lo o p th ro ug h th e sh or t l oop . Pu l l un ti l sec ure. Sh or t Lo ng lo op l oop[...]

  • Page 17

    5 Cha p ter 1 L oa di ng th e Ba tt er y CAUTIO N: W e re comme nd us ing onl y a KODAK EA SYS HARE Li- Ion Re cha r g eab le B at ter y . F or i mpor ta nt ba tt er y and w arr anty in fo r m at io n , s ee Using t he Ba tt er y , pa ge 10 0 . 1 T u r n off th e ca m e ra . 2 Op e n th e b a tte ry d oo r . 3 Or ie nt th e ba tt er y as sh o wn . [...]

  • Page 18

    6 Ch a pt er 1 Mod e D ia l Sett ing s T o us e in di vid u al mod e s, se e pa ge 1 3 . * T o tu rn o n th e f la sh , s ee pa ge 22 . I con Mod e Pur pos e Of f Tu rn s off th e c am e ra . Au to Fo r ge ne ra l pi ct ur e- t ak in g. A ut oma tica l ly s et s ex po sur e a nd f ocu s. Fl as h f ir es i f nee ded . S port F or su b jec ts th at a[...]

  • Page 19

    7 Cha p ter 1 Turnin g On th e Camera T urn t h e Mode dial f r om Of f t o an y othe r p os it i on. Th e Po w er l i g ht gl ow s g re en . Th e re ad y l i gh t bl in ks w h ile t he c am e ra p er fo rms a sel f-c hec k, th en gl ow s gr ee n w hen t he ca m e ra is re ady to ta k e pi ct ur es ( or video s, if th e mod e di al i s se t t o ). [...]

  • Page 20

    8 Ch a pt er 1 S et ti n g th e D a te a n d T i me T h e D at e & T i m e s cr ee n is d is pl ay ed th e fir st t im e yo u t ur n o n th e c am e ra o r if t he b at ter y is re m ov e d f or m o re th a n 10 m in u te s. If th is is th e fir st tim e t he ca mer a ha s be en t ur ned o n, go t o St ep 3 . T o set t he d at e an d time a fte[...]

  • Page 21

    9 Cha p ter 1 Ch ec k ing Came ra St atu s B ar T o ch ec k th e cu rr ent ca m er a se tt i ng s, tu rn th e M o d e dia l fro m t he O ff p os iti on . Fo r fla sh i co ns , s ee pag e 22 . Fo r Sh ar e ic on s, se e p age 5 1 . S t at us Ba r Ic on s ( To p of L CD) Scre e n Ico ns (Botto m of LCD) S tatus Ba r Scree n Ic on D a te st am p Bu rs[...]

  • Page 22

    10 Ch a pt er 1 Inse rting an MM C/SD Card Opt i ona l MMC /S D car ds pro vi de r emo va bl e, re us abl e s to ra ge f or pi ct ur es a nd vi de os . CAUTIO N: T h e ca rd ca n o nl y be i ns e rt ed o n e w ay ; fo rc in g it m a y dama ge the ca mer a or ca rd. Do not in ser t or r emo ve a c ard wh en t he gr ee n rea dy l ig ht is b linki ng [...]

  • Page 23

    11 Cha p ter 1 Choos ing In ternal M e mory or M MC/SD Card T he c am er a of f er s t wo op ti on s f or s to ri ng pi ct ur es a nd v id eo s: I nternal Memory — st or e pi ct ur es and v i deo s i n in t er nal m emo ry . MMC/SD Ca rd — s t or e as ma ny p ic tu re s an d vi de os as y ou l ik e, de p en di ng o n th e siz e of th e ca rd . [...]

  • Page 24

    12 Ch a pt er 1 C heck ing Yo ur S torag e S e ttin g In St i l l a n d Vid e o m od e s , th e st or ag e lo ca ti on i co n th at a pp ea rs i n th e sta tu s ba r in dica te s t he c ame ra ’ s s to ra g e l oc at io n. T o c h ec k th e lo ca tio n , e ith e r: m T urn th e M od e di al fr om th e O f f p os it ion , or m In any cap tu re m o[...]

  • Page 25

    13 2 Ta k i n g P i c t u r e s Th e ca m e ra is re a dy to t ak e pi ct ur es w he n yo u tu rn i t o n — ev en i f you are in R evi e w , Sh ar e, o r S et up. (I n V i deo mo de , t he c am er a c apt ur es vi de o. ) Be f o re yo u ta ke a p ic tu re , m a ke s ur e yo ur p ic tu re st or ag e lo ca ti on is s et th e w ay yo u wa nt it (s e[...]

  • Page 26

    14 Ch a pt er 2 U sing t h e Low Lig h t Au t o Focus LE D W h en t he S hu tte r bu tt on i s p re s se d ha lf -w a y d ow n in lo w li gh t, th e L o w Lig h t A ut o Fo cu s LE D m a y e m it a br ie f b e am o f lig h t. T h is lig h t il lu m in ate s th e su bj ec t s o th at : m Th e ca mer a ca n fo cu s mor e ef f ect i ve l y . m Y o u g[...]

  • Page 27

    15 Cha p ter 2 Tak i ng Pictur e s in Nigh t M ode Us e th is m od e fo r ni gh t s c en es o r l ow lig ht c on di tio n s. Th e fl as h i llu m in a tes c lo se s ub je ct s. A l ong er e xp osure cap tu re s mor e de t ai l of ba ckg ro und su bj ec ts . T h e L o w Li gh t Au to F oc us L ED (s ee pa ge 1 4 ) tu rn s on a s ne ed ed t o as si s[...]

  • Page 28

    16 Ch a pt er 2 Tak ing P ict ures i n La nd sc a pe Mod e Us e th is mode to c apt u re d is ta nt su bj ect s , s uch a s l an ds cap e sc en es . 1 T urn th e M od e d ial to . Th e LCD d is pl ay s a m od e de sc ript io n. T o in te rr upt th e de sc ri pt io n, p re ss . 2 P re ss th e Sh u tte r bu tt on h a lf- w a y to se t t he e xpo su r[...]

  • Page 29

    17 Cha p ter 2 T ak in g P i ct u res i n C los e-u p Mo d e Us e th is m od e to c ap tu re s ub je ct s 6 to 27 .5 i n. (1 3 to 7 0 cm ) f ro m th e le ns . 1 T urn t h e Mode dial t o . Th e LC D d is pl ay s a m od e de sc ri pt io n . To in te rr up t th e de sc ri pt io n , p re ss . 2 P re ss th e Shu t te r bu tton ha l f-w a y to s et t he[...]

  • Page 30

    18 Ch a pt er 2 Live vie w — Us in g t he L C D to Fr a m e Your Su bj ec t W h en yo u tu rn on Li ve vi ew , t he L CD d isp la ys a l ive im a ge of w ha t th e len s s ee s . Us e th e LC D to fra me y our sub j ect . 1 T urn th e M od e d ial to a n y S ti ll p o sit io n. 2 P re ss th e O K bu tto n to t ur n on L iv ev ie w . 3 Fr ame y ou[...]

  • Page 31

    19 Cha p ter 2 Quic kview — R ev i ewi n g t he P ict u re Ju st Take n Af te r y ou t ak e a pi ctu r e, th e LC D d isp la ys a Q ui ck vi ew o f th at pi ct ur e fo r a ppr ox i ma tel y 5 s eco nds . Wh ile the p i ct ur e is di spla ye d, y ou c an : m Re v i e w i t : If yo u t ak e n o ac t i on , t h e pi ct ur e is sa ve d. m S har e it [...]

  • Page 32

    20 Ch a pt er 2 Us in g t he Au to Foc u s F ra mi ng Ma rk s F or t he b es t p o ss i bl e pi ct ur es , t he c am e ra a tte m pt s to fo cu s on f or eg ro u nd su bj ec ts ( ev en if th e sub ject s a re n ot cen te re d in th e sc en e). N O TE : Au to F oc u s f ra m in g ma r ks a pp ea r on ly w he n th e LC D is t ur ne d on . F rami n g [...]

  • Page 33

    21 Cha p ter 2 U s i ng t h e Optical Zoom Us e O pti ca l Z o om t o ge t u p to 3X c lo se r t o yo ur su b je ct . W h en yo u tu rn o n th e c am e ra , t he l en s ex te nd s to t h e Wid e An gl e po si ti o n. 1 Us e th e vie w fin d er o r L C D to fr am e y ou r su bj ec t. 2 P re ss t h e T e le ph o to ( T) b ut t on t o zo om in . Pr es[...]

  • Page 34

    22 Ch a pt er 2 Us in g t h e F la s h Us e th e f la sh wh en y ou t ak e pi ct ur es at n ig ht , i nd oor s , or out do ors in heavy s ha d ow s. T he f l as h se tt ing c an b e ch a ng ed i n an y Sti ll m od e ; th e d ef au lt fla sh s et tin g is re st or ed w h en y ou e xi t t he m o de o r tu rn o ff th e c a m er a. Fl ash Ra nge m Wid [...]

  • Page 35

    23 Cha p ter 2 Flash Settin gs In Each Mo d e Other F la s h S cre en Infor m atio n Wh en t he C us to m i c on ap pe ar s i n th e s t at us b ar , pr es s t he Fl a sh b ut to n. Th e LC D d is pl ay s th e fea t ur es th a t a r e cu rr en t ly se t. Ic on Mode Defaul t Fl ash S e tti n g Av a ila b le Fl as h S et tin g s Ca mer a Retu rn s to[...]

  • Page 36

    24 Ch a pt er 2 Put ting Yours elf in th e Pic ture The Sel f T im er cr eat e s a 10 -sec ond d el ay bet we en t he t i me yo u pr ess t he S hu tt er b ut to n an d th e t im e th e pi ct ur e is ta ke n. 1 Pl ac e t he c amer a on a fl at su rf ac e or u se a tr ip od . 2 I n a n y S ti ll m od e, p re ss th e Se lf T i m e r bu tt on . Th e Se[...]

  • Page 37

    25 Cha p ter 2 Taki ng a Bu r st S er ie s of P ict ur es Bu r st le ts yo u to ta ke u p to 3 p ic tu re s i n qu ic k su cc e ssi on . Bu rs t is id ea l f or ta ki ng p ic tu re s o f sp or tin g e ve nts o r m ov in g ob je ct s. W he n yo u us e th e Bu rs t fe at ur e, th e Fl as h an d th e S e lf T im e r a re d is ab le d. T u rn O n B u r[...]

  • Page 38

    26 Ch a pt er 2 Still Me nus I mag e Stor ag e( pa ge 11 ) Foc us Z on e ( p age 3 2 ) Ex po s ur e Co m pe n sa tio n ( pa ge 2 7 ) IS O Spe ed ( pag e 33 ) Wh ite B alance ( pa ge 2 8 ) Lon g Ti m e E xpo su re ( pa ge 3 4 ) Pi ctu r e Q u al ity ( pa ge 2 9 ) Dat e St a m p ( pa ge 3 5 ) Co lo r M od e ( pa ge 30 ) O r ie nta ti on S en so r ( p[...]

  • Page 39

    27 Cha p ter 2 Se tt i ng E x po su re C o mp en sa tio n Us e Ex po s ur e C o m pe ns at i o n t o c o nt ro l h ow m u ch li gh t e n t er s t he c am e ra . T hi s s et t in g is us ef ul f or ta ki ng p ic t ure s i n ve ry l a rg e ro oms , un der lo w li gh t, w ith ou t a fla sh . A dj us t t he e xpo su re b y pl us or mi nu s 2 step s i n[...]

  • Page 40

    28 Ch a pt er 2 Sett ing Whi te Balanc e W h ite s ca n lo ok w h ite i n d a yli gh t , bu t di ffe re nt u nd e r o th er li gh ti ng c on d itio n s. U se W hi te B a la nc e t o c or re ct t he co lo r s hi fts tha t r es ul t fr om sh o ot in g p ic tur es und er di ff er en t l ig ht so urc es. 1 In a ny S t il l mo de, pr es s t he M e nu bu[...]

  • Page 41

    29 Cha p ter 2 S e t t in g Picture Qualit y Us e th e Qu a lit y s et tin g to s ele c t a p ic tu re re so lu ti on . 1 In a ny S til l m o de , pr es s th e M e n u bu tto n . 2 M ov e th e j oy st ick to hi gh li gh t Qu a lit y , t he n pr e ss th e OK b u tto n . 3 Hi gh li gh t a n o pti on : B est (4 .0 MP ) — f o r pr in ti ng up to 20 x[...]

  • Page 42

    30 Ch a pt er 2 Sett ing C olor M ode Us e Col or Mode t o c ont r ol c ol or to nes and m ood s. 1 In a ny S t il l mo de, pr es s t he M e nu bu tt on . 2 Mov e th e j oy st i ck t o hi gh li gh t Co lo r Mo de , th en pr es s th e O K b u tto n. 3 M o ve th e jo ys tic k to h ig hl ig ht an op ti on , t he n pr es s th e OK b utto n. Col or ( de[...]

  • Page 43

    31 Cha p ter 2 Setting E xposure M etering U se E xpo su re Me te rin g to e ns ur e th at th e pr ope r amo un t of li gh t e nt er s th e ca m er a le ns . 1 In a ny S til l m o de , pr es s th e M e n u bu tto n . 2 M ov e th e joy st ic k to h igh li gh t Ex po su r e M e te ri ng , then p re ss th e OK b u tto n. 3 M ov e th e j oy st ick to h[...]

  • Page 44

    32 Ch a pt er 2 Se tt i ng F ocu s Zone Us e th e Fo cus Zon e t o se le ct a la rg e or a con ce nt ra te d ar ea o f f oc us. 1 In a ny S t il l mo de, pr es s t he M e nu bu tt on . 2 M o ve t he jo ys ti ck t o h ig h lig ht F oc us Z on e , th en p re ss th e O K b u tto n. 3 M o ve th e jo ys tic k to h ig hl ig ht an op ti on , t he n pr es [...]

  • Page 45

    33 Cha p ter 2 Se tt i ng IS O Spe ed Th e IS O se tt in g c o ntr o ls th e c a me r a ’ s s en si tiv ity to li gh t. U se a lo w er IS O se tt ing in b rig h tly li t s ce n es ; u se a h ig he r IS O se tti ng fo r lo w -li gh t s c en es . N OTE: Hi ghe r I SO s pee ds ma y cr eat e a pict ur e that i s “ n o is ie r ” t han a pi ct ur e[...]

  • Page 46

    34 Ch a pt er 2 Se tt ing L o ng T i me E xp osu r e U se L o ng T i m e E x po su re t o co nt ro l h o w lo ng t he s hu tte r st ay s o p en . Se tti ng s ar e: Off , 0 .7 , 1 , 1. 5, 2, 3, a nd 4 s ec ond s. NOT E: L ong T i me E xpo su re c an not be u sed wit h E xpo su re C ompe ns at i on. If IS O s pe ed h as b ee n ch a ng ed , it is re s[...]

  • Page 47

    35 Cha p ter 2 Pl ac i ng th e Da t e o n P i ct ur es Us e th e Da te S ta m p se tti ng to i m pr in t t he d at e on y ou r pi ctu r es . 1 M ak e su re t he c ame ra c lo ck is s et to th e c or re ct d ate ( p age 8 ). 2 In a ny S til l m o de , pr es s th e M e n u bu tto n . 3 M ov e th e joy st ic k to h igh li gh t Da te S ta mp , th en p [...]

  • Page 48

    36 Ch a pt er 2 Setting t he O rie nt at ion S e n s or I f y ou r ot at e the c am e ra t o tak e a p ict ur e (f or e xa m pl e, a po rt ra it sh ot ), th e O r ien ta ti on S en so r re or ie nt s the p ic tu re s o tha t it is di sp la ye d co rr ec t sid e u p . T h e O r ie nt ati on S en s or is tu rn e d on a s t he d ef au lt . You c an tu[...]

  • Page 49

    37 3 Ta k i n g V i d e o s Us e th e Vid eo s ett in g to t ak e vid e os o r t o cu st om i ze vi de o -ta k ing s et tin g s. Be fo re yo u tak e a vi de o , m ak e s u re yo ur pic t u re st or ag e l oc at i o n i s se t th e wa y y ou wa nt it (s ee p age 1 1 ). N OTE: Fl as h i s no t av ai l ab le i n V i de o mode . Y ou c an c ha nge Opt [...]

  • Page 50

    38 Ch a pt er 3 Q u ickview — Re vie wi ng th e V ide o Ju st Taken A ft er yo u ta ke a v id eo , t he L CD di sp lay s th e fir st fr am e o f t he v ide o fo r a pp r ox im a tel y 5 se co nd s. W h ile t he fr am e i s d is pl ay ed , yo u ca n: m Rev ie w it : If yo u ta ke n o a cti on , th e v id eo is s av ed . m Pl ay i t: P re ss t he O[...]

  • Page 51

    39 Cha p ter 3 U s i ng t h e Optical Zoom Us e O pti ca l Z o om t o ge t u p to 3X c lo se r t o yo ur su b je ct . W h en yo u tu rn o n th e ca m er a, th e le ns i s s et to t he W id e An g le p os iti on . N OTE: Y ou ca n ch an ge Op ti ca l Z oom be fore (bu t n ot d ur in g) v id eo r ec or di ng. 1 Us e th e vie w fin d er o r L C D to f[...]

  • Page 52

    40 Ch a pt er 3 Put ting Yours elf in t h e Video The Sel f T im er cr eat e s a 10 -sec ond d el ay bet we en t he t i me yo u pr ess t he Sh ut te r bu t t on a nd t he ti me v id eo r ec ord in g be gi ns . 1 Pl ac e t he c amer a on a fl at su rf ac e or u se a tr ip od . 2 T u rn t h e M od e d i al t o Vi de o , t he n p re ss th e Se lf T i [...]

  • Page 53

    41 4 Revi ewi ng P i ct ur es a n d Vi d eo s Pr es s th e R e vi ew b u tto n to vi ew a n d wo r k w i th yo u r p ic t u re s an d vi de os . Re mem be r , pr es s th e Shu t t er bu tt on t o ta ke a pi ct ure any ti me, e ve n in R e vi ew . 1 Pr es s the R e vie w b ut to n. Th e LC D d is pl ay s th e las t pi ct ur e or v id eo ta ke n . 2 [...]

  • Page 54

    42 Chap ter 4 Vie w in g S in gle P ic t ures an d V ide os 1 Pr es s t he Re view b ut to n. 2 M o ve t he jo ys ti ck to s cr ol l b ac k wa rd o r fo rw a rd th ro u gh p ic tu re s an d vi de os. Fo r fas t sc ro l l i ng , pr es s a nd ho ld a bu tton . Vie w in g M ult iple P ic t ure s an d Vi deos 1 Pr es s t he Re vie w b ut to n. 2 E ith [...]

  • Page 55

    43 Ch a pt er 4 P lay i ng a Vid e o m T o play a vide o, p re ss th e OK bu t t on . T o pa us e, pr es s t h e O K bu tt o n du ri ng pl ay ba ck . m T o a dj us t t he v ol um e , m o ve t he jo y sti ck du ri ng p la yb ac k . m T o r ew in d a vi de o, m o ve th e jo ys tic k du ri ng p l a yb ac k . T o pl ay th e vi de o, p r e ss t he OK bu[...]

  • Page 56

    44 Chap ter 4 Re vie w Menus Ma gn if y ing Pi ctu r es Us e th e M ag ni fy fe at ure t o zo om in t o d if f er ent ar ea s of a pi ct ur e. 1 Pr es s t he Re view b ut to n, t h en l oca te a pi ct ur e. 2 T o mag ni fy at 2X, pr e ss th e OK bu tto n. T o m a gn ify a t 4 X , p re ss t he O K bu tt on a ga in . Th e pict ur e is ma gn if ie d. [...]

  • Page 57

    45 Ch a pt er 4 Pr ot ec t in g P i ct ur es a n d V i de o s Fr o m De l et ion 1 Pr es s th e Re vi ew b u tto n, th e n l oc a te th e pi ctu r e o r vi de o to p ro te ct. 2 P re ss t he M enu b ut t on. 3 M ov e th e j oy st ick to hi gh li gh t Pr ot ec t , th e n p r es s t he O K b ut ton . Th e pi ct ur e or v id eo i s pr ot ec te d an d [...]

  • Page 58

    46 Chap ter 4 Run ni n g a Sl i de Sh ow Us e th e Sl i de S how t o di s pl ay y our pi ct ur es a nd v i deo s on t he LCD . T o r un a sl i de s how o n a t el ev i s io n or on an y ex t ern al dev ice , se e pa ge 4 7 . S ta rting th e Sl id e Show 1 P re ss th e R ev ie w bu tt on , the n p re ss th e M en u bu tt on . 2 M o ve t he jo ys ti [...]

  • Page 59

    47 Ch a pt er 4 Turn ing On S lide Sh ow Loo p Wh en you t urn on L oop , t he s lid e sh ow is co nt in uou sl y r ep eated . 1 On t he S lid e Sh o w m en u , m o ve t he jo ys ti ck to h ig hl ig ht Lo o p, th e n pr es s the O K b ut t on. 2 M ov e th e j oy st ick to hi gh li gh t O n , th en p re ss th e O K bu tto n . Wh en y ou st ar t a s [...]

  • Page 60

    48 Chap ter 4 Copy in g Pic ture s and Vide os Y ou ca n co py p ic tu re s an d vi de os f r om a ca rd to i nt erna l memo ry or fro m in te rn al mem or y t o a c ard . Bef or e you c opy , make sur e t ha t: m A c ar d is in se rt ed in t he c am e ra . m The ca m er a ’ s pi c t u re s t or age l o ca ti on i s se t t o t he l oc at i on fro[...]

  • Page 61

    49 Ch a pt er 4 Disp l a yin g Vi de o Da te T o disp la y t he c apt u re d at e an d ti me ( only d uri n g vi de o play ba ck on th e ca m er a) : 1 Pr es s th e Re vi ew b u tto n, th e n p r es s t he M e nu b u tto n. 2 M ov e th e joy st ic k to h igh li gh t V i de o D at e Di sp la y , th en p r es s t he OK b ut t on. 3 M ov e th e j oy s[...]

  • Page 62

    [...]

  • Page 63

    51 5 T a gg ing Pictur es and Vi deos T he S har e bu tt on le ts you “ tag ” yo ur pi c tu re s an d vide os . Whe n t hey ar e t ra ns fe rr ed t o your co mput er , y ou ca n sh ar e: T agg ed Pi ct ur es m By p r i nt m By e m ai l m As F av or it es , fo r ea sy o rg a niz at io n on y ou r co m p ut er T agg ed V i deos m By e m ai l m A [...]

  • Page 64

    52 Chap t er 5 Tagging P ictures for Printing 1 P re ss th e R ev iew bu tt on , t he n lo ca te a pi ct ur e. 2 P re ss th e Sh ar e bu tto n . H ig hl ig ht Pr in t , t hen p re ss th e O K bu tt on .* 3 Pr es s to se l ect t he nu mber of c opie s (0 -9 9). Ze ro r emo ve s th e t ag f or t h at pi ct ur e. 4 P re ss th e OK b u tto n. P re ss t[...]

  • Page 65

    53 Ch a pt er 5 Tag gi ng Pictur es and Vid eos for Em ai ling F ir st , use KODA K EAS YS HARE Sof t war e to cr ea t e a n ema il ad dre ss boo k on y ou r co mput er . Th en , co py u p t o 32 ema i l ad dr es se s to th e ca mer a ’ s in te rn a l m emo ry . Se e th e Qu ic k St ar t G u id e or K OD A K EA S YS H AR E So ft w ar e H e lp fo [...]

  • Page 66

    54 Chap t er 5 Tagg ing P ict ures a n d V ide os a s Fav o ri te s 1 P re ss th e R ev iew bu tt on , t he n lo ca te a pi ct ur e or vi de o. 2 Pr es s t he S har e bu tt o n. 3 M o ve th e jo ys tic k to h i g hl ig ht F av or ite , th en p re ss t he O K bu tt on . Th e Fa vor it e i co n a ppe ars on t he st at us b ar . 4 T o r em o ve t he t[...]

  • Page 67

    55 6 Customi zi n g Y our C a m er a Setti ngs U se S etup t o cu stom i z e ca m era se tt i ngs ac cor di ng t o y our pr ef er enc es. To Ac cess S et up Mode /Me nus 1 In a ny m o de , pr es s t he M e nu b u tto n . 2 M ov e th e joy st ic k to h igh li gh t Se tu p , t he n pr es s th e OK b u tto n. Se tu p Me nu s R et ur n to p re vio u s [...]

  • Page 68

    56 Ch a pt er 6 C hang ing the P rin t Quantit y Defa ult T h e D e fa ul t P ri nt Q ua n tity s et tin g de te rm i ne s th e v al ue t ha t i s d is p lay ed o n th e Sh ar e Prin t sc re en ( pa ge 5 2 ) . T h e d e fau lt v alu e is 1 . 1 Pr es s t he M en u bu tt on . 2 M o ve th e jo ys tic k to h ig hl ig ht Se tu p , the n p re ss th e OK [...]

  • Page 69

    57 Chap t er 6 Tu rning O n Livevie w in S ti ll M odes T he L i v ev ie w fe atur e let s you us e the L CD as a vi ewfi nd er ( se e pag e 18 ). The de fa ul t s et tin g is O ff; p re ss th e O K bu tto n to t ur n th e L C D on w h en y ou n e ed it . N OTE: Li ve vi e w q ui ck l y dep le tes b atte r y powe r; us e i t sp ar in gl y . The L i[...]

  • Page 70

    58 Ch a pt er 6 T u r n in g Off th e L o w L ig h t A u to Fo cu s LED Y ou ca n prev en t t he L ow Li gh t Au to Foc us L ED ( pa ge 1 4 ) from f ir i ng. N O TE : W he n th e L ow L ig h t A ut o F o cu s L E D is o ff , th e ca m e ra m ay no t pe rf or m as w e ll in lo w li gh t. 1 Pr es s t he M en u bu tt on . 2 M o ve th e jo ys tic k to [...]

  • Page 71

    59 Chap t er 6 Sele c t ing a L anguage Y o u ca n di sp la y m e n us a nd s cr ee n m es sa ge s in d iffe re n t l an gu a ge s. 1 P re ss t he M enu b ut t on. 2 M ov e th e j oy st ic k to hi gh li gh t S et up , th e n p r es s t he O K bu tt on . 3 Mo ve t he j o ys ti ck t o h ig hl ig ht Lan gu ag e , t hen p re ss th e OK bu tt on . 4 Hi [...]

  • Page 72

    60 Ch a pt er 6 F o r matting Internal Memory or MMC/S D Ca r d CAUTIO N: For mat ting a ca rd er ase s all pic tu res a nd vi deo s, i ncl ud ing pro te ct ed fil es . For m at ti ng i nt er nal me mory era ses all pi ct ure s, v id eos , an d emai l a ddr ess es . (T o res to re add res se s, s ee KOD AK EAS YSHA RE Softw a re H elp.) Remo ving a[...]

  • Page 73

    61 Chap t er 6 Vi e wing Camera Informat ion 1 P re ss t he M enu b ut t on. 2 M ov e th e j oy st ic k to hi gh li gh t S et up , th e n p r es s t he O K bu tt on . 3 M ov e th e j oy st i ck t o hi gh lig h t A b ou t , th en p re ss th e O K bu tto n . Th e ca m e ra mo de l an d th e cu rr en t f i rmwa re v ersi on ap pe ar . 4 Pr es s the M [...]

  • Page 74

    [...]

  • Page 75

    63 7 Instal l ing the S of twar e WI N DO WS Sy s te m Re qui rem en ts m P er son al com p ut er fo r WIN DOW S 9 8, 98S E, ME , 20 00 , or X P m 23 3 M H z pr oc es so r or g re at er m 6 4 MB of a va il a bl e RAM ( 128 MB f or WIN DOWS XP ) m 2 00 MB of av ai l abl e h ard disk s pa ce m CD- RO M d r ive m A v ai la bl e US B por t m C ol or mo[...]

  • Page 76

    64 Chap t er 7 M A C OS X S y st em R eq u i rem en ts m M A CI N TOS H co m p ut er w ith a G 3 or G 4 p ro ce ss or m M A C OS 10 .1 .2 , mi ni mu m m 128 MB of a va il ab l e RAM m 200 MB of a va il ab l e har d dis k sp ace m CD- ROM dr i ve m Bui l t- in USB p or t m C o lor m o ni to r wi th a m in im u m re so lu ti on o f 8 0 0 x 60 0 pi xe[...]

  • Page 77

    65 Cha pte r 7 In s tall t h e Soft ware Fo r in fo rm a tio n on t he s of tw ar e ap p lic at io ns in cl ud e d on th e K ODA K E ASY SHA RE Sof t wa re CD, s ee th e Qui ck St ar t Gu id e or the KODA K EAS YS HARE So ft wa re H e lp . CAUTIO N: In st al l th e so ft w ar e fr o m th e K ODAK EAS YSHA RE Soft war e C D b ef ore c onn ect i ng t[...]

  • Page 78

    66 Chap t er 7 4 F ol lo w th e on -s cr ee n in st ru ct io ns to i ns t a ll t he s of tw ar e. If p ro m pt ed , r es t a rt th e co m pu te r wh e n th e i ns ta lla ti on is c om p le te . m S el ec t T y pic a l t o a u to m ati ca ll y i ns ta ll th e m o st c omm o nl y us ed ap pl ic at i ons . m Se le ct Cus to m to c hoo se th e app l ic[...]

  • Page 79

    67 8 Connecting to the C om p uter CAUTIO N: In s ta ll th e so ft w ar e fr om th e K O DA K E A SY S H AR E S o ftw a re C D b ef ore c onne ct in g th e cam e ra or Came ra Doc k t o t he c omput er . Fa il ur e to do s o may ca use the s of twa re t o lo ad in co r re c tly . Y ou c an t r ans f er p ic tu re s an d vi de os f r om th e ca mer [...]

  • Page 80

    68 Ch a pt er 8 Con nec ting the C a mera Dock Af te r t he K ODAK E AS YSH ARE S of t war e is lo ad ed (s ee pag e 63 ), c on nec t t he Ca m er a Doc k to y ou r co mpu te r an d to a n ex te rn al pow er s our ce . Y ou n ee d: m T h e U S B ca bl e in cl ud ed w it h yo ur c am e ra m The AC po wer adapt er , 5V i n cl ude d wi th th e Came ra[...]

  • Page 81

    69 Cha p ter 8 Do ckin g th e Ca mer a T o tr a ns fer p ic tu re s a n d v id eo s fro m t he c am e ra to th e co mp ute r , o r to ch ar g e th e ba tte ry : 1 Tu r n o ff th e ca mer a. 2 Pl ac e th e c a m er a i n th e C a m er a Do c k an d pu sh d o wn t o se at th e co nn e ct or . Th e Po w er /Tr an s fe r l ig ht g low s g re en wh e n [...]

  • Page 82

    70 Ch a pt er 8 Tra ns ferr i ng Pictu res and Vi deo s T o t ra ns fe r pi c tu re s an d vide os f r om yo ur c amer a t o yo ur c omp ut er : 1 P la ce th e ca m e ra in th e C am e ra D o ck . T h e ca mer a ca n be o n or off . If th e ba tt er y is bei ng c ha rg ed, ch arg in g p au s es , t he n re su me s a f te r p ic tu r es an d v id eo[...]

  • Page 83

    71 Cha p ter 8 Chargin g the Batt ery Th e b att er y is no t ch ar ge d whe n yo u re ce iv e it. 1 Tu r n o ff t h e ca mer a. 2 Ma ke su r e th e ba tte ry is i ns ta l le d in t h e ca mer a (s ee p age 5 ). 3 Pl ac e th e ca m er a in th e Ca m er a D oc k (s ee pa ge 6 9 ). m Cha rg in g be gins i mme diat ely . m T h e re d l ig ht in d i ca[...]

  • Page 84

    72 Ch a pt er 8 Con ne cti ng With t he US B Cabl e N O TE : Y o u ca n us e th e KO D AK A C a da pt er to p o w er th e ca m er a ; i t s av es b at t er y po wer whe n t r an sf er ri ng pict ures ( se e pa ge 5 ). 1 T urn o ff th e c a m er a. 2 Pl ug t h e la be le d e nd o f t he US B ca bl e i nt o t he la bel e d US B po rt on yo ur com p u[...]

  • Page 85

    73 Cha p ter 8 Pr in t in g P i ct ur es f ro m Y o ur Co m p ut er Fo r d e ta ils on p rin ti ng p ict ur es fr om y ou r co m pu te r , se e th e Q u ick S ta rt G u id e o r t he KO DAK E ASY SHA RE So f twa re H el p. Pr i nti ng F ro m an M MC/ SD Car d m Au to m a tic al ly p ri nt tag g ed pi ct ur es wh e n y ou in se rt y o ur ca rd in to[...]

  • Page 86

    [...]

  • Page 87

    75 9 T r ou ble sh o oti ng T her e ma y be t i mes wh en y ou h av e que sti on s ab out us in g yo ur c ame ra o r C am e ra Do ck . Ad di ti on al te ch ni cal i nf orma t io n is av ai la ble i n th e Re adMe fi l e l oc at ed o n t h e KO DAK EA SY SHA RE So ft wa re C D. For u pda t es t o T ro ubl es ho ot in g i nf or m at io n, se e http :[...]

  • Page 88

    76 Cha pte r 9 Sh u tte r bu tt on do es n ot work. Ca mer a i s not t urn ed on . Tu rn o n th e ca m er a ( pa ge 7 ). Th e ca mer a is pr oc es sing a p ic t ure ; t he r ead y lig ht (near t he v ie wf in der ) is bl i nki ng . Wait u nt il t he l ig ht st op s bl ink in g be fo re at te m pti ng to ta k e a no th e r p i ct ur e. Th e ca rd o [...]

  • Page 89

    77 Chap t er 9 Pi ct ur e is to o dar k. Fla s h i s no t o n . T ur n on t he fl as h ( page 22 ). Th e su bj ec t is to o far aw a y f or th e fl as h t o h av e an e ff e ct . M o ve so t he re i s n o m o re th an 1 0. 8 ft ( 3 .3 m ) be tw e en th e ca mer a an d t he s ubj ec t ; 6. 2 f t (1 .9 m) in T el ep hot o . Th e su bj ec t is in fr o[...]

  • Page 90

    78 Cha pte r 9 P ict ur e is no t cl ea r. Th e le ns i s d ir t y. C lean t h e le ns ( pa ge 9 6 ). Su bj ec t to o cl os e w hen t aki ng pi ct ur e. Mov e so th er e is at l ea st 2 .0 ft ( 0. 6 m) b e tw ee n th e ca m er a an d th e su bj ec t, or a t l ea st 0. 5 f t (1 5. 2 c m) i n Clos e- up mo de. Su bj ec t or th e ca m er a m o ve d w [...]

  • Page 91

    79 Chap t er 9 C a me r a/ Com pu t er Co mm uni cat i o ns Ca mera C ommuni ca t i on s Pr obl em Cau se S o lu ti on Th e co m put e r ca nn ot commun icat e w ith t he ca mer a. Th er e i s a p rob le m wi th th e c onfig u ra tio n of th e US B por t o n th e co mput er. S e e t hi s f ile o n th e EA S YS H AR E Sof t w ar e CD : US B. ht ml O[...]

  • Page 92

    80 Cha pte r 9 MMC/S D C ards a nd I n tern al Mem or y MM C/ SD Ca rd s and I ntern al Me m ory Pr o bl e m Ca use S ol u tio n Th e ca m e ra d oes not r ec ogn ize MMC /SD car d. Th e ca rd ma y no t be M M C /S D ce rt ifi ed . P ur ch a se a ce rt ifi ed M M C /S D ca r d ( pa ge 1 0 ). Th e ca rd ma y be co rr up t. R ef or m at th e ca rd ( [...]

  • Page 93

    81 Chap t er 9 Ca m er a L C D M e s sa ge s LCD Mes sa ges Mes s age Cau se S o lu tio n N o im a ge s to d isp la y T h er e ar e no p ic tu re s in t he cur r e nt stor ag e lo ca ti on . Ch ang e pi ct ur e sto r a ge lo c at io n s et tin g ( pa ge 1 1 ). Memory card r eq u i r es f or m at tin g The c ar d i s co rr upt e d o r fo rm a tte d [...]

  • Page 94

    82 Cha pte r 9 Ca rd i s p r ot ec te d ( Res et swi t ch o n ca rd) Sw i t c h o n c ar d is in wr it e -p rote ct p os it i on. Re se t th e s w itc h as s ho w n on L CD . C ar d is lo cke d (I ns er t a ne w c ar d) Th e ca rd i s w ri te- pr o tec te d . T o ta ke a p i ct ur e, i ns er t a n ew c ar d or ch an ge s t ora ge lo ca tio n to i n[...]

  • Page 95

    83 Chap t er 9 Hi gh ca mer a t em p er at ur e. ( Ca m er a w il l b e tu rn ed o ff .) The i n t e rn al t em p er a tur e of th e came ra is to o hi gh f or t he c am e ra t o op er at e. The v i ewf i nde r lig ht g lo w s re d an d th e c a m er a t ur ns o f f . Le av e th e ca mer a of f f or se ve ra l mi nu te s, th en t ur n it b ac k on [...]

  • Page 96

    84 Cha pte r 9 Cam era R ead y Li g ht Sta tus C a m er a R ea d y Li gh t Pro ble m Ca use So lu t io n R e ad y lig ht doe s no t tu rn o n and th e cam era doe s no t wor k. Ca mer a is not tu rn ed on . Tu rn o n th e ca m er a ( pa ge 7 ). Ba tt e ry i s e xha uste d. R ech ar ge t he batt e r y ( pa ge 71 ). Mod e di al was on w he n b att er[...]

  • Page 97

    85 Chap t er 9 R ea dy li gh t glo w s st ea dy r ed . Came ra ’ s in te rn al memo r y or card is fu ll . T ra ns fe r pi ctu r es to th e co mput er ( p age 67 ), d ele te pi ct ur es fr om t he ca mer a ( pa ge 4 3 ), sw it ch s t o ra ge lo c at ions ( pag e 11 ), o r in s er t a c ar d wi th a va ila bl e memory ( pa ge 1 0 ). C a m er a pr [...]

  • Page 98

    86 Cha pte r 9 Troubl eshoot ing — Ca m era D o ck Cam era Do ck Pr ob le ms Ca m era Do ck Pr obl em Cau se S olu ti on Pi ct ur es ar e not tr an s fer re d to th e co m p ut er AC ad ap t e r or USB c a ble i s n o t s ec u re ly c o nn ec te d. C hec k the c onn ec ti on s ( pa ge 6 8 ). Sof t war e is no t i ns ta lle d . In st al l t he so [...]

  • Page 99

    87 Chap t er 9 Ca m er a D oc k L i gh t St a tu s Ca me ra Do ck Li gh ts St ea dy G r e en The ca mer a i s s ea te d i n t he Ca m er a Do ck , c onn ec t e d t o A C powe r, an d bat t er y i s no t ch ar gi ng . B lin k in g Gr ee n P ic tu re s a n d v ide o s a re be in g tr a ns fe rre d to t he co m p ut er . St ea dy R ed The b at t er y [...]

  • Page 100

    [...]

  • Page 101

    89 10 G etti ng H elp He lpful We b Links He lp i n this M anual Se e T ro ubl es ho ot in g, pag e 75 fo r h e lp w ith p ro b lem s y ou m a y ha ve w it h y o ur c ame ra , ca mer a/co mput er con ne ctio ns , Ca mer a Do ck, or MMC /S D cards . Sof t wa re Hel p Re fe r to th e Q ui ck S ta rt Gu id e or K O DA K E AS YS H A RE S of tw ar e H e[...]

  • Page 102

    90 Cha pt er 10 Te le ph one C us t omer Support If yo u ha ve que st i ons co nce rn i n g t he o pe ra ti on of t h e so f t wa re or c ame ra , y ou may s pe ak wi t h a cu st ome r supp or t re pr es en ta ti v e. Befo re You Call Pl ea se h av e th e ca mer a or Came ra D ock c on nec t ed t o yo ur c ompu t er , be a t y ou r co m p ut er , a[...]

  • Page 103

    91 Chap ter 10 Te l ep ho ne Numb e rs Au st ra lia 1 800 1 47 7 01 Au st ri a /Os t err eic h 0 179 567 3 57 B el gi um / Be lg i q ue 02 7 1 3 14 4 5 Br az il 0 800 1 500 00 Ca na da 1 8 00 46 5 63 25 Ch in a 8 00 82 0 60 27 De nmar k/Dan mar k 3 8 48 71 3 0 I rel a nd/ Ei r e 0 1 407 3 05 4 Fi nl a nd/ Su om i 0 800 1 1 70 56 Fr an ce 0 1 55 17 [...]

  • Page 104

    92 Cha pt er 10 F or t he m o st up -t o- da te li st in gs , v isi t: h tt p:/ /w w w .k o da k. co m /U S /e n/ di git al /c on ta ct s/D A II nt er na ti on al Co n tac ts .s ht ml S pa in /E sp a na 91 74 9 76 5 3 S wed en /S ve ri ge 08 58 7 70 4 21 S wi tz er l and /Sch wei z/ Su i ss e 01 83 8 53 5 1 T ai wa n 00 0 8 61 00 8 T ha il an d 001[...]

  • Page 105

    93 Chap t er 11 11 Ap pend i x Ca m e r a S p e c if i c a t io n s KODAK EA SYS HARE LS 443 Z oom Dig ital Came ra C o lo r 2 4 -b it, m ill io ns o f c o lor s Commu ni ca tion w i th co m p ut er U SB Vi a Ca mer a Doc k or U SB c abl e Dime ns io ns Wi d th De p t h He i g ht 4. 3 i n. ( 109 mm) 1. 5 i n. ( 37. 5 mm) 2. 4 i n. ( 61. 5 mm) We ig[...]

  • Page 106

    94 Ch apt er 11 L ens Ty pe Op ti c al q ua li t y gl as s, 6 gr ou ps/ 7 e l e men t s (4 a sp h er ica l le ns es ) Maxi mum Ap er tu re f / 2. 8 - f /9 .6 Fo ca l Le ng th 3 5 - 10 5 mm F oc us D i s ta nc e Cl os e- up : 6 to 27 .5 i n. ( 13 to 7 0 cm ) St an da r d: 2 ft (0 .6 m ) to i nfi ni ty L and sc ap e: F i xed fo cus Op er at in g Te m[...]

  • Page 107

    95 Chap t er 11 Or iginal F actory Set tings — Cam era F eat ur e F ac to r y Se tt in g Da t e/ Ti me 20 02/1/ 1; 12: 00 Da t e/ Ti me St amp Off D efa u lt Pr in t Qu an ti ty 1 D igi ta l Z o om i ni tia ti on P au se Ex p os ur e M ete r ing Mo d e M u lti -p at te rn ed Fl as h Aut o: Aut o or Red -e ye Spo rt , Ni ght : Au to La nds cap e ,[...]

  • Page 108

    96 Ch apt er 11 U pgradin g Your Soft ware a nd F irmwa re D o w nlo a d th e l at es t v er si on s of th e so ftw a re in c lu de d on t he K O DA K E A SY SH A RE S o ftw a re C D an d th e ca m er a fir m w ar e (th e so ft wa r e t ha t ru ns o n th e ca mer a) . Se e ht t p: // www . ko da k. com/ go /l s 443 dow nloa ds. T i ps, Sa fet y, Ma[...]

  • Page 109

    97 Chap t er 11 St o r age C ap a c i ti es Fi le si ze s ca n va ry . Y o u m ay b e ab le to s to re m o re o r fe we r p ict ur es a nd vid eo s . Pu rc h as e ac ce ss or ie s at yo ur K O D AK r eta il d ea le r o r h tt p: / /ww w .k oda k. co m/g o/ ac ces so ries . Pictu re St o rag e C apacity Vid e o S tor ag e C ap ac it y N um be r of p[...]

  • Page 110

    98 Ch apt er 11 Lo c a t in g P i ct ur es an d V i de o s o n a C a r d Pi ct ur es st or ed on MMC /SD Ca rd s u se a st a nda rd ag ree d u pon by many cam er a man uf act u re rs . Th is le ts yo u use th e ca rd s in di ff er en t c amer as . I f y ou u se a c ar d re ad e r t o re tri ev e yo ur f ile s, th e fo llo w in g d e sc rip ti on o [...]

  • Page 111

    99 Chap t er 11 m I f y ou u se t he car d in a ca mer a ot he r th an the K ODA K EAS YSHARE L S4 43 Zo o m D ig ita l C a m er a, an d th a t c ame ra m a nu fa ct ur er a dh e re s t o th is fil e s tr uc t u re s t an dar d, th e D CI M fol de r co nt ai ns a fo ld er n ame d by t ha t ca m er a. F or m o re in fo rm a ti on , r ef er to t he [...]

  • Page 112

    100 Ch apt er 11 U s i n g th e B att ery m W e r ec o m m en d us in g on ly a K OD A K EA S YS H AR E Li -I on R ec h ar ge ab l e B a tte ry o r e q ui va len t 3. 7V L i- Io n. N ot al l ma nu fa c tur e r ’ s 3. 7V L i -I on r ec ha r ge ab le ba tte ri es ar e c om p at ib le w i th t he ca m er a. Da m a ge ca us ed by una ut ho rize d ac [...]

  • Page 113

    10 1 Chap t er 11 E x pected Battery L if e * Ac tu al b att er y lif e m a y va ry b as ed o n us ag e . Po w er- Sa v i ng F eat u r es R e gulat ory In form ation FC C Co mpli a nce a n d Advi so ry T hi s de vi ce c om p li es wi th P ar t 15 o f t he F CC R ul es . Ope ra t io n is sub ject to th e fo llo w i n g tw o co nd it io ns : 1 ) th i[...]

  • Page 114

    102 Ch apt er 11 T h is e qu ip m en t h a s b ee n te s ted a nd fo un d t o c om p ly w ith th e li m its fo r a C la ss B di gi t al dev i ce, pu rs ua nt t o P ar t 15 of th e FC C Rul e s. The se l i mi ts ar e de sign ed t o pr ov id e re as on ab le p ro te ct io n ag ai ns t h a rm fu l in ter fe re nc e in a re s ide n tia l i ns ta lla ti[...]

  • Page 115

    103 Ind ex A ab ou t cam era inf or m atio n, 61 pi c tu re , v id e o, 49 AC ad ap ter , 5 acc es s o r ies, bu ying, 89 ad justi ng exp osu r e co mp en sa tio n, 27 pi c tu re qu a li ty, 2 9 ad va nce d d igit al z o om , 61 ar r ow bu tto ns , ii au to fla sh , 2 2 fo cus f ram ing m arks , 2 0 fo cus L ED, 14 , 5 8 po w er -do w n, 10 1 B ba [...]

  • Page 116

    104 Inde x tr ans f e r ri ng pi ct ur e s, 70 US B c o nn ec ti o n, 68 usi n g , 67 Ca n ad i an co m p li a n ce , 10 2 card, me mo ry , 9 8 ca r ing for y o ur cam er a, 96 ch an gin g p ictu r e, vid eo l oc a tio n, 11 ch argin g Ba t tery P ack, 71 ch ar gin g l igh ts, C a m era Do c k, 7 1 ch eck in g lo cati on s etti ng, 12 ch eck in g p[...]

  • Page 117

    10 5 Ind ex E EASYS HARE So ftware, in s talli ng, 63 em a ili ng pic tur es , vi de os, 5 3 erro r messag e s , 8 1 exp os ur e comp ensat ion , 2 7 lon g t im e , 3 4 exp os ur e m ete rin g, 31 e x t er na l v i d e o de v i c e se tti ng v i de o o ut , 58 viewin g p ict ures, video s , 4 7 F favo r i tes , t aggi ng for, 54 FCC co m pli anc e,[...]

  • Page 118

    106 Inde x f or m atti ng, 60 set tin g pi ctu re, v id eo lo c a ti o n, 11 sto r age capa city , 97 ISO s p eed , 3 3 K KO DAK EA S YSH AR E So f twa r e ge ttin g h elp, 8 9 i ns tal lin g , 6 5 tr ans f e r ri ng pi ct ur e s, 72 u pgra din g, 9 6 Ko da k w e b s i t e s, 8 9 L la ngu age, s ett ing, 59 LC D disp l ayi ng langu a ges, 59 err o [...]

  • Page 119

    107 Ind ex file na me co nv en tio ns , 9 8 form at tin g, 6 0 inse rt ing , 1 0 prin tin g f rom , 7 3 pr o ble ms , 80 se tti ng p i ct ure , vide o loc atio n , 11 storag e cap aci ties , 97 mo de d ia l , 6 m on itor , r equ irem en ts , 6 3 N N TSC , vid eo ou t se t tin g, 5 8 O OK bu tto n, 7 o nl i ne pr i n ts , o r de r i ng , 73 op tica [...]

  • Page 120

    108 Inde x p r od uct ov er v ie w , ii pro t ect i ng pi c t ur e s, vi de os , 4 5 Q q ual ity p r int , d igit al z o om , 2 1 se t tin g , 2 9 q uic kv iew , 3 8 tu r n in g o f f , 5 6 usi n g , 19 , 3 8 R R ead M e fi le, 75 ready l i gh t ca me r a , 1 3 Ca me ra Doc k , 84 re c yc lin g, d ispo sal, 96 r e d- ey e, f la s h , 2 2 re g ulat [...]

  • Page 121

    10 9 Ind ex reso luti on , 29 se lf- tim er , 24 , 4 0 v ide o o ut , 5 8 se tu p m o de , us in g, 55 sha r e bu tto n, 51 shu tof f, a uto , 1 01 shu tter pr o ble ms , 76 se lf- tim er d ela y , 24 , 4 0 so un ds, 5 7 tak ing pi c tu re s , 13 sleep m od e, 1 01 slid e sho w con tin uo us loo p , 47 pr o ble ms , 78 ru n ni ng , 46 sof tware get[...]

  • Page 122

    110 Inde x t r ou bl e sho ot i ng ca me r a , 7 5 ca me ra co mm u nic atio ns , 79 Ca me ra Doc k , 86 ca me ra r ead y lig ht, 84 LC D m essage s , 8 1 MMC /S D car d , 8 0 tu rni ng cam er a o n a nd of f, 7 U u pgra din g so ftwar e, f irmware , 9 6 UR L s, Ko dak w e b si tes , 8 9 V vi deo mo de, us i n g, 37 vid eo ou t, se ttin g, 5 8 vi d[...]