Kodak LS420 manual

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90

Go to page of

A good user manual

The rules should oblige the seller to give the purchaser an operating instrucion of Kodak LS420, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.

What is an instruction?

The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of Kodak LS420 one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.

Unfortunately, only a few customers devote their time to read an instruction of Kodak LS420. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.

What should a perfect user manual contain?

First and foremost, an user manual of Kodak LS420 should contain:
- informations concerning technical data of Kodak LS420
- name of the manufacturer and a year of construction of the Kodak LS420 item
- rules of operation, control and maintenance of the Kodak LS420 item
- safety signs and mark certificates which confirm compatibility with appropriate standards

Why don't we read the manuals?

Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Kodak LS420 alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Kodak LS420, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Kodak service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Kodak LS420.

Why one should read the manuals?

It is mostly in the manuals where we will find the details concerning construction and possibility of the Kodak LS420 item, and its use of respective accessory, as well as information concerning all the functions and facilities.

After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.

Table of contents for the manual

  • Page 1

    KO D AK EA SY SH AR E LS 420 Digital Camera Us e r ’ s G u id e V i si t K oda k on t he W o rld W i de W eb a t w w w .k od ak .c o m[...]

  • Page 2

    Ea stm an K odak Co mpan y 343 St at e St reet R o ch es te r , N ew Yor k 14 6 50 © E as tm an Ko da k Comp any , 2 002 Kod ak a nd E as yS hare ar e tra de mark s of Ea st man K oda k Co mpa ny . Eas t man Kod ak C ompa ny is a n au th or iz ed l ice ns ee of the M MCA l o go s er vi ce mar k. S D lo go i s a t r ade mar k used u nde r l ic en s[...]

  • Page 3

    i Pr o d u c t O v e r v i e w Fr o n t V i e w 1 Shut te r b utton 4 Vi ewf i nder lens 6 Lens wi t h b u i l t-i n c ov er 3 O n / O ff s w itc h 8 7 9 4 6 1 2 2 Fl ash/ Print b utton 7 Li ght s ensor 8 S e lf T im e r li g ht 9 Fl ash uni t 3 5 5 Mic r op hone[...]

  • Page 4

    ii Pr o d u c t O v e r v i e w Ba c k V i e w 1 12 11 4 9 8 6 5 3 1 V i ew f i n d er 10 M o de d i a l 4 F l a s h/ P r in t bu tt o n 9 Jo y stic k/ Sel ect bu tton 1 1 A u dio/Vi deo out 2 R e ad y l ig h t 3 On /O ff s wit ch , P ow er l ig ht 2 5 S h ut te r bu tt o n 8 M e nu b ut ton 7 LCD 1 2 Str ap post 6 Card/ Battery d oor 7 10[...]

  • Page 5

    ii i Pr o d u c t O v e r v i e w M ode D ia l and J oystick /Select Button . M ove . P r e ss to S e le c t Mod e di al J o yst i c k/Sel ect b utto n[...]

  • Page 6

    iv Chap ter B otto m Vie w 1 2 1 Doc k conn ect or 2 T ripod so ck et[...]

  • Page 7

    v Tabl e o f Cont en t s 1 Getti ng Sta rte d . .. ... .. .. .. .. .. .. .. .. .. .. ... .. .. .... .. .. .. .. .. ... .. .. .. .. .. .. .. .. .1 What Ca n I D o Wi th M y Ca m e ra ? . ... ... ... ... ... ... ... ... ... ... ... ... ... ... . 1 Wha t C a n I D o Wi th M y D i gital P i ct ure s a n d Vi deos ? .. ... . 1 Packa ge Cont e nts. ... .[...]

  • Page 8

    vi 3 Taki ng V ide os .. .. .. .. .. .. ... .. .. .. .. .. .. .. .. .. .. ... .. .. .. .. .. .. .. .. .. ... .. .. .. .. . 1 9 Taki ng a Video... ..... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ..... 19 Revi ewi ng/ De l e t i ng the Vi deo Jus t Take n .. ... ... ... ... ... ... ... . 2 0 Putt ing Your sel[...]

  • Page 9

    vi i 6 Ins tallin g th e S o ftw ar e ..... .... ..... .. .... .... ...... .... . .... ...... ... 37 C omputer Sys tem Re quir emen t s ...... ...... ... ... ... ... ...... ... ... ...37 Soft ware Incl uded Wi th Y our Camera . ... ... ... ... ... ... ... ... ... .. 39 MA CINTOSH OS X Noti ce ... ... ... ... ... ... ... ... ... ... ... ... ... ... [...]

  • Page 10

    vi ii 10 A pp e nd i x . .. .. .. .. .. .. .. .. .. ... .. .. .. .. .. .. .... .. .. ... .. .. .. .. .. .. .. .. .. ... .. .. .. .. 63 Camera Spe cifi cati ons ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... ... 6 3 Camera Dock Specif icat io ns . ...... ... ... ... ... ... ... ...... ... ... ... ... ... . 65 Ori gi nal F a [...]

  • Page 11

    1 1 G etting Sta r ted Co n gr at ula t i on s on y ou r pu r ch as e of th e KO D A K EA SY S HA R E LS 42 0 D i g it a l C ame ra—t he c ame ra th at le t s yo u t a k e pi ct ures wi t h 2. 1 meg ap i x el re so lu ti on a nd c apt ur e vid eos wi t h s ou nd. Wh a t Ca n I D o With M y C ame r a? C apt ure S ti l l Pi cture s — En jo y po i[...]

  • Page 12

    2 Ch a p t er 1 Pa cka ge Con te nts 1 C am e ra D o ck w it h AC a da p ter 2 L ith iu m -I on b at te ry 3 C am e ra w it h str ap 4 Vid e o ca bl e 5 US B cab le 6 Ca mer a ca se , Us er ’ s Guide , Qu ic k St a rt Gu ide, a nd S oftw are CD (n ot sho wn. In s om e c ou n tri es , t he U se r’ s G u id e is pr ovid ed o n a CD ins te ad o f [...]

  • Page 13

    3 Cha p ter 1 Loading t he C ame ra Ba ttery 1 Op e n th e c a m er a b a tte ry d oo r . 2 Or ie nt th e ba tte r y a s s h ow n on t he in si de o f th e b a tte ry d oo r . I ns er t t he b at te ry at a n an gl e so th at th e b att er y lo ck m o ve s o u t o f th e b a tte ry p at h. 3 P us h th e ba tte ry a l l th e wa y in s o t ha t t he [...]

  • Page 14

    4 Ch a p t er 1 Tu rn ing t he C ame ra On an d O ff S lid e th e On /O f f sw itc h to th e O n po si tio n. Th e Po wer l i ght bl in ks 3 t ime s. The rea dy li gh t bl in ks g re en w h il e th e c a m er a pe rf or ms a se lf- ch eck . Wh en t he r ead y li gh t gl ow s st ea d y gr ee n (a n d th e Mo d e di al is s et to S ti ll or V id eo )[...]

  • Page 15

    5 Cha p ter 1 Built-in Le ns Co ve r Th e le ns h as a b ui lt- in c ov er th a t p ro te ct s it fro m d u st an d sc ra tc he s. T he c ov er op e ns w he n th e c am e ra is tu r ne d o n an d cl os es w h en th e ca m er a i s t ur ne d of f. Se tt i ng t h e Cl o ck Th e D at e & T im e S et sc re en i s d is p lay ed t he f irs t t im e y[...]

  • Page 16

    6 Ch a p t er 1 Ch ec king th e Ba tt ery Le ve l B e for e us in g th e ca m er a, tu rn i t o n an d ch e ck t he st at us b ar . No bat tery symb ol — b att er y is ch ar ge d . Low — r ech ar ge b at t ery so on. Exh aus te d (bl i nking) — Rec h ar ge th e ba tt er y; it is to o w ea k to p o we r th e c am e ra . Th e re a dy l i gh t b[...]

  • Page 17

    7 Cha p ter 1 Ch ec k ing Came ra St atu s T o c he c k wh ic h ca m er a se tt ing s ar e ac tiv e , tu r n the M o d e d ia l to St ill o r Vid eo , the n tu rn o n th e ca m er a. Sta t u s B a r I co n s Sc r e en I c o ns Se lf T im er Fl as h mo de Q ua lit y Pi ctu r es re m ai nin g St or ag e lo ca ti on M a gn ifi ca ti on D at e sta m p [...]

  • Page 18

    8 Ch a p t er 1 Inse rting an M M C/SD Card Opt iona l MMC /S D car ds pro vi de r emo va bl e, re us abl e s t o ra ge f or pict ur es and vi deos . CAUTIO N: T h e ca rd ca n o nl y be i ns e rt ed o n e w ay ; fo rc in g it m a y dama ge t he ca mer a or ca rd. Do not in ser t or r emo ve a c ard wh en th e gr een rea dy lig ht is b li nki ng; d[...]

  • Page 19

    9 Cha p ter 1 Choos in g In t ernal M e mory or MM C/SD Card T he c amer a of f ers t wo op tion s f or s tori ng pict ur es a nd v id eo s: I nternal Me mory— st ore pict ur es and v i d eo s in t h e 8 MB in t e rn al memor y . MMC/SD C a rd — st or e as m a ny p ic tur es a s yo u lik e, d ep e nd in g on th e si ze o f t he c ar d. Pur ch a[...]

  • Page 20

    10 Ch a p t er 1 C heck ing Yo ur S torag e S ettin g In S til l and V i deo m o des , th e sto r ag e lo ca tio n ic on t ha t i s di sp lay e d i n th e st atus bar in dica te s t he c ame ra’ s st or age lo cat i on . 1 T u rn th e Mod e d ial to S ti ll or Vid e o . 2 M o ve th e jo ys tic k a nd c h ec k th e sto ra g e lo c ati on i co n in[...]

  • Page 21

    11 2 Ta k i n g P i c t u r e s Us e th e St ill se tt in g to ta ke p ic tu re s or to c u sto m iz e pi ct ur e- tak in g se tt in gs . Be fo re you t ak e a pi ctu r e, m ak e su re y ou r pi ct ur e sto ra g e l oc a tio n is se t the wa y you wa nt i t ( se e pa ge 9 ). Taki ng a Pi ctu re 1 T u r n the M o d e d ia l to St ill . 2 Us e th e L[...]

  • Page 22

    12 Ch a p t er 2 R ev i ew i ng / De le ti n g t he Pi c tu r e Ju s t Ta k en Af te r y ou tak e a pict ur e, th e LC D di sp la ys th a t p ic tu re fo r ap pro xi mat el y 5 s ec on d s. W hi le th e pi ct ur e i s di sp la ye d, yo u ca n : m Rev i ew i t . If yo u ta ke n o ac tio n , t he p ic tu re is s av ed . T o re di sp la y a pi ct u re[...]

  • Page 23

    13 Cha p ter 2 U s i ng th e Dig ita l Zo om Th e D ig ita l Z o om pr ov id es u p to 3 X m a g ni fic at io n o f yo ur p ic tu re s. Y o u m ay no ti ce a d ec re as e in p rin te d im a ge q ua li ty wh e n us in g Di gi tal Z oo m . 1 T u r n th e M o d e d ia l to St ill . U s e th e L C D to fr am e y ou r su bj ec t. 2 M ov e th e j oy st i[...]

  • Page 24

    14 Ch a p t er 2 Us ing t he Fl as h Whe n yo u ta ke p i c tu re s at nigh t, in doo rs , o r ou td oors i n he av y sh ad ows , your us e th e f l a sh . Th e ca mer a fl a sh is ef f ecti v e when yo u ar e 2. 5 t o 8.2 fe et (0. 75 t o 2. 5 m) f ro m you r subj ec t. P re ss th e b ut t o n re pe at ed ly to s cr ol l th r ou gh t he fl as h op[...]

  • Page 25

    15 Cha p ter 2 S e t ting Pic ture Quality Us e th e Qu a lit y s et tin g to s ele c t a p ic tu re re so lu ti on : 1 T u r n the M o d e d ia l to St ill , t he n pr es s t he M enu b utt on. 2 Hi gh li gh t Q u al ity , th e n pr es s the Se le ct bu tt on . 3 Hi gh li gh t a n o pti on : B est (17 52 x 116 8) — fo r la rg er prin t s ize s; [...]

  • Page 26

    16 Ch a p t er 2 Put tin g Yourse lf in t h e Picture The Sel f T i mer cr eat e s a 10 -s ec ond d el ay bet we en t he t i me yo u pr es s the S hu tt er b ut to n an d th e t im e th e pi ct ur e is ta ke n. T hi s s et tin g is id ea l wh e n yo u wan t to i ncl ud e yo ur se lf in t h e pi ct ur e. T u rn o n th e S e lf Tim e r: 1 T u rn th e[...]

  • Page 27

    17 Cha p ter 2 Pl ac i ng th e Da t e o n P i ct ur es Us e th e Da te S ta m p se tti ng to i m pr in t t he d at e on y ou r pi ctu r es . 1 M ak e su re t he c ame ra c lo ck is s et to th e c or re ct d ate ( p age 5 ). 2 T urn th e M o d e di al to S till , t he n p re ss th e M en u bu tt on . 3 H igh li gh t Da te S t a m p , th en p re ss t[...]

  • Page 28

    [...]

  • Page 29

    19 3 Ta k i n g V i d e o s Us e th e Vid eo s ett in g to ta ke v id eo s or to c us to m iz e vid e o- tak in g se tt in gs . Be fo re yo u tak e a vi de o , m ak e s u re y o ur pic tu re st or ag e l oc at io n i s se t th e wa y yo u w an t i t ( s ee p age 9 ). Taki ng a Vid e o 1 T urn t h e Mode di al to V ide o . A li ve i mag e, the st at[...]

  • Page 30

    20 Ch a p t er 3 R ev iew i ng/ De le tin g t he V i d eo Ju st T ake n A ft er yo u ta ke a v id eo , t he L CD di sp lay s th e fir st fr am e o f t he v ide o fo r a pp r ox im a tel y 5 se co nd s. W h ile t he fr am e i s d is pl ay ed , yo u ca n: m T ak e no a ct io n; th e vi de o i s sa ve d . T o r ed i s pla y th e fra m e af te r 5 s ec[...]

  • Page 31

    21 Cha p ter 3 P utting Yourse lf i n t he Vid eo Th e Se lf T i m er cr ea te s a 10 -s ec on d d el ay b etw e en t he ti m e yo u pr es s th e Sh u tte r bu tto n a nd th e ti m e v id eo r ec o rd in g be gi ns . T h is se tti ng is i de al w he n yo u w an t t o in cl ud e yo ur se lf in th e vi de o . T u r n on th e Se lf T i m er : 1 T urn [...]

  • Page 32

    22 Ch a p t er 3 Setting Video Quality U se t he Vid e o Qu a lit y s et tin g to s ele c t a v ide o re so lu ti on . 1 T u rn th e M o de d i a l to Vid e o , th e n pr es s t he Me nu bu tton . 2 Hi gh li gh t V i de o Qua l i t y , t he n pre ss th e Se le ct butt on . 3 Hi gh ligh t a n opt ion: Be st ( 320 x 24 0) — fo r m o re de ta il. G [...]

  • Page 33

    23 Cha p ter 3 D isp laying t h e Dat e/Ti m e on Videos T o d is p lay t he v id eo ca pt ur e da te a n d tim e for t he fir st fi ve s ec on d s of th e v id eo pl ay ba ck : 1 M ak e su re t he c ame ra c lo ck is s et to th e c or re ct d ate ( p age 5 ). 2 T urn t h e Mode di al to S etup . 3 H ig hl i g ht V ide o Pl ayb ack Di sp lay , t h [...]

  • Page 34

    24 Ch a p t er 3 Se tt in g Vid eo Len gt h Y o u c an s pe ci f y a r e co rd in g tim e li m it. U se th e Vid eo L en gt h se ttin g to c on se rv e s pa ce or to set al l v id eo s to th e sa m e len g th . 1 T u rn th e M o de d i a l to Vid e o , th e n pr es s t he Me nu bu tton . 2 Hi gh li gh t V ide o Le ngt h , th en p re ss t he Se le c[...]

  • Page 35

    25 4 Revi ewi ng P i ctur es an d Vi d eo s Us e th e Re vi ew s et tin g to di sp la y an d wo r k wi th p ict ur es a nd v id eo s th at ar e sto r ed in i nt er na l m e m o ry or o n a ca rd . Na viga tin g T hro ug h Pict ure s and Vide os 1 T u r n the M o d e d ia l to R ev iew . T he c amer a di s pla ys th e la st pi cture o r vi de o th a[...]

  • Page 36

    26 Chap ter 4 De leting P ict ur es an d Videos Us e t h e Del e t e f ea tur e to d elet e on e or all pi c tu res an d vi de os . 1 T u rn th e M o de d i a l t o R e vi ew , th en p re ss th e M en u b ut ton . 2 H ig h lig ht D el et e , t he n pr es s th e S e lec t bu tt on . 3 Hi gh ligh t a n opt ion: PI CTUR E or VI DEO — de le te s t he[...]

  • Page 37

    27 Ch a p t er 4 Pr ot ec t in g P i ct ur es a n d V i de o s F r o m De l et ion U se th e P r o te ct fe atur e to pre ve nt speci f i c pict ur es and v id eo s fr om be i ng de le te d. CAUTIO N: Fo r m at ti ng i nt er n al m e m o ry o r a ca rd de le te s a ll ( i n cludi ng pr otect ed ) pict ure s and v ideos . T o p ro t e ct a pi ct ur [...]

  • Page 38

    28 Chap ter 4 S e l e ct in g P i ct u r es f o r Pr int in g Us e th e Pr in t Or de r feat u re to se lect sp ec if ic pi ct ur es o n a ca rd f o r pr in ti ng . W h en y ou i ns er t t he c ar d in to a p rin te r eq ui pp e d wi th an M M C /S D c ar d re ad er , th e se l ecte d pict ur es a re p rint e d. C reating a P r int O rde r 1 T u rn[...]

  • Page 39

    29 Ch a p t er 4 R unn ing a S lide Show U se t he S l i d e Sho w fe at ure t o se que nt ial ly di sp la y yo ur p ic ture s a nd vid eos on th e ca m er a LC D , on a te lev is io n sc re en , or o n a n y e x t er n al di sp la y d e vic e e quipp ed wi t h a v id eo i npu t (s uch a s a c omp ut er m on i to r or di git al p roje c t or). NOT [...]

  • Page 40

    30 Chap ter 4 C hangin g th e Dis play Inter val T h e f ac to ry in te rv al se tt in g d is p lay s ea ch p ic tu re fo r 5 se co n ds . You c an in cr ea se t he d isp l a y in te rv al to up t o 60 s ec ond s. 1 O n th e Sl id e S h ow m e n u, hi gh li gh t I nt er va l, t hen p re ss th e Se le ct b ut t on. 2 Se le ct a di sp la y int er va [...]

  • Page 41

    31 Ch a p t er 4 C op ying P ict ures an d Vi deo s Y o u ca n co py p ic t u re s an d vid e os f r om a ca rd to i nt er na l m em o ry o r f ro m in te rn al m emo ry t o a c a rd . B efo re you co py , ma ke su re that : m A ca rd i s i ns er te d in th e ca m er a. m Th e ca m er a ’ s p ic tu re s tor ag e lo ca ti on is se t t o the l oc a[...]

  • Page 42

    [...]

  • Page 43

    33 5 Customi zi n g Y our C a m er a Setti ngs U se S etup to c us to miz e ca mer a se t t i ng s ac co rd in g to y ou r pr efer en ce s. Ad j u s t in g L C D B r ig h t n es s Y o u ca n ad ju st th e LC D brig h tn es s t o m ak e th e dis p lay e as ie r to se e. 1 T ur n th e M o d e di al to S etu p . 2 H igh li gh t Di sp la y B r ig htn e[...]

  • Page 44

    34 Chap t er 5 Se tt ing Vi d eo Ou t T h e Vi de o Ou t fea tu re le ts y ou m a tch t he c am e ra ’ s vi deo si gn al to t he st an da rd fo r y our geo gr ap hi cal lo ca ti on . V i de o Out mus t be set co rr ec tl y t o ru n a s l i de sh ow on a t e l e vi si on or ot h er e xt er na l de vice . 1 T u rn th e M od e d ial to S et up . 2 H[...]

  • Page 45

    35 Ch a p t er 5 Sele cting a L anguag e Th e La n gu ag e fe at ur e let s yo u di sp la y m e n us an d s cr ee n m es sa ge s in di ffe re n t la ng ua g es . 1 T urn t h e Mode di al to S etup . 2 H ig hl i g ht Lan gu ag e , t h en pr es s the Se le ct bu tt on . 3 Hi gh li gh t a n o pti on . 4 P re ss t h e Se le ct b ut t on t o ac cep t t [...]

  • Page 46

    36 Chap t er 5 F or ma t ti n g Me mo ry o r MM C/ S D Car d CAUTIO N: For mat ti ng de l e tes al l pi ct ures an d video s . Re mov ing a ca rd dur in g fo rmat ting ma y dama ge t he c ard . Onc e f or m a tti n g be g in s, it i s co m p le te d ev e n if yo u t ur n o ff th e ca mera o r cha nge t he Mo de di al p osi ti on . 1 T u rn th e M o[...]

  • Page 47

    37 6 Instal l i ng the S of twar e CAUTIO N: I n st al l t he s o ft wa r e f rom th e KODAK So f t war e CD befor e c onne ct in g th e came ra or doc k t o t he co mput er . Failu re t o d o s o may c aus e th e softw are t o lo ad i nco rre ct ly . C om pute r S yst em R equ ir em en ts Fo r ac ce p t a ble t ra ns fe r a n d ed iti ng , we r ec[...]

  • Page 48

    38 Ch a p t er 6 MACI NTOSH Syste m Requ irem ent s m POWE RPC - b ased M A CIN TOS H comp uter m MAC I NT OSH OS 8. 6, 9 . x , X m 6 4 M B of a va ila b le RA M m 100 MB of a v a ilab le har d di s k sp ace m CD- ROM dri ve m B u ilt -in U S B po rt o r M M C /S D c ar d re ad er m Col o r mo ni to r wi th a min imu m re so lu t i o n of 80 0 x 60[...]

  • Page 49

    39 Chap t er 6 Software In c luded With Yo u r C ame ra Th e KO D A K So ftw a re C D co n t a ins t he fo ll ow in g ap p lic at io ns th at le t yo u ac ce ss , tr an sf er , a n d ha ve fu n w ith y ou r d i gi ta l p ic tu re s. Fo r de ta ils o n us in g th e ap p lic at io ns , r ef er to t he H el p su pp li ed w it h ea ch a pp li ca tio n [...]

  • Page 50

    40 Ch a p t er 6 MAC IN TOS H O S X N ot ice O S X sh ip s w ith a n im ag e ca p tu re a pp lic a tio n th at p ro vid e s t he f un ct io na lit y of KODA K C ame ra Con nec tio n So ftwa re and KO DAK Pi ctur e T ransf e r Sof tw are . Do not ins ta ll KODAK Ca mer a C onn ect io n Sof t ware o r KODAK Pict ure T r ans fe r Softw are ; th ey a r[...]

  • Page 51

    41 7 Usin g the EASY SH A RE LS42 0 C a m er a D ock Th e K OD A K EA S YS H AR E LS 4 20 C am e ra D o ck m a ke s i t ea sy to t ra ns fe r y o ur pi ct ur es to t he c omp u ter . In a dd it ion , th e do ck i s a r ap id b at t e ry ch a rg er fo r th e KO D AK R e ch ar g ea bl e L i - Io n Ba tt er y a n d su pp li es p ow e r t o th e c a m [...]

  • Page 52

    42 Chap t er 7 C ha r gi n g th e B att er y The bat t er y is no t ch ar ge d at t h e fa ct ory . 1 M a ke s ur e th e b a tte ry is in s tal le d in th e c am e ra . T u rn o ff th e ca m er a. 2 P la ce th e ca m e ra st ra ig ht d own in to th e do ck. Ch ar gi ng b egi ns afte r a few s econd s. m The d oc k ligh t g l o ws r ed whil e cha rg[...]

  • Page 53

    43 Cha pte r 7 T r ans f er r in g P i ct ur es an d V i de o s T o tran sfer pi ctur es f r om yo ur c amer a t o yo ur c omp uter : 1 Pl ac e th e c a m er a i n th e d o ck . 2 P us h th e Co nne ct but t on. T he d ock l i gh t blin ks g re en wh il e t he c onn ec ti on to th e co mput er is a ct iv e. K ODAK Pi ct ure T ran sfer S of tw are t[...]

  • Page 54

    44 Chap t er 7 Working With Y our Pict ures W h en y ou r p ict ur es a re tr an s fer re d , K O DA K P ic tur e T r an s fer S of tw ar e cl os es an d KODA K So ft wa re o pen s. In t he KODA K So f t ware wi nd ow , c l ic k t h e thum b na il of the pi ct ure wi th w hi c h y ou w o ul d lik e to w or k . T he p ic tu re a pp e ar s i n th e m[...]

  • Page 55

    45 Cha pte r 7 Pr in t in g Y o ur P i ct ur es Ch o os e yo ur fa vo r ite m e th od to e n jo y l on g- la st ing p ri nt s o f yo ur d ig ita l pi ct ur es . Fr om K O D AK So f tware m P rint to you r ho me pr i n t e r wit h KODA K Prem i um Pi ct ur e Pape r . Fr o m a C ard m U se t he Pr int Orde r feat ur e ( p age 28 ) to p ri nt fr om a [...]

  • Page 56

    [...]

  • Page 57

    47 8 T r oub lesh o oti ng P r o blem s T her e ma y be ti mes wh en y ou h av e que st ion s ab out usin g yo ur c ame ra o r Ca m er a D oc k. Ad d iti on al te ch n ic al in fo rm a tio n is a va ila bl e in th e Re a dMe fi le lo ca te d on t he KOD A K So ftw a re C D . F or u pd a te s t o T r ou b les ho o tin g in fo rm a tio n , v is it o [...]

  • Page 58

    48 Ch a p t er 8 Came ra Co mm u nicat i ons Pro ble m Ca u se S o lu ti on Pi ctur es and vid eo s ar e not tr an sf er re d f ro m th e c am e ra to th e co mput er . Th er e is a pro ble m wit h t he con f i g ura tio n of the U SB po rt on your co m pu te r. S e e t he f oll ow i ng fi le o n t he KODA K So ftwa re C D: USB . h tml Or, vi s it [...]

  • Page 59

    49 Cha p ter 8 Ca m e ra P roblem Cau se So lu t io n Th e Sh u tt e r bu t t on d oes not wor k. Th e cam era is n ot tu rn ed o n. Tu rn o n th e ca m er a ( pa ge 4 ). Th e cam era is pr oce ss i ng a pic tu re; t he r ea dy l igh t is bl in ki ng . W ai t u nt il th e lig ht st op s bl in ki ng b ef or e att em p t i ng to ta ke a n ot he r p i[...]

  • Page 60

    50 Ch a p t er 8 In R ev ie w mode , yo u do no t s ee a pi ct ure on t h e L CD or d o not se e the pi ctur e yo u ex pec t ed. T he camera ma y n o t b e ac ce ss in g th e co rr ec t st or ag e lo ca tio n . Ch eck t h e pict ur e stor ag e l oc at io n s e ttin g ( pa ge 9 ). A pi ctur e i s t oo da rk. T he flas h is no t on or did no t fu nc [...]

  • Page 61

    51 Cha p ter 8 A pi ct ur e i s to o lig h t. Th e flas h i s no t ne ed ed. C han ge t o Au t o Fl as h ( pa ge 14 ). Th e su bj ect was to o cl ose whe n th e f la s h wa s us ed. M ov e so th e re is a t l ea st 2. 6 fe et (0 .8 m ) b et we e n the ca m er a an d th e su bj ec t. St or ed pi ctu r es a re da m a ge d. Th e car d wa s re mov ed w[...]

  • Page 62

    52 Ch a p t er 8 A pi ctur e i s no t cl ea r. Th e le ns is d ir ty. C le an t he le n s ( pa ge 6 7 ). Th e su b jec t wa s to o cl os e wh e n tak in g pi ct ur e. M o ve so th er e i s at le as t 2 .6 fe et (0 .8 m) b et wee n t he ca mer a an d th e su bj ec t. Th e su b jec t or th e ca m er a m ov e d wh il e th e pi ct ur e wa s ta ke n. H [...]

  • Page 63

    53 Cha p ter 8 Ca mer a Read y Li ght Th e rea dy l i g ht g low s st ead y gr een wh en t he ca mera i s on a nd r ead y to t ake a p ic t u re. Pr oblem Caus e S o lu tio n Th e Re ady lig ht d oes no t t ur n on a nd the ca m e ra d oe s no t wo r k . T h e ca m er a is no t tu rn ed on . Tu rn o n th e ca mer a ( pa ge 4 ). T h e ba tte ry i s [...]

  • Page 64

    54 Ch a p t er 8 L CD Mess ages Me ssa ge Ca use So lu t io n N o i m ag es t o d is p lay N o pi ctu r es ar e in th e cu r re nt st or ag e lo ca ti on . C ha nge y ou r pict ur e sto r ag e lo ca tio n se tt ing ( pa ge 9 ). Me mory c a rd re q uire s fo rm a tti ng Th e ca rd is c or r u pt ed, or fo rma tt e d f o r a nothe r digi t al cam era[...]

  • Page 65

    55 Cha p ter 8 D a te /T im e en tr y s cr ee n a pp e ar s au to m ati ca ll y T h i s is th e f irs t t im e yo u tu rn ed on th e ca mera ; or t he bat t ery ha s been re move d f or a n ext ende d pe ri od o f t im e ; o r th e b a tte ry is exh au sted . R es e t th e c loc k ( pa ge 5 ). Camera may n eed se rv ic e #x xx A ca mera er ror has [...]

  • Page 66

    56 Ch a p t er 8 Un re co gni z ed fi le fo rm a t Th e ca mer a ca nn ot r ead t he pi ctur e fo rma t . T ra ns fer t he un re ad abl e pi ctu r e t o th e co m pu te r ( pa ge 43 ) , o r de le te th e pi ctu r e ( pa ge 26 ). Ca rd is w r i te pr ot ec te d in te rn al ly Ac ce ss l o ck wa s ad ded u sin g so ft wa re . U se s oft war e to rem [...]

  • Page 67

    57 Cha p ter 8 Trou bleshooti n g — Ca mera D o ck Ca m e ra D o c k P roblem Cau se S o lu tio n Pi ct ur es a re n ot tr an sf er re d to th e co m p ut er The A C ad ap te r or U S B ca bl e is no t se cur el y c o nn ec te d. Ch eck t he co nne ct i ons ( pa ge 4 1 ). Sof tw ar e is no t i ns ta lle d . I ns ta ll the s of tw ar e ( pag e 40 [...]

  • Page 68

    58 Ch a p t er 8 Came ra Do ck in di cat or l ight Li ght St atu s Ca use So lu t io n The li gh t g lo ws s t e ad y gr ee n Th e ca mer a i s do ck ed. T he ca mer a and Cam e ra Do ck ar e o per ati ng n or mal ly . The li gh t g lo ws st ea dy r ed T he ca m er a D o ck i s ch ar gi ng ba tte ry . The ligh t b l i nk s gr ee n Th e co nn ect i [...]

  • Page 69

    59 9 G etti ng H elp If yo u ne e d he lp w ith y ou r ca m e ra o r C a m er a D o ck , it is av ai la ble f ro m a n umbe r of re so ur ces : Sof t wa re Hel p He lp wi t h an y s oft war e a pp lica t i o n pa ck age d w i t h yo u r c ame ra ca n be ob ta in ed fr om t he H e lp p ro vid e d wi th th e ap p lic at io n. K odak O nli ne Servic e[...]

  • Page 70

    60 Cha pte r 9 Te le ph one C us tom er S upport If yo u ha ve que sti ons co nce rn in g the o pe ra ti on of th e so ft wa re or c ame ra , y ou m a y sp ea k di re ct ly to a cu s tom e r su p po rt re p re se nt ati ve . Befo re Y ou Call B e for e yo u ca ll to s pe ak t o a c u sto m e r s u pp or t r e pr es en ta tiv e, p le as e h a ve th [...]

  • Page 71

    61 Chap t er 9 m Ou tsid e U.S . an d Cana da — c all s a r e c h ar ge d at N at ion a l R a te. Au st ra lia 1 800 1 47 7 01 Au st ri a /Ost err eic h 0 179 5 67 35 7 B el gi um / Be lg i q ue 02 7 1 3 14 4 5 Ch ina 8 008 206 02 7 De nmar k/ Dan mar k 3 8 48 71 3 0 I r el a nd/ Ei re 0 1 407 3 05 4 Fi nla nd/ Su omi 0 800 1 1 70 56 Fr an ce 0 1[...]

  • Page 72

    62 Cha pte r 9 F or t he m o st up -t o- da te li st in gs , v isi t: h t t p: //ww w .k oda k. co m/U S/en/ di gi tal / co nt act s /DA II nt er na tio nal Co nt ac ts . sh tml I nte rna tio nal To ll Li ne +4 4 131 45 8 671 4 I nte rna tio nal Tol l Fax N umbe r +4 4 131 4 58696 2[...]

  • Page 73

    63 10 Ap pend i x Ca m e r a S p e c if i c a t io n s C am er a Sp e ci fic a tio n s C ol or 2 4 -b it, m ill io ns o f c o lor s Co mmuni cat ion wi th co mput e r U S B V ia D o ck o nl y D im e ns io ns W i dt h Dep t h Hei gh t 4. 3 inch es ( 10 9 mm) 1. 1 i nch es ( 28 .5 mm) 1. 8 i nch es ( 45 .5 mm) W e ig ht 5 .6 4 oz . ( 1 60 g ) w ith b[...]

  • Page 74

    64 Cha p t er 10 Le ns Ty p e O pt ica l qu al ity g la ss , 4 e le m en t Ma ximum Ap e rtu r e Fi xe d: f/ 3. 9 Fo c al Le n gth 3 8 mm ( e q uiva l e nt to 35mm ca mera) Fo c us Di s t a nce 2. 6 fe et (0 .8 m ) to i nf ini ty , f ixe d fo cu s Op e ra ti n g Te m p er at ur e 32 t o 10 4 ° F (0 to 40 ° C) Pi ctu r e f ile f or m at , s til l [...]

  • Page 75

    65 Chap ter 10 Ca m e ra Dock S pe cifica t ion s C a m er a Doc k S pe c ifi ca ti o ns Co mmuni ca t i o n wi th c omp ut er US B Di men sions Wi dth De pth He i g ht 5. 4 i nc h es ( 13 7 m m ) 2. 5 i nc h es ( 57 m m ) 1. 3 i nc h es ( 33 .5 m m ) We ig ht 2 .8 oz. (8 0 g) In di ca t o r l i g ht G re en and r ed LED i ndi ca t es o per at ing [...]

  • Page 76

    66 Cha p t er 10 Original F a c tory Settings — Ca m era Fi le St o r a ge C ap ac iti es Fi le si ze s ca n va ry . Y ou may be ab le to s to re mo re o r fe wer pict ur es and v i d eos . Pur ch as e ca rd s on o ur W eb s i te a t h tt p: / /ww w .k oda k. co m/g o/ ac ces so ries . Fea tu re F ac to r y Se tt in g Fl ash Au t o Pi ctur e St o[...]

  • Page 77

    67 Chap ter 10 T ips , S a fe ty, M a i n te nan c e m Al w ay s f ol lo w ba si c sa fet y pr ec au ti on s. R ef er to th e “ Im p or ta nt Sa fe ty In st ru ct io ns ” boo kl et pac ke d with y our cam er a. CAUTIO N: En s u re th a t th e AC ad a pt er i s pl ug g ed d i re ct ly in t o an e le ct ri cal ou tlet or r esti ng f la t o n th e[...]

  • Page 78

    68 Cha p t er 10 U s i n g th e B att ery m Y our c ame ra u se s 1 KO DAK Re ch ar ge abl e L i-Io n Ba tt er y . Thi s b atte ry can be p ur cha se d on o ur W eb s i te a t h ttp: / /ww w .k oda k. co m/g o/acc esso ries . m D o n ot to uc h th e ba tt er y t er m in al s w i th m et al lic o bj ec ts . m Do no t pla ce t he bat te r y on or n e[...]

  • Page 79

    69 Chap ter 10 m W he n d i sp o sin g of b at ter ie s, fo llo w t he m a nu fa ct ur er ’ s in st ru ct ion s an d an y lo ca l a n d na tio n al re gu la ti on s. K od ak s ug g es ts cu st om e rs ta k e ad va n ta ge o f a ny c om m u n ity b at ter y re cy cl in g p r og ra m s tha t m ay e xis t in y ou r ar ea . Co nt ac t y our l o cal w[...]

  • Page 80

    70 Cha p t er 10 Pic t ur e F ile N ami ng Co nve nti ons T h e c a m er a m a in ta in s se pa ra te a nd s eq ue n tia l n u m be ri ng s eq ue n ce s fo r t he pi ctur es o n a ca rd ( DCF comp lia nt). P ict ur es a re n ame d DCP_ nn nn. JPG, and ar e nu mber ed i n th e o rd er i n wh ic h th ey a r e ta ken . T he f irst pi ct ur e i s na me[...]

  • Page 81

    71 Chap ter 10 R e gulato ry Inform ation FC C Compli a n ce a nd Adviso ry T hi s de vice c omp lies wi th P ar t 15 o f t he F CC R ul es . Ope ra t io n is sub j ect to th e fo llo w i n g tw o co nd it io ns : 1 ) th is d ev ic e m a y no t ca us e ha rm f ul in te rf er en ce , a nd 2) th is devi ce mu st a cc ep t an y int er fe re nc e re ce[...]

  • Page 82

    72 Cha p t er 10 Can ad ian DOC Stat e ment DOC Cl ass B Com pl i a nc e — Thi s digi ta l app ar at us do es no t e xc eed t he Cl ass B li mi ts fo r ra di o no is e e mis si on s f ro m d ig it a l ap pa ra tu s se t ou t i n t he r adi o i nt er fer en c e re gu la tio n s o f th e C a na di an D e pa rt m en t o f Co m m u nic a tio ns . Obe[...]

  • Page 83

    73 Ind ex A ab ou t cam era inf or m atio n 35 AC ad ap ter Ca uti on 67 in s talli ng 41 ad justi ng LC D b ri ght ne ss 3 3 pi c tu re qu a li ty 15 re s ol uti on 15 , 2 2 vid eo q ua lity 2 2 a ud i o 20 , 5 2 au to sh ut off 6 au tom at ic fla sh 1 4 po w er d own 6 pri nti ng 2 8 B ba ttery ch argin g 4 2 ch eck ing po wer le v e l 6 gu ide l[...]

  • Page 84

    74 Inde x C am e ra C on nec tio n S oftw are ab ou t 3 9 o nli ne hel p 4 4 Ca me ra Doc k ch argin g b att ery 42 po wer co nn e c ti on 41 sp ecif icati on s 65 tr a n sf er ri ng pi ct ure s 43 US B co nn e c ti o n 41 usi n g 4 1 Ca n ad i an co mp li a n ce 72 ca r ing for y o ur cam era 6 7 ch an gin g pi ctu re , vid eo l ocat ion 9 ch argi[...]

  • Page 85

    75 Ind ex E edi tin g p ictu r es 44 erro r m essag e s 5 4 F fax nu mb e r s , s u pp or t 59 FCC co m pli anc e 71 file na me s on M M C/ SD C ar d 70 flash aut o 1 4 fill 14 red - eye 1 4 usin g 1 4 F l as h/ Pri n t b ut t on 2 8 fol der s, MM C /SD Ca r d 6 9 form at tin g i nte rn al me mo ry 36 MM C/ S D C a rd 36 G gui del ine s, ba tter y [...]

  • Page 86

    76 Inde x LC D ad ju s tin g br i g ht ne ss 3 3 b atte r y s y m b ol 6 err o r m es sages 5 4 p ictu r e lo cat ion ic on 7 statu s bar 7 v ie wing pi ctu re s on 25 le ns , clean in g 6 7 li ght Ca me ra Doc k 5 8 ready , c a mera 4 , 5 3 se l f-t im er , ca me r a 16 , 2 1 lo ad ing b atte r y 3 MMC /SD Ca rd 8 so ftwar e 40 M MAC IN TOS H i n [...]

  • Page 87

    77 Ind ex Pic ture T r an sfer So ftware about 39 pic tur es c h eck in g l o cat i on 10 cop yin g 31 dat e im p r int 17 del etin g 2 6 edi tin g 4 4 file na mi ng 70 loc a tin g o n MMC /SD Car d 7 0 m agni fyin g 26 prin tin g 4 5 pr o te cti ng 27 qu alit y , s ett ing 15 revi ewing 2 5 se lect ing fo r pr in tin g 2 8 storag e cap aci ty 66 t[...]

  • Page 88

    78 Inde x rev ie win g pi ctu res , v id eos pro tec ti ng 27 ru nn ing s lid e s ho w 2 9 S sa f ety 6 7 sel ect b ut ton 4 self- t imer pi ct ure s 16 vi de os 2 1 servi c e a nd support f ax n um be r s 59 Ko dak we b si t e 59 te l eph on e n um be rs 6 0 se t tin g cl ock 5 da t e a n d t im e 5 f l as h 14 l angu age 35 L CD bri g ht n es s 3[...]

  • Page 89

    79 Ind ex sta t u s bar 7 cam era 7 pic ture storag e lo cati on 10 scre en ic o n s 7 still m od e, u s ing 11 storag e cap aci ty , m em ory 6 6 Sys tem fo ld er , M M C/ SD C ar d 69 sy st em req uirements M A CI N T OS H 38 WINDOW S 3 7 T tak ing pi c tu re s gen eral 1 1 t el ep ho ne su pp ort 60 te l e visi o n , slide sh ow 29 tim e, s etti[...]

  • Page 90

    80 Inde x W we b s it e, K od a k 59 WIN D OWS i n sta l li ng software 40 syste m requir e m e nt s 37 Z zo om , d igi tal 1 3[...]