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A good user manual
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First and foremost, an user manual of Konica Minolta A1 should contain:
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Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Konica Minolta A1 alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Konica Minolta A1, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Konica Minolta service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Konica Minolta A1.
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Table of contents for the manual
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Page 1
INSTR UCTION MANU AL 9222-2782-11 SY -A306 ME-0306 E[...]
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Page 2
2[...]
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Thank you f or purchasing this Minolta digital camera. Please take the time to read through this instruction manual so you can enjo y all the features of y our new camer a. Check the pac king list before using this product. If any items are missing, immediately contact y our camera dealer . 3 BEFORE Y OU BEGIN Minolta, The essentials of imaging, an[...]
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Page 4
F OR PROPER AND SAFE USE FOR PROPER AND SAFE USE 4 NP-400 LITHIUM-ION BA TTERIES This camera operates on a po werful lithium-ion battery . Misuse or abuse of the lithium-ion batter y can cause damage or injury through fire, electric shock, or chemical leakage. Read and understand all war nings bef ore using the battery . D ANGER • Do not shor t, [...]
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5 GENERAL PRODUCT W ARNINGS AND CA UTIONS W ARNING • Only use the battery specified in this manual. • Only use the specified charger or AC adapter within the v oltage range indicated on the unit. An inappropriate adapter or current may cause damage or injury through fire or electric shock. • Only use the charger power cord in the sales region[...]
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6 F OR PROPER AND SAFE USE[...]
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7 CA UTION • Do not use or store these products in a hot or humid environment such as the glo ve compartment or trunk of a car . It may damage the camera, charger , and batter y which may result in b ur ns or injuries caused by heat, fire , explosion, or leaking battery fluid. • If the battery is leaking, discontinue use of the product. • The[...]
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8 T ABLE OF CONTENTS Names of par ts ....................................................................................................................................14 Camera body ...........................................................................................................................14 Data panel .............................[...]
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9 Advanced recording .............................................................................................................................45 Display-inf or mation button - changing the display ...................................................................45 F ocus-mode s witch ...........................................................[...]
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10 T ABLE OF CONTENTS Recording menu ...................................................................................................................................80 Navigating the recording-mode menu .....................................................................................80 Image size and image quality ...........................[...]
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11 Advanced pla yback ............................................................................................................................115 Playing bac k voice memos ....................................................................................................115 Navigating the pla yback men u .......................................[...]
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12 T ABLE OF CONTENTS Data-transf er mode.............................................................................................................................146 System requirements ............................................................................................................ .146 Connecting the camera to a computer ..........[...]
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13 This device complies with P ar t 15 of the FCC Rules. Operation is subject to the follo wing two conditions: (1) This device ma y not cause harmful interference , and (2) this device m ust accept any interf erence received, including interference that ma y cause undesired operation. Changes or modifications not approv ed by the party responsible[...]
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* This camera is a sophisticated optical instrument. Care should be taken to keep these surf aces clean. Please read the care and storage instructions in the back of this manual (p . 162). 14 N AMES OF P ARTS CAMERA BOD Y Data panel (p . 17) F ront control dial Shutter-release button F ocusing ring (p . 46) F ocal-length inde x Zooming ring Lens* C[...]
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/ 15 Display mode s witch (p. 39) Menu button Controller AE lock button (p . 50) Eyepiece sensors* Magnification button DC/Remote-control terminal cover (p . 25, 57) Access lamp QV/ Delete button (p . 40) Main switch and mode s witch Playbac k mode (p . 40, 115) Recording mode (p . 32, 45) Movie mode (p . 38, 112) Manual e xposure (p . 56) Display [...]
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16 N AMES OF P ARTS Function button Macro release (p . 49) F ocus-mode s witch (p. 46) Diopter-adjustment dial (p . 29) Tr ipod socket Memory set (p. 72) Metering modes (p. 69) Drive modes (p . 61) White balance (p . 70) Camera sensitivity (p . 74) Function dial (p . 60) Digital-Effects Controller (p . 77) Flash sync terminal (p. 76) Accessory shoe[...]
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Page 17
17 DA TA P ANEL Camera-sensitivity indicator (p . 74) Battery-condition indicator (p. 24) White-balance indicator (p . 70) Image-quality display (p . 82) Image-size displa y (p . 82) Flash-compensation indicator (p . 59) Single-frame adv ance (p. 33) Located on the top of the camera body , the data panel shows the status of the camera. All icons ha[...]
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Page 18
7. Shar pness display (p . 97) 18 N AMES OF P ARTS MONIT OR DISPLA Y - RECORDING MODE 2. Flash-mode indicator (p. 61) 5. Flash-compensation display (p . 77) 8. Color-saturation-compensation display (p . 77) 9. Contrast-compensation display (p . 77) 17. Exposure-compensation display (p . 59) 11. White-balance indicator (p. 70) 10.Camera-sensitivity [...]
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19 MONIT OR DISPLA Y - QUICK VIEW & PLA YBACK MODE 7. Fr ame number/ total number of images 5. Lock indicator (p . 121) 6. Pr int indicator (p. 126) 11. Image size display (p . 82) 10.Image quality indicator (p. 82) 2. Time of capture 1. Mode indicator 4. V oice-memo indicator (p. 115) 16.White-balance setting (p. 70) 15.Sensitivity setting (p.[...]
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Page 20
20 G ETTING UP AND RUNNING GETTING UP AND RUNNING This section cov ers the preparation of the camera. This includes the changing of batter ies and mem- ory card as well as the use of external power supplies. AT TA CHING THE CAMERA STRAP REMO VING THE LENS CAP Using your thumb and inde x finger , pinch the inside or outside tabs of the lens cap to r[...]
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Page 21
21 AT TA CHING THE LENS HOOD Slide the hood onto the end of the lens and turn it 90° clockwise until it clicks and the circular dimple is aligned with the focal-length inde x (2). When mount- ed correctly , the large petals of the lens hood should be to the top and bottom. Nev er force the lens hood. If it does not fit, check its orientation. T o [...]
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Page 22
22 G ETTING UP AND RUNNING CHARGING THE BA TTER Y Before the camer a can be used, the lithium-ion batter y must be charged. Before charging the battery , read the safety w arnings on page 4 of this manual. Only recharge the batter y with the supplied bat- tery charger. The batter y should be recharged before each shooting session. See page 164 for [...]
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Page 23
INST ALLING AND CHANGING THE BA TTER Y Open the battery-chamber door by sliding the batter y-chamber lock to the open position. Inser t the batter y with the batter y contacts first. Inser t the bat- tery so that it slides past the batter y latch in the chamber. Push the battery into the chamber until the latch clicks into place. This digital camer[...]
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Page 24
24 G ETTING UP AND RUNNING BA TTER Y CONDITION INDICA T OR Full-battery indicator - the batter ies are fully charged. This icon is dis- play ed f or five seconds on the monitors when the camera is turned on. The icon remains on the data panel. Blinking low-battery warning - displayed on the data panel with no other icons. P ower is insufficient for[...]
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Page 25
25 EXTERNAL POWER SUPPLIES (SOLD SEP ARA TEL Y) The AC Adapter allo ws the camera to be pow ered from an electrical household outlet. The AC Adapter is recommended when the camera is interf aced with a computer or during per iods of heavy use. AC Adapter model A C-1L is for use in Nor th America, Japan, and T aiwan, and A C-11 is for use in all oth[...]
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Page 26
26 G ETTING UP AND RUNNING INSER TING AND CHANGING A MEMOR Y CARD A memory card must be inser ted for the camera to operate . If a card has not been inser ted, a no-card warning will be displayed on the monitors . T ype I and II CompactFlash cards and IBM Microdrives are compatible with this camer a. F or memory card care and handling, see page 163[...]
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Page 27
27 To eject a card, open the card-slot door (1), and press and release the card-eject lev er to extend it (2). Press (3) the card-eject lev er to eject the card (3). The card can now be pulled out. T ake care when removing the card as it becomes hot with use. The card-eject lev er should remain inside the camera body . If it e xtends, push it into [...]
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Page 28
28 G ETTING UP AND RUNNING While using the electronic viewfinder (EVF) or LCD monitor , grip the camera firmly with your right hand while suppor ting the body with the palm of your left hand. Keep your elbo ws at your side and y our feet shoulder-width apar t to hold the camera steadily . HANDLING THE CAMERA TURNING ON THE CAMERA Access lamp Press [...]
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Page 29
29 The EVF has a built-in diopter that can be adjusted between –5.0 to +2.0. While looking through the EVF , tur n the diopter- adjustment dial until the viewfinder image is sharp. The electronic viewfinder can be tilted between 0° and 90°. Simply grip the finder between your fingers and mo ve it to the position desired. DIOPTER ADJUSTMENT ADJU[...]
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Page 30
30 G ETTING UP AND RUNNING SETTING THE D A TE AND TIME After initially inser ting a memor y card and batter y , the camera’ s clock and calendar must be set. When images are recorded, the image data is sav ed with the date and time of recording. Depending on the region, the menu language ma y also hav e to be set. T o change the language, see the[...]
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Page 31
31 Use the right controller key to highlight the 2nd tab at the top of the menu. Use the down k ey to highlight the date/time-set menu option. Press the central button to displa y the date/time setting screen. Use the left and right keys to select the item to be changed. Press the central button to set the cloc k and calendar . The setup menu will [...]
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Page 32
32 B ASIC RECORDING SETTING THE CAMERA TO RECORD IMA GES A UTOMA TICALL Y EVF AND LCD MONIT OR DISPLA Y Set the exposure dial to the prog ram (P) position (1). Confir m the mode switch is in the recording position (2). All camera operations are no w fully automatic. The autofocus , expo- sure, and imaging systems will work together to make photog r[...]
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Page 33
33 BASIC RECORDING OPERA TION Place the subject within the focus fr ame. For off-center sub- jects, use the f ocus-lock function (p . 34). The subject must be within the f ocus range of the lens: 0.5m (1.6ft) - ∞ .F or subjects closer than 0.5m (1.6ft), use the macro function (p . 49). Use the zooming ring to frame the subject (2). The effect of [...]
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Page 34
34 B ASIC RECORDING FOCUS LOCK The focus-loc k function is used when the subject is off-center and outside the f ocus frame. Focus lock ma y also be used when a special f ocusing situation prev ents the camera from f ocusing on the subject. Place the subject within the focus fr ame. Press and hold the shutter-release button partway do wn. • The f[...]
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Page 35
This digital camera has a quick, accur ate autofocusing system. The focus signals in the low er right corner of the EVF and LCD monitor indicate the focus status. For more information on autof ocus modes, see p . 46. FOCUS SIGNALS SPECIAL FOCUSING SITU A TIONS The camera ma y not be able to f ocus in cer tain situations. If the autofocus system can[...]
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Page 36
36 B ASIC RECORDING USING THE BUIL T -IN FLASH FLASH RANGE - A UT OMA TIC OPERA TION To use the flash, simply pull up the unit by the tabs on each side . The flash position must be set manually , and once up , the flash unit will alwa ys fire regardless of the amount of ambient light. The fol- lowing indicators will appear in the upper left corner [...]
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Page 37
/ ANTI-SHAKE SYSTEM 37 When Anti-shake is off , the white indicator appears to warn the shutter speed is too long for the camer a to be safely handheld. The yello w indicator appears when the Anti-shake system is activ ated, but the shutter speed is too slow f or it to be effectiv e. The blue indicator appears when the Anti-shak e system is activat[...]
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Page 38
Movie files are recorded at appro ximately 522KB per second. A 16MB Compactflash card can store about 19 seconds of digital video with audio . Actual time depends on the subject and the amount of free space on the memory card. F or more on movie recording, see page 112. Set the mode switch to the mo vie recording (1) position. Before recording, the[...]
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Page 39
/ 39 DISPLA Y MODE SWITCH A uto displa y - the camera will automatically change between displa ying the live image in the EVF or on the LCD monitor . The EVF’ s ey e sensors moni- tor if the EVF is being used and switches the displa y location accordingly . EVF display - the live image will only be displa yed in the electronic vie wfinder . Under[...]
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Page 40
To view images from the pla yback mode, turn the mode s witch to the pla yback position. To view images from the recording or mo vie recording modes, press the Quic k View / delete b utton. 40 B ASIC PLA YBA CK SINGLE-FRAME PLA YBACK AND HIST OGRAM DISPLA Y Date of capture Fr ame number/ total number of images Image size (p . 82) Image quality (p .[...]
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Page 41
41 To return to a recording mode from Quick View , press the menu b utton. VIEWING IMA GES AND HIST OGRAM To delete a display ed image, press the QV/delete b utton; a confirmation screen will appear. The display ed image can be deleted. Once deleted, an image cannot be recovered. Press the controller to ex ecute the command on the confirmation scre[...]
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Page 42
42 B ASIC PLA YBA CK The display-inf or mation button controls the display f or mat. Each time the b utton is pressed, the dis- play cycles through to the ne xt format: full displa y , image only , index pla yback. Full display Image only Index pla yback In index pla yback, the four-w ay k eys of the controller will mo ve the y ellow border to the [...]
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Page 43
43 ENLARGED PLA YBACK In single-frame pla yback, a still image can be enlarged f or clos- er examination from 1.2X. The degree of maximum magnifica- tion depends on image size: 8X for 2560X1920, 6.4X f or 2080X1560, 5X for 1600X1200, 2X f or 640X480, and 4X for 1280X960 digital-zoom images. RAW and TIFF images cannot be enlarged. With the image to [...]
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Page 44
44 A DV ANCED RECORDING Movies can be pla yed bac k on the camera. Movie files are indicated by an indicator at the bottom of the display . Press the center of the controller to play bac k the file. To cancel the playbac k, press the menu button. VIEWING MO VIES Press the controller to pause the movie; pressing the controller again will resume the [...]
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Page 45
45 The display-inf or mation button controls what information is displa yed with the live image . Each time the button is pressed, the display cycles to the next f or mat: standard displa y , real-time histogram, f ocus frame, and live image only . The real-time histogram sho ws the approximate luminance distribution of the liv e image. This his- t[...]
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Page 46
46 A DV ANCED RECORDING FOCUS-MODE SWITCH Single-shot AF (Autof ocus), continuous AF , and manual f ocus is set with the f ocus-mode switch. Slide the switch to select the appropriate focus mode. Single-shot AF - a general purpose autofocusing mode. Its operation is described in the basic recording section. Continuous AF - used for photographing mo[...]
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Page 47
DIGIT AL ZOOM The digital zoom doub les the lens magnification. The digital zoom cannot be used with RA W image quality or in movie recording. Press the magnification button on the bac k of the camera. The effect is immediate and X2.0 is displa yed in top right cor ner of the live image . Pressing the magnification button a second time can- cels th[...]
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Page 48
48 A DV ANCED RECORDING FLEX FOCUS POINT The Flex F ocus Point (FFP) is a po werful tool f or off-center subjects. It can be mov ed to any point in the image area. The FFP cannot be used with the digital zoom or movie recording. Use the controller’ s f our-wa y keys (1) to mo ve the Fle x Focus P oint in the live image . Press and hold the center[...]
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Page 49
49 The macro mode is used for close-up photog raphs of small objects. The built-in flash cannot be used with macro mode. The use of a tripod is recommended. Align one of the arrows on the zooming ring with the inde x next to the macro switch and slide the s witch forward. The lens must be z oomed to the wide-angle or telephoto position f or the mac[...]
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Page 50
50 A DV ANCED RECORDING EXPOSURE LOCK EXPOSURE-MODE DIAL The exposure-mode dial is used to select tr aditional exposure mode as w ell as subject programs that optimiz e camera settings to specific shooting condi- tions. Camera settings sav ed in the camera can also be recalled with this dial. Simply tur n the dial to the appropriate position. Manua[...]
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Page 51
51 PROGRAM - P Program e xposure is set with the e xposure-mode dial (p. 50). The program AE uses luminance and f ocal-length inf or mation to calculate exposures. This allows the photographer to shoot without worry- ing about exposure settings . The shutter speed and aper ture values of the e xposure are display ed on the monitors and data panel. [...]
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Page 52
52 A DV ANCED RECORDING AU TO RECORDING A uto recording is set with the e xposure-mode dial. A uto recording is the same as the program e xpo- sure mode (p . 51), except that when the camera is on if the e xposure mode dial is turned to or from the auto position, the auto exposure mode is reset. T ur ning the camera off will not reset the mode. The[...]
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Page 53
53 Instant pla yback Off p . 100 V oice memo Off p. 101 Color mode Natural color (sRGB) p . 102 Shar pness Nor mal p . 97 Noise reduction On p. 103 Monitor amplification A uto p . 104 Monitor amplification - Manual e xp . Exposure prior ity p . 104 DSP setup DSP (Digital subject programs) p . 106 p. 106 Subject tracking AF On p. 107 Spot AE area Ce[...]
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Page 54
54 A DV ANCED RECORDING Aper ture prior ity is set with the e xposure-mode dial (p . 50). The photographer selects the aperture and the camera sets the appropri- ate shutter speed to ensure the correct exposure . When A mode is selected, the aper ture display on the monitors turns blue. APER TURE PRIORITY - A Tu rn either the front or rear control [...]
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Page 55
55 Shutter priority is set with the exposure-mode dial (p . 50). The photographer selects the shutter speed and the camera sets the appropriate aper ture to ensure correct exposure . When S mode is selected, the shutter speed display on the monitors turns blue. SHUTTER PRIORITY - S The shutter speeds can be changed by 1/3 stop incre- ments from 30 [...]
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Page 56
56 A DV ANCED RECORDING Manual e xposure mode allows individual selection of shutter speeds and apertures. This mode over- r ides the exposure system giving the photog rapher total control ov er the final exposure . Manual expo- sure is set with the exposure-mode dial (p . 50). The shutter speeds and aper ture values can be changed in 1/3 stop incr[...]
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Page 57
57 Use the front control dial to decrease the shutter-speed until “b ulb” is display ed. Use the rear control dial to set the appropriate aper ture required for the exposure . To take the picture , press and hold the shutter-release button f or the duration of the e xposure. Releasing the shutter button will end the e xposure . The monitors wil[...]
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Page 58
58 A DV ANCED RECORDING DIGIT AL-SUBJECT -PROGRAMS Digital subject programs optimiz e the camera’ s e xposure, white-balance, and image-processing systems for specific conditions and subjects . Simply tur n the e xposure mode dial to select the appropriate subject progr am. Sports action - used to capture fast action b y maximizing shutter speeds[...]
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Page 59
59 EXPOSURE AND FLASH COMPENSA TION The ambient light and flash exposure can be adjusted bef ore the image is captured to make the final picture lighter or darker . Exposure can be adjusted by as m uch as ±2Ev in 1/3 increments (p. 111). The exposure and flash compensation will remain in eff ect until it has been reset. F or more on expo- sure com[...]
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Page 60
60 A DV ANCED RECORDING USING THE FUNCTION DIAL The memory function, meter ing mode, drive mode, white balance , and camera sensitivity are con- trolled by the function dial. The custom position is for a designate menu function that can be set in section 2 of the setup menu. Only white balance can be set in the movie recording mode. Tu rn the funct[...]
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Page 61
61 The drive modes control the rate and method images are captured. Indicators indicating the selected drive mode appear on the data panel and monitors. The drive mode is set with the function dial (p . 60). DRIVE MODES Continuous adv ance - to take a series of images when the shutter-release but- ton is pressed and held (p . 64). Bracketing - to t[...]
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Page 62
62 A DV ANCED RECORDING BRA CKETING This drive mode makes a three image br ack et of a scene. Brack eting is a method of taking a series of images of a static subject in which each image has a slight variation in e xposure. Contrast, satura- tion, and filter brack ets can also be made. Tu rn the function dial to the drive mode position (1). Press t[...]
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Page 63
63 To make a flash brac ket, set the contin uous-advance or single-frame adv ance brac keting drive mode and raise the camera flash. The bracket will not adv ance automatically; the shutter-release button m ust be pressed f or each exposure . The ambient exposure is not br acketed. When exposure br ack ets are made in S exposure mode , the aper tur[...]
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Page 64
64 A DV ANCED RECORDING Continuous-adv ance mode allows a series of images to be captured while holding down the shutter- release button. Continuous advance acts like a motor driv e on a film camera. The number of images that can be captured at one time depends on the image-quality setting; five with RA W images, and three with the other options. W[...]
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Page 65
65 Compose the picture as described in the basic recording section (p . 33). Press and hold the shutter-release button all the wa y down (1) to begin taking pictures. If the shutter- release button is continuously held do wn after the series, a new series of images will be capture after a shor t delay . To change function dial or Digital Effects Co[...]
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Page 66
66 A DV ANCED RECORDING INTER V AL The interval mode makes a series of still or moving images ov er a per iod of time. Similar to time- lapse photograph y , a ser ies of images of a slow moving e vent can be taken: the blossoming of a flower , the construction of a building. The built-in flash can be used. Instant playback (p . 100) is dis- abled. [...]
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Page 67
67 The camera will stop recording images and reset to the first frame when the number of fr ames set has been taken, or when the memory card is full. The use of an AC adapter is recommended when recording with long intervals or a large number of frames. T o cancel the inter val series, press the main switch or press the shutter-release b utton par [...]
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Page 68
68 A DV ANCED RECORDING Used for self-portraits, the self-timer will dela y the release of the shutter after the shutter button is pressed. A ten second and two second self-timer is av ailable. SELF-TIMER With the camera on a tripod, compose the picture as described in the basic recording section (p . 33). F ocus lock (p . 34) or the Flex F ocus P [...]
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Page 69
69 METERING MODES Metering mode indicators are display ed on the monitors only . T o lock the exposure while pressing the shutter- release button partway do wn, the AE lock option in sec- tion 4 of the recording mode menu should be on. If the luminance lev els of the scene are outside the meter ing r ange, the metering indicator turns red. Tu rn th[...]
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Page 70
70 A DV ANCED RECORDING WHITE BALANCE 3 White balance is the camera’ s ability to make different types of lighting appear natural. Any changes are imme- diately visible on the monitors . Tu rn the function dial to the white-balance (WB) mode position (1). Press the function button in the center of the dial (2). Tu rn the front control dial to sel[...]
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Page 71
71 Custom-white-balance function allows the camera to be calibr ated to a specific lighting condition. Three setting can be stored in the camera and used repeatedly . Custom white balance is especially useful with mixed-lighting conditions or when critical control ov er color is needed. CUST OM WHITE-BALANCE CALIBRA TION Select a white object and f[...]
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Page 72
72 A DV ANCED RECORDING MEMOR Y - ST ORING CAMERA SETTINGS To sav e the current camera settings, turn the function dial to the M SET position and press the function button to open the register- selection screen; the current camera settings are display ed. Camera settings cannot be deleted from memory by turning the camera off. They are erased with [...]
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Page 73
73 MEMOR Y RECALL Camera settings sav ed with the function dial are recalled with the expo- sure-mode dial. Simply tur n the exposure mode dial to the memory recall (MR) position (1); the register-selection screen will open. On the register-selection screen use the control dials or left/right keys of the controller (2) to select the memory register[...]
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Page 74
74 A DV ANCED RECORDING CAMERA SENSITIVITY - ISO The auto setting automatically adjusts the camera sensitivity to the light conditions between ISO 100 and 200. When any other setting than auto is used, “ISO” will appear on the data panel, and “ISO” and the set value will be displa yed on the monitors. Photographers can select a specific sen[...]
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Page 75
75 FLASH RANGE AND CAMERA SENSITIVITY Flash range (wide angle) ISO setting AU TO 100 200 400 800 0.5m ~ 3.8m / 1.6 ft. ~ 12.5 ft. Flash range (telephoto) 0.5m ~ 3.0m / 1.6 ft. ~ 9.8 ft. 0.5m ~ 2.7m / 1.6 ft. ~ 8.8 ft. 0.5m ~ 3.8m / 1.6 ft. ~ 12.5 ft. 0.5m ~ 5.4m / 1.6 ft. ~ 17.6 ft. 0.5m ~ 7.6m / 1.6 ft. ~ 25 ft. 0.5m ~ 2.1m / 1.6 ft. ~ 6.9 ft. 0.5[...]
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Page 76
The flash sync terminal allows a studio or location flash system to be connected to the camera with a standard PC cord. The terminal is compatible with both center positive (normal polarity) and center negative (positiv e polarity) flash units with a voltage of 400V or low er . 76 A DV ANCED RECORDING USING THE FLASH SYNC TERMINAL To ensure correct[...]
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Page 77
Tu rn the Digital Eff ect switch (1) to the image char acter- istic to be adjusted. Adjustments can be made repeatedly and in combination. Adjustments remain in effect until manually reset. When set to any value other than z ero , an indicator and value will be displa yed on the monitors as a warning. 77 DIGIT AL EFFECTS CONTROL Press the Digital E[...]
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Page 78
78 A DV ANCED RECORDING FIL TER The contrast of a scene can be adjusted within ele ven le vels (±5) with the Digital Effects Controller (p . 77). The contrast must be set before the image is captured. When changing the contrast setting, an indicator is display ed to show an increase (+) or decrease (–) in contrast. If contrast is set to any othe[...]
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Page 79
79 Filter lev els with color images Filter settings with blac k and white images. FIL TER EXAMPLES +2 +1 +3 +4 +5 –1 –2 –3 –4 –5 ±0 On February 20th, 1962, John Glenn became the first American to orbit the Ear th. On board his Fr iendship 7 spacecraft was a Minolta Hi-matic camera to record that historic ev ent. The 4 hour , 55 minute, a[...]
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Page 80
Use the left/right keys of the controller to highlight the appropri- ate menu tab; the menus will change as the tabs are highlighted. 80 R ECORDING MENU In recording mode, press the menu b utton to activate the men u. The menu button also closes the menu after making settings. The four-wa y key of the controller is used to mo ve the cursor in the m[...]
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Page 81
81 Image size 2560x1920 Quality Fine Flash mode Fill-flash Flash control ADI flash AEL button AE hold Reset – DSP set DSP Tr acking AF On AE lock On Spot AE area Center spot Direct MF Off Int. set – Bracket set 0.3Ev Data imprint Off Imprint to Image + Exif Inst.playback Off Vo ice memo Off Color mode Nat. (sRGB) Sharpness Normal Noise reductn [...]
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Page 82
82 R ECORDING MENU Image size and quality must be set bef ore the picture is taken. Changes are displayed on the LCD monitor and data panel. Image size and quality are set in section 1 of the recording menu (p . 80). 2560 2080 1600 640 2560 X 1920 2080 X 1560 1600 X 1200 640 X 480 Image quality controls the file type and rate of compression, but ha[...]
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Page 83
83 TIFF Extra fine Fine Standard 112 1 5 247 3 5 58 1 4 47 10 14 23 63 Appro ximate number of images that can be stored on a 16MB memor y card. Quality Size 2560 X 1920 2080 X 1560 1600 X 1200 640 X 480 TIFF Extra fine Fine Standard 14,520KB 9,506KB 5,625KB 900KB 4,920KB 3,289KB 1,995KB 420KB 2,520KB 1,704KB 1,058KB 320KB 1,491KB 1,025KB 656KB 240K[...]
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Page 84
84 A SHORT GUIDE TO PHO T OGRAPHY In the RA W image-quality mode, the image siz e is set at full and cannot be changed. The image size will not be display ed on the monitors. The digital zoom, enlarged playbac k, data imprinting, and print functions cannot be used. Unlike the other image-quality modes , RA W image data is unprocessed and requires i[...]
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Page 85
85 NO TES ON IMAGE SIZE AND RESOLUTION 640 X 480 (Full image area) 1600 X 1200 (Cropped) 2080 X 1560 (Cropped) 2560 X 1920 (Cropped) Image size changes the number of pix els in the image. When displayed at the same resolution, images appear to hav e the same amount of detail, b ut the dimensions of the image increases with the number of pix els; e [...]
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Page 86
86 FLASH MODES The flash mode can be changed in section 1 of the recording menu (p . 80). For the flash to fire, the b uilt-in unit must be man ually lifted. The flash will fire in the selected mode regardless of the amount of ambient light. When the flash is used, the camera sensitivity is automatically set between ISO 100 and 200. This setting ca[...]
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Page 87
87 Rear flash sync is used with long exposures to mak e trailing lights or blurring appear to f ollow rather than proceed the subject. The effect is not apparent if the shutter speed is too f ast and stops the subject’ s motion. When the shutter is released, a pre-flash will fire. This pre- flash does not exposure the subject, b ut is used in the[...]
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Page 88
88 R ECORDING MENU WIRELESS / REMO TE FLASH Wireless/Remote flash allows the camera to control an off- camera Minolta 5600HS(D) and 3600HS(D) flash unit with- out the need of a cable . Single or multiple flash units can be placed around the subject to create different lighting effects . The camera’ s built-in flash fires to control the off-camera[...]
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Page 89
89 Press and hold the mounting-foot-release b utton (1) to dis- engage the safety catch to remo ve the flash unit from the camera. P osition the camera and flash around the subject. See the f ollo wing page for the camer a-to-subject and flash-to-sub- ject ranges. Make sure no objects come between the cam- era and flash unit. Raise the built-in fla[...]
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Page 90
90 R ECORDING MENU WIRELESS/REMO TE CAMERA AND FLASH RANGES Flash-to-subject distance Camera-to-subject distance The camera and flash must be within 5m or 16.4 ft of the subject. Aperture ƒ/2.8 ƒ/4 ƒ/5.6 ƒ/8 ISO 100 ISO 200 / A UTO ISO 400 ISO 800 Camera sensitivity setting 1.4 m / 4.6 ft 1.0 m / 3.2 ft 0.7 m / 2.3 ft 0.5 m / 1.6 ft 2.0 m / 6.6[...]
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Page 91
91 NO TES ON WIRELESS/REMOTE FLASH Wireless/Remote flash performs best under subdued light or interior lighting. Under br ight light sources, the flash ma y not be able to detect the control signals from the camera’ s built-in flash. The wireless/remote system has four channels so that m ultiple lighting systems can be used in the same area witho[...]
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Page 92
92 R ECORDING MENU FLASH CONTROL Select the manual option from flash control in section 1 of the recording menu. With the built-in flash raised, press the e xposure compensation b utton (1). Use the rear control dial (2) to select the manual flash pow er ratio; the front control dial compensates the ambient exposure . Press the shutter-release butt[...]
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Page 93
8 / 26 11 / 36 16 / 52 22 / 72 93 The char t lists approximate guide numbers f or manual flash calculations. The follo wing equations are useful in determining the guide number , aper ture (ƒn), or flash-to-subject distance required for e xpo- sure. Guide no. (for distance in meter s / feet) Manual flash 1/1 (Full) 1/4 1/8 100 200 400 800 Camera s[...]
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Page 94
94 R ECORDING MENU When the AEL button is pressed and held, the e xposure is lock ed. The e xposure remains loc ked after an image has been captured until the AEL b utton has been released (hold setting) or pressed again (toggle setting). How the b utton operates can be changed in section 1 of the recording menu (p . 80). Menu option AE hold The de[...]
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Page 95
95 RECORDING MODE RESET The recording mode functions can be reset in section 1 of the recording menu (p . 80). When select- ed, a confirmation screen will appear ; choosing “Y es” resets the f ollowing functions and settings, “No” cancels the operation. Exposure compensation 0.0 p . 59 Flash compensation 0.0 p . 59 Drive mode Single-frame a[...]
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Page 96
96 R ECORDING MENU INTER V AL SETUP The parameters f or the inter val drive mode (p . 66) are set in section 2 of the recording menu (p . 80). Int. set Bracket set Enter Select “Enter” in the inter val-set option in section 2 of the recording menu. Press the center of the controller to open the setup screen. Interval 1 min No.of frames 2 Start [...]
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Page 97
Soft Normal Hard 97 SHARPNESS The sharpness of the image can be altered. This must be set before the image is recorded. Sharpness is set in section 3 of the recording menu (p. 80). If any setting other than normal is select- ed, the sharpness indicator is displayed on the monitors . Menu options Hard (+) Normal Soft (–) Increases the sharpness of[...]
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Page 98
Int. set – Bracket set 0.3Ev Data imprint T ext Imprint to Image + Exif Inst.playback Off Vo ice memo Off 98 R ECORDING MENU DA TA IMPRINTING Data can be printed on a still image and saved to the file’ s Exif data. The function must be activ ated before the image is tak en. Once activated, data will continue to be imprinted until the function i[...]
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Page 99
99 ELECTRONIC KEYBO ARD The electronic ke yboard is used to enter text f or impr inting data or for naming ne w folders . The key- board automatically appears when text needs to be entered. To enter text, simply use the f our-way k eys of the controller to highlight the desired character and then press the central button of the con- troller to ente[...]
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Page 100
R ECORDING MENU INST ANT PLA YBACK If the central button of the controller is pressed during the instant playbac k period, the display ed image(s) are sav ed immediately and the playbac k canceled. To delete an image during the instant playbac k, press the QV/delete button. A confir mation screen will appear . Use the left/right keys of the control[...]
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Page 101
V oice memo allows up to fifteen seconds of audio to be recorded with a still image. The function is activated in section 2 of the recording menu (p . 80) and is used in unison with instant playbac k. When the function is active , the microphone indicator is display ed on the monitors. V oice memo must be set before taking a picture. It will remain[...]
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Page 102
102 R ECORDING MENU COLOR MODE The color mode controls whether a still image is color or blac k and white. This must be set before the image is recorded. The color mode is set in section 2 of the recording menu (p . 80). The live image on the monitors will reflect the selected color mode. The color mode has no effect on image file siz e. See the co[...]
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Page 103
103 Adobe RGB has a larger color gamut than the more common sRGB. The size of the gamut limits the colors that can be reproduced; the larger the gamut, the more colors. If the image will be printed out with a high-quality printer , the use of the Adobe RGB color mode is recommended over the sRGB color modes of Natural and Vivid Color. Color matchin[...]
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Page 104
The monitor amplification options control the display of the liv e image. Monitor amplification has two settings: A uto - in low-light conditions when the camera-sensitivity gain has reached its limit, the automatic monitor-amplification function will intensify the monitor image. Although the live image turns blac k and white, this does not aff ect[...]
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Page 105
Initially , the 2X magnification area is displayed. This can be mov ed in the live image with the f our-wa y ke ys of the controller (1). Pressing the center button of the controller returns the area to the middle of the image. Press the magnification button (2) to enlarge the image . 105 The function assigned to the magnification button can be cha[...]
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Page 106
106 R ECORDING MENU DIGIT AL SUBJECT PROGRAM (DSP) SETUP DSP set DSP Tr acking AF On AE lock On Spot AE area Center spot Direct MF Off The memory registers used for camera settings can be assigned to the Digital Subject Program positions on the e xposure-mode dial. This is set in section 4 of the recording menu (p . 80). T wo options are av ailable[...]
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Page 107
SPO T AE AREA When using spot metering (p. 69) with the Flex F ocus Point (p . 48), the position of the spot metering area can be specified at the center of the live image or link ed to the Flex F ocus Point; the spot moves after the position of the FFP is set. This is set in section 4 of the recording menu (p . 80). Center spot With Flex F ocus Po[...]
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Page 108
Photograph y can be a rew arding pursuit. It is a broad and disciplined field that can take years to master . But the pleasure in making photographs and the jo y of capturing a magical moment cannot be compared. The guide is an introduction to some basic photographic principles. The lens aper ture controls not only exposure , but also depth of fiel[...]
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Page 109
109 The shutter controls not only exposure , but also the ability to stop motion. F ast shutter speeds are used in spor t photograph y to stop action. Slow shutter speeds can be used to show the flow of motion such as water cascading ov er a waterfall. The use of a tripod is recommended with slow shutter speeds. The change in aper ture and shutter [...]
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Page 110
110 A SHORT GUIDE TO PHO T OGRAPHY –2.0Ev –1.0Ev Calculated camera e xposure Sometimes the camera’ s exposure meter is deceiv ed by cer tain conditions. Exposure compensation can be used in these situations. For e xample, a very bright scene, such as a snowy landscape or a white sandy beach, can appear too dark in the captured image. Before t[...]
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Page 111
111 +2.0 Ev +1.0 Ev 0.0 Ev –1.0 Ev –2.0 Ev 4X as much light 2X as much light 1/2 as much light 1/4 as much light Calculated e xposure WHA T IS AN EV? Ev stands for e xposure value. A change of one Ev will adjust the exposure calcu- lated by the camera b y a f actor of two . LIGHT SOURCES AND COLOR The human ey e adapts itself extremely w ell un[...]
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Page 112
112 M O VIE MENU In movie mode, press the men u button to activ ate the menu. The menu b utton also closes the menu after making settings. The four-wa y ke y of the controller is used to mov e the cursor in the menu. Pressing the central button of the controller will enter a setting. Use the up/down k ey to scroll through the menu options . Highlig[...]
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Page 113
113 MO VIE MODE MO VIE RESET The movie mode option selects the type of movie recorded. Three options are av ailable on the movie menu: Standard mo vie - to record a color movie under normal lighting conditions. Night Movie - to record under low light le vels. Night Movies are blac k and white. While Night Movies can be recorded under normal conditi[...]
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Page 114
114 M O VIE MENU To make custom white-balance calibrations can only be made in the recording mode . Once made, the setting are av ailable f or movie recording. The movie mode’ s motion JPEG image is 320 X 240 pixels (QV GA). The effective image area is 316 X 240 pixels; two thin lines will appear to the left and r ight of the image when play ed b[...]
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Page 115
115 PLA YING BACK V OICE MEMOS Press the central button of the controller to start the audio playbac k. V oice memos are indicated by the v oice-memo indica- tor display ed at the bottom of the monitor image. AD V ANCED PLA YBA CK This section cov ers how to pla yback v oice memos as well as the pla yback mode’ s menu functions. The menu navigati[...]
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Page 116
116 A DV ANCED PLA YBA CK Use the left/right keys of the controller to highlight the appropri- ate menu tab; the menus will change as the tabs are highlighted. In playbac k mode, press the menu b utton to activate the men u. The menu b utton also closes the menu after making settings . The four-w ay k ey of the controller is used to mov e the curso[...]
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Page 117
DPOF set – Index print Off Cancel print – Slide show – Playback All frames Duration 5 sec. Repeat No Delete – Format – View folder Lock – Copy – Index format 9 frames 117 To delete images on the memory card (p. 119). To for mat the memor y card (p. 120). To select the folder to vie w in playback mode (p . 120). To copy images from one[...]
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Page 118
118 A DV ANCED PLA YBA CK FRAME-SELECTION SCREEN When a marked-frames setting is chosen on a menu, the fr ame selection screen will appear . This screen allows multiple files to be selected. The index f ormat of the screen can be changed in section 1 of the playbac k menu (p . 121). The up ke y of the controller selects the frame; when selected, an[...]
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Page 119
119 DELETE Deleting permanently erases the image. Once deleted, an image cannot be recovered. Care should be taken when using the delete function. This frame - The image displa yed or highlighted in pla yback mode will be deleted. All frames - All unlock ed images in the selected folder will be deleted. Marked frames - T o delete multiple images. W[...]
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Page 120
120 A DV ANCED PLA YBA CK FORMA T The formatting function is used to erase all data on a memory card. Before formatting a card, cop y the data to a computer or storage de vice. Locking files will not protect them from being deleted when the card is formatted. Alwa ys format the memor y card using the camera; nev er use a computer to for- mat a card[...]
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Page 121
121 Single, multiple , or all images in a folder can be loc ked. A locked image cannot be deleted by either the playbac k-mode menu functions or the QV/delete b utton. Impor tant images should be lock ed. T o lock images in other f olders, the f older must first be selected with the vie w-folder option in section 1 of the playbac k menu (p . 116) o[...]
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Page 122
122 A DV ANCED PLA YBA CK COPY Image files can be copied from one memory card to another. Up to 15MB of data can be transferred. Every time the copy function is used, a ne w folder is automatically created f or the image(s). This frame - T o cop y the image currently display ed. Marked frames - T o cop y single or multiple images. When selected, th[...]
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Page 123
123 W ait until the copy-completed message is highlighted. A new screen will appear to indicate the name of the new f older con- taining the copied images; press the central button of the con- troller to return to the playback men u. If the images were copied to a new card, the no-images message will be displa yed when viewed on the camera. Select [...]
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Page 124
Section 2 of the playbac k menu controls the slide-show function. This function automatically displays all still images in a f older in order . 124 A DV ANCED PLA YBA CK SLIDE SHO W Number of images display ed / total n umber of images in the presenta- tion. Press the central button of the controller to pause and restart the presentation. To cancel[...]
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Page 125
To select all the images in the folder to be displa yed in the slide-show presentation. 125 Slide show Menu options Playbac k Duration Settings Enter Repeat All frames Marked Fr ames 1 - 60s. Y es / No To select specific images in the folder to be displa yed in the slide-show presentation. When this setting is chosen, the frame-selection screen (p [...]
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Page 126
126 A DV ANCED PLA YBA CK The print menu option is used to set an order for standard prints from images in a specific folder . Single, multiple, or all images can be printed. If a memor y card has multiple folders, a printing file m ust be created f or each folder . Folders are selected with the view- f older option in section 1 of the pla yback me[...]
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Page 127
127 When the this-frame or all-frames setting is chosen, a screen will appear requesting the number of copies of each image; a maximum of nine copies can be ordered. Use the up/down keys of the con- troller to set the number of copies desired. If the all-frames setting was used to create a print order , any additional images sa ved afterwards in th[...]
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Page 128
128 A DV ANCED PLA YBA CK VIEWING IMA GES ON A TELEVISION It is possible to vie w camera images on your tele vision. The camera has a video-out ter minal which can be used to connect the camera to a tele vision using the supplied A V cable. The camera is com- patible with the NTSC and P AL standards. The video-output setting can be checked and set [...]
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Page 129
129 SETUP MENU The setup menu controls camera operations . The menu navigation section cov ers basic menu operation. It is follo wed by detailed descriptions of the menu settings. OPENING THE SETUP MENU The setup menu can be opened two w ays . To access the menu directly , hold down the function button (1) and press the menu button (2) to open the [...]
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Page 130
130 S ETUP MENU Use the left/right keys of the controller to highlight the appropri- ate menu tab; the menus will change as the tabs are highlighted. See page 129 on how to open the setup menu. The four-wa y key of the con- troller is used to mov e the cursor in the menu. Pressing the central button of the controller will enter a setting. When the [...]
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Page 131
Anti-shake Display + Exp Full-time AF On Grip sensor On Ctrl dial set Manual exp. Delete conf. “No” SS F/no. SS F/no. Reset default – A udio signals 1 Focus signal 1 Shutter FX 1 V olume 2 Po wer save 3 min. Custom set Color mode File # memory Off Folder Name Std. form Select folder 100ML T16 New folder – Date/Time set – LCDbrightness –[...]
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Page 132
132 S ETUP MENU LCD BRIGHTNESS The brightness of the EVF and LCD monitor is set independently of each other . Select the display to adjust using section 1 of the setup menu; the corresponding monitor activates automatically and the brightness screen is display ed. LCDbrightness Monitor Shortcut help EVF T ransfer mode EVF auto swtch Video output La[...]
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Page 133
133 Scale Grid To display a g rid or scale over the displa y for mats, press and hold the function button (1) and press the display-inf or mation but- ton (2) to cycle through the options: grid, scale, and off . For more on the displa ys modes, see page 45. When using manual f ocus, a shortcut allows switching between the digital zoom (p . 47) and [...]
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Page 134
134 S ETUP MENU Hold down the function b utton (1) and press the menu b utton (2) to open the setup menu. LCDbrightness – Shortcut help – T ransfer mode Data storage EVF auto swtch Auto EVF/LCD Video output NTSC Language English Hold down the function b utton (1) and press the QV/delete b utton (2) to reset the camera. This shor tcut only reset[...]
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Page 135
135 EVF A UT O SWITCH This option controls the auto-displa y function in the recording and movie mode (p . 39). T wo setting are av ailable: A uto EVF/LCD - the EVF’ s eye sensors s witch between the EVF and LCD monitor automatically . EVF auto on - the LCD monitor is tur ned off and the eye and grip sen- sors activate the EVF when in use . This [...]
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Page 136
136 S ETUP MENU CUST OM SETUP The one frequently used function can be allocated to the custom position on the function dial. The function is selected in section 2 of the setup menu (p . 130). The follo wing recording functions are avail- able: Custom set Image size File # memory Quality Folder name Flash mode Select folder New folder Date/Time set [...]
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Page 137
FOLDER NAME All recorded images are stored in folders on the memory card. Folder names come in two f ormats: standard and date. Standard folders ha ve an eight char acter name. The initial folder is named 100ML T16. The first three digits are the folder’ s serial number, which will increase by one each time a new f older is created. The next thre[...]
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Page 138
138 S ETUP MENU NEW FOLDER This allows the creation of ne w folders . The folder-name option on in section 2 of the setup menu must be set to standard f orm in order to use the new-f older function. When selected, the electronic ke yboard (p . 99) automatically appears so the folder name can be entered. Once the name is typed in and the enter butto[...]
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Page 139
139 RESET DEF A UL T This option resets all camera modes: recording, movie, pla yback, and setup . T o reset the recording or movie modes, see pages 95 and 113. When selected, a confir mation screen will appear ; choosing “Y es” resets the follo wing functions and settings, “No” cancels the operation. Displa y mode Standard p. 45 Exposure c[...]
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Page 140
140 S ETUP MENU Data imprinting Off Imprint to Image + Exif p . 98 Instant pla yback Off p. 100 V oice memo Off p. 101 Color mode Natural (sRGB) p . 102 Shar pness Nor mal p . 97 Noise reduction On p. 103 Monitor amplification A uto p . 104 Monitor amplification (Manual e xposure) Exposure prior ity p . 104 Magnification button Digital zoom p. 105 [...]
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Page 141
141 F ocus signal 1 p . 142 Shutter FX 1 p . 142 V olume 2 p . 142 A uto power sa ve 3 minutes p . 142 Anti-shake Displa y + exposure p . 143 Full-time AF On p. 143 Grip sensor On p. 143 Control dial setup F ront: shutter speed, Rear : aper ture p . 144 Control dial setup (Manual e xposure) Front: shutter speed, Rear : aper ture p . 145 Delete conf[...]
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Page 142
142 S ETUP MENU AU TO PO WER SA VE The camera will turn off the monitors to conser ve battery power if no operation is made within a cer- tain period. The length of this period can be changed to 1, 3, 5, or 10 minutes. T o restore power , press the shutter-release button partway do wn or press the main switch. When the camera is con- nected to the [...]
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Page 143
143 ANTI-SHAKE When the Anti-shake system activ ates can be changed in section 4 of the setup menu. T wo options are a vailab le: Display + Exp .- when the shutter-release button is pressed par t- wa y down, the anti-shak e function will activate if on. The affect of the Anti-shake system can be seen in the liv e image. Anti-shake Displa y + Exp Fu[...]
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Page 144
144 S ETUP MENU CONTROL DIAL SETUP The control dial setup option in section 4 of the setup menu changes the front and rear control dial operation in the P , A, and S e xposure modes . Exposure compensation (p. 59) can also be assigned to one of the control dials. Refer to the sections on the e xposure modes f or more information. Anti-shake Full-ti[...]
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Page 145
145 Each time a delete command is used a confirmation screen appears confirming the action to erase the image data. When this screen opens, the no b utton is highlighted. This function allows the yes b utton to be initially highlighted to make deleting images easier . Care should be taken when deleting images as the data cannot be retriev ed once e[...]
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Page 146
146 D ATA - TRANSFER MODE DA T A-TRANSFER MODE Read this section carefully before connecting the camer a to a computer . Details on using and installing the DiMAGE Viewer softw are are found in the supplied softw are manual. The DiMA GE man- uals do not cov er the basic operation of computers or their operating systems; please refer to the manual s[...]
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Page 147
147 CONNECTING THE CAMERA T O A COMPUTER 1. Star t up the computer. The computer must be on before connecting the camer a. 2. Open the A V out / USB por t cover . Attach the smaller plug of the USB cable to the camera. The plug should be fir mly attached. 3. Attach the other end of the USB cable to the computer’ s USB por t. The plug should be fi[...]
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Page 148
148 D ATA - TRANSFER MODE CONNECTING TO WINDO WS 98 / 98 SECOND EDITION The driver needs only to be installed once. If the dr iver cannot be installed automatically , it can be installed manually with the operating system’ s add-new-hardware wizard; see the instructions on the f ollo wing page. During installation, if the operating system request[...]
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Page 149
149 Choose the recommended search for a suitab le driver . Click “Ne xt. ” Choose to specify the location of the driver . The browse window can be used to indicate the driv er location. The driver should be located in the CD- R OM drive at :Win98USB . When the location is shown in the window , click “Next. ” MANU AL INST ALLA TION To inst[...]
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Page 150
150 D ATA - TRANSFER MODE The add new hardw are wizard will confir m the location of the driver . One of three drivers ma y be located: MNL VENUM.inf , USBPDR.inf, or USB- STRG.inf. The letter designating the CD-ROM drive will v ar y between computers. Click “Ne xt” to install the driver in the system. The last window will confirm the driver ha[...]
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Page 151
151 AU TO PO WER SA VE (D A T A-TRANSFER MODE) If the camera does not receiv e a read or write command within ten minutes, it will shut down to sa ve power . When the camera shuts down, an unsaf e-remov al-of-device w ar ning may appear on the com- puter monitor . Click “OK. ” Neither the camera or computer will be damaged in this operation. Un[...]
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Page 152
152 D ATA - TRANSFER MODE MEMOR Y CARD FOLDER ORGANIZA TION Once the camera is connected to the computer , image and audio files can be accessed by doub le clicking on icons. Image folders are located in the DCIM folder . T o copying images and audio recordings , simply drag and drop the file icon into a location in the computer . PICT0001.THM Driv[...]
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Page 153
153 Image and audio file names begin with “PICT” follo wed by a f our-digit file number and a tif, mrw , jpg, jpe, mov , or thm extension. V oice-memo files have a w av e xtension and the file name corresponds to its image file. The thumbnail images (thm) are used in camera and DiMAGE Viewer operation. When a new f older is created, the first t[...]
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Page 154
DISCONNECTING THE CAMERA FROM THE COMPUTER 154 D ATA - TRANSFER MODE WINDO WS ME, 2000 PROFESSIONAL, AND XP Confirm that the access lamp is not lit. T ur n off the camera and then disconnect the USB cable. Nev er disconnect the camera when the access lamp is lit - the data or memory card may permanently be damaged. To disconnect the camera, click o[...]
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Page 155
155 The hardware de vices to be stopped will be dis- play ed. Highlight the device b y clicking on it then clic k “Stop . ” Confirm that the access lamp is not lit and then drag the mass-storage de vice icon and drop it into the trash. Disconnect the USB cable . A confirmation screen will appear to indi- cate the devices to be stopped. Clicking[...]
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Page 156
156 D ATA - TRANSFER MODE CHANGING THE MEMOR Y CARD (DA T A-TRANSFER MODE) Care should be taken when changing memory cards while the camera is attached to the computer . Data could be lost or damaged if the camera is not properly disconnected. Always confirm the access lamp is out before remo ving the memor y card. WINDO WS 98 / 98 SECOND EDITION 1[...]
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Page 157
157 1. Insert a memor y card in the camera and connect it to the computer with the USB cable . Other devices m ust not be connected to the computer during this procedure. 2. Right click on the My-computer icon. Select “properties” from the drop-down men u. Windows XP: from the star t menu go to the control panel. Click on the performance and ma[...]
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Page 158
158 T R OUBLESHOO TING Problem Symptom Cause Solution The camera will not work. Nothing display ed on the data panel or the monitors. The battery are dead. The AC adapter is not connected properly . Recharge batteries (p. 22). Check that the adapter is connected to the camera and a live electrical outlet (p. 25). The section cov ers minor problems [...]
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Page 159
159 Pictures are not sharp. F ocus signal is red. Subject is too close. Make sure the subject is within the aut- ofocus r ange (0.5m - ∞ / 1.6 ft - ∞ ) or use the macro mode (p. 49). The camera is in macro mode. Cancel the macro mode setting (p . 49). A special situation is prev enting the autofocus system from f ocusing (p. 35) Use the focus-l[...]
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Page 160
160 T R OUBLESHOO TING If the camera does not function normally , turn it off, remov e and reinser t the batter y , or unplug and reconnect the AC adapter . Always turn the camera off using the main s witch otherwise the memor y card may be damaged and camer a settings reset. The camera temperature rises with e xtended periods of use. Care should b[...]
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Page 161
161 AT TA CHING THE FERRITE CORE FRC-100 ABOUT THE LITHIUM-ION BA TTER Y CHARGER CORD The included AC cord is designed f or the current of the sales region. Only use the cord in the region it was purchased. J apan (100V) Continental Europe, China, K orea, Singapore (220-240V) Great Britain, Hong Kong (220V -240V) United States, Canada, T aiwan (110[...]
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Page 162
162 C ARE AND STORA GE CLEANING • If the camera or the outside of the lens is dirty , gently wipe it with a soft, clean, dr y cloth. If the camera or lens comes in contact with sand, gently blo w awa y loose par ticles. Wiping may scratch the surf ace. •T o clean the lens surface , first blow a wa y any dust or sand, then gently wipe the lens w[...]
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163 OPERA TING TEMPERA TURES AND CONDITIONS • This camera has been designed f or use in temperatures from 0°C to 40°C (32°F to 104°F). •N ev er leav e the camera exposed to e xtreme high temperatures, such as in a car parked in the sun, or to e xtreme humidity . • When taking the camera from a cold to a warm environment, place it in a sea[...]
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164 C ARE AND STORA GE LCD MONIT OR CARE • Although the LCD monitor is manuf actured using high precision technology , there ma y occasionally be a lack of color or bright points on the LCD monitor . • Do not apply pressure to the surface of the LCD monitor; it may be permanently damaged. • In a cold environment, the LCD monitor ma y become t[...]
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165 BEFORE IMPORT ANT EVENTS OR JOURNEYS • Check the camera’ s operation; take test pictures and purchase spare batteries. • Minolta has no responsibility for an y damage or loss incurred by equipment malfunction. Q UESTIONS AND SER VICE • If you ha ve questions about y our camera or charger , contact your local camera dealer or write to th[...]
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166 I NDEX INDEX AC adapter , 25, 67, 147 Adobe RGB, 2, 102, 103, 152 A uto f ocus Continuous, 46 Flex F ocus Point (FFP) 48, 49, 107 Full-time, 143 Single-shot, 46 Subject T rac king, 46, 106 Signals, 35, 46 Anti-shake , 37, 143 A uto po wer sav e, 24, 142, 151 Battery Care and storage, 4, 164 Changing, 23 Charging, 4, 5, 22 Condition, 24 Camera B[...]
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167 Flash Attaching, 75, 76, 88 Compatible flash units , 75, 93 Compensation, 59, 110 Metering, 92-93 Range, 36, 75 Signals, 36 Te r minal, 76 Flash modes Fill-flash, 86 Manual, 92-93 Rear sync, 87 Red-ey e reduction, 86 Remote, 88-91 Slow shutter sync., 87 Wireless, 88-91 Flex Digital Magnifier , 105, 133 Flex F ocus Point (FFP), 48, 49, 107, 133 [...]
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168 T ECHNICAL SPECIFICA TIONS Number of eff ective pix els: 5.0 million CCD: 2/3-type progressiv e pr imar y-color CCD with a total of 5.3 million pix els Camera sensitivity (ISO): A uto and 100, 200, 400, and 800 ISO equivalents Aspect ratio: 4:3 Lens construction: 16 elements in 13 groups Maximum aper ture: f/2.8 (wide-angle position), f/3.5 (te[...]
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169 Specifications are based on the latest information av ailable at the time of printing and are subject to change without notice. Batter y: One NP-400 lithium-ion batter y Batter y perf or mance (recording): Appro x. number of recorded images: 330 frames with a NP-400 lithium-ion batter y , full-size images (2560 X 1920), standard image quality ,[...]
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170 The Battery Pack BP-400 is a portable pow er source for the camera. This accessory uses two NP-400 lithium-ion batter ies or six Ni-MH or alkaline batteries to power the camera. For more details on the Battery Pa ck BP-400 or other accessories listed in this manual, contact your local Minolta dealer . BA TTER Y P A CK BP-400 B AT T E R Y PA C K[...]
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171[...]
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We offer suppor t f or our digital products 24 hours per da y on www .minoltasuppor t.com . Camera kno w-how , image composition, digital image editing: dis- cov er more about Minolta’ s new inter net world and visit www .minoltaphotoworld.com © 2003 Minolta Co ., Ltd. under the Ber ne Conv ention and the Universal Cop yr ight Conv ention. 9222-[...]