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A good user manual
The rules should oblige the seller to give the purchaser an operating instrucion of Korg D16, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.
What is an instruction?
The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of Korg D16 one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.
Unfortunately, only a few customers devote their time to read an instruction of Korg D16. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.
What should a perfect user manual contain?
First and foremost, an user manual of Korg D16 should contain:
- informations concerning technical data of Korg D16
- name of the manufacturer and a year of construction of the Korg D16 item
- rules of operation, control and maintenance of the Korg D16 item
- safety signs and mark certificates which confirm compatibility with appropriate standards
Why don't we read the manuals?
Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Korg D16 alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Korg D16, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Korg service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Korg D16.
Why one should read the manuals?
It is mostly in the manuals where we will find the details concerning construction and possibility of the Korg D16 item, and its use of respective accessory, as well as information concerning all the functions and facilities.
After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.
Table of contents for the manual
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Page 1
1 E Upgrade Guide[...]
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Page 2
i T able of Contents Introduction ................................................................................................. 1 About this manual ............................................................................................................................... 1 Printing conventions in this manual ................................[...]
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Page 3
1 Introduction This manual explains the new functions and improve- ments that have been added to the D16 in V ersion 2. Since the explanations are given in or der of the contents of the “D16 Owner ’s Manual,” you will need to read this manual in conjunction with the “D16 Owner ’s Manual.” Printing conventions in this manual This manual [...]
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Page 4
2 T empo map creation (specification change) When you create a tempo map in the [TEMPO/ RHYTHM] “TmpMap” tab page, you can now specify the beginning and end measures of the tempo map, making it easier to manage the tempo map by mea- sures. An “Insert” button has also been added, making it easier to edit a previously-cr eated tempo map. [ST[...]
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Page 5
3 Basic operation In “2. Naming a song,” step 3 has been changed as fol- lows. 2. Naming a song 3 Change the name of the song. Use the “ ” “ ” buttons to move the cursor to the location of the character that you wish to change, and rotate the [V ALUE] dial to modify the song name. The buttons in the LCD screen have the following functio[...]
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Page 6
4 Change the “T empo map” explanation in “Setting the tempo.” T empo map T empo Map switches the tempo, time signature, and rhythm pattern at the specified measur e. 1 Specify T empo Map as the tempo source. • Select the [TEMPO/RHYTHM] “SetUp” tab page. • Press the “Rhythm” button to turn r hythm on. • Press “T empoSource ,[...]
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Page 7
5 Reference The symbol indicating foot switch polarity has been changed to “ ”. P1 Control: Foot switch/Control change device (pedal/MIDI) setting 1. Pol (FootSwPolarity) ......................................... [–, +] Specifies the polarity of the foot switch. Connect a foot switch (such as the separately sold PS-1 option) to the front pan[...]
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Page 8
6 1. Select MIDISync Mode ............................................. [MTC Mstr , MTC Slave, Clock Mstr , Of f] Select the synchronization messages that will be trans- mitted and received fr om the MIDI IN/OUT connec- tors. MTC Mstr : The D16V2 will function as the master device for MTC 30 NDF (MIDI time code 30 non-drop frame) messages. MTC Slav[...]
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Page 9
7 On the MTC slave D16V2, you must make sure that the [AUTOPUNCH] “AtPunch” tab page “AutoPunch” parameter and the [LOOP] “Loop” tab page “Loop” parameter are both turned “ Of f .” D8 backup data can now be restor ed into the D16V2. P5 B-U/Rst: Backup/restore from removable disk Here you can backup (save)/r estore (r ecall) data[...]
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Page 10
8 Fade T rack and Normalize T rack have been added as edit types. EditT ype: “FadeT rack” This command creates a fade-in or fade-out in the IN – OUT region of the fade-in destination track (“Dest- T rack”) data. When this is executed, the audio data of the IN – OUT r egion will be smoothly faded in toward the level at the OUT location. [...]
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Page 11
9 The time requir ed by this editing operation (i.e., before the “Completed” display appears) will take proportionally longer as the specified range ( IN – OUT ) is longer . EditT ype: “NormalizeT rack” This command searches for the peak level of audio data that was recor ded at an unintentionally low level, and boosts the entire r egion[...]
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Page 12
10 2a. Pr vw ................................................................ Y ou can preview the first two seconds of the selected W A V file. If you select a W A V file of an unsupported format, one of the following error messages will appear . SAMPLE RA TE NOT 44.1k: This will appear if the sampling frequency of the W A V file is other than[...]
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Page 13
11 6 Specify the TO time location. ( → D16 p.70) 7 Select Copy . In the [TRACK] “EditT rk” tab page, set “EditT ype” to “Copy T rack.” 8 Select the clipboard as the copy source track num- ber . For “SourceT rack,” select “Clip 1.” The number indicates the number of tracks in the clipboard. 9 Select the copy destination and tra[...]
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Page 14
12 Expor ting to a W A V file Here’s how the IN – OUT range of tracks 1 and 2 from song 001 can be exported to a SCSI-connected DOS for- mat external drive “A:DOS” as a stereo W A V file named “Sound001.wav .” 1 Select song 001. 2 Assign the IN and OUT time locations. ( → D16 p.70) 3 Select Copy . In the [TRACK] “EditT rk” tab p[...]
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Page 15
13 1. SceneRead ................................................ [On, Of f] This turns scene playback on/off. On : Scenes will be played back. The mixer settings will change automatically when play- back reaches the time location at which a scene was r eg- istered. When “ On ,” the [SCENE] key will light. Off : Scenes will not be played back. I[...]
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Page 16
14 recalled even after storing the scene. If the filter is enabled, you can disable recall of scene data even after storing the scene. 9. Recall ..................................................................... This recalls the settings that wer e stored in a scene. If you recall a scene, edit the EQ etc., and then pr ess the “Recall” butt[...]
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Page 17
15 P2 TmpMap: T empo map editing By specifying tempo maps you can change the tempo, time signature, and r hythm pattern while recor ding or playing a song. Changes in tempo, time signature, and r hythm can be placed only at the beginning of each measure. For details on creating a tempo map, r efer to p.4. 1. T empoMap ..............................[...]
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Page 18
16 Refer to the D16 Owner ’s Manual for details on 1–4. 5. Level ................................ [99 Level, 8 Level, 1 Level] Specifies the undo level. The data will be saved for the specified number of previously-executed operations. Y ou can select the undo level from 99, 8, or 1 opera- tions. 6. New .......................................[...]
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Page 19
17 Part of the operation of the [FF] and [REW] keys has been changed. These keys perform recor der operations such as play- back and recor ding. Refer to the D16 Owner ’s Manual for details on 4–6. 1. [FF] key When stopped or playing, this key moves forward in time (fast-forward). If you hold down the [STOP] key and pr ess the [FF] key , you wi[...]
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Page 20
18 This section explains how the D16V2 manages disk capacity . For explanatory purposes, we will assume that you have recor ded a song with the following structure. It is not necessary that the Optimize T rack opera- tion explained here be used fr equently . It is suffi- cient to use it only if “Disk Busy” is displayed when you are actually ed[...]
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Page 21
19 Example 3 Suppose that you recor ded A and B on track 1 as the first take. Then you overwrote the Intr o, A ’, B’, and Solo as take 2. In this case, the take 1 data for A and B will remain underlying A ’ and B’ of track 1. However once take 2 is finished, the audio data of take 1 will not be used at all, so it is not necessary to perfo[...]
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Page 22
20 4 Begin recording. Press the [PLA Y] key of the D16V2 to begin play- back, and the external MIDI sequencer will begin recor ding in synchronization. At this time, adjust- ing the D16V2 mixer parameters (fader , pan, EQ, etc.) will cause the corresponding contr ol change to be transmitted from the D16V2, and r ecorded on the external MIDI sequenc[...]
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Page 23
21 MIDI implementation chart Consult your local Korg distributor for mor e information on MIDI IMPLEMENT A TION. Variable Range MIDI Implementation Chart Basic Channel Default Changed Aftertouch Pitch Bend Polyphonic (Key) Monophonic (Channel) Program Change: System Real Time : Clock : Command System Exclusive System Common : Quarter frame : Song P[...]
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Page 24
KORG INC. 15 - 12, Shimotakaido 1 - chome, Suginami-ku, Tokyo, Japan. 2000 KORG INC. 1208 CTH Printed in Japan NOTICE KORG products are manufactured under strict specifications and voltages required by each country. These products are warranted by the KORG distributor only in each country. Any KORG product not sold with a warranty card or carry[...]