Korg MS2000 manual

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ii T o ensure long, trouble-free operation, please read this manual carefully . Precautions Location Using the unit in the follo wing locations can result in a malfunc- tion. • In direct sunlight • Locations of extreme temper ature or humidity • Excessively dusty or dirty locations • Locations of excessiv e vibration Power supply Please con[...]

iii Thank you for purchasing the Korg MS2000/MS2000R analog modeling synthesizer . T o ensure trouble-fr ee enjoyment, please read this manual carefully and use the pr oduct correctly . How this manual is organized The MS2000/MS2000R owner ’s manual is organized as fol- lows. Basic Guide First read the Basic Guide to learn essential points of ope[...]

iv T able of Contents Basic Guide ................................ 1 Introduction................................................. 2 Main features .......................................................... 2 The structure of the MS2000/MS2000R .................... 2 Modes ............................................................................2[...]

Table of Contents v Parameter Guide ...................... 33 Program parameters ................................. 34 1. PROGRAM COMMON Parameters ...................... 34 Page01: COMMON .......................................................... 34 2. NAME (Program Name) .....................................35 Page02: NAME ........................[...]

vi Appendices ............................................... 58 About MIDI ............................................................ 58 MIDI messages transmitted and received by the MS2000/MS2000R 58 MIDI channels .................................................................... 58 Note-on/off ................................................[...]

Introduction Front and rear panel Connections Playing Editing Basic Guide Basic Guide Introduction Front and rear panel Connections Playing Editing[...]

2 Introduction Main features 1. Analog modeling system The MS2000/MS2000R provides eight types of oscillator algorithms, including waveforms of analog synthesizers, and places the most important sound parameters on the front panel so that you can modify sounds as you play or perform a variety of realtime editing, with the same ease of operation as [...]

Basic Guide 3 Introduction Front and rear panel Connections Playing Editing How a program is str uctured The programs of the MS2000/MS2000R can be classified in one of two categories depending on the V oice mode setting (LCD Edit mode Page 01A: COMMON “Mode”): synth programs whose “Mode” is Single/Dual/Split , and vocoder programs whose ?[...]

4 VIRTUAL P A TCH VIR TUAL P A TCH allows you to use not only EG or LFO, but even velocity (keyboard playing dynamics) or key- board tracking (the ar ea of the keyboard you play) as mod- ulation sources which can be assigned to sound parameters for greater fr eedom in creating sounds. Four r outings (com- binations) can be specified for each timbr[...]

5 Introduction Front and rear panel Connections Playing Editing Front and rear panel Front panel The characters printed inverse white on the front panel ar e vocoder program parameters (LCD Edit mode Page 01A: COM- MON “Mode” = V ocoder ). MS2000 MS2000R 2 3 I J 4 5 6 7 9 8 1 0 A B C D E F G H 2 3 I J 4 5 6 7 9 8 1 0 A B C D E F G K H[...]

6 1 POWER/VOLUME [POWER/VOLUME] knob This turns the power on/off and adjusts the volume. 2 AUDIO IN [1/ ] knob This adjusts the input level of the AUDIO IN 1 jack. [2/ ] knob This adjusts the input level of the AUDIO IN 2 jack. 3 OSCILLA TOR 1 [W A VE• ] key This selects the waveform for oscillator 1. The LED for the selected waveform will light.[...]

Basic Guide 7 Introduction Front and rear panel Connections Playing Editing [LA TCH] key If this is on, the arpeggiator will continue playing even if you release your hand fr om the keyboard. [RANGE] key This sets the range in which the arpeggio will be played. [TYPE] key This selects the arpeggio type. 9 KEY & DISPLA Y ORIGINAL V ALUE LED When[...]

8 G OCT A VE (MS2000), KEYBOARD (MS2000R) MS2000 OCT A VE [UP], [DOWN] keys These shift the pitch range of the keyboard in one-octave steps. MS2000R [KEYBOARD] key If this key is pressed to make the LED light, you can use the SELECT [1]–[16] keys to play the program. H SEQ EDIT/ [SELECT• ] key For synth programs , this selects a sequence when c[...]

Basic Guide 9 Introduction Front and rear panel Connections Playing Editing 6 Cable hook W rap the AC adapter power cable around this to pr e- vent accidental disconnection. When unwrapping the cable from the hook, do not apply excessive force to the cable. Control panel (MS2000) 1 PITCH BEND wheel This controls the pitch. 2 MODULA TION wheel This [...]

10 Connections Be sure to turn of f the power of all devices before mak- ing connections. Failing to take this precaution may cause your speaker system to be damaged, or may cause malfunctions. Connecting the AC adapter Connect the included AC adapter . After you have connected the AC adapter to the MS2000/ MS2000R , plug it into an AC outlet. Conn[...]

Basic Guide 11 Introduction Front and rear panel Connections Playing Editing 3. Setting the MIDI channel (preparations for playing) If you are using the MS2000/MS2000R as a tone generator module, or if you are using the MS2000 as a master key- board to play an external MIDI device, you must set the MIDI channel of the MS2000/MS2000R to match the MI[...]

12 Playing T urning the power on/of f and adjusting the volume a. T urn on the power Before turning on the power of the MS2000/MS2000R , turn off the power of the connected devices. 1 Rotate the [POWER/VOLUME] knob to turn on the power . The Program Play mode scr een will appear . When the power is first turned on, you will always be in Program Pl[...]

Basic Guide 13 Introduction Front and rear panel Connections Playing Editing Playing a program Here’s how to select and play a pr ogram. The MS2000/MS2000R contain a total of 128 programs, with 16 pr ograms in each of eight banks (A–H). Y ou can select pr ograms in Program Play mode. If the LCD scr een shows that you are in LCD Edit mode or Glo[...]

14 MS2000R 1. Selecting a program There ar e two ways to select a program. a. Using the BANK/OCT A VE [UP] [DOWN] keys and the SELECT [1]–[16] keys This method lets you directly select the desir ed program. 1 Press the [KEYBOARD] key to make the key LED go dark. 2 Use the BANK/OCT A VE [UP] [DOWN] keys to select the desired program bank. Pressing[...]

Basic Guide 15 Introduction Front and rear panel Connections Playing Editing Playing arpeggios The MS2000/MS2000R contain a built-in arpeggiator that sounds an arpeggiated (broken) chor d when you hold down a chord on the keyboar d. 1. Play a program in which the arpeggia- tor is turned on Some of the factory preset pr ograms have the arpeggiator t[...]

16 Using MOD SEQUENCE to modify the sound 1. Playing a program in which MOD SEQUENCE is on Some of the factory preset pr ograms contain sequence data. Here’s how to select and play these pr ograms. 1 Select a program whose MOD SEQUENCE [ON/OFF] key is lit. Programs whose MOD SEQUENCE [ON/OFF] key is lit contain sequence data. For some programs, b[...]

Basic Guide 17 Introduction Front and rear panel Connections Playing Editing Using external input 1. Modifying an external waveform A waveform from an external device connected to the AUDIO IN jack can be modified in the same way as an internal waveform. Before you connect an external device, turn of f the power of both devices, and set the MS2000[...]

18 Editing Editing program parameters Programs consist of a lar ge number of parameters. In order to create a pr ogram from scratch, you will need to under - stand all of these parameters. Instead of this, we suggest that you select a factory preset pr ogram, and try editing it in order to understand each parameter . Basic editing procedures The ba[...]

Basic Guide 19 Introduction Front and rear panel Connections Playing Editing c. Select a parameter If Global mode Page 2C: Memory “Page Jump” is turned ON , operating a front panel knob in LCD Edit mode will cause the LCD screen to jump automatically to that param- eter . (W ith the factory settings, this is ON .) ● Press the CURSOR [ √ ] o[...]

20 3 Press the [WRITE] key . The display will ask you for confirmation. 4 Press the [WRITE] key once again. When the LCD screen indicates “Completed,” the data has been written. Never turn off the power during the W rite operation. This can damage the data. 5 Press the [EXIT] key . Y ou will r eturn to the screen wher e you started. Editing a [...]

Basic Guide 21 Introduction Front and rear panel Connections Playing Editing e. Adjust the pitch of oscillator 2 in semitone units ● Rotate the [SEMITONE] knob. The LCD screen will show Page 06C: OSC 2 “Semitone.” The most common way to use this is to set oscillator 2 one or two octaves lower than the pitch of oscillator 1. f. Adjust the pitc[...]

22 5. Specify time-var ying change in the tone Use EG 1 to create time-varying change in the cutof f fre- quency (FIL TER “Cutoff”). If you wish to use the front panel knobs to adjust the EG 1 parameters, use the SEQ EDIT [SELECT] key to make the SEQ 1–3 LED’s go off. a. Adjust the speed at which the tone will change dur- ing the attack ●[...]

Basic Guide 23 Introduction Front and rear panel Connections Playing Editing d. Apply distor tion to the output ● Press the [DISTOR TION] key . Each time you press the key , distortion will be turned on/off. When this is on ([DISTOR TION] key LED lit), distortion will be applied. This is effective when you wish to pr o- duce a hard harsh tone. I[...]

24 d. Adjust the speed at which the volume will decay after the note is released ● Rotate the EG 2 [RELEASE] knob. The LCD screen will show Page 1 1D: EG 2 “Release.” Rotating the knob toward the right (incr easing the value) will make the volume decay more slowly , and rotating it towar d the left (decreasing the value) will shorten the deca[...]

Basic Guide 25 Introduction Front and rear panel Connections Playing Editing 10. Make MOD SEQUENCE settings a. Set SEQ COMMON parameters As preparation befor e creating the actual sequence data, the SEQ COMMON parameters are used to specify things such as the maximum number of steps in the sequence and the playback method. Use the [+/YES] [–/NO] [...]

26 If you wish to set the value in more detail, use the [+/ YES] [–/NO] keys. If you specify a value for a step number that is beyond the Page 18A: SEQ COMMON “Last Step” setting, it will be ignored. Y ou can use the above pr ocedure to edit sequence data that was created pr eviously or that was recor ded in real- time. c. Record sequence dat[...]

Basic Guide 27 Introduction Front and rear panel Connections Playing Editing 2. Delay settings If you wish to use the front panel knobs to set the delay , you must first turn on the [MOD/DELA Y] key LED. a. Select the delay type ● Press the SELECT [13] key . The LCD screen will show Page 23A: DELA Y FX “T ype.” Use the [+/YES] [–/NO] keys [...]

28 Editing vocoder program Here’s the pr ocedure for editing a pr ogram when in the V ocoder mode. For details on parameters that are the same as the synth pr o- gram, please refer to the explanation for synth pr ograms. Here we will explain the parameters that can be set only for a vocoder program. 1. Adjust the mic input audio a. Cut the noise [...]

Basic Guide 29 Introduction Front and rear panel Connections Playing Editing 2 Use the sixteen knobs located beside to adjust the output level of each filter . Rotating the knob far left is a setting of 0, and rotating it far right is a setting of 127 (max). f. Adjust the panpot (stereo location) of the carrier fil- ters 1 Press the [ ] key to ma[...]

30 Editing Global parameters In Global mode you can make settings that affect the entir e MS2000/MS2000R , and also create user scales. Basic editing procedure a. Enter Global mode ● Press the [GLOBAL] key . Y ou will enter Global mode. The upper line of the LCD screen will show the page number and page name, and the lower line will show the para[...]

Basic Guide 31 Introduction Front and rear panel Connections Playing Editing 3 Press the [+/YES] key . A screen will appear in which you can select the data to be loaded. 4 Use the [+/YES] [–/NO] keys to select the data that you wish to load. If 1PROG is selected, only a single program will be loaded. In this case, use the [+/YES] [–/NO] keys t[...]

32 4 Use the [+/YES] [–/NO] keys to specify the data that will be transmitted. If 1PROG is selected, only the data of the currently selected program will be transmitted. If PROG is selected, all program data will be transmit- ted. If GLOBAL is selected, Global data will be transmitted. If ALL is selected, all programs and Global data will be tran[...]

Program parameters Global parameters Parameter Guide Parameter Guide Program parameters Global parameters[...]

34 Program parameters These are the parameters that make up the sound of a pr o- gram. If you wish to save a sound, you must perform the W rite operation ( ☞ p.19, Basic Guide, Edit section “5. W riting (sav- ing) an edited program”). Uppercase parameter names enclosed in par entheses ( ❮ ❯ ) are parameters for which ther e is a front pan[...]

Parameter Guide 35 Pelog This is the Pelog scale, an Indonesian gamelan scale that divides the octave into seven notes. If the “Scale Key” is C , use the C, D, E, F , G, A, and B notes User Scale This will be the scale that was specified in Global mode Page 7A: User Scale. E: Scale Key ........................................................[C[...]

36 E: Detune ............................................ [00cent...99cent] Specify the amount of detuning (differ ence in pitch) that will be applied to notes sounded simultaneously by the Unison function. This parameter will be displayed and can be set only if “Assign” is set to Unison . If the “Mode” is Dual/Split and the maximum polyph-[...]

Parameter Guide 37 Tr i This is a triangle, which has weaker overtones and a stron- ger fundamental than a sawtooth wave or square wave. It is suitable for mellow bass sounds. • Control1 Y ou can modify the waveform by adjusting this value. A setting of 0 will produce a triangle wave, and a setting of 127 will produce a waveform with a pitch that[...]

38 Audio In If this is selected, the waveform input from the AUDIO IN 1 or AUDIO IN 2 jack will be used. This allows the MS2000/MS2000R to be used as an effect processor . • Control1 This adjusts the volume balance between AUDIO IN 1 and AUDIO IN 2. W ith a setting of 0 only AUDIO IN 1 will be output. W ith a setting of 127 , only AUDIO IN 2 will[...]

Parameter Guide 39 ■ FIL TER Here ar e the filter-r elated parameters. A: T ype ❮ FIL TER TYPE ❯ ........................ [24LPF ...12HPF] Select the filter type. 12LPF (–12dB/oct), 24LPF (–24dB/oct) LPF (Low Pass Filter) is the most commonly used type of file, which allows the frequencies lower than the cutof f fre- quency to pass and[...]

40 ■ AMP (Amplifier) These are the volume-r elated parameters. A: Level ❮ LEVEL ❯ ....................................... [000...127] Adjust the volume of the timbre. If the “Mode” is Split/Dual , this setting will adjust the vol- ume balance between timbre 1 and timbr e 2. B: Panpot ❮ P AN ❯ ............................. [L63...CNT [...]

Parameter Guide 41 E: EG Reset .................................................. [ON, OFF] Specify whether or not the EG will be reset for the second and subsequent note-on. If this is ON , the second note-on will start from a level of 0. If this is OFF , the note will start fr om the current EG level. “EG Reset” is valid in the following case[...]

42 ■ VIR TUAL P A TCH V irtual Patch allows you to assign modulation sources such as EG and LFO to various parameters. Four such combinations can be made for each timbre. A: Source ❮ SOURCE ❯ ...........................[EG 1...MIDI 2] Select a modulation source. EG 1/EG 2 EG1 or EG2 will be the modulation source. LFO 1/LFO 2 LFO1 or LFO2 will[...]

Parameter Guide 43 C: Run Mode ............................................ [1Shot, Loop] Specify whether the sequence will be looped for playback. 1 Shot The sequence will play back for only one cycle, and will hold the value of the last step. Loop The sequence will play back as a loop, using the sequence type specified by “Seq T ype.” During[...]

44 V alue ....................... [–06...+06, –24...+24, –63...+63] Modify the value that is recor ded at each step. These values are the amount of change that will be applied to the value of the parameter that is assigned to the sequence. –06...+06 This is the range when “Knob” is set to Step Length . –24...+24 This is the range when[...]

Parameter Guide 45 D: HiEQGain ......................................... [–12.0...+12.0] Set the gain of the high-range equalizer . Excessively raising the equalizer gain parameters may cause the output to be distorted. ■ ARPEGGIA TOR These are the arpeggiator -related parameters. ON/OFF ...................................................... [O[...]

46 F: Key Sync.................................................. [ON, OFF] Specify whether the arpeggiator will be synchronized to the keyboard. If this is ON , the arpeggiator will always start from the beginning of the arpeggio pattern when you play the key- board. If you ar e performing together with other instru- ments, you can use this functio[...]

Parameter Guide 47 3 Use the [+/YES] [–/NO] keys to select the copy source program. 4 Use CURSOR[ ® ] to move the cursor to the copy source timbre. 5 Use the [+/YES] [–/NO] keys to select the copy source timbre. If the copy source pr ogram is Single , it will not be possi- ble to select the copy source timbr e (only timbre 1 is available). 6 U[...]

48 3 Use the [+/YES] [–/NO] keys to select the copy source program. 4 Use the CURSOR [ ® ] key to move the cursor to the copy source timbre. 5 Use the [+/YES] [–/NO] keys to select the copy source timbre. If the copy source pr ogram is Single , it is not possible to select the copy source timbr e (only timbre 1 is available). 6 Use the CURSOR [...]

Parameter Guide 49 4. V ocoder Parameters These are the parameters for a vocoder pr ogram (Page 01A: COMMON “Mode” = V ocoder ). ■ VOICE These parameters are the same as for Single synth pr ograms. Refer to “3. SYNTH Parameters.” ■ PITCH These parameters are the same as for synth pr ograms. Refer to “3. SYNTH Parameters.” ■ OSCILL[...]

50 ■ MIXER This sets the output level of the carrier . The level you specify here will be the input level to the band-pass filter of the car - rier . A: OSC 1 Level ❮ ❯ .......................... [000...127] Specify the output level of OSC1 (carrier). B: Inst Level ❮ ❯ ................................. [000...127] Specify the output leve[...]

Parameter Guide 51 W ith a setting of 0 , keyboard tracking will not affect the vol- ume. Keyboard T rack operates according to the pitch that is controlled by pitch bend, transpose, and Mod Sequence. It is not affected by pitch changes pr oduced by vibrato or V irtual Patch. ■ EG (Envelope Generator) These parameters are the same as for a synth [...]

52 B: InitTimbre Refer to “3. SYNTH Parameters.” C: Init ch Lvl This function initializes the output level for each filter of the carrier . When the levels are initialized, the output level value will be 127 . Procedure 1 Press the SELECT [16] key , and then press the CUR- SOR [ ® ] key twice. The LCD screen will show Page 20C: UTILITY “Ini[...]

53 Global parameters These parameters affect the entir e MS2000/MS2000R . T o set these parameters, pr ess the [GLOBAL] key . If you wish to save the settings you make, you must perform the W rite operation (Basic Guide, Edit section p.30). A: Mst.T une ................................... [430.0Hz...450.0Hz] This adjusts the overall pitch of the en[...]

54 A: Protect .................................................... [ON, OFF] Specify whether or not the internal memory will be pro- tected. ON The following writing operations will be prohibited. • W riting a program • Loading the factory data • Receiving a data dump OFF Data can be written to internal memory . B: PageMemor y ...............[...]

Parameter Guide 55 E: MIDI2 ............................................. [P .Bend...CC#95] Select the function that will be assigned to modulation source MIDI 2 of the virtual patch. (W ith the factory settings, this is CC#01 .) If the specified setting is assigned to another parameter , an “*” will be shown in the right of the upper line of [...]

56 G: SyncCtrl ................................. [OFF , CC#00...CC#95] Select the MIDI control change number that will be transmit- ted from the MIDI OUT connector when the arpeggiator sends a note-on. (W ith the factory settings, this is CC#90 .) If the specified number has been specified for another key or knob, an “*” will be displayed in [...]

Parameter Guide 57 Arpegio The pedal switch will function as an arpeggiator on/off switch. C: A.Switch .......................................................... [–, +] Select the polarity of the pedal switch that is connected. Set this to “ – ” if you are using a Kor g PS-1 pedal switch or if you are not using a pedal switch. D: A.SwMode .[...]

58 Appendices About MIDI By using a MIDI cable to connect MIDI devices, midi data can be exchanged between devices even if they are dif ferent models or were made by dif ferent manufactur ers. For exam- ple you can use the MS2000/MS2000R to control an external MIDI device, or conversely use an external MIDI device to control the MS2000/MS2000R to m[...]

Appendices 59 Control changes Control changes [Bn, cc, vv] (n: channel, cc: control change no., vv: value) Movements of the MODULA TION wheel or a modulation source (MIDI 1, MIDI 2) can be transmitted and r eceived as various controllers accor ding to their control change num- ber . If you wish to transmit and receive contr ol change mes- sages, se[...]

60 Parameters transmitted and received via NRPN Front panel knobs and keys other than the contr ols listed above are assigned NRPN (Non Register ed Parameter No.). NRPN messages can be used freely by any musical instrument manufactur er or model. NRPN editing is performed using the following procedur e. 1 Use NRPN MSB (CC#99) [Bn, 63, mm] and NRPN [...]

Appendices 61 Other controls Panel knobs and keys other than the arpeggiator transmit and receive the following NRPN messages. These ar e transmitted and received on the MIDI channel of the timbr e. If the voice mode is Split or Dual and the timbre channel (LCD Edit mode Page 03B: VOICE “MIDI ch”) of both timbres is set to the global MIDI chann[...]

62 *1: • When “Knob” = Step Length, data correspondences for both transmission and r eception will be: 0...9: –6, 10...19: –5, 20..29: –4, 30...39: –3, 40...49: –2, 50...59: –1, 60...68: 0, 69...78: +1, 79...88: +2, 89...98: +3, 99...108: +4, 109...1 18: +5, 1 19...127: +6 • When “Knob” = Pitch or OSC2 Semi, refer to p.66 ?[...]

Appendices 63 *1: • When “Knob” = Step Length, data correspondences for both transmission and reception will be: 0...9: –6, 10...19: –5, 20..29: –4, 30...39: –3, 40...49: –2, 50...59: –1, 60...68: 0, 69...78: +1, 79...88: +2, 89...98: +3, 99...108: +4, 109...1 18: +5, 1 19...127: +6 • When “Knob” = Pitch or OSC2 Semi, refer [...]

64 T ransmitting sound settings etc. (Data Dump) Program data and global data can be transmitted as a MIDI exclusive data. The action of transmitting MIDI exclusive data to an external MIDI device is called a data dump. By performing a data dump, you can store various types of data on an external MIDI device, or rewrite the sounds or settings of a [...]

Appendices 65 Front panel knob/key control change assignments Control changes can be assigned to each fr ont panel knob/key of the MS2000/MS2000R so that the changes in sound as con- trolled by knob/key operations can be transmitted as performance data. Differ ent parameters are assigned to synth parameters and vocoder parameters. For programs whos[...]

66 Control 2 values when OSC 1 W ave = DWGS When the synth parameter OSC 1 “W ave” is set to DWGS , the [CONTROL 2] knob will select the DWGS waveform. The value of the control change transmitted/r eceived by operating the [CONTROL 2] knob corresponds to the parameter value as follows. OSC 2 Semitone values The value of the control change trans[...]

Appendices 67 V oice Name List No. Name Category Mode SEQ 1 SEQ 2 SEQ 3 ARPEGGIATOR A01 Stab Saw Synth Hard Single OFF A02 Synth Lana Arpeggio Single Panpot Pitch Step Length Up A03 Evolution Synth Pad Single LFO1 Freq Patch 4 Int EG2 Release OFF A04 Boost Bass Synth Bass Single OFF A05 Dirty Sync Synth Lead Single OFF A06 Zoop Mania Sequence Dual [...]

68 No. Name Category Mode SEQ 1 SEQ 2 SEQ 3 ARPEGGIATOR D01 Ana Fuzz Synth Hard Single OFF D02 Water Edge Arpeggio Dual T1 Noise Level None None T2 Pitch OSC2 Level None Alt2 D03 Reactor Pad Synth Pad Single Step Length Panpot None OFF D04 MS-101 Sqr Synth Bass Single OFF D05 Edge Lead Synth Lead Single OF F D06 Goa Trax Sequence Dual T1 Amp Level [...]

Appendices 69 No. Name Category Mode SEQ 1 SEQ 2 SEQ 3 ARPEGGIATOR G01 Square Comp Synth Hard Single OFF G02 Krazy Arpy 2 Arpeggio Single Random G03 Sweep Pad Synth Pad Single OFF G04 Sub Bass Synth Bass Single OFF G05 Phenomenon Synth Lead Single OFF G06 Ready 2 Air Sequence Dual T1 Cutoff Resonance Noise Level T2 Pitch Amp Level OSC1 Ctrl2 OFF G0[...]

70 Blank char t Program No. : Program Name: COMMON Mode: TimbreVoice: Split Point: Scale: PITCH Transpose: Tune: Vibrato Int: Bend Range: VOICE Assign : Priority: Trigger : Detune: FILTER Vel.Sense: AMP Vel Sense: KBD Track: ARPEGGIATOR Type: Key Sync: Range: Resolution: Target: Swing: DELAY FX EQ Type: LowEQFreq: Tempo Sync: LowEQGain: Sync Note: [...]

Appendices 71 PITCH Transpose: Tune: Vibrato Int: Bend Range: VOICE Assign : Priority: Trigger : Detune: FILTER Vel.Sense: AMP Vel Sense: KBD Track: EG 1 EG Reset: EG 2 EG Reset: SEQ COMMON LastStep : SeqType: Run Mode: Key Sync: Resolution : LFO 1 KeySync: Tempo Sync: Sync Note: LFO 2 KeySync: Tempo Sync: Sync Note: Timbre2 (Dual/Split) SEQ1 Knob:[...]

72 Program No. : Program Name: AUDIO IN2 Gate Sense: HPF Gate: AMP Vel Sense: KBD Track: MOD FX DELAY FX EQ Type: Type: LowEQFreq: Tempo Sync: LowEQGain: Sync Note: HiEQFreq: HiEQGain: EG 1 EG Reset: EG 2 EG Reset: LFO 1 Key Sync: Tempo Sync: Sync Note: LFO 2 Key Sync: Tempo Sync: Sync Note: Vocoder Program COMMON Mode: Vocoder Scale: PITCH Transpo[...]

Appendices 73 T roubleshooting Before you suspect a malfunction, please check the following points. Power does not turn on • Is the power cable connected to the outlet? ................ p.10 • Is the [POWER/VOLUME] knob turned on? ............ p.12 No sound • Are the connected devices or headphones connected to the correct jack(s)? ..........[...]

74 Index Symbols [+/YES] [–/NO] keys 7, 19, 30 A A.Pedal 56 A.SwFunc 56 A.Switch 57 A.SwMode 57 Aftertouch 58 All note off 63 AMP 3, 6, 40, 50 Amp Sw (EG 2/GATE) 40 ANALYSIS FILTER 4 ARPEGGIATOR 4, 6, 15, 45, 51 Assign 20, 35 ASSIGNABLE PEDAL jack 8, 10 SWITCH jack 8, 10 Attack (ATTACK) 7, 22, 23, 40 Attack time 3, 7 Audio In 38 AUDIO IN 2 4, 49 [...]

Appendices 75 L L/R Delay 44 Last Step 25, 42 LATCH 15, 45 LCD Edit mode 2, 18 Level (LEVEL) 22, 40, 50 LFO 3, 7, 24, 41, 51 LFO Speed (SPEED) 26, 44 Load 30 Preload 54 Local 54 LowEQFreq 44 LowEQGain 44 LPF 37, 39 M Master 54 MEMORY 54 Memory protect Defeat 30 MIDI Control change 55, 56, 58, 59, 65 System exclusive messages 54, 63 MIDI Ch 11, 54 M[...]

76 SwapSeq 48 SwapTimbre 47 Swing 27, 46 Sync 3, 38 Sync control 63 Sync Note DELAY FX 44 LFO 41 SyncCtrl 56 Synchronization Clock 54 External MIDI devices 31 Synth programs 3 SYNTHESIS FILTER 4 SystemEx 55 T Target 27, 45 Tempo (TEMPO) 15, 45 Tempo Sync 41, 44, 54 Threshold (THRESHOLD) 28, 49 TIMBRE 3 TIMBRE SELECT 7 Timbre Voice 34 TimbreSelect 5[...]

MIDI Implementation Char t *: MS2000 / MS2000R O O O O O O O O O O O O O O O Modulation wheel Breath Controller F oot controller Data Entry (MSB) V olume P anpot Expression Damper P or tamento NRPN (LSB, MSB) All sound off , Reset all controllers Vir tual patch source Sync control Timbre select P anel controls (knobs, switches) 1 2 4 6 7 10 11 64 6[...]