Go to page of
Similar user manuals
-
Headphones
Koss HB79S
1 pages 1.67 mb -
Home Theater System
Koss KS4192
40 pages 2.86 mb -
Portable Speaker
Koss Totem Mani-2 76
84 pages 8.07 mb -
Headphones
Koss HB 70
1 pages 0.94 mb -
Headphones
Koss JR170
1 pages 4.21 mb -
DVD Player
Koss KS5121
52 pages 2.45 mb -
DVD Player
Koss KS5429-2
40 pages 0.45 mb -
DVD Player
Koss 625p
53 pages 2.57 mb
A good user manual
The rules should oblige the seller to give the purchaser an operating instrucion of Koss 76, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.
What is an instruction?
The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of Koss 76 one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.
Unfortunately, only a few customers devote their time to read an instruction of Koss 76. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.
What should a perfect user manual contain?
First and foremost, an user manual of Koss 76 should contain:
- informations concerning technical data of Koss 76
- name of the manufacturer and a year of construction of the Koss 76 item
- rules of operation, control and maintenance of the Koss 76 item
- safety signs and mark certificates which confirm compatibility with appropriate standards
Why don't we read the manuals?
Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Koss 76 alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Koss 76, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Koss service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Koss 76.
Why one should read the manuals?
It is mostly in the manuals where we will find the details concerning construction and possibility of the Koss 76 item, and its use of respective accessory, as well as information concerning all the functions and facilities.
After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.
Table of contents for the manual
-
Page 1
L OU DSPE AKE RS: Does the T otem Mani - 2 st il l rate as one of t he w orl d ’ s tr uly grea t spea k ers? W e al so look at an economy spea k er from a n old fr iend, Cas tle. And a n af fordab le speaker wi th a Hei l t weeter . TH E COMPUT ER A S MUS IC SOU RCE: We get ou t hand s on th e newest Sq ueezebox, and f i nd tha t a comput er can [...]
-
Page 2
ASW Speak ers Q ED T arget V andersteen McCor mack Harmo ni x WB T Reimyo Apollo Gu tW ire FI M Accessories Goldring Milty P erfect Sou nd Nit ty Grit ty Gradient Speakers L A S T record care W A T T Gate Audiophile CD s Audiophile L P s DV D and SA CD J U S T M A Y A U D I O A S W G e n i u s 4 0 0 “I t has all th e v o l u m e y o u c o uld e v[...]
-
Page 3
NU T S&B O L T S Spea ker Imped ance 1 8 by Paul Berg m an W h at i t mean s, how impeda nce af fe ct s per form ance , and how you ca n measu re you r spea kers’ ow n imp edance FE AT UR ES Montrea l 200 6 22 by G erard Rejskind A leisu rely tour of t he venerable M ontrea l show , now in a new venue T our i ng t he N ew/ Old S how 2 5 by A [...]
-
Page 4
UH F Ma ga zin e No. 76 wa s pub lis hed i n May, 2 0 06 . Al l co ntents ar e copyr ight 2 00 6 by Broa dcast Canada. T hey may not b e r epro duce d o r t ransm itte d i n any for m, o r by any mean s, ele ctro nic o r mec hanic al, i nclud ing ph otoc opying, rec ordin g, or any info rmati on stor age or ret rieval syst em, with out wr itte n pe[...]
-
Page 5
D O G- E AR ED MAGA Z I N ES ? PH O O EY ! UL TR A HIGH FI DELIT Y , Box 65085, Pla ce Long ueuil, LON GUEUI L, Q ué., Can ada J4K 5 J4 T e l.: ( 45 0) 65 1-5720 FAX: (45 0) 65 1-338 3 VIA T HE INTE RNET : h tt p ://w w w.uhfm ag.com /Subsc ript ion.h tml FOR 13 ISSUES: $62 .50 (Cana da ), U S$62 .50 (U SA), C $ 1 18 ( elsew here, inc luding ai r [...]
-
Page 6
The U HF Gu id e cos ts $14.95 (Ca nad a) plu s 7% GST (15% in NB, N S, NF ), US$19.95 (US A) CAN$ 25 (else whe re). The Worl d of High Fide lit y c ost s $ 21 .95 (Canad a) pl us 7 % GST ( 15%HST i n NB , NS , NF ), US $21.95 (U SA) o r CAN $30 (elsew her e). Se e ord er ing in for ma ti on on t he p revio us pa ge. A $5 d iscou nt applie s on eit[...]
-
Page 7
I’ d l ike t o t ha nk you for publi sh ing t he componen t -by-component de scr ip- t io n a n d es p e c i a l ly t he ph ot o of t he Omega sy stem on the UH F W e b site. I have long been c ur ious to se e a photo of a ny of your t h ree sy stems , but si nce t hey are wor k i ng tools I had ass u med t hat t hey were , sh al l we s ay , les [...]
-
Page 8
Fee dback h ighl ighti ng t heir tremendous i mag ing, dy na m ics a nd musica lit y . T o m N o r t o n , o f S t e r e o p h i l e a n d Ulti mate A V fa me, had a tota lly d if feren t opin ion of t he R C-7 0 t ha n you r te am. I n h is rev iew M r . Norton is quoted a s say i ng, “ t he R C-7 0 had superb over al l tona l bal ance” and t [...]
-
Page 9
First , l et me say that I bo ught both o f your book s o n high fi d elity an d l oved the m. I al so received a cop y of your magazine an d have s ubsc ribed for the n ext t wo year s. I al so orde red six of the mos t c ur rent back is su es. I got ba ck into hi-fi abo ut t wo years ago af te r 1 5 or so years and find mys elf wonde r - ing w[...]
-
Page 10
Fee dback Fre e A dvic e Planet 20 0 0, Refe rence 3a M M de Capo -i speaker s, a Mo on I - 3 amp, an In ouye line f il t e r , A tl a s N av iga t o r c ab l e s, G utW i r e power cables, and Puresonic Competition flat speaker cabl es. My ques tio n i s wh at to upgrad e no w ? I am thinking of t rading up t o a Moon I- 5. I s t he re a big e no[...]
-
Page 11
Fee dback Fre e A dvic e Fre e A dvic e Pr obabl y not , M ic hel , be c aus e t he V ee na i s not s ubst a nt ia l ly l ar ger t h a n t he M M De Capo, a nd indeed its woofer is sm a l ler. T he n ot able d i f f ere nce , of cou rse, is t h a t t he V e ena doe sn ’ t need a st and. W e prefer t he De C apo, but since our rev iew Reference 3 [...]
-
Page 12
Fee dback Fre e A dvic e there’ s the ques tion of s peak er cable a nd the connections between th e CD / amp. Is my little s yste m wo r th the really go od s t uf f ? I do n ’t want to s pen d mo re than I ca n af ford, yet I want to get th e best res ults an d sound I can. Ever ybody I talk to has an opinio n, they’r e jus t all di f fere [...]
-
Page 13
Fee dback Fre e A dvic e Fre e A dvic e up r ad io-f requ enc y noi se a nd f eed i n g it i nto t he s yst em t h rough t he g round, a nd it a lso prevents cert ai n componen t s, pa r t ic u la rl y d ig it a l co mpone nts , f ro m rad iati ng d igit al noise where it c an get i n to place s it s hould n ’ t . Though some powe r cab les h ave[...]
-
Page 14
Fee dback Fre e A dvic e Fre e A dvic e may now , t herefore, ma ke sense. O r it may n ot. I t’ s your cho ice which horse to bet on. A t r ue te st wou ld requ ire havi ng t wo L P-12’ s t h at a r e a b so lut e ly id en t ic a l, get t ing one of them mod ified, a nd then hav i ng bot h properly adjusted by some- one who did n ’ t have a[...]
-
Page 15
Fee dback Fre e A dvic e I ju s t picked up yo ur m ag azine f or the fi rs t t ime a nd lo ve it . I e spec ial ly e njo yed The H igh Fidelit y Dig ita l Jukebox ( in U H F No. 7 4) and lo oke d up yo ur p reviou s ar ticl es on the CEC DA5 3 a nd the iP od. I w ou l d l ike t o k n o w wh at wo u l d b e necessar y to make a “h i-fi” sys t[...]
-
Page 16
Fee dback Fre e A dvic e familiar with many of the audio phile maga- zines, and I think yo urs is th e mos t objec tive and infor m ative of all of th em. It makes me pro ud to kno w that s uch a g reat m ag azine com es f rom Ca nad a. No w o n t o the CE C DA5 3 co nver te r . Af ter read ing your re view i n U H F No. 72 , I pu rch ased a DA5 3 [...]
-
Page 17
Fee dback Fre e A dvic e Fre e A dvic e sy stem. The A udiomat Op éra, w it h its much larg er p ower supply , wa s li stened to o n t he O meg a s y st em , be c aus e we t h oug h t ( correct ly as i t tu rned o ut ) t hat i t co uld ha n dle o ur Re fer en ce 3 a Su p rem as, w i t h t heir pu sh-pull passive s ubw oofers. The C opland C T A- 4[...]
-
Page 18
Fee dback Fre e A dvic e vel ea feu iscipit dol orer i p eu f acin i m ing eni m zzr il lumsa n veraessecte v er sectem do lo bor auga i t, sed de liqua t, qu ism odion er c ip s u m sa nd r e t et a d ia m, s it a d ipi t luptat. Sa n d rem d olen i m volo rem dele s s e n ismolo re doloree t ueraest r ud tate con he nd re d it ip is c i l it la m[...]
-
Page 19
Fee dback Fre e A dvic e zzr i liq u ipisis dolorem quat i ng exeriu re t e t u m i n h e n i m v e n t n o n s e q u a m e t ad ion s e qu at u ms a n h en it l or i r i l iqu at pr ae s s eq u at . U l la or p er a l i sm ol up t at . Bor a l iqui bla nd i t nost o eu f acc um sa n v o l o r e v u l l a c o n s e q u i s l d o l o r i u s t i s a[...]
-
Page 20
Fee dback Nu ts&B ol t s W h at is t he impeda nce of yo u r lo ud s pe a k er s ? I s it 8 ohm s? O r 4 oh ms? P erhaps you k now t hat it i s not ju st a si ngle nu mber , but wh a t di f ference does it ma ke any way? At t he ver y lea st you a re no doubt aw a re t hat a sp e a ker w it h a ver y lo w impe dance can present a pro blem for a[...]
-
Page 21
Fee dback Nu ts&B ol t s R at her more fo rm id able i s t he h igher par t of t he c ur ve, sp ecifica lly t he imped- a nce at 6 k H z. A s you ca n see, it r ise s well ov er 20 Ω . W hat w il l t hi s mean for t he poor a mplifier? L et u s c on s id e r f i r s t a s ol id s t a te ampl ifier , t he t y p e mos t p eople us e. It is co[...]
-
Page 22
Fee dback Nu ts&B ol t s do e u g a it l a m co n e t u m i n i a m i p su m zzr i lla f eui s au t num mol or sequat. Num san veliqu ipi t pr a t pra t. U t lam, vent et i n hen i m quat ad t ie er il utat ue mag n im il i l isci te do del iquatu m iu sto en i t nu llu m en im do eug ait er sequ isis d e l i s a l i q u i p i t p r a e s e d u[...]
-
Page 23
Go od e n o u gh UHF u s es t h e m ! Thi s remarkable c able is f rom A tlas. Unlik e so man y cab le companies, this Scottish company k eeps m arku ps reasonable. Nav igat or All- Cu i s made from strands of pure copp er , e ach draw n from a sing le cr y stal. So are the connectors. The Nav igat or All-Cu p assed a blind test in UHF No . 7 1 . C[...]
-
Page 24
I t se ems f orever t hat t he Mon t real show has b een at t he Del ta ho tel, r ig ht do w nto w n . T he D elt a w a s a g reat venu e for h i-fi compan ies look in g f or s olid ly-bu i lt r oom s w hose acoust ic s you could work wit h. It wasn’ t so g ood f or t hose nee di ng v ast s pace , a nd t he show had long spil led over i nto ad j[...]
-
Page 25
Fee dback Feat u r e A u r u m A c o u s t i c s (f r o m New found land) wa s b ack w it h t he fin al version of i ts aston ish- ing t r i-amp li fied lou dspea ker (i t comes w it h its ow n amp s, fou r of wh ich are si ngle-ended t ube u n i t s) . No w t h a t t h e s y s t e m ( i n c l u d i n g t h e m a n i f e s t l y ex cel le nt C D [...]
-
Page 26
Fee dback Feat u r e a rr ive i n store s s oon. T hat i nclude s t he A r t ik u la t spea kers ( sh own on page 2 7), a nd t he new M ajik st r ict ly t wo - cha n nel com ponent ser ies. I’ve a lready aske d to rev iew t he Majik CD, wh ich w ill replace bot h the Gen k i a n d I kemi, w it h a pr ic e s it u ate d ab out m idw ay . Before you[...]
-
Page 27
Fee dback Feat u r e “ L o o k a t t h e b e a u t i f u l t u b e s ,” s a i d a v i s ito r a s h e w a l k e d i nto t he r oo m, c a l l i ng h i s f rien d ov er to a tabl e display , completely obliv ious to t he music b eing played. T here it is . I th i nk I’ve cracked t he m y s te r y of w h y t he re a r e so f ew fe ma le aud ioph[...]
-
Page 28
Fee dback Feat u r e lo c k s a n d a pair o f l a r g e V i l l a - R e a l e s p e a k - ers. It was a l ivel y a nd won- der f u l ly s y ncop ated vers ion of the legendar y Brube ck composit ion. W e h a d a no t he r t re at o n L P s w it h My Fu n n y V alenti ne f rom the 7 0’ s direct - to-disc al bum Th e Gre at Jazz T rio Direc t f ro[...]
-
Page 29
Fee dback Feat u r e ci n el i n velesto dit utat. Ut lu t at amco - num velen is acc u m il isl eu feu m my nos a c c u m d i o d o l u m nost r ud t ie vel en im di am nonsec tet w is d io n s e q u i s m o d o - lore consed du isi. O d m o d i g n i m i nc i e x e a fe u m sa n hen im nos dolor t ie c o n s e v e l iq u i s i s i m v e l e s s i[...]
-
Page 30
Fee dback Feat u r e t a t num du n t acc u m ip et um my nulpute vel ul la f acil isi. Duipsu m qua mc ore tatis acin hen dre ea co n h enismo lore et aut luptat nu m qu ipsu m s and ign it a li s eu is dol oreet a met um al iqua m cor t io de l d olore do lum del ing ex eug ait aci bla core feu feug iat i pit, com mol o rp erost r ud euipit prat [...]
-
Page 31
Fee dback Feat u r e U t a t n u l l a n d r e mo d ip it w i s mo do lob ore m od it u l l a feum v eri t a u te fa c- c u m m o d o l o r e e t iusc il e x eliquat. C i l i q u a t u e r a d eu i blam , sis si t isi blamcon ul lum mo lutate et , su m a l i t non hendip eu ipit al iq u ismod dol essis er iusto exeriure conum ex et dig ni m do lo- [...]
-
Page 32
Fee dback Li st e ni ng Room W e r e w e t h e v e r y f i r s t ever to rev iew a T otem loudspea ker? W e t h in k so. It w as of cour se t he or i g i n a l T ote m , t he Mo de l O ne . W e were i mpressed w ith it, a s we st il l are, a nd we eagerly a wa i ted t he M odel T wo. This wa s t he Model T wo, wit h a clever pu n ident if y i ng it[...]
-
Page 33
Fee dback Li st e ni ng Room t h at it wou ld b e a l l r ig ht if w e d id n ’ t t u r n u p t he v ol u me t o o h i g h ( lo o s e t r a n s l at i on : o n Ne w Y ea r s ’ Ev e k ee p t he i nebr iat es aw ay f rom t he s y st em). However we did have to r u n the sy stem loud er t ha n us ua l, because t he Ma ni-2 ’ s 85 dB s en sit i v[...]
-
Page 34
Fee dback Li st e ni ng Room eros dolore d i pisi m dolu- t a te m a g n a a d d ol ob o re mol or peros et ut al it n on- s e q u at a c c u m n u l l u p t at ac i l l aore et ut at lut e m i n hendre core dolore f eum d ip eu m a l is ci n ci l it e u m acipisi m dipisi. D u i s i e x e n i m e s s e du nt do lut d olor e d u ip it e u m m o d t[...]
-
Page 35
Fee dback Li st e ni ng Room facc u m ver su st r ud dig n ibh e n t e r o o d o l o r e m d u i e r si s ad ig n a fe u is el it l a co n hendion se ctem in eug ia mc o n se q u i s de l i t , s u m s a n e t nonsequ is n ibh eug ait nos- t i n i at ut at . D u i b la or s i m dolob or e ve n is se m i n e u is ni m i nci p enibh enit il digna at [...]
-
Page 36
Fee dback Li st e ni ng Room D o es t he n a me r i ng a b el l? M e n t i o n E L A C a n d w e t h in k of t u rntables of long a g o , o r m o r e r e c e n t l y o f phono c a r t r idge s. I nde ed, E L AC ( t he na me is a c on t rac t ion of El ect roa cu st ic ) was t he fi r st to ma ke a rel a t ively inex- pens ive phon o ca rt r idge w[...]
-
Page 37
Fee dback Li st e ni ng Room sum augue co n h en t u lla feuguer ci eu faci ent al is nonse feugia m d ion eni am qu am vol essi b lam quisc in cil iqua t a metu msa n heni m dolore du is ad er at ad io eug iam nis nulla con um dip exer sim qu i psus cip- su scipis n ia m, qua met ut pat ir i t velenit, se feu fe uga it la ad e ssequ at. U t aut a [...]
-
Page 38
Fee dback Li st e ni ng Room S o he re ’ s Cas tle again… w i th a n ew Ca nadi an d ist ributor , but t hen agai n new o w n ership too. C astle was fo unded many years ag o by a g rou p of for mer W ha r fedale exec ut ives, wh o ha d l eft wh en t he a ptly -name d Ran k org a n iz at ion h ad b ought W ha r fed a le. Thos e e xecs are n ow [...]
-
Page 39
Fee dback Li st e ni ng Room gett ing the ton e w ro ng on a co up le of t h e rea lly la rge dr u ms. But be cause t he b ass response is necessar ily li mited, t he pr ob- lem wasn’ t more t ha n detec table. Much more not iceabl e wa s t he f ur ious rhy t h m a nd t he energ y . T hat odd scraped gourd in the i n t roduct ion came on w ith po[...]
-
Page 40
Fee dback Li st e ni ng Room G ot an a mpli fier ? G ot head- phon es? No w how d o you p l u g t h e s e c o nd i n t o t h e fi rst? Head pho nes have long been a n alter- nat ive l isten i ng met hod for t hose whos e par t ners don ’ t share t heir mus ical t aste s. Or t hose wit h t h in w al ls. I n re cen t yea rs t he idea of li sten i[...]
-
Page 41
Fee dback Li st e ni ng Room complicated t h i ngs. Here ’ s how we solved t he problem. The sou rce we selec ted for t hese t est s was a combinat ion of our CEC TL5 1X be lt-d r iv en t ra n s po r t a nd t he Be nc h- m a r k DA C 1 c o n v e r t e r r e v i e w e d i n our la st iss ue. W e d id t h a t bec ause t he Benchmark ’ s head ph o[...]
-
Page 42
Fee dback Li st e ni ng Room T his he ad ph on e am p is f ro m the sa me Ger ma n company t hat m a k e s t h e p h on o p r e a m p o f n e a r l y t h e s a m e n a m e . I t i s , a s y o u w i l l h a v e o b s e r v e d , n e i t h e r black nor a c ube, but o h w e l l . T h e p o w e r supply is b u ilt in, and so it has a st a ndard I EC c[...]
-
Page 43
CONN OISS EUR SIN GLE- ENDE D AMP Conno isseur SE-2 single -en ded 30 0B integrated tube amp lifie r . Thi s is the latest version up graded by the fac tor y and featured in UHF 72. H igh curre nt with lots of drive. Per fect c ondition wit h low hours. New: $ 345 0, Selling: $ 1 80 0. Contac t: burekp@mc master . ca or (9 05)29 6. 1 203. TOTEM MA [...]
-
Page 44
Fee dback Li st e ni ng Room n a t u r a l , p r o v - i n g o n c e a g a i n t h at t he s ibi l a nt ar t if act s we of ten hear are t he res ult of p r ob le m s i n t he playback , n ot t he or ig i- na l recordi ng. But it’ s no t e ven t he voice t h at s t r i k e s y ou fi r s t . R at h er it’ s t he p er fec t b al a nce of voic e,[...]
-
Page 45
EAC H ISSU E cos ts $ 6.4 9 (in Ca nad a) plu s ta x (1 5.0 3% in Qu éb ec, 15% in N B, NS a nd NF , 7% in o the r Provi nce s), US$6 .49 i n th e USA , CAN $1 0.75 els ewh ere (ai r mai l inc lud ed) . THE A NNI VE RSARY CO LLECT IO N (iss ues 7- 19 exce pt 1 1, 1 5, 17 and 18) in clud es 9 i ssu es bu t cos ts li ke 5. For V IS A or Ma ste rCa r[...]
-
Page 46
Fee dback Li st e ni ng Room I n U HF No. 7 5 we explai ned h ow to use A ppl e’ s iT u nes prog ra m ( f ree for W i ndow s a nd M ac O S X ) t o get i nst a n t acce ss to a va st music l i bra r y . W hat wa s not ev iden t was how to lis ten wit hout t ak ing a huge p erfor- ma nce h it. A ver y f ew c ompu ters have d i g i t a l o u t pu t [...]
-
Page 47
Fee dback Li st e ni ng Room we k now well, a nd li stened t o t hem on our t wo-box player: a CEC b el t -d ri ven t ra nsp ort a nd our Cou n ter point D AC. W e t h e n c o n ne c t e d t h e S q u e e z e b ox to t he D A C usi ng t he sa me coa x ial d ig it a l c a ble (a n A t l a s O pu s , i n a 1.5 m l en g t h). L i s te n i ng w as done[...]
-
Page 48
Fee dback Li st e ni ng Room eraese n d ion um zz ri ll a feu ipis modolut adip eu is dolessi. Iq uametuera t n ulla m c ommo l ore con utat uer ost i nit nos eug iam n os adionse d eu isi ex eri l il ismod te te mod et adionse q u i s s ent a l i qu i s i t e d ol up t at i n g e n i t ea a l i s ac c u m sa n v ele ss ec t em do lor pe rost r ud [...]
-
Page 49
Fee dback Li st e ni ng Room tet lore t io e ug ait ad m ag n it ut pat la feu m ni sl exerci l luta- t io con sed t atem zz r il it a l iq- ua m quat ut pat wi sit pr aest ie feu isi m num do od exer auga i t du is s e et lu m sa n e t u er ci l is it nonsec tet wis si blamcon utpat ver os t io et w i si te t ue ros no s autat lutat prat , c ommy [...]
-
Page 50
Fee dback Li st e ni ng Room Li st e ni ng Room veli sl ing el er sus ci ll utpat i n henibh ese du is al it, su sci l dolesto coreet et vel et nummy nul la adi t lo rp er o odo d ol upta t ie verost i ng . A ltern ati ves T he c heap e st we k now o f i s f r om Apple. The A i rp ort Ex pres s looks l ike t he l itt le power s upply t hat comes wi[...]
-
Page 51
Fee dback Li st e ni ng Room I t st r uck u s when we were pack i ng up t o g o t o V eg a s f or C E S a n d T . H. E . Show : e ac h ye a r w e ne ed m o r e a n d m o r e c h a r g e r s t o g o a ny where. Not a ll of ou r ch arg ers a re related to aud io , t o b e s u re , t hou gh s ome of t h e m a r e . T wo o f u s w e n t a l o n g t o c[...]
-
Page 52
Fee dback Ci n em a A s we w rite t h is (and probab ly as you rea d t h i s ), t he for m at batt l e for t he next silver au dio/ v i deo disc is st ill on. Y es , i t w il l af fec t audio as well a s v ideo. Let ’ s rec api t u late. O n o n e s i d e a r e T os h iba , N E C , a nd — p e r h a p s m o r e i m p o r - ta nt — the D V D F [...]
-
Page 53
Fee dback Ci n em a T ha t c ou ld j us t me a n mo re c ha n nel s (8 .1 c h a n ne l s u r r ou nd i s on e o f Blu - R ay’ s opt ions ), or i t could a lso mea n les s compress ion. Or no compression. Bu t h er e w e’r e t a l k i n g a b o ut t h e v i deo disc. Could one of the new formats al so be tom orrow ’ s higher fidelit y a udio [...]
-
Page 54
T he fir s t tim e w e ever met Vin ce B r u z z e s e h e w a s s h o w i n g a prototype of a ver y small speak er with what seemed at the t ime like an abs urdly high pr ice. W e'r e gla d to say that we e nc ou rag ed hi m t o pe rse ve re, and the r es t is h is to r y : the tiny “ove rpr iced” speaker tu rned out to be the T otem Mo[...]
-
Page 55
Fee dback R en de zvous t h a t , w i t h t h e r i g ht e q u i p me n t , t h e Ma n i- 2 rem ai ns to day one of t he mos t f or m id ab le a nd mo s t c o m mu n i c at iv e spea kers av ai labl e. U H F : I nsi de the M ani-2 , the t wo woofer s are facing each other? Br u zz e se : N o, t h e y ’ re b ac k-t o -b ac k . T h e y' r e c [...]
-
Page 56
Fee dback R en de zvous T et lup tat lup tatem iurem iusci ncin is nos dia m quisi bla feuga it ip et, con vel in vercil i t ad et lum my ni m zzr iustr ud eu is amcorem ve lesto do conse de lit ut aliquipsum do l or eros t i e do l ut lo re mi n h enis ad mod o lo r susti ni m nulla feug iat, sectet lore do l oreet ea adionsed et, qu is ea auguerc[...]
-
Page 57
55 THE A UDIO PH I LE STORE ww w .uhfmag.com/Audio phileSto re.html The un ique WB T phono plugs have a col lar w hich you tu rn so th at the plug t ighten s arou nd and int o the jack ! The ca ble would te ar befor e the plug would come out. The Topline s erie s (heav iest con str uction, 5-layered gold plat ing ) , includes t he 0 1 08 (above) , [...]
-
Page 58
THE A UDI OP HI LE STORE 56 ww w .uhfmag.com/Audio phileSto re.html R EGA FO NO We can’t get over how good it is… and how af forda ble. The Re ga Fono is a superb wa y to a dd vi nyl to your s yst em. MM ve rsion a nd high s ensiti vit y MC version for c ar trid ges wit h low output. W hile s tock s la st. OR DER: R F - MM Phono prea mp, $3 95 [...]
-
Page 59
57 THE A UD IOP H ILE STORE ww w .uhfmag.com/Audio phileSto re.html SUPER A N T ENNA Unli ke a wh ip, a dipole is bid irec tiona l, so you ca n orient it. O urs ha s no sw itch to muck th ings up, a nd with a 1.8m low -loss 75 ohm cable a nd gold -plated push-on F connec tor, i t ha s low inte rna l loss. It s broa dba nd design c overs the ch an n[...]
-
Page 60
THE A UDI OP HI LE STORE 58 ww w .uhfmag.com/Audio phileSto re.html T ENDER F EET Mach ine d cones a re wonderf ul th ings t o put under sp eak ers or othe r audio equipme nt. The y anchor it mech an ical ly a nd decouple it a coustic al ly at t he sa me tim e. T ender feet come i n var ious ver sions: ta ll (as show n ) or flat tene d, in eit her[...]
-
Page 61
59 THE A UDIO PH I LE STORE ww w .uhfmag.com/Audio phileSto re.html Just Li ke Love (SACD /L P ) The ne west f rom Er ic Bibb, les s orient ed to G ospe l and more t o Blues. Bibb’s group, Need ed Time , is not her e, but he’s surrou nded by h al f a doze n fine musici an s. A nice r ecord ing. Hy brid di sc, w ith a CD l ayer and a Sup er[...]
-
Page 62
THE A UDI OP HI LE STORE 60 ww w .uhfmag.com/Audio phileSto re.html Bes t of the Red A r my Chor us (CD ) The 1989 L P is fina ll y on CD: Da rk Eye s, the Volga Boa t Song, Mos cow Night s, and e ven the old S oviet a nthe m. By fa r the b est-soundi ng di sc of th is legend ar y en sembl e. A los a ncest ros (CD ) Cuba n-born Ca rolos Pla ce[...]
-
Page 63
6 1 TH E A UDI OPH I LE STORE ww w .uhfmag.com/Audio phileSto re.html Burgos , who conduct s the Ne w Phil ha rmon ia. B eauti fu lly r ema ster ed fr om the or igin al 1963 ta pe. Audio phile Re ferenc e IV (SACD) A st unn ing sa mpler, with re cogn iz able aud iophi le selec tion s you have never h eard s ound th is goo d! Ca fé Blue (HDC D [...]
-
Page 64
THE A UDI OP HI LE STORE 62 ww w .uhfmag.com/Audio phileSto re.html VI NYL A LBUM S Beac hco mber RR- 62 35.0 0 Bla zing Redhe ads RR-26 25.0 0 Clar inet Con cer tos 8801 20.00 Dic k Hyman — Fats Wall er RR-33 25.0 0 Fennell Favor ites RR- 4 3 25.0 0 Go od Stuf f (2 LP) LP1 9 603 55.0 0 Hol st RR-3 9 25.0 0 Jaz z at the Paw nshop 7 778 -79 65.0 0[...]
-
Page 65
Fee dback Sof t w a r e W e are in Peterbo rough, in the P r ovi n ce o f O nt ar i o, C a n a d a . T h i s e v e n i n g the re i s a b en e fit co n cer t for the vic tim s of severe fl ooding, an d the lo cal hockey are na has bee n t ur ned i nto a con cer t hall. The mood i s fever ish, for to nig ht mark s the retu r n of a hero. F or th e[...]
-
Page 66
Fee dback Sof t w a r e h is w i n n ing per for ma nce at T oronto’ s fabled Mas sey H al l. I naug u rated in 1894 and renovated s e v e r a l t i m e s s i n c e , M a s s e y H a l l i s al ready celebrated for t he a r t ist ic e ven t s held t here. Ou r you ng a r t ist w i ll ma ke si ngi ng t here a habit. I n t he mea nti me, to h is pi[...]
-
Page 67
Fee dback Sof t w a r e Elv is P resley a nd Barbra St reisa nd. A n d o h y e s…b y B ob D y l a n , w ho hol ds Light foot in t he h ighest e steem. A h istor ical i nterlud e F o r som e Ligh tfoot is a pa inte r , u sing h is g uit ar for a br ush. He says a s much i n one song: If you want to kno w my sec ret Do n ’ t com e ru nnin ’ af [...]
-
Page 68
Fee dback Sof t w a r e major A meric an con cer t ha lls ( Car negie H a ll a nd t he L i nc ol n Ce nte r ), a cr os s Canada, a nd to t he various su mmer festi- val s. He is by now a vi rt uoso gu itar ist on both t he six a nd t welv e str ing g uita r . H is rec ord col lec t ion g row s to pr od ig ious propor t ions, a nd many of t hes e re[...]
-
Page 69
Fee dback Sof t w a r e Big 707 set to go But I ’m st uck here in the grass W here the cold win d blows A d isa ster , a homel ess ma n look ing for hu ma n w ar mt h, a wom an he r u n s acro ss i n h is t r avels… we fol low da il y l ife t h rough hi s eyes . Li ke ma ny a t rou- badour w ho h as t rod t he ro ads of here a nd e ver y where,[...]
-
Page 70
Fee dback Sof t w a r e W h at about t he Ligh t foot st yle? He ha s been ca l led a c rooner , a nd I leave it to you to judge. W hat I hear is a superb barit on e v oi ce , only m ode ra te ly powe rf ul but a lway s i mpres sive , a nd s omet i mes t roubli ng . W hen he si ngs , he seem s t o si ng for you alone. The a rt is t hono red G o rd [...]
-
Page 71
The Gramophone 8724-109 Street Edmonton, Alberta T6G 1E9 T el: 780-428-2356 www .gramophone.ca Y ou can no w see and hear the entir e awar d winning line of loudspeak er s fr om in Edmonton But only at… The T ot em Ma ni- 2 has be en called on e of the world’ s g reatest loud speaker s regardle ss of size or price . Y o u’ ve seen th em, and [...]
-
Page 72
Fee dback Sof t w a r e Beet hoven: Ham merk lav ier Sonata s A nton Kuer t i Anal ekta F L 2 3 1 87 Les sar d: H amm erklavie r is t he G er ma n ter m for pianofor te — it w as or igi na lly c a l le d t h e “ h a m me r k e y b o a r d .” T he ex pres sion dates from a t i me of g row in g G e r m a n r e si s t a n c e t o t h e i n c re [...]
-
Page 73
Fee dback Sof t w a r e pay i ng f or it, a deta il t hat subsequent ly t o o k o n a c e r t a i n i m p o r t a n c e). T h e reason I had n ’ t heard t hem: Doria n had rei nven ted public relat ions, apparent ly usi ng N ort h Korea as a mod el, and wh en was t h e last t ime you rece ived a CD f ro m P yong ya ng? But wit h t he bac k cata l[...]
-
Page 74
Fee dback Sof t w a r e lo w ing t heir secret marr iage. Eliz abe t h ’ s let ters to her si ster i n spire d compo ser Dom i n ick A rge nto to w r ite t hes e fi ve song s for t he wonderf u l mezz o- sopra no Fr ed e r i c a v on St ad e : C a sa G u i d i , t he Italia n Cook and the English Mai d, Ro ber t Bro wning, The D eath of Mr . Bar[...]
-
Page 75
Fee dback Sof t w a r e large or chest ra and a choir o f 1 5 0 voices, a s we l l a s t h re e h a nd- pic ke d s oloi st s , t e n o r H u g h S m i t h , m e z z o s o p r a n o St eph a n ie Bl y t h e, a nd ba r it one M a rk Os wald. T hey a re accompa nied b y t he enti re fa mi ly of str i ngs and woodw inds , bra ss and percu ssion of a ll[...]
-
Page 76
Fee dback Sof t w a r e And the daylight o ’ er the p avem ent quite has faded , And the s tro ng [ death- m arch ] enw r aps me. The moo n gives you light And the bugles a nd dr um s give you m usi c, And my hear t , O my soldie rs, My heart g ives you lo ve. Th at tex t is f rom renow n poet W a lt W h it ma n. Now l isten to t he ba ritone i n[...]
-
Page 77
Fee dback Sof t w a r e On t he ot her ha nd, he wa s able to hear t he folk music idiom of h is nat ive la nd t h rough f resh ear s. I ndeed “nat ive la nd” i n t h is c a se d oe s n’ t me a n wh at one m i ght a ss u me. T o ot he r Eu ro pe - a ns “ Spa n ish mu sic” mea nt t he mu sic of A n d a lu s i a. I f a nu mb er o f Fr en c [...]
-
Page 78
Fee dback Sof t w a r e Poetics Cor poron / Nor t h T ex as W ind Sy mph. K la vier K1 1 1 5 3 Rejski nd: Th is is one o f a long-r u n ni ng ser ies of w ind re cordi ngs on K lav ier by t h is fir st -rate o rchest r a. I t h in k t he t itle may have been chos en at ra ndom, but what it conta i ns is wor t hy of a nyone’ s at t e nt i on f or[...]
-
Page 79
I s h i-fi — o r c ons u mer elec t ro n ics i n gene ra l — get t ing tougher to su r v ive i n? C ha nge has cla imed a nother v ict im , a major Can adia n d ist r ib utor . T he c om p a n y i s K o rb o n t r ad i n g, wh ich was al ready fi ve yea rs old when U HF was created in 1 982. K en Simpson had worked at t he c ompany impor t in[...]
-
Page 80
Fee dback Gos sip&New s Gos sip&New s Y ou h ave to be int r ig ued by t he ad: “Home stereo. Reinvented. ” W e li ke t he way home s tereo has b een mov ing ju st fi ne, t h an k s ver y much , but does Apple C om p ut e r (w ho s e o n -l i ne a d t h i s i s) act u al ly have a bet ter idea? It do es n ’ t look t h at wa y . T he [...]
-
Page 81
Fee dback Gos sip&New s Gos sip&New s Almarr o . . . . . . . . . . . . . . . . 1 6 Ap p l a use A u di o . . . . . . . . . . . . 1 2 Arte ch E l ectr o ni c s . . . . . . . . . . 9 , 1 3 ASW . . . . . . . . . . . . . . . C o v e r 2 Atl as . . . . . . . . . . . . . . . . . . . 2 1 Au di o ma t . . . . . . . . . . . . . C o v e r 3 Au di o p[...]
-
Page 82
I s music i mport a n t to a ll hu ma ns? I would say so, and it expla i ns why t he fi r st hu ma n s b eg a n t o m a k e music even before t hey di scovered fi re, or weapons w it h wh ich to k i ll ot her huma n s. W e k now , becau se we’v e fou nd rema in s of thei r in st r ument s. W e a lso k now t h at music is not l is- tened to t he[...]
-
Page 83
Br oad cast Canad a publ ishe r o f U HF in v i t es y ou t o i ts o ther on l ine bou ti que that o ffers luxury audi o ele ctronic s of uni que val ue a t unique pr ic es. The leg endary V an den Hul ampli ers and preamps The in ter na tiona l ve rsiono f an a c cla imed tube headphone ampl ie r . And more. w w w . a u d i oph i le bo u t i[...]
-
Page 84
T h e n e w R o k s a n M S e r i e s - 1 Justice A udio 1 1 1 Zenw a y Blv d., Un it 9 WOODBR IDGE, ON L4H 3H9 T el . : ( 905 ) 2 65- 8675 • F ax : ( 9 05) 265- 859 5 w w w .j ustice aud io .c om sales @ jus t ice audi o .c om S E E A N D H E A R T H E M A T T H E S E R O K S A N D E A L ER S A C R O S S C A N A D A S p i n n e r s S o u n d K a[...]