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A good user manual
The rules should oblige the seller to give the purchaser an operating instrucion of Kyocera Neo E1100, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.
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- informations concerning technical data of Kyocera Neo E1100
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Table of contents for the manual
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Page 1
Use r Gu id e 1[...]
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Page 2
2 E 110 0 Us e r G ui d e Thi s m anua l i s ba se d on t he pr od uct i on ver si o n of t he Ky ocer a E11 00 pho ne. Sof t w a re change s m ay ha ve o cc urre d a ft er t h i s p ri nti ng. K yo cer a r ese rves t he ri ght t o m a ke c hange s i n t ec hnic al and produ ct spe c if i ca t i ons wi t hou t pr ior n ot i ce. The pr oduct s and e[...]
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Page 3
Use r Gu id e 3 TH I S M O DEL P H ON E M E ET S TH E GO V ER N M EN T ’ S R EQ U I R EME NT S FO R EX PO SU R E TO R AD IO W AVE S. Y our w i re l ess pho ne i s a radi o t ra nsmit t e r a nd re c eiv er . I t i s des ig n ed a nd m anuf ac t ure d t o not exce ed t he em i s si on l i m i ts f or expos ure t o rad io f r equenc y ( R F) ener g[...]
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4 Bl ue t o oth ® Ce rti f ica tio n For i nf ormat i on ab out E1 100 Bl u et oo t h Ce rt i f i cat i on, vi s i t t he Bl uet o ot h Q ual i f i ca t i on Prog r am W e b s ite a t qual web.bl uet oot h.org . Ca u t io n The user i s caut ion ed t hat c hanges o r m o di fi cat i o n s not exp res s l y ap prove d by t he par t y res ponsi bl e[...]
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Page 5
Use r Gu id e 5 P o te ntia lly e x p losiv e atmo s p h e r e s —T u rn of f y our phone when you a re i n a ny ar ea w i th a pot en t i al l y expl osi ve at m os pher e. Ob ey al l s i gns and i n s t r uct i on s . Sp ar ks i n such ar eas coul d c ause an explosi on or f i re, r es ul t i ng i n bodi ly i nj u r y or de at h. Area s w i th [...]
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Page 6
6 He a r in g A id Co mpa t ib ilit y ( H AC ) w it h M obil e P hone s Som e mobi le p ho nes and hear i ng d ev ice s (hear ing ai d s a nd c ochl ear i m p l ant s), w he n u s ed t oge t h er, re s ult i n buz zi ng, hu m m i n g, or w hi n ing noi se s det ect ed b y t he use r . Som e h eari ng devi ces a re m or e i m m u n e t han o t hers [...]
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Use r Gu id e 7 T able of Contents 1 G e t St a r t e d . . . . . . . . . . . . . . . . . . . . . . . . . 9 P h o n e B a tte r y . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 A t ta c h t he L a n y a rd . . . . . . . . . . . . . . . . . . . . . . . 1 1 P h o n e O v e r vi e w . . . . . . . . . . . . . . . . . . . . . . . . . 1 2 M a [...]
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8 Use S to p wa tc h . . . . . . . . . . . . . . . . . . . . . . . . . . 6 9 M e mo p a d . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 9 W o r l d C lo c k . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 0 11 BRE W A p p s . . . . . . . . . . . . . . . . . . . . . . . 71 Ho w d oe s BR EW W o r k ? . . . . . . . . . . . . . .[...]
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Use r Gu id e 9 1G e t S t a r t e d Ph o n e B a tte ry I nst al l t he B at t ery T o i ns t all the b a tte ry: 1. H ol d t he ph one fa ce do w n . 2. Fi nd no t ch di r ec t ly a bo v e th e ba ck c ov er . I t is s q u ar e . U s e t h e n o t c h t o sl id e th e co v er d o wn . L ift the co v e r fr o m th e b ot to m to r e m o ve . 3. P [...]
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10 P h one B at tery Batt ery Safet y G ui del i nes • Do not di sas sembl e or op en t he bat t er y . • Do no t c rus h, be nd, de f or m, pu nc t ur e, o r sh r e d th e b atte ry . • D o no t a tte m p t to in ser t fo re ign ob jec ts into the ba tte ry . • D o no t im m er s e t h e b a tter y o r e xp ose it to w a te r o r o th e r [...]
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Use r Gu id e 11 A tt a ch t h e La ny ar d T o a tta ch the la ny a r d: 1. H ol d t he ph one fa ce do wn . 2. F in d th e n ot ch dir ect ly abo ve the ba ck co ve r . It is s qu ar e . U se th e n otc h t o s lid e th e co ver do wn . L ift the co v er fr om th e b ot to m to r e m o ve . 3. Re m o ve th e b at t e ry. U se th e n otc h di r ec[...]
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12 P h one O vervi ew Ph on e Ov er vi e w Get t o K n ow Y our P hon e T he p h on e is s h o w n h er e in th e o pe n p os itio n . 1. Ho me s c re en . 2. Left so ftk e y se lec ts it em s th a t app ea r on th e lo w e r left o f the d isp l a y . At t he ho m e sc ree n, yo u c an sel ect Me n u . 3. N a vi gat i on k e y s c ro l ls t h ro u[...]
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Use r Gu id e 13 T he p ho ne is s ho wn h ere i n th e clo sed po s itio n. W he n th e p h o ne i s clo se d , th e key s ar e loc ke d to pr ev e nt a cci den ta l ke y p re sse s. 1. Ca m e ra le n s. 2. V ol um e k ey r ai s es or lo w er s r in g e r v o lu m e. 3. Cam er a k ey ac tiv ate s C a m era m od e. T o a c ti vat e c a m era m od e[...]
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14 P h one O vervi ew Screen I con s T he se i co ns m a y a ppe ar on y o ur ph on e’ s scr ee n. T he ph one i s ope ra t i ng i n I S95 d i gi t al m o de . T he ph one i s ope ra t i ng i n I S20 00 (1X ) di g i t al mo de . T he ph one i s recei v i n g a si gn al. Y ou can m ake a n d recei ve cal l s . Few er bars ind i ca t e a w eak er s[...]
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Use r Gu id e 15 M a in M en u T he c o nte n ts o f th e m ain m en u a re a s fo ll o w s: Browse r La unch es t h e B r ow s er Cont ac t s Vi e w A l l A dd Ne w G roup s Sp eed D i a l Lis t V oi ce D i al Li s t E r ase Co n t a cts C ont ac t s Cou nt Cam er a La unch es t h e Cam er a M essagi ng N e w T ext M sg Ne w Pi c M s g V oi cemai [...]
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16 Gui d e Conve ntions Gu id e C o nv ent i o ns I n th is gu ide , th e f ollo w i ng co nve nti o n s a r e u se d wh en de s cr i bi ng ph on e f e at u re s . Sel ec t m ea ns to p re s s th e Lef t so ftk e y , Ri gh t s o ftk ey o r OK key to se lec t an it e m se en o n the d isp lay . F or ex am ple , “ Sel ect Me n u ” tel ls y o u to[...]
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Use r Gu id e 17 2 C all Feat ur es T his se cti on des cr ibe s c all fea tur es suc h a s v o lu me , h o ld ing ca lls , sp ee d d ial ing an d o the r f eat ure s. Po we r Ph on e U p • T o tu rn yo ur p ho ne on , pre ss th e End ke y a nd w a it u nti l th e p ho ne dis pla y l igh ts u p. • T o t ur n y ou r p h o ne off , pr es s an d h[...]
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18 E nd P h one Cal l s Answ e r U sing S peaker phone P res s t h e Spe akerphone ke y . Answ e r U sing Flip You ca n s et t he ph on e t o a ns w er im me di a te l y w he n y o u op en th e fl ip. T h is f ea t ur e d o es n o t a p p ly t o in c o m i ng da ta c a ll s. F or mo re in fo rm a tio n , se e “ En a b l e O p e n to A ns w er ”[...]
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Use r Gu id e 19 Em e r ge nc y Se r vi ce s Call Em ergen cy Ser vi c e You ca n c al l an em er ge n cy co de , e v en if y o u r p ho ne is l oc ked o r yo ur ac cou nt is res tri cte d. W he n y ou ca ll, you r p ho ne e n ter s E m e rge n c y m od e. T h is e n a b le s th e em e rg en c y s er vic e e x cl u si ve ac ce ss to yo ur p h o n e[...]
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20 Text E n try M odes 3 T ext E ntr y Y o u c a n e n ter le tter s , nu m b ers , a n d sy m bo ls in c o n tac ts , tex t m ess ag es, an d y ou r b a n n er . T e xt En tr y M od es T he c u rre n t te x t e n tr y m o d e ( and ca pi tali zat io n s e tti n g, w h en a p pl ica ble ) a re in d ic a ted b y ic on s. T he te x t e ntr y s c re e[...]
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Use r Gu id e 21 Enter Wor d s Q ui ckl y W he n yo u pre ss a se rie s of ke ys u sin g Rap id E ntr y m od e, yo u r p ho ne ch ec ks its d ic tio n ar y o f c om mo n wo rds an d g u e sse s a t th e w or d y ou ar e tr y in g t o s p e ll. 1. F o r ea c h le t ter of the wo rd y o u w an t, p re ss t h e k ey on ce . F or e xa m pl e , to e n t[...]
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22 T e xt E n t r y Qu ick Refer e n ce T e xt En tr y Q ui ck Re fe re nc e T his ta ble gi ve s in stru ct io n s fo r en t er i n g le tt ers , n u m be rs, an d s y m bo ls. F o r m or e in fo rm atio n, se e “T ex t En t ry M o de s ” on pa ge 20. T o.. Do thi s .. E n te r a le t te r Use Nor m al A l pha mode and pre s s a ke y unt i l y[...]
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Use r Gu id e 23 4 B r ow ser You ca n u se yo ur ph o ne t o br ow se t he I n t er ne t if y ou ha ve obt ain ed ph on e I n te rne t s erv ice s f r om y our se rvi ce pro vi d er an d i f o ver -t h e- air Int ern et ac c es s i s av ai l a bl e i n y o ur ar ea . No te : Y ou ca nno t r ece ive in co min g c all s w h i le y ou are u si n g t [...]
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24 S earch for a Web S i te • Se arch o pen s t he br ow ser se arc h p ag e. • Se nd U R L se nds t h e U RL of the cu rr ent pa ge wit h a te xt m es sa ge. • Go t o U R L ... a l lo w s y o u t o en te r th e U R L of a new p age an d go t he r e. • Refre sh re loa ds the cu rr ent pa ge. • Hi st or y dis p l a ys the pa ges yo u h a v[...]
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Use r Gu id e 25 5 C onta cts U se you r pho ne ’ s c on tac ts dir ect ory to sto re in fo rm at io n abo ut a p er son or co m pan y . Ea ch co nt a ct e nt r y c an ha ve up to si x ph on e n um be rs , tw o em ail ad dre ss es, two W e b a ddr es ses , tw o st r e e t ad dr e ss e s, an d a sp ac e f o r n ot e s. Vie w Co nt act s D ir ec to[...]
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26 C ust omiz e Co ntac ts Add Cont a ct f r om Contac t s Menu T o a d d a c o n tac t to yo ur C o nta ct s d irec to r y: 1. Se l ec t Me nu > Cont acts > Add New . 2. E nt er a n am e fo r th e co n ta ct. W h en yo u a r e d on e s cr o ll d o wn to th e ne x t fiel d. 3. E nt er a p rim ar y n um be r fo r t he con ta ct. 4. E nt er ad [...]
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Use r Gu id e 27 Cu st om i z e a N um ber T o c u st o m ize th e n u m be r o f a n e x is tin g c ont act . 1. Se l ec t Me nu > Cont acts > V i ew Al l . 2. A t t he con ta cts dir ec tor y , sel ect a c on tac t. 3. A t t h e con ta c t d e ta ils sc ree n, sc r o ll to a nu m ber . 4. Se l ec t O pt i ons an d one o f th e f ollo wi n g[...]
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28 C ust omiz e Co ntac ts 4. Se l ec t O pt i ons an d one o f th e f ollo wi n g. – Vi ew IM d is p la y s th e I M a dd re ss. – Eras e IM d e le t e s I M a d dr e ss fr o m th e c ont act . Cu st om i z e a W eb A ddress T o cu s to m i z e t he Web ad dr e ss of an e x is tin g co n t a ct . 1. Se l ec t Me nu > Cont acts > V i ew A[...]
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Use r Gu id e 29 Assi gn Pi c tur e t o a C ont act T o a ssi gn a p i ct ure to a con t ac t . 1. Se l ec t Me nu > Cont acts > V i ew Al l . 2. A t t he con ta cts dir ec tor y , sel ect a c on tac t. 3. A t t h e con ta c t d e ta ils sc ree n, sc r o ll to the na m e a n d do on e o f t h e f ol l ow i ng : – Se lec t Opt i ons > Pi [...]
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30 S ea rch Co ntacts Use a G roup 1. Se l ec t Me nu > Conta ct s > G r oups . 2. At th e g r ou ps li s t , s c ro ll t o a gr ou p. 3. Se l ec t O pt i ons an d one o f th e f ollo wi n g: – Vi ew d isp lays th e g ro up d et a il s. – Edi t a dds o r re m o ve s g rou p m e mb er s . – Era s e d el e te s th e g ro up. – Send T e [...]
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Use r Gu id e 31 Er as e A ll Co nt ac t s Y o u c a n d e let e a ll y o u r co nt a ct s. Se l ec t Me n u > Cont ac t s > Eras e Cont ac t s a nd o ne o f th e fo llo win g: • Cont act s O nl y de let e s a ll co nta cts fr o m the ph on e. • Groups O nl y de l et e s g r ou ps yo u h av e cre ate d f rom t he ph one . T his do es no t[...]
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32 T ake a P ictu re 6 C amer a Y o ur ph o n e c o m es w it h a ca m e ra . B e fo re usi n g y our p hon e’ s ca m e ra , he re ar e so m e t i ps: • Y ou ca nn ot a cti vat e th e cam er a w hi le o n an act ive c a ll o r w hi le b ro w s ing fil es i n t h e m e dia g a lle ry . • On ce the ca m e ra is act ive, th e h om e s cre en act[...]
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Use r Gu id e 33 – W hi t e Ba l ance ad jus t s f or d iffe re n t li ght in g . – Col or T one s ets th e c olo r t on e o f th e pi c tu r e. – Pi c t ure Qual i t y s e ts th e p ict u re co m pre ssi on . Th e hig her th e co m pre ssi on , th e b ett e r th e d e tai l of th e p ictu r e (h igh er p ix e l rate ). W h en se t h igh e r [...]
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34 Te x t Me ssages 7 Mes saging T his c h a p ter d e s cr ibe s h o w to s e n d , re c e iv e, a n d e ras e m es sag es fro m you r p ho ne . No te : The f e atu res an d me nus d esc rib ed in thi s c h ap te r m ay var y d ep e n d in g o n s e rv ic e s a v a ila b le in you r ar ea. C hec k w ith y o u r s e rv ice p ro v id e r fo r d eta [...]
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Use r Gu id e 35 Use T ext M essa ge O pti ons W he n y ou cr eat e a te xt m es sag e, yo u h ave se ver a l o pti o n s to h e lp yo u. 1. F ro m the m e ss age en tr y sc ree n, sel ect O pt i ons an d o ne of th e fo llo win g: – Add Addre s s a llo w s yo u to a d d an oth er re cip i en t . – Sav e Addr es s sa v es a re ci p i en t’s a[...]
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36 M ulti med ia Me ssages 3. Se l ec t Repl y to cr ea te a r esp on se m es s ag e or O pt i ons an d o ne of th e fo llo win g. – Era s e d el ete s th e m es sag e. – Forwar d for wa rds th e m es sag e. – Repl y wi t h Copy rep lie s to th e m es sag e w i th a c o py of th e o rig ina l a ttac he d. – Sav e M es sage s ave s th e m e [...]
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Use r Gu id e 37 4. E nt er a m e s sa g e . S c r o ll d o w n to m o ve to th e ne xt f ie l d w he n d on e. 5. A tta ch an im ag e fi le: – Se lec t Opt i ons > T a ke a Pi ct ure to ta k e a ph ot o a nd at t a ch i t . – Se lec t Opt i ons > M edi a G all ery to att a ch a n e x is tin g fi le . S c r o ll d o w n to m o ve to th e [...]
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38 M ulti med ia Me ssages Retr ieve a M ul t i m e di a M e ssage T he r e a re tw o m od es fo r r e c e iv in g a mult im e di a m es sag e o n y ou r p ho ne : A u to re trie ve ( de fau lt) a nd Pr om pt. T o co nt r ol thi s se tti ng, se e “Ena bl e A uto R etr ieve ” o n p ag e 4 3. A u to Retrie ve M o d e W he n a m ess ag e is re ce [...]
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Use r Gu id e 39 – Rep l ay p lay s t h e me ssa ge aga in fro m th e b egi nn ing . – Cal l in itia te s ca ll t o s en de r o f m es s a ge . – Sav e Pict ure sa ve s th e c ur ren t ly vie w e d pi ctu re em bed de d i n t he me ssa ge . – Sav e Sound s av es t h e cu rre nt sou n d em be dd ed i n the m ess age . – Sav e Addre ss ex t[...]
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40 E ra se Me ssages No te : Y ou ca n s et t he ph one t o be ep or vib ra te e v er y fi ve m i n ut e s to re m in d y o u tha t y ou ha ve v oic em ail . Fo r m o re info rm ati on , se e “S et Al e r ts ” on pa ge 42 . Er as e M e ssa ge s I t is a g o o d i d ea to e r as e o l d m es sag es to fre e u p m em or y i n y our ph on e. Y ou [...]
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Use r Gu id e 41 I nco m i ng Cal ls w hi l e Creat ing M e ssag es I f yo u r ec eiv e a ca l l w h il e r ece ivi ng a m es sag e y o u w il l r ece ive a n o t ific ati o n. Y ou ca n d o th e foll o w ing : • Sel ect I g nore t o n o t an s w e r t h e c al l. Y o u w il l ret urn to t h e m es sag e s cre en . • Pre ss the Sen d k ey t o a[...]
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42 M essage S e tt ings Me ss ag e Se tt in gs M es sag ing se ttin gs c o nfi gu r e y o u r p h o ne fo r v oic e, t ext , m ul tim edi a m es sag es . S e t A le r ts C h o ose ho w you w an t be al ert ed of m e ssa ge s, p age s, and v oic em ail . 1. Se l ec t Me nu > M es sagi n g > Msg S e tt in g s > Al e r ts > M sg Aler t , P[...]
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Use r Gu id e 43 E n a b le A u to R e tr ie v e T o s et y ou r p ho ne to au t o r e tr iev e m ul tim ed ia m es sa g es . Se l ec t Me n u > M e ssagi ng > M sg Set ti ngs > Aut o Ret ri ev e and on e of t h e fol low in g: • Di s a bl e d tur ns o f f au to ret rie ve. Y o u w ill b e pr o m p te d b e fo re a n y m ul tim e di a m [...]
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44 M essage S e tt ings S e t D e fa u l t T e x t Y o u c an ch an ge the de fau lt t ext en try m ode w hen c r ea tin g a te xt m es sag e. T h is s e tt ing ap pli e s o nl y to th e m e s s a g e b od y s c r e en , n o t th e “ T o” scr ee n. Se l ec t Me n u > M e ssagi ng > M sg Set ti ngs > D e fa u l t Tex t a nd on e o f t h[...]
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Use r Gu id e 45 Me ss ag e Gr ou ps Y o u c an cr eat e g rou ps f o r m es sag ing . Creat e a G roup 1. Se l ec t Me nu > Mes s aging > M ess age Groups . 2. Se l ec t New . 3. E nt er a n am e f or th e g rou p, th en sel ect N ext . 4. S e le ct co nta cts fr o m the lis t p rov ide d . A ch e ck m a rk ap pe ar s ne xt t o e ac h se l e[...]
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46 Ca ll L ist s 8 R ecent C alls C a ll Lis ts D eta ils o n th e ca lls y ou m a d e , re ce iv ed , or m is sed a r e s tor e d i n th e re cen t ca ll li s ts a nd a re i de ntif ied b y th e foll ow ing ic o n s : V i ew C al l Li sts 1. Se l ec t Me nu > R e cent Cal l s an d o ne of th e fol low in g : – Al l to vi e w all ca lls m a de[...]
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Use r Gu id e 47 Erase Call Li st s Y o u c an er ase yo ur ph on e’ s cal l li sts . 1. Se l ec t Me nu > Rece nt Ca ll s > Era se Cal l Li st > Al l , In co m in g , O ut goi ng , M i sse d , or D a ta C a ll . 2. Se l ec t Ye s . V ie w C a ll T i m ers Se l ec t Me n u > Recent Calls > Cal l Ti m er an d o ne o f th e fo llo wi[...]
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48 S et ti ngs M enu 9 Settings Se t t i ng s M e nu T he c o nte n ts o f th e se tti ng s m e nu a r e a s f oll ow s: Bl uet oot h On/ Off My D e v i c e s Set ti ngs Sounds Ri ng er s Ri ng er M od e Vo l u m e Fl i p Sounds Pwr On/Of f Sound Key pa d Di s play Set W al lpap er W al l p aper Shu ff le S e t Sc r e en s a v e r Them es Ma i n Me[...]
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Page 49
Use r Gu id e 49 Cr ea t e a C us to m Me nu 1. F r o m the m a in s cr ee n , sc r o ll u p a n d h old . 2. Se l ec t Edi t . 3. S e le ct fea tur e s fro m the lis t p rov ide d . A ch e ck m a rk ap pe ar s ne xt t o e ac h se l ec t io n y ou m a ke . Yo u c an al s o re m o ve c hec km ar ks. 4. Whe n y o u ha v e c ho se n y o ur me nu o p t[...]
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50 B l ueto oth 4. Y our ph on e w i ll se arc h a nd de t ec t v is ib le B lu e to o th d ev ic e s in th e vi cin ity . 5. A t t he dev ice li st, hig h l i ght a d ev ice an d se l ec t Add . W h en p ai rin g i s in itia te d fr om an ot her B lu e to o th d evic e, you w ill b e pr o mpte d t o a c c ept o r r e je c t th e p air in g . 6. I [...]
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Page 51
Use r Gu id e 51 Bl uet oot h Set t ings Y o u h a v e s e tti ng s fo r h o w yo ur p h on e in te rac ts w ith Bl uet oo t h dev ice s. Se l ec t Me n u > Set t ings > Bl uet oot h > Sett i ngs a n d on e o f th e f oll o w ing : • My N a me c ha ng es t he na m e of yo ur ph one to ide nti fy t o o th e r d ev ice s it is pa i re d w [...]
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Page 52
52 S o unds • Vi b e t hen Ri ng vib rat es for th e fi rst 10 se con ds an d t hen ri ngs fo r t he remai nd er of t h e in c o m in g c a ll ale rt. • Li gh t s O nl y li g ht s u p f o r th e d u ra tio n o f th e inc om in g c all o r oth er ale rts . Y o u ca n al so p res s an d ho ld t h e # Space ke y to go b ack fo rth fr om V ib r a t[...]
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Page 53
Use r Gu id e 53 Di sp l ay Y o ur ph on e h as sev era l s etti ng s t h at c o n tro l th e d isp lay . Set W al l pape r Y o u c a n s e le c t a w a llp ap e r f or yo u r ph on e ’ s ho me sc r ee n. Se l ec t Me n u > Set t ings > D i sp lay > Set W al l paper a nd on e o f th e f oll o w ing o p tio n s: • Cam er a Pi ct ur es s[...]
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Page 54
54 D is play Set M y Banne r T he ba nn er i s th e per so nal lab el for yo ur ph on e. It ap pe ar s o n t h e ho m e s cr e en a bo ve t h e ti m e a n d d ate . T o c h an ge yo ur ba nne r: 1. Se l ec t Me nu > Set t i n gs > Di s pl ay > My Banne r . 2. Se l ec t Edi t an d pre ss the Back ke y to c lea r t he cu rre nt ban ne r . 3.[...]
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Page 55
Use r Gu id e 55 Set Ex t er nal Di s pl ay C on tro ls w ha t in fo rm atio n is s ho wn on th e e x te rna l d isp lay . Se l ec t Me n u > Set t ings > D i sp lay > E x t e rn a l D i sp l a y an d o ne of th e fo llo w in g: • I cons a nd Time d is p la ys info rm at ion ico ns and ti m e . • I cons Onl y dis pla y s ico ns o n ly [...]
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56 C onven ienc e Enab l e 1- T ou c h D i ali ng T he 1 -T o u ch D i a lin g fea tur e is th e fa ste s t w a y to c a ll a s pe e d d ia l lo ca tion . T o c all a c on tac t w ith sp e ed di al , pr e ss an d h o l d t h e s pe ed di a l in g lo ca tio n. If it is a tw o-d igi t l o ca tio n, p r ess th e fir st d igi t br ief ly , th en p re s[...]
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Page 57
Use r Gu id e 57 Enab l e F ast Fi nd W ith fa st f in d en ab le d , y ou ca n p re s s o ne or tw o k eys to v ie w c lo s e m at c h e s o f the n um be r y o u a re lo ok in g fo r . 1. Fr om t h e h o m e s cr e en , p re s s t he ke y s c o r res p o nd ing to th e le tte rs of th e n a m e yo u w an t t o fi n d . A m a tch ing c o n t a ct [...]
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Page 58
58 V oi ce F eat u res Set Expe rt M ode W he n e x p er t m ode is us ed, in st e ad of spe ak ing a c o m m a nd fo llo wi ng th e i n it ia l vo ice p ro m p ts, yo u c an spe ak th e c om ma nd af ter yo u h ear a t on e. Se l ec t Me n u > Set t ings > V oi ce Feat ur es > Exper t M ode an d one of th e fo llo wi n g: • Nor m al se [...]
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Page 59
Use r Gu id e 59 V oi ce Wake- up E nab le V oice W ake-u p Y o u c a n s e t y o u r p h on e t o mak e a c a ll u sin g a h ead se t. 1. S et the ph on e t o p l ay so un d f rom th e he ads et, se e “Set He ad set So und s ” on pa ge 59 . 2. Se l ec t Me n u > Set t ing s > V oi ce Feat ures > V oi c e W ake- up > W it h A c ce s[...]
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Page 60
60 Ne t w o r k 2. Se l ec t Me nu > Set t i n gs > Acc esso ri es > TTY D e v ic e . 3. A t t h e no tific ati on , s e le c t OK . 4. S e le ct on e o f th e f oll ow ing op tio n s: – TTY Off t o d i sa ble TT Y . – TTY On t o e n ab le fo r T T Y d ev ice s . – TTY O n + T al k to e n a b le fo r TT Y d ev ice s an d v o ic e c a[...]
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Page 61
Use r Gu id e 61 Enab l e V oi ce Pri vacy S e t y o u r p h o ne to us e e n ha n c ed d ig ita l C D M A pri vac y . Se l ec t M enu > Set t i ngs > Net w or k > V oi ce Pri vac y > Enhanced . Enab l e Roam ing Servi ce A l er t U se th i s s etti n g if y ou wa nt th e ph on e t o a le r t y ou wh en yo u r oam o uts ide o f yo ur ho[...]
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Page 62
62 Se c u ri t y Set Location I nf or m at i on T his s e ttin g a llo w s y o u t o s h ar e y o u r lo c a tio n in fo rm a tio n w it h n etw or k s e rv ice s o th e r t h an e me r ge nc y s erv ice s ( for ex am ple , 9 11 , 11 1, 99 9 a nd 00 0) in ma rke ts wh ere se rvi ce h as b een im p lem en ted . T his fe a tu r e w o rks on ly w h en[...]
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Page 63
Use r Gu id e 63 5. S e le ct on e o f th e f oll ow ing : – Nev er lea ves th e p hon e alw ays un lo cke d . – On pow er up loc ks t h e p hon e ev ery t im e yo u t urn i t on . – Now l ock s t he ph on e im m ed iate ly . U nlo ck Phone D o t h e fo l lo w in g to u nlo ck the p h on e: • Fro m the ho m e s cre en , se lec t Ye s . • [...]
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64 V i ew P ho ne In form at ion Change Loc k Code C ha n ge yo ur lo c k co d e f ro m t h e d e fa u lt p ro v id ed b y th e se r vic e p rov ide r . T h e l oc k c od e is typ ica lly 00 00 or th e l a st 4 d i gi t s o f y o ur ph on e n um be r . 1. Se l ec t Me nu > Set t i n gs > Sec urit y . 2. E nt er yo u r f ou r -d igi t lo ck co[...]
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Page 65
Use r Gu id e 65 10 T ools You r ph on e c om es w it h t o ol s a nd g am es . S om e of th e gam es or t o ols de scr ibe d her e m ay no t b e av a i l a bl e on y o ur ph on e. I f y ou re c ei v e a n in co m i ng ca ll w hil e y ou are p l ayi ng a g am e, the g am e i s pa use d an d exi ted . Y ou ca n ret urn t o pla y o nc e th e c a ll a[...]
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Page 66
66 S ched uler 3. C ho os e a n e v en t t yp e . P res s th e OK ke y a n d s e le c t a c ho ice fro m the lis t. 4. M o dify th e d ate , if n e ed e d. Pr e ss th e OK ke y t o c h a n ge th e d ate . – Sc rol l le ft o r r ig h t to m ov e b etw ee n m ont h, day an d y ea r fi eld s. – S cr o ll up or do wn to ch an g e m o nt h , d ay an[...]
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Page 67
Use r Gu id e 67 – Se lec t Opt i ons > G o t o T oday to g o to th e c u rr en t d a te. – Se lec t Opt i ons > Go t o Dat e to go to a sp eci fic da te . – Se lec t Opt i ons > Er ase T oday ’ s Ev ent s to de le te a l l e ven ts f o r th a t d ate . V i e w by Li st 1. Se l ec t Me nu > T ool s > Sche dule r > Vi e w A[...]
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Page 68
68 A la r m Clo ck Al ar m C l o c k Y o u c a n s e t u p to fo ur a le r ts w ith you r p ho n e ’ s th re e a lar m clo cks an d o ne qu ic k a lar m. No te : T h e al ert oc cu r s o nl y if the p h on e is o n. Set an A l ar m 1. Se l ec t Me nu > T ools > Al ar m Cl ock . 2. S c r o ll to on e o f th e a la r m s an d s ele c t Se t .[...]
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Page 69
Use r Gu id e 69 4. En te r t h e s ec o nd n u mbe r . P re ss t he OK ke y to pe r fo rm th e o p er ati o n . T h e r e s u lt is s how n. 5. Se l ec t Exi t t o r e tu r n t o m e nu o r O pt i ons and o ne o f th e fo llo w i n g: – MS c lea rs val u e cu rre n tl y st ore d and ad ds the di spl aye d r es ult to val ue sto red i n me mo ry [...]
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Page 70
70 W o r ld Clo ck Use a M em o T o u se me mo s: 1. Se l ec t Me nu > T ool s > M em opad > Vi e w Mem o s . 2. F r o m the m e m o li s t, se l ec t a m e m o . 3. Se l ec t O pt i ons an d one o f th e f ollo wi n g: – Edi t m o d ifie s t h e me m o . – Send as SMS se nd s m e m o w ith a tex t m es s ag e. – Us e Number u ses a [...]
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Use r Gu id e 71 1 1 BR E W Ap p s Y o ur Ky oce ra ph on e h as t he ad de d a b i l ity to d o w nlo ad a n d m an ag e a p p lica tio ns th ro ug h B RE W . B RE W bri ngs yo u t h e fu l l ra ng e o f a p p lic a tio ns a n d ser vic e s yo u h ave co m e to ex p e ct f ro m t he I n te r ne t: E m ail an d in sta n t m e s sa g in g, rea l-t i[...]
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Page 72
72 Ope n an A p pli cati on O p en a n A p plic at ion D o w nlo ad ed ap pli cat ion s a re sto red u nde r t he BREW Apps m en u . E ac h a pp l ic a tio n c om es w it h it s o w n u n iq u e ic o n , to h e l p y o u id e nti fy i t e as il y . Se l ec t Me n u > BREW Apps an d t h e app li c ati on. Th e BR EW Apps i con al w a ys rem ai ns[...]
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Page 73
Use r Gu id e 73 12 Medi a G all er y Y o ur ph on e s tor es me di a fil es and ca n d is pla y th os e f iles on th e p h o ne dis p l ay . Br ow se C am er a P ic tur es T o br ow s e t he ca me ra pi c t ur es on yo ur ph o ne : 1. Se l ec t Me nu > Medi a Gall ery > I m ages > Cam er a Pi ct ure s . You ca n s cr o ll t hr ou g h th e[...]
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Page 74
74 B rows e S av ed Im ages Br ow se S av ed I m ag es T o b ro wse th e s ave d i ma ge s o n y our p hon e: 1. Se l ec t Me nu > Medi a Gall ery > I m ages > Saved Images . Y o u c a n s cr oll th rou gh th e file lis t. 2. Se l ec t Vie w to op en a h ig h lig hte d f ile or se l ec t Opt i ons an d one of th e fo llo w i n g: – Send [...]
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Page 75
Use r Gu id e 75 E d it Wa ll p a pe r S hu ffl e T o e d it th e w all p ap er s h u ffl e o f y ou r p h o n e, d o th e foll o w ing : 1. Se l ec t Me nu > M edi a Gall ery > Im ages > W al l paper Shuf fle . 2. Se l ec t Edi t to ad d o r r e m ov e im a g es fro m y o u r wa llpa pe r list o r Opt i ons > Set Sh uf fl e Ti m e to m[...]
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Page 76
76 Bro wse Rin g er s – Shuf f l e a dd s t h e im a ge to th e wa llp ap er s hu ffle . – D e ta ils dis pla ys d et a ils o f th e fi le. – Era s e Al l del ete s a ll u nlo ck ed file s. Br ow se R i ng er s T o b ro wse th e r ing ers o n y our ph on e: 1. Se l ec t Me nu > M edi a Gall ery > Sounds > R i ngers . Y ou c a n s cr [...]
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Page 77
Use r Gu id e 77 De le t e Al l Fi les Y o u c a n d e let e y our un lo c ke d m e dia fil es: Se l ec t Me n u > M e d i a G al l ery > D e le te A l l an d o ne o f th e fo llo win g: • Cam Pi c s Onl y d e le t es a ll un loc ke d c am era pic tur es fro m the ph on e. • I m age s Only d ele tes a ll u n lo c ke d im a ges fro m the p[...]
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Page 78
78 V o ice Dia l L is t 13 V oic e C om mands V o i ce co mm an ds a ll o w y ou t o ca ll a c on t ac t , d ial a p ho ne nu m b er , a cce ss me nu s, o r f ind co nt a ct in fo rm a tio n fro m y ou r v o ic e d ial lis t. No te : Y ou ca nno t u se v o ic e r ec og nit io n to en d a c all; yo u m u st p res s t h e End ke y w he n t h e flip i[...]
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Page 79
Use r Gu id e 79 Call a C ontac t 1. I f y ou hav en ’t a lr e ad y d on e s o , ad d th e p er so n y ou w ish to c all to th e V oi c e D i a l Lis t. Se e “A dd Co nta cts” o n p ag e 7 8 . 2. Fr om t h e h o m e s cr e en , p re s s a nd ho l d th e Send ke y . Th e p ho ne pro m pts , “S ay a co m m a nd ”. 3. S ay “C on t ac t” [...]
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80 V oi ce C om mand S e ttings Fi nd Conta ct s Y o u c an us e v oic e c om m and s t o f ind co nta cts li ste d i n y our vo ice d ial lis t . 1. Fr om t h e h o m e s cr e en , p re s s a nd ho l d th e Send ke y . Th e p ho ne pro m pts , “S ay a co m m a nd ”. 2. S ay “F ind Co nt act s”. Th e p ho ne pro m pts , “S ay a n am e” [...]
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Page 81
Use r Gu id e 81 14 G e t H elp U s er G uid e You ha ve a u se r g u id e l o ca t ed on y o ur ph on e. To a cce ss t hi s u se r g uid e, sel ect Me n u > Set t i ngs > Phone I nf o > Use r Gu i de . T he us er gui de for yo ur ph on e is al so l oc ate d o n th e we b a t w ww .kyoc era -wi rel es s.com/s upport . Cu st om er S up po r[...]
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Page 82
82 P hone A cc e ss ories Ph on e Ac ce ss ori es T o s ho p fo r p ho ne ac ces so rie s, v isit ww w .ky ocer a- w i re les s .com / s tor e . Yo u m a y al s o c al l us at 80 0- 3 49 - 41 88 (U .S . A. on l y) o r 8 58 -88 2- 141 0. Be co m e a P r od uc t E va l u ato r T o p a rt ic i pa t e in th e t es t ing an d e va lu a tio n of Ky o ce [...]
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Page 83
Use r Gu id e 83 Index Nu meri cs 1- t ouch di al i ng , 5 6 A acce ssor ies heads et s , 5 9 phone , 8 2 s e tt in g s , 5 9 T- coi l hea ri n g a id , 6 0 TTY d evi ce , 5 9 act iv at i ng B l u e toot h , 4 9 addi ng Bl uet oot h de vices , 4 9 codes , 2 6 cont act s , 25 ext en si ons , 2 6 voi ce d i al l i st , 5 7 , 7 8 ai rpl a ne m ode , 5[...]
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Page 84
84 pi ct ure se tting s , 3 2 reso lut ion , 3 2 s e lf t ime r , 3 2 shut t er s ound , 3 2 t aki ng pi c t ur es , 3 2 ti me s t a m p , 3 2 w h it e b a la n c e , 3 3 capi t a l i zat ion , 2 1 CDM A priva cy , 6 0 chang i n g m odes, t ex t en t ry , 2 1 col or t h em es , 5 3 col or t one , 3 3 com por t spe ed , 6 0 connec ting Blue toot h d[...]
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Page 85
Use r Gu id e 85 scre en sa ve rs , 7 5 sen t , 4 1 sounds , 7 5 voi ce mem os , 7 6 w a llpaper s , 7 4 f r am es , 3 3 f r equent l i st , 5 7 G gal le ry, m ed i a , 7 3 gam es , 6 5 downloa ding , 7 1 gr oup s , 29 assi gn m essa ge tone , 3 0 , 4 5 as si gn pi c t ur e , 30, 45 assi gn ri n ger , 3 0 , 4 5 crea ti ng , 2 9, 4 5 eras i n g , 3 [...]
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Page 86
86 ic o n , 3 8 not i fi ca t io ns , 3 8 opt i ons , 3 7 pre v ie w i ng , 3 7 prompts , 3 8 q u i ck t e xt , 3 7 read re cei pt req ue st , 4 4 r e c ei p t re q u e st , 4 4 re cor di ng s ounds , 3 7 rep l a yi n g , 3 9 rep l yi n g , 3 8 req ue st rec e i p t , 3 7 r e tr ie v in g , 3 8 savi n g , 3 9 se n d la te r , 3 7 sen de r i nf o rm[...]
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Page 87
Use r Gu id e 87 S s a v e d fo ld e r , 4 3 sc he dule r , 6 5 crea ti ng event s , 6 5 m o d ify i n g e ve n ts , 6 7 s e tt in g s , 6 7 vi e wing ev ents , 6 6 scr een sa ver s , 5 3 browsi ng , 7 5 eras i n g , 7 5 lo c k in g , 7 5 se ndi ng , 7 5 sea rch i n g cont acts di re ct or y , 3 0 fa s t fi n d , 5 7 f re quent l i s t , 5 7 voi ce[...]
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Page 88
88 ti m e s ta m p , 3 2 ti m er , 6 9 ti p c a lc u la to r , 6 8 to o ls , 6 5 al a rm cl o ck , 6 8 cal cu l a t or , 6 8 m emopa d , 6 9 sch ed uler , 6 5 sto p w atc h , 6 9 ti me r , 69 t i p c al c ul at or , 6 8 voi ce mem o , 6 5 wo r l d c l o c k , 7 0 TTY dev i ce , 5 9 U user gu i d e , 6 4 V v a li d ity p e r io d t e xt m es s a ge [...]
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Page 89
Ky o cera Wi rel es s Co rp . www. kyoce r a- w i re l e ss. com 82- N02 47- 1E N, R ev. 002[...]