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A good user manual
The rules should oblige the seller to give the purchaser an operating instrucion of Leica SL 2, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.
What is an instruction?
The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of Leica SL 2 one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.
Unfortunately, only a few customers devote their time to read an instruction of Leica SL 2. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.
What should a perfect user manual contain?
First and foremost, an user manual of Leica SL 2 should contain:
- informations concerning technical data of Leica SL 2
- name of the manufacturer and a year of construction of the Leica SL 2 item
- rules of operation, control and maintenance of the Leica SL 2 item
- safety signs and mark certificates which confirm compatibility with appropriate standards
Why don't we read the manuals?
Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Leica SL 2 alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Leica SL 2, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Leica service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Leica SL 2.
Why one should read the manuals?
It is mostly in the manuals where we will find the details concerning construction and possibility of the Leica SL 2 item, and its use of respective accessory, as well as information concerning all the functions and facilities.
After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.
Table of contents for the manual
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Page 1
Not For R e sale – Free Download at http://www.joe- chan.com/manu als[...]
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Page 2
The LEICA FLEX® SL 2 is a modern single-l ens -refl ex cam era with sele ctiv e light metering through the le ns. The large, bright LEICA FLE X v i ewfinder giv es you all th e necessar y i nfor mation . A t the same tim e it fu nction s as th e control and composing cent re for focusing, spot ex posur e m easur emen t, asse ssment of t he pi ctor[...]
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Page 3
Contents Bri ef desc ripti on for th e rea der i n a hurry 4 Inserti ng a nd ch anging t he l ens 6 Hol ding the ca mer a corr ectly 7 The com posi ng and cont rol ce ntre 8 Focus ing 10 Ex posure m eter 12 Setti ng fi lm speed and -ty pe 13 Use o f filters 16 Testi ng an d cha nging th e ba tt ery 17 Rapi d trans port l ever, shutt er speed di al,[...]
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Page 4
Brief Descr iption for the Reader in a Hurry 1 A uto matic fil m co unter ( p. 24) 2 Shutt er speed dia l (p. 18) 3 Releas e button with thread for cable release (p. 18 ) 4 Rapid transport lever for shutter wi nd and film transport (p. 18), a t t he same time on/off switch of the exposure me ter ( p. 12) 5 Self -t imer (delayed -acti on me chanism)[...]
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Page 5
14 Conta ct bushes for flash units (p. 23) 15 Butt on f or testing the exposure me ter battery ( p. 17) 16 Locki ng butt on for DIN/ A S A settin g of the exposure meter (p. 13) 17 Clamp for pu lling ou t the rewind crank to open the camera ba ck (p. 25) 18 Swing -out rewind crank ( p. 25) 19 Disc w ith film-ty pe symbo ls (p. 13) 20 DIN s cale (p.[...]
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Page 6
Inserting the len s For i ns ert io n of t he le ns in t he bay onet rin g on t he c ame ra bo d y th e red dot (10 ) o n the lens mount mus t face the ba yonet loc k (7) marked in red. A ft er a sl ight turn to the right th e l en s cli cks i n to p ositio n. Chan ge l ens es in th e s hado w of yo ur bod y. Taking out the lens Irres p ect i ve o [...]
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Page 7
Holdi ng th e camer a cor rectl y For the s t eady 3-poi nt s uppor t the ri ght hand gri ps t he camer a. The i ndex fing er rests on the r elea se but ton, the thum b agains t the r api d tra nspor t lev er. The l eft hand sup port s th e lens fr om b el ow. W hen taking pictur es i n the upri ght form at, si mply turn th e LEICA FLEX. Th e hands[...]
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Page 8
Not For R e sale – Free Download at http://www.joe- chan.com/manu als 8[...]
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Page 9
The composing and control centre The view finder of the LEICA FLEX SL 2 is the cent re both for pict ori al com posit ion and for contr ol of all im portant data: sharp ness, picture are a a nd p erspe ctive , measur ing fi eld and e xposu re m eter poi nter, s hutter speed set on t he dial and l ens s t op. Specta cle w earers, too, can norm all y[...]
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Page 10
Focusing Accor ding to y our predom inant photo- graphi c w ork y ou will have cho sen be- tw een 3 perm anentl y buil t-in vie w f i nder screens . The im age is f ocuse d by rot ati on of the di stance set ting ring (1 3) on the lens. a) Scre en w ith spl i t-image wedg e Thi s screen i s particu larly sui table for qui ck focus ing w ith wi de-a[...]
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Page 11
b) Scre en w i thout s pli t-im age w edge The entir e central mea suring fiel d is occ upied by a quadr angul ar micr o-prism screen . Di stin ct fli ckeri ng indi cates t hat t he obj ect sight ed is no t cri ti cally focused on t his screen. c) Gr oundgl ass scr een The i mage can b e fo cused wi thin the entir e view finder fiel d. The ce ntral[...]
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Page 12
E xposu re me ter The exp osure meter o f the L EICA FLEX SL 2 meas ure s thr ough the le ns at ful l apertur e. Add iti onal and ther efore ti me- consum ing operat ions are el imi nated. 20% of the l ight comin g from the lens i s di rected t o the dete ctor of t he expos ure meter via a cy lindr ical deflecti ng mi rror arrange d behind th e hin[...]
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Page 13
i s outli ned cle arly and at the same size. The part of th e subj ect rep re sentat ive of the expo sure can be mea sure d preci sely . Unfavo urabl e i nflu ences such as ext remely bright or da rk por tion s of t he subject , ope n l ight source s, and oth er undes irabl e feature s can be el imi nated by t he measurem ent of an undistur bed are[...]
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Page 14
Setting the shutter speed The poi nter s of the expo sure meter a p- pear on t he right of the view fi nder fi eld. The fol low -po int er is coupl ed wi th the di aphragm s etti ng ri ng ( 11) of the l ens and th e sh utter speed di al (2) of the ca- mer a. To se t t he corre ct exposur e th e di aphragm s etti ng ri ng ( 11) of the l ens and/or t[...]
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Page 15
coinci de w i th the m easuring pointer by rotati on of th e shu tter s peed dial (2) of the cam era. T he readin g for t he l ens stop i n the view fi nder w ill be opposi te H in this ca se . Measuring in the l imiting r anges The hi gh se nsiti vit y of the ex posur e meter of the LE ICAF LEX SL 2 perm its preci se ex posure m easurem ents even [...]
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Page 16
Use of fil ter s W hen light i s mea sured thr ough the l ens the ener gy reduc tion owi ng to fil ters is general ly all owe d for autom ati cally . But the vari ous fi lms have di ffe rent sensi - tiv iti es in t he vari ous spe ctr al r egions. Devi ati ons from th e m easure d exposu re value can ther efore occur wit h den se and ext reme f il [...]
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Page 17
Testin g the b atter y The exposure meter has a 1.35v me rcur ic ox ide b att er y as c urrent s ourc e. T he Mal - lo ry P X 625 or eq ui v alen t b ra nds suc h as V art a P ertri x 700 2 ca n be us ed. T h ese bat - teri es hav e an avera ge l if e of 1- 2 yea rs even w hen t he exposure me t er r emains s witc h ed on f or pro l on ged p e rio [...]
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Page 18
The rapid tr ansport le ver (4 ) t ra ns port s t he fi l m t hroug h 1 f ram e wi t h ea ch fu ll lev er movement, w inds t he s hutter a nd s witches the film co un ter (1) to the n e xt-h igher number. It engages in a resting pos ition (ex pos u re met e r s witc he d off ), i n a mea- s uring posi t ion, and i n a rea di ne ss pos it ion . The [...]
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Page 19
The LEIC A F LE X lenses A ll LEI CAF LEX -R l ense s are o f t he s ame ex tern al d es i gn, i. e. the rot at abl e di a- phr agm p re -set t i ng ri ng ( 1 1), t he fi x ed ri ng wit h depth -of -fi el d indi ca ti on (12 ), a nd t h e distanc e setting ring (13) ar e arranged identicall y . The left hand th us becomes very easily accust omed t [...]
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Page 20
Depth-of -f ield b utton The LEICA FL E X SL 2 measu res the e x- pos ur e at f ull l ens ap ertu re . T he d e pth- o f- fi el d but ton pe rmi ts th e as ses sm ent i n t he v ie wfind er of t he dept h o f fi el d t o be ex - pec te d wit h th e p re-s et s top-d o wn. W hen t he butt on ( 6) is pr es s ed t he l ens di a - phragm is cl osed to [...]
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Page 21
Lens hoods A ll LE I CA FLEX l ens es hav e thei r f unc - tionall y d esigned lens hood. I t should always be used as a ma tter of course, because it eff ectively protects t he lens agai ns t s t ray li ght an d fl are as well as agai ns t rai n dr ops and f i ng erm ar ks . On t he wide -an gle an d s tand ar d l ens es t he lens hood is att ache[...]
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Page 22
S er ies fi lter s W ith lenses of up to 50mm f ocal length in c lus iv e t he f il t ers ar e i nsert e d i n t he l ens hood. T he l ens es wit h te les c opi ng b ui lt -on l ens hoo d i ncl ude a sc re wed -i n a dapt er r i ng accommodating series filt ers. T o insert the fi lt er t he ada pte r ri ng is uns c rew ed, the f il ter in s erted, [...]
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Page 23
Flash synchro nization All the commer cially available flash unit s w ith sta nda rdize d flash plu gs ( co- axia l plugs) or with acc essory-shoe contact c an be used on the LEI CAFLEX SL 2. T he t wo cont ac t bu sh es (10 ) ar e l oca te d in t he fro nt pan el o f t he cam er a. El ec t roni c fl as h uni ts are c onn ect ed t o t he upp er c o[...]
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Page 24
Inserting the f ilm Open the camera back : push t h e clamp (17) in the di rec ti on of t he ar ro w, hol d i t i n positi on, an d at the same ti me pull out the rewi n d c rank (1 8). W he n the rewi n d crank i s pul led out f u rthe r t h e c ame ra b ac k wil l ope n automatically aft er overcoming a safet y lo c k. The f i lm count er ( 1) re[...]
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Page 25
Cl os e t he c ame ra b y s im pl y sn ap pin g th e bac k s hut ; it eng ages aut om ati c al ly. T rans - port the fil m through one frame, rele ase the s hutt er, an d wi nd t he re wi nd c r ank in t he di rec ti on of t he a rro w t o p ull t he f i lm ti ght until y ou feel resistance. T ran sport t he fi l m ag ain and rel eas e t he s hut t[...]
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Page 26
Taking the film o ut W hen the inse rted fil m is completely ex- posed, increased res ist ance w ill be felt on the ra pid t ra ns port lev er (4 ). T he f i lm m us t be re wou nd int o i ts cart ri dge as f ol lows : pus h th e b utt on f or t he re wi nd rel eas e (2 7) on the un der si d e of th e ca mera body , turn t he re win d c ran k out ([...]
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Page 27
dust into t he interior of the camera. A le ns a cts as a burn ing g las s if it is po inted di rec tl y at the s un. Pr ote c t th e int eri o r o f you r c ame ra b y c ov eri n g th e l e ns wit h t he lens cap, or keeping the camera in a case or i n t he sha d e. E ac h l ens , in a ddi ti on t o i ts ty pe, has its ow n Seria l No . engra v e [...]
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Page 28
Not For R e sale – Free Download at http://www.joe- chan.com/manu als 28[...]
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Page 29
Ac ces sori e s Int erc han g eabl e len ses In addition to th e 50mm stan dard lenses you wil l h ave t he c hoi c e of a l a rge num be r of int erc han ge ab le l en s es from 16 to 800m m fo cal le ngt h. The len se s f rom 1 6 t o 250mm are e qui p pe d wit h aut omat ic diaphragm. The 16mm fis heye-E LMARIT-R f/2.8, 24mm ELMARIT-R f/ 2. 8 and[...]
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Page 30
Fol l ow -focu s l ens es T he 40 0mm a nd 56 0m m T EL YT- R f/ 6. 8 v ery l ong -f oc al- le ngt h l en s es ha ve a precision parallel g uide for rapi d y et cri tical f ocus i ng, i n whic h th e f ront part of the le ns mou nt i s adj us t ed. T he foc u s ing m ec h- anism can be released f or f ocus ing by means of a push-butt on and clamped[...]
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Page 31
Focusing Bellow s-R In c onj unc t ion wit h the 10 0m m MA C RO- E LMA R f/ 4 s pe ci al l ens (Co de N o. 11 2 30 ) t he Foc us i ng B el lows -R (Co de No. 168 60 ) f or the LE IC A FLEX of fe rs a c ont inu ous f ocus i ng rang e f rom i nf ini t y to 1: 1. T he 50 , 60, 90, 135, 1 80, and 25 0mm lenses, too, can be used on the F ocusi ng Bello[...]
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Page 32
Ring combina tion for th e clo se-up r ange A three-part ring combination (Code No. 141 59 ), wh ic h is us ed mai nl y i n c onj unc- tion w ith the 50mm SUMMIC RON-R f/2 s tand ard l ens , mak es phot ogra phy p os s ibl e down to 1:1 reproduc tion sc ale . T he com- bi nat ion c an b e ex pan ded at will t hro ugh the i ns erti on of sev era l m[...]
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Page 33
Not For R e sale – Free Download at http://www.joe- chan.com/manu als 33[...]
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Page 34
Cases For t he LE I CA FL EX SL 2 wit h s tan dar d len s t he ev er -rea d y ca s e (Cod e No . 14504 ) i s recommended. You can detach the front part by pushing up th e pr ess stud in th e ba ck of th e ca se fo r unlocki ng . In ad d it ion , c ombi nat ion h old all s are av ai l- able fo r extensiv e c amer a outfits including se ver al len se[...]
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Page 35
Pr ojection A n ext en si v e rang e of p roje ct ors is av ai l- abl e ac c ordi ng t o r eq ui rem ent s and pur- pos e. Th ey off er m ax i mum op e rati n g c on- ve nie nce an d ver satil e po ssib ili tie s of e x- t ensi on. T he mos t out s ta nding com mo n feat ur e of all LEIT Z pro jec tors is optimu m optic al perf o rma nce com bi ned[...]
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Page 36
In te rnat io na l L EITZ Wa rran t y Our p rod uc t s are m an uf ac ture d t o s p ec i al quality standards and test ed by experi- enced specialis ts at the various stages of pr od ucti on . They con for m to th e In ter- nat i onal LE I T Z Wa rrant y f or p e rf ec t qu ali t y and ex pert pr oc es s i ng of the mate rial , careful assembl y o[...]
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Page 37
I nfor mati o n S er vice On re ques t we s hal l inf orm you wit hin the s c ope of our i nform at i on se rvice ab ou t n ew a ccesso rie s a nd s end y o u othe r import ant inf orm at io n. P le as e use t he ap pen de d c oupo n and s end i t t o you r na ti o nal age nc y or directl y to ERN ST LEI TZ GMBH After-Sales Ser v ice D-63 30 W ETZL[...]
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Page 38
Name a nd S urname A ddres s Occ up ation I am t he o wne r of LE I CA FLE X No. and the follo wing lenses: I am t he owner of the f oll owin g LE I T Z ca mer as: I hav e be en t aki ng p hot og ra phs s in ce I use my LEI CAFLEX % pr ofess ion- ally in th e follow in g fie ld(s): Fav ouri t e n on -pro fes s i onal su bje ct s : Reas on fo r pu r[...]
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Page 39
Acce s sor ies a) Interchange able lenses Code No. *1 6mm FIS H EYE -E LMA R IT -R f/2 .8 11 22 2 21mm S UPE R-A NG ULON ®-R f/ 4 11 81 3 *2 4mm E LMA RIT ® -R f/ 2. 8 11 22 1 28mm ELMARIT -R f/2.8 11 204 35mm SUMMICRON®-R f/2 11 227 35mm ELMARIT -R f/2.8 11 201 35mm PA -CURTAGON®-R f/4 11 202 50mm SUMMILUX ®-R f/ 1.4 11 875 50mm SUMMICRON-R f[...]
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Page 40
List of bro chure s Dept h -of- Fi eI d Ta ble 111 -57 Cl os e-up dev i ce s f or t he LE IC AF LEX 160 -1 2 60mm MACRO-ELMARI T-R f/2.8 111-100 800mm TELYT ® S f/ 6.3 120 -48 Combination cas es 120-42 FOCOM A T ® Ic 1 70-2 FOCOM A T IIc 170 -15 P RA DOVIT RC 310 -74 PR ADO VIT ® -CO LOR 310 -4 9 ® = Registere d T ra dema rk Design subjec t to [...]