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Presonus StudioLive 16.0.2 manual

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Table of contents for the manual

  • Page 1

    Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T r oubleshooting and W arranty English StudioLiv e ™ 16.0.2 P er formanc e and Rec ording Digital Mix er O wner ’ s Manual ww w .presonus.c om ®[...]

  • Page 2

    14. Ser vicing is requir ed when the apparatus has been damaged in any wa y, such as if a power-supply cor d or plug is damaged; or liquid has been spilled, or objects have fallen, int o the apparatus; or if the apparatus has been exposed t o rain or moisture, does not opera te normally , or has been dropped. All Pr eSonus products in the USA shoul[...]

  • Page 3

    T able of C onten ts 1 Overview — 1 1.1 Introduction — 1 1.2 About This Manual — 1 1.3 Summary of StudioLive 16.0.2 Hardwar e Fea tures — 2 1.4 What is in the Bo x — 3 2 Getting Star ted — 4 2.1 Lev el Setting Procedure — 4 3 Hookup — 9 3.1 Rear-Panel C onnections — 9 3.2 T ypical Live Band Hookup Diagram — 12 3.3 T ypical Recor[...]

  • Page 4

    5.3 Graphic Equalizer — 48 5.3.1 The Graphic EQ Menu and Contr ols — 49 5.3.2 Saving and Loading GEQ Pr esets — 50 5.4 Sy stem Menu — 50 5.5 Using MIDI C ontrol Mode to Remote -Contr ol StudioLive — 52 5.5.1 Recalling Scenes and FX Presets Remotely — 53 5.5.2 Using Contr ol Change Messages to Contr ol V olume and FX Assignments — 53 5[...]

  • Page 5

    StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty 1 Overview 1 Overview 1.1 Introduction Thank y ou for purchasing the P reSonus StudioLive™ 16.0.2 P er formance and Recording Digital Mixer . Pr eSonus Audio Electronics has designed the StudioL[...]

  • Page 6

    2 1.3 Summary of StudioLive 16.0.2 Hardware F eatures Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Overview 1.3 Summar y of StudioLiv e 16.0.2 Hardware F eatures • 24-bit/48 kHz sampling rate • 12 Class A XMAX micr ophone preamplifiers • 16 line -level inputs • 4 auxilia[...]

  • Page 7

    3 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Overview 1.4 What is in the Bo x Y our StudioLive package contains the f ollowing: • Pr eSonus StudioLive 16.0.2 digital recording and performance mixer • 6’ (1.8 m) 6-pin-to-6-pin F ireWi[...]

  • Page 8

    4 2.1 Lev el Setting Procedure Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Getting ST arted 2 Getting Star ted Before y ou begin, here are a few gener al rules of thumb: • Always turn the Main fader and both the Monitor and Phones knobs in the Monitor section down before makin[...]

  • Page 9

    5 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Getting Started 2. Connect the Main outs ( TRS or XLR) of your StudioLive to your pow er amplifier or powered monitors . 3. If you’ re using passive speakers, c onnec t them to y our power am[...]

  • Page 10

    6 2.1 Lev el Setting Procedure Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Getting ST arted 6. Plug your StudioLiv e into a power outlet and turn it on. 7. If your microphone requir es phantom power , engage the 48V button on Channel 1 of your StudioLiv e. 8. T urn on your ampli[...]

  • Page 11

    7 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Getting Started 9. Pr ess the Input button in the Meter sec tion. 10. Speak or sing into your microphone at appro ximately the same volume you expect during the per formance . 11. Turn the trim [...]

  • Page 12

    8 2.1 Lev el Setting Procedure Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Getting ST arted 13. Press the Select button on Channel 1 and raise the Channel 1 fader until it reaches “U” (unity gain). 14. Br ing up the Main fader until you can comf or tably listen to your micro[...]

  • Page 13

    9 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Hookup Hookup 3 Hookup 3.1 Rear-P anel Connections Microphone Inputs. Y our StudioLive is equipped with 12 Pr eSonus XMAX microphone preamplifiers f or use with all types of microphones. The XM[...]

  • Page 14

    10 3.1 Rear-Panel C onnections Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Hookup Hookup Channels 13/14 and 15/16 have unbalanced RCA c onnec tions, in addition to the balanced TRS connec tions. Like the TRS connections, the right RCA input will not be accessible on the mixer if[...]

  • Page 15

    11 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Hookup Hookup MIDI I/O . MIDI stands for “Musical I nstrument Digital Interface. ” How ever , MIDI has uses well beyond instruments and sequencing . The MIDI inputs and outputs allow connec[...]

  • Page 16

    12 3.2 T ypical Live Band Hookup Diagram Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Hookup Hookup 3.2 T ypical Live Band Hookup Diagram On 100 - 240 V AC 50-60Hz Rhythm Guitar and Amp Bass Guitar Drum Set Lead V ocal Mic Keyboard Front -of-House Speakers Monitors Laptop MIDI Pe[...]

  • Page 17

    13 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Hookup Hookup 3.3 T ypical Recording Hookup Diagram On 100 - 240 V AC 50-60Hz PreSonus HP60 Headphone Distribution Reference Monitors Rhythm Guitar and Amp Bass Guitar Drum Set Lead V ocal Mic [...]

  • Page 18

    14 4.1 The F at Channel Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4 C ontrols 4.1 The F at Channel The rev olutionar y F at Channel is the heart of the StudioLive. The F at Channel makes dynamics, routing , and panning for every input and output on the StudioLive avai[...]

  • Page 19

    15 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls Polarity In vert Button. Inverts the Polarity of the Selected Channel. Push this button t o invert the polarity of the selec ted channel’ s signal (that is, t o alter the polarity by[...]

  • Page 20

    16 4.1 The F at Channel Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls High Pass F ilter On/Off . T urns the High Pass F ilter On/Off for the Selected Channel or Output Bus. This button engages and disengages the high-pass filter for the selected channel or output bus. [...]

  • Page 21

    17 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls Compr essor Auto Mode Button. Enables Automa tic Response Mode. When Auto mode is active , the Response control becomes inoperativ e, and a preprog rammed attack and release curve is u[...]

  • Page 22

    18 4.1 The F at Channel Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls Limiter On/Off . T urns on the Limiter for the Selected Input Channel or Output Bus. When the limiter is engaged the button will illuminate . The threshold for the limit er is set to 0 dBFS. The Ratio [...]

  • Page 23

    19 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls Mid EQ Gain Control . Sets and Displays the Gain Attenua tion or Boost of the Center F requency for the Mid Band. This encoder sets, and the met er displays , the gain cut or boost at [...]

  • Page 24

    20 4.1 The F at Channel Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.1.4 F at Channel Panning and Ster eo Link The P an control f or each input or output bus is set on the F at Channel. The LED display shows the P an setting, and the encoder t o the right of the displa[...]

  • Page 25

    21 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.1.6 Cop ying F at Channel Settings In addition to being able to create and sa ve custom F at Channel presets, ev er y setting in the F at Channel can be copied from one channel or bu[...]

  • Page 26

    22 4.1 The F at Channel Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.1.8 Saving F at Channel Presets If you have cr eated a channel-strip setting in the F at Channel that you w ould like to save to the Channel P reset library , press the F at Channel ’ s Sav e button[...]

  • Page 27

    23 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.1.9 Channel Pr esets Librar y Y our StudioLive comes with 50 F at Channel presets custom designed b y professional P reSonus users. These presets can be altered , renamed, and overwr[...]

  • Page 28

    24 4.2 Metering Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.2 Metering The StudioLive off ers flexible metering at the touch of a button. The 12 meters in the F at Channel section can monitor : • The input signal f or each channel, post-gain and pre- dynamics, pre[...]

  • Page 29

    25 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.3 Input Channel Strip The StudioLive is equipped with all of the standar d input controls of an analog mixer . In addition, the StudioLive provides the added flexibility of routing [...]

  • Page 30

    26 4.4 Aux and FX Buses Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.4 Aux and FX Buses The aux bus provides outputs t o create auxiliary mixes that are separa te from the main mix. Y our StudioLive is equipped with 6 aux buses: A ux 1 through 4, which have ph ysical o[...]

  • Page 31

    27 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.4.2 Internal FX Bus C ontrols Internal Eff ec ts Bus Select Button. Enables F at Channel Viewing . As described in section 4.1.1, the Selec t button rout es its effects bus through[...]

  • Page 32

    28 4.4 Aux and FX Buses Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls the pan controls f or each of their respective input channels. The meters will display the pan setting of each of the input channels. U se Aux 1 Encoder mode to set the send level of each channel t o th[...]

  • Page 33

    29 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.4.4 Creating Monitor Mix es Creating custom monit or mixes is critical. If musicians can ’t hear themselves or their bandmates, their performance will suffer . A monitor mix can b[...]

  • Page 34

    30 4.4 Aux and FX Buses Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.4.5 Creating Internal FX Mix es There ar e at least two main advantages to creating an FX mix, r ather than inserting an effect in a channel. First, sever al channels can be sent to a single processo[...]

  • Page 35

    31 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.5 MultiModes Each channel and aux on the StudioLive 16.0.2 fea tures a MultiMode button. These buttons allo w you to solo or mute a channel or aux, as well as engage the channel F ir[...]

  • Page 36

    32 4.6 Main Output Bus Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.6 Main Output Bus Main Select Button. Enables F at Channel Viewing. As previously described in Section 4.1.1, the Selec t button rout es its channel through the F at Channel, enabling y ou to add dynam[...]

  • Page 37

    33 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.8 Solo Bus The StudioLive f eatures an independent Solo bus. This feature is extremely useful in setting levels for monit or mixes, dialing in dynamics pr ocessing on each channel, a[...]

  • Page 38

    34 4.8 Solo Bus Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.8.2 Using the Solo Bus for Monitoring When mixing live , or when recording multiple musicians at onc e, it is often necessary to quickly listen in on just one instrument or group . The Solo and Monitor buses [...]

  • Page 39

    35 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 4.8.3 Using Solo in Place (SIP) to Set Up a Mix W e star ted this manual with a quick and easy way t o set up the input levels for your StudioLiv e, ensuring that you hav e the highest[...]

  • Page 40

    36 4.9 Monitor Bus Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls 6. Once you ar e satisfied, bring the fader back down. 7. Next, press the MultiMode button on the snare-mic channel and repeat steps 4-6. In this way c ontinue with each drum mic, then mov e on to the other[...]

  • Page 41

    37 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Controls Monitor Output Lev el Contr ol. Adjusts the Overall Lev el of the Monitor Output. This knob adjusts the overall level of the c ontrol-room monitor outputs . Fir eWir e Monitor Button. [...]

  • Page 42

    38 5.1 The Digital FX (Eff ec ts) Menu Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5 Digital Effects | Master C ontrol F rom the Digital Effects | Master Contr ol section, you can select and change the parameters of the two internal eff ects p[...]

  • Page 43

    39 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.1.1 Creating FX P resets P age 1 of the FX Menu provides access to y our librar y of effects presets. P ages 2 and 3 pro vide access to the 13 FX types. An FX[...]

  • Page 44

    40 5.1 The Digital FX (Eff ec ts) Menu Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 8. T urn the Value enc oder clockwise or counter-clock wise to change the letter . The StudioLive allows y ou to customize the name with uppercase and lo wercase l[...]

  • Page 45

    41 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.1.3 Delay and its P arameters A delay essentially crea tes an echo, although y ou can often use delays to cr eate more complex time-based effects. The sourc e[...]

  • Page 46

    42 5.1 The Digital FX (Eff ec ts) Menu Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.1.4 Digital Effects Preset Library POS. T YPE NAME POS. T YPE NAME F1 AMBIENCE Natural F26 Cathedral F2 Lively F27 Gymnasium F3 SMALL ROOM Closet F28 Arena F4 S[...]

  • Page 47

    43 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.1.5 Digital Effects T ypes Y our StudioLive contains 13 diff erent eff ec t types from which to cr eate your own custom presets or t o redesign the included[...]

  • Page 48

    44 5.2 Scenes Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.2 Scenes The StudioLive allow s you to creat e and store a library of Scenes. A Scene is like a snapshot of your mix. It stores each F at Channel parameter for every input and bus, as wel[...]

  • Page 49

    45 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.2.2 Creating a Scene Creating a Scene requir es simply dialing in a mix that you would like t o use at a later date and sa ving it. This has obvious benefits [...]

  • Page 50

    46 5.2 Scenes Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol EQ and Dyn: All F at Channel dynamics processing , filter parameters, and pan position f or every channel and bus. Aux Mix: All aux mixes par ameters including: • Channel sends to aux mi[...]

  • Page 51

    47 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.2.4 F ader Locate If you enable fader positions as a part of your Scene recall, the StudioLive will automatically put the meters in F ader Locate mode after yo[...]

  • Page 52

    48 5.3 Graphic Equalizer Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.3 Graphic Equalizer The StudioLive 16.0.2 f eatures a 31-band, 1/3-octave graphic EQ that can be inserted on the main output bus. A graphic EQ is a multiband equalizer that use[...]

  • Page 53

    49 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol that, when subtracted from the user’ s cur ve, will produc e the flattest possible response: 0 dB. The resulting response is then used to find c oefficients [...]

  • Page 54

    50 5.4 Sy stem Menu Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.3.2 Saving and Loading GEQ P resets Like all other parameters on the StudioLive , graphic EQ settings can be stored and recalled. If you ha ve created a g raphic EQ setting that you[...]

  • Page 55

    51 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol Aux Send P osition Pr ess the Page Down button t o access the Aux P re P osition page. By default, all four aux buses are set t o Pre 1. This places the send of [...]

  • Page 56

    52 5.5 Using MIDI C ontrol Mode to Remote- Con trol StudioLive Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol Lockout Mode Y our StudioLive f eatures a Lockout mode that allo ws you to cr eate a password and lock the c ontrols. This is especially use[...]

  • Page 57

    53 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.5.1 Recalling Scenes and FX Pr esets Remotely MIDI stands for “Musical I nstrument Digital Interface. ” MIDI enables the exchange of per formance inf ormat[...]

  • Page 58

    54 5.5 Using MIDI C ontrol Mode to Remote- Con trol StudioLive Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol In order to set the correct volume f or FXA, FXB, and Main output level , your V olume Control Change messages must include values fr om 0 t[...]

  • Page 59

    55 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol Navigate to P ages 4 and 5 of your StudioLiv e system menu and set each page up as shown in these images: Setting Up Different MIDI Channels on Y our FCB1010 Ne[...]

  • Page 60

    56 5.5 Using MIDI C ontrol Mode to Remote- Con trol StudioLive Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol Scene Recall 1. Select Bank 00 by using the Up or Down pedals. 2. Pr ess Pedal 1 t o select Preset 1. 3. Pr ess and hold the Down pedal to e[...]

  • Page 61

    57 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol 5.5.4 Con trolling the StudioLive 16.0.2 with a Roland FC-300 Roland FC-300 Pa tch Mode offers many flexible wa ys for you to c ontrol your StudioLive 16.0.2. [...]

  • Page 62

    58 5.5 Using MIDI C ontrol Mode to Remote- Con trol StudioLive Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol Creating a Ne w Patch on the Roland FC-300 Now that your StudioLiv e is set up to communicate with the Roland FC-300, you will need to creat[...]

  • Page 63

    59 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Digital Effects Master Contr ol FXA Assign/Unassign to Mains 1. Next, we will set CTL Pedal 2 to contr ol the Main assignment (“ mute”) f or FXA. 2. Pr ess the right Parameter butt on until[...]

  • Page 64

    60 6.1 Stereo Microphone Plac ement Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources 6 Resourc es 6.1 Stereo Microphone Plac ement The follo wing are a few rec ording applications to help you get started with your StudioLive. These are by no means the only wa ys to recor d [...]

  • Page 65

    61 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources Acoustic Guitar Poin t a small- diaphragm c ondenser microphone at the 12th fret, appro ximately 8 inches awa y . Point a lar ge - diaphragm condenser micr ophone at the bridge of the[...]

  • Page 66

    62 6.1 Stereo Microphone Plac ement Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources Drum Overheads (XY example) Place two small-diaphragm condenser microphones on an XY stereo-microphone holder (bar). Position the micr ophones so that each one is at a 45-degree angle, poin[...]

  • Page 67

    63 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources 6.2 EQ F requency Guides T able 1 Instrument What to Cut Why to Cut What to Boost Why to Boost Human Voice 7 kHz Sibilance 8 kHz Big sound 2 kHz Shrill 3 kHz and above Clarity 1 kHz N[...]

  • Page 68

    64 6.2 EQ Fr equency Guides Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources T able 2 • bass “pluck” • acoustic/electric guitar attack • lower piano register attack • vocal clarity • decrease muddiness in vocals and mid-range instruments • decrease long bass[...]

  • Page 69

    65 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources 6.3 T echnical Specifica tions Microphone Preamp T ype XLR Female , balanced Frequency Response to Direct Output (at unity gain) 20 Hz-40 kHz, ± 0.5 dBu Frequency Response to Main O[...]

  • Page 70

    66 6.3 T echnical Specifications Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources Aux Outputs T ype ¼” TRS Female , balanced (mono) Rated Output Lev el +18 dBu Output Impedance 51Ω Monitor Outputs T ype 1/4” TRS Female , balanced (stereo pair) Rated Output Lev el +18[...]

  • Page 71

    67 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources Digital Audio ADC Dynamic Range (A-wtd, 48 kHz) 118 dB DA C Dynamic Range (A-wtd , 48 kHz) 118 dB FireW ire S400, 400 Mb/s Internal Pr ocessing 32-bit, floating point Sampling Rate 4[...]

  • Page 72

    68 6.4 StudioLive 16.0.2 Block Diagr am Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources 6.4 StudioLive 16.0.2 Block Diag ram Main Mix L Main Mix R Solo Bus L Solo Bus R Aux 1 Aux 2 Aux 3 Aux 4 EFX B EFX A Gain Mic -6 + 65 dB Line -20 +20 dB Mic Pre FireWire Input Streams 1[...]

  • Page 73

    69 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources Main Mix L Main Mix R Solo Bus L Solo Bus R Aux 1 Aux 2 Aux 3 Aux 4 EFX B EFX A Gain Mic -6 + 65 dB Line -20 +20 dB Mic Pre FireWire Input Streams 1-8 Mic Input Line Input Aux Bus Out[...]

  • Page 74

    70 6.5 StudioLive 16.0.2 Recall Sheet Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources 6.5 StudioLive 16.0.2 Recall Sheet TRACK TRIM PRODUCTION NOTES TRACK TRIM PRODUCTION NOTES 1 Instrument Mic used Notes 2 Instrument Mic used Notes 3 Instrument Mic used Notes 4 Instrument[...]

  • Page 75

    71 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty Resources 7 T roubleshooting and W arranty 7.1 T roubleshooting Please check the Pr eSonus W eb site (ww w .presonus.c om) regularly for software information and updat es, firmwar e updates, a[...]

  • Page 76

    72 7.2 PreSonus Limited W arranty Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty T roubleshooting and W arranty 7.2 Pr eSonus Limited W arranty Pr eSonus Audio Electronics, Inc., warrants this product to be free of def ects in material and workmanship for a period of one year from [...]

  • Page 77

    73 StudioLive™ 16.0.2 Owner’ s Manual Overview Contr ols Hookup Resources Getting Started Digital Effects Master C ontrol T roubleshooting and W arranty T roubleshooting and W arranty Declar ation of C onformity Responsible P ar ty : PreSonus A udio Elec tronics Addr ess: 7257 Florida Blv d., Ba ton Rouge, LA 70806 USA Phone: 1-225-216-7887 dec[...]

  • Page 78

    EMC Stat ement: NO TE: This equipment has been t ested and found to c omply with the limits for a Class B digital devic e, pursuant to part 15 of the FCC Rules. These limits are designed t o provide reasonable pr otection against harmful inter fer ence in a residential installation. This equip- ment generates , uses, and can radiat e radio frequenc[...]

  • Page 79

    Added bonus: P reSonus’ pr eviously T op S ecr et recipe f or … Chick en and Andouille Gumbo Ingredients: • 1 C all-purpose flour • ¾ C vegetable oil • 1 large onion (diced) • 1 small onion (quartered) • 6 celery stalks (diced) • 1 large green bell pepper (dic ed) • 3 cloves garlic (2 minced , 1 whole) • 1 lb link Andouille sau[...]

  • Page 80

    7257 Florida Boulevard • Bat on Rouge, Louisiana 70806 USA • 1-225-216-7887 ww w .presonus.c om Part# 820-SL0002-C StudioLiv e ™ 16.0.2 P er formanc e and Rec ording Digital Mix er O wner ’ s Manual ®[...]