Pyle P26LCD manual

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A good user manual

The rules should oblige the seller to give the purchaser an operating instrucion of Pyle P26LCD, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.

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The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of Pyle P26LCD one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.

Unfortunately, only a few customers devote their time to read an instruction of Pyle P26LCD. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.

What should a perfect user manual contain?

First and foremost, an user manual of Pyle P26LCD should contain:
- informations concerning technical data of Pyle P26LCD
- name of the manufacturer and a year of construction of the Pyle P26LCD item
- rules of operation, control and maintenance of the Pyle P26LCD item
- safety signs and mark certificates which confirm compatibility with appropriate standards

Why don't we read the manuals?

Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Pyle P26LCD alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Pyle P26LCD, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Pyle service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Pyle P26LCD.

Why one should read the manuals?

It is mostly in the manuals where we will find the details concerning construction and possibility of the Pyle P26LCD item, and its use of respective accessory, as well as information concerning all the functions and facilities.

After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.

Table of contents for the manual

  • Page 1

    M od e l P 26 : L CD 16 : 9 D I G I T A L L C D - T V - M o n i t or O PE R A TI N G M A NU AL 2 6 H i - D e f i n it i o n L C D F l a t P a n e l TV[...]

  • Page 2

    T u r nin g o n an d o f f TV S el e c t o n s c r ee n l a nguage C h oo s i n ga T V c ha n nel S e l e c t in g inpu t s ou r ce Ho w t o adj u s t t h e O SD V olu m e adju s t m e nt P i c t u r e m en u op t i o ns A ud i o m en u op t ions S e t u p m en u op t io ns F ea t u r e m en u op t ions V G A m en u o p t ions Y P b P r m en u op t[...]

  • Page 3

    C o n t e n ts 2 21 T R O UB L E S H O O T I NG AN D AD V I CE 8 22 S P E C I F I C A T I O NS 9[...]

  • Page 4

    3 P R E F ACE T han k y o u fo r bu yi n g th i s T V ! P l ea s e r ea d th i s m anua l t h o r ough l y befo r e o p e r at i n g th e m o n i to r. Ma k e s u r e th e m on i to r w a s no t da m age d i n t r an s i t . S hou l d t h e mon i t o r i s damaged , d o n o i n s t a ll i t an d c onta c t y ou r dea l e r . C he c k tha t y o u h [...]

  • Page 5

    4 H e a t i n g so u r c e s a n d hu m i d ity K ee p t h e m oni t o r d r y an d awa y f r o m hu m id i t y. K ee p t h e m oni t o r awa y f r o m hea t s ou r c es C l ea n i n g a n d m a i n t e n a n ce Unplu g t h e m oni t o r be f o r e c lean i n g i t . D o no t u s e s ol v en t s o r liquids t o c lea n t h e m on i t o r. O nl y c [...]

  • Page 6

    M E NU P O W ER S O UR CE V OL CH V OL CH F r o n t , B ac k , C o n n e c t i o n s o f L CD F r on t V i ew B a c k V i e w a n d C on t r o l C o nn e c ti o ns 5 IR O N OFF / L ED H D M I2 13 14 15 1 6 17 18 19 12 1 1 10 9 8 7 6 5 3 2 1 P C IN Y1 P b1 Pr1 Y2 P b2 Pr2 L R L2 R2 L1 R1 R F i n p ut C V BS S V I D EO P C AUDI O IN 4 H D M I1 1 2 3 [...]

  • Page 7

    6 T V I N S T A L L T I O N DR A W I N GS T o en s u r e goo d p i c t u r e an d s ound , T V a n t enn a s y s t e m need s t o b e in s t a lled . T h e an t enn a s y s t e m as s how n c a n b e s ou r c e d f r o m T V equip m e n t s hop s , whi c h w i l l p r o v i d e s e rv i c e f o r c o r r e c t in s t al l a t i on an d c onne c t i[...]

  • Page 8

    7 P C I N P U T C O NN E C T I ON P C IN P C A U D I O IN Y1 Y2 L R L2 R2 L1 R1 H D M I2 P C IN P b1 P r1 P b2 P r2 R F i n p ut C V BS S V I D EO P C A U D I O IN H D M I1[...]

  • Page 9

    8 M e n u O pe r a t i on 1 . C o n n e c t i n g t o t h e A C i n p u t c a bl e t h e n p r e s s t h e m a i n p ow e r s w i t c h t o s w i t c h O N L C D T V . A t t h i s t i m e t h e T V w i l l e n t er s t a n d b y m o d e a n d i n d i c a t o r s h o w r e d. 2 . U s e P O W E R b u tt o n c a n t u r n O N L C D T V f r o m s t a n[...]

  • Page 10

    9 Pr e s s t o i n cr e a s e c h a n n e l n u m b e r. Pr e s s t o d e c r ea s e c h a n n e l nu m b e r. C H+ C H- Y o u c a n s e l e c t t h e c h a n n e l n u m b e r b y p r e ss i n g0 t o 9 o r - / --. M e n u O p e r a t i on - P r e s s t h e b u t t o n t o d i s p l a y t h e m a i n m e n u. ME NU - U s e / // b u tt o n s t o s e[...]

  • Page 11

    M e n u O p e r a t i on I n t h i s m a n ua l , t h e O S D ( O n Scr e e n D i s p l a y ) m a y b e d i f f e r en t f r o m y o u r TV ’ s b e c a u s e i t i s j u s t e x a m p l e t o he l p t he T V o p e r a t i o n. 3 . W h e n y o u a r e s a t i s f i e d w i t h y o u r a d j u s t m e n t , p r e ss t o e x i t t h e m a i n m e n [...]

  • Page 12

    M e n u O p e r a t ion 3 . W h e n y o u a r e s a t i s f i e d w i t h y o u r a d j u s t m e n t , p r e ss o r t o e x i t t h e m a i n m e n u. ME N U E X IT 2 . Pr e s s a n d b u tt o n t o a d j u s t. 1 . U s e / t o s e l e c t w h a t y o u w a n t t o a d j u s t i n t he m e n u. A u d io Pr e s s / b u tt o n a n d t he n u s e / t[...]

  • Page 13

    M e n u O p e r a t i on Pr e ss ▲ / ▼ k e y t o m o v e t h e c u rs o r t o t h e i t e m t o b e s e l e c t e d ( i t e m s e l e c t e d i s h i g h l i g h t e d i n y e l l ow ) . Pr e s s k e y t o e n t er y o u r s el e c t i o n an d sc a n . A ft e r t h e sc a n i s f i n i s h e d , t h e f o l l o w i n g m e n u w i l l d i s p [...]

  • Page 14

    M e n u O p e r a t i on A ud io S e t up F e a t u re T o Mo ve T o S e l e ct T o E x it T i m e S et S l e e p T i m er A d v a n c e d V ide o M enu P a ss w o r d S et P a r e n t a l C on t r ol D i g i t a l C l o s e d C ap t i on P i c t u re O ff 3 . W h e n y o u a r e s a t i s f i e d w i t h y o u r a d j u s t m e n t , p r e ss t o [...]

  • Page 15

    M e n u O p e r a t i on - N o i s e Re d u c t i o n --S p a t i a l : p r e s s E n t e r t o s e l e c t o n o r o f f. - N o i s e Re d u c t i o n --S p e ck l e : p r e s s E n t e r t o s e l e c t o n o r o ff. - N o i s e Re d u c t i o n -- T e m p o r a l : p r e s s E n t e r t o s e l e c t o n o r o f f. - A u t o C o n t r a s t E n [...]

  • Page 16

    M e n u O p e r a t i on - S t y l e : p r e s s E n t e r t o s e l e c t o n e o f A u t o m a t i c a n d C u s t o m , w h e n y o u s e l e c t a u t o m a t i c , t h e o t he r s a r e d i s a b l e an d c a n n o t be a d j u s t ed. - S i z e : p r e s s t o s e l e c t o n e o f N o rm a l / L a r g e a n d Sm a l l. - F o n t : p r e s s[...]

  • Page 17

    M e n u O p e r a t i on -P h a s e T h i s f u n c t i o n a l l o w s y o u t o r e m o v e a n y ho r i z o n t al n o i s e a n d c l e a r o r s h a r pe n t h e i m a g e o f c h a r a c t e rs - C l o c k T h i s f u n c t i o n i s t o m i n i m i z e a n y v e r t i c a l b a r s o r s t r i p es v i s ib l e o n t h e scr e e n b a ck g r[...]

  • Page 18

    M e n u O p e r a t i on A u d io S e t up F ea t u re T o M o ve T o S ele ct T o E x it T i m e S et S l ee p T i m er A d v an c e d V i de o M enu P i c t u re O ff Pr e s s / b u t t o n an d t h e n u s e E n t e r t h e t i m e s e t m e n u a s b e l o w t h a t a l l o w s y o u t o s e t t h e t i m e t h e T V w i l l d i s p l a y. Pr e[...]

  • Page 19

    18 R E M O T E C O N T R OL R e m o t e c o n tr o l i n s tr u c ti o ns VOL CH S O U R CE SM O DE PM O DE C CD S L EEP EX IT ME NU Z OOM E PG M TS F AV F AV F AV S w i tc h o n L C D T V w he n a t st an d b y m o d e o r v i ce v er s a. P r e s s t o m u t e t h e s ou n d . Pre s s ag a i n o r pre ss VO L + t o u n m u t e. P r e s s 0 - 9 t [...]

  • Page 20

    VOL CH S O U R CE SM O DE PM O DE C CD S L EEP EX IT ME NU Z OOM E PG M TS F AV F AV F AV 19 A l lo w s y o u t o n a v ig a t e t h e on- sc re e n m e nu s and ad j u s t t h e s yst e m s e tt i ng s t o y o u r p r e f ere n c e. C lea r s a l l o n- sc ree n d i s pl a y s an d re t ur n s t o TV v ie w i n g f ro m an y m e n u. Br i ng s u p[...]

  • Page 21

    20 B a tt e r y U s a g e C a u ti on a ) O pe n th e c o v er b ) A A s iz e batte r i e s , W he n i n s e r t i n g th e batte r i e s , m a k e s u r e c o r r e c t po l a r i t i e s a s per ” + “ and ” - “ m a r ks o n th e bat t e r i e s an d w i th i n th e batte r y c o m pa r t ment c ) R ep l a c e th e batte r y c o v er 1 . I[...]

  • Page 22

    21 T R O UB L E S H O O T I N G AN D AD V I CE B e f o r e c allin g ou r S A S c en t r e , plea s e c he c k i f y o u c a n s ol v e t h e t r ouble s hoo t in g b y y ou r s e l f. C o n t r ol T r ou b l e s h o o t i ng N o s ignal N o c olo r s hades S t ai n s ho w o n t he s c r een. D o u bl e o r m ul t iple di s pl a y i m age S no w o [...]

  • Page 23

    22 SPE C I F I C A T I O NS S c r e e n S i ze D i sp l a y T ype R e s o l u t i o n ( P i x e l) B r i g h t n e ss C o l or C o n t r a s t R a tio V i e w A n g l e ( H / V) A s p e c t R a t io A C I N P UT T V S y s t em V i d e o I n p u t F o r m at A n t e nn a I n p ut A u d i o O u t p ut I n put V i d eo S - V i d eo PC A ud io ( V i d [...]