English dropdown-ico

Radio Shack 42-4058 manual

1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44

Go to page of

Similar user manuals

A good user manual

The rules should oblige the seller to give the purchaser an operating instrucion of Radio Shack 42-4058, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.

What is an instruction?

The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of Radio Shack 42-4058 one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.

Unfortunately, only a few customers devote their time to read an instruction of Radio Shack 42-4058. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.

What should a perfect user manual contain?

First and foremost, an user manual of Radio Shack 42-4058 should contain:
- informations concerning technical data of Radio Shack 42-4058
- name of the manufacturer and a year of construction of the Radio Shack 42-4058 item
- rules of operation, control and maintenance of the Radio Shack 42-4058 item
- safety signs and mark certificates which confirm compatibility with appropriate standards

Why don't we read the manuals?

Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Radio Shack 42-4058 alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Radio Shack 42-4058, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Radio Shack service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Radio Shack 42-4058.

Why one should read the manuals?

It is mostly in the manuals where we will find the details concerning construction and possibility of the Radio Shack 42-4058 item, and its use of respective accessory, as well as information concerning all the functions and facilities.

After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.

Table of contents for the manual

  • Page 1

    42-4058 OWNER’S M ANUAL — Please read before using this equipment. © 2002 Rad ioShack Co rporati on. All Rights Reserv ed. RadioSh ack and RadioShack .com are tr ademarks used b y RadioS hack Cor pora tion. 32-Not e Pol ypho nic So und — lets you play and hear up to 32 notes at the same time, so you can play or cre ate almost an y type of mu[...]

  • Page 2

    The FCC W ants You to K now 2 6*'  (%%  9#065  ;17  61  -019 This equ ipment has bee n test ed and found to compl y w i th th e li mi ts f or a Class B digi tal device , pursu ant to Part 1 5 of the FCC Rules . These li mits are desig ned to provide reasonab le protection ag ainst harmful interf eren ce in a re si den tial insta[...]

  • Page 3

    Connecting Headphones Connecting Headphones 3 %100'%6+0)  *'#&2*10'5 To listen to your keyboa rd without disturbing other s, you ca n connec t an optional pa ir of stereo he adphones with a 1 / 4 -inch (6. 35 mm) plug. You r local Radio Shack sto re sells a wide sel ection of headp hones. Insert the headpho nes’ plug into P [...]

  • Page 4

    4 A Quick Look at Your K eyboard Tempo Control — lets you spee d up or slow down the tempo of any selected music patt ern. Split Functio n — lets you u se differe nt sounds for the low- an d high-end keys (see “Using S PLIT” on Page 8). Sustain/Assign able Ja ck — lets you connect a su stain pe dal (not suppl ied, availabl e at y our loca[...]

  • Page 5

    Basic Operation 5 $#5+%  12'4#6+10 1. Slide VO LUME to MIN (minim um) .  2. T o turn on the keyb oard, pre ss POWER . The POWER indicator lights and t he displ ay tu rns o n. ± 3. Slide MO DE to NORMAL . 4. Slide VO LUME toward MAX slightly and begin p l aying the key board. • T o select an auto-rhy thm, see “Us ing the Prese t Auto[...]

  • Page 6

    Using Reverb and Chorus 6 4. T o select a dif f e rent ton e, re pea t Step 2 while JED; JED; JED; JED; appea rs. 7 5+0)  #0  # &8#0%'&  6 10' The first 100 tones (numbers 0 0 to 99 ) hav e correspo nding adv anced tones. Th e advanc ed tones use variatio ns of standar d tones c reated b y program ming in effects (DSP) an[...]

  • Page 7

    DSP (Dig ital Signal Process or) 7 9^e 9^e 9^e 9^e :[fj^ :[fj^ :[fj^ :[fj^ ( &&& &&& &&& &&& to '(- '(- '(- '(- )—Sets the undulat ion depth of the ch orus sound. A higher v alue p roduce s deeper undulat ion. 3. Repe atedly pre ss + or – or use the number bu ttons t o input th[...]

  • Page 8

    Using SPLIT 8 2. Repeat edly press + or – or enter a number u s ing the numbe r button s to select the equ ali ze r type you want. The equa lizer type ( IjWdZWhZ IjWdZWhZ IjWdZWhZ IjWdZWhZ , 8Wii! 8Wii! 8Wii! 8Wii! , Jh[ X b [  ! Jh[ X b [  ! Jh[ X b [  ! Jh[ X b [  ! , BekZ d[i i BekZ d[i i BekZ d[i i BekZ d[i i , C[bb e [...]

  • Page 9

    Using the P reset Auto-Rhyt hms Using the P reset Auto-Rhyt hms 9 3. Repea tedly p res s SPLIT until th e SPLIT indica tor appears. 4. Enter the n u mber for the low-e nd base tone. 5. Repea tedly p res s SPLIT until th e SPLIT indica tor disappears. 6. Repea tedl y pres s LA YER until the LA YER indicator app ears. 7. Enter the numb er of the laye[...]

  • Page 10

    Using Auto Accompaniment 10 automati cally re sumes at the en d of th e current m easure. When yo u press another v ariation b utton ( V ARIA TION/FILL-I N 2 whi le you are pl aying variatio n 1, for ex ample), the keyb oard starts to play the newl y-sel ect ed variation and does no t inse rt a fill-in . 7 5+0)  (+..  +0  0':6 To swit[...]

  • Page 11

    Using Auto Accompaniment 11 The lowes t note you play determin es the key of the chord. For examp le, if the lowest note is C, the k eyboard p lays a C chord. ± 1. Set MO DE to CONCERT CHORD . 2. Enter a two-d igit a uto-rhythm number . 3. T o start the auto -rhythm before the auto accom paniment , press ST ART/STO P or I NTRO/ENDING 1 or 2 . Or ,[...]

  • Page 12

    Using the Mixer 12 7 5+0)  # 761  * #4/10+<' When using auto-ac c om pan im ent in the fingered or concert chord modes, press AUTO HARMONIZE to auto matic ally add harmony to yo ur melodi es. The indicato r next to AUT O HARMONIZE l i ghts, and the keyboa rd adds har mony base d on the chord playing on the accomp animent key s ection.[...]

  • Page 13

    Using the Tone Synthesizer 13 units. A cent is one hun dredth of a semitone. There are 12 sem itones pe r octav e. Effect Parame ters HlX HlX HlX HlX (R everb ) I[dZ I[dZ I[dZ I[dZ ( &&& &&& &&& &&& to '(- '(- '(- '(- ) – controls how much re verb is ap plied. &&& &am[...]

  • Page 14

    Using the Registration Memory 14 When yo u store a tone with DSP line turned on , all th e DSP parame ters are recalled as you select the tone. 4. Repeat edly press + or – to chan ge the paramete r ’s s etting , or use th e number buttons to directly ente r a value f or the paramete r . If you w ant to change a nother paramete r , repeat Ste ps[...]

  • Page 15

    Special Features 15 the dis play is the num ber of “ce nts” to which th e keyboa rd is curre ntly tune d, compar ed to its default pitch. 2. Within 5 se conds, repe atedly pres s – or + to lowe r or rais e th e ke yb oard ’s pitch. Each tim e you pre ss the key , the number decrea ses or in creases by 1 cent. 7 5+0)  6 17%*  4 '5[...]

  • Page 16

    Using the Song Memory 16 75+0)  6*'  510)  /'/14; The key board lets you reco rd up to two separate songs (w ith up to about 3,500 notes) in memory for l a ter playback. You can use either of two methods to record a song — re al-time rec ordin g (you rec ord as you play) or step rec ordi ng (yo u enter note s and cho rds one -b[...]

  • Page 17

    Using the Song Memory 17 2 .#;+0 )  $ #%-  (4 1/  5 10)  / '/14; 1. Repea tedl y pres s SON G ME MORY until FbW o FbW o FbW o FbW o appears. 2. Within 5 s econds, repeated ly press + or – (or 0 or 1 ) to se lect a so ng num ber . 3. Withi n 5 secon ds, pre ss ST ART/STOP to play ba ck the s ong you selec ted. Y ou can us e TEMPO [...]

  • Page 18

    Using the Song Memory 18 ( EXIT ) to cancel the rewrite opera tion. ± 4 '%14&+0)  / 7.6 +2. '  6 4#%-5 In addit ion to Track 1, where you record auto accomp animent as well as keyb oard pl ay, there are f ive other tracks you can use to record m elody par ts only. Yo u can rec ord different tones on these t racks and buil d a f[...]

  • Page 19

    Using the Song Memory Using the Song Memory 19 &GNGVKPI  C  5QPI 1. Repea tedl y pres s SON G ME MORY until FbW o FbW o FbW o FbW o appears. 2. Repea tedl y pres s + or – to selec t the song nu mber . 3. Press G ( ENTER ). Ied]:[b5 Ied]:[b5 Ied]:[b5 Ied]:[b5 appears 4. Press YES . Ikh[5 Ikh[5 Ikh[5 Ikh[5 appea rs, prompti ng you to c on[...]

  • Page 20

    Using the Song Memory 20 / #-+0)  6*'  /+&+  % 100'%6+105 To conne ct your keyboa rd to anoth er MIDI- equippe d devi ce, you must us e a MIDI cable (availab le at Ra dioSha ck).     To send MIDI data from your k eyboard, u s e a MIDI ca bl e to c onn ec t the key boa rd’ s MIDI OUT termin al to th e other devic[...]

  • Page 21

    Using the Song Memory Using the Song Memory 21 Active Sense — This means the keyboa rd’s sou nd turns of f in the event th e connec tion cabl e to th e MIDI IN term ina l is accide ntally d isconnected. 7 5+0)  6*'  & #6#  & 190.1#&  5 '48 +%' Visit www.radiosha ck.com to downl oad the preset a c companime[...]

  • Page 22

    Troubleshooting 22 6417$.'5*116+0) %#4' Keep the k eyboard dry; if it g ets wet, wipe it dry immed i ately. Use and s tore th e keyboa rd only in normal temperat ure environm ents . Handle the keyb oard carefull y; do n ot drop it. Keep the keyboa rd away from dust and dirt, an d wipe it wit h a damp cl oth occasiona lly to keep it l ooki[...]

  • Page 23

    23 Tone List 610'  .+56 2 #0'.  6 10'5[...]

  • Page 24

    24 Tone List 2 #0'.  6 10'5  %106+07'& [...]

  • Page 25

    25 Tone List # &8#0%'&  6 10'5[...]

  • Page 26

    26 Tone List # &8#0%'&  6 10'5  %106+07' & [...]

  • Page 27

    27 Tone List )/  6 10'5[...]

  • Page 28

    28 Tone List )/  6 10'5  %106+07'& [...]

  • Page 29

    29 Tone List & 47/  5 17 0&5 7 5'4  6 10'5[...]

  • Page 30

    30 Tone List & 47/  # 55 +)0/' 06  . +56[...]

  • Page 31

    31 Tone List ( +0)'4 '&  % *14&  % *#4 6[...]

  • Page 32

    Effect List 32 '(('%6  .+56 4 '8'4$ % *1475 &52[...]

  • Page 33

    33 Effect List &52  %1 06+ 07' & [...]

  • Page 34

    34 Effect List &52  # .)14+ 6*/  . +56 0WODG T 0COG (WPEVKQP 2CTCOGVGTU 00 Auto Pan Continually performs left-right panning of the input signal in accordanc e with an LFO. 0: Rate (0 to 127) – Adjusts the panning rate. 1: Depth (0 to 127) – A djusts the panning depth. 01 Tre mo lo – Adjusts volume of input s ignal in accordance with[...]

  • Page 35

    35 Effect List 09 Stereo Phaser This is a stereo phaser that modulates the phase in accordance with a sine wave LFO. 0: Resonance (0 to 127) – Adjusts the resonance of the sound. 1: Manual (-64 t o 0 to +63) – Adjusts the p haser shift v olume, which is used for reference. 2: Rate (0 t o 127) – Adjusts the rat e of the LFO. 3: Depth (0 t o 12[...]

  • Page 36

    36 Effect List 21 Stereo Del ay 2 This is a cross feedbac k delay of s tereo input and output. 0: Delay Time (0 to 127) – Adjusts the delay time . 1: Wet Level (0 to 127) – Adjust s the level of t he effect sound. 2: Feedback (0 to 127) – Adjusts the repeat of the delay . 3: High Damp (0 to 127) – Adjusts damping of the high-range delay sou[...]

  • Page 37

    37 Effect List The foll owing “Multi” a lgorithms are us ed in co mbina tion wit h the a lgorithms describ ed previ ous ly in thi s sec tio n. Pa ram et er s are sh ar ed by both t ype s of al gor ith ms. 0WODG T 0COG (WPEVKQP 2 CTCOGVGTU M00 Multi00 (Sin 2-Phase Chor us — 2-T ap Delay) This is a multi effector that is relat ed to Sin 2-Phase[...]

  • Page 38

    38 Effect List M08 Multi08 (Sin 2-Phase Chorus — Flanger) This is a multi effector that is related to Sin 2-Phase Chorus — Flanger . 0: Chorus LFO Rate 1: Chorus LFO Depth 2: Chorus Feedback 3: Chorus Wet Level 4: Flanger LFO Rate 5: Flanger LFO Depth 6: Flanger Fe edback 7: Flanger Wet Level M09 Multi09 (Sin 2-Phase Chorus — Tremolo) This is[...]

  • Page 39

    39 Effect List M17 Multi17 (Rotary — Reflection) This is a multi ef f ect or related to Rotary — Reflection. 0: Rotary Speed 1: Rotary Br eak 2: Rotary Slow Rate 3: Rotary Fas t Rate 4: Reflection Wet Level 5: Reflection Feedback 6: Reflection T one M18 Multi18 (Compressor - Enhanc er — 2-T ap Delay) This is a multi effector that is relat ed [...]

  • Page 40

    40 Effect List M26 Multi26 (Auto Wah - Distortion — 2-T ap Delay) This is a m ulti effector that is related to Auto Wah - Distortion — 2-T ap Delay . 0: Wah Manual 1: Wah Depth 2: Distortion Gain 3: Distortion T one 4: Distortion Level 5: Delay T i me 6: Delay Wet Level 7: Delay Feedback M27 Multi27 (LFO Wah - Distortion — 2-T ap Delay) This [...]

  • Page 41

    41 MIDI Implementation Chart / +&+  +/2.'/'06#6+10  %*#46[...]

  • Page 42

    Specifications 42 52'%+(+%# 6+105 Number of Key s ......... .... ....... ...... .......... ..... ..... 61 Polyphonic Sound ....................... 32-note (Max.) Preset T ones ........................................... ...... 348 (100 panel tones, 128 General MID I, 10 drum sounds, 10 user , 100 advanced tones) with Layer and Split Rhythm Ins[...]

  • Page 43

    Notes Notes 43 0 16'5[...]

  • Page 44

    42-4058 MA0206-A 04A02 Printed in Malaysia Radi oSha ck Corp ora tio n Fort Worth, Texas 76102 MD1 121E-1 Limited On e-Y ear W arranty This pro du ct is war ran ted by R a dioS h ack ag ain s t ma nuf actu ring def ects in ma ter ial and wor kma nsh ip un der nor - mal use for on e ( 1) yea r fr om the da te o f p urch ase fro m Radi o S hack com p[...]