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A good user manual
The rules should oblige the seller to give the purchaser an operating instrucion of Roland Audio Processor SL-20, along with an item. The lack of an instruction or false information given to customer shall constitute grounds to apply for a complaint because of nonconformity of goods with the contract. In accordance with the law, a customer can receive an instruction in non-paper form; lately graphic and electronic forms of the manuals, as well as instructional videos have been majorly used. A necessary precondition for this is the unmistakable, legible character of an instruction.
What is an instruction?
The term originates from the Latin word „instructio”, which means organizing. Therefore, in an instruction of Roland Audio Processor SL-20 one could find a process description. An instruction's purpose is to teach, to ease the start-up and an item's use or performance of certain activities. An instruction is a compilation of information about an item/a service, it is a clue.
Unfortunately, only a few customers devote their time to read an instruction of Roland Audio Processor SL-20. A good user manual introduces us to a number of additional functionalities of the purchased item, and also helps us to avoid the formation of most of the defects.
What should a perfect user manual contain?
First and foremost, an user manual of Roland Audio Processor SL-20 should contain:
- informations concerning technical data of Roland Audio Processor SL-20
- name of the manufacturer and a year of construction of the Roland Audio Processor SL-20 item
- rules of operation, control and maintenance of the Roland Audio Processor SL-20 item
- safety signs and mark certificates which confirm compatibility with appropriate standards
Why don't we read the manuals?
Usually it results from the lack of time and certainty about functionalities of purchased items. Unfortunately, networking and start-up of Roland Audio Processor SL-20 alone are not enough. An instruction contains a number of clues concerning respective functionalities, safety rules, maintenance methods (what means should be used), eventual defects of Roland Audio Processor SL-20, and methods of problem resolution. Eventually, when one still can't find the answer to his problems, he will be directed to the Roland service. Lately animated manuals and instructional videos are quite popular among customers. These kinds of user manuals are effective; they assure that a customer will familiarize himself with the whole material, and won't skip complicated, technical information of Roland Audio Processor SL-20.
Why one should read the manuals?
It is mostly in the manuals where we will find the details concerning construction and possibility of the Roland Audio Processor SL-20 item, and its use of respective accessory, as well as information concerning all the functions and facilities.
After a successful purchase of an item one should find a moment and get to know with every part of an instruction. Currently the manuals are carefully prearranged and translated, so they could be fully understood by its users. The manuals will serve as an informational aid.
Table of contents for the manual
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Page 1
Thank you, and congratulations on your choice of the BOSS SL-20 Audio Pattern Processor. Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (separate sheet). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assure[...]
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Page 2
2 Contents Main Features .......................... 1 Panel Descriptions .................... 3 Front Panel .......................................... 3 Rear Panel ........................................... 5 Installing Batteries .................... 6 Making the Connections ........... 7 Mono Input Connection........................ 8 Stereo Inpu[...]
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Page 3
3 Front Panel Panel Descriptions BANK Knob Turn to switch the slice pattern variation. EFFECT LEVEL Knob Adjusts the volume of the effect sound. The volume of the effect sound increases as the knob is turned to the right. TEMPO Indicator This flashes in sync with the tempo. The indicator flashes red on the slice pattern’s first beat and green on [...]
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Page 4
4 Panel Descriptions POWER Indicator This indicator shows whether the power is on or off, and also functions as a battery-check indicator. * When the indicator starts to dim or fails to light, the batteries are exhausted. When this occurs, install new batteries. For instructions on replacing the batteries, refer to “Installing Batteries” (p. 6)[...]
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Page 5
5 Panel Descriptions Rear Panel INPUT Jacks (INPUT R/MONO, L) These input jacks are used for connecting electric guitars, bass guitars, other instruments, and effects processors. If using monaural input, connect only to the R/MONO jack. “Making the Connections” (p. 7) * The INPUT R/MONO jack also doubles as the power switch. The power comes on [...]
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Page 6
6 Installing Batteries Insert the batteries as shown below, being careful to orient the batteries correctly. fig.010 • When turning the unit upside-down, get a bunch of newspapers or magazines, and place them under the four corners or at both ends to prevent damage to the buttons and knobs. Also, you should try to orient the unit so that no butto[...]
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Page 7
7 Making the Connections • When using an AC adaptor, be sure to use only the specified type (PSA series; optional). Using an adaptor other than the specified type may cause the unit to malfunction, or cause damage to the unit. • To prevent malfunction and/or damage to speakers or other devices, always turn down the volume and turn off the power[...]
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Page 8
8 Making the Connections Mono Input Connection ■ Guitar or Bass fig.020 This works well when used in combination with distortion and modulation effects processors. ■ Keyboard fig.030 Guitar (Bass) AC Adaptor PSA series (optional) Guitar Amp (Bass Amp) AC Adaptor PSA series (optional) MTR Mixer Keyboard SL-20_e.book 8 ページ 2008年?[...]
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Page 9
9 Making the Connections Stereo Input Connection ■ Guitar or Bass fig.060 ■ Keyboard fig.070 Guitar (Bass) AC Adaptor PSA series (optional) Guitar Amp (Bass Amp) Effector AC Adaptor PSA series (optional) MTR Mixer Keyboard SL-20_e.book 9 ページ 2008年3月28日 金曜日 午前8時28分[...]
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Page 10
10 Operating the SL-20 Basic Operation 1. Set the knobs as shown in the figure above. 2. Press the START/STOP pedal to switch the effect on (the START/STOP indicator lights). 3. Turn the EFFECT LEVEL knob to adjust the volume of the effect. 4. Turn the TEMPO knob to adjust the tempo. * You cannot set the tempo with the SL-20 while MIDI clock is bei[...]
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Page 11
11 Operating the SL-20 Panel Operation Setting the Tempo Turn the TEMPO knob to the right to increase the tempo; to slow the tempo down, turn the knob to the left. You can adjust the tempo more precisely by turning the knob slowly. * The tempo setting is stored in memory. * You cannot set the tempo with the SL-20 while MIDI clock is being received.[...]
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Page 12
12 Operating the SL-20 Using the TAP Pedal to Cue the Slice Pattern You can jump back to the beginning of the current slice pattern by pressing the TAP pedal while the TAP indicator is off. * The slice pattern is not played when the effect is switched off. Setting the Tempo with the TAP Pedal You can set the tempo for the slice pattern by pressing [...]
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Page 13
13 Operating the SL-20 Recording/Loop Playback The SL-20 lets you record up to forty seconds of sounds played with slice patterns. After the recording is completed, loop playback of the sound begins. This allows you to perform with backing from the recorded sound. * You cannot record while the pedal mode (p. 3) is set to MOMENTARY. * Recorded phras[...]
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Page 14
14 Operating the SL-20 3. Press the START/STOP pedal to stop recording. The PLAY indicator lights up; loop playback of the recorded phrase begins. * Pressing the TAP pedal during loop playback of a phrase causes the SL-20 to return the phrase to the beginning and play it back from that point. You can enjoy performing solos using recorded phrases as[...]
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Page 15
15 Operating the SL-20 Controlling Functions with an Expression Pedal You can connect an expression pedal (such as the Roland EV-5; optional) to the EXP jack and use the pedal to control a variety of functions. * With the Direct Level, Effect Level, Attack, and Duty functions, moving the pedal all the way back to the heel position sets the minimum [...]
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Page 16
16 Operating the SL-20 Setting the Tempo Response When Slice Patterns Are Switched When switching slice patterns, you can have all the patterns play at a set tempo, without the tempos switching to the ones set in each individual pattern. 1. While holding down the PEDAL MODE button, turn on the power to the SL-20. The upper part of the TEMPO indicat[...]
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Page 17
17 Operating the SL-20 Setting the Output Mode You can have the output mode stereo effect (p. 3) applied to the direct sound when the effect is switched on. 1. While holding down the PEDAL MODE button, turn on the power to the SL-20. The upper part of the TEMPO indicator lights in green. * Plugging into the INPUT R/MONO jack switches on the power. [...]
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Page 18
18 Operating the SL-20 Synchronizing Performances with External MIDI Devices MIDI (Musical Instrument Digital Interface) is a universal standard that allows for the exchange of performance data and other information among electronic musical instruments and computers. Once MIDI cables are used to connect together devices equipped with MIDI connector[...]
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Page 19
19 Operating the SL-20 Setting the Retrigger Mode The Retrigger Mode setting determines whether or not the slice pattern will be cued to the beginning when the START/STOP pedal is pressed during reception of MIDI Clock. 1. While holding down the PEDAL MODE button, turn on the power to the SL-20. The upper part of the TEMPO indicator lights in green[...]
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Page 20
20 Returning Settings to Their Factory Defaults You can return the following settings to their original factory defaults. • Slice Pattern tempos • Expression Pedal Function setting (p. 15) • The tempo response when slice patterns are switched (p. 16) • Output Mode setting (p. 17) • Retrigger Mode setting (p. 19) * Carrying out the followi[...]
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Page 21
21 Troubleshooting Power doesn’t come on ❍ Is the guitar or keyboard connected correctly to the INPUT R/MONO jack? → Check the connections again (p. 7–p.9). * The power will not turn on without a plug connected to the INPUT R/MONO jack. ❍ Have the batteries run down? → Replace them with new batteries (p. 6). * The batteries included wit[...]
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Page 22
22 Setting Memo SL-20_e.book 22 ページ 2008年3月28日 金曜日 午前8時28分[...]
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Page 23
23 Setting Memo SL-20_e.book 23 ページ 2008年3月28日 金曜日 午前8時28分[...]
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Page 24
24 Main Specifications SL-20: Audio Pattern Processor Nominal Input Level -20 dBu Input Impedance 1 M Ω Nominal Output Level -20 dBu Output Impedance 1 k Ω Recommended Load Impedance 10 k Ω or greater Tempo 30–250 bpm Maximum Recording Time 40 seconds Controls START/STOP pedal TAP pedal EFFECT LEVEL knob DIRECT LEVEL knob BANK knob PATTERN kno[...]
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Page 25
25 MEMO SL-20_e.book 25 ページ 2008年3月28日 金曜日 午前8時28分[...]
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Page 26
26 MEMO SL-20_e.book 26 ページ 2008年3月28日 金曜日 午前8時28分[...]
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Page 27
GR SK CZ SI LV LT EE PL HU FI SE NO DK NL PT ES IT DE FR UK For EU Countries SL-20_e.book 27 ページ 2008年3月28日 金曜日 午前8時28分[...]
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Page 28
*G6027131-01* G6027131R0 1RTC This product complies with the requirements of EMC Directive 2004/108/EC. For EU Countries For Canada This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations. Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brou[...]